de vinne typeface part 1, from the book of intertype faces · 2020. 5. 4. · modern ten...

5
for Intertype economical direct heyhoard composition DeVinne WITH ITALIC AND SMALL CAPITALS N I N E POINT Consideration of ease of reading is so essontial in the planning of printed matter that every principle helping to achieve comfort in the as similation of the message conveyed hy words should always be in the forefront of the typog rapher's mind. On what does case of reading depend ? On the simpleness of the type design, on the length of the type lines and on their loading, on the spacing of words, and on a principle either misunderstood or sadly nored: that of appropriate choice of type face for the paper on which it is to be printed. Many type faces appropriate for the moder ate copy of advertisements are inappropriate for continuous reading in the book or maga zine page: many type faces readable in the larger text sizes lose their clarity in the smaller sizes. Wise choices for small text are, there fore, type faces of unobtrusive character and type faces of large x-height whose maximum face-to-body size aids readability. Simpleness of type design is as much to be desired as sheer beauty of type character, though happily the tico virtues often go hand in hand. Consider also the spacing of words. Wide spacing causes the appearance of disintegra tion of the type panel and spreads the copy to occupy more space than it needs: excessively close spacing causes the words to run into one another and detracts the reader's tliought from the ideas presented by the words. Most typog raphers agree that a thick or middle space is sufficient between words set in lower case— even in display types—and an en space be tween words m capital letters. As a general isation that will do very well, but shall we con sider the matter more closelyf The expanded and large x-height type faces call for a slight increase in word spacing, though a thick spacc Modern TEN Consideration of ease of reading is so cs- P OT N T planning of printed matter that every principle helping to achieve comfort in the assimilation of the message conveyed hy words should always be in the forefront of the typog rapher's mind. On what does case of reading depend? On the simpleness of the type design, on the length of the type lines and on their leading, on the spacing of words, and on a principle cither misunderstood or sadly ignored: that of appropriate choice of type face for the paper on which it is to be printed. Many type faces appropriate for the moderate copy of advertise ments are inappi'opriate f or continuous reading in the book or magazine page: many type faces readable in the larger text sizes lose their clarity in the smaller sizes. Wise choices for small text are, therefore, t>T)c faces of unobtrusive character and type faces of large x-height whose maximum face-to-body size aids readability. Simpleness of type design is as much to be desired as sheer beauty of type character, though happily the two virtues often go hand in hand. Consider also the spacing of words. "Wide spacing causes t^ appearance of disintegration of the type panel an<^preads the copy to occupy more spacc than it needs: excessively close spacing causes the words to run into one another and detracts the reader's thought from the ideas presented hy the words. Most typog raphers agree that a thick or middle space is sufficient between words set in lower case—even in display types —and an en space between words in capital letters. a generalisation that will do very well, but shall we consider the matter more closely? The expanded and

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Page 1: De Vinne typeface part 1, from the Book of Intertype faces · 2020. 5. 4. · Modern TEN Consideration of ease of reading is so cs-P OT N T planning of printed matter that every principle

for Intertype economical direct heyhoardcomposition

D e V i n n eW I T H I T A L I C A N D S M A L L C A P I T A L S

N I N EP O I N T

Consideration of ease of reading is so essontialin the planning of printed matter that everyprinciple helping to achieve comfort in the assimilation of the message conveyed hy wordsshould always be in the forefront of the typographer's mind. On what does case of readingdepend ? On the simpleness of the type design,on the length of the type lines and on theirloading, on the spacing of words, and on aprinciple either misunderstood or sadlynored: that of appropriate choice of type facefor the paper on which it is to be printed.Many type faces appropriate for the moderate copy of advertisements are inappropriatefor continuous reading in the book or magazine page: many type faces readable in thelarger text sizes lose their clarity in the smallersizes. Wise choices for small text are, therefore, type faces of unobtrusive character andtype faces of large x-height whose maximumface-to-body size aids readability. Simplenessof type design is as much to be desired as sheerbeauty of type character, though happily thetico virtues often go hand in hand.

Consider also the spacing of words. Widespacing causes the appearance of disintegration of the type panel and spreads the copy tooccupy more space than it needs: excessivelyclose spacing causes the words to run into oneanother and detracts the reader's tliought fromthe ideas presented by the words. Most typographers agree that a thick or middle space issufficient between words set in lower case—even in display types—and an en space between words m capital letters. As a generalisation that will do very well, but shall we consider the matter more closelyf The expandedand large x-height type faces call for a slightincrease in word spacing, though a thick spacc

M o d e r nTEN Consideration of ease of reading is so cs-

P OT N T planning of pr inted matterthat every principle helping to achievecomfort in the assimilation of the message conveyed hywords should always be in the forefront of the typographer's mind. On what does case of reading depend?On the simpleness of the type design, on the length ofthe type lines and on their leading, on the spacing ofwords, and on a principle cither misunderstood orsadly ignored: that of appropriate choice of type facefor the paper on which it is to be printed. Many typefaces appropriate for the moderate copy of advertisements are inappi'opriate f or continuous reading in thebook or magazine page: many type faces readable in thelarger text sizes lose their clarity in the smaller sizes.Wise choices for small text are, therefore, t>T)c faces ofunobtrusive character and type faces of large x-heightwhose maximum face-to-body size aids readability.Simpleness of type design is as much to be desired assheer beauty of type character, though happily the twovirtues often go hand in hand.

Consider also the spacing of words. "Wide spacingcauses t appearance of disintegration of the typepanel an< preads the copy to occupy more spacc thanit needs: excessively close spacing causes the words torun into one another and detracts the reader's thoughtfrom the ideas presented hy the words. Most typographers agree that a thick or middle space is sufficientbetween words set in lower case—even in display types—and an en space between words in capital letters.a generalisation that will do very well, but shall weconsider the matter more closely? The expanded and

Page 2: De Vinne typeface part 1, from the Book of Intertype faces · 2020. 5. 4. · Modern TEN Consideration of ease of reading is so cs-P OT N T planning of printed matter that every principle

All sizes arc shown set sol id

and one point leaded

Eleven point

J l i l X P O I X T

(JotiKlilorntloii of ca80 of rea<liii(; is so esKon-tinl in the planti i iKr of printml mntter thutov(*ry |>rincii)lo helping to nchiovo comfort tnt i t o i i s . H i t n i h t t i u n o f t h e m f s n a g t c o n v e ^ t t d b yw o r d * K h o u U l n l w t i y . s h o i n t h o f o r e f r o n t o ftho typoKrnphor'R mind. On what does etkKeof rending ilo|ji>nd 2 On tho siinploncss of thotypo ilt<Hit;n. on tho lonf^th of tho typo linesand on tho i r loud ins , on tho spnc in ; ; o fwords, and on n princti>te oithor misunder-xtood or widly i(rnorc<l: that of appropriatechoice of ty]>e fikco for tho ixiper on wliinh itis to ho printed. Many tyj>o faccs uppropriatofor the inoderiitu copy of advertisements areinanpropriuto for continuous roiidint; in thohooK or miipriivtino paf^e: manv ly7>« face*r e a d a b l e t n t h e I n r y e r t f x i n i z e a l o n e t h e i rclarihj «n tfie emaller sizes. IFwe ehoiees forifmall text are, therefore, tj/p« facts of wnob-trxisive character and type faces of largex-height whone ma^timttm face-lo'hodj; sizeaid^ readahilily. Simplene/ts of type design isafi much to he des i red as sheer bea i i tu o f typerharncter, tho} i ( )h happi ly the two vi r tuesoften go hand in hand,

(Consider also tho spacing of words. WideKt)ncin); ratisns thn uppHurance of disintefH'A'tion of tho typo panel and spreads the copyto occupy moro space than it needs; excessively close spacinfr causcs tho words to runi n t o o n e a n o t h e r a n d d e t r a c t s t h e r e a d e r ' sthoufxl i t f rom tho ideas presented hy thowords. 3/ost ij/poffmphers agree that a thickor middle space is sufficient between wordss e t i n l o w e r c a s e . — e n e n t n d i s p l a y t y p e s —onrl an e.n apace between words in capitall e t t e r s . A s « i j e n e r a l i s a t i o n t h a t w i l l d o v e r yw e l l , h u t s h a l l w e c o n s i d e r t h e m a t t e r m o r e

Consideration of ease of reading is so essential in theplanning of printed matter that every principle helping toachieve comfort in the assimilation of the message conveyed hy words should always be in the forefront of thetypographer mind. On what does ease of reading depend? On the simpleness of the type design, on the lengthof the type lines and on their leading, on the si)acing ofwords, and on a principle either misunderstood or sadlyignored: that of appropriate choice of type face for thepaper on which it is to be printed. Many type faces appropriate for the moderate copy of advertisements are ina])-propriate for continuous reading in the book or magazinepage: many type faces readable in the larger text sizeslose their clarity in the smaller sizes. Wise choices forsmall text are, therefore, type faces of unobtrusive character and type faces of large x-height whose maximum face-to-body size aids readability. Simpleness of type design isas much to be desired as sheer beauty of type character,though happily the two virtues often go hand in hand.

Consider also the spacing of words. Wide spacingcauses the appearance of disintegration of the type paneland spreads the copy to occupy more space than it needs:excessively close spacing causes tlie words to run into oneanother and detracts the reader's thought from the ideaspresented by the words. Most typographers agree that athick or middle space is sufficient between words set inlower case—even in display types — and an en spacebetween words in capital letters. As a generalisation thatwill do very well, but shall we consider tlie matter moreclosely? The expanded and large x-height type faces callfor a slight increase in word spacing, though a thick spaceis usually satisfactory; condensed type faces and those ofsmall x-height agreeably accept the middle space.

Appropriate length of type line for ease of reading canso readily be decided upon that no loss of comfort needresult in this respect, and appropriate measures for various widths and sizes of type may easily be found. TAmitsare, it is true, frequently imposed hy the shape of spaceand the amount of copy to he arranged therein, but instances where reading is made needlessly di^cult all too oftenmeet our eyes: the excessively wide measure, for instance,which causes the reader to stumble in picking up'' thesuccessive line of type or to begin reading a second timethe same line of type; and the excessively narrow measures causing frequent breaking of words and greatirregularity in their spacing as ivell as intermittent letter

E I G H T F O I X T

Consideration of ease of reading is so essentialin the planning of printed matter that everj-principle helping to achieve comfort in theassimilation of the message conveyed bywordsshould always be in the forefront of the typographer's mind. On what does ease of readingdepend! On the simpleness of the type design,on the length of the type lines and on theirleading, on the spacing of words, and on a'princx'ple either misunderstood or sadly ignored: that of appropriate choice of type facefor the paper on which it is to 6e printed.Many type faces appropriate for the moderate

<'opy of advertisements are inappropriate forcontinuous reading in the book or magazinepage: many type faces readable in the largertext sizes lose their clarity in the smaller sizes.Wise choices for small text are, therefore,type faces of unobtrusive character and typefaces of large x-height whose maximum face-to-body size aids readability. Simpleness oftype design is as much to he desired as sheerbeauty of type character, though happily thetwo virtues often go hand in hand.

Page 3: De Vinne typeface part 1, from the Book of Intertype faces · 2020. 5. 4. · Modern TEN Consideration of ease of reading is so cs-P OT N T planning of printed matter that every principle

Consideration of ease of reading is so essential in the planning of printed matter that every principle helping toachieve comfort in the assimilation of the message conveyed hy words should always be in the forefront of thetypographer's mind. On what does ease of reading dependOn the simpleness of the type design, on the length of thetype lines and on their leading, on the spacing of words,and on a principle either misunderstood or sadly ignored:that of appropriate choice of type face for the paper onwhich it is to be printed. Many type faces appropriate forthe moderate copy of advertisements are inappropriatefor continuous reading in the hook or magazine page:many type faces readable in the larger text sizes lose theirclarity in the smaller sizes. Wise choices for small text are,therefore, type faces of unobtrusive character and typefaces of large x-height whose maximum face-to-body sizeaids readability. Simpleness of type design is as much tobe desired as sheer beauty of type character, though happily the two virtues often go hand in hand.

Consider also the spacing of words. Wide spacing causesthe appearance of disintegration of the type panel andspreads the copy to occupy more space than it needs: excessively close spacing causes the words to run into oneanother and detracts the reader's thought from the ideaspresented by the words. Most typographers agree that athick or middle space is sufficient between words set inlower case—even in display types—and an en space be-tween words in capital letters. As a generalisation thatwill do very tvell, but shall we consider the matter moreclosely f The expanded and large x-height type faces callfor a slight increase in word spacing, though a thick spaceis usually satisfactory; condensed type faces and those ofsmall x-height agreeably accept the middle space.

This is12 point

DeVinne Mode rn

De Vlnne Modem is also duplexed with Antique No. 3 in 6,8,10,11,12 point

and with Doric No.1 in 8,10,11 point. The display headings in these settings

are Bodoni Bold, Bodoni Modem, Alternate Gothic No, 1 and

enlarged characters of De Vinne Modem

Page 4: De Vinne typeface part 1, from the Book of Intertype faces · 2020. 5. 4. · Modern TEN Consideration of ease of reading is so cs-P OT N T planning of printed matter that every principle

F O U N T D E T A I L S O F

D e V i n n e M o d e mwith Italic and Small Capitals. Double letter matrices

A B O D E F G H I J K L M N O P Q R S T U V W X Y Zabcdefghijklmnopqrstuvwxyz 1234567890A B C D E F G H I J K L M N O P Q R S T U V W X Y Z & ^ ( E

A B C D E F G H I J K L M N O P Q R S T U V W X Y ZP a c e N o . E 8 8 1 1 2 3 4 5 6 7 8 9 012 point Figure size 084 Lower case alphabet 102 points Standard alignment

A B C D E F G H I J K L M N O P Q R S T U V W X Y Zabcdefghijklmnopqrstuvwxyz 1234567890A B C D E F G H I J K L M N O P Q R S T U V W X Y Z & v E C E

A B C D E F G H I J K L M N O P Q R S T U V W X Y Zdbcdefghijlclmnopqrstuvwxyz 1234567890

11 point Figure size 077 I ower I'ase nlpliabet 149 points Stinulard alignment

a b c d p : f g h i j k l m n o p q r s t u v w x y zabcdcfghijklmnopqrstuvwxyz 1234567890A B C D E F C n i l J K L M N O P Q R S T U V W X Y Z & i E C E

A B C D E F G I I I J K J M N O P Q U S T V V W X Y ZF a e e N o . E / ( 0 1 2 3 4 5 6 7 8 9 0

10 point Figure size 070 Lower case alphal)et 131 points Standard alignment

A B C D E F G H I J K L M N O P Q R S T U V W X Y Zal)cdcfghijklninopqrstu\n,vxyz 1234567890A B C D E F G i r r J K L i l N O P Q R S T U V W X Y Z & ^ C E

F a c e N o E 7 2 2abodefghijklnmopqrstuvtcxyz 1234567890

9 point Figure size '063 Lower case alpliabet 117 points Standard alignment

A B C D E F G H I J K L M N O P Q R S T U V W X Y Zabcdefghi jk lmnopqrstuvwxyz 12345(57890ABCDEFGHIJKLMNOPQRSTUVWXYZ &/KCEA B C D E F G U I J K L U N O P Q B S T U V W X T Zace 0. 7 a,hcdcfghijklmnopqr$tv,vwxyz 1SS4567890

8 point Figure size *059 Lower case alphabet 109 points Aligninont —lOJ

A D C D E F O H I J K L M N O P Q K S T U V W X Y Zabcilef^hiJklmnnpiirBl.UYwxy?; 1234567890A D C D B r O I I I J i a . M N O P ( } R 8 T U V \ V X V Z i i U ' . a !

•ace 0. l«0O ahcdtfghijklmnopqrttuvwxyz 1234567800

6 point Figure size -0553 Lower ease alphabet 93 points Standard alignment

C H A R A C T E R C O U N T T A B L E

Bo ld figures read ing down ind ica tepica measuresBold figures reading across indicatepoint sizesLight figures indicate average numberof characters per line

6 8 9 1 0 1 1 1 2

8 2 6 2 3 2 1 1 9 1 6 1 5

9 3 0 2 7 2 5 2 2 1 8 1 8

1 0 3 4 3 0 2 8 2 5 2 1 2 0

1 1 3 8 3 4 3 1 2 8 2 3 2 2

1 2 4 2 3 7 3 4 3 1 2 0 2 4

1 3 4 6 4 0 3 7 3 4 2 8 2 0

1 4 5 0 4 3 4 0 3 7 3 0 2 8

1 5 5 3 4 6 4 3 3 9 3 3 3 0

1 6 57 5 0 4 6 4 2 3 5 3 3

1 7 6 1 5 3 4 9 4 5 3 7 3 5

1 8 C 4 5 6 5 2 4 7 4 0 3 7

1 9 6 8 5 9 5 5 5 0 4 3 3 9

2 0 7 2 6 3 5 8 5 3 4 5 4 1

2 1 7 5 6 6 6 1 5 6 4 7 4 3

2 2 7 9 7 0 6 4 5 9 4 9 4 5

2 3 8 3 7 3 6 7 6 2 5 2 4 7

2 4 8 7 7 6 7 0 6 4 5 4 4 9

2 5 9 0 7 9 7 3 6 7 5 6 5 1

2 6 9 4 8 2 7 6 7 0 5 8 5 3

2 7 98 8 4 7 9 73 6 0 5 6

2 8 1 0 1 8 8 8 2 7 6 6 2 5 8

2 9 1 0 4 9 1 8 5 79 6 5 6 1

3 0 1 0 7 9 5 8 8 8 1 6 8 6 3

A D D I T I O N A L C H A R A C T E R S

I N R E G U L A R F O U N T

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: \f9()<£!£@lb (bohMCEdaad See e tl'it 0000 uuiiu Q n

Page 5: De Vinne typeface part 1, from the Book of Intertype faces · 2020. 5. 4. · Modern TEN Consideration of ease of reading is so cs-P OT N T planning of printed matter that every principle

D O U B L E L E T T E R M A T I U C E S

I N T E E T Y P E W I D E T O O T H M A T R I C K S R U NO N O T H E R L I N E C O M P O S I N G M A C H I N E S

8

O Point Puce No. E5o4 Figure aizp .0533Lower ciisc rhariurters to square inch, solid 252Length of Idwor cusu alphubct 92.92 points

ShadowM were creeping upon the rich grassy glades of thef o r e s t a n d i t w a s a t t l i i s l a t o i i o u r t h a t h e s e t o u t o n h i s q u e s t .So far as he could plan, he would go by way of the windingpath, to the far end, down by tho dell, aud wait unti] sundowu.He was in no very placid state of mind, yet it was bis anxietyas well as the fact of his promise to call at Don's, that madehim the more determined. Step by step he j)lodded on until thel a s t r a y s o f t h e s u n w e r e h i d d e n b y t h o d e n s i t y o f t h o t r e e s ,a n d a s h e m a d e h i s w u y h o m u s e d o v e r h i s p l a n s . H o w o u l dm e e t t h o m a n a n d c o n d u c t h i m t o t h e h u t o f t h e h e r m i t o r t othat of the lone resident by the river brink. At either of theseplaces they could unravel the detaUs in the midnight silence-No problem would easily baffle the crafty brain of his companion and the proitedure they would adopt must in more thanone way outwit their rival's cIauiis. ^Vith increasing eagernesshe quickened his pace and made straight for the place assignedfor tJicir meeting. Counting ever}' moment impatiently, half*an<Shadows were creepint; upon the rich ffrass]/ gladet of theioreel and it was at this late hour that he set out on hit quest.S o f a r a a h e c o u l d p l a n , h e w o u l d o < > 1 > V w o j / o f t h e w i n d i n f fpath, to the far end, down by the dell and wait until rundown,l ie was in t to ver j / p lacid sta le of yet t t was his anxietyas welt a.s the fact of his promise to call at Don's, that madehim the more delertnined. Step bj/ step he plodded on until thelast rays of the sua were hidden by the density of the trees,

A H C D E F ( } H I J K L M N O P Q R S T U V \ V X Y ZA l i C D E F G I I l J E L M N O P Q R S T V y W X Y Z

AB( : i>BK0HIJK I>MN0r *QR8TUVM'XV21 2 3 I . ' J O T j ^ O O a b c d e f g h i j k l m n o p q r s t u v w x j ' zl i 3 4 5 G 7 8 0 0 a b c d e f g U i j l c l m n o p q r s t x t V W x y t

~ Poin t Face No. EG57 F ip fure s ize ,059Lower ease cliaraeters to square inch, solid 171Length of lower case alphabet 108.80 points

Shadows were creeping upon the rich grassy glades ofthe f o res t and i t was a t t l i i s l a t e hou r t ha t he se t ou ton his quest. So far as he could plan, lie would go byway of the winding path, to the far end, down by thedell, and wait until sundown. He was in no very placidstate of mind, yet it was Ms anxiety as well as the factof his promise to call at Don's, that made him the moredetermined. Step by step he plodded on until the lastrays of the sun were hidden by the density of the trees,and as he made his way he mused over liis plans. Hewou ld meet the man and conduc t h im to the hu t o f thehermit or to that of the lone resident by the riverbrink. At either of these places they could \mravel theShadows were creeping upon the rich grassy glades ofthe forest and it was at thin late hour that he set outon his quest. So far as he could plan, he would go hyway of the winding path, to the far end, down by thedell, and wait until sundown. He was in no very placidstate of mind, yet it was his anxiety as well as the factof his jtromise to call at Don's, that made him the moredetermined. Step by step he plodded on until the last

A B C D E F G H I J K L M N O P Q R S T U V W X Y ZA B C D E F G E I J E L M N O P Q U S T U V W X Y Z

A B C D K K O I I I J K L M N O P Q R S T U V W X Y Z1 2 3 4 5 ( 5 7 8 9 0 a b c d e f g h i j k l n m o p q r s t u v w x y z1 S 3 4 5 6 7 8 9 0 a b c d e f g h i j k l m n o p q r s t u v w x y z

A d d i t i o n a lC h a r a c t e r s

c o n t a i n e d i nRegular

F o n t

Intertype

De Vinnewith Italic and Small Capitals

o -

^ Point Face Xo. E722 Figure size ,0(5'>Lower ease characters to square inch, scilid 140Lengtli ((f lower case alphabet 117 pointsSliadows were creeping ujion tlio rich grassy glades of tlieforest and it was at tliis late hour that he set out on hisquest. So far as he could plan, he would go by way of thewinding path, to the far end, do%vn by the dell, and waituntil sundowii. Ho was in no very placid state of mind,yet it was his anxiety as well as tlie fact of his promise tocall at Don's, that made him tlie more determined. Step bystep he plodded on until the last rays of the sun werehidden hy the density of the trees, and as he made his wayhe mused over his jilans. He would meet the man and conduct him to tlie hut of the hermit or to that of the loneresident hy the river brink. At cither of these places theycould unravel tho details in the midnight silence. Ko problem would easily )>affle tho crafty brain of his companionand the procedure they would adopt must in more thanone way outwit their rival's claims. With increasing eagerness ho quickened his pace and made straight for thoplace assigned for their meeting. Counting every momentimi)atiently, half-an-hour had passed before he coulddimly see the approaching form of his accomplice, withswift, regular and light-footed steps, typical of the viriletemperament of tho man. In a breathless string of wordshe told of his forced delay by a roundabout route and ofthe need for a hasty exit from the dell. Could they notspare the time to make a scanty plan? Ko 1 They must boaway with all possible speed and elude their pursuers. Ata frantic pace they hurried off the beaten path into thethick bracken, which, if it were possible to penetrate wouldShadows u-ere creeping tipon the rich grassy glades of theforest and it ivas at this late hour that he set out on hisquest. So far as he couJd plan, he would go by way of thewinding path, to the far end, dotvn hy the dell, and xcaituntil sxindoicn. He xcas in no very placid state of mind,yet it was his anxiety as well as the fact of his promise tocall at Do)i's, that made Mm the more determined. Step hystej) he plodded on until the last rays of the sun werehidden hy the density of the trees, and as he made his iraiyhe mused over his plans. He would meet the man and conduct him to the hut of the hermit or to that of the loneresident by the river brink. At either of these places theycould unravel the details in the midnight silence. No problem wotild easily baffle the crafty brain of his companionand the procedure they woxdd adopt mttst in more thanone way outwit their rival^s claims. With increasing

A B C D E F G H I J K L M N O P Q R S T U V W X Y ZA B C D E F G H I J K L M N O P Q R S T U V W X Y Z

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