TONAL STRUCTURES

IN EARLY MUSIC

EDITED BY

CRISTLE COLLINS JUDD

GARLAND PUBLISHING, INC.

A MEMBER OF THE TAYLOR & FRANCIS GROUP

NEW YORK AND LONDON

1998

Contents

Series Editor's Foreword ix

Acknowledgments xi

Introduction: Analyzing Early MusicCristle Collins Judd c 3

The Grammar of Early Music: Preconditions for AnalysisMargaret Bent IS

Exploring Tonal Structure in French Polyphonic Song of theFourteenth Century

Sarah Fuller 61

Internal and External Views of the ModesFrans Wiering 87

Josquin's Gospel Motets and Chant-Based TonalityCristle Collins Judd 109

Tonal Coherence and the Cycle of Thirds in Josquin'sMemor esto verbi tui

Timothy H. Steele 155

Concepts of Pitch in English Music Theory, c. 1560-1640Jessie Ann Owens 183

Concepts of Key in Seventeenth-Century English Keyboard MusicCandace Bailey 247

viii Contents

From Psalmody to TonalityHarold Powers 275

Tonal Types and Modal Equivalence in Two Keyboard Cyclesby Murschhauser

Michael Dodds 341

Bibliography 373

Contributors 395

Index 397