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DAVID AVSHALOMOV The 13 Clocks an Opera (based on the book by James Thurber) Full Score © 2018 Raven Music

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Page 1: DAVID AVSHALOMOV The 13 Clocksdavidavshalomov.com/wp-content/uploads/2018/09/13-Clocks-v1.2-ALL.pdf · 1 THE 13 CLOCKS (Libretto by David Avshalomov, based on the story by James Thurber

DAVID

AVSHALOMOV

The 13 Clocks

an Opera

(based on the book by James Thurber)

Full Score

© 2018 Raven Music

Page 2: DAVID AVSHALOMOV The 13 Clocksdavidavshalomov.com/wp-content/uploads/2018/09/13-Clocks-v1.2-ALL.pdf · 1 THE 13 CLOCKS (Libretto by David Avshalomov, based on the story by James Thurber

1

THE 13 CLOCKS

(Libretto by David Avshalomov, based on the story

by James Thurber. Used by Permission)

DRAMATIS PERSONAE

The Cold Duke of Coffin Castle Nasty Baritone, in his forties

Prince Zorn of Zorna (Xingu* the Minstrel) Lyric Tenor, 21

Princess Saralinda Lyric Soprano, almost 21

The Golux* [also Listen, invisible] Lyric Baritone, old but ageless

Hagga Contralto or Mezzo, 38

Hark/Narrator, the Duke’s henchman Bass, forties

ENSEMBLE

Taverner (Baritone)

Traveller / Jack-o’-Lent (Soprano/Mezzo; pants)

(Traveller may be played by Hagga in pants)

(Jack-o’-Lent may be played by Saralinda in pants)

Tale-Teller / Jackadandy (Bass-Baritone)

Troublemaker (Tenor)

Tosspot (Bass/Baritone)

Castle Guards and Captain (minimum 4, may be played by tavern frequenters)

AND

Whisper, the Duke’s spy, non-singing walk-off

The Todal, non-singing (2 actors, 3-legged-walking in a large dark slimy-looking sack)

Voice of the Todal (all ensemble voices mixed, offstage)

The Geese (all ensemble voices mixed, offstage)

*NOTES: Golux is pronounced as though it were spelled “Gollux,” like Gollum, or mollusk.

Xingu is pronounced “Exingu” and written thus in the score.

Todal is pronounced “Toe-doll”

Prince Zorn, as Xingu the Minstrel, carries and mimes playing a lute. (May substitute a small

guitar, ukulele, or mandolin.)

ACCOMPANIMENT: Piano, Flute(s), Percussion

Page 3: DAVID AVSHALOMOV The 13 Clocksdavidavshalomov.com/wp-content/uploads/2018/09/13-Clocks-v1.2-ALL.pdf · 1 THE 13 CLOCKS (Libretto by David Avshalomov, based on the story by James Thurber

SYNOPSIS

The cold Duke of Coffin Castle has imprisoned Princess Saralinda until he can marry her. Per a spell put on him,

enforced by the horrible Todal, he must offer princes a chance to win her hand; he sets them impossible tasks, and

when they fail he feeds them to his geese. At the Silver Swan in town, the ensemble tells prince Zorn of Zorna,

disguised as a minstrel, all this; he mocks the Duke in song. The Golux, a forgetful little semi-magician (and

invisible servant of the Duke), offers guidance; the Duke’s guards take Zorn to the Castle. There he sees

Saralinda, and the Duke, with his sarcastic servant Hark, sets him his tasks–bring him 1000 jewels in 99 hours,

and restart all the stopped castle clocks (the Duke claims he slew time). The Golux remembers Hagga, who used

to weep jewels. He and Zorn set off to find her and they tell their plight, but she says her tears are all gone. They

notice some jewels there which she says are tears of laughter; these last only a fortnight, then melt. They try make

her laugh, and fail, but finally she does; they bag the jewels and return to the Castle. Zorn fights the guards; the

Golux and Saralinda start the clocks. The Duke is defeated, and, cheered on by the ensemble, Zorn and Saralinda

ride off to the Land of Ever After.

A fortnight later, the Duke sees his jewels suddenly all melt–and the Todal gleeps him.

Page 4: DAVID AVSHALOMOV The 13 Clocksdavidavshalomov.com/wp-content/uploads/2018/09/13-Clocks-v1.2-ALL.pdf · 1 THE 13 CLOCKS (Libretto by David Avshalomov, based on the story by James Thurber

David Avshalomov

Copyright © Raven Music/David Avshalomov 2017

q = 66

Lento, Lugubre

Overture—The Castle

Flutes

Percussion

Piano

5

A. Fl.

Pno.

REAR PROJECTION: EXTERIOR OF CASTLE ATOP HILL

ALTO FLUTEmf

p

TAM-TAM

L. V.

p

mf

3

p

cue Alto Flute

p

p

pp

Page 5: DAVID AVSHALOMOV The 13 Clocksdavidavshalomov.com/wp-content/uploads/2018/09/13-Clocks-v1.2-ALL.pdf · 1 THE 13 CLOCKS (Libretto by David Avshalomov, based on the story by James Thurber

A

q = 76

Moderato

Prologue

9

Hark

Pno.

Giusto, in Tempo12

rit. A Tempo

Hark

Pno.

Poco Ritenuto

16

Poco Mosso

q = 80

Hark

Pno.

quasi recitativo, moving along

mf

NARRATOR (HARK), AT SIDE OF STAGE, IN HALF-LIGHT, WEARING HIS MASK.

Once

drammatico

THE DUKE STANDS VISIBLE THROUGH A LARGE HIGH CASTLE WINDOW,

[OR, ALTERNATIVELY, AT THE TOP OF THE STAGE L. STAIRS,] AND ECHOS

THE NARRATION WITH SUBTLE MOVEMENTS, LOOKING BEYOND THE AUDIENCE.

up on- a time, in a gloom y- cast le- on a lone ly- hill,

where there were thir teen- clocks that would n't-

mf

p

go,

f

there

SPOTLIGHT UP ON DUKE

lived a cold, ag gress

- ive

mf

- Duke,

and

his

AIR QUOTES

"niece," the Prin

dolce, lirico

cess- Sar a-

mp

Lin- da.

-

mp

She was

mf

p

mp

warm in ev' ry- wind and weath er,-

=

but

mf

he was al ways- cold

So he

DUKE ADMIRES THE JEWELS ON

HIS GLOVES, TURNING HIS HAND

AND MOVING HIS FINGERS.

wore vel vet- gloves,bright with

mp mf

13 Clocks P/V2

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19

Hark

T.-t.

Pno.

23

Hark

Pno.

B

Giusto, Marcia

q =9226

Hark

Pno.

30

Hark

Pno.

ru bies- and dia

f

monds!-

mf

One eye wore a vel vet- patch,

mp

the oth er,- a mon o- cle.-

3

Thin metal beater at the very top corner.

TRIANGLE

p pp

f

p

3

mf

mp

3

mf

He had lost one eye, when he was twelve, from peer ing- in to- nests for birds to maul!

mf

mp

p

His nights were spent in e vil- dreams and his days were giv en- to e vil

3

- schemes.

mp3 3

p

mp

He would limp and ca

a- ckle

- through the cold cor ri- dors- of Coff in- Cas

f

tle,- in -

f

13 Clocks P/V 3

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34

Hark

Pno.

37

poco rit.

Hark

Pno.

40 q = 92

A Tempo, Giusto

C

Hark

Tri.

Pno.

vent ing- new im poss- i- ble- feats for the suit ors- of Sar a- lin

mf

- da- to per form.-

mf

mf

mf

He did not wish to give her hand in mar riage,- since

p

it was the on ly-

mp

p

warm hand in the Cas tle.-

p

E ven- the hands of his Thir teen- Clocks had all fro zen- on a

3

hard xylo. mallet

HI TEMPLE BLOCKS

p

p

13 Clocks P/V4

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45 poco rit.

Hark

T. Bl.

Pno.

49 q = 76

Meno Mosso

Hark

T.-t.

Pno.

snow y- night sev en- years be fore,- so

PROJECTION: MONTAGE OF CLOCKS SET AT THAT TIME, OR LIGHT

UP BRIEFLY ON CLOCKS ON THE GREAT HALL BACK WALL

it was al ways- Ten

Min utes-

to Five

in the Cas

tle

-

pp

p

mp

Trav' lers- and mar in- ers- would look up at the lone ly- hill and say:

TAM-TAM

p L. V.

mp

mf

13 Clocks P/V 5

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D52

q = 92

A Tempo, Giusto

Hark

Ensemble

Picc.

Pno.

57

Hark

Pno.

61

Hark

B. D.

Pno.

Time

f

lies froz en- there. It's al ways- Then.

It's nev er- Now.

END CLOCK PROJECTION

mf

The Cold Duke was a fraid- of Now, for Now has warmth and

Time

BACKSTAGE: FULL ENSEMBLE, PLUS

SARALINDA, HAGGA, GOLUX, ZORN

f

lies froz en- there. It's al ways- Then.

It's nev er- Now.

Time

f

lies froz en- there. It's al ways- Then.

It's nev er- Now.

f

mf

f

mf

mf

mp

ur gen- cy;- Now might bring a shin ing- knight of gay and shin ing- cour age,- while Then is

dead and bur ied.-

p

The Duke be lieved- he had slain Time with his sword, and wiped his blood y-

BASS DRUM soft mallets p

p

p

13 Clocks P/V6

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65

poco rit. Meno Mosso

q =80

Hark

B. D.

Pno.

68

A Tempo, Giusto

q = 92

E

Hark

Dr.

Pno.

72

Hark

Dr.

Pno.

blade up on- its beard and left it ly

mf

ing- there,

mp

its springs un coiled- and sprawl ing,- its

pp Flexatone

(approx. pitch)

mf mp

pen du- lum- dis in- te- grat- ing.-

p

The Duke limped be cause- his legs

SMALL BASS DRUM, TOM TOMS

hard felt, centers p staccato

p

were diff 'rent- lengths

mf

He would ask a suit or:- "What is the dif fer- ence- be tween- my legs?" And

13 Clocks P/V 7

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76

Hark

Pno.

80F

Hark

Pno.

86poco accel.

Hark

Pno.

92

Piu Mossoq =100

Hark

Pno.

if the youth re plied,- "Why, one is short er- than the oth er"- the Duke would run

f

him through with his

f

sword, and feed him to his geese.

mp

The suit or- was sup posed- to say:

p

"Long

er."

-

p

Oth

poco a poco cresc.

ers

- were slain

p

mp

p

poco a poco cresc.

for tramp ling- the

Duke's

cam el- ias,- fail ing- to praise his wines, star ing- too long at his gloves, or

3

gaz

ing- too

3

long at his

3

niece!

fmf

Some were slain for us ing- names that start with X, or drop-ping

f

mf

mp

13 Clocks P/V8

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Ritenuto,

Meno Mosso

q =72

97

poco rit.

GPiu Mosso

q =92

Hark

Fl.

Dr.

Pno.

101

poco rit. q =86

Hark

Fl.

Pno.

107

Hark

Pno.

spoons, or wear ing- rings,

f

or speak ing- dis re- spect- ful- ly- of sin!

mf

The rest were giv en- in -

mf

f

hard yarn mallets

SUSP. CYM

pp mf f

LOW TOM-TOM, LARGE BASS DRUMfp

mf

f

cred i- ble- lab ors- to per form-

dolce, liricomp

to win his niece' s warm

3

hand:

mp

They were told to cut a slice of the Moon, or

pp

mp

p

change the O cean- in to- wine.

mp

a due mani

5

5

5

5

5

5

3

3

13 Clocks P/V 9

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q = 92

A Tempo, Giusto109

Hrit.

Hark

B. D.

Pno.

q = 76

114rit. I

Lento,

Lugubre

q = 66

Giusto

q = 92

Hark

B. D.

Pno.

119

Meno

q = 72

Giusto

q = 92 q = 80

Poco Meno

Hark

Pno.

They

p

were set to find ing- things that nev er- were,

or build ing- things that could not be, could not

pp

pp

be.

p

All came, and tried, and failed, and dis ap- peared- The

p

Cas tle- and the

Tam-tam

p L. V.

p

p

Duke grew a lit tle- cold er.- And Sar a- lin

DUKE VANISHES.

- da- grew a lit tle- old er.-

mp

She was near ly- twen ty- -

p

13 Clocks P/V10

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125J Giusto

q = 92

Hark

Pno.

131

Moderato

q. = 76

Hark

Pno.

136

KMarcia

q = 84

Moderato

q = 72

Hark

Dr.

Pno.

onethe day a Prince dis guised- as a min strel- ar rived.- He called him self- Ex Xin- gu,- which was

mf

dan ger- ous,

- since

HARK MAKES AN X WITH

FOREFINGERS OF BOTH HANDS.

the name be gan- with X!

He was a Thing of Shreds and Patch es,-

mf

mf

sing ing- for pen nies.-

f

But Ex In- gu- was the son of a pow er- ful- King;

mf lirico

he

SNARE DRUM

mf

f

13 Clocks P/V 11

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140

q = 40

Sostenutorit. q = 60

Poco Mosso

q. = 86

Hark

Fl.

Pno.

L144

Hark

Fl.

Dr.

Pno.

149Tornando

Hark

Fl.

Dr.

Pno.

yearned to find, in a far off- land, the maid en- of his

p

dreams.

p

(after low arp.)p

mf

p

slow arp.

p

mp

So off he set, sing ing- as he went,

mp

SNARE DRUM

pp (on rim)

(flute)

learn ing- the life of the low ly.- One night he came to the town be low- the Duke's Cas tle.-

pp

To Picc.

f

13 Clocks P/V12

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1A

q. = 128

Vivo158

Scene I -- at the Silver Swan

Picc.

Perc.

Pno.

164

Picc.

Perc.

Pno.

f

LIGHTS UP ON TOWN PLAZA, CENTER. REVELERS ARE SCATTERED AROUND 2 TABLES

UNDER AN AWNING. PRINCE ZORN STANDS NEXT TO A TABLE WITH HIS LUTE.

ALL ARE LAUGHING, ANIMATED WITH THE INTRO MUSIC.

etc.

TAMBOURINE

f (knuckle)

(knuckle/shake)

(slide)

f

mp f

13 Clocks P/V 13

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1B

171

Ensemble

Picc.

Perc.

Dr.

Pno.

178

Ensemble

Dr.

Pno.

ALL

f

Here

we all are, at the Sign of the Sil ver- Swan! Towns peo- ple,- tav ern- er,-

2

f

Here

we all are, at the Sign of the Sil ver- Swan! Towns peo- ple,- tav ern- er,-

2

mp

mp

MUFFLED MED. TOM TOM

mf

trav el- ers- and tale tel- lers,-

toss pots- and troub le- mak ers,- all gath ered- to drink and make

2

trav el- ers- and tale tel- lers,-

toss pots- and troub le- mak ers,- all gath ered- to drink and make

2

13 Clocks P/V14

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185 1C

Ensemble

Picc.

Perc.

Dr.

Pno.

194 q. = q.

1D

Ensemble

Picc.

Perc.

Dr.

Pno.

mer ry-

p

or at least to for get- our woes.

ONE FAKES PLAYING A

RECORDER OR PENNY WHISTLE.

ZORN FAKES PLAYING ALONG.

ALL MOVE TO THE MUSIC,

IN PLACE, WITH TANKARDS

mer ry-

p

or at least to for get- our woes.

mp

f

p

TRIANGLE

f

TAMB.

f

p f

(cue piccolo)

(l. h.)

p

TAVERNER

f

And

mf

13 Clocks P/V 15

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201

Zorn

Bar. Solo

Pno.

206

Zorn

Pno.

211 1E

Zorn

Ensemble

Pno.

mf

I

ALL f

Yes,

who?

who may you be, pray tell? You are new here!

ALL

f

call

PLAYING HIS LUTE

(finger picking)

my self- Ex in- gu,- a rag ged- min strel- as you can see. I sing for

2 2 2 2 22

una cordap

pen nies,- or

(strumming)for

a

drink!

ALL f

Ha hah,- ha hah,- ha hah!-

TRAVELLER

f

Ha hah,- Tav er- ner- a

ALL f

Ha hah,- ha hah,- ha hah!-

mf

3 corde

mf

13 Clocks P/V16

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216

A. Solo

Pno.

221

Bar. Solo

Picc.

Pno.

227

Bar. Solo

Picc.

Pno.

drink for our rag ged- Min strel- here!

TAVERNER, SETS DOWN A STEINMin

f

strel,- whose

mf

ALL THE REST GRIMACE, MAKE AN "X"

WITH CROSSED FIRST FINGERS OF 2

HANDS AND TURN THEIR HEADS.

(spoken)

ALL f

FEH!

name be gins- with X!

ALL f TAVERNER, LEERING

lirico

Have you heard of Sar a

(ossia)

- lin- da,

2mp

love li- est-

mp

f

p

prin cess- on all the thous and- is lands- of the o cean- - -

p

13 Clocks P/V 17

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231

Bar. Solo

Picc.

Pno.

237

Bar. Solo

Picc.

T.-t.

Pno.

241 1F

Bar. Solo

Picc.

Perc.

Pno.

seas?

(ossia)

She is the

POINTS UP TO CASTLE ABOVE THE TOWN

niece of the Cold Duke of Cof fin-

mf

Cas tle.-

mf

If you can turn the rain to sil ver-

2

p

TAM-TAM

p L. V.

SUS. CYMBAL

pp

dome

wood snare sticks tips

edge

p (2 hands)

6

2 2

ALL

f

Ha

fhah,- ha hah,- ha hah,- ha hah!-

she is yours!

ALL

mf

13 Clocks P/V18

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244

Ensemble

Pno.

248

B. Solo

Pno.

252

B. Solo

Pno.

ha

half-spoken, losing/dropping pitchha- ha- hah!

-

ha ha- ha- hah!

-

TALE-TELLER, GRINNING

If

f

you can slay the Thorn y- Boar of

p

mf

Bor y- thorn- she is yours!

p

But there is no

p

Thorn y- Boar of Bor y- thorn,- which

makes

it

hard!

mf

13 Clocks P/V 19

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1G256

A. Solo

Picc.

Pno.

262

A. Solo

Picc.

Pno.

267

A. Solo

Picc.

Pno.

What

fTRAVELLER, STANDS

makes it e ven- hard er- is her un cle's- scorn and sword. You will

2 2 2

p

p

fail, and the Duke will slit

you from your Gug gle-

22

mf

to your Zatch!

ALL mf

gug gle,

- gug gle-

Zatch!

p TRAVELLER

and feed you to his pet

ALL

Gug

mf

gle

- gug gle,- Zatch!

mf p

13 Clocks P/V20

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273 1H

A. Solo

Pno.

278

B. Solo

Fl.

Pno.

283

B. Solo

Fl.

Pno.

geese.

ALL AT TABLE MIMIC HUNGRY GEESE

PECKING A SINGLE BODY ON THE TABLE

(realistic honking geese imitations, vary pitch,spoken, freely, not all same rhythm, some gaps)

honk, honk honk, honk honk, honk honk,honk, honk honk,

2

2 2 2

ALL

honk, honk honk, honk honk, honk honk,honk, honk honk,

TOSSPOT STANDS UNSTEADILY, GESTURING

WITH TANKARD. IN A GURGLING VOICE.

The

mf

Duke is sev en- feet,

2 2 2 2

p

nine inch es- tall, and on ly- twen ty- eight years old.

FLUTE

mf

in his prime. His hand is cold e -

3

13 Clocks P/V 21

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287

B. Solo

Fl.

Pno.

291

B. Solo

Fl.

Pno.

296

B. Solo

Pno.

nough to stop a clock, and strong e -

3 3

3

3

nough to choke a bull! He breaks up Min strels-

4

in his

3 3 3

mp

soup like crack errrs.-

(idiot laugh)

(like a-ha, but huh)

uh huh,- uh huh,- uh huh,- like crack errrs.-

13 Clocks P/V22

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1I301

Ensemble

Fl.

Pno.

307

T. Solo

Fl.

Pno.

313

T. Solo

Pno.

TROUBLEMAKER, SIMPERING, STANDS AND

MIMICS THE MINSTREL, PRETENDING TO STRUM.

lirico f

Nay, our Min strel- here will warm the Cold Duk'es

mp

mf

heart with song, daz zle- him with jew els- and gold. He'll

tramp

ritmico

le- on the Duke's cam e- lias,- spill his wine, and blunt his sword, and say his name be gins- with

2 2 2 2 2

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318 1J

T. Solo

Fl.

Pno.

324

T. Solo

Fl.

Pno.

328 Ritenuto

T. Solo

Fl.

Pno.

(spoken)

ALL

"X" GESTURE

f

FEH!

X!

ALL f

And

TROUBLEMAKER

in the end the Duke will say:

(mimics the Duke's edgy timbre)

mp

"Take Sar a- -

f

pp

f

pp

lin da- - with my bless ing,- O lord ly-

Prince of Rrrags and Tags!

BOWS, SITS.

ENSEMBLE LAUGHS, APPLAUDS

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1KA Tempo

q. = 128

333

Dr.

Pno.

Ritenuto338A Tempo

q. = 128

Ensemble

Pno.

344

A. Solo

Pno.

349

B. Solo

Pno.

AS ALL WATCH, ZORN QUICKLY YANKS HIM UP BY THE TUNIC, PUSHES HIM UP WITH ONE HAND

BY THE THROAT AND HOLDS HIM UP ON HIS TOES, LOOKS HIM SHARPLY IN THE EYE, THEN

RELEASES HIM AND HE CRUMPLES TO THE GROUND.

SMALL BASS DRUM, heavily muffled

f center, wood snare stick butts

ff

ZORN STRIDES AWAY INTO THE NIGHT.

ALL TURN BACK TO THEIR DRINKS, MUTTERING.

TRAVELLER, MUSING, STARING AFTER ZORN:

I've

p

seen that youth be fore,

(ossia)

but

ff

mf

pp

he was no Min strel- then. Now, where was

it?

pp

TOSSPOT, GURGLING, INTO HIS TANKARD

p

In his soup, huh- huh like crack ers.-

2

pp

13 Clocks P/V 25

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354

Scene 2 -- Town outside the Silver Swan

Pno.

359

Andantepoco rit.

2A

q. = 60

Pno.

365

Zorn

Pno.

3712B

Zorn

Pno.

LIGHTING CHANGE: FOCUS OFF TAVERN, DARKER. OUTSIDE THE NIGHT IS LIGHTED BY A ROCKING

YELLOW QUARTER MOON THAT HOLDS A WHITE STAR IN ITS HORN. IN THE GLOOMY CASTLE HIGH ON

THE HILL [PROJECTION, HIGH:] A LANTERN GLEAMS AND DARKENS, COMES AND GOES. OPTIONAL

NOISES: THE DUKE STALKS FROM ROOM TO ROOM, STABBING BATS AND SPIDERS, KILLING MICE.

ZORN, TAKES HIS LUTE FROM HIS

SHOULDER AGAIN, PLAYS

mf

una corda

mp

Daz

lirico

zle- the Duke with jew els,- Daz zle- the Duke with jew els,- There's

p

p

some thing- in it some where,- but what it is I can not- think. I

won der- if the Duke

13 Clocks P/V26

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377

poco rit.

q. = 60

A Tempo, Andante

Zorn

Fl.

Dr.

Pno.

Poco Piu Mosso

q. = 68383

Zorn

Pno.

390 q. = 72

Poco Mosso

Zorn

Pno.

will or der- me

to cause a fall

STOPS PLAYING

of pur ple- snow. Or

FLUTE

pp

MED. TOM TOM

ppp

felt sticks

2 hands

pp mp pp

3 corde

build a tab le- out of saw dust?- or mere ly- slit me from my "Gug gle"- to my "Zatch!" and say to Sar a-

2

-

mp

mp

lin da:- "There he lies, your lat est fool, a name less- Min strel!"- I'll have my var lets- feed him to the

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397 2C

Zorn

Pno.

404

Zorn

Perc.

Pno.

412

Zorn

Pno.

2DAncora Mosso

q = 76418

Zorn

Pno.

geese."

(gentle goose honks)

(honk honk honk!)

(shudders)

I won der- where my "Zatch" and "Gug gle"- are. I won der- where and when I

mp

could in vade- the Cas

LOOKS UP TO CASTLE

tle-

I'll think of a way.

PLAYS AND MUSES

pp

(la la la la, la la la,

TAM TAM pp

L. V.

p

una corda

mmm)

REVELERS BEGIN TO GET UP AND REEL AND STAGGER HOME.

NOISE: A FEW DISTANT DOGS BARK A FEW TIMES.

3 corde

p

ZORN PLAYS, AND IMPROVISES A

DITTY, THINKING BETWEEN PHRASES

mf

Hark, hark,the dogs do bark, but on ly- one in three. They bark at those in vel vet- gowns, they

p

una corda

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427

Zorn

Pno.

2E

436

Zorn

Pno.

Andante

q = 80445

Ensemble

Pno.

454

Zorn

Pno.

nev

TALE-TELLER, TOTTERING BY, STOPS, LAUGHS.

OTHERS BEGIN TO GATHER AND LISTEN.

er- bark at me.

The Duke is fond of

3 corde

una corda

3

3 3

vel vet- gowns, he'll ask you

THE REVELERS AND TAVERNER CROWD AROUND THE MINSTREL,

LAUGHING AND MURMURING. TROUBLEMAKER STANDS BEHIND THEM.

all to tea but I'm in rags and I'm in tags, he'll nev er- send for me.

TALE-TELLER

mf

He's a bold one, Rags is, mak in'- songs a bout- the Duke.

3

mf

3 corde

mf

una corda

3 3 3 3 3 3 3

Hark,

f

hark, the dogs do bark, theDuke is fond of kit tens.- He likes to pull their in sides- out, and use their fur for mit tens,- and

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462 2F

Zorn

Ensemble

Pno.

469 2G

S. Solo

Pno.

use their fur for mit

BOWS TO THE CROWD

tens.-

THE CROWD GASPS, FALLS SILENT IN AWE AND

WONDER--AND FEAR. THEY SLINK OFF.

(gasp)

ONE WOMAN pp

I must tell my hus band!-

ONE MAN

pp

I must tell my wife!

ppANOTHER

I must tell my

(una corda)

pp

ANOTHER

pp

I must tell my kit ten!-

TRAVELER STAYS, LOOKS

HARD AT ZORN, PAUSES.

I've

TRAVELER

mf

seen you shin ing- in the

dog!

3 corde

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477

A. Solo

Fl.

Dr.

Pno.

485

2HPoco Meno

q = 76

Zorn

A. Solo

Fl.

Dr.

Pno.

lists, or top ping- knights

in bat tle,- or break ing- men

in two like crack

ers.

- You must be Tris tam's-

f

f

f

SUSPENDED CYMBAL

wood snare stick butt, dome

f

SNARE DRUM

mf

mf

p

A wan d'ring- Min strel- I, a thing of shreds and

3 3 3 3 3 3

son, or are you Tyne? or Tor a?-

pp

3

3

3

3

3

3

3

3

una corde

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493Marcia, Andante

q = 80

Zorn

A. Solo

Fl.

Dr.

Pno.

500

A. Solo

Fl.

Dr.

Pno.

Zatch

BITES HIS LIP IN

CONSTERNATION

es,

3

-

TRAVELER

Ev

f

en- if you were the might y- Zorn of Zorn a,- you could not es-

mf

hard yarn mallets

SUS. CYMBALp

mf

3 3

3 corde

cape the fur y- of the Duke.

He'll slit you from your Gug

POINTS TO ZORN'S

THROAT AND STOMACH.

gle- to your Zatch!

mp

From

13 Clocks P/V32

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506

2IMeno Mosso

q = 72

Zorn

A. Solo

Fl.

Pno.

516

A. Solo

Fl.

Pno.

5242J

A. Solo

Pno.

Ah.

mp

Now I know what to guard.

A FIGURE IN BLACK VELVET MASK, HOOD AND CLOAK

DISAPPEARS BEHIND A TREE. BOTH NOTICE HIM.

here to here.

TRAVELER

That's

p

the Cold Duke's

p

(cue flute)p

p pp p

(loco)

3 3 3

Spy in- Chief,- a man named Whis per.- To mor- row- he will die, be cause- to name your sins, he'll have to men tion-

p mp p p mp

(sung stage whisper,behind cupped hand)

(mit tens.)- I leave at once for oth er- lands for the same rea son.- (sighs)

mf

You'll nev er-

13 Clocks P/V 33

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532

A. Solo

Fl.

Pno.

538

A. Solo

Fl.

Dr.

Pno.

live to wed his Niece;

mp

you'll on ly- die

to feed his geese. Good

p

night,

good bye,

- and sor

TRAVELER BOWS AND VANISHES

ry,-

f

SNARE DRUM

f

f

13 Clocks P/V34

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2K546

Meno q = 60Allegretto

q = 90

Moderato

q = 76

Zorn

Golux

Fl.

Perc.

Pno.

555

Golux

Perc.

Pno.

562 2L

Zorn

Golux

Perc.

Pno.

pp

(mmm)

(hums to himself)

GOLUX APPEARS BEHIND HIM AS THOUGH OUT OF

NOWHERE. TAPS HIM SOFTLY ON HIS SHOULDER

3 3

ZORN TURNS TO HIM If

mp

you have

p

THE TOWN CLOCK DROPS A

STONY CHIME INTO THE NIGHT.

TRIANGLEpp

pp

p

pp

no thing- bet ter- than your song, you are some what- less than much and on ly- a lit tle- more than a ny- -

mp

I man age- in my fash ion.-

Hark, hark, thedogs do bark, thecrav ens- are go ing- to bed.

3 3

thing.

mf

mp (una corda)

p

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571

Moderato

q = 72poco rit. 2M

q = 80

Mosso

Zorn

Fl.

Perc.

Pno.

580

Golux

Fl.

Perc.

Pno.

Some will rise to greet the sun, but Whis per- will be dead.

THE OLD MAN

LOSES HIS SMILE

p mf

Who are you?

pp

SUSP. CYM.pp dome, wood snare sticks tips

pp

p

GOLUX BOWS.

mp

I am the Gol ux,- the on ly- Gol ux- in the world, and not and mere de-

pp

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587

Zorn

Golux

Fl.

Perc.

Pno.

594

Zorn

Golux

Fl.

Pno.

mf

My per il- is myvice. I

mf

must al ways- be on hand when peo ple- are in Per il.-

pp

mf

3 corde

own.

mf

I had n't- thought of that. Half

mf

of it is yours, and half is Sar a-

p

lin- da's.-

p pp

6 6 6

mp

p

6 6 6

mp

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2N601

Zorn

Golux

Fl.

Perc.

Pno.

2OAllegretto q = 90

608

Golux

Fl.

Perc.

Pno.

KNEELS f

I place my faith in you, and where you lead I fol low!-

Not

p

so fast:

f

SUSP. CYM.

f dome

mf

half

mp

the plac es- I have been to, nev er- were.

mf

I make

things

up!

mp

Half the things I say are there can not- be

3 3 3 3 3 3 3

mf

HIGH TEMPLE BLOCKS

f hard xylo. mallets

mf

p

p

13 Clocks P/V38

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617

Golux

Dr.

Pno.

6232P

Zorn

Golux

Fl.

Dr.

Pno.

found.

mf

When I was young I told a tale of bur ied- gold and men from leagues a-

SNARE DRUM

brushesp

p

p

But why?

round dug in the woods.

SHRUGS p

I dug, my self.-

mf

I thought the tale of treas ure- might be

p

13 Clocks P/V 39

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630

Zorn

Golux

Fl.

Perc.

Pno.

638

Golux

Fl.

T. Bl.

Pno.

mf

You said you made it up!

true.

mf

I know.,but I did n't- re mem ber- that I had.

I for get

things,

mf

HI TEMPLE BLOCKS

f

too!

I make mis takes,- but I am on the side of Good!

p

By ac- ci dent- and hap pen- stance.

p

13 Clocks P/V40

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647

2Q

Piu Mosso

q = 96

Golux

T. Bl.

Pno.

657

accel. rit.

Golux

Pno.

664

2R

q. = 110

Vivace

Zorn

Golux

Fl.

Perc.

Pno.

A DEEP BELL SOUNDS IN THE CASTLE.

VOICES SHOUT ORDERS.

PROJECTION: LIGHTS APPEAR. A LINE OF LANTERNS

STARTS FLOWING DOWN THE DARKNESS. p

The Duke has heard your songs.

TAM-TAM

p dead center

p

p

The fat is in the fire, the die is cast, the jig is up, your goose is cooked, and the cat

f

is out of the bag!

mf

And ...my hour has struck!

GOLUX CUPS HAND TO EAR

(spoken) Ah! sharp en- ing!-

NOISE, OFF: A FAINT AND DISTANT RASPING SOUND,

OF A BLADE OF STEEL BEING SHARPENED ON A STONE.

p

3 3 3 3 3 3

GUIRO

ppscraped, tip of thin stick

(small notes cue flute)

p

3 3 3 3 3 3

mf

13 Clocks P/V 41

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668

Golux

Fl.

Cab.

Pno.

672

Golux

Fl.

Cab.

Pno.

mp

The Duke pre pares- to feed you to his geese!

3 3 3 3 3 3 3 3

p

3 3 3 3

p

We must in vent- a tale to stay his hand!

3 3 3 3 3 3 3 3

3 3 3

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676

Zorn

Golux

Fl.

Cab.

Pno.

680

Golux

Fl.

Cab.

Pno.

mf

What man ner- of tale?!

2

mp

A tale to

3 3 3 3 3 3 3 3

3 3 3

p

make the Duke be lieve

- that slay ing-

2

3 3 3 3 3 3 3 3

3 3 3 3

13 Clocks P/V 43

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684

Golux

Fl.

Cab.

Pno.

6902S

Golux

Fl.

Dr.

Pno.

you would light a light in some one- else 's- heart!

f

He hates

a

f

3 3 3 3 3 3

f

mf

light in peo ples'- hearts, he hates

it!

mf

So you must say a cer tain- Prince and Prin cess-

2 2

p

TRIANGLE

p

p

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697

Golux

Fl.

Dr.

Pno.

703 2TA Tempo

Golux

Pno.

711

Golux

Fl.

Cab.

Pno.

can not- wed un til- the eve ning of the sec ond- day af ter- the Duke has

fed

you

to

his

geese!

port.

ZORN, SPOKEN: "I wish you

would not keep mentioning geese."

mp

The tale sounds true, and

f

mp

ver y- like a witch es'- spell! The

pp p

FLEXATONE

p

(approx. pitches)

pp p

13 Clocks P/V 45

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715

Golux

Fl.

Flex.

Pno.

717

Golux

Fl.

Flex.

Pno.

Duke has awe of

witch es'- - - spells. I'm

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719

Marcia

2U

q = 90

Golux

A. Solo

Fl.

Flex.

Pno.

731

A. Solo

Perc.

Pno.

cer tain- he will stay his hand.

SHRUGS

(I

p

think!)

GUARDS AND CAPTAIN,

start marching to the beat offstage

SNARE DRUM

(snares on)

ppp

pp

pp

THE SOUND OF TRAMPING FEET COMES NEAR AND NEARER.

ZORN AND GOLUX LOOK IN THE DIRECTION OF

THE MARCHING SOUNDS AND WAIT.

pp

GUARDS START SINGING OFFSTAGE

Oh ah- o!- Oh ah- o!-

THE IRON GUARDS OF THE DUKE CLOSE IN,

THEIR LANTERNS GLEAMING AND THEIR SPEARS

AND ARMOR. THERE IS A CLANG AND CLANKING.

Oh ah- o!- Oh ah- -

13 Clocks P/V 47

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739

A. Solo

Perc.

Pno.

745 2V

Zorn

A. Solo

Perc.

Pno.

756

Bar. Solo

Pno.

o!

GOLUX DISAPPEARS AS THEY ENTER

Ay oh- ah o!- Ay oh

f

- ah- o!-

hoarse military shout

CAPTAIN

f

Halt!

f

ff

Do

f

not ar rest- my friend!

ZORN LOOKS AROUND HIM ,

BUT THERE IS NO ONE THERE.

GUARDS

Hoo

hoarse military shout

f

hah!-

CAPTAIN

growlsWhat

f

friend?

guffaws

ONE GUARD

Huh

f

hah!

-

May be- he's seen the

(snares off)

GUARDS,

stamp-stamp; halt

f

Go lux!-

CAPTAIN

f

There ain't no Go lux!- I been to school and I know. Take

him!

TWO GUARDS TAKE HIS ELBOWS

Fall

in!

f

f

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768 2W

B. Solo

Perc.

Pno.

779

Ensemble

Perc.

Pno.

786

Ensemble

Perc.

Pno.

Dress up

that line!

March!

THEY MARCH THE PRINCE OFF STAGE LEFT.

GUARDS

Ah

f

oh- ah!- Ah oh- ah!- Ah oh- -

(snares on)

mf

f

f

ah! Ee ah- oh- ah!

ONCE THEY ARE OFFSTAGE, LIGHTING: A STREAM

OF LANTERN LIGHT FLOWS SLOWLY UP THE HILL.

- Ah oh- ah!- Ee Ah- oh- ah!-

Ah oh- ah!- Ah oh- ah!- Ah oh- ah!-

pp

oh ah!-

(snares off)

pp

pp

pp

13 Clocks P/V 49

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3A

q = 66

Lento, Lugubre794

Scene 3 -- Great Hall of the Castle

Fl.

Perc.

Pno.

800

3BModerato

q = 76

Ensemble

A. Fl.

Pno.

807

Duke

Ensemble

Pno.

Alto Flute

f

(fermata for cut)

3 OPTIONAL CUT IF QUICK SCENE CHANGE

mf

pp

Tam-tam

p L. V.

p

p

p

THE BLACK OAK ROOM. ZORN STANDS CENTER STAGE, HIS HANDS BOUND BEHIND HIM.

ENSEMBLE, OFFSTAGE: DISTANT SOUNDSOF GEESE HONKING HUNGRILY.

ppp pp

ppp p

DUKE, STANDING, GAZES OUT A STAGE-RIGHT SIDE WINDOW THOUGHTFULLY.

HE IS WATCHING HIS VARLETS FEED WHISPER TO THE GEESE.

tenderly, almost whisperingpp

Fare well,- Whiss per,-

ppp

ppp

loco

loco

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815

3Cq = 90

Piu Mosso, libero,

Quasi Recitativo A Tempo Moderato

q = 76

Duke

Pno.

822Piu Mosso, libero

q = 90

A Tempo, Moderato

q = 76

3D Andante

q. = 66

Zorn

Duke

Pno.

829

Zorn

Pno.

Moderato

q = 76835

Zorn

Duke

A. Fl.

Pno.

we shall misss you.

TURNS AND STARES AT THE

PRINCE. GEESE HONKING FADES.

f

What man ner- of Prince is this you speak of?

pp

molto

f

mp

simply, innocent mp

A And what man ner- of maid en- does he love,

to use a word that makes no sense?

moltopp

f

p

molto

f

nob

PLAYS LUTE

le- Prince, a nob le- La dy,- when they are wed a mil lion peo ple- will be glad!

mp

una corda

DUKE PULLS HIS SWORD OUT OF

HIS CANE AND STARES AT IT. HE LIMPS ACROSS AND FACES HIS CAPTIVE.

TOUCHES HIS GUGGLE SOFTLY WITH

THE POINT, AND THEN HIS ZATCH.

SIGHS AND FROWNS, AND

PUTS THE SWORD AWAY.f

I

FLUTEp

p mp

p (cue flute)

molto f

3 corde

p

p

13 Clocks P/V 51

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Piu Mosso, libero

q = 90844

A Tempo,

Moderato

q = 76

Piu Mosso, libero

q = 90

Duke

Pno.

851

3EAndante Mosso

q. = 72

Zorn

Duke

Pno.

857

Zorn

Pno.

do not like your tricks and guile.

f

I think that there is no Prince or maid en- who would wed if I were to

mp

molto

f

p

simply, innocent

PLAYS LUTE

mp

But

slay you, but I am nei ther- sure nor cer

mf

tain;-

p

we'll think of some a mus- ing- task for you to do.

mp

mf p

una corda

I am not a Prince, and on ly- Princ es- may as pire- to Sar a lin- da's- hand.

13 Clocks P/V52

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q = 90

Mosso

864

Duke

Dr.

Pno.

870

Duke

Pno.

3Fq = 66

Andante875

q = 72

Poco Mosso

Duke

Fl.

W.Ch.

Pno.

Then

mf

we will make a Prince of you,

the Prince of Rags and Jin

gles!- Take

f

him to his cell!

TAMBOURINE

p

p

3 corde

f

Feed him wa ter- with out-

TWO GUARDS TAKE THE PRINCE’S ARMS,

TURN HIM TO TAKE HIM OUT, ALL STAMP.

bread, and bread with out- wa ter!

DOWN THE IRON STAIRS THE

PRINCESS SARALINDA FLOATS

LIKE A CLOUD.

THE PRINCE GAZES IN WONDER, FROZEN BY HER

BEAUTY. THE DUKE'S EYE GLEAMS LIKE CRYSTAL.

HE HOLDS UP THE PALMS OF HIS GLOVES, AS IF

SHE WERE A FIRE AT WHICH TO WARM HIS HANDS.

gently, almost breathless p

This thing of rags and tags and tat ters- will

pp

STUDIO WIND CHIME (MARK TREE)

p

L. V.

pp

una corda

13 Clocks P/V 53

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879

Lento

q = 50

q. = 92

MossoRiten. q. = 92

A Tempo q. = q

Sar.

Duke

Fl.

W.Ch.

Dr.

Pno.

Ancora Mosso

q = 100885 rit. q = 50

Lento

Sar.

Duke

Fl.

W.Ch.

Pno.

dreamy, as though hypnotized

SARALINDA, LOOKS

OVER ZORN’S HEAD:

mp

I wish him well.

THE PRINCE BREAKS HIS BONDS, LUNGES

TO HER AND TAKES HER HAND IN HIS.

THE DUKE SLASHES HIS

ARM AWAY WITH HIS CANE.

play our lit tle- game.

pp

p

L. V.

SMALL BASS DRUM, heavily muffled

f(B. D.: wood snare stick butts)

snares on

SNARE DRUM

f(snares off)

p

p

3 corde

f

ff

mp

I

neutral

wish him well. I wish him well.

Take

f

him to his dun geon- now!

LOOKS AT HIM COLDLY

p

You'll find themost a mus- ing- bats and spi ders- there.

pp

STUDIO WIND CHIME (MARK TREE)

p

L. V.

ff

p

13 Clocks P/V54

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Moderato

q = 80891Andante

q = 64

Moderato

q = 80

Pno.

4A898

Scene 4 -- Dungeon Cell

Fl.

T.-t.

Pno.

Mosso

q = 96905

Zorn

Golux

Picc.

B. D.

Pno.

2 GUARDS GET A BETTER GRIP ON THE PRINCE, ALL WALK HIM DOWN THE STAGE LEFT

STAIRS TO A CELL [BELOW THE GREAT HALL PLATFORM] WITH A GRATED DOOR.]

LIGHT GRADUALLY

OFF GREAT HALL.

THEY OPEN THE DOOR PUSH HIM IN, AND CLOSE IT.

THEY EXIT SILENTLY STAGE LEFT, NOT MARCHING.

f

detached, non-staccato

mp

f

THROUGHOUT THIS SCENE OCCASIONALLY SMALL CREATURES LIKE

TURTLES CRAWL/ARE DRAGGED ACROSS THE FLOOR, ONLY DIMLY SEEN.

DIM LIGHT IN DUNGEON

CORRIDOR AND CELL.

NOISE: THE ZICKERING OF BATS IS ECHOED BY THE WALLS.

PICCOLO

ff (or as highas possible)

(or as highas possible)

TAM-TAM

L. V.

BASS DRUM

pp

pp

ff

pp f

Why

f

are you here?!

f

Take

care,you're on my foot!

mf

I for got- a bout- the task the Duke will

f (or as high

as possible)

f

f

OPT: ASSISTANT ADD SCRAPES OF LOW WIRE PIANO STRINGS

WITH CREDIT CARD; SLOW, FAST, PEDAL DOWN, LID UP.

13 Clocks P/V 55

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Poco Meno Mosso

q = 92910

Zorn

Golux

B. D.

Pno.

916 4B

Zorn

Golux

B. D.

Pno.

921

Golux

B. D.

Pno.

f

Who knows?

mf

Swim lakes too wide to swim, Turn li quids- in to- stone, or find bone less-

set you.

mf

crea tures- made of bone? How came you here?

mf

I nev er- know: My moth er- was a witch but

ppcenter

p

rath er- med i- o- cre- in her way; my fath er- was a wiz ard,- who of ten- cast his spells up on- him-

13 Clocks P/V56

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925

Zorn

Golux

B. D.

Pno.

931

4C

q. = 92

Same BeatSame Beatq = 92

rit.

Golux

Fl.

B. D.

Pno.

q = 86937

Golux

Fl.

Pno.

f

The task! You came to tell me!

self when he was in his cups.

port.

(they)

p

I did? Oh,

yes,

nat.

pp

f

p

Lis

mf

ten:-

Tell the Duke that you will hunt the Boar the Boar, or trav el- thrice a round- the

p

p

p p

moon, or turn No vem- ber- in to-

a due mani

5

5

5

5

5

5

13 Clocks P/V 57

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q = 92

A tempo, Same Beat940 q. = 92

Golux

Fl.

Pno.

945

Zorn

Golux

Fl.

Pno.

953 q = 92

Zorn

Golux

Fl.

Dr.

Pno.

June. Im

f

plore- him not to send you out to find a thou sand- jew -

mf

mf

3 3

And

f

then?

els,

p

He's ver y- fond of jew els,- you've seen them on his gloves.

f

And then he'll send you

mf

mf

p

f

But I am poor!

out to find a thou sand- jew els!-

Come,

f

come, you are

f

f

hard yarn mallets

SUS. CYMBAL

p

f

f

13 Clocks P/V58

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959

Golux

Fl.

Dr.

Pno.

963Vivo

q = 110

4D

Zorn

Golux

B. D.

Pno.

967

Zorn

Perc.

Pno.

Zorn of Zor na!-

mp

I had it from a trav el- er- I met. Your fath er's- casks and cof fers-

mp

mp wood sticks, tips

mp

mp

p

In

agitato

spells and lab ors- a time is al ways- set.shine with ru bies- and sap phires!-

3

Thin metal beater at the very top corner.

TRIANGLE

p ppmf

SNARE DRUM

brushes p

mf p

3

mf p

3

It would take me nine and nine ty- days; first, three and thir ty- days to go to

13 Clocks P/V 59

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970

Zorn

Perc.

Pno.

973

A Tempo,

Allegro

q = 100

poco rit.

Zorn

Fl.

Perc.

Pno.

976 rit.

Zorn

Fl.

Perc.

Pno.

Zor na,- then it al ways- takes my Fath er- three and thir

ty- days

to make

de -

ci sions;-

and then three and thir ty- days to come back here!

f

The

mf

mf

mf

Duke might give me on ly- thir ty- days, or for ty- two, to find a thou sand-

13 Clocks P/V60

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979

4EAndante

q. = 72

Zorn

Golux

Fl.

Perc.

Pno.

985

Golux

Pno.

992

Golux

Dr.

Pno.

jew els!- Why should he give me nine- ty nine?-

p

The

calm, soothing

long er- the la bor- lasts, the

mp p

long er- lasts his gloat ing.- He loves to gloat,

you know. The Duke knows not that you are Zorn

of

p

Zor

na.- He thinks you are a Min strel- with out- a pen ny- or a moon stone.-

SNARE DRUM

mf

mf

13 Clocks P/V 61

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4Fq = 110

Vivo

997

Zorn

Golux

Perc.

Pno.

1001 rit. Allegretto

q = 90

Zorn

Golux

Perc.

Pno.

1004Moderato

q = 80

Zorn

Golux

Perc.

Pno.

mf

The Duke has spies who may know who I am!

mf

I

mf

I maybe wrong, but we must risk and Try it!

wish you coud be sur er!- My fath er- may have lost his

I wish I could be,

p

too.

SUS. CYMBAL

mf wood sticks, tips

p

mf

jew els,- or give en- them a way!-

I

p

have oth er- plans than one, right now we need to rest.

p

pp

13 Clocks P/V62

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4G1009

Fl.

T.-t.

Pno.

1016

Golux

Pno.

1023

Poco Piu Mosso

q = 86

Zorn

Golux

Pno.

THEY FIND A CORNER WITHOUT

CREATURES AND LIE DOWN.

THE TODAL GLIDES SLOWLY ACROSS THE CELL.

NOISE: THE ZICKERING OF BATS IS ECHOED BY THE WALLS.

PICCOLO

f (or as highas possible)

(or as highas possible)

TAM-TAM

ppL.V.

BASS DRUM

pp

ff L. V.

THE TODAL DISAPPEARS.

CHAINS CLANK AND RATTLE

One

mp

o'

SITS UP, RUBS HIS EYES.

- clock. The Duke has sent for you a gain.- Be

THE TOWN CLOCK STRIKES ONE.

[PROJECTION: TOWN CLOCK, 1:00]

pp

mp

pp

GUARDS WALK ON FROM STAGE LEFT, NOT

MARCHING, START TO UNLOCK THE GREAT

IRON DOOR. IT BEGINS TO OPEN SLOWLY.

GOLUX DISAPPEARS

THE DOOR IS OPEN WIDE NOW

AND THE DUNGEON IS FILLED

WITH LANTERN LIGHT.

mf

Wait! Where are you!care ful- what you say and do.

p

mf

mf

OPT: ASSISTANT ADD SCRAPES OF LOW WIRE PIANO STRINGS

WITH CREDIT CARD; SLOW, FAST, PEDAL DOWN, LID UP.

13 Clocks P/V 63

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1029 4H

Zorn

Ensemble

Pno.

1033

Moderato

q = 72

Zorn

B. Solo

Picc.

Pno.

When shall I see you next?

(OR free tittering, non-sung,not all in same rhythm)

2-4 CHILDREN OR HIGH

SOPRANI, FAR OFFSTAGE

(through cupped hands)

Tee

pp

hee- hee- hee- hee- hee!-

f

The

CAPTAIN

Duke com mands- your pres ence!-

mp

What was that!?

GUARDS FORM

UP, STAMP.

ppp like a toy piano

f

una corda

What

p

was what?

mf

Is the Duke a fraid- of laugh ter?

3 3 3 3

I know not. I thought I heard the sound of some one- laugh ing!-

f (or as high

as possible)

ff

3 corde

mf

L. V.

p una corda

13 Clocks P/V64

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4IPoco Piu Mosso

q = 761037

Zorn

B. Solo

Pno.

1043Poco Mosso

q = 80

Zorn

Ensemble

Pno.

senza vibrato pp

the To

dal?

-

pp

What

ALL GUARDS AND CAPTAIN

grimly as though frozen by fearsenza vibrato

pp

the

with teeth clenched

To

dal.

-

flat affect (poker face)

CAPTAIN

p

The Duke is not a fraid- of an y- thing,-

pp

not e ven...-

senza vibrato

the To

dal!- senza vibrato

pp

the

with teeth clenched

To

dal.

-

pp

3 corde

p

is the To

dal?-

ALL GUARDS AND CAPTAIN,

AT ATTENTION, MOTIONLESS.

senza vibrato

pp

the

with teeth clenched

To dal- looks like a blob of glup.

It

senza vibrato

pp

the To dal- looks like a blob of glup.

It

pp

13 Clocks P/V 65

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1049

Ancora Mosso

q = 92

4J

Ensemble

Fl.

Pno.

1055

Zorn

B. Solo

Fl.

Pno.

makes a sound like rab bits-

mp

scream

pp

ing.

- and smells like old un o- pened- rooms.

makes a sound like rab bits-

mp

scream

ing.

pp

- and smells like old un o- pened- rooms.

mp

It's

CAPTAIN

wait ing- for the Duke to

FLUTE

mf

mp

p

mp

And if he sets me one, and I suc-

fail in some en dea- vor- such as set ting- you a task that you can do.

(ossia)

p

p

13 Clocks P/V66

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Moderato

q = 721060

Mosso

q = 92

Zorn

Ensemble

Fl.

Perc.

Pno.

1065

Moderato

q = 72

B. Solo

Fl.

Pno.

4K1069

Pno.

ceed?

ALL GUARDS AND CAPTAIN, SAME

pp

The To dal- will glup you.

pp

The To dal- will glup you.

mpCAPTAIN

It's an a gent- of the Dev il- sent to pun ish- ev il- do- ers- for

mp

SUSP. CYM.

mp dome, wood snare stick, tip

mp p

mp

hav ing- done less e vil- than they

GESTURES TO GUARDS

should. I have said too much.

2 GUARDS TAKE THE PRINCE'S ARMS.

Come on,

the Duke is wait ing-

GUARDS,

stamp-stamp

mf

f

GUARDS WALK THE PRINCE OUT AND UP THE STAGE LEFT

CURVED STAIRS TO THE GREAT HALL PLATFORM AGAIN.

mfdetached, non-staccato

p

13 Clocks P/V 67

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5A1074 q = 80

Moderato

Scene 5--The Great Hall

Zorn

Pno.

q. = 86

Poco Mosso

1080q = 80

Poco Meno

Zorn

Fl.

Pno.

1086

Poco Mosso

q = 92 5B

Zorn

Duke

Pno.

NOW LIGHTED BY FLAMING TORCHES THAT THROW RED GLEAMS ON SHIELDS AND LANCES.

THE DUKE SITS AT ONE END OF A BLACK OAK TABLE. HIS GLOVES SPARKLE WHEN HE MOVES

HIS HANDS. HE STARES MOODILY THROUGH HIS MONOCLE AT PRINCE ZORN.

GUARDS,

stamp-stamp

p

I

tranquillo

am read y,- Duke.

Set me my task. Would you

p p

f

p

f

have

me hunt

the Boar? Or trav el- twice a round- the moon, or turn No vem- ber- in to-

p

p

p

June?

(hah hah hah hah!) Sar

almost lovinglylirico

p

a- lin- da- in Nov em- ber- turns No vem- ber- in to-

f p

DUKE, SNEERING, LAUGHS,

AND A TORCH GOES OUT.

13 Clocks P/V68

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1091

Same Beatq. = 92

Duke

Fl.

Pno.

Cedendo

1098q. = 80

Moderato

Duke

Pno.

1105 5C

Zorn

Duke

Fl.

Pno.

June.

mf

A cow can trav el- thrice

a round- the Moon or e ven- more, and an

y- one- can mere ly-

p

pp

p mp

hunt

the Boar.

p

I have an oth- er- plan for you. I thought it up an hour a go,- while I was kill ing-

p p

mf

But... a

mice:

mf

I'll send you out to find a thou sand- jew els,- and bring them back!

mf

mf

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1112

Same Beat

q = 80

Zorn

Duke

Pno.

1117

Poco Vivo

q = 100

Duke

Fl.

Perc.

Pno.

1121

Vivo

q = 110

Zorn

Duke

Perc.

Pno.

wan d'ring- Min strel- I, a thing of shr'...

f

Ru bies- and sap

hires!

- (heh heh heh) For

p

you

almost whispered

are Zorn of Zor na!-

mp

Your

3

mf

f

p

una corda

3 corde

Fath

f

er's- casks and cof

fers- shine with jew els!- In six and six ty- days you could sail to Zorn a- and re

mf

mf

SUSPENDED CYMBAL pTRI.

SNARE DRUM

brushesp

p

mf

mf mf

but

f

it al ways- takes my Fath er- three and thir

ty- days

to make

de -turn.

mp

CHUCKLES LIKE ICE

CRACKLING IN A CAULDRON.

wood snare stick butt, dome

13 Clocks P/V70

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Allegro

q = 921124

Zorn

Duke

Perc.

Pno.

1128

5Dq. = 80

Moderato

Zorn

Duke

Pno.

1134

Allegro

q. = 92

Duke

Pno.

ci sions!-

f

That

is what I want ed- to know, my na ive- Prince! Then you would have me give you

f

BASS DRUM

p

f

That

f

would be fair. But how do you know that I am Zorn?

nine and nine ty- days?

mf

mp

mp

This is my spy Hark. He found your Prince ly- rai ment- in your quar ters- in the

mp

GRINS, SHOWING HIS TEETH.

HARK ENTERS, WEARING A VELVET MASK,

CLOAK AND HOOD. HE IS CARRYING THE

PRINCE’S RAIMENT AND SWORD.

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1142

Duke

Pno.

1150 5E

Zorn

Duke

Fl.

Pno.

1157

Zorn

Duke

Fl.

Pno.

town and brought them here.

mf

Go, put the rai ment- on! I'll think of beet les- while you're

p

mp

You will notgone.

p

p

give me nine and nine ty- days.

mf

How man y- then?

mf

I'll think of a love ly- num ber.- Come

mf

p mf

HE POINTS AT A TALL FOLDING SCREEN

ENCLOSING A CORNER, STAGE RIGHT.ZORN TAKES HIS RAIMENT FROM HARK

AND STEPS BEHIND THE SCREEN TO CHANGE.

DUKE LIMPS TO HIS CHAIR

AND SITS DOWN AGAIN.BEHIND THE SCREEN

13 Clocks P/V72

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1165

5F

Marcia

q = 86

Duke

Fl.

Perc.

Pno.

1170rit. Andante

q = 72

Duke

Pno.

1175

Zorn

Duke

B. D.

Pno.

out!

f

Ver y- Prince ly!-

mp

I give you nine and nine ty-

f

BASS DRUM

mf

SUSPENDED CYMBAL

mf

f

mp

f

hours,

not days, to find a thou sand- jew els- and bring them here!

And

p

when you

re turn,- the

p

mf

p

The thir teen- clocks here in the Cas

tle?-

clocks must all be strik ing- five!

TAM-TAM

ppL.V.

ZORN COMES OUT IN HIS PRINCELY ATTIRE.

HE TRIES TO PULL HIS SWORD, BUT IT IS SEALED.

hard malletwood snare stick butt, dome

SARALINDA PEEKS AROUND A

CORNER AT THE TOP OF THE STAIRS.

13 Clocks P/V 73

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5G

1180 q = 76

Moderato

Sar.

Zorn

Golux

Duke

Hark

Ensemble

T.-t.

Pno.

1185

Duke

Pno.

SARALINDA, HEAD PEEKING AROUND

CORNER AT TOP OF STAIR.pp

The thir teen- clocks here in the cas

p

tle-

SARALINDA PULLS BACK.

PRINCE LOOKS AT THE

CLOCKS ON THE WALLS.

All onstage deadpan,

staring straight ahead

The

p

hands are fro zen.- The clocks are dead.

pp

The thir teen- clocks here in the cas

p

tle-

pp

The thir teen- clocks here in the cas

ptle-

pp

The thir teen- clocks here in the cas

ptle-

GUARDS AND CAPTAINpp

The thir teen- clocks here in the cas

ptle-

pp

The thir teen- clocks here in the cas

p

tle-

Hi Temple Blocks

mp

pp

Pre

p

cise- ly.-

And e ven- more charm ing- ly,- there are no jew els- to

be found with in- the space

of nine

and

13 Clocks P/V74

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1191 5H

Zorn

Golux

Duke

Hark

Perc.

Pno.

1197

Zorn

Duke

Pno.

LOOKS AROUND

Who

mfwas

FROM BEHIND THE SCREEN

p

In gen- i- ous.

-

nine ty- days, ex

cept- those in my vaults.

HOLDS HIS GLOVES UP

AND THEY SPARKLE.

and these:

p

I thought you'd like it.

p

A pret ty- task. Mmm

p TRI.

pp

that?

mf

There's no one- there!

GESTURES WITH HIS

CANE AT NOTHING.

That

p

is Lis ten.-

Lis

p

ten- is in vis- i- ble.- Lis ten- can be heard,

but nev er- seen.

TO HARK: f

Un-

p

p

13 Clocks P/V 75

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1202

5Iq = 66

Andante

Sar.

Zorn

Duke

Fl.

T. Bl.

Pno.

Moderato

q = 801206

Sar.

Duke

Pno.

DUKE WAVES A GLOVED HAND

AT THE IRON STAIRS, AND SARALINDA

APPEARS STANDING AT THE TOP.

SHE FREEZES, PUPPET-LIKE,

HER ARMS HALF-RAISED.

dreamy, as though hypnotized

mp

I wish him well.

HARK DOES SO.

mf

And if I should suc ceed?-

DUKE LAUGHS AND

LOOKS AT ZORN.seal his sword!

Ha ha- -

pp

dome, wood snare stick, tip

SUSP. CYM.

mp

STUDIO WIND CHIME (MARK TREE)

pL. V.

mp

f

p

pp

HE CUTS HER OFF WITH

A FLIP OF HIS HAND

hah!

p

I hired a witch to cast a tin y- spell up on- her. When she is in my pres ence,- all she can say is: "I

13 Clocks P/V76

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1211

5JAndante

q = 66

Sar.

Zorn

Golux

Duke

Hark

W.Ch.

Pno.

THE PRINCE AND PRINCESS SPEAK A DEEP

PRIVATE LANGUAGE WITH THEIR EYES.

THE PRINCE AND PRINCESS CONTINUE TO

LOCK EYES. SHE RELAXES HER ARMS.

p

I wish him well, I wish him well.

I

p

Mmm

p

An aw ful- spell

wish him well." You like it?

p

A clev er- spell

p

L. V.

pp

13 Clocks P/V 77

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1216accel.

Sar.

Zorn

Golux

Hark

Ensemble

Pno.

wish him well, I wish him well.

I wish him, wish him well.

I

mp

wish him well, I wish him

Ooh

Ooh

mp

Ahh Ahh

SARALINDA GRADUALLY WORKS HER WAY DOWN THE STAIRS,

ZORN GOES TO HER, KNEELS, AND THEY CLASP HANDS.

HARK AND LISTEN ARE ALSO CAUGHT

UP IN THE MAGIC, OPENING THEIR ARMS

pp

Mmm

GUARDS AND CAPTAIN SEVERALLY TAKE A KNEE,

CLASP ONE FIST TO THEIR BREAST, THEN JOIN IN.

pp

Mmm

ALL OTHER CAST MAY JOIN GUARDS FROM

BACKSTAGE, CONDUCTOR'S DISCRETION

pp

Mmm

THE DUKE FORGETS HIMSELF

AND WATCHES AND LISTENS, RAPT.

pp

Mmm

13 Clocks P/V78

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1221

Sar.

Zorn

Golux

Hark

Ensemble

Fl.

Perc.

Pno.

well.

mf

Ah

f

Ah

3 3 3

mf

Ah

f

Ah

3 3

Mmm Mmm

p

Ooo

mp

Ah

Mmm

Mmm

p

Mmm Ooo

mp

Ah

p

Mmm Ooo

mp

Mmm

p

Mmm Ooo

mp

AGHAST, DUKE CLENCHES HIS FISTS AND STARTS TO SHAKE IN FURY

mp

soft yarn mallets,one-handed over/under roll

SUSP. CYM.

ppL. V.

mf

(for rehearsal only) p mp

13 Clocks P/V 79

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molto rit.

1225

5Kq = 80

A Tempo.

Moderato Andante

q = 72

Sar.

Zorn

Golux

Duke

Hark

Ensemble

Fl.

B. D.

Pno.

f

(ossia) Ah

f

f

Ah

ZORN AND THE PRINCESS

SEPARATE RELUCTANTLY.

ZORN STANDS AND

RECOVERS HIMSELF.

DUKE, SLAMS THE BUTT OF

HIS CANE ON THE FLOOR

E

f

nough!

- Go!

Ah

Ah

GUARDS, ONE HAND HOLDING PIKE

STRIGHT UP, RAISE THE OTHER.

Ah

Ah

CAPTAIN GLARES AT GUARDS; THEY RISE

QUICKLY AND SHEEPISHLY, STAMP-STAMP

INTO FORMATION AND FREEZE, POKER FACE

mf

BASS DRUM

pp dead centerf

SARALINDA SCURRIES UP THE STAIRS.

RAIN STICK

p

mf

p

keep tremolo goingbetween chords

ff

f

13 Clocks P/V80

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Moderato

1229 q = 80

Zorn

Golux

Duke

Hark

Ensemble

Pno.

1235

Zorn

Duke

Ensemble

Pno.

p

And if I fail?

DUKE PULLS HIS SWORD FROM HIS SWORDCANE

AND RUNS HIS GLOVE ALONG THE BLADE.

with clenched teeth

senza vibrato ppwide-eyed, motionless

the To

dal!

-

mf

I'll slit you from your Gug gle- to your Zatch

and feed you to...

pp

the

senza vibrato

To

dal!

-

with clenched teeth

senza vibrato

ppwide-eyed, motionless

the To

dal!

-

GUARDS AND CAPTAIN

with clenched teethsenza vibrato

ppwide-eyed, motionless

the To

dal.

-

with clenched teethsenza vibrato

ppwide-eyed, motionless

the To

dal.

-

pp

pp p

I've

mf

heard of it.

p

You've on ly- heard the half of it. The oth er- half is worse. It's made of lip.

It

GUARDS AND CAPTAIN

senza vibrato

pp

Of lip.

with clenched teeth pp

Of lip.

pp

13 Clocks P/V 81

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1240

Zorn

Duke

Ensemble

Pno.

q = 86

Poco Mosso

1244 5L

Zorn

Golux

Duke

Hark

B. D.

Pno.

PRINCE PUTS HIS HAND ON

THE HILT OF HIS SWORD.

feels as if it has been dead at least a doz en- days, but it moves a round- like mon keys- and like sha dows!-

mp

The

senza vibrato

p

sha dows.-

with clenched teeth

p

sha dows.-

p pp

mp

What is gleep ing?-

DUKE AND HARK LOOK

AT EACH OTHER.

grimly f

Ha ha- ha- ha- hah!-

3

To dal- can't be killed!

grimly f

Ha ha- ha- ha- hah!-

mf

time is wast ing,-

3

mp

It gleeps!

grimly f

Ha ha- ha- ha- hah!-

3

RATCHET

p

mp

p

13 Clocks P/V82

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1249 q = 80

Moderato

Duke

Pno.

1254

Duke

Pno.

rit. 1259Andante

q = 66

rit.

Zorn

Duke

B. D.

Perc.

Pno.

Prince. Al read- y- you have on ly- eight and nine

y- hours. I wish you ev' ry- stran gest- kind of luck.

One last word of warn ing:- I would not trust the Go lux- o ver- far.- He can not- tell

what can be from what can't. He

DUKE POINTS TO A WIDE OAKEN DOOR AT THE END

OF THE ROOM; IT OPENS AND THE PRINCE SEES

LIGHTNING AND MIDNIGHT AND FALLING RAIN

mf

When

bravely

all the Clocks are strik ing-sel dom- knows what should be from what is. THE PRINCE GLANCES AT HARK AND THE DUKE,

AND AT A SPOT WHERE HE THINKS LISTEN STANDS.

(may substitute large, low thunder sheet) dead center

ff

normal

pp f p mp

pp

wood snare stick butt.

HI SPLASH CYM.

ff (choke)

both palms sideways,black and white keys

ff

left palm sideways,black and white keys

f

catch the ring of the staccatobass cluster with pedal

pp

two-handed tremolo, thunder

f p mp

L. V.

pp p

13 Clocks P/V 83

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12635M

q = 76

Moderato

Zorn

Golux

Duke

Hark

R.S.

Pno.

1268

Golux

Duke

Hark

Ensemble

Pno.

Five! TURNS AND WALKS OUT AND DOWN THE CURVING

STAIRS STAGE R. TO CENTER BELOW, IN LOW LIGHT

mf

Ha ha- ha- ha-

-

mf

Ha ha- ha- ha- ha

- hah- hah!-

Ha ha- ha- ha- ha

- ha- ha ha- ha- hah!-

Ha

mf

ha- ha- ha- ha- hah- hah!

-

RAIN STICK

p turn at end of load as needed and repour several times for continuous rain sound..

let last pour finish . . .

pp

mf

ha ha- ha ha- hah!-

f

ha

ha- ha ha- ha

- ha- hah!-

ha ha- ha ha- ga

- ha- hah!-

ha ha- ha ha-

-

Ha ha- ha- ha- hah!-

f

Ha

ha- ha- ha- ha

- ha- hah!

Ha ha- ha- ha- ha

- ha- hah!

Ha ha- ha- ha-

-

Ha ha- ha- ha- hah!-

f

Ha

ha- ha- ha- ha

- ha- hah!

Ha ha- ha- ha- ha

- ha- hah!

Ha ha- ha- ha-

-

(a third) f

ha ha- ha

ha- Ha- ha- -

GUARDS AND CAPTAIN

f (one)

Ha ha- ha- ha- ha- ha- hah!

(two)

Ha ha- ha- ha- ha- ha- hah!

f

f

13 Clocks P/V84

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1271

Golux

Duke

Hark

Ensemble

B. D.

Pno.

1274

Golux

Duke

Hark

Ensemble

B. D.

Pno.

Ha ha- hah!-

ff

Ha ha- ha ha- ha

- ha- hah!-

Ha ha- ha ha- ha

- ha- hah!-

Ha ha- ha ha-

-

ha ha- hah!

HaHa ha-- ha- ha- ha

- ha- hah!

HaHa ha-- ha- ha- ha

- ha- hah!

HaHa ha-- ha- ha-

-

ha ha- hah!

ff

Ha ha- ha- ha- ha

- ha- hah!

Ha ha- ha- ha- ha

- ha- hah!

Ha ha- ha- ha-

-

hah!

(plus a fourth)

ha ha- haha ha- ha ha hah!

ff

Ha

ha- ha- ha- haha ha- hah!

Ha ha- ha- ha- haha ha- hah!

Ha ha- ha- ha- ha- ha- hah!

(ALL)

Ha

ff

ha- ha- ha- haha- ha-- hah!-

Ha ha- ha- ha- haha- ha-- hah!-

f

L. V.

ha ha- hah!-

Ha ha- haha ha- ha

- ha- hah!-

Ha ha- haha ha- ha

- ha- hah!-

Ha ha- haha ha-

-

ha ha- hah!

HaHa ha-- haha- ha-- ha

- ha- hah!

HaHa ha-- haha- ha-- ha

- ha- hah!

HaHa ha-- haha- ha--

-

ha ha- hah!

Ha ha- haha- ha-- ha

- ha- hah!

Ha ha- haha- ha-- ha

- ha- hah!

Ha ha- haha- ha--

-

ha ha- ha- haha ha- hah!

Ha ha- ha- ha- haha ha- hah!

Ha ha- ha- ha- haha ha- hah!

Ha

Ha

ha-

-

ha- ha- haha- ha-- hah!-

Ha ha- ha- ha- haha- ha-- hah!-

Ha ha- ha- ha- haha- ha-- hah!-

f

mp

ff

13 Clocks P/V 85

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1277 e = e

Golux

Duke

Hark

Ensemble

B. D.

Pno.

6A Scene 6 -- Outside/below the Castle. Night

1281

Fl.

R.S.

Pno.

ha ha

LIGHTING DIMS ON GREAT HALL, SHIFTS TO OUTSIDE.

- hah!-

Mwah ha- haha ha- ha

- ha- ha- ha- ha- ha- ha

- ha- ha- ha-

-

shift to non-sung laugh, to choking and stop

3

ha ha- hah!

Mwah ha- haha- ha-- ha

- ha- ha- ha- ha- ha- haha

- ha-- ha- ha- ha- ha

shift to non-sung laugh, to choking and stop

- ha- ha- -

3

ha ha- hah!

Mwah ha- haha- ha-- ha

- ha- ha- ha- ha

shift to non-sung laugh, to choking and stop

- -

3

Ha ha- ha- ha- haha ha- hah!

Mwah ha- ha- ha- haha- ha- ha- ha- ha- ha- ha- ha

shift to non-sung laugh, to choking and stop

- haha- ha-- haha- ha-- -

3

Ha ha- ha- ha- haha- ha-- hah!-

Mwah ha- ha- ha- haha- ha-- ha- ha- ha- ha- ha

shift to non-sung laugh, to choking and stop

- ha- haha- ha-- haha- ha-- -

3

f

p

L. V.

A FEW IN THE GREAT HALL HAVE A LAST

EXTRA CHUCKLE OR SNORT, INDIVIDUALLY.

ZORN LOOKS UP AT A HIGH LIGHTED WINDOW

(ABOVE MAIN HALL) AND SEES SARALINDA THERE.

ALL IN THE GREAT HALL EXIT SILENTLY IN DARKNESS.

SHE TOSSES OUT A ROSE

IT FALLS AT HIS FEET..

dolcissimo

HE PICKS IT UP.

p

RAIN STICK

p turn at end of load as needed and repour several times for continuous rain sound..

etc.

p

pp

p

5

pp

p

13 Clocks P/V86

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1287

6Bq = 72

Moderato

Golux

Fl.

Perc.

Pno.

1293

Poco Piu Mosso

q = 80

Zorn

Golux

Fl.

Perc.

Pno.

1297

Zorn

Golux

Pno.

SHE VANISHES

GOLUX APPEARS BESIDE THE PRINCE,

TOUCHES HIM GENTLY ON THE ELBOW

proudly p

It is I, the Gol ux!- The on ly-

pp

pp

3

(Rain Stick stops)

SUSP. CYM.

pp dome, wood snare sticks tips

pp

5

sourly p

Ah,

yes.

The Duke thinks you are not as wise as he thinks

Gol ux- in the world!

pp

pp

pp

p

you think you are.

p

I

smiling

think he is not so wise as he thinks I

think he

is.

The Duke is lam er- than I am

13 Clocks P/V 87

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1301

Golux

Pno.

1306

Zorn

Golux

Pno.

1312

6Cq = 86

Ancora Mosso

Golux

R.S.

Pno.

old, but I am old er- than he is cold. But you will hear with some sur prise,

- that

f

I am wise er- than he is

mf

f

How were you there?

wise, I

was there!

I know

the terms!

pp

I

proudlyam List en.-

f

p

or at an y- rate he thinks I am.

f

Nev er- trust a Spy you can not- see!

THINKS, SCOWLS p

We now have on ly-

HIGH TEMPLE BLOCKS

f hard xylo. mallets

mp p

13 Clocks P/V88

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1317

Zorn

Golux

T. Bl.

Pno.

Vivo, Piratical

q. = 1081321

Golux

Picc.

Perc.

Pno.

1327

Golux

Picc.

Perc.

Pno.

f

You

said you had

GOLUX CLOSES HIS EYES

AND CLASPS HIS HANDS.

more plans than one!eight and nine ty- hours

mf

to find a thou sand- jew els!-

mf

mf

EYES OPEN mf

There

very animated

was a Treas ure- Ship that sank, not for ty- hours from here,

PICCOLO

mf

p

HAND DRUM

mf

p

(cue picc.)

(cue picc.)p

mf p

But, come to think of it, the Duke ran- sacked the Ship and stole the

mf

mf p

13 Clocks P/V 89

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1332

6Dq = 80

Moderato

Zorn

Golux

Picc.

Perc.

Perc.

Pno.

1339

Golux

Fl.

Bongos

Pno.

sighing p

So much for that.

GOLUX THINKS

jew els.-

p

If there were hail,

p

FLUTE

wood snare sticks, tips

snares off

uneven rudimental roll,like hail on a tin roof

HI SNARE DRUM, muffled

pp

(cue picc.)p

pp

5

5

pp

una corda

and we could stain the hail with

pp

5 5 5 5

5 5 5 5

p pp

pp

5 5 5 5

5 5 5 5

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1342 Riten.molto rit. q = 80

A Tempo

Zorn

Golux

Fl.

Perc.

Pno.

1348 q = 72

Moderato, Lugubre 6Eq. = 116

Vivo

Zorn

Golux

Fl.

Bongos

Perc.

Pno.

There

p

is no hail.

blood,

it might turn in to- ru bies...-

(may switch back to

Picc. for this phrase)

pp

5

SPLASH CYMBALdome

pp uneven rudimental roll

wood snare sticks, tips

pp

p

p

The task is hard and can't be done.

So

sighingp

much for that.

GOLUX SNAPS HIS FINGERS,

LEAPS AND CLICKS HIS HEELS.

PICCOLO

f

TRIANGLE

on pad on table/flat stand

TAMB.f

f

p

p

f

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1357

Golux

Picc.

Perc.

Perc.

Pno.

1364

Golux

Picc.

Perc.

Pno.

ANIMATED, WITH MIMING LIKE

A VAUDEVILLE MAGICIAN

f

I

can do a score of things that can't be done!

f

p

HAND DRUM TAMB.

p

I

mf

can find a thing I can not- see, and see a thing I can not- find.

p

p

HAND DRUM

13 Clocks P/V92

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1370

Golux

Picc.

Perc.

Perc.

Pno.

1376

Zorn

Golux

Picc.

Perc.

Perc.

Pno.

LOOKS AT ZORN TO

SEE IF HE CAN GUESS

The first is Time. The se cond- is a spot be fore- my eyes.

TRIANGLE

f

HAND DRUM

p

I

mf

can feel a thing I can not- touch, and touch a thing I can not-

f

p

f

TAMB.

p

HAND DRUM

13 Clocks P/V 93

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1382

Riten.rit. q. = 66

Molto Meno Mosso

Golux

Picc.

Perc.

Perc.

Pno.

q. = 116

A Tempo, Vivo1388

Meno Mosso

q. = 806F

q = 80

Same Beat

Zorn

Golux

Perc.

Pno.

feel.

LOOKS AT ZORN.

The first is sad and sor ry,- the se cond- is your heart.

p

TRIANGLE

f

f

flat, senza vibrato

p

Noth ing...-

what

p

would you do with out- me?

f

Say no thing!

-

p

Good,

then you're

TAMB.

p

p

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1395 q = 72

Moderato

Golux

Pno.

1401

Golux

Picc.

Pno.

1406

Zorn

Golux

A. Fl.

Pno.

help less- and I'll help you. I said I had a noth- er- plan, and I do.

p

p

pp

There

misterioso, telling a tale

is a wom an- on this Isle, who'd have some eight and eight y- years. And she is gift ed- with the

ALTO FLUTE

mp

pp

pp

Tears?

strang est- gift of all, for when Hag ga- weeps,

what do you think she weeps?

mp

mf

13 Clocks P/V 95

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Mosso

q = 921411

6GSame Beat

q. = 92

Zorn

Golux

A. Fl.

Perc.

Pno.

1417

Golux

Perc.

Pno.

GOLUX SHAKES

HIS HEAD.

f

But that is too re mark- a- ble- to be!

Jew

mf

els!-

f

I don't see why. E

mf

ven- the low ly- oy ster-

mf

TRIANGLE

p mf

mf

mf

f f

mf

makes his pearls with out- the use of eyes or hands or an y- tools,

f

and pearls are jew els!-

mf

The

TRIANGLEmf

mf mf p

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1424q = 92

Same Beat

rit.

A Tempo

q = 92

Zorn

Golux

A. Fl.

Pno.

1432

6H

q = 72

Moderato

Zorn

Golux

A. Fl.

Perc.

Pno.

mf

Where does this

oy ster- is a Blob of Glup! But a wo man- is... a wo

man!

f

mf

mf

won drous- wo man- live?

mp

O

mournfully

ver- moun tain,- o ver- stream by way of storm and thun der.- in a

mp

BASS DRUM

dead center

mf p

normal

p pp p

side of hand,white keys

mf

catch thering

13 Clocks P/V 97

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1437

6Iq = 110

Piu Mosso

Golux

A. Fl.

B. D.

Pno.

1442

Golux

T. Bl.

Pno.

hut so high or deep, I

p

can nev er- re mem- ber- which, the na ked- eye can't see it.

p

We

3

mp

L. V.

HI TEMPLE BLOCKS

p

pp

p

must be on our way. It will take us nine ty- hours or more, or less to go and come.

f

It's this way!

p

Or it's

f

13 Clocks P/V98

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1447 q = 80

Meno Mosso

Rubato

Zorn

Golux

A. Fl.

T. Bl.

Pno.

1453

In Tempo

q = 92

6J

q. = 100

Marcia, ModeratoPoco Mosso

Golux

A. Fl.

W.Ch.

Perc.

Pno.

f

How can I?

PRINCE HOLDS OUT THE ROSE ON HIS

PALM AND ITS STEM SLOWLY TURNS

AND STOPS, POINTING STAGE RIGHT.

that way? Make

f

up my mind!

mp

You have a rose; hold it in your hand.

p

STUDIO WIND CHIME

p

f

p

p

mf

It's

f

this way!

3

p

f

THEY START OFF IN THAT DIRECTION. (OPTION: SUGGEST

THEIR START BY WALKING AN ELLIPSE FROM

SIDE TO SIDE OF THE STAGE.) GRADUALLY TREES APPEAR,

SUGGESTING THEY HAVE WALKED INTO THE FOREST.

SEVERAL PAUSES ALONG THE WAY FOR THE MUSIC.

13 Clocks P/V 99

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1459

Golux

A. Fl.

Perc.

Pno.

1466

Golux

Picc.

Perc.

Pno.

1473

Golux

Picc.

Perc.

Pno.

mp

I will tell you the Tale of Hag ga.-

PICCOLO

p

SNARE DRUM

p rim, wood

When Hag ga- was e lev- en,- and pick ing- cher ries- in the woods one day, she

p

p

came up on- the Good King Gwain of Yar row- with his foot

caught

in

a

p

13 Clocks P/V100

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1479

6K

Golux

Picc.

Perc.

Pno.

1486

Golux

Picc.

Perc.

Pno.

1496

Golux

Perc.

Pno.

wolf

trap.

f

"Weep for me, maid en"- said the King. "I

p mf

f

dome

RIDE CYMBAL

f wood snare stick, tip

p

f

can not- get my foot loose from this thing!"

(opt. falsetto)

"I have no time for tears," the

(nat.)

maid en- said

p

She set a bout- to free his fet tered- foot.

mf

"Lo, the maid has freed my foot!" the King ex-

mf

mf

13 Clocks P/V 101

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1504 6L

Golux

Ensemble

Picc.

Perc.

Pno.

1512

Golux

S.

Fl.

Perc.

Pno.

ul ted.- And for her kind ness- he gave her the pow er- to weep jew els- in stead- of

2

ENSEMBLE, OFFSTAGE

to

pp

weep jew els-

2

Tenors pp

jew

els-

FLUTE

p

2

mf

TRIANGLE

mp

2

tears. Peo ple- came from miles a round,- by night and day, in warm or Win ter- wea ther,- to

Jew els,- jew els!-

pp

jew els!-

Jew

All men

ppels,- jew els!-

pp

jew els!-

mf

p

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1520

6M

Golux

S.

Fl.

Perc.

Pno.

1529

Golux

S.

Fl.

Perc.

Pno.

make her sad and sor ry,- and to

LIGHTING: COLORED-LIGHTS DISCO BALL EFFECT

make her weep

jew els.- They came with heav y- hearts, and

Ooo

pp

weep

jew els.-

mf

Jew els,- jew els!-

pp

Ooo

pp

Ooo weep

jew els.-

mf

Jew els,- jew els!-

pp

Ooo

mf

mf

left with pearls and ru bies.- Child ren- played with sap phires- in the streets. Dogs chewed o pals- and

ru bies.- Ooo

mp

Sap phires.

pp

Ooo

ru bies.- Ooo

mp

Sap phires.

pp

Ooo

mf

mf

mf

13 Clocks P/V 103

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1537

6N

Golux

S.

Fl.

Perc.

Pno.

1546

Golux

S.

Fl.

Pno.

ev ry- pea cock- had at least nine dia monds- in its giz zard.

LIGHTING: DISCO BALL EFFECT FADES.

- The price of plain stones and peb bles-

Ooo Ooo Dia

pp

monds. Ooh

Ooo Ooo Dia

pp

monds. Ooh

mf

mf

mp

rose, the price of gems de clined, un

p

til- for mak ing- Hag ga- weep you could be

pp

Ooh

Altos

Ooh

All Women

weep

p

Ooh

pp

Ooh

Basses

Ooh

All Men

weep

p

Ooh

p

p

p

13 Clocks P/V104

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1557 6O

Golux

S.

W.Ch.

Pno.

1567

Golux

Fl.

B. D.

Perc.

Pno.

hanged

f

and

fined!

f

In the end, the jew els- were mel ted- in a fright ful-

ahh

mp mf

Ouch!

ahh

mp mf

Ouch!

BASS DRUM

mf

p

mf

p

mf

fire!

LIGHTING: FIRE EFFECT, FLARES UP, DIES DOWN.

f

SPLASH CYMBAL

hard cord mallets

p f

two hands

f

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1570 q = 80

q. = 80

Golux

Fl.

B. D.

Perc.

Pno.

6Pq. = 96

A Tempo,

Poco Meno1575

Golux

B. D.

Pno.

1582 q. = 80

Meno Mosso

Golux

Fl.

B. D.

Pno.

THEY PAUSE IN THE WOODS

by or der- of the King!

mf

f

Fin

p

al- ly- the Maid could weep no more.

pp dead center, small felt mallet

p

at an y- tale of trag e- dy- or trib u la- tion.- She grew to be six-

pp

pp

13 Clocks P/V106

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1590

Golux

Fl.

Pno.

1595

6Q A Tempo

q. = 96

Golux

Fl.

B. D.

Pno.

teen and twen ty- six- and thir ty- four.- And now she waits at eight y- eight for

pp

p

p

me and you.

(Optionalfermatafor applause)

mf

I hope that this is true. I make

things

mf mf

ppp

f hard xylo. mallets

HIGH TEMPLE BLOCKS

mf

13 Clocks P/V 107

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1603

Zorn

Golux

Fl.

T. Bl.

Pno.

1610

Andante

q = 86

Zorn

Golux

Pno.

1617rit.

Golux

Pno.

sighs mf

I know you do.

p

If Hag ga- weeps no more, why should she weep for

up,

you know!

p

pedal freely

us?

p

I feel that she is frail and frag ile,- I trust that she is

pedal freely

sad and sor ry,- I hope that she is nei ther- dead nor dy ing.-

13 Clocks P/V108

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1623 q = 80

Meno Mosso

6Rpoco rit. q = 80

A Tempo

Golux

T. Bl.

Perc.

Pno.

1632 Rubato Poco Riten.

6S In Tempo

q = 92

Golux

Fl.

B. D.

Pno.

I'll think of some thing- ver y-

THEY ARE IN FOREST OF TALL THICK TREES,

TANGLED IN BRAMBLES. LIGHTNING FLASHES

AND THUNDER ROLLS, AND ALL PATHS VANISH.

sad to tell her. Ver y- sad and lone ly.-

(may substitute large, low thunder sheet)

BASS DRUM

dead center

f

normal

pp

Hi Splash Cym.

wood snare stick butt.

ff (choke)

both palms sideways,black and white keys

f

catch the ring of the staccatobass cluster with pedal

left palm

f

two-handedtremolo

pp

Take

mf

out your Rose,

p

I think we're lost.

PRINCE TAKES OUT THE ROSE AND HOLDS

IT IN HIS HAND. THE STEM BEGINS TO

TURN AND TWIST, AND POINTS.

It's

f

this way!

p

3

mf p mp

pp

STUDIO WIND CHIME

p

To Fl.To W.Ch.

p

mf p mp pp

L. V.

13 Clocks P/V 109

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Marcia, Moderato

q. = 1001642

Golux

Fl.

Pno.

1649

Fl.

Pno.

1655

Zorn

Fl.

Pno.

THEY FIND THE PATH, AND VANISH INTO THE BRAMBLES.

p

mp

p

p

AS THEY EMERGE IN A SMALL HOLLOW, A

JACKADANDY APPEARS FROM THE OTHER

DIRECTION, HIS DANDY CLOTHES TORN AND

TATTERED. THEY ALL HALT. ZORN ASKS HIM:

mf

Did you see Hag- ga?

mf

13 Clocks P/V110

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6Tq = 96

Allegretto1662

Hagga Weeps No More

B. Solo

Fl.

Pno.

1671

B. Solo

Pno.

1679

B. Solo

Fl.

Pno.

JACKADANDY NODS, THEN

SHAKES HIS HEAD SADLY.

Hag

p

ga- weeps no more,

pp

Hag ga- weeps no more.

p

I told her tales of

pp

pp p

pp

lov ers- lost in Ap ril,- I told her tales of maid ens- lost in June. I told her tales of

Princ es- fed to geese.

ZORN BLANCHES.

I ev en- told her how I lost my young - est niece. She

pp

13 Clocks P/V 111

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1688

6U

Golux

B. Solo

Pno.

1697

B. Solo

Pno.

1703

Golux

B. Solo

Fl.

Pno.

This

p

is sad and get ting- sad der!-

wept

not!

p

The way is long and get ting- long er.-

The road goes up hill- all the way and e ven- far ther.- I

p

AS HE TURNS TO GO, THE JACK-O'-LENT

APPEARS FROM THE SAME DIRECTION,

HER CLOTHES ALSO TORN AND TATTERED. p

Did

wish you luck; you'll need it.

solo

mp

p

13 Clocks P/V112

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1711 6V

Golux

B. Solo

Fl.

Pno.

1718

S. Solo

Fl.

Pno.

1726

S. Solo

Fl.

Pno.

you see Hag ga- too?

BOTH “JACKS” LOOK AT EACH OTHER,

THEN NOD, SHAKE HEADS SADLY.

JACK-O'-LENT

Hag

p

ga- weeps no more,

pp

Hag ga- weeps no

JACKADANDY p

Hag ga- weeps no more,more.

pp

Hag ga- weeps no

pp

pp p

pp

more.

mp

I told her tales of lov ers- lost at sea, I told her tales of ba bies- lost in foun tains.-

more.

pp

lov ers- lost at sea,

lost in foun-

pp

pp

chil dren- lost in woods,

told her tales of Shep herds- lost in

tains.

mp

I told her tales of chil dren- lost in woods, I told her tales of shep herds- lost in

13 Clocks P/V 113

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1734

Molto Ritenuto

q = 66

A Tempo

q = 96

6W

Zorn

S. Solo

Fl.

Pno.

1744

Zorn

S. Solo

Pno.

This

p

is grim and get ting-

moun tains.-

mf

She wept not!

moun tains.-

mf

She wept not!

pp

mp

mf p

p

grim mer!-

p

The hut is high, and e ven- high er.-

p

The way is dark, and get ting- dark er.- The hut is high, and e ven- high er.-

13 Clocks P/V114

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1751 6X

S. Solo

Fl.

Pno.

1760

S. Solo

Fl.

Pno.

6YAllegretto

q = 961769

Perc.

Pno.

there is none.

I wish you luck; there is none.

THEY BOW, THEN VANISH IN THE

BRIARS, IN THE OTHER DIRECTION.

p

Hag ga- weeps no

solo

mp

p

Hag

pAS THEY EXIT, FINISH OFFSTAGE

ga- weeps no more. Hag ga- weeps no more. Hag ga- weeps no more.

pp

no more.

ppp

more. Hag ga- weeps no more. Hag ga- weeps no

pp

more. no more. no more.

ppp

niente

p

ZORN AND GOLUX LOOK AT EACH OTHER,

SHRUG THEIR SHOULDERS, THEN STEP INTO

THE BRAMBLES IN THE OTHER DIRECTION.

BASS DRUM (OR KICK DRUM)

pp

at center

p

p

13 Clocks P/V 115

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1775

S. Solo

Perc.

Pno.

1780

6Z

B.

Perc.

Pno.

TEXT PROJECTED ON SCREEN, AS THEY WALK, CUED TO THE SUNG NARRATION:

“The brambles and thorns grew thick and thicker in a ticking thicket of bickering crickets.

Farther along and stronger, bonged the gongs of a throng of frogs. From the sky came the

crying of flies, and the pilgrims leaped over bleating sheep creeping knee-deep in a

sleepy creek, where swift and slippery snakes slid and slithered silkily, whispering sinful secrets.”

STARTING IN HALF-STAGE-WHISPERS

The

p

bram bles- and thorns grew thick(thic'

andkand)-

thick er- in a tick(tic'

ingking)

NOISE: CRICKET NOISES, THICKENING

--

thick et

- of bick er- ing

-

mf

crick ets.

-

(do the staccatos by only closing the palate on the"k" shape before the next syllable, then startingthe next syllable with the real "k")

p

The bram bles- and thorns grew thick(thic'

andkand)-

thick er- in a tick(tic'

ingking)

--

thick et

- of bick er- ing

-

(rehearsal only)

Crick ets,

- crick ets,

- crick et,

- crick et,- crick ets!

-

(close the "ngg" quickly, use it to start the next syllable))

mf

Far ther- a long

(longgg

- and

ngand)-

3

crick

mf

ets.ets,

- crick ets,

- crick ets,-

crick et,- crick ets!

-

mf

Far ther- a

3

-

mf

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1783

B.

Perc.

Pno.

1787 6AA

B.

Perc.

Pno.

strong

(stronggg

er

'ger)

-

-

bonggg the gongggs of

NOISE: FROGS BONGING

a

(thronggg

throng of

ngove)-

frogs frongs

gliss.

frongggs.

gliss.

From the

(longgg

long and

ngand)-

strong

(stronggg

er

'ger)

-

-

bonggg the gongggs of a

(thronggg

throng of

ngove)-

frogs frongs frongggs.

mf

(ska

sky

eee)

(emphasize the ending "ee"portion of sky, flies)

-

came the cry ing- of flies,(fla ees)-

of flies, ofof fla ee- ah- ee- ah- - ees. and the pil grims-

From the

(ska

sky

eee)-

came the cry ing- of(flaflies,

ees)-of fla ee- ah- ee- a- - ees.

(pop the "p"s, very tight nasal "EE"s)

and the

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1791

B.

Perc.

Pno.

1795

B.

Perc.

Pno.

leaped

gliss.

ov er

NOISE: SHEEP BLEATING

- bleat ing- sheep creep ing- knee deep- in a ssleep y- creek, in a ssleep y- creek,

pil grims- leaped ov er- bleat ing- sheep creep ing- knee deep- in a ssleep y- creek, in a ssleep y-

where

(anticipate and lengthen all sibilant "S"s)

mp

sswift and sslip per- y- ssnakes sslid and

3

sslith

NOISE: SNAKES HISSING

ered- ssilk i- ly,- whiss per- ing- ssin ful- sse cretss.

3

-

3 3 3 3 3 3

creek,

mp

where sswift and sslip per- y- ssnakes sslid and

3

sslith ered- ssilk i- ly,- whiss per- ing- ssin ful-

3 3 33 3 3

(rehearsal only)

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1798

rit. Moderato

q = 80

B.

Perc.

Pno.

6BB1802

Zorn

Golux

Pno.

ssin ful

3

- sse crets,

3

- sse cretss.

3

-

ppmpnormal diction

On the sec ond- day they came to the bot tom- of a hill.

sse crets,

3

- ssin ful- sse crets,

3

- sse

pp

cretss.

3

-

mp

On

normal diction

the sec ond- day they came to the bot tom- of a hill.

3

p

ZORN AND GOLUX

STOP IN THE OPEN.

p

A lit tle,- then.

GOLUX SITS DOWN.

p

I am so wear y- let us rest for a lit tle- while.

f

(hard arpeggio on the beat)

f p

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1808

Same Beat

q. = 80

Zorn

Golux

Pno.

But we must go up

POINTS.

that hill soon. Shall I sing you a

3

song?

ZORN TAKES HIS LUTE, QUIETLY

TUNES A LITTLE, STACCATO.

[ZORN, SPOKEN:] “My Wandering Minstrel Ballad!

(Every time I start to sing it, someone cuts me off.

Besides,) until I met the Princess Saralinda, I really

could not finish it. But I have been working on it in

my head as we walked, and now it is done.

[TO GOLUX AND AUDIENCE:] May I?”

GOLUX NODS WEARILY.

p

A song? What

song?

p

pp

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6CCAllegretto Grazioso

q. = 761816

A Wand'ring Minstrel

Zorn

Pno.

1824

Zorn

Pno.

1831

Allegro

q. = 90

6DD

Zorn

Fl.

Perc.

Pno.

ZORN PLAYS, AND SINGS.

mp

A

(Minstrel mode)

wan d'ring- Min strel- I, a thing of shreds and

p

una corda

patch es,- of bal lads,- airs, and catch es- and lul la- bies.- I wan dered through the world in search of

Prin cess- es- who made me sigh.

f

But

I

(Warrier Prince mode)

was born a Prince. ev' ry thing was mine.

mf

dome, wood snare stick, tip

RIDE CYMBALmf

mf

3 corde

una corda 3 corde

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1839

Zorn

Fl.

Perc.

Pno.

1846

Zorn

Fl.

Perc.

Pno.

18536EE

Zorn

Fl.

Perc.

Pno.

Rich es,- rai ment,- ar mor,- sword, and steeds! and ser vants- who at tend- ed- all my needs. Trained to win in

mf

mf

una corda 3 corde

etc.

com bat,- van quish- ev ry- foe,

p

but al so- taught to sing and play the lute, and make up vers- es.

mf

mf BASS DRUM

center, small hard felt

p

una corda

MIMES PLAYING LUTE.

mf

Rest less- I be came,- bored with tourn eys- drag ons- and dow ries,- no

mf

pp

TRIANGLE

TAMBOURINE

RIDE CYMBAL

dome mf

mp

3

p

come prima

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1859

Zorn

Fl.

Perc.

Pno.

1864

Zorn

Fl.

Perc.

Pno.

1869

Zorn

Fl.

Perc.

Pno.

Prin cess- of the realm could touch my heart.

f

So I threw off roy al- garb, put

mp

3

p

on some hum ble- gar ments,- took my lute and set off wan

mf

p

3 corde

mf

d'ring to

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1872

Zorn

Fl.

Pno.

6FF1876

Zorn

Fl.

Perc.

Pno.

1884 rit.

Zorn

Fl.

Perc.

Pno.

find and woo the Prin cess- of my dreams!. And

now that I have found her, the love ly- Sar a- lin- da,-

I'll wan der on un til- I find a thou sand- jew -

TRIANGLE

p

els! Then snatch her from the clutch es- of the cold and cru

(ossia)

el-

(catches himself, relaxesback to Minstrel mode)

Duke!

f

BASS DRUM

centerf

SNARE DRUM

f (wood snare stick, tip)

(snares off)

f

f

una corda

p

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1892

6GGq. = 76

Allegretto Grazioso

Zorn

Pno.

1898 rit.

Zorn

Pno.

Riten.

1905

A Tempo

q. = 72 rit.

Zorn

Fl.

Pno.

mp

Yes,

I must wan der- on, at tend- ed- by a wiz ard,- search ing for a

hut high on a hill

mf mp

Yes, I must wan der- on so I may win my Sar a- -

mf

p

lin da's hand.

MIMES PLAYING THE LAST

2 NOTES AS HARMONICS.

BOWS TO GOLUX AND

AUDIENCE.

p pp

(optionalpause forapplause)

(ossia)

etc.

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6HHq = 76

Same Beat

1913

Golux

Fl.

W.Ch.

Pno.

1917

Zorn

Golux

Fl.

Fl.

Pno.

Well...

p

it is more than no thing- and a good bit bet ter- than your sil ly- lit

A COMET WHISTLES THROUGH THE SKY.

tle- dit ty- on the Dogs Do Bark...

(Jet Whistle start,then normal)

f

(chromaticscale)

(tongue hard, to getthe high partial; fluttertongue is optional.)

SLIDE WHISTLE

f

mf

slowgliss.

p

(A)

mf

gli

ss.

gliss.

p

FOR SEVERAL SECONDS, BY ITS LIGHT THEY

SEE THE HUT OF HAGGA HIGH ON HAGGA'S HILL.

How

p

man y- hours have we left? Up

p

there is Hag ga's- Hut.

pp

gliss. p

p

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1922 q = 70

Poco Meno

Zorn

Golux

Pno.

1926

Lugubre

q = 66

Golux

Pno.

6II SCENE CHANGE MUSIC

1932

Fl.

Pno.

mp

I hope that she's a live- and sad.

p (opt.)

If we can make her weep with in- the hour we'll bare ly- make it.

psighs

I fear that she has died. I feel it in my sto mach.- You bet ter- car ry- me. I'm wear y.-

p

PRINCE PUTS DOWN HIS LUTE, SQUATS TO LET THE

GOLUX CLIMB UP TO RIDE "PIGGY-BACK." HANDS HIS

LUTE TO THE GOLUX, AND CARRIES HIM OFF STAGE LEFT.

p

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1940rit.

A Tempo

q = 66

Fl.

Pno.

7A

1948

Scene 7. Hagga's House

Piu Mosso

q = 82

Golux

Fl.

Pno.

1953

Zorn

Golux

Pno.

TOP OF HAGGA'S HILL. HAGGA’S HUT,

CENTER STAGE. STARRY NIGHT.

PRINCE, CARRYING THE GOLUX, ENTERS FROM STAGE RIGHT,

LETS THE GOLUX DOWN AND ONTO HIS FEET. THEY APPROACH

THE HUT AND STAND AT EITHER SIDE OF THE DOOR.

p

There is no light in her win dow,- and it is

mp

LOOKS TO ROOF

p

There is no smoke in her chim ney,- and it is cold and get ting- cold er.-

dark and get ting- dark er.-

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1957

Golux

Pno.

1960

poco rit.

Golux

Pno.

7Bq = 68

Meno Mosso

1964

Golux

Pno.

p

What wor ries- me the most is that spi der's- web on the

door, that stretch es- from the hing es- to the latch.

pp

Knock

ppQUAVERING VOICE

on her door.

GOLUX CROSSES HIS FINGERS.

PRINCE KNOCKS.

HAGGA OPENS THE DOOR AND STARES

AT THEM. HER EYES ARE DRY AS DESERTS,

HER MOUTH SEEMS MADE OF STONE.

AND SHE IS CLEARLY ONLY THIRTY-EIGHT

OR THIRTY-NINE.

FOOTSTEPS

mp

5

p

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Maestoso

q = 601970

Zorn

Golux

Fl.

Pno.

GOLUX AND ZORN KNEEL

Weep

f appassionato

for us, or else this Prince will nev er- wed his Prin cess!-

Weep

f appassionato

for us, or else this Prince will nev er- wed his Prin cess!-

f mp

mf

f

5

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7CLargo Mesto

h = 46

I Weep No More

1975

Hagga

Fl.

Pno.

1982

Hagga

Fl.

Pno.

1988

7Dh = 54

Poco Mosso

Hagga

Fl.

Pno.

mp

resigned, impassive

I have no tears, I weep no more. I have turned a thou sand- per sons- gem less,-

p

p

(cue Fl.)

pedal freely

gem less- from my door. Once I wept when ships were o ver- due,- or brooks ran dry, or

p

p

tan ger- ines- were ov er- ripe,- or sheep all got pink eye.- Once I wept when maids were mar ried- un der- -

p

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1994

Hagga

Fl.

Pno.

1998

rit.

h = 54

7E A Tempo

Hagga

Fl.

Pno.

2004

Hagga

Pno.

neath the Ap ril- Moon.

f

Now I weep no more when maids are bur ied,-

f

f mf

ev

mp

en- in the month of June.

(ossia)

mp

f

mp

(top oct. opt.)

f

f

Dam

f

sels- killed by drag ons- leave me cold, and brok en- hearts, and love de-

mf

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2009 7F

Hagga

Pno.

2014

poco rit.

Hagga

Pno.

20207G

h = 46

Tempo I, Largo Mesto

Hagga

Pno.

2025

rit.

h = 40

7H Poco Meno

RitenutoTempo I

h = 46

Hagga

Fl.

Pno.

nied, and ev en- stol en-

tarts.

mp

I do not weep for lov ers- lost at sea, or

p

bab ies- drowned in foun tains,- nor chil dren- lost in

(ossia)

woods,(ossia)

or shep herds- lost on

p

moun tains.-

pp

p

I do not weep for lambs who give no fleece,

nor

p

ev en- for

LOOKS SADLY AT ZORN

young princ es-

ZORN WINCES

fed

to

geese.

mp

I

SHAKES HER HEAD SADLY

have no tears,

liberomf

I weep no more.

mp

mp

colla parte

p

mp

p

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2031

Hagga

Fl.

Pno.

2037Poco Meno

Hagga

Fl.

Pno.

Tempo I

h = 46

2042 rit.

Hagga

Fl.

Pno.

I have turned a thou sand- gem less- from my door. Once I wept for an y- lit tle- thing,

But now I'm dry.

mp

My tears are gone.

mf

I weep

portato

no

port.

more.

(Optionalpause forapplause)

p

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7IAndante

q = 702045

Hagga

Golux

Fl.

Pno.

2050

Hagga

Golux

Pno.

2054

7Jq = 80

Poco Mosso

Golux

Pno.

p

Come in, come

THEY FOLLOW HER IN.

in.

THE ROOM IS DARK AND HOLDS A TABLE AND A

CHAIR, A COT, A WALL CLOCK AND IN ONE

CORNER A CHEST OF OAK BOUND WITH BRASS.

p

I have tales to make a hang man-

p

weep, and tales to bring a tear to a mon

ster's- eye.

p

I have tales that would dis-

turb a drag on's- sleep,

and e ven- make the

OPTIONAL: AT THE MENTION OF THE TODAL,

A LOCK OF HAGGA'S HAIR TURNS GRAY.

To dal- sigh.

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2058

Golux

Fl.

Pno.

2061

Meno Mosso

q = 66

ATempo

q = 80

Hagga

Golux

Fl.

Pno.

2066Meno Mosso

q = 66

Golux

Perc.

Pno.

mf

I will tell you of the death of Kings, and lit tle-

mf

p

I

(shaking her head)

have no tears.

ba bies- choked by rings.

STAGE WHISPERS IN

HER EAR: "The Kings all

died. The babies all choked." p

I will

p

pp

p

tell you of the chil dren- locked up for e ver- in the Duke's tow er- in Cof in- Cas

STAGE WHISPERS IN HER

EAR:"The children have

been locked up forever."

tle.-

TAM TAM

p

p

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2071

7K

q = 88

Piu Mosso

Hagga

Golux

T.-t.

Pno.

2076

rit. Poco Meno Mosso

q = 72

Hagga

Golux

Pno.

(shaking her head)

I

p

weep no more.

mf

Look,

and lis ten!

- The Prin cess- Sar a- lin- da- will nev er- wed this youth un less- he

damp

mf

(sighs)

THE PRINCE HAS WANDERED TO THE OAKEN CHEST.

p

I would weep for Sar a- lin- da- if

HE LIFTS ITS COVER

AND THROWS IT OPEN.

I were a ble.-

lays a thou sand- jew els- u pon- the Dukes' ta ble.-

p

p

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7L

q = 82

Piu Mosso

2081

Choir

Fl.

Perc.

Pno.

Ooh

p

CHOIR (ALL OTHER CAST), OFFSTAGE

A MULTICOLORED RADIANCE FILLS THE ROOM AND LIGHTS THE DARKEST CORNERS.

INSIDE THE CHEST IS A HEAP OF JEWELS: DIAMONDS, RUBIES, SAPPHIRES AND EMERALDS.

wah

mf

Ooh

p

wah

mf

p mf

ppp

TRIANGLE

f

mp

6 6

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2083

Hagga

Zorn

Golux

Choir

Fl.

Perc.

Dr.

Pno.

PRINCE AND GOLUX LOOK AT HAGGA.

mf

Oh, those are the jew els- of laugh ter-

f

What is this?

f

What is this?

Ooh

pp

mm

Ooh

pp

mm

pp

ppp

MARK TREE

f

pp

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2085

Hagga

Choir

Fl.

Perc.

M.tree

Pno.

2087

Hagga

Choir

Fl.

Perc.

M.tree

Pno.

I woke four teen- days a go- to find them on my

p

bed.

In my sleep I had laughed

at some thing 'til I

mm

mm

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2089

Hagga

Choir

Fl.

Perc.

M.tree

Pno.

wept, but I thought it was on ly- a dream.

mm

pp

Ooo

mm

pp

Ooo

pp

pp

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2091

Hagga

Zorn

Golux

Choir

Fl.

Perc.

Pno.

THE GOLUX GRABS A GLEAMING HANDFUL OF THE GEMS,

AND THEN ANOTHER; HE AND THE PRINCE CROW WITH DELIGHT

Jew

f

els!- - Jew els!- - Jew els!- - Yes!

Jew

f

els!- - Jew els!- - Jew els!- -

Jew

mp

els!- - Jew els!- - Jew ell- - lll

pp

-

Jew

mp

els!- - Jew els!- - Jew ell- - lll

pp

-

pp

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2093

Zorn

Golux

Choir

Fl.

Perc.

Pno.

7M2095

Hagga

Choir

Fl.

Perc.

Pno.

Yes!

Ha ha ha

ha ha

ha hahhh!

Yes!

Yes!

Ha ha ha

ha ha

ha hahhh!

Put

f

them back! Put them back!

pp

Mmm

pp

Mmm

loco 2 hands

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2097

Hagga

Choir

Pno.

2101 rit.

Hagga

Choir

Pno.

ZORN AND GOLUX, STARTLED, DROP THE GEMS BACK IN THE CHEST.

For you must know this con cern- ing- jewels of laugh ter:- PerKing Gwain's spell they turn a gain- to tears a fort night- af ter.-

Mmm Mmm

Mmm Mmm

mp

It has been a fort night,-

POINTS TO THE CLOCK

to the day and min ute-

mf

since I took the pret ties- to this chest and put them in it.

Mmm Mmm

Mmm Mmm

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7N2105

A Tempo

q = 82

Zorn

Choir

Pno.

2109

Meno Mosso

q = 72

Hagga

Zorn

Golux

Pno.

AS THEY WATCH, THE LIGHT AND COLOR DIE AND

THE JEWELS OF HAGGA'S LAUGHTER TURN TO

TEARS WITH A LITTLE SOUND LIKE SIGHING.

mp

Now there is no thing- in the chest but lim pid- li quid-

SLOW GROUP SIGH, START ROUGHLY ON

PITCH, END ON ANY PITCH OR PITCHLESS

pp

huhhh

gliss.gliss.gliss.

pp

huhhh

gliss.gliss.gliss.

pp

HAGGA CLOSES THE LID

AND SITS DOWN ON IT.EYES BLANK mp

I do not

wink ing.-

mf

You must think! You must think of what you laughed at in your sleep!

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2112

Piu Mosso

q = 92

Meno Mosso

q = 66

Allegro Scherzando

7O

q. = 92

Hagga

Zorn

Golux

Pno.

2117

Golux

Fl.

Pno.

2124q. = 80

Poco Meno Mosso

Hagga

Golux

Fl.

Pno.

know, for this was four teen- days a go.-

frowns

I nev er- can re mem- ber- dreams!

f

Think!

Think!

GOLUX'S EYES TURN

BRIGHT AND BRIGHTER.

f

Think!

Think!

mp

mf mf

HE CLAPS HIS HANDS

mf

I will make herlaugh un til- she weeps! I will tell her fun ny- tales of ri di- cu- lous- thingsthat

EYES BLANK

mp

I laugh at no thing- that has been, or is, or was.

were and have been!

SMILES mf

Then

mp

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7Pq. = 96

Piu Allegro Scherzando

2130

Golux

Fl.

Pno.

2136

Golux

Fl.

Pno.

2141 7QPiu Mosso

q. = 102

Golux

Fl.

Pno.

I will tell you of things that will be, are not now, and nev er- were!

WITH MODERATE GESTURES

I will tell you of the ri-

dic u- lous- pic nic- of the Gor gon,- the U ni- corn,- and the Man ti- core!- The

mp

mp

Gor gon,- U ni

- corn,- and Man ti- core!-

I will tell

WITH INCREASINGLY MANIC GESTURES,

BOUNCING OR DANCING A LITTLE.

you of theFrogs in the For um- and the

mp

f

mf

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2148

Golux

Fl.

Pno.

Ancora Piu Mosso

q. = 1082155

accel.

Golux

Fl.

Pno.

2162

Golux

Fl.

Pno.

Toads in the Rice. I will tell you of the Pop py- cock

- a- lor

- um- and the Cock a- hoop

- a- trice!

-

mf

mf

The Frogs in the For um!- The Pop py- cock

- a- lor

- um- The Toads in the Rice. The

f

Cock a- hoop

- a- trice!

- The Cock a- hoop

- a- trice!

- Once,

and twice,

and

4

4

4

4

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al q. = 120

2167

7RA Tempo

q. = 92

Hagga

Golux

Fl.

Pno.

2174

Golux

Fl.

Pno.

2179 q. = 80

7S Moderato

Golux

Fl.

Pno.

LOOKS AT HAGGA; SHE

GIVES HIM A LOOK BACK.

spoken

p

That's... just...... not... fun ny.-

2

thrice!

4 4

p

2

spoken "Then I will think of

something else!"

THINKS; WHEELS ON HER

p

"I know:"

"Limericks!"

CLEARS HIS THROAT, SHOOTS HIS

CUFFS. GESTURES TO PRINCE TO

ACCOMPANY HIM ON HIS LUTE.

PRINCE STRUMS TWO

CHORDS FOR GOLUX.

mf p

una corda

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2184

Golux

Dr.

Pno.

2190 q. = 90

Piu Mosso

Zorn

Golux

Dr.

Pno.

A

DANCES GENTLY FROM FOOT TO FOOT, IN

PLACE, WITH RAISED JAZZ HANDS AND SHOW

GESTURES. OCCASIONAL QUICK THOUGHT PAUSES,

AS THOUGH MAKING IT UP ON THE SPOT.

mf

de hoy- who was ter ri- bly- hob ble-

cast on ly- the stones that were cob ble.-

and bats that were ding from a

SNARE DRUM

pp

wood, on rim

colla voce

colla voce

mp

colla voce

colla voce

3 corde

GESTURES TO PRINCE TO JOIN HIM ON THE

REFRAIN; PRINCE ALSO DANCES LIGHTLY.

f

Hob ble!- cob ble!- bob ble!- wob ble!-

shot that was sling but he nev er- hit links that were bob ble,-

f

Hob ble!- cob ble!- bob ble!- wob ble!-

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2195

7T

Hagga

Zorn

Golux

Dr.

Pno.

2202

Moderato

q. = 80

Hagga

Golux

Dr.

Pno.

HAGGA SUPPRESSES A LITTLE

SNORT, THEN CHUCKLES,

f

Ha

libero

ha

THEN LAUGHS UNTIL

SHE WEEPS A LITTLE.

ha hah!

breathe naturallybetween groups

Ha ha ha ha

hah!

He nev er- hit links that were bob ble.-

BOTH GLARE AT

PERCUSSIONIST;

THEN TURN TO

HAGGA, WAIT.

He nev er- hit links that were bob ble.-

BASS DRUM

SOCK CYM.

mp

Haha

speed up

ha ha

ha ha ha

shift to nonsunglaughter

ha ha ha

ha hah!

nonsung laughter,rising, cresc., fallingslowing, stop.

Ah, hahahahaha.....haaaah!

WIPES HER EYES, AND SEVEN

MOONSTONES TRICKLE DOWN HER

CHEEK AND CLATTER ON THE FLOOR.*

NODS TO

PRINCE

“Moonstones! She's weeping semiprecious stones! Well then, how about this?”

GOLUX, PICKS

ONE UP, WAILS

spoken

TRIANGLE

`pp at corner

mp

(*Yes, that's right, you guessed it, she has them hidden in her apron

pockets and brings up handfuls when she wipes her eyes and release them.)

13 Clocks P/V 151

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7U

Meno Mosso

q. = 722208

Golux

Fl.

Perc.

Pno.

Moderato

q. = 802214

accel. Piu Mosso

q. = 90

Zorn

Golux

Picc.

Cab.

Pno.

Now

mf

there

DANCES LIGHTLY.

MORE THOUGHT PAUSES.

was an old cod dle- so mol ly- that he

talked

in a glot

that was po ly.- His

PICCOLO

p

STUDIO CABASA

p

PRINCE STRUMS

TWO CHORDS.

mp

una corda

p

3 corde

GESTURES TO PRINCE TO JOIN

HIM ON THE REFRAIN AGAIN.

f

Mol ly!-

gaws were so gew, that his laps be came- dew and he on ly- ate pops that were lol ly!-

f

Mol ly!-

mf

mf

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hahahahaha.....haaaah!

2219Moderato

q. = 80

7V

Hagga

Zorn

Golux

Picc.

Cab.

Dr.

Pno.

2225In Tempo

q. = 80

Hagga

Zorn

Golux

Dr.

Pno.

HAGGA READILY LAUGHS AGAIN

AND WEEPS A LITTLE MORE,

mf

HaHa ha ha ha

ha ha ha

ha ha

breathe naturallybetween groups

haha

Ha ha ha

Po ly!- he on ly

BOTH END WITH A TA-DAH! POSE.

- ate pops that were lol ly!-

THEY CUT THE DRUMMER OFF

WITH A QUICK GLARE, THEN

TURN BACK TO HAGGA.

Po ly!- he on ly- ate pops that were lol ly!-

BASS DRUM

mp freeze with stick raised

to finish on cymbal

ha ha ha ha

shift to nonsunglaughter

ha ha ha

Ah,

nonsung laughter,rising, cresc., fallingslowing, stop.

RUBS HER EYES, AND SEVEN CUT

GLASS BRILLIANTS TRICKLE DOWN

HER CHEEK AND CLATTER ON THE FLOOR..

PRINCE KNEELS

BEFORE HER

Let

mp

me try some thing.-

GOLUX, PICKS

ONE UP, GROANS.

“Rhinestones! Now she's weeping costume jewelry?”

spoken

at corner

TRIANGLE

pp

mp

13 Clocks P/V 153

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7W

q. = 68

Poco Meno

2232

Pno.

2239Moderato

q. = 80

Hagga

Golux

Dr.

Pno.

7Xq. = 72

Meno Mosso

2246

Choir

Pno.

mp

ZORN CATCHES HER EYE, AND MAKES A SERIES OF

FOUR INCREASINGLY SILLY FACES AT HER

THAT ASTONISH EVEN THE GOLUX, FINALLY

PULLING AT HIS FACE WITH HIS FINGERS.

f

HaHa

SHE LAUGHS AND WEEPS AGAIN,

PRODUCING A FLUX OF PEARLS.

ha ha ha

ha ha ha

ha ha haha

Ah,

nonsung laughter,rising, cresc., fallingslowing, stop.

hahahahaha.....haaaah!

RUBS HER EYES, PRODUCING

A FLUX OF PEARLS.

PRINCE BEAMS PROUDLY.

"Pearls! The Duke hates pearls. He thinks they're made by fish."

spoken

GOLUX, PICKS

ONE UP, GROANS.

TRIANGLE

pp at corner

mp

IT GROWS DARKER IN THE ROOM. THE MOON IS GONE.

GLOOM. THE PRINCE AND THE GOLUX STAND THERE,

STILL AS STATUES. THE GOLUX CLEARS HIS THROAT.

THE PRINCE UNCROSSES HIS ARMS AND CROSSES THEM..

OFFSTAGE, ONE SOLO VOICE, ALTO, OR BARITONE (FALSETTO),

OWL CALL, CLOSE TO PITCH. THROUGH CUPPED HANDS.

mp(h)oo (h)ooh!

(h)oo (h)ooh!

f mf

p mp

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q. = 40

2258 e = x

Hagga

Pno.

q. = 502263

Hagga

Dr.

Pno.

q. = 56

Steady, Andante

2265 7Y

Hagga

Golux

Choir

Cab.

Dr.

Pno.

Hoo

start slow, gradually to tempo

a little hoarse, close to pitchmp

hooh-

hoo hooh-

Hoo

focused, on pitch

hoo- hoo- hooh

-

Hoo hoo- hoo- hoo

- hooh-

Hoo hoo- hoo- hoo

- hoo- hooh

start slower again.quickly speed up.

-

shift naturally fromhooh to hah

Hoo

mf

huh- huh- heh-

-

heh ha- ha- ha- ha- ha- hah!-

HAGGA LAUGHS AND WEEPS AND ROCKS AND KEEPS RUBBING HER EYES,

AND PRECIOUS JEWELS TWINKLE DOWN HER CHEEKS AND SPARKLE

ON THE FLOOR, UNTIL THE SPACE AROUND HER FEET IS ANKLE-DEEP IN GEMS.

Ha ha- ha- ha- ha- ha- ha- ha- hah-

TRIANGLE

pp

pp

Ha ha- ha- ha- ha- ha- ha- ha- hah-

Ha ha- ha- ha- ha- ha- ha- ha- ha- ha- hah-

GOLUX DROPS TO HIS KNEES, PICKS

SEVERAL UP AND LOOKS AT THEM:f

Dia monds!- Ru bies!-

(women, offstage) pp Mmm

GLASS WIND CHIME

f

keep it going

start at corner pp

a 2 mani

pp

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2267

Hagga

Golux

Choir

Fl.

M.tree

Dr.

Pno.

2269

Hagga

Choir

Fl.

M.tree

Dr.

Pno.

Ha

f

ha- ha- ha- ha- ha- ha- ha- hah- Ha

ha-

GOLUX WHIPS OUT A VELVET SACK FROM UNDER HIS

CAPE AND STARTS COUNTING THEM AND PUTTING

THEM IN THE SACK.

ha- ha- ha- ha- ha- ha- hah

- Ha ha- ha- ha- -

emer alds!- Sap phires!-

pp

Ooo

FLUTE

f

7

mp

ha

Golux, spoken, quickly: "Two, four, six, eight, ten . . (fades, to himself)

ha- ha- ha- haha- ha-- ha- ha- ha- ha- - ha AH!- ha ha

ZORN PICKS UP SEVERAL HANDFULS AND LETS

THEM TRICKLE DOWN BETWEEN HIS FINGERS.

- ha- ha- ha- ha

- ha- ha- ha- ha- ha- -

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2271

Hagga

Choir

Fl.

M.tree

Dr.

Pno.

7Z2274

Hagga

Zorn

Choir

Fl.

M.tree

Dr.

Pno.

hah

ZORN STARTS TO GATHER THEM AND

BRING THEM TO THE GOLUX.

Ha ha- ha- ha- ha

- ha- ha- ha- hah-

Ha ha- ha- ha- ha- ha- ha- ha- hah-

Ha ha- ha- ha- ha- ha- ha- ha- hah-

Oo aah

on the beat

pp

Ha ha- ha- ha- ha- ha- ha- ha- hah-

Ha ha- ha- ha- ha- ha- ha- ha- hah-

Ha ha- ha- ha- ha- ha- ha- ha- hah-

Ha ha- ha- ha- ha- ha- ha- ha- hah-

Daz

f

zle- the Duke with jew els!- Daz zle- the Duke with jew els!- There's

aah aah

mf full turns around 3 sides

mp

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2278

Hagga

Zorn

Choir

Fl.

M.tree

Dr.

Pno.

2281 7AA

Hagga

Zorn

Choir

Fl.

M.tree

Dr.

Pno.

Ha ha- ha- ha- ha- ha- ha- ha- hah- Ha ha- ha- ha- ha- ha- ha- ha- hah- Ha ha- ha- ha- ha- ha- ha- ha- hah-

some thing- in it some where,- and now we know it's

aah Ooo

Ha ha- ha- ha- ha- ha- ha- ha- hah- Hm

lips and teeth closed

hm hm hm hm hm hm hm hm hm hm hm hm hm hm

Hm hm hm hm

Hag ga's- tears!Golux, spoken, slowing: "Nine hundred ninety-eight, nine hundred ninety-nine, ONE THOUSAND!

Mmm Mmm

ppp

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2284

Hagga

Golux

Choir

Fl.

Dr.

Pno.

2287

Hagga

Zorn

Golux

Choir

Fl.

Dr.

Pno.

hm hm hm hm hm hm hm hm hm hm hm

Hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm

Hm hm hm hm

mf

I on ly- wish that she had laughed and

Mmm Mmm

pp

hm hm hm hm hm hm hm hm hm hm hm

Hm hm hm hm hm hm

ZORN, TAKES HER HAND:

hm hm hm Hm hm hm hm hm hm hm hm hm

mf

God

wept these jewels for some thing- that I said!

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2290

Hagga

Zorn

Choir

Fl.

Dr.

Pno.

2293

Hagga

Zorn

Golux

Choir

Dr.

Pno.

GOLUX TIES OFF THE SACK AND SLINGS IT OVER HIS SHOULDER.

Hm hm hm hm hm hm hm hm hm Hm hm hm hm hm hm hm hm hm Hm hm hm hm hm hm hm hm hm

keep you warm in win ter- and cool in sum mer.-

Mmm

Hm hm hm hm hm hm hm hm hm Hm hm hm hm hm hm hm hm hm Hm hm hm hm hm hm hm hm hm

Fare

mfGOLUX BOWS TO HER

well,- and thank you.

ppp

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7BB

2296

Allegro

q = 120

Hagga

Zorn

Golux

Choir

Fl.

Dr.

Pno.

2303

Hagga

Zorn

Golux

Dr.

Pno.

PRINCE AND GOLUX GO QUICKLY OUT INTO THE MOONLESS NIGHT.

shift to nonsung laughter, mostly mouth closed, free groups, wider pauses, quieter p

How

imploring

man y- hours are

pp

BASS DRUM

pp center, small hard felt

pp

p

p

p

left us now?

What

p

a bout- the p

I should say that we have on ly- for- ty left, but it is down hill- all the way

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2308

Zorn

Golux

Dr.

Pno.

7CC2312

Dr.

Pno.

2317 accel.

Dr.

Pno.

clocks?

THEY PEER ABOUT THEM IN THE DARK.

THEY START OFF IN THAT DIRECTION.

That's a prob lem- for a noth- er hour.- I think it's this way. We must hur ry- now!

p

AS THEY WALK OFF, ONE GEM, TWINKLING,

POPS OUT OF THE SACK THE GOLUX IS CARRYING

AND FALLS TO THE GROUND. HE DOES NOT NOTICE.

open, corner

TRIANGLE

p hand-choked

mf

p

HAGGA’S LAUGHTER SLOWS. SHE SEES SARALINDA’S ROSE ON THE FLOOR

AMONG THE JEWELS, STOPS LAUGHING, DRAWS BREATH, AND PICKS IT UP.

SHE GETS UP AND GOES QUICKLY TO HER DOOR AND STANDS THERE,

HOLDING IT OUT, BUT THEY ARE GONE. SNIFFS IT, SMILES, STARTS UP

CHUCKLING AGAIN, NOW MORE GENTLY, AND GOES BACK INSIDE. LAUGHTER FADES

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2321

7DD

q = 152

Vivace

Fl.

Dr.

Pno.

2325

Fl.

Dr.

Pno.

2328

Fl.

Dr.

Pno.

2332 7EE

Fl.

Dr.

Pno.

mf

f

mf

p

mf p

f

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2336

Fl.

Dr.

Pno.

2339

Fl.

Dr.

Pno.

2343

Fl.

Dr.

Pno.

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7FF

2348

Fl.

Dr.

Pno.

2352

Fl.

Dr.

Pno.

2357rit.

Fl.

Dr.

Pno.

ff

LARGE SUS. CYM.

wood

f

L. V.

ffff

mf

f

ff

p

pp

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8A

q = 62

Lento, Lugubre

Scene 8. Castle, Saralinda’s Window

2364 q = 62

Mesto

Why Must I Wed This Duke?

Sar.

Fl.

M.tree

Pno.

2369

Sar.

Pno.

2373

Sar.

Pno.

2376

Sar.

Pno.

COFFIN CASTLE, EXTERIOR

SARALINDA AT HER HIGH TALL

WINDOW, GENTLY SPOTLIT.

I

pglum

sostenuto

have been a pris oner- in this

ALTO FLUTE

f

pp

TAM-TAM

p L. V.

p p L. V.

p

L. V.

place so man y- years. I begged for free dom,- was de nied;- I shed a thou sand- tears. No moth er,- fath er,- sis ter,- broth er,-

cous in,- aunt, or play mate.

- The on ly- one I've known is this cold Duke so filled with his hate.

I

know each Prince who comes here wants to meet his task and mar ry- me,

pp

but no Nurse taught me what to do when

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2379

Sar.

Pno.

2382

rit.

8Bq = 60

A Tempo, Lento

Sar.

Pno.

2388

Sar.

Pno.

2395

Sar.

Pno.

to his home he'd car ry- me,

mp

And ev' ry- Prince has failed, and the Duke fed them to his geese.

p

And

now this cru el- man in tends- to mar ry- me...

mp

his Niece?

Ah,

why

mf

must I wed this Duke, who claims he is my

mp

mp

Un cle?- He says he is fond of me, and he tries to be kind, but it's a strug gle,- since he's so full of rage, and he's

mp

kept me in a cage, and un der- a spell of speech, so that I must say to each, 'I wish him well!'

to so man y- hap less-

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2403 q = 66

poco accel. 8C Poco Mosso

Sar.

Fl.

Pno.

2410

Sar.

Fl.

Pno.

2416

Sar.

Fl.

Pno.

Princ es.-

f

Oh,

why is the Duke so crue el?- He kills them all for sport!

What fath er- did

he

FLUTE

f mf

mf

mp

mf

f

have? What moth er?-

No re port.- So why must I wed this Duke? I swear he is not my

mf

mf

f mp

Un cle.- He has a mu sty- smell,

p

and of ten- cracks his knuck les.-

mf

He's twice my age and gim py,- and

mp

p

mp

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2423 rit.

A Tempo

q = 60rit.

Sar.

Pno.

2429

8D

q = 56

Poco Meno A Tempo

q = 60

Sar.

Fl.

Pno.

2438

accel.

Sar.

Pno.

un der- the To dal's- eye.

If

mp

some Prince meets the task he sets, this Duke will sure ly- die.

p

5

mp

So

port.

I pray that this last Prince, the no ble- Zorn

of

mp

mp

mp mp

Zor na,- will suc ceed- where all have failed, and not leave me a mourn

mf

er,- will res cue- me and car ry- me to

the

mf

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2445

q = 60

Riten.rit.

A Tempo

q = 60

Sar.

Pno.

2453 q = 52

Meno Mosso A Tempo

q = 52rit.

Sar.

Pno.

2461

8E

q = 80

Moderato

Sar.

Golux

Fl.

Dr.

Pno.

Land of Hap py-

f

Laugh

accel., libero, quasi ridente rit.

port.

ter.

mpThen

I can es cape- this

3

f

colla parte

colla parte

(loco)

mp

Duke, whomakes me want to

(knuckle to "p"-closed lips,pouched cheeks)

flee. For no one- could love a man such as he.

pp

mp

p

(optional fermatafor applause)

GOLUX APPEARS OUTSIDE BELOW THE

CASTLE, CARRYING THE SACK, AND STAGE

WHISPERS UP TO HER THROUGH CUPPED HANDS

SARALINDA PEERS DOWN

INTO THE DARK

mp

Who is it?

spoken

"Psst! Saralinda!"

mp

It is I, the Gol ux,- the

rushed

on ly,- et -

p

pp

5

dome, woodsnare sticks, tips

SUS. CYM.pppp

p

pp

5

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2466

Sar.

Golux

Fl.

Pno.

2470

Golux

Pno.

8Fq = 102

Piu Mosso

2474

Moderato

q = 80 e = e

Sar.

Golux

Pno.

mp

How

steady

could you find the Cas tle- in the dark, with out- my rose? He would not let me light a torch!

cet er- a...-

mp

You

pp

5

a 2 mani

p

p

light ed- up your win dow- like a star and we could see the Cas tle- from a far.-

mf

Come

mf

But did you find the

down to the Great Hall by the sec ret- pass age,- we must start the clocks!

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9A

2478

Meno

q = 72rit.

Sar.

Golux

Dr.

Pno.

Lugubre

q. = 46

Scene 9. Castle, Great Hall

2482

Moderato

q = 72

Duke

Hark

T.-t.

Pno.

2486

Piu Mosso

q = 84

Duke

Hark

Pno.

jew els?- -

HE RAISES THE SACK.

Now there is real ly- hope.

VANISHES FROM

HER WINDOW

3

mf

Yes! Yes! Hur ry!-

EXITS QUICKLY.

pp

start at corner

p

p

mf

LIGHTS UP ON THE BLACK OAK ROOM. YELLOW TORCHES FLARE

AND CRACKLE ON THE WALLS, AND THEIR FIRE BURNS

ON THE LANCES AND SHIELDS. THE DUKE'S GLOVES GLITTER. mf

How

gnarls

goes the night?

p

The TAM TAM

pp L. V.

rush the lasttriplet slightly

a 2 manipppp

ppp

mf

(screams) f

You'll nev er- hear them! I

slew

Time

in this

moon is down, I have not heard the clocks.

p

mf

(Through this entire scene, the Duke progresses from restless through impatient,

hasty, jumpy, to nearly hysterical with waiting and imagining. (Except for the

tender interlude of his aria.) Hark remains cool and only ironically reassuring. )

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2490

Duke

Hark

Pno.

2494poco rit.

9BModerato

q = 72

Duke

Hark

Dr.

Pno.

2499

Molto Meno Mosso

q = 50

Andante

q = 80molto accel.

Duke

Choir

Dr.

Pno.

Cas tle- man y- a cold and snow y- year a go!-

SITS DOWN AT THE FAR END OF THE TABLE.

LOOKS AT THE DUKE

Sure,

sardonicf Time froze here, but

ritmico

that was just be cause- some one- left

the

mf

STANDS UP AGAIN, AND LIMPS ABOUT

f

Bah!

It bled hours and min utes- on the floor,

mp

I saw it

(points)

with my eye.

win dows- op

en!-

(may substitute large, low thunder sheet) dead center

mf

normal

pp

f mp

f

left palm sideways,black and white keys

catch the ring of the staccato bass cluster with pedal mp

two-handedtremolo

pp3

OFFSTAGE, ONE SOLO VOICE, ALTO, OR BARITONE (FALSETTO),

OWL CALL, CLOSE TO PITCH. THROUGH CUPPED HANDS.

roars f

There are no jew els!- they'll have to bring me

p (h)oo

(h)ooh!

mp pp p

pp

f

mp pp

a 2 mani pp

mp

3 3

3 3 3

OUTSIDE THE GOTHIC

WINDOWS THUNDER GROWLS.

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2503

Duke

Pno.

Moderato

q = 722506

Piu Mosso

q = 84

Duke

Hark

Pno.

2511

Moderato

q = 72

Duke

Pno.

peb bles- from the sea, or mi ca- from

the mea dows!-

awful laugh

Ha ha- ha- hah!-

f

How much time is

mp

a 2 mani

f

left?

f

They'll nev er- make it! I hope they drowned or broke their

p

I should say they have some for ty- min utes- left.

p

f

legs, or lost their way. Where

mf

were they go

HE COMES SO CLOSE TO HARK

THEIR NOSES ALMOST TOUCH.

ing?- Where

p

were they go ing?-

L. V. p

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9C2515

Hark

Fl.

Pno.

2519

Duke

Hark

A. Fl.

Pno.

2523

Duke

Hark

A. Fl.

Pno.

HARK FLINCHES AND

STEPS BACKWARD

p

I met a Jack a- dan- dy, some sev en- hours a go.- He passed them on the way to Hag ga's-

ALTO FLUTE

mp

p

Hag

mp

ga- weeps no more. Hag ga- has no tears. She

House. You do re mem

- ber- Hag ga?-

did not e ven- weep when she was told a bout- the chil dren- locked up in my tow er.-

f

I liked

it!

I

f

hat ed- that!

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Piu Mosso

q = 8425279D q = 50

Molto Meno Mosso

accel.

Duke

Hark

Pno.

Moderato

q = 722530

Duke

Hark

Pno.

2535

Molto Meno

q = 50

Moderato

q = 72Molto Meno

q = 50

Moderato

q = 72

Duke

Hark

Pno.

No child can sleep in my ca

me- lias.-

LIMPS AROUND SOME MORE AND

STARES OUT AT THE NIGHT.

mp

pp a 2 mani

3

3 3 3 33

p

Where is Lis ten?-

growlsp

I do not trust him, I

p

He fol lowed- them, the Go lux- and the Prince.

p

f

like a spy that

SHOUTS UP THE STAIRS

I can see!

mf f

Lis ten!-

AND CALLS OUT THE WINDOW

Lis

p

ten!- I'm cold.

snarls p

I'm

mf

You're al ways- cold!

mf pp

p

3 3

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2539

9E

Duke

Hark

Pno.

2542

Piu Mosso

q = 84

Moderato

q = 72

Duke

Hark

Pno.

2546

Duke

Pno.

cold er- now.

And nev

mf

er- tell

TAKES HIS SWORD OUT AND

SLASHES AT NOTHING.

me what I al ways-

f

am! I

p

misss Whisss per-

p

You

mf

NOISES OFF f

Si lence!- What

p

was that?

p

Like

fed him to the geese. They seemed to en joy- him.

p

What did it sound like?

p

a 2 mani

mf

pp

3

Princ es- steal

ing- up

the stairs,

like Sar

THE DUKE LIMPS TO THE IRON STAIRS

AND SLASHES AGAIN AT SILENCE

a- lin- da- leav ing.-

What

p

does Lis ten- feel like?

pp p

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2550

Duke

Hark

Pno.

9F2555

Duke

Hark

Rt.

Pno.

2559

Piu Mosso

q = 849G

Duke

Hark

Rt.

Pno.

Have you felt him?

p

Lis ten?-

mf

He's five feet high. He has a beard, and some

thing- on his head I can't...

p

f

The Go lux!- You felt the Go lux!- I hired the Go lux- as a

p

des cribe.-

RATCHET

p f f f

a 2 mani

p ff

f

9 3

3

spy and did not know it!

p

What in so- lence- is this?

p

A

f

f

p

A LARGE PURPLE BALL

WITH GOLD STARS ON IT

COMES SLOWLY BOUNCING

DOWN THE IRON STAIRS AND

WINKS AND TWINKLES.

13 Clocks P/V178

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2563 rit.

Duke

Hark

Pno.

Moderato

q = 722568

Piu Mosso

q = 84 Moderato

q = 72

Duke

Hark

Pno.

2572

Piu Mosso

q = 84

9Haccel.

Duke

Hark

Pno.

f

I know

that! But why? What does itsghast ly- pres ence- sig

mf

ni- fy?-

ball.

PICKS IT UP AND BOUNCES

IT IN HIS HAND p

It looks to me ve ry- like a

f

p

apoplectic

KNOCKS THE BALL OUT

OF HARK’S HAND

f

They're on his side!

hushed, shuddering

Their

p

ghosts are on his side.

ball the Gol ux- and those Chil dren- used to play with.

p

He

p f

mf

p

roars f

Si lence!-

p

I'll throw

THE DUKE'S GLOVED HANDS

`SHAKE AND SHIMMER

them up for grabs be twixt- the

3

has a lot of friends...

p

3 3 3 3 3 3

mf

pedal every new chord

3

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2575

Duke

Pno.

2578

al . . . Piu Mosso

q = 110

Duke

Pno.

9Iq = 66

Adagio

2582

Hark

Pno.

Todal and the geese!

mp

I'll lock them in the dun geon- with the thing that has no

mf

head!

f

I"ll

3 3 3 3 3 3 3 3 3 3 3 3

mp mf

slay them both! This Gol ux- and her suit or,- this cross eyed- Clown Prince!

ROLLING HIS

EYE UPWARD

piu

You

f

hear

me?

f

3 3 3 3 3 3 3 3 3 3 3 3

Yes.

p

But there are rules and rites and ri tu- als- old er- than the sound of bells and snow on moun

pp

tains.

-

sostenuto

pedal every new chord

ppp

13 Clocks P/V180

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2588

9Jq = 84

Piu Mosso

Duke

Hark

Pno.

2593

Duke

Pno.

2597

9K

q = 66

Adagio

Duke

Hark

Pno.

pp

Go on.

f

The Cas tle- clocks were

p

You must let them have their time and turn to make the Cas tle- Clocks strike Five.

p f

mur dered.- I

killed

Time

here my self- one snow y- morn ing.- You can still see the old brown

p

mf

stains where sec onds- bled to death, here

shows him

on my sleeve. What else?

You

p

know as well as I. The

p

13 Clocks P/V 181

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2601

Duke

Hark

Pno.

2605

Duke

Hark

Pno.

points

p

And if he does...?

Prince must have his turn and time to lay a thou sand- jew els- there on the tab le.-

p

You

p

Ah!

sighs, port.

know: He wins the hand of Prin cess- Sar a- lin- da.-

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9L

Sentimental Waltz

Andante

q = 1142608

The Hand of Saralinda

Duke

Pno.

2617

Duke

Pno.

2625

Duke

Pno.

2632Poco Mosso

q = 120

9M

Duke

Pno.

DUKE CLOSES HIS EYES AND SWAYS

A LITTLE DURING INTRO, SLOWLY

RUBBING HIS HANDS TOGETHER.

(oddly sentimental)

p

The hand

poco libero

of Sa ra- -

1-5

5-1p

lin da,-

the on ly- warm hand in the Cas tle.-

in tempo

Who los es- Sar a- lin- da- los es- fire! I mean the

colla voce

fire of the set ting- Sun and not the cold and cheer less- flame of jew els.

pp

Her

(like a prayer)

eyes are can dles- burn ing- in a shrine on a tran quil- night.

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2642

Duke

A. Fl.

Pno.

2649 9N

Duke

Fl.

Pno.

2657

Ancora Mosso

9O

q = 126

Duke

Fl.

Pno.

She wears ser en- i- ty- like a rain

pp

pp

bow.

She

p

moves a cross- the room like wind in vi o- lets-

p

and she wears free sias- in her dark, dark hair.

pp

Her voice is

ppp

pp

cue flute

13 Clocks P/V184

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2666

Duke

Fl.

Pno.

2675

Duke

Fl.

Pno.

26849P

Duke

Fl.

Pno.

far a- way- mus ic- and her laugh ter- spar kles- on the air. It is

poco

not eas y- to

play

ppp

cue

poco

tell her mouth from the rose

mp

or her brow from the white lil y.-

p

p

p

p

Her feet ap pear- to me as doves. Her fing ers- bloom up on- her breast

p

pp

13 Clocks P/V 185

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2692

Quasi Tempo I,

Poco Menorit.

q = 110

Duke

Fl.

Pno.

9Q2701

Duke

Pno.

2711

rit. A Tempo, Piu Mosso

q = 132

Duke

Pno.

like flow

mf

ers!

p

The

p pp

mp p

mf

p

hand of Sar a- lin- da,- the love ly- Sar a- lin- da,- Who los es- Sar a- lin - da

los es- fire.

(optional fermatafor applause)

pp

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9R

q = 104

Allegretto

2720 q = 80

Meno Mosso

Duke

Hark

Dr.

Pno.

2723

Duke

Dr.

Pno.

2726

9Sq. = 56

Andante

Duke

Hark

Dr.

Pno.

f

She's not

my

niece!

I

p

This

f

is scarce ly- the way to speak of one's own Niece!

SNARE DRUM

f

f

f

stole her! I stole her from the cas tle- of a King! I snatched her from the bos om- of a sleep ing- Queen!

mf

I

LOW TOM TOM

hard feltp

p

still bear on my hands the marks where she bit

me!

f

The

Prin cess!-

mf

The Queen?

p

Who was the King?

p

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2730

Duke

Hark

Pno.

2736

Duke

Hark

Fl.

Pno.

2742

Duke

Fl.

Pno.

I

mf

nev er- knew. My ship was beached up on- an is land- in a storm.There was no moon or an y- star, nolights were in the

mp

cas tle.-

She

mf

had a ra di- ance,- she shone there like a star u pon- her

p

How could you find the Prin cess- then?

mp

moth er's- breast. I knew I had to have that splen dor- in my Cas tle.- I de cid- ed- to keep her here un-

p

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2747

Duke

Hark

Pno.

2751 9T

Duke

Hark

Fl.

Dr.

Pno.

til she was grown and then mar ry- her!

mp

Why did n't- you be fore?- This Cas tle- is your

p

Be cause- her nurse turned out to be a witch whoKing

mf

dom!-

ALTO FLUTE

p

RIDE CYMBAL

dome mf

FLEXATONE

p

(approx. pitches)

mf

sempre similehold chord tones on each beat

mf

p

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2755

Duke

Hark

A. Fl.

Flex.

Pno.

2759

Duke

Pno.

2764

Duke

Hark

Pno.

cast a spell on me!

p

I can not- wed her till the

p

What were its terms?

day she's twen ty- one, and that day is to mor- - row. And I must keep her in a cham ber- where

she is safe from me. I've done that.

f

I hate

it! Last, I must

f

I like that part!

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2770

Duke

Pno.

9U2776

Hark

Pno.

2781

Hark

Pno.

grant the right to an y- Prince to seek her hand in mar riage.- I've done that too.

p

In spells of this sort one al ways- finds there is a chink or loop hole- by means of which the

pp

pedal every beat

right and per fect- Prince can win her hand in spite of an y- task you set him. How did the Witch an

4

-

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2786 9V

q. = 64

Poco Mosso

Hagga

Duke

Hark

Fl.

Perc.

Rt.

Pno.

2789

Hagga

Duke

Fl.

Perc.

Flex.

Pno.

OFFSTAGE: HAGGA OR

ENSEMBLE SOLO ALTO

f Witchy Voice, through cupped hands

She can be saved, and

f

Like this:

She

Alternatively, Duke may sing this line

falsetto instead; conductors/singers' choice.

can be saved, and

nounce that part?

DUKE LIP-SYNCHS TO ALTO LINE.

fluttertongue (if possibile)

mf

WOOD BLOCK

p

RATCHET

p f

FLEXATONE

mf

f

3

mf 3

you des troyed- on y- by a Prince whose

you des troyed- on y- by a Prince whose

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2791 q. = 72

Moderato

Hagga

Duke

Fl.

Perc.

Flex.

Pno.

2796

Duke

Fl.

Pno.

9WAndante

q = 802801

Hark

Pno.

name be gins- with

DUKE MAKES AN X WITH

FOREFINGERS OF BOTH HANDS.

X... and does

n't-

name be gins- with X... and does

n't-

Ha!

There is no Prince whose

f

f

name be gins- with X...

HARK'S MASK SLIPS OFF AND HE PUTS IT BACK

AGAIN, BUT NOT BEFORE THE DUKE SEES

LAUGHTER IN HIS EYES. HARK COVERS HIS

MOUTH TO CONCEAL A WRY SMILE.

and does n't!-

2

p

Ah.

p

This Prince is Zorn

of Zorna!

mf mp

But he once posed as a Min strel- Hecalled him self- Ex in- gu- then.

mp

p

mf

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2805

Moderato

q. = 72

Duke

Hark

Pno.

2811

9Xq = 86

Allegretto

Duke

Pno.

2816

Duke

Hark

Pno.

HARK MAKES AN X WITH

FOREFINGERS OF BOTH HANDS.

THE DUKE'S SWORD BEGINS TO SHAKE

pp

No bod- y-

And was n't.- This

mf

is your Prince whose name be gins- with X...

and does n't!-

mf p

ev er- tells me an y- thing.

A SMALLER BLACK BALL STAMPED WITH SCARLET

OWLS COMES BOUNCING DOWN THE STAIRS.

DUKE WATCHES IT ROLL ACROSS THE FLOOR.

-

f

What im pu- dence- is this!

2 2

pp

HARK WALKS TO THE STAIRS

AND LISTENS, (NOISES OFF:

SKITTERING ABOVE.) HE TURNS.

It's

p

the Chil dren...-

p

There's some one- up there.

p

The Chil dren- are dead, and thesound I heard was made by liv ing-

3

p

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2820

Moderato

q = 729Y

q. = 72

ModeratoSame Beat

Duke

Hark

Pno.

2824

accel.

Duke

Pno.

2830

Duke

Hark

Pno.

How

f

much time is left them now?

feet.

p

Half an hour I think.

p

a 2 mani

mf

3

I'll

mp

have their gug gles- on my sword for play ing- games with

STARTS UP THE STAIRS AND STOPS.

me.

mf

They're up there, all of them!

ped. etc.

mf

Call

f

out the Guards!

POINTS AT THE TWO CLOCKS ON THE WALLS

mf

The Guards are guard ing- the oth er- Clocks. You and I are

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2836

Duke

Hark

Pno.

2842

9Z

q. = 80

Andante

accel.

Hark

Perc.

Pno.

2849 q. = qq = 86

Andante (same beat)

accel.

Duke

Perc.

Pno.

f

Call out the Guards!

guard ing- these. You

f

want ed- it that way!

ff

Guards! Re port

- to the Great Hall

f

on the doub le!-

GUARDS TROOP INTO THE ROOM

LIKE ENGINES FROM STAGE R.

DUKE LIMPS UP THE STAIRS,

HIS DRAWN SWORD SHINING

BASS DRUM

mp

p

SNARE DRUM

mf p

Guards stamp-stamp, offstage

mp

mf p

DUKE LEADS THE WAY. THE

GUARDS RAMP UP THE STAIRS.

f

Fol low- me! A noth- er- game's a foot!

2

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Allegro

q = 1122853

Duke

Perc.

Pno.

9AA2855

Duke

Picc.

Perc.

Pno.

I'll

ff

slay

AT THE THE TOP OF THE STAIRS THE DUKE

WHIRLS TO FACE THE GUARDS, WHO STOP SUDDENLY

the Go lux- and the Prince and mar ry- Sar a- lin- da-

f mf

f mf

ff mf

ff mf

ff

ossia

ffa 2 mani

ff

mf

yet! Fol

low

-

PICCOLO

ff

SUS. CYM.

f

wood

ff

(opt., with drum, omit L.H small notes and add lower octave in treble)

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2858

Duke

Picc.

Perc.

Pno.

10A

2862

Perc.

Pno.

2868

Andante

q = 90

Scene 10. Great Hall

Golux

Picc.

Pno.

me!

THEY AND DUKE EXIT.

HARK SMILES AT THE AUDIENCE AND FOLLOWS QUIETLY.

f

mp

pp ppp

p

pp

THE BLACK OAK

ROOM IS SILENT.

THEN A SECRET DOOR

SWINGS OPEN IN A WALL.

THE GOLUX SLIPS INTO THE

ROOM, CARRYING THE SACK.

LEAVES THE DOOR AJAR.

BECKONS

THE PRINCESS FOLLOWS.

p

Our

p

FLUTE

p

p

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2874

Sar.

Golux

Perc.

Pno.

2878

Sar.

Golux

Perc.

Pno.

2883

10Bq = 76

Meno Mosso

Sar.

Golux

Fl.

Pno.

I

p

can not- start

the clocks.

SOUNDS OF PURSUIT FAR ABOVE.

time is marked in min utes.

POINTS

- Start

the clocks.

p

4 MUFFLED TOMTOMS

wood snare sticks, centers

pmp

f

He fac es- thir teen- men, and that is hard!

mf

We face thir teen- clocks and that is hard er-

p

How

f can I start the clocks?

p

Your hand is warm er- than the snow is cold Touch the first clock with your hand.

p

p

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2887

Meno

q = 66

Sar.

Golux

Fl.

Pno.

2892

Poco Mosso

q = 76

Sar.

Golux

Fl.

Pno.

THE PRINCESS HOLDS HER HAND

AGAINST THE FACE OF THE FIRST

CLOCK, BUT NOTHING HAPPENS.

f

You make my heart stand still!

Use mag

- ic!

glum p

We are doomed. ..

p

I have no mag ic- for a

p

p

p f

p

THE PRINCESS TRIES THE OTHER

CLOCK, AND NOTHING HAPPENS.

Use...

p

use...

mf

log ic- then!

task like this. Try the oth er- clock.

p

p

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10C

2898

Golux

Perc.

Pno.

2903

Golux

Pno.

2908

Golux

Fl.

Pno.

SOUNDS OF THE IRON GUARD POUNDING

AFTER ZORN, AND COMING CLOSE. SNARLING

PIRATE NOISES FROM THE GUARDS, “ARRR, YARR!”

p

Log ic?- Well...

mf

If you can touch the clocks and nev er-

4 MUFFLED TOMTOMS

wood snare sticks, centerspp

p

p

p

mp

p

start

them

then you can start the clocks and nev er- touch

them.

BEAMS PROUDLY

That's Log ic- as I know and use it!

p

SHOWS A DISTANCE BETWEEN HIS HANDS

p

Hold your hand this far a way.-

SHE DOES. SHOWS

now that far

SHE ADJUSTS.

Clos er-

p

p

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2913

Golux

Fl.

Pno.

10D

2917

Golux

Fl.

Rt.

Perc.

Pno.

SHE ADJUSTS.

Now a lit tle- far ther- back

SHE ADJUSTS.

A lit tle- far

SHE ADJUSTS.

ther

mp

-

p

p mp

There,

THE CLOGGED AND RIGID WORKS OF THE CLOCK

BEGIN TO WHIR; A TICK AND THEN A TICKING.

mf

I think you have it! Start the rest!

SARALINDA QUICKLY STARTS THE SECOND

CLOCK, THEN RUNS THROUGH THE SECRET

DOOR TO THE OTHER ROOMS; SOUNDS OF 11

MORE CLOCKS STARTING UP IN CLOSE SEQUENCE.

molto vibr.

f

f

RATCHET

pp short partial turns, then longer

f

TEMPLE BLOCKS

medium hard mallet

f

2 WOOD BLOCKS

very hard mallet

mf

mf

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2922

Perc.

Fl.

T. Bl.

Perc.

Pno.

ENSEMBLE PLAYS UNSYNCHRONIZED TICKING NOISES OFF, BUILDING UP TO AS MANY

AS 11 MORE TRACKS, IN MANUAL PERCUSSION, (PLASTIC CHOPSTICKS, KNITTING

NEEDLES, TRIANGLE BEATERS, CLAVES, MARACAS, CASTANET MACHINE, PAPER CUP

BOTTOMS TAPPED WITH CHOPSTICKS, FINGER SNAPS (SEVERAL PEOPLE), VOCAL CLICKS)*

*FALLBACK: RECORDED SOUNDS/MONTAGE, OVER SOUND SYSTEM.

These rhythms are serving suggestions.Pick your own speed, just off the music beat.

3

3

(Add one track roughly every two beats.)

3

3

OFFSTAGE TICKING

CONTINUES UNTIL MARKED.

3

3 etc.

etc.

13 Clocks P/V 203

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2925 10E

Sar.

Golux

Fl.

T. Bl.

Perc.

Pno.

2928

Duke

Fl.

T. Bl.

Perc.

Pno.

A SHADOW LIKE A VULTURE SPREADS

ITS WINGS AND LEAVES THE CASTLE.

SHE RETURNS QUICKLY

THE LIGHT OF MORNING

ILLUMINATES THE WINDOWS

It's

f

Now!

THE GOLUX STARTS TO CAREFULLY POUR

THE JEWELS OUT OF THE SACK ONTO THE TABLE.

It's

f

Now!

(offstage ticking)

f

a 2 mani

p

3 3

3

3

6

6

6 6

mf

3 3

3

3

ALT: VOCAL COCK CROW, OFFSTAGE,

DUKE, SEEN IN A WIDER UPPER WINDOW

moaning f

I hear the sound of Time!3

3 3

ff

(cue vocal cock crow)

LIGHTS DOWN ON GREAT HALL

p

mf

6 6 6 6

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2931

Duke

Fl.

T. Bl.

Perc.

Pno.

2935

10F

q. = 80 Same Beat

Duke

Hark

T. Bl.

Perc.

Pno.

And yet I slew it,and wiped my blood y

3

- sword up on- its beard!

SLASHES BEHIND HIM WITH HIS SWORD.

f

Come out, you croon

ing- knave,

step

3 3 3 3 3 3

f

SUS. CYM.wood butt, dome

f

f

for ward,- Zorn,

OFFSTAGE TICKING FADES OUT

of Zorn

a!-

SOUNDS: SAVAGE CLASH OF SWORDS OFF,

ALWAYS ONE ON ONE; MORE PIRATE NOISES OFF.

f

They've got him! E lev- en-

He's

f

not here!

f

4 MUFFLED TOMTOMS

wood, at centers

mf

f

mf

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2940

Duke

Hark

Perc.

Pno.

2945

Duke

Perc.

Pno.

2950

10G

q. = 86

Piu Mosso

Duke

Hark

Perc.

Pno.

men to one.

f

You may have heard of Gal a- had,- whose strength was as the strength of ten!

(note shifts of accents)

(note shifts of accents)

That

f

leaves one man to get him. I count on Krang, thestrong est- guard I have! The fin est-

fenc er- in the world...

f

...save

one:

An un known- Prince in arm or- van quished-

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2955

Ancora Mosso

q. = 94

Hark

Picc.

Perc.

Pno.

2961 rit.

Hark

Picc.

Perc.

Pno.

him a year a go; no one- else could beat Krang!

f

ff

f

The

f p

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2965

Steady

q. = 86

Hark

Picc.

Perc.

Pno.

10H2970

Duke

Perc.

Pno.

un - known Prince was...

FIGHTING NOISES STOP.

Zorn of Zor na!-

2 2

ff

2

SUSP. CYM.

f

f wood snare stick, butt

2

ff

ONE BIG GUARD VOICE: “Ow! Ow!

OWW-YYYY”. DOOR SLAMS ABOVE.

I'll

ff

slay him then

DUKE AND HARK EMERGE AT THE

TOP OF THE STAIRS STAGE L.

my self!-

f

I

slew

Time,

and Time

is great er- far than Zorn of

2 2 2 22

wood snare stick, tip

SUSP. CYM.

edge

f

f

ff

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2978 10I

Duke

Hark

Perc.

Pno.

2984

Hark

Pno.

2990

Duke

Hark

Pno.

Zor na!- OFFSTAGE TICKING RESUMES, QUIETER.

2

p

No mor tal- man can mur der- time,and ev en- if he could, there's some thing- else: A

SN. DRUM

f

2

2

ff p

pp

clock work- in a maid en's- heart that strikes the hours of youth and love, and knows the south ward- Sun from

f You

Win ter- snow, and Sum mer- aft ter- noons from tu lip- time.

f

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10J2996

Duke

Pno.

3002

Duke

Pno.

3009

Duke

Hark

Pno.

3017

Hark

Pno.

sick en- me with yourchoc o- late- chat

ter!- Your tongue is made of can dy.- I'll slay this rag ged-

mf

Prince if Krang has missed him! I'll show you on my sleeves the old brown stains of sec onds- where they bled and

2 2

died! I

slew

Time

in these gloom y- halls and wiped my blood y- blade...

ff

Ah,

shut

up!

f

You are the

f

f

ff

Most Ag gress- ive- Vil lain- in the World I al

ways- meant

to tell

DUKE AND HARK STUMBLE DOWN THE

IRON STAIRS TO THE GREAT OAK ROOM.you that.

I said it

and I'm

2

ff

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11A Moderato

3024 q = 80

Scene 11. Great Hall

Hark

Choir

Fl.

T. Bl.

Pno.

glad

LIGHTS UP ON THE GREAT HALL; SARALINDA AND GOLUX ARE STANDING

BEHIND THE GREAT TABLE. THE PRINCE, DISHEVELED, SWORD IN HAND,

ENTERS BY THE SECRET DOOR AND TAKES SARALINDA’S HAND.

THE DUKE IS DAZZLED BY THE GLEAMING OF A

THOUSAND JEWELS THAT SPARKLE ON THE TABLE.

THE CLOCKS, SCATTERED, BEGIN TO STRIKE SLOWLY.*

mp One(nn)

Mmm

ENSEMBLE, OFFSTAGE

pp ppp

Mmm

pp ppp

FLUTE

pp ppp

TRIANGLE

pp ppp

Play these 2 bars ONLY if not playing clock chimes (done offstage)

OFFSTAGE TICKING STOPS FOR CHIMES

p

rubato, very unevenly

13 Clocks Strike 5:00, converging

mp

unevenly

3 3

6 6

* The clocks, scattered, begin to strike slowly, gradually chiming closer and closer together,

Converging on the lowest (grandfather clock, A plus E) as the last one.

Noises: pit percussion (susp. cym on dome with triangle beater; triangle, small bump gong with hard beater), plus

offstage hand percussion of various types played by ensemble: single metal wind chime tube(s) struck with

small wood beaters; small yoga bowl gongs, bicycle bell, wine glasses struck with bamboo

Chopsticks, triangle. Last note on 2 handbells (lowest A plus E fifth), one player, or percussionist

on single tubular chime (low a). Piano does not play chimes if covered offstage and in pit percussion.

Each player pick your note from the notated piano pattern, but no need to match piano pitches.

Space notes roughly as notated in piano part; always start with the highest chime.

The very very last strike is a close cluster, almost simultaneous. Let all ring.

*alternate--and for rehearsals: piano.

p

L. V. sempre

strictdownbeats p3

3

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3029

Sar.

Zorn

Golux

Duke

Hark

T. Bl.

Pno.

GOLUX POINTS AT THE TABLE

Five

f The task isdone.

mf

Four

f

The task isdone.

mp

Two

(ooo)

f

The task isdone.

(aghast) mf

Three

(ooo)

med rubber marimba mallet

hard cord vibe mallet

2 MIDDLE TEMPLE BLOCKS

pp

2 WOOD BLOCKS

mfunevenly (betweenfingers and hands)

f ff

6 3

mp mf f ff

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3034

Sar.

Zorn

Golux

Duke

T. Bl.

Pno.

Same Beat

q. = 803038

Zorn

T. Bl.

Pno.

The terms are met!

DUKE LOOKS SLOWLY AROUND THE ROOM

The terms are met!

mf

I

The terms are met!

p

Where

croaks

are my guards? Where is Krang? The great est- of them

mp

all!

p

lured them to the Tow er- and locked them in. The one that's tied in knots is Krang.

2 2 2 2 2 2 2 2 2 2 2 2 2 2

p

13 Clocks P/V 213

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11BSame Beat

q = 803045

Duke

Choir

Fl.

T. Bl.

Perc.

Pno.

q = 92

Piu Mosso3049

Duke

Hark

T. Bl.

Pno.

DUKE HOBBLES OVER AND GLARES

AT THE JEWELS ON THE TABLE

They're

f

false! They must be col ored

HE PICKS ONE UP AS HE PULLS A SMALL FOLDING 10X

HAND LOUPE FROM A POCKET, LOOKS AT THE JEWEL

THROUGH HIS MONOCLE AND THE LOUPE, SEES THAT IT

IS REAL, PUTS IT DOWN AND PUTS AWAY THE LOUPE.

- peb bles!-

Mmm

ENSEMBLE, OFFSTAGE

pp ppp

Mmm

pp ppp

pp ppp

ppp

OPT. OFFSTAGE TRIANGLE (CAST MEMBER)

pp ppp

3 3

pp p

33

f

Not

archly

un til

- I count

them.

If there be on ly- one that is n't- here I wed the Prin cess-

SPOKEN:"The Task is done.

freely, not in exact rhythm

The Terms are met."

2 CLOCKS/BLOCKS CONTINUE SOFTLY, BUT MAINTAIN

QUARTER NOTE = 80 DESPITE MUSIC TEMPO CHANGES

mp

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3054 11C

Golux

Duke

T. Bl.

Pno.

3059

Duke

T. Bl.

Pno.

SARALINDA BLANCHES

f

What a grue some- way to treat one's niece!

Sar a- lin- da- on the mor row.-

f

She's Not

My Niece! I stole her! I

mf f

mf

stole her from a King.

SHOWS HIS LOWER TEETH

We all have flaws

SITS DOWN AT THE TABLE AND BEGINS TO COUNT THE

GEMS QUICKLY AND MOVE THEM TO A SECOND PILE,

MUTTERING QUIETLY

and mine is be ing- E vil!- Two, four, six, eight,

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3063 11D

Sar.

Duke

Hark

Fl.

T. Bl.

Pno.

3067

Golux

Duke

Hark

Fl.

T. Bl.

Pno.

f

Who is my Fath er- then!?

mp

ten, twelve, four teen,- six

p

teen,teen,- (shift to low stage whisper, jump by 20s.)

etc;

RAISING HIS EYEBROWS mf

I thought the Gol ux- told you but then he

f

mp

f

mf

Es pec- ial- ly- the names of Kings.

mp

(two hun dred- fif ty- six,)-

nev er- could re mem- ber- things. Your fa ther- was

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3070

Golux

Duke

Hark

Fl.

T. Bl.

Perc.

Pno.

11E3074

Duke

Hark

Fl.

T. Bl.

Pno.

GOLUX TURNS TO SARALINDA

mf

So the gift your fa ther- gave to Hag ga- has worked to make you hap py!-

mf

....ThreeGood King Gwain of Yar row!-

mf

wood snare stick tip, dome

SUSP. CYM. mf

mf

hun. dred.- sev en- ty- six,

DUKE LOOKS UP AND BARES

HIS TEETH, SNARLS

The tale is much too ti dy- for my taste; I hate

it. (resumes counting, whispered)

3

mf

It's neat, and to my

mf

mf

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3078

Hark

Fl.

T. Bl.

Pno.

3082

Golux

Hark

Fl.

T. Bl.

Pno.

taste, re fresh

HARK REMOVES HIS MASK

AND SMILES BROADLY. HIS

EYES ARE BRIGHT AND JOLLY.

- ing.- If I may in tro- duce- my self: I am a ser vant- of the Good King

mf f

mf

That I did

n't- know. You could have saved the Prin cess- man y- years a go.

Gwain, of Yar row!-

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11F3086

Hark

Fl.

T. Bl.

Pno.

3089

Duke

Fl.

T. Bl.

Pno.

3093

Golux

Duke

T. Bl.

Pno.

mf

This part I al ways- hate to tell, but I too was un der

HARK MOVES TO STAND BESIDE SARALINDA

- a witch es'- spell.

3

p 6 6 6

mf

...Sev en- hun dred- nine

DUKE SMILES, SHOWS HIS UPPER TEETH.

ty- eight.

f

I can not- e ven- trust the spies

TURNS TO LOOK AT THE GOLUX

I can see! You mere de vice!

- You

Qui

mf

et- please

you gleam ing- kid

nap- - per.

plat i tude!

-- You Go

lux

- ex

3

ma chi- na!

- (resumes counting, whispered)

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3097 rit. 11G

Moderato

q = 80

Golux

Duke

T. Bl.

Pno.

3101

Poco Meno Mosso

q = 72

Golux

Duke

T. Bl.

Pno.

3104

Golux

T. Bl.

THERE ARE NO JEWELS LEFT ON THE TABLE.

DUKE GIVES THEM ALL A LOOK OF HORRID

GLEE AND A LOUD CACKLING LAUGH, AND

CREEPY-WIGGLES HIS FINGERS.

...Nine

mf

hun dred- nine ty- eight,

nine hun- dred- nine ty- nine!

(laughs)

f

You all like Now so much:

3

f

GOLUX, TURNS PALE AND HIS

HANDS BEGIN TO SHAKE.

(to himself)

sotto voce Oh

pp libero, hasty

dear, I just now re mem- bered-

The Prin cess- now be longs to me!

port.

a 2 mani

3

3

some thing- in the dark, com ing- down from Hag ga's- Hill, that struck a gainst- my an kle.- It must have fal len- from the

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3106

A Tempo

q = 80

11H

Piu Mosso

q = 92

Golux

Duke

T. Bl.

Perc.

Pno.

rit.

3110

Adagio

q = 66

Duke

T. Bl.

Perc.

Pno.

sack! SPOKEN ALOUD:

"We . . . we demand . . . a recount!"

AS ALL LOOK TO HIM, THE GOLUX

ALONE SEES A DIAMOND FALL FROM

THE DUKE’S LEFT GLOVE TO THE TABLE.

DUKE, SEEING IT, GROANS

IN VAST SURPRISE

ALL EYES ON THE DUKE

f

Aargh! One thous and!-

STANDS UP, SHOWS ALL HIS TEETH.

What are you

hard mall.

BASS DRUM

mf

dead center

f mf p

5 5

p

f

ff

5 5

wait ing- for!?

f

Be gone!

- If

appassionato

you be gone for e- ver, it

nat.

mf

dead center

f mf

5 5

f

f

5 5

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3113

Duke

T. Bl.

Perc.

Pno.

3116

11I

Golux

Duke

T. Bl.

Pno.

will not be long e nough!- If you re turn- no more, then it will be too soon! Be -

nat.

mf f

nat.

mf

5 5

f

mf

ff

5 5

GOLUX COVERS HIS MOUTH

WITH HIS FINGERS AND TITTERS.

(any high pitch, descending)

(Tee hee- hee- hee- hee!)-

THEY ALL LOOK AT HIM;

HE RECOVERS HIMSELF.

DUKE POINTS TO DOOR

gone! My jew els- will last for ev- er.-

dull and expressionless (senza vibr.)

mf

Go

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3120

Fl.

T. Bl.

T.-t.

Pno.

3125accel.

Fl.

Perc.

Pno.

11J q = 80

Andante

3130

Fl.

Perc.

Pno.

THE GREAT DOORS OF THE OAK ROOM OPEN. ZORN RAISES HIS HAND, PALM DOWN, AND SARALINDA RESTS HERS ON

TOP FOR A "BRIDE-LEAD". THEY LEAVE THE COLD DUKE STANDING THERE, UP TO HIS WRISTS IN JEWELS. THE LIGHT

ON HIM FADES AND THE TICKING OF THE TWO CLOCKS IN THE HALL FADES OUT, AS THE PRINCE, SARALINDA, HARK,

AND THE GOLUX IN SLOW PROCESSIONAL DESCEND THE STAGE-RIGHT STAIRS AROUND TO BRIGHT DAYLIGHT

OUTDOORS BELOW THE CASTLE, WHICH THEN SHOWS IN PROJECTION ABOVE.

p

CLOCKS FADE OUT

TAM-TAM

pp

p

HIGH SUSP. CYM.

soft yarn mallets pp p

pp

TRI.

pp

pp

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3132

Zorn

Golux

Fl.

Pno.

3134

Golux

Fl.

Pno.

3136

Golux

Fl.

Pno.

Yar

mp

row- is half way- on our jour ney- to Zor na.-

p

GOLUX POINTS

mp

You'll need the two white hors es- sad dled- and bri dled- yon der.- Your

ship lies in the Har bor,- it

PRINCE PUTS HIS ARM AROUND SARALINDA’S WAIST.

sail with in- the hour.

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11K

3138

Golux

Fl.

Perc.

Pno.

3140

Golux

Fl.

Pno.

3142

Golux

Fl.

Pno.

SHE TURNS AND GAZES A LAST TIME

BACK UP AT THE CASTLE AND SHIVERS.

HE TURNS HER BACK FORWARD.GOLUX GAZES A LAST TIME AT THE PRINCESS

mf

Keep

ff

opt.

3

BASS DRUM

p L. V.

mf

warm ride close to geth- er.- re mem- ber-

mf

mp

laugh ter,- you'll need it, ev en- in the

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3144

Golux

Fl.

Pno.

11L3146

Sar.

Zorn

Hark

Pno.

3148

Hark

Pno.

bless ed- Isles of Ev er- af- ter.-

mp

You'll sail for Yar row- with us?

GOLUX VANISHES.

mp

You'll sail for Yar row- with us?

mp

I must stay a fort night-

long er..- So runs my witch es'- spell. It will give me

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3150

Hark

Pno.

3152

Sar.

Fl.

Perc.

Pno.

3154

Hark

Fl.

Perc.

Pno.

time to ti dy- up and un tie- Krang as well.

f

Where has the Gol ux- gone?

THEY LOOK AROUND FOR THE GOLUX

f

dome, wood snare sticks tips

SUSP. CYM.

mp mf

mf

Oh, he knows a lot of plac es.- -

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3156

Sar.

Fl.

Perc.

Pno.

11M3158

Zorn

Fl.

W.Ch.

Pno.

3160rit.

Zorn

Fl.

Pno.

Give

mf

him my love, and this.

HANDS HARK THE ROSE

p

STUDIO WIND CHIME (MARK TREE)

p

p

mf

A fair wind stands for Yar row.-

It is a clear and cloud less-

13 Clocks P/V228

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11Nq = 90

Ever AfterAndante Gioioso

3162

Sar.

Zorn

Fl.

Perc.

Pno.

3168

Sar.

Fl.

Pno.

DURING FIRST PART OF DUET, FULL ENSEMBLE, INCLUDING GUARDS/CAPTAIN WITH HELMETS OFF, GRINNING,

A HAPPY HAGGA, AND THE GOLUX WITH NO HAT IN THE VERY BACK, ENTER A FEW AT A TIME, CARRYING

FLOWERS, AND GATHER ONSTAGE IN A WIDE CIRCLE BEHIND THE PRINCE AND PRINCESS, SMILING, LAUGHING.

SARALINDA, BECKONING ZORN:

mf

O my Prince, O my Prince, come

day!

mp

mp f

p

TRIANGLE

pp

SUSP. CYM.

yarn mall. ppp mf ppp L. V.

p f

p

pedal often

stand by

HE STEPS BESIDE HER, SHE POINTS; THEY CLASP BOTH HANDS

AND LOOK OUT OVER THE HEADS OF THE AUDIENCE

me. Look, my Prince, Look, my Prince, look far to sea.

mf

p

p

mf

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3173

Sar.

Pno.

3179

Sar.

Pno.

mp

I tell you true,

SHE SWAYS TO THE SLOW WALTZ TIME, PULLING HIM.

I think II see, as peo ple- of ten- think they see, on such a clear and cloud less-

p

day, on such

PROJECTION OF THE HARBOR AND SHIP AND, FADING IN, FAR SHORES

a clear and cloud- less day, I see a dis tant- shin ing- land of hap py- laugh ter.-

mf

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3185

11O

Sar.

Zorn

Fl.

Pno.

3189

Sar.

Zorn

Fl.

Pno.

I

mf

al ways- hoped a hand some- prince would res cue- me.

It

mf

was my des ti- ny- to

p mp

p

The clocks struck Five, We're still a live.-

FULL ENSEMBLE IS NOW ONSTAGE

And now we're free, free as the

come and set you free. The clocks struck Five, We're still a live.- And now we're free, free as the

bell tones

fp

fp

fp

fp

fp

mf

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Poco Piu Mosso

q = 96

319411P Poco Riten.

Sar.

Zorn

Choir

Fl.

Perc.

Pno.

breeze.

A WOMAN (OR GIRL) SHYLY HANDS

SARALINDA A BRIDAL BOUQUET

f

O my Love, O my Love, I'll stand by

breeze.

f

O my Love, O my Love, I'll stand by

oo

p

ahh

mp

Ahh

p mp

f f

ppp mf L. V.

mf

mf

f

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A Tempo

q = 963198

Sar.

Zorn

Choir

Fl.

Perc.

Pno.

Thee. Look, my Love, Look, my Love, look far to sea.

Thee. Look, my Love, Look, my Love, look far to sea.

Ahh

f O my love, my love, my love

ppp mf

f

mf

13 Clocks P/V 233

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3203

11Q

Sar.

Zorn

Choir

Fl.

Perc.

Pno.

p

Your guess is quite as good as

poco cresc.

mine, since there are man y- things that shine,

p

Your guess is quite as good as

poco cresc.

mine, since there are man y- things that shine,

oo

pp

oo

oo

pp

oo

To Picc.

L. V.

3 3

p

3 3

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3206

Sar.

Zorn

Choir

Fl.

Pno.

mp

but I be lieve,- I do be lieve,- I real ly- tru ly- do be lieve-

mp

I see the dis tant- shores, I see the

mp

but I be lieve,- I do be lieve,- I real ly- tru ly- do be lieve-

mp

I see the dis tant- shores, I see the

pp

oo wahh-

pp

Piccolo

pp 5

3

5

3

13 Clocks P/V 235

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3211

Poco Riten.A Tempo

q = 96 Riten.

Sar.

Zorn

Choir

Picc.

Pno.

shin ing- shores,

mf

I see the dis tant,- shin ing- shores

f f

of Ev er-

shin ing- shores,

mf

I see the dis tant,- shin ing- shores

f f

of Ev er-

p

oo wahh

mp mp

Ahh

mf

p mp mp mf

p

mp

5

6

mp

5

f

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3215

11R

q = 96

A Tempo poco rit. Vivo

q. = 132

Sar.

Zorn

Choir

Picc.

W.Ch.

Pno.

Af ter!- - - -

Af ter!- - - -

ff O, my Love, O, my love, I'll stand by thee!

ff

ff f

f

SUSP. CYM.

yarn mall.

TAMBOURINE

f (knuckle)

f ff

f

(slide)

ff

13 Clocks P/V 237

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3220

Choir

Picc.

Perc.

Pno.

3227

Picc.

Perc.

Pno.

SARALINDA TOSSES THE BOUQUET BEHIND HER TO THE CROWD; THE GUARDS, CAPTAIN, AND HARK FORM AN ARCH WITH

SWORDS; ZORN AND SARALINDA PASS UNDER IT CAREFULLY AND THEN EXIT STAGE R., SKIPPING, HAND IN HAND. ENSEMBLE

CHEER, TOSS FLOWERS AT THEM, WAVE; HAGGA HAS LAUGHED AND WEPT FOR JOY AND THROWS A HANDFUL OF JEWELS

AFTER THEM. HARK SHEATHES HIS SWORD AND, HOLDING THE ROSE, STARTS TO CLIMB STAIRS BACK UP TOWARDS THE

GREAT HALL. ENSEMBLE STRAGGLE OFF, TALKING HAPPILY TO ONE ANOTHER. (NOISES OFF: TWO HORSES SNORT, WHINNY,

THE TWO RIDERS GALLOP OFF DOWN THE HILLS), HARK TURNS TO WATCH THEM GO, SMILES, SHAKES HIS HEAD. THE SOUND

OF HOOVES FADES. ORCHESTRA TAG. START FADE TO BLACK. HOLD FOR APPLAUSE TO SLOW

etc.

(knuckle/shake)

mp

ff

13 Clocks P/V238

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3233

Picc.

Perc.

Pno.

3237

poco rit.

11S(Applause)

To Segue

Hold for

applause to

slow.

Picc.

Perc.

Perc.

Pno.

p

p

p

ff

START FADE TO BLACK

ff

BASS DRUM

f

pp

ff

ff

pp

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12Aq = 68

Largo

3244

12. Epilogue. Great Hall

Picc.

Perc.

Pno.

3251

Duke

Choir

A. Fl.

T. Bl.

Pno.

SUPERTITLE: A FORTNIGHT LATER.

ALTO FLUTE

f

3 mf

L. V.

TAM-TAM

p L. V.

p

p

p

p

GREAT HALL OF COFFIN CASTLE, NIGHT. LOW LIGHT, ONLY 2 TORCHES. ONLY 2 CLOCKS

TICKING SOFTLY IN HALL. DUKE, SEATED, IS GLOATING OVER HIS JEWELS, RUNNING THEM

THROUGH HIS FINGERS AND LETTING THEM TRICKLE TO THE GREAT TABLE.

chuckles p

Heh heh- heh- Heh heh-

ENSEMBLE, OFFSTAGE (ALL ROLES)

START ALMOST INAUDIBLY.

ppp Mmm

Mmm

pp p

TEMPLE BLOCKS

Bottom 2: hard cord vibe mallet

NOTE: CLOCKS/TEMPLE BLOCKS HERE MAY BE

COVERED BY AN ENSEMBLE MEMBER OFFSTAGE

ppp

Top 2: med rubber marimba mallet

pp

ppp

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3254

Duke

Choir

A. Fl.

T. Bl.

Pno.

12B3257

Duke

T. Bl.

Perc.

Pno.

My love ly- jew els.- heh heh Love

THE JEWELS SUDDENLY TURN TO TEARS,

WITH A LITTLE SOUND LIKE SIGHING.

ly...-

SLOW GROUP SIGH, START ROUGHLY ON

PITCH, END ON ANY PITCH OR PITCHLESS

uhhh

gliss.

gliss.

uhhh

gliss.

gliss.

chromatic

gliss.

pp

mf

DUKE LOOKS AT THE MELTED

POOL, AND THEN AT HIS GLOVES:p

What slish is this?

HE STAGGERS TO HIS FEET

AND DRAWS HIS SWORD

pp

Whisss per?-

33 3

pp

BASS DRUM

one-handed if playing blocks also

pp

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3259

Duke

Choir

A. Fl.

T. Bl.

Perc.

Pno.

12CAndante

q = 763262

Duke

Perc.

Pno.

HIS MONOCLE FALLS, AND HE SLASHES HIS SWORD AT

NOTHING. TODAL MOVES ACROSS THE ROOM TOWARDS

THE DUKE, LIKE MONKEYS AND LIKE SHADOWS. THE

TORCHES ON THE WALLS GO OUT. NEAR-TODAL DARKNESS.

Hark?

(OFFSTAGE: SOUND OF RABBITS SCREAMING, HIGH,

MULTI-PITCHED CLUSTER: “EEEEEE!”. (5-YEAR OLD

GIRLS IF POSSIBLE, ALTISSIMO, MAY BE RECORDED.)

f (Eeeee!)

PICCOLO

f

4 MUFFLED TOMTOMS (IF BLOCKS

ARE PLAYED OFFSTAGE) phard felt, at centers

3 33 3

(Eb)

p

f roars

Come on, you blob of glup!

dead center

f p

mf

nat.

p

mp p

dead center

mf

nat.

p

fp

p mp p

mf

left palm sideways,black and white keys

f ff

mf

ff

p

f

p

mf

ff

5 5

5 5

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3264

Piu Mosso

q = 92accel.

Duke

Perc.

Pno.

3268accel.

Duke

Perc.

Pno.

Now that my gems have turned to thlup,

and I have lost my Prin cess- Sar a- lin da.- the

mf p

dead center

mf

nat.

p

mf

mf p mf

f

ff

ff

5 5

on ly- warm hand in the Cas tle,- liv ing- on, a lone- and cold,

is not my fond est- wish!

p

13 Clocks P/V 243

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Poco Meno Mosso

q = 803274

Duke

Perc.

Pno.

3276

rit.

Duke

Perc.

Pno.

ff

You may fright en- oc to- pi- to death,

you

p

dead center

mf

nat.p p

dead center

mf

nat.p

sf p

mf p

mf

ff

mf

ff

5 5

5 5

gib bous- spawn of hate and thun der,-

ff

but not the Duke of Cof fin-

p

dead center

mf

nat. SUS. CYM.

p hard cord

f

ff

ff

ff

5 5

13 Clocks P/V244

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q = 76

Ritenuto

3279

12D

rit.

Duke

Choir

T. Bl.

Perc.

Pno.

Cas tle!

port.

-

(ossia)

DUKE ASSUMES “EN GARDE”

POSITION FACING AUDIENCE.

En garde, you mus

ty- so

fa!-

COMING UP BEHIND HIM, TODAL

JUMPS TOWARD HIM WITH ARMS

RAISED AND FINGERS SPREAD, GLEEPS,

TOUCHES HIS SHOULDERS BY THE NECK.

DUKE GIVES A STIFLED SHRIEK, DROPS

HIS SWORD, SPINS TO LOOK BEHIND

HIM, CRUMPLES TO THE FLOOR.

ff(Aaaaah)

ENSEMBLE, OFFSTAGE, SLOW GROUP GLEEP, SPOKEN.

START NEAR ANY LOW PITCH, END AT LEAST AN

OCTAVE HIGHER; MEN FINISH FALSETTO.

Glee(p)?

f

Glee(p)?

f

Temple Blocks

THE 2 CLOCKS HESITATE, STOP.

uneven, like 2 dying clocks

ff

SNARE DRUM

woodf

ppp

ff

3

p

ff

pp

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3284

q = 76

A Tempo

T. Bl.

Pno.

12E3290

Pno.

3295

12F

q = 60

Largo

Choir

Picc.

Perc.

Pno.

pppp

TODAL BENDS DOWN TO SNIFF HIM ONCE,

THEN DRAGS THE DUKE’S BODY OFFSTAGE LEFT

SILENCE. DUKE'S SWORD LIES GLEAMING ON

THE FLOOR, ALONG WITHHIS MONOCLE AND

SOGGY GLOVES. FROM THE TABLE DRIP THE

MELTED JEWELS OF HAGGA'S LAUGHTER.

pp ppp

HARK COMES CAUTIOUSLY INTO THE ROOM

THROUGH THE SECRET DOOR, HOLDING A

LIGHTED LANTERN ABOVE HIS HEAD.

p

HARK STEPS ON SOMETHING THAT SQUUTCHES [SOUND]

BENEATH HIS FOOT AND FLOBBS AGAINST THE WALL.

HE PICKS IT UP AND HOLDS IT NEAR THE LANTERN. IT IS THE

SMALL BLACK BALL STAMPED WITH SCARLET OWLS.

Tee

FAR OFFSTAGE, THE SOUND

OF CHILDREN LAUGHING.)

pp

2-4 CHILDREN OR

HIGH SOPRANI

(OR free tittering, non-sung,not all in same rhythm)

(through cupped hands)

hee- hee- hee- hee

- hee!-

HARK CHUCKLES, EXITS,

BOUNCING THE BALL

GENTLY IN HIS HAND .

FLUTE

pp

dead center, no cheating

TAM TAM

pp hand-stop

ppp like a toy piano

una corda

pp 3 corde

pp

13 Clocks P/V246