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School of Music: Performance Programs Music

1970

Department of Music Programs 1969 - 1970Department of MusicOlivet Nazarene University

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Recommended CitationDepartment of Music, "Department of Music Programs 1969 - 1970" (1970). School of Music: Performance Programs. 3.https://digitalcommons.olivet.edu/musi_prog/3

PROGRAMS1969-70

DEPARTMENT OF MUSIC

OLIVET NAZARENE COLLEGED E P A R T M E N T OF M U S IC

presents

SENIOR RECITAL

J U L I A A L L E N C L I P P E R , soprano

Carolyn Poole, accompanist

and

R O L A N D M I L L A R D, organ

Se tu m'ami . . . . . . . . . . . . . . G.B. PergolesiRidente la calma. . . . . . . . . . . . . .W. A. MozartSusse Stille. . . . . . . . . . . ........ G. F. Handel

b y

Linda Moore, cello Ruth Martin, flute

Grosser Gott, wir loben Dich. « « . . o . .Flor Peeters

Nun Komm, der Heiden Heiland Hymno 0 . 0 0 . 0 0 0 0 . 0 oCalvisius Chorale . . . . . . . . . . . J.S.BachOrgan Choral. . 0 . . . . Marcel Duore Organ Choral. . . . . . . . .Max RegerOrgan Choral. . . . . . . . . J,S.Bach

Les Clochettes des Muguets. . . . . . . . . Georges HueClair de Lune . . . . . . . . . . . . . . .Joseph SzulcDer Nussbaum. . . . . . . . . . . . . . Robert SchumannUn bel di, vedremo,"Madama Butterfly" „ Giacomo Puccini

Prelude and Fugue in a minor. ............ J.S. Bach

(over)

Vocalise, ........ . .Wilber ChenowethLa Bonne Cuisine. . . . . . . . . . . Leonard Bernstein

Rabbit at Top Speed Oxtails

A Little Music. . . . . . . . . . . . . . .Gustav Holst

L’Ascension . . . . . . . . . . . . . .Olivier Messiaen"Majeste du Christ demandant sa gloire a son Pere"

"Te Deum" . . . . . . . . . . . . . . . . Jean Langlais

College Church July 26, 1969 8 s00 P.M.

T\vu x e c I ta l lt> being pKC6ented In p a r t ia l fu lf i l lm e n t 0({ th e KequlnmentA f o a th e Bachelor of Science degree In Mu&lc Education .

OLIVET NAZARENE COLLEGED E P A R T M E N T OF M U S IC

presents

SENIOR RECITAL

JENNY HATTON, soprano

Carolyn Poole, accompanist

and

STUDENT ASSISTANTSNaomi Larsen, accompanist

Se tu m'ami, se sospiri.......... Giovanni PergolesiAlma del core...................... Antonio CaldaraSebben, crudele..................... Antonio CaldaraVoi che sapete, "Le Nozze di Figaro" . W. A. Mozart

Second Arabesque.................... Claude DebussyBeth Clark, piano

Still as the Night Carl BohmDeborah Spaulding, contralto

Sappische Ode .................... Johannes BrahmsGary Hubbart, baritone

Rhapsody Op.79, No. 2 ............ Johannes BrahmsDarrell Rist, piano

L'Heure exquise Reynaldo HahnBist du bei mir...........................J.S. BachWidmung............................Robert SchumannHow Beautiful are the Feet, "Messiah". G. F. Handel

(over)

Allegro from Faschingsschwark aus Wen. . . . . . . .. . . Robert Achumann

Carolyn Poole, pianoSure on this Shining Night ........... Samuel Barber

Nina Freesmeyer, sopranoTrMume . . . . . ......................... R. Wagner

Shirley Close, soprano Mazeppa from Etudes of Transcending Execution. . . .

. . . . Franz Liszt Steve Brunt, piano

By a Lonely Forest Pathway . , . .Charles T. GriffesTwo Marionettes.................. Edith CookeSpring ................ . . . . . . . .Edvard GriegSilent Noon . . . . . . . . . . R. Vaughan Williams

Chalfant Hall July 31, 1969 8:00 P.M.

T ku A & cital 16 bexng pAe*icnte.d -in p a r t ia l ^ul^lZZmznt o{ the. A.zqcuA.emznt6 fa a the. Ba.che.ZoA o{ AaZ* dzgAze Zn M t t A - t c Education*

presents

SENIOR RECITAL

OLIVET NAZARENE COLLEGED E P A R T M E N T OF M U S IC

S H A R O N M O O R E , piano

and

D E B O R A H S P A U L D I N G , piano

English Suite III,G minor .Johann Sebastian Bach

Prelude Gavotte I Gavotte II

Mrs. Moore

Sonata Pathetique,Opus 1 3 .......... . . . • Ludwig van Beethoven

GraveAllegro Di Molto E Con Brio Allegro Molto E Con Brio Adagio Cantabile Rondo, Allegro

Mrs. Spaulding

Sixth Piano Sonata,Opus 39 . . . . . . . . . .Vincent Persichetti

Movement III Movement IV

Mrs Moore (over)

Intermezzi 0 . . . . . . , . . Johannes BrahmsNo. VII Moderato simplice No. IV Allegretto graziose

Mrs. Spaulding

Papillons, Opus 2. . . . . . . Robert SchumannMrs. Moore

Praeludium XXI . . . . . . . . . . Johann BachSix Dances in BulgarianRhythm . . . . . . . . . . . . . . Bela Bartok

Mrs. Spaulding

Danse, Pour Piano. . . . . . . .Claude DebussyMrs. Moore

Chalfant Hall August 2, 1969 8:00 P.M.

This recital is being presented in partial fulfillment of the requirements for the Bachelor of Arts and Bachelor of Science degrees in Music Education.

OLIVET NAZARENE COLLEGEDEPARTMENT OF MUSIC

F A C U L T Y R E C I T A L

S U S A N S L A U G H T E R , trumpet

O V I D Y O U N G , piano

Sonata for Trumpet. Henry Purcell

AllegroAdagioAllegro

Sonate fur Trompete und Klavi.er (1939) Paul Hindemith

Kit KraftMassig bewegt; Lebhaft Trauermusik Sehr langsam

Sinfonia con tromba Giuseppi Torelli

AllegroAdagioAllegroAllegro non troppo

Sonatina for Trumpet and Piano Walter Hartley

Allegro alia marciaAdagioPresto

Caprice Opus ^7 Eugene Bozza

September 12, 1969 Burke Recital Hall 8 : 0 0 p m

OLIVET NAZARENE COLLEGE

DEPARTMENT OF MUSIC

p/ie&zntt, a

STUDENT RECITAL

Amarilli. 0 0 0 . 0 0 , 0 0 0 . 0 0 . . o o © © Caccmi Karen McPhaile contralto Steve Brunt, accompanist

Dove Sei, amato bene? „ . 0 . , . . . 0 » .G. F. Handel Barbara Voyles, mezzo soprano

Preludes Opus 28, Nos. 6 6 21 . „ . . o o . . . .Chopin Dwilene Finley, pianist

Come, Let Us Be Merry 0 0 0 0 . 0 0 . Tradional English Jim Peterson, baritone

Variations on an American Folk Song . . . . .Kabalevsky Gary Wisdom, pianist

Mi Tradi quell’ alma ingrata (Don Giovanni) . . .Mozart Sandra McPhail, soprano Steve Brunt, accompanist

Hunting Song Opus 19, No. 3 (Lied Ohne Worte) . . . . .. . . Mendelssohn

Linda Smith, pianist

Burke Recital Hall October 9, 1969 Ls30 p.m.

O LIVET NAZARENE CO LLEGE

DEPARTMENT OF MUSIC

£7MUSIC FOR

ORCHESTRA

Ovid Young, conductor

Chalfant Hall

October 11, 1969 Eight o'clock

A FESTIVAL PRELUDE Alfred Reed

A Festival Prelude was written for concert band in 1962 and subsequently rescored for orchestra by the composer. The music is comprised entirely of one main theme and two fanfare-like figures which recur throughout the score sometimes alone and sometimes in counterpoint against one another. The composer of this prelude teaches theory and composition at the University of Miami.

BRANDENBURG CONCERTO NO. 2 (BWV 1 0 4 7 ) ................................... J. S. BachAllegro Andante Allegro assai

Susan Slaughter, piccolo trumpet Anne Maish, flute William Bobbe, oboe Jewell Grothaus, violin Gary Hubartt, harpsichord continuo

and strings

The six Brandenburg Concertos have acquired their name from the Margrave of Brandenburg who commissioned them from Bach in or about 1720. The second concerto in the set uses as a solo group a quartet of high-pitched in­struments: trumpet, flute, oboe, and violin. The form is that of the Italian concerto grosso in which two robust, sprightly movements surround a lyric middle movement.

CONCERTO IN Eb FOR TWO PIANOS £ ORCHESTRA (K. 3 6 5 ) .................... W. A. MozartFirst Movement Cadenza by Soulima Stravinsky

AllegroAndanteAllegro (Rondo)

Carolyn Poole and Stephen Brunt duo-pianists

Mozart's only two-piano concerto was written in 1779 when the composer was 23 and in the employ of the Archbishop of Salzburg. Mozart may justly be called the prince of concerto composers. The variety and quantity of his output as well as his consistent high quality in this form have not been surpassed.

I N T E R M I S S I O N

LITTLE SUITE FOR CHAMBER ORCHESTRA (1966)........................Harold LaudenslagerOverture Slow Dance Quick March Chorale Toccata

Flute, oboe, English horn, piano and strings

In the Little Suite, published in 1966, Laudenslager employs techniques that are characteristic of the contemporary idiom coupled with more con­ventional elements. The bold harmonic language emphasizes fourths, fifths, and minor seconds, often moving in parallelism. The use of recurring themes, well-defined rhythms, and discernible forms links the work with traditional composition.

SUITE FROM CAMELOT (Lerner 5 Loewe) Robert Russell Bennett

Themes from the original Broadway musical have been combined and arranged to form this appealing orchestral suite. Because it is derived from vocal music, this suite speaks in very singable melodies couched in a functional harmonic scheme.

Program Notes by John Rosfeld.

P E R S O N N E L

Violins I Kathryn Jorden Clarence Grothaus Scott Buss Jenny Baker Francine Schumacher Elizabeth Bader

Violins II George Shutak Gloria Koehler Georgette Williams Marilyn Fitch

ViolasJewell Grothaus Jean Bolks Karl Scott

Viol incellos Rosalie Ernest Ann Wetzel Elizabeth Willis

Doublebasses Linda Moore Gary Wisdom Diana Marvel

HarpDale Everett

Harpsichord S Piano Gary Hubartt

Tympani 6 Percussion Michael Weirman Robert LaFon

Flutes Anne Maish Donna Jones Nancy Kizer

Oboes 6 English Horn Beth Clark Emily Allie William Bobbe

Clarinets £ Bass Clarinet Russell Lovett Sandi Hemmingsen Shirley Close

Bassoon Frances Smet

Trumpets J a m s Sharp Tom Reinhart Brad Williams

French Horns Garen Milton Sharon Paluskiewicz Arlette Graeflin Nina Freesmeyer

Trombones Terry Baldridge George Turner Steve Hofferbert

TubaAlan Moss

LibrarianLinda Moore

▼

O L I V E T N A Z A R E N E C O L L E G E

DEPARTMENT OF MUSIC

October 24, 1969 Eight o'clockChalfant Hall

P R O G R A M

TOCCATA AND FUGUE IN D MINOR ................. J. S. BachTranscribed by Erik Leidzen

This Toccata and Fugue, originally composed for organ, represents a form of composition of which Bach was an unsurpassed master. The toccata is of impro­visatory character wirtten to show the technical mastery of the performer. The fugue is built on a short subject in sixteenth note which occurs in various keys and several forms throughout the work.

MARCH WITH TRUMPETS........................................................William Bergsma

The American composer Bergsma is basically a romanticist as was his teacher, Howard Hanson, His style combines a dissonant, angular contrapuntal-harmonic structure with an intensely lyrical melodic line. This march was written in 1957 for the Goldman Band as the first Edwin Frank Goldman Memorial Commission.

SECOND SUITE IN F .............................................................. Gustav Holst

I March II Song without words

III Song of the Blacksmith IV Fantasia on the "Dargason”

This suite, composed in 1911, exhibits several qualities which are characteristic of Holstfs style. His fondness for insistent uneven metric units is evidenced in alternating three and four beat measures in the third movement. His use of folk­song and melodic invention in movements two and four are traceable to the influ­ence and friendship of Vaughan Willians. The overall sound of the suite suggests the distinctively English character of Holst’s composition.

Sousa began composition for band when he was appointed director of the U. S, Marine Corps Band in 1880. His own band, which he organized in 1892, won immense popularity and toured extensively. He wrote over 100 marches which have become standard works for bands all over the world.'

I Fast II Slow

III Moderately fast IV Slow waltz V Very slow; very fast

As its name implies, this set of five pieces is composed with the twelve-tone principle theorized by Arnold Schoenberg in the 1920’s. A basic set of twelve different pitches forms the melodic and harmonic material for the entire composition. Since each tone in the set is of equal importance, gravitation to a tonal center is absent in this music.

I N T E R M I S S I O N

MARCH: HIGH SCHOOL CADETS ,John Phillip Sousa

DODECAPHONIC SET William Latham

WHITE PEACOCK, ............. Charles GriffesTranscribed by Frank Erickson

Griffes was probably the most gifted of the American impressionist composers and was strongly influenced by Debussy and Ravel. The White Peacock is one of four Roman Sketches written in 1915-16. Its use of veiled tonality, parallelisms, exotic melodic fragments, and preoccupation with mood betray the impressionism of the composer.

CONCERTO FOR SAXOPHONE AND BAND............................................... Paul CrestonEugene Rousseau, saxophonist

I Energetic II Meditative

III Rhythmic

Paul Creston combines a romantic orientation with elements derived from im­pressionism and jazz and a predilection for modal harmony. The tunefulness and spontaneity of his music have given it wide popularity. Although self-taught in theory and composition, Creston is a versatile composer and a careful craftsman.The Concerto, written in 1941, is one of three compositions of Creston that feature the saxophone.

Program Notes by John Rosfeld,

P E R S O N N E L

Flutes Contrabass Clarinet TrombonesDonna Jones Karen Hilliker George TurnerAnne Maish Alan MossSheree Bullis Alto Saxophones Steve DoengesBernadine Jacobson Harold Hayes Steve HofferbertNancy Kizer Joe CulverJane Hamlin Dale Fitch EuphoniumsJoAnn Miller Terry Baldridge

Tenor Saxophone Mike BrownOboes Vera JohnsonB e t h 21ark TubasPat Fagan Baritone Saxophone Doug Gunnerson

Steve Roberts Paul DillingerBassoonsLinda dennaro Marna Ankney

Trumpets Tom Reinhart Janis Sharp

String Bass Linda Moore

Bb Clarinets Linda Smith TimpaniRuss Lovett Brad Williams Vicki MoyerEdith Fromm Bruce BrimSandra Hemmingsen Steve Longfellow MarimbaBill Holda Russ Hodges Janice StegemollerSandra LangKris Haffner French Horns PercussionBev Ozee Garen Milton Jerry CoxLois McLaughlin Sharon Paluszkiewicz Jim GreenstreetMarilyn Hulvey Nina Freesmeyer Mike WeirmanSteve deVidal Arlette Graeflin

Leon SteelyRandy Shanks

Bass ClarinetShirley d o s e

OLIVET NAZARENE COLLEGE

DEPARTMENT OF MUSIC

pn.z&znt6 a

STUDENT RECITAL

WHO'LL BUY MY LAVENDER? 8 „ , . , . . . , 0EDWARD GERMAN KAREN HILLIKER, SOPRANO

JOY VANDERSTEEN, ACCOMPANIST

ICH GROLLE NICHT 0 , 0 0 0 e e 0 , 0 „ cROBERT SCHUMANN LAUREL LARSON, CONTRALTO

ANDRIA MEADOWS, ACCOMPANIST

MAY NIGHT, „ 0 , 0 . . . o . „ . . . . . SELIM PALMGRENRUTH COMBEST, PIANO

MUSETTA’S WALTZ SONG CLA BQHEME) 0 , 0 .GIACOMO PUCCINI RITA SHAFFER, SOPRANO

LINDA SMITH, ACCOMPANIST

I HAVE TWELVE OXEN „ . . . 0 . . , „ . . . JOHN IRELAND NINA FREESMEYER, SOPRANO ANDRIA MEADOWS, ACCOMPANIST

I’VE GOT A HOME IN THAT LAND . . . . CARRIE JACOB BONDS DONNA TOIGO, SOPRANO

GARY WISDOM, ACCOMPANIST

ROMANCE IN F# OP, 28, NO. 2. 0 „ , . 0 cROBERT SCHUMANNBETH CLARK, PIANO

VESTI LA GIUBBA CPAGLIACCI). . . . RUGGIERO LEONCAVALLOGENE INGLE, TENOR

GARY HUBARTT, ACCOMPANIST

BuAkz R e c ita l H all Octoben. 30, 1969 4i30 P'tri*

LYCEUM SERIES

OLIVET NAZARENE COLLEGE

p A e t e n t &

S 0 U L I M A S T R A V I N S K Y

i; it s': * s’: it

Program

Sonata, Op, 28, , .Ludwig van Beethoven

AllegroAndanteScherzoRondo

Twelve Variations, K, V, 265............ .Wolfgang A. Mozart"Ah, vous dirai-je mamanc,"

Vaises Sentimentales, Op. 50. . . . . . . . . .Franz Schubert

Intermission

Three Etudes, Op. 7 . . . . . . . . . . . . » Igor Stravinsky

Three Etudes, .Claude Debussy

pour les notes repetees pour les arpeges composes pour les cinq doigts

Six dances in Bulgarian rhythm. . . . . . . . . . Bela Bartok

The Plano 16 a Baldwin SV - 10

Chalfant H a ll NovembeA. 8, 1969 8 i 0 0 P.M.

OLIVET NAZARENE COLLEGE

Homecoming Commissionand

Department of Musicpresent

Thirteenth Annual

Chalfant Hall November 14 and 15, 1969

8:00 and 3:00 p.m.

lltf •*«

THE INVOCATION: The Lord’s Prayer . . . . Leroy RobertsonJoy is like the R a in ................................................................Miriam WinterI t’s a Long Road to F r e e d o m ............................................ Miriam WinterDo You W onder?......................................................... John W. Peterson

TR EB LE C L E F CHO IR Irving K ran ich , d irec to r

C arolyn Poole, accom panist

Come, Thou F o u n t ..........................................................Emil SoderstromBRASS CH O IR

Susan Slaughter, d irec to r

Salvation is C rea ted .....................................................Paul TschesnokoffOh, How Great is Our G o d Stephen Adams

arr. Terry BaldridgeIn Tenderness He Sought M e ..................................Adoniram Gordon

arr. Dick A nthonyI Want to be T h e r e .....................................................John W. Peterson

arr. Dick AnthonyV IK IN G MALE CH O RU S G erald G reenlee, d irec to r

Mark H o ste tle r, accom panist

The White P e a c o c k .....................................................Charles T. GriffesSecond Suite in F .......................................................................Gustav Holst

MarchSong o f the Blacksmith Fantasia on the “ Dargason”

C O N C ER T BAND H arlow E . H opkins, co n d u c to r

Praise Ye the Lord, the A lm ighty Wesley HansonBRASS CH O IR

Sound the T ru m p e t Henry PurcellSing, My Soul, His Wondrous L o v e Ned RoremO Praise God in His Sanctuary ..................................... Thomas MatthewsMy Eternal K in g ................................................................Jane M. Marshall

ORPH EU S CHO IR D. G eorge D unbar, d irec to r S tephen B runt, accom panist

INTERMISSION

The Narration by GUNNELL JORDEN The Choral and Orchestral Arrangements by OVID YOUNG

The Homecoming Concert Orchestra & Chorale conducted by HARLOW HOPKINS

Great is Thy F a i th f u ln e s s ..............................................William RunyanPER CY DIXON ’67 , ten o r

No One Ever Cared for me like J e s u s ..............................Charles WeigleJU D Y M A RKEE JO N ES ’69 , soprano

Why Should He Love Me S o ? ........................................Robert HarknessHOM ECOM ING C O N CER T CH O R A LE & O R C H ESTR A

O Love That Wilt Not Let Me G o .................................Albert L. PeaceSANDRA THOMAS FA N N IN G ’64 , soprano

In My Heart There Rings a M e lo d y .................................. Elton M. RothHOM ECOMING C O N CER T O RC H ESTR A

Down From His G lo ry William Booth-ClibbornGA RY MOORE ’4 7 , baritone

Ivory P a l a c e s .................................................................Henry BarracloughHOMECOMING CO N CERT C H O R A LE & O R C H ESTR A

The Living G o d Geoffrey O’HaraG A R Y M OORE

All Hail the Power o f Jesus’ N a m e ........................ Arr. Richard ShoresOrchestrated by Ovid Young

COM BINED C O LLEG E CH O IR S w ith the CO N CER T C H O R A LE & O RC H ESTRA

Production credits

LIG H TIN G Clair B eckw ith & Phil Mariage SOUND Larry Leckrone

PROGRAM R u th Isenberg, G eorge H ankins & Ju a n ita BaldridgeSTAGE A lan Moss & Dale F itch

MUSIC COPYIST Linda M ooreSCRIPT G unnell Jo rden

OLIVET NAZARENE COLLEGED E P A R T M E N T OF M U S IC

presents

SENIOR RECITAL

T E R R Y B A L D R I D G E / trombone and euphoniumand

J A M E S L O G S T O N , baritone

Linda Smith, accompanist

Sonata NOo S o o o p . o o e o e o c o ^Antonio Vivaldi Largo Allegro Largo Allegro

Tu lo sai „ . , o . o = o . . = . o . Giuseppe Torelli Vittoria, mio core? . 0 . 0 0 0 .. .Giacomo Carissimi Avant de quitter ces lieux. . . . . . . Charles Gounod

Piece en Mi*3. , 0 . . . . . . . . . . . . J . Ed. BaratLentAndanteAllegro - Lent Allegro

Du bist wie eine Blume. o . . . . . . .Robert SchumannNacht und Traume. . . . . . . . . . . . Franz Schubert"It is enough", Elijah. . . . . . . .Felix Mendelssohn

Concert Piece 0 c 0 . » f o 4 c « o ® Burrill Phillips "Sabre Dance", Gayne Ballet , « , . .Aram Khachaturian

Granada ® « c s o ® * © ® © * ® ® © ®Janis Sharp, trumpet

Michael Weirman, marimba Terry Baldridge, castanets

You Will Know My Love „ ® . ® 0 , , ® ® De Glory Road e ® ® ® * ® ® ® ® ® , ® ®

Recital Hall November 21, 1969 8:00 P,M®

, Agustin Lara

0Marlin Skiles ©Jacques Wolfe

This A e.c ita l -is being presen ted in p a n tia l f u lf i l lm e n t of the. Acquirements foA the. BacheloA of Scien ce cLe.gtie.eJ> in Music Education and ChuAch Music.

O R P H E U S C H O I RD. G, DUNBAR/ DIRECTOR

hx

M U S I C F O R C H R I S T M A S

Congregational Hymn - "0 Come All Ye Faithful"........................ No. 452

Invocation - The Pastor

Fanfare for Christmas D a y ............................. Martin ShawSing, My Soul, His Wondrous Love............................. Ned RoremShepherds of Helen...................................................arr. Gregg Smith

Kathy Prater, Soprano

Christmas C a n t a t a .................................................... Daniel PinkhamFor Chorus, Brass, and Organ

Winds Through The Olive Trees ............................. Dale W. Barker0 Praise God in His Sanctuary ...................................... Thomas Matthews

Offering - The Pastor

Congregational Hymn - "Joy To The World".......................... No. 447

Sound The Trumpet ............................................. Henry Purcell0 Holy Night......................................... .Adolphe Adam

Shirley Close, Soprano Deck The Halls....................................................... arr. Gregg Smith

Gesu Bambino. . . ................................ . . . . . . . . . Pietro A. YonSandra McPhail, Soprano Karen McPhail, Contralto

Glory to God in the H i g h e s t .......................................Randall ThompsonRocking ................................... ......................... Thomas Matthews

flute obbligato, Anne MaishHe Became Poor. . . .................................................. Byron Carmony

James Logston, Baritone My Eternal K i n g .....................................................Jane M. Marshall

Benediction - The Pastor Choral Benediction

OLIVET NAZARENE COLLEGEDEPARTMENT OF MUSIC

West Side Church of the Nazarene, Decatur, November 23, 1969 Austin Church of the Nazarene, Chicago, December 14, 1969

O R P H E U S C H O I R P E R S O N N E L

SOPRANO

Beva AnmitAong, Columbui, Ind., Fa Pebble BallmeA, Font RecoveAy, Ohio, So Wynne Bumpui, VecatuA, lit., So ShlAley Cloie, ColoAado SpAingi, Colo., Sa

2nd i/ice PAuldent Paula Elliott, Oakland City, Ind., So Ulna FAe.ume.yeA, HambuAg, 111., Sa Anne. Malik, Toledo, Ohio, Fa SandAa McPhail, FAankfoAt, 111., Ja Kathy PAateA, Payton, Ohio, So Rita ShaffeA, SpAlngfleld, Ohio, Ja Vonna Tolgo, P u Moines, louia, Sa HlitoAlan

BaAbana V o y lu , Mt. Pleasant, Mich., Sa SecAetoAy

TENORRod Buihey, Mt. Pleaiant, Mich., So RlchaAd Buihey, Mt. Pleaiant, Mlchl, Ja TAeaiuAeA

Ken Fitch, PalpaAolio, Ind., Ja HaAold Huddle, Champaign, 111., Ja Joui Huddluton, CambAldge City, Ind., Sa Gene Ingle, Bait St. Louli, 111., So Reid KAom, Indlanapolli, 2nd., Fa GeAald Po a a, PecatuA, III., Sa

lit U-c.ce PAuldent

ALTOSheAyt BAown, GAand Rapldi, Mich., Sa Beth ClaAk, Columbui, Wli., Fa Kay Emblck, Colllnivllle, III., So AnleJXe GAaeflln, Blanton, Ind., Fa Cynthia Hatfield, Mt. VeAnon, Ohio, Ja LauAel LaAion, BiAnairwood Wli., Ja Robe Cuitodlan

Plana MaAvel, F.vanivllle, Ind., Ja KaAen McPhail, FAankfoAt, 111., So Andala Meadoun, HuAnlcane, W. Va., So Pamela MoneymakeA, Indlanapolli, Ind., Sa Lynn RumfoAd, Spokane, Waih., So Cindy Shaw, Xenia, Ohio, Ja

BASSRon BuAnette, Payton, Ohio, Ja Allen EaAle, Danville, 111., So GaAy HubaAtt, Huntington, Ind., So Stephen King, Mew Albany, Ind., So Pave KlAk, FAle, III., Fa Jamei Logiton, Anaheim, Calif,,, Sa

PAeildent MaAcui Pltti, BaazIJL, Ind., Ja HanAl&on StewaAt, GAeenfleld, Ohio, Ja Jamei Vldlto, Indlanapolli, End., So

Chaplain GaAy Von, Huntington, Ind., Fa GAegoAy Williams, PetAolt, Mich., So

LlbAoAlan

ACCOMPANIST Stephen BAunt, TAlnldad, West Indies, So

BRASS ENSEMBLE TAumpeti

Tom RlnehaAt, Pontiac, Mich., So Janli ShaAp, VoungstovJn, Ohio, So

TAombonciTeAAy BaldAldgc, BouAbonnali, I I I . , Sa

Ala n Mot i , S t . L o u li, I I I . , Sa

OLIVET NAZARENE COLLEGE

DEPARTMENT OF MUSIC

presen ts a

STUDENT RECITAL

Cara mio ben 0 5 0 0 0 0 0 0 © ® = © ©Giuseppe Giordani Nathan Murrell, tenor

Kay Johnston, accompanist

Be Near Me Still © „ . , © © © © © © © Johann Adam Hiller Beva Armstrong, soprano Kay Johnston, accompanist

I attempt from love's sickness to fly© ® -Henry Purcell Garen Milton, french horn Ovid Young, accompanist

Der Wanderer 0 » o o © o c e o » e ® o « Franz Schubert Harrison Stewart, baritone Gary Hubartt, accompanist

Am Meer © © © © © © © . © o ' - © © © © © © Franz Schubert Shirley Close, soprano

Gary Wisdom, accompanist

Aufschwung Opus 12 (Phantasiestucke) Robert Schumann Lorraine Dalgliesh,piano

Morgen , © © e © 0 0 © © 0 * « ® . * » ©Richard Strauss Wynne Bumpus, soprano Rona Davis, accompanist

Concertino © , 4 © « ® © » © © © , Carl Maria von Weber Sandra Lang, clarinet Beth Clark, accompanist

0 My Dear Heart© © © c © © © © © © © © ©Herbert Howells Andria Meadows, contralto

Lorraine Dalgliesh, accompanist

Villanelle © © © © 0 0 = 0 0 0 0 © ® © ® © © Dell Acqua Sandra McPhail, soprano

Stephen Brunt, accompanist

(over)

Red Rosey Bush „ 0 c o 0 o o 0 .. o o 0arr, Victor Young Terry Lambright, tenor

Terry Baldridge, accompanist

Andante et Scherzo ,Jr. Ed BaratBrad Williams, trumpet Diane Hooper, piano

Passing Thought„ e „ 0 e c o o » . Fyodor Laskovsky Gary Hubartt, piano

Ching-a-ring ChawQ o n o o o o o n a n » „Aaron Copland Ken Gates, baritone

Bill Holda, accompanist

Burke Recital Hall November 25, 1969 9:30 a.m„

OLIVET NAZARENE COLLEGED E P A R T M E N T OF M U S IC

presents

SENIOR RECITAL

D A V I D W E L C H , tenor

Steve Brunt, accompanist

and

A L A N M O S S , EUPHONIUM AND TROMBONE

Roland Millard, accompanist

Alma mia . . . o o . . . . . . . . . . George F. Handel0, dolcissima speranza „ . „ . , . Alessandro Scarlatti Ask if yon damask rose , , * , . . . . George F. Handel Amor to vieta, "Fedora". . . . . . . . . . .U. Giordano

Horn Concerto No. 2 in eL . . .Wolfgang Amadeus Mozart Allegro maestoso Andante Allegro

Du bist wie eine Blume . 0 . ® . . Ich hab 1 im Traum Geweinet « , » , Le miroir. . . . 0 0 . 0 . . . . ' If with all your hearts, "Elijah".

, .Robert Schumann , .Robert Schumann . .Gustave Ferrari .Felix Mendelssohn

Trombone Concerto. Gordon JacobMaestoso - allegro molto Adagio molto Alla marcia vivace

Phillis has such charming graces „ „ . . ©Anthony YoungMountains© o g o © o . o © © © © o © © o ©Oscar RasbachThere is a ladye « , © © » © © © © © © . ©Winifred BuryOpen my eyes to beauty © © . © © © © © © © Gustav Klemm

Burke Recital Hall November 25, 1969 8 : 0 0 P.M.

This r e c i t a l i s being presen ted in p a r t ia l fu lf i l lm e n t of th e Acquirements foA th e Bachelor of Science degrees in Music Education ©

OLIVET NAZARENE COLLEGE

DEPARTMENT OF MUSIC

pAe&e.nt6 a

STUDENT RECITAL

Nel pur ardor (Euridice) . . „ , . . . . . .Jacopi PeriDebbie Ballmer, mezzo-sopranoCindy Nelson, accompanist

Alma mia (Floridante)„ o o o o o o . u o o G . F . Handel Joy Vandersteen, soprano Cindy Nelson, accompanist

des Gesanges , e . o » . oFelix Mendelssohn Anita Moore, soprano

Cindy Nelson, accompanist

T c o s o o o . a o s a o o o . Edverd Grieg

Wynne Bumpus, piano

Nightc O O 0 O O O O O O C C 3 O oCar1 BohmPaula Elliot, soprano

Lois McLaughlin, accompanist

vo soletta (La Boherne) „ . .Giacomo Puccini Kathy Prater, soprano

Stephen Brunt, accompanist

A Witness for my Lord (Negro Spiritual) David A. TobiasPercussion Ensemble

Michael Weirman, director

Auf flugeIn

Sonata Opus Allegro

Calm as the

Quando me*n

Burke Recital Hall December 2, 1969 9s30 a 0m 3

THE THIRTY-FIFTH ANNUAL PERFORMANCE OF

H H p a a ia hby >

George Frederick Hande

GDltupt Nazarptt? (ftollpgp

GDratarin (Efynrtta an i ©rdfaatra

December 5 — Eight o’Clock December 7 — Five-thirty o ’Clock Nineteen-hundred and sixty-nine

College Church

THE CONDUCTOR D. George Dunbar

THE SOLOISTS

Friday Evening

S o p ra n o ........................................................................ Sandra McPhail

C o n t r a l t o Sheryl Meyering Brown

T e n o r ............................................................................. David WelchB a s s ...............................................................................Kenneth Gates

Sunday Afternoon

S o p ra n o ...........................................................Linda Luttrell DunbarC o n t r a l t o ......................................................................Marcia MeyerT e n o r ..........................................................................Irving KranichB a s s ................................................................... Bruce Foote

if iB to ru a l Not?Messiah is Handel’s supreme achievement, and an epic in oratorio

literature w ithout a rival. The huge score was composed in tw enty-four

days. Its world-wide popularity is due in no small measure to the scriptural text. A perform ance o f the entire work requires more than three hours. This performance will include the Christmas portion plus a portion of the

Passion section. On the occasion o f the first perform ance in London in 1749, at the words in the “Hallelujah Chorus” : “For the Lord God Omni­potent reigneth” , the auditors were so transported tha t, led by the King, they all arose to their feet and remained standing. This custom has endured through two centuries.

Today’s performance continues a tradition o f thirty-four years, and expresses the true spirit which breathes within the walls o f Olivet Naza­rene College. May the rendition of Messiah both edify the souls o f those who listen and glorify the Eternal God.

T H E O R C H E S T R A

VIOLINS FLUTESKathryn Jorden, concertmistress Anne MaishClarence Grothaus Kelvin St. John Gloria Koehler Scqtt Buss Dorothy Buss George Shutak Georgette Williams Jenny Baker Francine Shumacher

VIOLASJewell Grothaus Elizabeth Willis

'CELLOSRosalie Ernest Ann Wetzel

BASSESLinda Moore Gary Wisdom Diana Marvel

ORGANWanda Kranich

HARPSICHORD Ovid Young

Donna Jones

OBOESBeth Clark Emily Allie

CLARINETSRussell Lovett Sandi Hemmingsen

BASSOONFrances Smet

HORNSGaren Milton Sharon Paluszkiewicz

TRUMPETSJanis Sharp Tom Reinhart

TROMBONESTerry Baldridge George Turner Alan Moss

TYMPANIMichael Weirman

+ +•+ + + + + + + + + + + +

If you brought young children with you, we hope you will take advantage of the nursery facilities available to you on the groung floor. Should you desire that your children listen to the performance, we urgently request that you sit near an exit. In this way distractions from the music can be minimized.Your consideration will be appreciated greatly by everyone concerned.

As you would expect, the cost of presenting Messiah is mount­ing each year. It is still the desire of the College, however, to keep admission free of charge. We are grateful for your generosity in the freewill offering.

O R A T O R I 0 C H O R U S

REHEARSAL ACCOMPANIST: CAROLYN POOLE

SOPRANOS ALTOSBeva Armstrong Sandy Kemper Sandra Baldridge Gracie LarrabeeDebbie Ballmer Mary Kondouraj ian Sheryl Brown Laurel LarsonPam Baker Sandra Lang Cathy Cranmer Fay LillieHarriet Bennett Kay Lillie Rona Davis Pam MaetherWynne Bumpus Ruth Maxon Kay Embick Linda McCorkleLinda Cadle Sandra McPhail Nola Embry Andria MeadowsBarbara Colvin Pam O'Neal Patsy Fagan Ann MeadowsRuth Combest Beverly Ozee Dwilene Finley Marcia MillageGayle Cox Alice Paisley Edith Fromm Diana MooreJudy Dahlem Kathy Prater Carol Gaines Katrina NottinghamLinda Freese Rita Shaffer Arlette Graeflin Sharon PaluszkiewiczNina Freesmeyer Louise Shepard Cindi Hatfield Linda SmithLinda Frizzell Donna Toigo Linda Hendrix Connie SnowdenPeggy Jo Hall Joy Vandersteen Connie Howe Beth TurnerKaren Hilliker Barbara Voyles Janet Huey Candy Wade

Linda Jamagin Judy WhitingVera Johnson Denise Williams

BASSES Judy Kelsey Sharon YoungSteve Barnett Robert Lafon Ranelle Kocheiser Karen ZimmermanRandy Beegle Jim MillerSteve Brunt Robert MillsRon Burnette Gordon Milton TENORSSteve Doenges Mark Murrell Donald Bailey Donald LavaszDale Fitch Rod Reinhart Curtis Burbrink Duane LochGerald Gardner Don Rohrer Rick Bushey Nathan MurrellKen Gates Terry Sather Rod Bushey Gerald ParrStan Green Galen Scammahom Arden Carr Brent TaylorSteve Hofferbert Harrison Stewart Steve deVidal Leon SteelyDoug Hamstra Don Weiher Ken Fitch David WelchGary Hubartt ’Greg Williams Harold Ingle Steve WillsNeil Hunt Terry Lambright

STAGE MANAGER:DOUG HAMSTRA

P r o g r a m

Sunday A fternoon : Dr. Harold W. Reed

T he O verture

R ec ita tive - C o m fo rt ye , com fo rt ye, m y people, saith y o u r G o d .....................Isaiah XL: 1-3A ir - Every valley shall be e x a l t e d ................................................................................... Isaiah X L :4C horus - And the glory o f the Lord shall be re v e a le d .............................................. Isaiah X L:5R ec ita tive - Thus saith the L o rd ............................................................................................Haggai 11:6-7

M alachi III: 1A ir But w ho m ay abide the day o f His co m in g .......................................................... M alachi 111:2Chorus - And He shall purify the sons o f L e v i .......................................................... M a la c h illl:3R ec ita tive — B ehold a virgin shall conceive and bear a S o n .................................... Isaiah V II: 14

M atthew 1:23A ir a n d Chorus — O th o u th a t te llest good tidings to Z i o n ............................................ Isaiah X I:9A ir - The people th a t w alked in darkness have seen a great lig h t................................... Isaiah IX :2Chorus - F o r u n to us a Child is b o r n ......................................................................................Isaiah IX :6T h e Pastoral S y m p h o n y ............................................................................................................ O fferto ry

The sym phony is based upon a single tune which Handel rem em bered hearing in his y o u th a t Christ­mas tim e upon the stree ts o f Rome . . . som e subtle quality puts before us the peaceful hillside abou t Bethlehem . We know it is night, and tha t shepherds w atch over the flocks which lie sleeping abou t them . The sapphire sky is thickly studded with stars which shine w ith dazzling brilliance.

R ecita tive - T here were shepherds abiding in the f i e l d ...............................................Luke 11:8R ecita tive - And lo! the angel o f the Lord cam e upon t h e m .................................... L uke 11:9R ecita tive — And the angel said u n to t h e m .....................................................................Luke II: 10-11R ecita tive - And suddenly there was w ith the a n g e l ....................................................... Luke II: 13C h o w s — G lory to G od in the h ig h e s t...................................................................................... Luke II: 14A ir Rejoice greatly , 0 daugh ter o f Z i o n .............................................................Z echariah IX :9-10R ecita tive Then shall the eyes o f the blind be o p e n e d ..................................... Isaiah X X X V :5-6A ir He shall feed his flock like a s h e p h e r d .................................................................. Isaiah XL: 11A ir - C om e u n to Him . all ye th a t l a b o u r ............................................................M atthew X I:28-29Chorus - His yoke is easy and His burden is l i g h t M atthew X I:30

■ Jn tp rm ia a tn n

Chorus - Behold the Lam b o f G o d ............................................................................................. Jo h n 1:29A ir He was despised and rejected o f m e n Isaiah LI 11:3Chorus — Surely He hath borne o u r griefs, and carried ou r s o r r ows . . . . Isaiah L111:4-5C h o w s - All we like sheep have gone a s t r a y Isaiah L IIL 6R ecita tive - He was cu t o ff o u t o f the land o f the liv ing ................................................. Isaiah 111:8A ir — B ut T hou d idst n o t leave His soul in h e l l ...........................................................Psalm XVI: 10Chorus - L ift up y o u r heads, O ye g a te s Psalm XXIV: 7-10A ir - Why do the nations so furiously rage t o g e t h e r Psalm 11:1-2R ec ita tive He th a t dw elleth in heaven shall laugh............................................................. Psalm 11:4A ir - Thou shalt break them w ith a rod o f i r o n ...................................................................Psalm 11:9C h o w s - H allelujah! fo r the Lord G od o m n ip o te n t r e ig n e th R evelation X IX :6

R evelation XI: 15 R evelation XIX: 16

A ir I know th a t m y R edeem er l i v e t h ........................................................................ Jo b X IX :25-26I C orin th ians XV: 20

Chorus — Since by m an cam e d e a th ................................................................. 1 C orin th ians XV: 21-22R ecita tive — Behold. I tell you a m y ste ry .......................................................I C orin th ians X V :5 1-52A ir The tru m p et shall s o u n d ........................................................................ I C o rin th ians X V :52t C h o w s -- W orthy is the Lamb th a t was slain. A m e n R evelation V: 12-13

The A udience will refrain from applause un til afte r the final chorus.I Dedicated to the m em ory o f Walter Burdick Larsen (1908-1957), conductor o f the Chorus in 21 consecutive years o f the Messiah.*An offering will be received during the Pastoral Sym phony.

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OLIVET NAZARENE COLLEGED E P A R T M E N T OF M U S IC

presents

SENIOR RECITAL

D A V I D W O O T E N , trumpet

Steve Brunt, accompanist

a u i& tzd by

CHARLES WEAVER, BARITONE

Concerto in D Major , t „ „ „ » .Georg Philipp Telemann

Selections from Dichterliebe, Robert SchumannIn wunderschonen Monat Mai Aus meinen Tranen striessen Wenn ich in deine Augen seh'Ich grolle Nicht

Sonata, o , . . o * © # , Rent Rennan

tn tznm u& ton

Concerto in C for Two Trumpets, . . • • Antonio Vivaldi Janis Sharp, II Trumpet

Silent Noon , s . . , » , , . . .Ralph Vaughan Williams Pilgrim Song, 0 . . .Peter I. Tchaikovsky

Concert Study, Opus 49. , , » . . « .Alexander Goedicke

Burke Recital Hall December 9, 1969 8 : 0 0 p.m.

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pA.eieivt& a

STUDENT RECITAL

OLIVET NAZARENE COLLEGE

DEPARTMENT OF MUSIC

Prelude and Fugue in d minor . . . . . . . . J . S . BachGreensleeves . o o . o o . o o . i c . o .Searle Wright

Pamela Maether, organ

Carol of the Jesus Child . . . 0 . . . Herbert HughesKay Embick, mezzo-contralto Cindy Nelson, accompanist

The Robin's Carols . . . . . . . . . . . c Michael HeadAlice Paisley, soprano

Carolyn Poole, accompanist

Nun bitten wir den heiligen Geist. 0 Dietrich Buxtehude Terry Fortier, organ

As Dew in April. . . . 0 . . . . . . .Richard CummingAnne Maish, soprano Bill Holda, piano

Kathryn Jorden, violin

The Little Road to Bethlehem „ . . 0 . . „ Michael HeadSteve Wills, tenor

Gary Wisdom, accompanist

The Oxen <,..<,, . . . . . . . . . C . Armstrong GibbsWynne Bumpus, soprano Rona Davis, accompanist

Macht hoch die Tur, die Tor macht weit . .Helmut Walcha William Holda, organ

'College Ch'urcfi December 11, 1969 Ls30 p.m.

OLIVET NAZARENE COLLEGE Department of Music

presen ts

E A R L M A D I S O N / violoncello

I V Y B E A R D / piano

Sonata m G* o < > £ « » « o e e o » o o aLucienne Breval Allegro giocoso AdagioAllegretto (Rondo)

Sonata No, 2 in F, Opus 9 9 ............ Johannes BrahmsAllegro vivace Adagio affettuoso Allegro passionata Allegro molto

Variations on a Rococo Theme, Opus 33c » o . « « « ». s , Peter I 0 Tchaikovsky

Burke Recital Hall December 11, 1969 8 : 0 0 p 0m.

E A R L MAVlSOhl haA been a membei both ofi th e P ittA buigh Symphony and o{, the. G iant Paik Symphony in Chicago,

He ha6 appealed on W B C - T I / ’ -i " A itiA t' i Showcase.” 4 e v e n

timeA and haA appealed a& A oloiA t w ith vaiiouA o th e i oicheAtiaA th ioughout th e co u n tiy , Ml, MadiAon w i l l be appealing in le c i ta Z thioughout th e U nited StateA and Euiope do lin g th e next y e a i ,

I I /y B E A R D i& th e p ia n i s t o& th e Chicago L y iic Opeia and th e G iant Polk Symphony

OLIVET NAZARENE COLLEGED E P A R T M E N T OF M U S IC

presents

SENIOR RECITAL

S T A N G R E E N # baritone

Carolyn Poole, accompanist

OA4-C6tnd. by

T R O M B O N E T R I O

Terry Baldridge Alan Moss

George Turner

Amadigi, .George Frederick HandelD'un sventurato amante Pena tiranna io sento

aAAi&£e.d byDavid Godwin, violin Jewell Grothaus, viola Gloria Koehler, violin Ann Wetzel, cello

Diana Marvel, bass Mattinata. . . . . . . . . . . . .Francesco Paolo TostiNon siate ritrosi, "Cosi fan tutte". . . . . . . . . .

. , .Wolfgang Amadeus Mozart

Suite from The Mount of Olives , . Ludwig van Beethoven Chorus (Vie surely here shall find Him)Duet (Have Peace with all Heaviness)Final Chorus

Trombone Trio

Abends . . . . . . . . . . . . . . . . . . Robert FranzWenn mein Schatz Hochzeit macht. . . . . .Gistav MahlerL’heure exquise, . . . . . . . . . . . . .Reynaldo HahnLe Moulin. . . . . . . . . . . . . . . . Gabriel Pierne

Suite for Three Trombones, , , ,George Frederick Handel Total Eclipse (from Samson)Ah, Let Me Weep (from Rinaldo)Courante (from Suite in G Minor)Sound An Alarm (from Judas Maccabaeus)

I Love the Lord, .John DukeChildhood Fables for Grownups, .Irving Fine

Polaroli TigerooThe Frog and the Snake

Visions. « , , n o . o o , e o , oCe Lo S^oberg

Burke Recital Hall December 13, 1969 8 : 0 0 p.m.

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O L I V E T N A Z A R E N E C O L L E G E

DEPARTMENT OF MUSIC PRESENTS

M O R E M U S I C F O R C H R I S T M A S

+ + + + + + + + + + + +

Fanfare and Chorus . .BuxtehudeSonata No. 15.......................................................... ReicheA Fifteenth-century madrigal ............................. arr. SchaefferRussian Sailor's Dance . . . . .................................... Gliere

THE BRASS CHOIR Susan Slaughter, director

Gloria in excelsis (Gloria)........ . . . . .The Shepherds' Story .............................Gloria! Gloria! (Polish Carol) ..................He Came Here for Me.................... ..........Glory to God in the Highest.......................

THE TREBLE CLEF CHOIR Irving Kranich, director

Angels we have heard on high ..............How brightly shines the morning star . . .Jingle Bells ................................Suite of Carols.............................

While by my sheep Lo, how a rose e'er blooming March of the Kings

THE BRASS CHOIR

Bring your t o r c h e s ..............................................arr. WasnerDie Weihnachts Nachtigall arr. Wasner

THE TREBLE CLEF CHOIR

Selected Christinas MusicTHE TREBLE CLEF HANDBELL CHOIR

'Twas the night before Christmas.....................................DarbyTHE TREBLE CLEF CHOIR

Old French-English............Nicolai. . . .Traditional .......... Anderson

. . .Vivaldi

. .Dickinson arr. Caldwell . . . Nelson . .Pergolesi

Burke Recital Hall December 15, 1969 8:00 p.m.

and the

GALE CHAPTER - A„ G. 0= STUDENT GROUP

present

D R , A U S T I N L O V E L A C EDenver, Colorado

in

ORGAN and CHORAL WORKSHOPS

OLIVET NAZARENE COLLEGEDEPARTMENT OF MUSIC

College Church February 21, 1970 9 § 00-11;30 6 1:00-3:30

O LIVET NAZARENE CO LLEGE

DEPARTMENT OF MUSIC

F A C U L T Y R E C I T A L

SCO TT BUSS, violinistIV Y B E A R D , at the piano

February 24, 1970 Eight o'clock

P R 0 G R A M

SONATA NO. 4 in d m inor _ _ .............. Bach

Allenianda

(jirren te

Sarabanda

Giga

Ciaceuna

SONATA NO. 7 in c m inor __ . . Beethoven

Allegro con hrio

Adagio cantabile

Scherzo and Trio

Allegro

CONCERTO in d minor _ Sibelius

Allegro moderato

Adagio di molto

Allegro ma non tan to

SCO IT BUSS has been a m em ber both of the Chicago Lyric Opera

O rchestra and of the Chicago Civic Orchestra. He has

been heard widely in the Chicagoland area as a solo and

cham ber musician, and is presently teaching part-time on

the faculty of the Division of Fine Arts.

IVY BEARD is the pianist of the Chicago Lyric Opera, the G rant Park

Symphony and the Ravinia Festival.

COMING EVENTS

ONC O rchestra Concert M arch 14

Ovid Young, conductor

W orks by Tchaikovsky and Verdi

Faculty Recital M arch 24

Scott Buss, violin

Ovid Young, harpsichord and piano

W orks by Bach, Sowerby and Piston

ONC O ratorio Chorus May 2

D. George Dunbar, conductor

William Holda, organist

T h e Invisible F ire by Cecil Effinger

ONC Concert Band

Harlow Hopkins, conductor

May 8

OLIVET NAZARENE COLLEGE

DEPARTMENT OF MUSIC

THE COMMENCEMENT CONCERT AUDITIONS

The purpose of these auditions is to choose the best performers :his evening to perform on the Commencement Concert Saturday, May 23. •’he Music Faculty will base its judgment on such considerations astone, interpretation dynamic contrast, phrasing, style, tempo,Txpressiveness, intonation, technic, accuracy and steadiness of rhythm, lemorization and overall musical effect. An attempt will be made to valance the program from the standpoint of vocal and instrumental repre­sentation; however, this cannot be guaranteed since the opinion of the judges may not result in an equality of distribution.

Harlow E. Hopkins, chairman Division of Fine Arts

ANNOUNCEMENT OF THE WINNERS WILL BE MADE IMMEDIATELY UPON THE CONCLUSION OF

THE VOTING

Ti, Mi chiamano Mimi (La Boheme)......................... Giacomo PucciniAN^E MAISH (Fr.), soprano Stephen Brunt, accompanist

4 1/2 minutes

atti, Batti 0 bel Masetto (Don Giovanni) ........... Wolfgang A. MozartBEVA ARMSTRONG (Fr.), soprano

Stephen Brunt, accompanist 4 minutes

_;sser madre (L'Arlesiana) ................................Francesco CileaWYNNE BUMPUS (Soph.), soprano Carolyn Poole, accompanist

4 1/2 minutes

T5h! Had I jubal's Lyre (Joshua) ....................Georg Frideric HandelKATHY PRATER (Soph.), soprano Carolyn Poole, accompanist

3 minutes

Quando men vo (La Boheme) . . . . . . . . . . . . . . . .Giacomo PucciniRITA SHAFFER (Jr.), soprano Linda Smith, accompanist

2 1/2 minutes

Non mi dir (Don Giovanni) . . . . . . . . . . . . .SANDRA McPHAIL (Jr.), soprano Stephen Brunt, accompanist

6 1/2 minutes

Wolfgang A . Mozart

Que fais-tu, blanche tourterelle (Romeo et Juliette). .BARBARA VOYLES (Sr.), mezzo-soprano

Andria Meadows, accompanist 4 minutes

Charles Gounod

Deh vieni non tardar (The Marriage of Figaro) . . .NINA FREESMEYER ( S r . ) , soprano

Carolyn Poole, accompanist 4 1/2 minutes

Wolfgang A. Mozart

Laurie's Song (The Tender Land) . . . . . . . . . . .DONNA TOIGO BENNETT (Sr.), soprano

Stephen Brunt, accompanist 3 1/2 minutes

.Aaron Copland

Scene et Air des Bijoux "Jewel Song" (Faust). . . .SHIRLEY CLOSE (Sr.), soprano Stephen Brunt, accompanist

4 minutes

Charles Gounod

Ah! mio cor (Alcina)................................ Georg Frideric HandelLAUREL LARSON, (Jr.), contralto

Andria Meadows, accompanist 4 minutes

fNon so piu cosa son (The Marriage of Figaro)......... Wolfgang A. MozartSHERYL MEYERING BROWN, (Sr.), mezzo-contralto

Linda Smith, accompanist 4 minutes

Una furtiva lagrima (L'Elisir D'Amore). . . . . . .TERRY LAMBRIGHT (Sr.), tenor Terry Baldridge, accompanist

4 1/2 minutes

.Gaetano Donizetti

La donna e mobile (Rigoletto) .....................SKRa Ld PARR, (Sr.), tenor Carolyn Poole, accompanist

2 minutes

Wie du rufst mich (Die Gartnerin aus Liebe) . . . .DONNA BENNETT (Sr.), soprano GERALD PARR (Sr.), tenor Andria Meadows, accompanist

4 1/2 minutes

. . . Giuseppe Verdi

. Wolfgang A. Mozart

Avant de Quitter ces Lieux (Faust)........................Charles GounodROBERT LAFON (Jr.), baritone Linda Jamagin, accompanist

3 1/2 minutes

Vision fugitive (Herodiate) .............................. Jules MassenetHARRISON STEWART (Jr.), baritone

Carolyn Poole, accompanist 4 minutes

Hit Madeln sich vertragen (Concert Aria). . . . . . Ludwig von Beethoven GREG WILLIAMS (Soph.), bass-baritone

Donna Bennett, accompanist 6 minutes

Honor In Arms (Samson). George F. HandelGARY HUBARTT, bass

Stephen Brunt, accompanist 3 1/2 minutes

Concerto for Flute £ Orchestra in G, K. 313 ......... Wolfgang A. MozartFirst movement

ANNE MAISH (Fr.), flute Stephen Brunt, accompanist

6 minutes

Sonata for Trumpet £ Strings................................ Henry PurcellJANIS SHARP (Soph.), D trumpet

Stephen Brunt, accompanist 4 minutes

Concerto Symphonique No. 4 for Piano £ Orchestra .........Henry LitolffScherzo

CAROLYN POOLE (Jr.), piano7 minutes

KINDLY REFRAIN FROM APPLAUDING UNTIL THE ANNOUNCEMENT OF THE WINNERS

CHALFANT March 3,

7 ;0 0 p

HALL1970m .

OLIVET NAZARENE COLLEGE

DEPARTMENT OF MUSIC

pAuentA a

STUDENT RECITAL

Do not go, my love 0 o » » « » . <> . a « Richard Hageman Alice Paisley, soprano

Andria Meadows, accompanist

Quando miro quel bel ciglio, ,Wolfgang A, MozartAndria Meadows, contralto Gary Wisdom, accompanist

Nina „ 0 « „ „ 0 « » » » o « o o o o .Giovanni PergolesiReid Krom, tenor

Beth Clark, accompanist

How Beautiful Are the Feet (Messiah) o o o o o o o e o o„ o o George Frederick Handel

Nina Freesmeyer, soprano Carolyn Poole, accompanist

Sonata No, 2 Concord, Massachusetts 1840-1860. „ 0 . . o. 0 .Charles Ives

III "The Alcotts"Carolyn Poole, piano

Fruhlingszeit, 0 « o o » . o . « „ . . « Reinhold Becker Anita Moore, soprano Beth Clark, accompanist

Saith the Lord . . . o . o e o o o a . .William Stickles Judy Kelsey, mezzo-soprano Wynne Bumpus, accompanist

Valse in Ab, Opus 42 0 o » o o o . . o » Frederic ChopinGary Hubartt, piano

Reed Lecture Hall March 12, 1970 4s30 p.m.

OLIVET NAZARENE COLLEGED E P A R T M E N T OF M U S IC

presents

SENIOR RECITAL

S H I R L E Y C L O S E , sopranoStephen Brunt, accompanist

assisted by

KATHRYN JORDEN, VIOLIN

Ovid Young, accompanist

Music for a While , . 0 . .Henry Purcell0 Del Mio Dolce Ardor .Christoph von GluckII Mio Bel Foco . . . . . . . . . . . Benedetto Marcello

Concerto in g minor, op. 26 . . . . . . . . . .Max Bruch Allegro moderato

In Waldeseinsamkeit . . . . . . . . . . .Johannes BrahmsWohin?. Franz SchubertTraume. . . . . . . . . . . . . . . . . . Richard WagnerFruhlingsnacht, . . . . . . . . . . . . .Robert Schumann

Pastorale o o o . . . . . . . . . . . . . oGeorges BizetScene et Air des Bijoux "Jewel Song" (Faust). . . . . .

, . . Charles Gounod

Pcl3T'"t 1 *t cl XXX 0 0 o o o 0 © O 0 © O © 0 O O © O J» S© B3.cll Gavotte en rondeau

/ /Rumanian Folk Dances, © ,, © © © © © © © © ©Bela Bartok Joe cu bata Braul Pe loc Buciumeana Poarga romaneasca Maruntel

I Hate Music(a cycle of five kid songs for soprano) © ©» © ©Leonard Bernstein

Sing to My Heart a Song © © . © © . © ©Vittorio Giannini

Reed Lecture Hall March 13, 1970 8 : 0 0 p©m©

Thlb n e c l ta l lb being pnebented In p a n tla l fiutfiLUbnent ofi th e nequlnement fan th e Bachelon 0{ Antb deynee In Mublc Education ©

OLIVET NAZARENE COLLEGEDEPARTMENT OF MUSIC

THEOLIVET NAZARENE COLLEGE

ORCHESTRAOVID YOUNG, Conductor

in a

C H A LF A M T H A L L M ARCH 14, 1970

8 :0 0 p.m.

HYMN and TRIU M PH A L MARCH from A ID A _____________ Giuseppe Verdi

Verdi was nearing sixty when he composed A id a at the invitation of the Khedive of Egypt as part of the celebration in honor of the dedication of the Suez Canal. V arious difficulties delayed the prem iere for two years, and the opera was finally presented in Cairo in 1871. A i d a is the last opera in the richly productive second period of V erdi’s career. The Ilym n and Trium phal M arch exhibit some of the p rom inent com ponents of V erdi’s sty le: diatonic melody unencum bered by W agnerian chrom atic­ism, conventional orchestration and well-defined formal design.

CONCERTO in D M AJOR for VIOLIN and ORCHESTRA, OP. 35

Allegro moderato A ndante (C anzonetta)Allegro- vivacissimo

SCO TT BUSS, violin

Tchaikovsky dedicated his D M ajor Violin Concerto to Leopold A uer who repudiated it as being too radical and difficult to play, and refused to perform it publicly. It was first presented in concert in 1881 three years a f te r its composition, w ith Adolf Brodsky, violinist. Tchaikovsky’s composition combines the R ussian ele­m ents of exotic melody (often based on folk so n g ), exploitation of orchestral tim bre and driving rhythm with the refinem ent, elegance and technical facility of the W estern world.

I N T E R M I S S I O N

A MEDLEY OF AM ERICAN POPULAR TUNES

My Shining H our ................................... .....................................................W hen Your H air Has T urned To Silver ........ —..................That Old G ang of M ine .......................................... .............................. .

The Concert Singers and the O rchestra

D. GEO RG E DUNBAR, guest conductor

SUITE FOR ORCHESTRA from MY FAIR L A D Y R obert Russell Bennett

M y F a i r L a d y , a musical play based on B ernard Shaw’s P y g m a l i o n , is the product of the collaboration of w riter A lan J . Lerner and composer Frederick Loewe. Since it was first produced in 1956, it has enjoyed continued success. Loewe’s irre ­sistible m elodies have become a perm anent part of the Am erican musical scene. Robert Russell B ennett is probably the foremost arranger-orchestrator in A m erica today. He is the creator of the longest orchestra score in the history of music— th a t for the war docum entary “ Victory at Sea” . W ritten for the television series, its perform ance requires some six hours.

H arold Arlen..... P eter DeRose

Ray Henderson

P. Tchaikovsky

'/r

V IO LIN IK athryn Jorden C larence Grothaus Scott Buss Jenny Baker F rancine Shum acher Elizabeth Bader

VIO LIN IIGeorge Shutak Gloria Koehler Georgette W illiam s M arilyn Fitch V irginia H undt

VIOLAJew ell G rothaus Jean Bolks K arl Scott

VIOLONCELLORosalie Ernest L inda Moore Elizabeth W illis Anne Popper

DOUBLE BASSGary W isdom Diana Marvel

H ARPDale Everett

PIANOCarolyn Poole

FLU TE and PICCOLOA nne M aish N ancy Kizer

OBOE and ENGLISH HORNBeth Clark Robert Folsom

CLARINET and BASS CLARINETRussell Lovett

Sandi Hemmingsen R alph W illiams

BASSOONFrances Smet

TRU M PETJan is Sharp Brad W illiam s L inda Sm ith

FRENCH HORNGaren M ilton Sharon Paluszkiewicz A rlette G raeflin N ina Freesm eyer

TROMBONEGeorge Turner Alan Moss Steve H offerbert

TUBADoug Gunnerson

TYM PANI and PERCUSSIONM ichael W eirm an Robert Lafon

D. GEORGE DUNBAR, D irector

SOPRANO ALTO TENORS andra M cPhail A ndria Meadows Gene IngleBarbara Voyles Denise W illiam s Harold H uddleDonna Bennett Sheryl Brown Gerald P arrAnne Maish L inda Sm ith David Welch

BASSGary H ubartt Phil Pinckard Gary Voss Greg W illiams

A ccom panist: Carolyn Poole

SCOTT BUSS, tonight’s soloist, has been a member both of the Chicago Lyric

O pera Orchestra and of the Chicago Civic Orchestra. A pupil of Scott Willits

at the American Conservatory of Music, Mr. Buss has been heard widely in the

Chicagoland area as a solo and cham ber musician, and he is presently on the

faculty of the Division of Fine Arts.

The program notes are by John Rosfeld, assistant professor of music.

The musical arrangem ents for the medley of American Popular Tunes are by

Norman Luboff, John Cacavas and Ovid Young.

T

FACULTY RECITAL M arch 23, 8 :00 p.m.

Scott Buss, violin

Ovid Young, piano and harpsichord

W orks by Bach, Piston and Sowerby

Reed Lecture Hall

ORATORIO CHORUS April 29, 8 :30 p.m.

D. George D unbar, conductor

T h e Invisible F ire by Cecil Effinger

College Church of the Nazarene

CONCERT BAND

Harlow E. Hopkins, conductor

Chalfant Hall

May 1, 8 :0 0 p.m.

OLIVET NAZARENE COLLEGE

pfLZ6ZHt6

T H E V I K I N G M A L E C H O R U SGerald E 0 Greenlee, Director Mark Hostetler, accompanist

Alma Mater „ „ „ 0 „ 0 . o » ° . . « » Carmony-Rosfeld Invocation „ „ . „ 0 » » . Rev, William Varian, Pastor

Brethren, We Have Met To Worship . 0 » « ,Moore-WrightSalvation is Created 0 » o « . o o » e » 0TschesnokoffSing We The Praise of God„ 0 « « <. o . . > Bach-CogginGreat and Glorious ot, o o o o « e o < > o o o < > . > Haydn

Instrumental Selection

With A Voice of Singing» O o « o o o o < . o o o < . «Shaw Breath of Calvary„ o o o e o o e o o o o o o , „Hooker Ye Watchers And Ye Holy Ones 017th Century German Tune

Offertory, 0 0 o o o o < . o o , 0 , o e Terry Baldridge

Moments of Praise and Song

Oh, How Great is Our God AdamsSavior, Like A Shepherd Lead Us0 » 0 o o Wyeth-Sjolund

First Church of the Nazarene Kankakee, Illinois March 15, 1970 10s15 a,m0

OLIVET NAZARENE COLLEGE

p-tcA en£&

T H E V I K I N G M A L E C H O R U SGerald E. Greenlee, Director

Bill HoIda, accompanist and

Linda Smith, accompanist

Alma Mater, , 0 0 , • • • • • « • « • 0Carmony-Rosfeld Invocation, , 0 , 0 0 0 , 0 0 0 , 0 0 0 0 0 0 0 Pastor

Brethren, We Have Met To Worship, , , 0 , Moore-WrightSalvation is Created, , , , „ 0 , , , 0 , TschesnokoffSing We The Praise of God , „ , , , , , a ,Bach-CogginGreat and Glorious, , , 0 , 0 , , , , 0 , , , , ,Haydn

Violin Solo 0 0 , 0 , 0 0 0 0 , 0 , 0 0 Kathryn Jorden

With A Voice of Singing , , , „ , , , , , , „ , » Shaw Breath of Calvary , 0 0 . 0 , 0 0 0 0 , 0 0 0 0 Hooker Ye Watchers And Ye Holy Ones, 17th Century German Tune

Offertory 0 0 0 0 , 0 , 0 0 , 0 0 0 0 ,Terry Baldridge

Moments of Praise and Song

Oh, How Great is Our God, , , , , , , , 0Stephen Adamsarr, Terry Baldridge

Savior, Like A Shepherd Lead Us , 0 , 0 ,Wyeth-Sjolund

First Church of the Nazarene Harvey, Illinois March 22, 1970

O L IV E T N A Z A R E N E C O L L E G E

D E P A R T M E N T O F M U SIC

F A C U L T Y R E C I T A L

S C O T T B U S S , violin

O V I D Y O U N G , HARPSICHORD & PIANO

SONATA NOo 2 in A for harpsichord £ violin.B.W.V.1015. .(1720) ......... J. S0 Bach

Andante Allegro assai Andante un poco Presto

Roger Malitz, 'cello continuo

SONATINA for violin £ harpsichord (19L5). .Walter Piston

Allegro leggiero Adagio espressivo Allegro vivo

I N T E R M I S S I O N

SONATA for violin £ piano (1929). „ » , . . .Leo Sowerby

Very slowly; blithely and merrilySlowly and moodilyWith furious energy; very fast

REED LECTURE HALL March 23, 1970 8:00 p.m.

1970 SEASON

HARLOW E. HOPKINS - Conductor

PROGRAM

Invocation

Psalm for B a n d ___________________________________ Vincent PersichettiPsalm for Band is a piece constructed from a single germ inating harmonic idea. T here are three distinct sections— a sustained chordal mood, a forward moving chorale, followed by a Paean culm ination of the m aterials. Extensive use is m ade of separate choirs of instrum ents sup­ported by them atic rhythms in the tenor and bass drums. (Pe rs ichetti)

P a v a n e M aurice Ravelarr. Beeler

Sonatina for B a n d _________________________________ Caesar Giovannini1. Allegro risoluto2. A ndante deliberato3. Allegro scherzando

This work was scored for Band by W ayne Robinson. It is a concert work in three movements of symphonic proportions. The them atic m aterials are subjected to all of the composer’s com positional skills em erging in a m ulti-faceted symphonic structure. Both the composer and scorer have utilized the vocabulary of contem porary music to create a vehicle teem ­ing with kaleidoscopic moods and dram atic tensions— the vigor, hum or, lyricism and, above all, the hum anity, make for a significant listeningexperience.

Greetings from Olivet Nazarene C o lleg e----------------------Rev. Charles IdeExecutive Field Secretary

The Lord’s P r a y e r _______________________________Albert Hay M alotteShirley Close, soprano arr. Lake

I Will Sing of My R ed eem er_____________________ Jam es M cGranahanarr. Gates

Constantly A b id in g _____________________________ Mrs. Will L. M urphyConcert Chorale

My S o n g _______________________________________________ John PetersonA nne Maish, soprano arr. Young

A Hymn F es tiv a l________________________________________Hawley Ades

A Witness for My L o r d ______________________________ Negro SpiritualConcert Chorale arr. Tobias

Git on B o a rd _________________________________________ Negro Spiritualarr. Yoder

O fferto ry T erry BaldridgeEuphonium soloist

M arche T rio m p h a le S igfrid Karg-Elertarr. H astings

Now Thank W e All Our God,W ith hearts, and hands, and voices;

W ho wondrous things hath done,In whom His world rejoices;

Who, from our m others’ arms,H ath blessed us on our way

W ith countless gifts of love,And still is ours today.

The Personnel

FLUTEDonna Jones, Spencer, W. Va.

(Secretary)Anne M aish, Toledo, Ohio Sherree Bullis, V andalia, Ohio Ja n e H am lin, E lkhart, Ind.Joy V andersteen, Ham m ond, Ind.

OBOEElizabeth C lark, Columbus, Wis. Patsy Fagan, F indlay, Oliio

Bb CLARINETRussell Lovett, Bradley, 111.E dith From m , C lim ax, Mich. Sandra Hemmingsen, M uncie, Ind, Sandra Lang, Silvis, 111.Beverly Ozee, M anteno, 111.K ris H affner, M uncie, Ind.Lois M cLaughlin, Salem, Ohio M arilyn Hulvey, Ossian, Ind.Steve deVidal, Bourbonnais, 111.

BASS CLARINETShirley Close, Dayton, Ohio

CONTRABASS CLARINETK aren Hilliker, F lin t, M ich.

BASSOONM arna Ankney, St. Joe, Ind.

ALTO SAXOPHONEJoseph Culver, B erne, Ind.H arold Hayes, D ecatur, 111.

(T reasurer)Dale F itch, Valparaiso, Ind.

TENOR SAXOPHONEVera Johnson, M edora, Ind .

BARITONE SAXOPHONEStephen Roberts, Lapeer, Mich.

FRENCH HORNG aren Milton, Centerville, Iowa Sharon Paluszkiewicz, M idlothian, 111. N ina Freesm eyer. H am burg, 111. A rle tte G raeflin, Bluffton, Ind.Leon Steely, W aterloo, Iowa

TRUM PETJan is Sharp, Youngstow n, Ohio Linda Sm ith, Des Moines, Iowa Brad W illiam s, A nn Arbor, Mich. Steven Longfellow, G reenville, Ohio Russell Hodges, H ighland, Ind. Duane Lach, Chicago, 111.

EUPHONIUMTerry Baldridge, Bourbonnais, 111.

(Presiden t)M ichael Brown, Greenwood, Ind.

ITINERARY

February 25, W ednesday Columbus, Indiana

TROMBONEGeorge T urner, J r ., Denver, Colo. A lan Moss, East St. Louis, 111. Steven Doenges, H am ilton, Ohio Steven H offerbert, Peru, Ind.

TUBADouglas G unnerson, Akron, Ohio

(C haplain)Paul Dillinger, Bourbonnais, 111.

TIM PA N IVicki Moyer, Bloomingburg, Ohio

PERCUSSIONJe rry Cox, Indianapolis, Ind.Jam es G reenstreet, Bradley, 111. R ichard Hertsel, E lkhart, Ind.Randy Shanks, Columbus, Ind.Janice Stegemoller, Indianapolis, Ind.

F ebruary 26, Thursday Danville, Illinois

F ebruary 27, Friday Bloomington, Indiana

(Eastside)

F ebruary 28, Saturday Richmond, Indiana

M arch 1, Sunday a.m. M uncie, Indiana

(F irst)

M arch 1, Sunday p.m. F ort W ayne, Indiana

(Fairfie ld )

M arch 4, W ednesday Bourbonnais, Illinois

(College)

STRING BASSL inda Moore, Alton, III.

(V ice-President)

May 1, Friday Bourbonnais, Illinois

(Spring Concert)

Harlow E. Hopkins, Associate Professor of Music and conduc­tor of the Concert Band andthe K ankakee Symphony, heads the Division of Fine Arts andthe D epartm ent of Music andteaches woodwind instrum ents and conducting. He received the B.S.M .Ed. degree from Olivet

H a r lo w E. H o p k in s a n c j t h e M.S. degree from theA m erican Conservatory of Music in Chicago. Mr.H opkins has completed the course work and recital requirem ents for the D.M. degree in Woodwinds, L iterature and Perform ance at Indiana University. He jo ined the Olivet faculty in the fall of 1954.

PURPOSE — To provide instruction in certain branches of music, so that students may become Christian men and women of highest ideals and usefulness as teachers, perform ers, and church musicians.

DEGREES — B.S. in Music Education. Music courses prepare one for teaching in public schools as well as private teaching. Applied work is offered in piano, organ, voice, stringed, woodwind, brass, and per­cussion instruments.

B.S. in Church Music. Music courses p re­pare one for full tim e church work. Applied work may be taken in voice or organ.

FACULTY — Ten full time and four part time people com prise the teaching staff. Three have done considerable work toward the doctorate.

ENSEMBLES — The O ratorio Chorus, Orpheus Choir, Treble Clef Choir, and V iking Male Chorus offer vocal ensemble experience while the Brass Choir, H and Bell Choir, College O rchestra, Concert Band, and V arsity Band give instrum entalists an opportunity for participation.

A limited num ber of music scholarships is available. For inform ation write Harlow E. Hopkins.

OLIVET'S MUSIC PROGRAM

Olivet Nazarene College DEPARTMENT OF MUSIC

LUDWIG

CollegeCenter

Ludwig Center is one of Olivet’s newest buildings, having been completed in 1966. It provides space for a 1,000-seat d ining area, a book store, post office, formal lounge Associated S tudents’ offices, A lum ni office, D irector’s office, faculty lounge, radi< station W KOC-FM, sem inar rooms, snack and recreation area, and o ther services.

This build ing is evidence of the con tinuing support of th e Nazarenes on the Centra Educational Zone.

Olivet, located sixty miles south of Chicago, is a fully-accredited, four-year liberal art: college, a mem ber of the N orth Central Association of Colleges and Secondary Schools the N ational Council for the A cceditation of Teacher Education, and the A m ericair Association of Colleges and Universities. In addition, Olivet has received Reasonable Assurance of A ccreditation by the N ational League of N ursing and is recognized by th< D epartm ent of Justice for the train ing of foreign students.

The College offers the M aster of A rts degree in Theology, Biblical L iterature, and Ele­m entary Education, as well as the Bachelor of Theology, Bachelor of Arts, and Bachelo of Science degrees with m ajors available in nearly th irty departm ents.

The Faculty is comprised of over ninety men and women w ith thirty-five holding earned doctorates. It is a highly-trained and dedicated group com m itted to the idea that th< im pact of the community of C hristian faith of faculty and students should lead eacl person to develop a personal faith and a value system within the evangelical Christian" tradition.

C olossians 3 :1 6“ L et th e w ord of C h ris t dw ell in you r ic h ly in a ll w isd o m ; te a c h in g a n d a d m o n ish in g one

a n o th e r in p sa lm s a n d h y m n s a n d s p ir itu a l songs, s in g in g w ith g ra ce in y o u r h e a r ts to th e L o rd .” T h e N ew T e s ta m e n t ch u rc h w as a s in g in g ch u rc h . I t w as a v ic to rio u s ch u rch . I t was an ev a n g e lis tic ch u rch . O liv e t’s D ep artm en t of M usic is co m m itte d to e x c e l­len c e in t ra in in g an d in p e rfo rm a n c e . T h is re p u ta tio n is well d ese rv ed a n d ex te n d s th ro u g h o u t o u r c h u rc h a n d b ey o n d . T h e ir m in is try w ill in sp ire an d b less. W e a r e d e ­lig h te d tha t th e m u sic of th is g ro u p can be sh a red w ith you a n d we tru s t th a t your h e a r t w ill be w arm ed by th e p re se n c e of o u r s tu d e n ts .

— H a ro ld W \ R eed P re s id e n t

W ith the announcem ent in 1968 of a new ten-year development program , Olivet faces the future w faith and courage. She strives to assist the studi in developing a wholesome and w e ll- in te g ra te C hristian personality, thus preparing him for in ­telligent C hristian citizenship, as well as to assist him in developing attitudes, habits, and intere which characterize an educated person. Tin ideals have led many to contribute to the C o lle ^ through the years. If you wish to assist Olivet in achieving her avowed goals you may learn of the opportunities which are available by writing R Louis M cM ahon, D irector of E state Planning, W i and A nnuities.Olivet N azarene College • Kankakee, Illinois

“Education with a Christian Purpose”

HARLOW E. HOPKINS, Chairman

VIKING MALE CHORUS

"For Thee W e S ing”

GERALD GREENLEE — Conductor

PROGRAM

P R E L U D E _____________________________________________Mark Hostetler

Alma M a te r ___________________________________________Carmony-Rosfeld-

INVOCATION

Brethren, We Have Met to W o rsh ip ________________________Moore-W right

Salvation is C re a te d _________________________________ Paul Tschesnokoff

Sing We The P ra ise of G o d _________________________________ Bach-Coggin

G reat and G lo rio u s_________________________________ Franz Joseph Haydn-

Instrum ental Selection

W ith A Voice of S in g in g __________________________________ M artin Shaw

God Is My Strong S a lv a tio n ________________________Southern Folk Hymn-arr. Pfautsch

Breath of C a lv a ry ___________________________________ Gordon E. Hooker

Ye W atchers and Ye Holy O n e s______________ 17th Century German Tune

GREETINGS from O L IV E T __________________________ Rev. Charles Ide-Executive Field Secretary

MOMENTS OF PRA ISE AND SONG

Oh, How Great is Our G o d --------------------------------------------- Stephen Adamsarr. T erry Baldridge-

When He Shall C o m e ________________________________ Alameda Pearcearr. Don Hustad

O FFERTO RY: Down From His G lo r y _______________ arr. Linda SmithTerry Baldridge, trom bone

Savior, Like a Shepherd Lead U s ________________________W yeth-Sjolund

PERSONNEL

Larry Attig, M urphysboro, III.

R onald A ttig, E ast St. Louis, 111.

Donald Lee Bailey, Daleville, Ind.

Terry Baldridge, Bourbonnais, 111.

Bill Braden, G alesburg, 111.

(Asst. Bus. M anager)

Lindell Browning, Springfield, 111.

(V ice P residen t)

Curt B urbrink , Colum bus, Ind.

Steve Caudill, Owosso, Mich.

K enneth R. Fowler, C incinnati, Ohio

K enneth W . Gates, Evansville, Ind.

(C haplain)

Steven D. H offerbert, Peru, Ind.

Bill Holda, D etroit, Mich.

Terry Lam bright, C ortland, Ohio

(P residen t)

David Lanning, Rushville, Ind.

Larry Leckrone, M idland, Mich.

D onald J . Lovasz Jr., Cleveland, Ohio

Dwayne M anning, Dayton, Ohio

Jim M aurer, E au Claire, W is.

Jim M iller, Salem, Ohio

M ichael M organ, Rem ulus, Mich.

Jim Myers, Portage, Ind .

Jim Nash, Bourbonnais, 111.

Jim Parsons, Lapeer, Mich.

Jam es H. Peterson, H arbor Beach, Mich,

Phillip P inckard , M orrisville, Penn.

Dennis Riggs, M ontpelier, Ind.

(Asst. L ib rarian )

Gary L. Robbins, K ankakee, 111.

Don Rohrer, N appanee, Ind.

Kelvin St. John, Lansing, Mich.

(L ib rarian )

Galen Scam m ahorn, Roxana, 111.

David Stark, Rock Island, 111.

Leon Steely, W aterloo, Iowa

R onald Straw , Dixon, III.

Brent Taylor, H untsville, O ntario

Virgil Lee T urner, Oskaloosa, Iowa

Don W eiher, Ferguson, Mo.

R. T. W illiam s, Ann Arbor, Mich.

Steve W ills, Sandborn, Ind.

(Secretary)

Dick W ilson, Harvey, 111.

David J. W ine, St. M arys, Ohio

(Bus. M anager)

Gary W isdom, New A lbany, Ind.

M ark H ostetler, Kokomo, Ind.

Accompanist

ITINERARY

M arch 15, Sunday Kankakee, Illinois

(F irst)

M arch 22, Sunday Harvey, Illinois

M arch 25, W ednesday F o rt W ayne, Indiana

(Lake Avenue)

M arch 26, Thursday Anderson, Indiana

(F irst)

M arch 27, Friday Indianapolis, Indiana

(Ray Street)

M arch 29, Sunday a.m. Joliet, Illinois

(F irst)

M arch 29, Sunday p.m. Ottawa, Illinois

May 6, W ednesday Bourbonnais, Illinois

(College)

May I I , Monday Bourbonnais, Illinois

(Spring Concert)

May 25, Monday (ONC Commencement)

G erald Greenlee is assistant pro­fessor of m usic and director of the V iking M ale Chorus. He teaches voice and conducting. Mr. G reenlee holds the Bache­lor of Music degree — taken at Olivet — and th e M aster of Music degree — taken at the American Conservatory of Music

G e r a ld G re e n le e in Chicago. He has served sev­eral churches as M inister of Music. Prof. Greenlee rejoined the Olivet faculty in September, 1967 a fte r an absence of several years. He came from the U niversity of Denver, where he was part-time instructo r of voice.

PURPOSE — To provide instruction in certain branches of music, so that students may become Christian men and women of highest ideals and usefulness as teachers, perform ers, and church musicians.

DEGREES — B.S. in Music Education. Music courses prepare one for teaching in public schools as well as private teaching. Applied work is offered in piano, organ, voice, stringed, woodwind, brass, and per­cussion instruments.

B.S. in Church Music. Music courses p re­pare one for full tim e church work. Applied work may be taken in voice or organ.

FACULTY — Ten full time and four part time people com prise the teaching staff. Three have done considerable work tow ard the doctorate.

ENSEMBLES — The O ratorio Chorus, Orpheus Choir, Treble Clef Choir, and Viking Male Chorus offer vocal ensemble experience while the Brass Choir, Hand Bell Choir, College O rchestra, Concert Band, and Varsity Band give instrum entalists an opportunity for participation.

A limited num ber of music scholarships is available. For inform ation write Harlow E. Hopkins.

OLIVET'S MUSIC PROGRAM

Olivet Nazarene College DEPARTMENT OF MUSIC

HARLOW E. HOPKINS, Chairman

LUDWIG

CollegeCenter

Ludwig Center is one of O livet’s newest build ings, having been completed in 1966. It provides space for a 1,000-seat d ining area, a book store, post office, formal loungt Associated S tudents’ offices, A lum ni office, D irector’s office, faculty lounge, radi station W KOC-FM , sem inar rooms, snack and recreation area, and other services.

This building is evidence of the continuing support of the Nazarenes on the C entn Educational Zone.

Olivet, located sixty miles south of Chicago, is a fully-accredited, four-year liberal a r tc college, a mem ber of the N orth C entral Association of Colleges and Secondary School the N ational Council for the A cceditation of T eacher Education, and the A m erica_ Association of Colleges and Universities. In addition, Olivet has received Reasonable Assurance of A ccreditation by the N ational League of N ursing and is recognized by th*1 D epartm ent of Justice for the training of foreign students.

T he College offers the M aster of A rts degree in Theology, Biblical L iterature, and Ele­m entary Education, as well as the Bachelor of Theology, Bachelor of Arts, and Bachelc- of Science degrees with m ajors available in nearly th irty departm ents.

T he Faculty is com prised of over ninety men and women with thirty-five holding earned doctorates. It is a highly-trained and dedicated group com m itted to the idea tha t th im pact of the community of Christian faith of faculty and students should lead eac person to develop a personal faith and a value system within the evangelical C hristian- tradition .

C olossians 3 :1 6“ L et th e w ord of C h ris t dw ell in you r ic h ly in a ll w isd o m ; te a c h in g a n d a d m o n ish in g one

a n o th e r in p sa lm s a n d h y m n s a n d s p ir itu a l songs, s in g in g w ith g ra c e in y o u r h e a r ts to th e L o rd .” T h e N ew T e s ta m e n t ch u rc h w as a s in g in g c h u rc h . It w as a v ic to rio u s ch u rc h . It w as an ev a n g e lis tic ch u rch . O liv e t’s D e p artm en t of M usic is c o m m itte d to e x c e l­len c e in tra in in g an d in p e rfo rm an c e . T h is r e p u ta tio n is well d ese rv ed a n d ex ten d s th ro u g h o u t o u r c h u rc h an d b ey o n d . T h e ir m in is try w ill in sp ire an d bless. W e a re d e ­l ig h te d th a t th e m usic of th is g ro u p can be sh a red w ith you an d we tru s t th a t your h e a rt w ill b e w arm ed by th e p re se n c e o f o u r s tu d e n ts .

— H a ro ld W . R eed P re s id e n t

W ith the announcem ent in 1968 of a new ten-year developm ent program , Olivet faces the future v hfaith and courage. She strives to assist the stuc tin developing a wholesome and well-integr£__;JC hristian personality, thus preparing him for in ­telligent C hristian citizenship, as well as to assist him in developing attitudes, habits, and in ter swhich characterize an educated person. T1 eideals have led many to con tribu te to the Coll__ethrough the years. If you wish to assist Olivet inachieving her avowed goals you may learn of the opportunities which are available by w riting T /. Louis M cM ahon, D irector of E state P lanning, TK Is and A nnuities.Olivet N azarene College • Kankakee, Illinois

Education with a Christian Purpose”

w.

PERSONNEL

F IR S T SOPRA N O S

Louise Ammerman, Dayton, Ohio

C ale Cox, G ran ite City, III.

L inda Frizzell, Caseyville, 111.

Jayne Graham, M arion, Ind.( P re s id e n t)

Sylvia Hixson, Chariton, Iowa

R utli K etchum , Carbondale, 111.

Pam O 'Neal, Greencastle, Ind.

Donna Peck, York, Penn.

L inda Reeves, Laona, Wise.

Sheryl R iddle, Chariton, Iowa

D ebbie Silvernail, G rand Rapids, Mich.

Joy Snider, Bourbonnais, 111.

SECOND SOPRANO S

Linda Christopher, Davison, Mich.

Linda Early, Indianapolis, Ind.

O nna G ilbert, N aperville, III.

Martha H ardin, Indianapolis, Ind.

Sandi Hem m ingsen, M uncie, Ind.

Darlene Ja rre tt, Fortville, Ind.

Kay Johnston, Chariton, Iowa

Ruth Maxson, Portage, Ind.

loy T anner, Gary, Ind.

Linda T rafford, Davenport, Iowa

Candy W ade, Rockford, 111. (V ice-President)

Marilyn K irk, Sm ithville, Ohio

FIR ST ALTOS SECOND ALTOS

Sandra Baldridge, Bourbonnais, 111.

Shirley Budd, Colum bus, Ohio

Denise Davis, Akron, Ohio

Nola Em bry, Stonington, 111.

Carol Gates, E. St. Louis, 111.

Jackie Hansche, Racine, Wise.

K aren K reider, Coshocton, Ohio (Secretary)

K atrina Nottingham , Akron, Ohio

Carla Rumley, Detroit, Mich.

Connie Thomas, Dayton, Ohio

Ju d i Tucker, W arren, Ohio

Melony Deter, S terling 111.

Connie Evans, P iggs Peak, Swaziland, Africa (C hap lain )

H elen Ferrenburg , Pekin, 111.

M arilyn H itt, E. St. Louis, 111.

Pat Holmgren, V alparaiso, Ind.

Beth Hoover, St. Albans, W est Va.

L inda K uhn, Hudson, Ohio (T reasurer)

Ann Meadows, K ailua, Hawaii

Judi Mitchell, Anna, 111.

Jan T anner, Gary, Ind.

K aren Zim m erm an, Union City, Ind.

L inda Jarnag in , Bradley, 111. (accom panist)

HANDBELL CHO IR

Melony Deter

Carol Gates

Linda Frizzell

Beth H oover

M arilyn K irk

K aren K reider

Joy Snider

Candy W ade

PROGRAM

PRELUDE ________________________________________ Candy W ade

Alma M a te r ._______________________________ Carm ony-Kranich

INVOCATION

Come, Let Us S in g ------------------------------------------------------------------------AloyseGlory To God In The H ig h e s t________________________________ Pergolesi

Donna Peck, Onna G ilbert, Ju d i T ucker, soloistsI Walked Today W here Jesus W alked __________________________ O hara

Irving K ranich, soloistJesus, Our Lord We Adore T h e e __________________________________ JamesHe Caine Here For M e __________________________________________ Nelson

Crown Him With Many C r o w n s ___________________________________ ElveyT reble Clef H andbell Choir

Lord To Us Be Ever H e e d in g __________________________ Bortniansky-Gibb

GREETINGS FROM O .N .C ._____________________________ John Seaman

Oh, Be Joyful In The Lord - Purvisloy Is Like The R a i n Therese W inter

I Joy Is Like The Rain II Zaccheus

III Speak To Me, WindMelony Deter, Jud i Tucker, soloists

IV Spirit of God V It’s A Long Road To Freedom

VI Howl, My Soul V II P ilgrim Song

V III Ten Lepers IX The W edding Banquet

JYeble Clef T r i o SelectedDo You W onder? ____________________________________________ Peterson

Joy Snider, soloist"hat Beautiful N a m e ______________________________________________ Camp

Tie’s Got The Whole W orld In His H a n d s _____________________ arr. ButlerT reb le Clef H andbell Choir

ill The Storm Passes By _ _________________________________Lister-Poole„Vhen We See C h r is t__________________________________________ Rusthoi

Jayne G raham , Irving K ranich I Know That I’ve Been Born A g a in ____________________________ Peterson

IFFERTORY ______________________ Clarinet Solo■ Sandi HemmingsenW h y ? _________________________________________ M oorelow Rich I A m __________________________________________ arr. Anthony

BEN ED IC TIO N

P O S T L U D E ______________________________________________Candy Wade

Irving K ranich is an assistant professor in voice at Olivet. He is a 1954 graduate of Olivet where he received the B.S. in M usic Education degree. His g raduate work was done at the University of M ichigan, the University of W ashington, De­troit In stitu te of M usical Arts,

IRVING KRANICH a n j American Conservatory of Music, where he has completed the m aster's degree. H e is currently working toward an ad­vanced degree in Music E ducation at the University of Illinois. Before coming to his present position in 1959, Professor K ranich served as director of music and youth d irector at the F lin t, Michigan, First Church of the N azarene. and Seattle, W ash­ington, F irst Church of the Nazarene.

ITINERARY

April 12, Sunday (a.m .)Seymour, Indiana

Peter’s Switch

April 12, Sunday (p.m .)F rankfort, Indiana

April 15, Wednesday S treator, Illinois

A pril 16, Thursday Rock Island, Illinois

F irst

April 17, F riday U rbana, Illinois

Faith

April 18, Saturday Portage, Indiana

First

April 19, Sunday (a.m .)Gary, Indiana

Glen Park

April 19, Sunday (p.m .)Naperville, Illinois

T rinity

A pril 22, W ednesday lom e Concert (College Church)

April 26, Sunday (p.m .)Pontiac, Illinois

May 11, Monday Spring Concert

PURPOSE — To provide instruction in certain branches of music, so that students may become Christian men and women of highest ideals and usefulness as teachers, perform ers, and church musicians.

DEGREES — B.S. in Music Education. Music courses prepare one for teaching in public schools as well as private teaching. Applied work is offered in piano, organ, voice, stringed, woodwind, brass, and per­cussion instruments.

B.S. in Church Music. Music courses p re­pare one for full tim e church work. Applied work may be taken in voice or organ.

FACULTY — Ten full time and four part time people com prise the teaching staff. Three have done considerable work toward the doctorate.

ENSEMBLES — The Oratorio Chorus, Orpheus Choir, Treble Clef Choir, and V iking Male Chorus offer vocal ensemble experience while the Brass Choir, H and Bell Choir, College Orchestra, Concert Band, and Varsity Band give instrum entalists an opportunity for participation.

A limited num ber of music scholarships is available. For inform ation write Harlow E. Hopkins.

OLIVET S MUSIC PROGRAM

Olivet Nazarene College DEPARTMENT OF MUSIC

LUDWIG

CollegeCenter

Ludwig Center is one of O livet’s newest build ings, having been completed in 1966. It provides space for a 1,000-seat d ining area, a book store, post office, form al lounge, Associated S tudents’ offices, A lum ni office, D irector’s office, faculty lounge, radio station W KOC-FM , sem inar rooms, snack and recreation area, and other services.

This build ing is evidence of the continuing support of th e Nazarenes on the Central Educational Zone.

Olivet, located sixty miles south of Chicago, is a fully-accredited, four-year liberal arts college, a m ember of the N orth Central Association of Colleges and Secondary Schools, the N ational Council for the Acceditation of T eacher Education, and the American Association of Colleges and Universities. In addition, Olivet has received Reasonable Assurance of A ccreditation by the N ational League of N ursing and is recognized by the D epartm ent of Justice for the train ing of foreign students.

The College offers the M aster of A rts degree in Theology, B iblical L iterature, and Ele­m entary Education, as well as the Bachelor of Theology, Bachelor of A rts, and Bachelor of Science degrees w ith m ajors available in nearly th irty departm ents.

T he Faculty is comprised of over ninety m en and women with thirty-five holding earned doctorates. It is a highly-trained and dedicated group com m itted to the idea tha t the im pact of the community of C hristian faith of faculty and students should lead each person to develop a personal faith and a value system within the evangelical C hristian tradition.

C olossians 3 :1 6“ L et th e w ord of C h ris t dw ell in you r ic h ly in a ll w isd o m ; tea ch in g a n d a d m o n ish in g one

a n o th e r in p sa lm s a n d h y m n s a n d s p ir itu a l songs, s in g in g w ith g ra ce in y o u r h e a r ts to th e L o rd .” T h e N ew T e s ta m e n t ch u rc h w as a s in g in g c h u rc h . I t w as a v ic to rio u s ch u rch . I t w as an ev a n g e lis tic ch u rch . O liv e t’s D ep artm en t of M usic is co m m itte d to e x c e l­len c e in t ra in in g a n d in p e rfo rm a n c e . T h is re p u ta tio n is well d ese rv ed a n d ex ten d s th ro u g h o u t o u r c h u rc h an d bey o n d . T h e ir m in is try w ill in sp ire a n d b less. W e are d e ­l ig h te d th a t th e m u s ic of th is g ro u p can be sh a red w ith you a n d w e tru s t th a t your h e a rt w ill b e w arm ed by th e p re se n c e o f o u r s tu d e n ts .

— H a ro ld W . R eed P res id en t

W ith the announcem ent in 1968 of a new ten-year developm ent program , O livet faces the future w ith faith and courage. She strives to assist the studei in developing a wholesome and well-integrate C hristian personality, thus preparing him for ii__ te lligent C hristian citizenship, as well as to assist him in developing attitudes, habits, and interests which characterize an educated person. Thef ideals have led many to contribute to the Collejthrough the years. If you wish to assist Olivet ;_achieving her avowed goals you may learn of the opportunities which are available by w riting Rev. Louis M cM ahon, D irector of Estate P lanning, Wil and A nnuities.Olivet N azarene College • Kankakee, I llin c _

“Education with a Christian Purpose”

HARLOW E. HOPKINS, Chairman

0 iim i J V a ^ a A e n e

ORPHEUS CHOIR

‘A M inistry in M usic”

NAOMI LARSEN - Conductor

PERSONNEL

Beva Armstrong, Columbus, Ind.

Debbie Ballm er, Fort Recovery, Ohio

Donna B ennett, Des M oines, Iowa (H isto rian )

Sheryl Brown, G rand Rapids, Mich.

Wynne Bumpus, D ecatur, 111.

Ronald B urnett, Fairborn, Ohio

Richard Bushey, Mt. P leasant, Mich. (T reasurer)

Rodney Bushey, M t. Pleasant, Mich.

Elizabeth Clark, Columbus, Wise.

Shirley Close, Dayton, Ohio (2nd V ice-President)

Steven deVidal, Bourbonnais, 111.

Paula Elliott, O akland City, Ind.

Kay Em bick, Edwardsville, 111.

Nina Freesmeyer, H am burg, 111. (C hap lain )

Arlette G raeflin, Bluffton, Ind.

Cindi H atfield , Mt. Vernon, Ohio

Gary H ubartt, H untington, Ind.

H arold H uddle, U rbana, 111.

Dennis H uffm an, New Lenox, 111.

Gene Ingle, East St. Louis, 111.

David K irk, Erie, 111.

Reid Krom, Indianapolis, Ind.

Laurel Larson, Birnamwood, Wise. (Robe C ustodian)

A nne M aish, Toledo, Ohio

Diana Marvel, Evansville, Ind.

K aren M cPhail, F rankfort, 111.

Sandra M cPhail, F rankfort, 111.

Andria Meadows, H urricane, W. Va.

L inda Moore, Alton, 111.

G erald Parr, Decatur, 111.(1st V ice-President)

K athy Prater, Dayton, Ohio

M ary Schramm, W inona, M inn.

Rita Shaffer, Springfield, Ohio

Cynthia Shaw, X enia, Ohio

John Sprunger, Sterling, 111.

Andy Stephens, W estland, Mich.

Harrison Stewart, Greenfield, Ohio

Jam es Vidito, Indianapolis, Ind. (P residen t)

Gary Voss, H untington, Ind.

B arbara Voyles, Mt. P leasant, M ich.(Secretary)

Denise W illiam s, South Charleston, W. Va.

Gregory W illiam s, Detroit, Mich. (L ib rarian )

Stephen Brunt, Bourbonnais, 111. (accom panist)

IN STR U M EN TA LISTS

F lu te — Anne Maish

C larinet — Shirley Close

Oboe — Elizabeth Clark

French H orn — N ina Freesm eyer

Trum pets — Harold H uddle Harrison Stewart

T rom bone — Rodney Bushey

T im pani — Gregory W illiams

Violins — K athryn Jorden Stephen Brunt

V io la — Jew ell Grothaus

Cello — L inda Moore

Bass — Diana Marvel

P iano — W ynne Bumpus

Thirty-Ninth Concert Season

PROGRAM

Organ Prelude: Choral in a M inor Ce'sar FranckStephen Brunt

P R O C E SS IO N A L ____ _ ___________ . Alma M ater, Olivet

.INVOCATION

0 Praise God in His Sanctuary Thomas MatthewsAlleluia BachEverything You Do Buxtehude-GranvilleSong of Exultation John Ness Beck

Bing. My Soul, His W ondrous Love Ned RoremLast W ords of David Randall ThompsonPraise Gordon Young\ Rose Touch By The Sun’s W arm Rays Jean BergerMy Eternal K in g ------------------------------------------- Jane M. M arshall

GREETINGS from OLIVET ___ ____________ Rev. Charles IdeA ssistant to the President

In Christ There Is No East Or W est (Spiritual) ____arr. N orm an JohnsonI’m Gonna W alk My W ay To Heaven (S p ir i tu a l ) ------ a rr . V ernon Tarrellfacob’s Ladder (Spiritual) arr. Kent Newbury

Saviour Like a Shepherd Lead Us Bradbury-M ickelsonM en of Orpheus

J u n of My S o u l---------------------------------------------- a rr . Robert Shaw1John Peterson

The Old Time R e lig io n ----------------------------------- arr. Gordon Young

■’here’ll Be One S o n g ------------------------------------ Brown-AnthonyT reb le Singers

le Lifted M e ___________________________ Gabriel-Shores

O FFERTO RY : Violin Solo K athryn Jorden

.mazing G ra c e ---------------------------------------------- Newton-Shores

BENEDICTION

Ihoral B en ed ic tio n __________________________ Peter LutkinD edicated to all the Alumni of the O rpheus Choir

Organ Postlude: Come Thou F o u n t --------------------------------- Nettleton-Brunt

Naomi Larsen has directed O rpheus Choir since 19S7 sue* ceeding her husband, the late W alter B. Larsen, founder of the Choir. Mrs. Larsen is a g raduate of Olivet and holds a M aster of M usic degree with m ajors in both voice and piano from the American Conserva-

NAOMI LARSEN tory of Music in Chicago. More recently she has studied with Soulima Stravinsky and Dorothy Bowen, and did further post-graduate work at the London Royal Academy of M usic. Mrs. Larsen conducts the annual perform ances of Messiah in addition to conducting Orpheus Choir and teaching voice, piano, and conducting.

ITINERARY

Novem ber 23, Sunday D ecatur, Illinois

(West Side)

December 10, W ednesday Kankakee, Illinois

( Bishop M cNam ara High Schoo''

December 14, Sunday Chicago, Illinois

(A ustin)

A pril 15, W ednesday Jackson, Michigan

(F irst)

A pril 16, Thursday Plym outh, M ichigan

April 17, Friday M idland, M ichigan

(F irst)

April 18, Saturday Ferndale, M ichigan

A pril 19, Sunday a.m. Pontiac, M ichigan

(F irst)

A pril 19, Sunday p.m. D etroit, Michigan

(F irs t)

May 3, Sunday p.m. Bourbonnais, Illinois

(College Church)

M ay 16, Saturday (A nnual Spring Concert)

PURPOSE — To provide instruction in certain branches of music, so that students may become Christian men and women of highest ideals and usefulness as teachers, perform ers, and church musicians.

DEGREES — B.S. in Music Education. Music courses prepare one for teaching in public schools as well as private teaching. Applied work is offered in piano, organ, voice, stringed, woodwind, brass, and per­cussion instruments.

B.S. in Church Music. Music courses p re­pare one for full time church work. Applied work may be taken in voice or organ.

FACULTY — Ten full time and four part time people com prise the teaching staff. Th ree have done considerable work toward the doctorate.

ENSEMBLES — The O ratorio Chorus, Orpheus Choir, Treble Clef Choir, and V iking Male Chorus offer vocal ensemble experience while the Brass Choir, H and Bell Choir, College Orchestra, Concert Band, and Varsity Band give instrum entalists an opportunity for participation.

A limited number of music scholarships is available. F or inform ation w rite Harlow E. Hopkins.

OLIVET'S MUSIC PROGRAM

Olivet Nazarene College DEPARTMENT OF MUSIC

LUDWIG

CollegeCenter

Ludwig Center is one of Olivet’s newest build ings, having been completed in 1966. It provides space for a 1,000-seat dining area, a book store, post office, formal lounge, Associated S tudents’ offices. A lum ni office, D irector’s office, faculty lounge, radio station W KOC-FM , sem inar rooms, snack and recreation area, and other services.

This build ing is evidence of the continuing support of the Nazarenes on the Centra] Educational Zone.

Olivet, located sixty miles south of Chicago, is a fully-accredited, four-year liberal arts college, a mem ber of the N orth Central Association of Colleges and Secondary Schools, the N ational Council for the A cceditation of Teacher Education, and the American Association of Colleges and Universities. In addition, Olivet has received Reasonable A ssurance of A ccreditation by the N ational League of N ursing and is recognized by the D epartm ent of Justice for the train ing of foreign students.

The College offers the M aster of A rts degree in Theology, Biblical L iterature, and E le­m entary Education, as well as the Bachelor of Theology, Bachelor of Arts, and Bachelor of Science degrees w ith m ajors available in nearly th irty departm ents.

The Faculty is comprised of over ninety men and women with thirty-five holding earned doctorates. It is a highly-trained and dedicated group com m itted to the idea that the im pact of the com m unity of C hristian faith of faculty and students should lead eacl person to develop a personal faith and a value system within the evangelical Christiar tradition.

C olossians 3 :1 6“ Let th e w ord of C h ris t dw ell in you r ic h ly in all w isd o m ; te a c h in g a n d a d m o n ish in g one

an o th e r in psa lm s an d h y m n s a n d sp ir itu a l songs, s in g in g w ith g ra c e in y o u r h e a r ts to th e L o rd .” T h e N ew T e s ta m e n t c h u rc h w as a s in g in g ch u rc h . I t w as a v ic to rio u s ch u rch . It w as an e v a n g e lis tic ch u rch . O liv e t’s D e p artm en t of M usic is co m m itte d to e x c e l­len ce in tra in in g a n d in p e rfo rm an c e . T h is r e p u ta tio n is w ell d ese rv ed a n d ex te n d s th ro u g h o u t o u r c h u rc h a n d b ey o n d . T h e ir m in is try w ill in sp ire an d bless. W e a re d e ­l ig h te d th a t th e m usic of th is g ro u p ca n be sh a red w ith you a n d we tru s t th a t your h e a rt w ill be w arm ed by th e p re se n c e o f o u r s tu d en ts .

— H a ro ld W . R eed P re s id e n t

W ith the announcem ent in 1968 of a new ten-year developm ent program , Olivet faces the future w ith faith and courage. She strives to assist the stud* in developing a wholesome and well-integral C hristian personality, thus preparing him for telligent Christian citizenship, as well as to assist him in developing attitudes, habits, and interests which characterize an educated person. Th< ideals have led many to con tribu te to the Coll* ; through the years. If you wish to assist O livet— achieving her avowed goals you may learn of the opportunities w hich are available by writing Rev. Louis McM ahon, D irector of Estate Planning, W s and A nnuities.Olivet N azarene College • Kankakee, Illir^ -s

“Education with a Christian Purpose”

HARLOW E. HOPKINS, Chairman

OLIVET NAZARENE COLLEGE

DEPARTMENT OF MUSIC

p A & h & n t i

BRADLEY UNIVERSITY CONCERT BANDDr, Kent Campbell, Director

PROGRAM

Chimes of Liberty ,Edwin Franko-Goldman

Fantasies on a Theme by Haydn , „ , , Norman Dello Joio

Feast of the Apostles . . . . . . . . . oRichard WagnerChoir of Children Choir of Angels Finale

Piccolo Concerto, . ......... VivaldiPenny Shook, soloist

Canzona .............. .Peter Mennin

I n t e A m t h h t o n

Suite of Old American Dances, , .Robert Russell Bennett Cakewalk ShottishWestern One-step Wallflower Waltz Rag

Trumpet Concerto, . Johann HummelKeith Ramsden, soloist

Concertino, . . . . . . . . . . . . . .Clifton Williams

Stars and Stripes . . . . . . . . . . John Philip Sousa

Chalfant Hall April 21, 1970 7;30 p.m.

OLIVET NAZARENE COLLEGEDEPARTMENT OF MUSIC

%

AN O R A T O R IO B Y

C E C IL E F F IN G E R

THE ORATORIO CHORUS8:30 P.M.

A pril 29, 1970 The College Church

D. GEORGE DUNBAR Conductor

W illiam H o ld a _____________________________________________________ Organist

CHARACTERS

Sandra M c P h a il__________________________________________ The Singer

Laurel L a r s o n ________________________________________________ Susanna Wesley

Terry L a m b rig h t John Wesley

H arrison S te w a r t_______________________________________________ The M oravian

THE ORATORIO CHORUS

Donna Allison Judy KelseyBeva A rm strong Duane LachDonald Bailey Robert LafonSandra Baldridge G racie L arrabeeTerry Baldridge Larry LeckroneDebbie Ballmer Brenda LowranceR andall Beegle Pam ela M aetherDonna Bennett A nne MaishH arriet Bennett Diana MarvelW ynne Bumpus Ruth MaxsonR ichard Bushey Linda M cCorkleArden C arr Sandra M cPhailStephen Caudill A ndria MeadowsH arold Christy Jam es MillerElizabeth C lark G aren MiltonShirley Close Gordon M iltonRuth Combest A nita MooreMarilyn Cone D iana MooreJu lia Dahlem Alan MossRona Davis Jam es MottrerSteven deVidal K atrina N ottinghamNola Embry Beverley OzeeTerrence Fortier Alice PaisleyLinda Freese Larry PenrodN ina Freesmeyer Jam es PetersonL inda Frizzell Carolyn PooleEdith Fromm K athy P ra terA rietta Graeflin D onald R ohrerPeggy Hall R ita ShafferDouglas H am stra G alen Scam m ahornSandra Hem m ingsen Jan is SharpK aren H illiker Louise ShepardSteven Hofferbert L inda Lee SmithD ianne Hooper Leon SteelyConstance Howe Robert SuttonGary H ubartt Constance ThomasD ennis Huffm an Beth T urnerNeil Hunt George T urnerHarold Ingle Joy V andersteenL inda Jam agin B arbara VoylesSallie Johnson Denise W illiam sVera Johnson Gregory W illiamsK athryn Jorden Stephen W illsMaribeth K auffm an Gary Wisdom

PROGRAM NOTES

John Wesley’s conversion experience, which took place in May, 1738, is not

unique in the history of the church. To attem pt to make it so is to court the

danger of idolizing one whose own concern was that every man might receive

the gift of Grace. Attempts were made to stress those aspects of Wesley’s con­

version which link it with the testim ony of many others in the history of the

Christian faith, namely, the futility of m an’s attem pt to find God for himself,

contrasted with the inscrutable mercy with which God searches out man.

These elements of the Wesley story are universal. To understand them no p ar­

ticular knowledge of Wesley biography is needed, although certain passages are

indeed based on actual events. Wesley was in fact rescued from a burning house

when he was a child, and he was in several storm s at sea which shook his faith.

The M oravians were a prim ary source of religious inspiration to him. Many of

the words here used are drawn from docum ents of the Wesley family. The hymns

of Charles Wesley have been used liberally. Also used are letters of the two

brothers and their mother, Susanna Wesley, the journals of both John and

Charles, serm ons of John Wesley, and passages from Holy Scripture. The words

of The Singer at the beginning of P art V are by W illiam Cowper.

The year 1957 m arked the two hundred fiftieth anniversary of the birth of

Charles Wesley. The first perform ance of The Invisible Fire took place at the

N ational M ethodist Student Conference, Lawrence, Kansas, on December 31,

1957, w'ith the Kansas City Philharm onic and the 200 voice conference choir, Thor Johnson, conducting.

Costumes through the courtesy o f the Drama Department.

Choir robes through the courtesy o f K ankakee Eastridge High School Vocal M usic D e p a rtm en t, D a n ie l L id d e ll, d ire c to r .

OLIVET NAZARENE COLLEGE

Olivet, located sixty miles south of Chicago, is a fully-accredited, four-year liberal arts college, a mem ber of the N orth Central Association of Colleges and Secondary Schools, the N ational Council for the A cceditation of T eacher Education, and the Am erican A ssociation of Colleges and Universities. In addition. Olivet has received Reasonable A ssurance of A ccreditation by the N ational League of N ursing and is recognized by the D epartm ent of Justice for the training of foreign students.

The College offers the M aster of A rts degree in Theology, B iblical L iterature, and E le­m entary Education, as well as the Bachelor of Theology, Bachelor of Arts, and Bachelor of Science degrees with m ajors available in nearly th irty departm ents.

T he Faculty is comprised of over ninety men and women w ith thirty-five holding earned doctorates. It is a highly-trained and dedicated group com m itted to the idea that the im pact of the community of C hristian faith of faculty and students should lead each person to develop a personal faith and a value system w ithin the evangelical C hristian tradition.

OLIVET NAZARENE COLLEGE

DEPARTMENT OF MUSIC

6 a.

STUDENT RECITAL

Pur di Cesti, 0 Bocca Bella.; . . . . . . .Antonio LottiDenise Williams, alto

Beth Clark, accompanist

Brautlieder . . . . . . . . . . . . . ,Peter CorneliusDer Liebe Lohn

Karen Hilliker, soprano Naomi Larsen, accompanist

Excursions No, 1 . .Samuel BarberConnie Pryor, piano

Wanderers Nachtlied Op, 96, No. 3, , , , Franz Schubert Harrison Stewart, baritone Naomi Larsen, accompanist

Duet For Snare Drum and Timpani, . . . . . .Thomas Siwe Richard Hertsel, timpani Danny Lang, snare drum

Silent Noon, . . . . . . . . . . . .R. Vaughan WilliamsDennis Huffman, baritone Naomi Larsen, accompanist

Zueignung, . . . . . . . . . . . . . . cRichard StraussDiana Marvel, mezzo-soprano Beth Clark, accompanist

Masques, . . . . . . . . . . . a . . . . . . . .DebussyBeth Clark, piano

Green Pastures .SandersonSheryl Riddle, soprano

Joy Vandersteen, accompanist

(over)

H i 6 . « . A . . . o g « . S » . e . C O

Robert Lafon, baritone Linda Jarnagin, accompanist

Sing to my Heart a Song. , * , , „ . .Vittorio Kathy Prater, soprano

Carolyn Poole, accompanist

Reed Lecture Hall April 30, 1970 4;30 p.m.

c.Caccini

Grannini

OLIVET NAZARENE COLLEGE

G O N C E R tf

W P

Spring ConcertHarlow Hopkins, conductor

PROGRAM

Intrada Drammatica. . . . . ............................................... Alfred Reed

The Red Pony (Film Suite for Band)........................................ Aaron Coplandla Dream March lb Circus Music II Walk to the Bunkhouse

III Grandfather1s Story IV Happy Ending

Aria from "Bachianas Brasileiras No, 5” ............................ Heitor Villa-Lobostrans. by W. Hebert

Concertino, Opus 2 6 .................................... Carl Maria von WeberRobert Phillips, Clarinet Soloist

INTERMISSION

Pterodactyl March . . . . . . Bob Seibert

Overture to "Die Fledermaus"............................................. Johann Straussarr. Lucien Cailliet

Fantasia di Concerto............................................. . . . . .E. Boccalariarr. Kent-Akers

Robert Phillips, Clarinet Soloist

Holiday for Trombones........................................................David Rosearr. Paul Herfurth

Selections from "West Side Story" .................................. Leonard Bernsteinarr. W. J. Duthoit

PROGRAM NOTE

Aaron Copland wrote the music for the film "The Red Pony" in 1948 and completed the orchestral concert suite in the same year. The version of the suite which you will hear this evening was done by the composer in 1966 with the four most suitable move­ments for band being retained and transcribed from the original six-movement orches­tral suite.

CHALFANT HALL 8 PM, MAY 1, 1970

John Steinbeck’s well-known tale is a series of vignettes concerning a ten-year-old boy called Jody, and his life in a California ranch setting. There is a minimum of action of a dramatic or startling kind. The story gets its warmth and sensitive quality from the character studies of the boy Jody, Jody’s grandfather, the cow-hand Billy Buck, and Jody’s parents, the Tiflins. The kind of emotions that Steinbeck evokes in his story are basically musical ones, since they deal so much with the un­expressed feelings of daily living.

DREAM MARCH AND CIRCUS MUSIC Jody has a way of going off into day-dreams. Two of them are pictured here. In the first, Jody imagines himself with Billy Buck at the head of an army of knights in silvery armour; in the second, he is whip-cracking ringmaster at the circus.WALK TO THE BUNKHOUSE Billy Buck "was a fine hand with horses", and Jody*s admira­tion knew no bounds. This is a scene of the two pals on their walk to the bunkhouse

GRANDFATHER’S STORY Jody's grandfather retells the story of how he led a wagon train "clear across the plains to the coast," But he can't hide his bitternessfrom the boy. In his opinion "Westerning has died out of the people. Westerningisn't a hunger any more."!!!!HAPPY ENDING Some of the title music is incorporated into the final movement. A folk-like melody suggests the open-air quality of country living and mounts to the climax of a "happy ending."

THE SOLOIST

Robert Phillips, guest clarinetist on this evening's program, is a former Olivet student who subsequently attended the University of Michigan where he played in the first clarinet section under Dr. William Revelli,

In 1966 he became a member of the United States Navy Band and served with that organ­ization until February of this year. While in the Navy he was a meber of the NavyBand Woodwind Quintet and appeared as soloist with the Navy Band String Quartet. Ofa recent appearance in which the Mozart Clarinet Quintet was performed, the "Washington Post" music critic wrote: "well-modulated clarinet playing, controlledto a remarkable degree."

Mr. Phillips is now first clarinetist with the Arlington, Virginia Symphony Orchestra and will soon be appearing as soloist with that organization in a performance of Mozart's "Sinfonia Concertante." He is a student of Harold Wright, National Symphony, and of David Weber, New York City. He is also pursuing graduate work at Catholic University, Washington, D. C.

BAND PERSONNEL

FLUTE Donna Jones

(Secretary)Anne Maish Sherree Bullis Jane Hamlin Joy Vandersteen

OBOE Elizabeth Clark Patsy Fagan

Bb CLARINET Russell Lovett Edith Fromm Sandra Hemmingsen Sandra Lang Beverly Ozee Lois McLaughlin Marilyn HuIvey Steve deVidal

ALTO CLARINET Karen Hilliker

BASS CLARINET Shirley Close

BASSOON Marna Ankney

ALTO SAXOPHONE Joseph Culver Harold Hayes III

(Treasurer)

TENOR SAXOPHONE Vera Johnson

BARITONE SAXOPHONE Steve Roberts

FRENCH HORN Garen Milton Sharon Paluszkiewicz Nina Freesmeyer Arlette Graeflin Leon Steely

TRUMPET Janis Sharp Linda Smith Brad Williams Steve Longfellow Russell Hodges Duane Lach

EUPHONIUM Terry Baldridge

(President) Michael Brown

TROMBONE George Turner, Jr. Alan Moss

(Librarian) Steven Doenges Steven Hofferbert

TUBADouglas Gunnerson

(Chaplain)Paul Dillinger

TIMPANI Vicki Moyer

PERCUSSION Jerry Cox James Greenstreet Richard Hertsel Randy Shanks Janice Stegemoller

STRING BASS Linda Moore

(Vice-President)

SENIOR RECITAL

OLIVET NAZARENE COLLEGED E P A R T M E N T OF M U S IC

presents

K A R E N H I L L I K E R, sopranoNaomi Larsen, accompanist

aAA'Uted by

GARY HUBARTT, piano

Selve amiche. . o o c e . a . e . 9 .. Antonio Caldara Porgi, amor, qualche ristoro (Le Nozze di Figaro) . . .

c o . Wolfgang Mozart XI Neige o e o 5 o o « c - o » , o o o o o o Henri Bemberg Elle a fui, la tourterelle! (Les Contes d ’Hoffmann) c .

. , . Jacques Offenbach

Prelude 6 Fugue No, 5 in D (W„T0C») , . , » ,J, S„ Bach Capriccio in b minor Opus 76, No„ 2 . «, Johannes Brahms

Du Bist Wie Eine Blumec .............Anton RubinsteinBrautlieder . . . . . . . . . . . . . . Peter Cornelius

Der Liebe Lohn Vorabend

Passing Thought . . . . . . . . . . . .Fyodor LaskovskyValse in Ab Opus A2 ........ . . . . . Frederic Chopin

(over)

May, The Maiden c » « • => < I Heard A Piper Piping. = „ Who'll Buy My Lavender, . » The Year's At The Spring. ,

, , * , . John A, Carpenter 0 „ e « . « Norman Peterkin

Edward German . . „ . . . .Hj Ho A. Beach

Reed Lecture Hall May 2, 1970 7:00 p,m.

T k li a z c i t a l ii> being m z iz n tz d in p a r t ia l fiu lfiittm ent oh th e aequiaement faoti the. Bacheton. oh A - t i i degaee in M a i i c Education,

SENIOR RECITAL

OLIVET NAZARENE COLLEGED E P A R T M E N T OF M U S IC

presents

N I N A F R E E S M E Y E R , sopranoCarolyn Poole, accompanist

<U>i>iAt<zd bij

LORRAINE DALOLIESH* piano

O O O 0 o oHere amid the shady woods (Alexander Balus)•c c ^George F„ Handel

Deh vieni non tardar (Marriage of Figaro) „ „ «, s Q „0 o o Wolfgang Mozart

0 mio babbino caro (Gianni Schicchi), „ Giacomo Puccini

Organ Prelude £ Fugue in g minor0 « « » « , »J, S. Bach Transcribed for piano by Dmitri Kabalevsky

Der Jongleur Opus 31, No, 3 , „ 0 o o « o ° »Ernst Toch

Das veilchen, „ 0 „ 0 » » » « « « » » <, Wolfgang MozartDu bist die ruh o ® o o » * 0Franz SchubertDas erste veilchen, 0 o » 0 o o o a o Felix MendelssohnVergebliches standchen„ , » 0 „ 0 « . „ Johannes Brahms

Dance in Bulgarian Rhythm (Mikrokosmos No0 1N9) „ 0 . „„ o . 'B'Sla Bartok

La Fille aux Cheveux de Lin (ler Livre de Preludes) „ „e 0 0Claude Debussy

Humoreske Opus 10, No, 5„ „ „ „ „ 0 Sergei Rachmaninoff

(over)

Aux enfants Sergei RachmaninoffSure on this shining night. . . . . . . . Samuel BarberLoveliest of trees-, John DukeThe Time for making Songs has come. . . . .James Rogers

Reed Lecture HallMay 2, 1970 8:30 p.m.,

Tku> necjJjxl -Lt> being pneien ted -in p a r t ia l iu ti-M m en t 0j( th e neqainexnent ion. th e Bac.heI.on. o i Knjtt, degn.ee -in MuA-ic Education*

OLIVET NAZARENE COLLEGE

DEPARTMENT OF MUSIC

psieu,entt> a

STUDENT RECITAL

Gretchen am Spinnrade, „ 0 ° <> # « <> ■> • Franz Schubert Linda Freeze, soprano

Mark Hostetler, accompanist

Suite for Alto Saxophone and Piano , „ 0 « Paul Bonneau Improvisation

Arden Carr, alto saxophone Carolyn Poole, accompanist

Incline Thine Ear„ „ o o o » 0 » « o « « Ernest Charles Nola Embry, contralto

Sandra Baldridge, accompanist

Sonata, Opus L9, No. 2 » „ 0 0 » « Ludwig von Beethoven Linda Jarnigan, piano

Somber Woods 0 0 0 0 0 0 0 9 0 0 0 0 0 0 0 0 0 0 0 Lully Don Weiher, baritone

Kay Johnston, accompanist

Concerto I I » e o o < , 0 0 o o o 3 . Carl Maria von Weber Allegro

Sandra Hemmingsen, clarinet Beth Turner, accompanist

La Partenza. „ , , „ „ „ » 0 0 » . Ludwig von Beethoven Alice Paisley, soprano

Andria Meadows, accompanist

Zueignunge o o e o o o o o o o . o o o oRichard Strauss Karen McPhail, contralto Beth Clark, accompanist

Money,0!, 0 0 » 0 0 0 0 0 0 0 0 0 0 0 0 0 Michael Head Larry Leckrone, baritone

Mark Hostetler, accompanist

Reed Lecture Hall May 5, 1970 9:30 a„m.

DEPARTMENT OF MUSIC

p A c a e n t i a

STUDENT RECITAL

Arm, Arm, Ye Brave (Judas Maccabeus) „ George F, Handel Richard Bushey, "baritone

Mark Hostetler, accompanist

Water Music Suite, 0 . . . . . HandelII Air

Terry Fortier, organ

Silent Noon, . . . . . . „ ........ R. Vaughan WilliamsDennis Huffman, bass

Naomi Larsen, accompanist

Praambeln und Interludien, , 0 . . , .Hermann Schroeder VIII Vivo

Pamela Maether, organ

o © oElle a fui la tourterelle (Les Contes D*Hoffman).Jacques Offenbacho e o'-

Wynne Bumpus, soprano Carolyn Poole, accompanist

Rhapsody Op. 11, No. 4 . , . , . . .Ernst von Dohnanyi Linda Smith, piano

Come Love, come Lord . . . . . .Ralph Vaughan Williams Terry Lambright, tenor

Terry Baldridge, accompanist (U&i&toA by

Jewell Grothaus, viola

God My Father. . . . . © . . . . . © . . © e o .Dubois Gary Hubartt, bass-baritone Gary Wisdom, accompanist

(over)

When Jesus Walked on Galilee . . . . . .Beva Armstrong, soprano Gary Wisdom, accompanist

Rhythmic Suite . . . . . . . . . . . . .Rhythms

William Holda, organ

College Church May 7, 1970 As30 p.m.

.Clara Edwards

.Robert Elmore

OLIVET NAZARENE COLLEGED E P A R T M E N T OF M U S IC

presents

SENIOR RECITAL

Bist du bei mir .Johann Sebastian BachWhen I Think Upon Thy Goodness. . .Franz Josef Haydn I Sought the Lord . . . . . . . .Frederick StevensonGod, My Father (The Seven Last Words) . . . . . . .

Behold, I Send An Angel . . . . . . . . Michael Head

Old American Songs (Second Set) » . , .Aaron Copland Zion's Walls At the River Ching-a-ring Chaw

Reed Lecture Hall May 8, 1970 7 s 0 0 p „ m .

Theodore Du Bois

God Is My Strength Bernard Hamblen

Among the Living. , . Ride On, King Jesus .

. Albert Hay Malotte

. . » . . .Spiritual arr. by Hall Johnson

This recital is being presented in partial fulfillment of the reauirement for the Bachelor of Science degree in Church Music.

SENIOR RECITAL

OLIVET NAZARENE COLLEGED E P A R T M E N T OF M U S IC

presents

D O N N A T 0 I G 0 B E N N E T T , s o w nGary Wisdom, accompanist

G E R A L D E, P A R R , tenorElizabeth Clark, accompanist

Amarilli, mia bella. Giulio CacciniAria Sacra . . . a . . . . . . . . . Benedetto MarcelloUna furtiva lagrima "L'Elisir d’amore" . . . o . » . *

a . eGaetano DonizettiLa donna e mobile "Rigoletto". . 0 » o . Guiseppe Verdi

Mr. Parr

I’ve Been Roamings » « . , , , . , . , .Charles F. HornLe violette. . , Alessandro ScarlattiHochster, was ich habe, Cantata #39. . . . . J. S. Bach

aAbAAtzd by Anne Maish, flute Mrs, Bennett

Wie, du rufst mich, "Die Gartnerin aus Liebe". . 0 e .« . , W. A„ Mozart

Duet

Ouvre tes yeux bleus MassenetStandchen. .Richard StraussDie Lotosblume .Robert Schumann

Mr. Parr

In quelle trine morbide, "Manon Lescaut" . . . . . . .. . . Giacomo Puccini

As It Fell Upon A Day. . . . . 0 . . . . .Aaron CoplandSandra Hemmingsen, clarinet

Anne Maish, flute Mrs. Bennett

Blow, Blow thou Winter Wind. « , . . . . .Roger QuilterLuke Havergal. . . . . . . o . . . . . . . . .John DukeIs My Team Ploughing . . . . . . . . George Butterworth

Mr. Parr

Nuit D'Etoiles „ 0 . . . . . . . . . . . Claude DebussyWie Melodien zieht es mir. . . . . . . .Johannes BrahmsUm schlimme Kinder artig zu machen „ . . .Gustav Mahler

Mrs. Bennett

Recitative and Arias If with all your hearts "Elijah".» . .Felix Mendelssohn

Fear not ye, 0 Israel! . . . . . . . . . . .Dudley BuckMountains, o o . . . . . . . . . . . . . .Oscar Rasbach

Mr. Parr

Simple Gifts . . . . . . . . . . . . . . .Aaron CoplandShelling Peas. . o o . . o . o o o . . o . . oJohn Duke Love Song. . . . . . . . . . . . . . . . Virgil ThomsonLaurie's Song, "The Tender Land" . . . » .Aaron Copland

Mrs. Bennett

Reed Lecture Hall May 9, 1970 7s00 p.m.

T h i s a e c i t a i i s b e i n g p r e s e n t e d i n p a r t i a l ^ u t ^ i i i m e n t

o l t h e . A e q u i a e m e n t s ^ o a t h e E a c h e l o A o & A A t s i n M u s i c

E d u c a t i o n a n d t h e E a c h e J L o A o £ S c i e n c e i n C h u A c h M u s i c

d e g a e c s ,

SENIOR RECITAL

OLIVET NAZARENE COLLEGED E P A R T M E N T OF M U S IC

presents

S H E R Y L M E Y E R I N G B R OWN , c o n t r a lto

Stephen Brunt, accompanist

L I N D A M O O R E , ' c e l l o

Linda Smith, accompanist

Pieta Signore„ 0 « « » » o « o « • Alessandro StradellaSe Florindo e fedele „ „ „ . 0 „ „ Alessandro Scarlatti0 mio Fernando , , , » . 0 0 „ 0 <> « «Gaetano Donizetti

Sonata in E minor,, » . , . . « , , , „ 0Antonio Vivaldi Largo Allegro Largo Allegro

Xm H e r b s t R o Franz An Die Musik . a a o o o . a c o o o a o o o F o Schubert Le Soir„ „ . . 0 , . „ « » , . „ » » . » Charles GounodSur La Terrasse de Saint Germain 0 * o o o F. FourdrainFaites-lui mes aveux , „ » « , 0 0 . » « Charles Gounod

Suite Franjaise sur des airs populairesQ Paul Bazelaire Bourree d*Auvergne Chanson d*Alsace Chanson de Bresse Berceuse ponulaire francaise Montagnarde d*Auvergne

(over)

Music I Heard With You „ 0 . . o o . » .Richard Hageman The Green River, „ „ „ „ . . 0 . o . .John A. Carpenter H i l l s o o o o o o o o o o . D o o D o o e .Frank LaForge

Drei leichte Stucke. 0 .. . . . . . . Marjig schnell, munter Langsam; et was bewegter, einleiten Lebhaft

Reed Lecture Hall May 9, 1970 8 s 30 p.m0

„ Paul Hindemith

wie zuerst

This recital is being presented in partial fulfillment of the requirement for the Bachelor of Science degree in Music Education.

presents

SENIOR RECITAL

J A M E S M I L L E R - organ

by

JAMES PETERSON, BARITONE Diana Marvel, accompanist

OLIVET NAZARENE COLLEGED E P A R T M E N T OF M U S IC

Fugue in G minor. . . . . . . . . . . Johann S. BachChorales o . o o . . . 0 0 . 0 . 0 0 0 Johann S. Bach

Alle Menschen mussen sterben Ich ruf zu dir, Herr Jesu Christ

Prelude and Fugue in C Major

Se nel ben sempre . . . . . . . Alessandro StradellaChe fiero costume . . . . . . . . .Giovanni LegrenziDeh vieni alia finestra (Don Giovanni). . . . . . .

. , . Wolfgang A. Mozart

Suite Medieval. . . . . . . . . . . . .Jean Langlais Prelude TientoImprovisationAcclamations

Die Winterreise . . Franz SchubertDer Lindenbaum Letze Hoffnung

Jesus, The Very Thought of Thee . . . David Williams

(over)

Homage to Perotin Myron J , RobertsChorales. „Max Drischner

Aus tiefer Not schrei ich zu dir Nun lob, mein Seel, den Herren 0 heiliger Geist, o heiliger Gott

Fanfare D'orgue 4 Harry Rowe Shelley

College Church May 10, 1970 3:00 p.m.

This A e c ita t -is being oAesented in p a A tia t ^ut&ilZment ofa th e AequiAement fioA th e BacheloA ofi A Ats degAee in Music Education.

OLIVET NAZARENE COLLEGE

DEPARTMENT OF MUSIC

A N N U A L S P R I N G C O N C E R T

TREBLE CLEF CHOIRIrving Kranich, Director

VIKING MALE CHORUSGerald E. Greenlee, Director

Unchained Melody. . . . . . . . . . . North-SticklesThe Little White Hen. . . . . . . . . . . .ScandelloTen Little Indians, . . .Margaret and Travis Johnson They Call The Wind Maria. . . . . . . . . . . .Loewe

Brothers, Sing On . . . . . . . . . . . Edvard GriegLet Me Call You Sweetheart, . . . . . ,Friedman-AdesColorado Trail. .arr, LuboffIts A Grand Night For Singing , . . .Richard Rodgers

List the Cherubic Host "The Holy City". . . . . Gaul Donna Peck, soprano Gary Hubartt, bass

Madame Jeanette Murray-BreckI Do. I Do! . , . , , , . , , . , , , .Schmidt—Rizzo

I Do, I Do Together Forever What Is A Woman?My Cup Runneth Over

Jayne Graham, soloist

Black Rode The Wind John CacavasYou'll Never Walk Alone . . . . . . .Richard RodgersThe VIKINGS . . . . . . . . . . . . Edward T. MilkeyThe Exodus Song . . . . . . .......... .Ernest Gold

Chalfant Hall May 11, 1970 8:00 p.m.

OLIVET NAZARENE COLLEGE

DEPARTMENT OF MUSIC

p f i e A z n t -6 a

STUDENT RECITAL

Caro mio ben . . . . . . . . . . . . . Umberto GiordaniPeggy Hall, soprano

Linda McCorkle, accompanist

La Partenza. . . . . . . . . . . . Ludwig van BeethovenAlice Paisley soprano

Andria Meadows, accompanist

Fugue No, 2 in c minor (WTC I) . . , . . Johann S, BachSandra Baldridge, piano

Bois Epais . . . . . . . . . . 0 0 ..Jean Baptiste LullyLinda Frizzell, soprano

Joy Vandersteen, accompanist

By the Waters of Babylon . . . . . . . . Antonin DvorakAndria Meadows, contralto Gary Wisdom, accompanist

Una furtiva lagrima (L1Elixir d*amour) . , . ........» . .Gaetano Donizetti

Steve Wills, tenor Gary Wisdom, accompanist

Si Mes Vers Avaient Des Ailes, , , , . . .Reynaldo Hahn Laurel Larson, contralto Gary Wisdom, accompanist

Widmung. . . . . . . . . . . . . . < > • » • Robert FranzTerry Sather, baritone Donna Sather, accompanist

Aria . . . . . . . . . . . . . . . . Heitor Villa-LobosGaren Milton, french horn Carolyn Poole, accompanist

(over)

We Thank Thee. . . . . . . . . . . . Bernard FitzgeraldGayle Cox, soprano

Arlette Graeflin, accompanist

The King of Love ......... Charles GounodSteve Hofferbert, baritone Beth Clark, accompanist

0 Lady Moon. . . . . . . . . . . . . . . Alan HovhanessAnne Maish, soprano

Russell Lovett, clarinet Steve Brunt, piano

Invention No. 13 in a minor. . . . . . . Johann S, BachPrelude in g minor Op. 28, No. 22. . . .Frederic Chopin

Douglas Hamstra, piano

Pace, Pace mio Dio (La Forza del Destino). . . . . . ., . . Giuseppe Verdi

Sandra McPhail, soprano Steve Brunt, accompanist

Reed Lecture Hall May 14, 1970 4:30 p.m.

OLIVET NAZARENE COLLEGE Department of Music

presents

Naomi Larsen Director

in

T H E INI □ W

S O U N D

Chalfant Hall May 16, 1970

Saturday Evening Eight o'clock

C A S T

ORPHEUS CHOIR

Director...................... Naomi Larsen

Producer (and "Biff Barf"). Lauren Larsen

Asst. Producer (and "Marvin Milhouse"). .. . . Robert Azkoul

Accompanist . . . . . . . . . Steve Brunt

B a s s . John Sprunger

Guitar.......................Harold Christy

Drums ................. .Mike Weirman

Lighting...................... Alan Moss

S o u n d .................... Electronic SoundGrand Rapids, Michigan

P R O G R A M

SCENE I

Office and Studios of Biff Barf Talent Agency Inc.

Time: Late Afternoon

SCENE II

A few days later

SCENE III

Centre for the Performing Arts Several days later

SCENE IV

"The Sound of Living Stereo"

PERSONNEL

Beva Armstrong Debbie Ballmer Donna Bennett (Historian)

Sheryl Brown Wynne Bumpus Ronald Burnett Richard Bushey (Treasurer)

Rodney Bushey Elizabeth Clark Shirley Close (2nd Vice-President

Steven deVidal Paula Elliott Kay Embick Nina Freesmeyer (Chaplain)

Arlette Graeflin Cindi Hatfield Gary Hubartt Harold Huddle Dennis Huffman Gene Ingle David Kirk

Reid Krom Laurel Larson

(Robe Custodian) Anne Maish

Diana Marvel Karen McPhail

Sandra McPhail Andria Meadows

Linda Moore Gerald Parr

(1st Vice-President) Kathy Prater

) Mary SchrammRita Shaffer Cynthia Shaw

John Sprunger Andy Stephens

Harrison Stewart James Vidito (President)

Gary Voss Barbara Voyles

(Secretary) Denise Williams

Gregory Williams (Librarian)

Orpheus Choir

With a tradition of 39 years, the Orpheus Choir has continued to provide a richer musical, cultural and spiritual experience for some forty members. In the fall of each year, careful selection of personnel is made considering voice quality, range, pitch memory, sight reading and personality. On their spring concert tour the Orpheus has traveled extensively in the mid­west, Since 1948 it has sung at every General Assembly of the Church of the Nazarene. Orpheus has also appeared in concert at Service Clubs, Teachers' Institutes, Woman's Clubs, Chicago Sunday Evening Club,H.Y.C. at Detroit Ford Auditorium, and the American Association of Colleges for Teacher Education in Chicago,

The literature studied during the year is primarily sacred music from the masters,, In the spring, the one time of the year, they let their hair down and sing the less serious type of music. This gives them another educational experience and an exposure to this type of production which many of them will be called upon to direct and produce when they get into their various specialized fields of music.

Naomi R, Larsen

Since 1957 the Orpheus Choir has been under the leader­ship of Naomi Larsen, who succeeded her husband, the late Walter B, Larsen, founder-director. Mrs. Larsen is a graduate of Olivet and holds Master of Music degrees in piano and voice from the American Conserva­tory of Music. She has done graduate studv with Soulima Stravinsky, Dorothy Bowen and Bruce Foote. In London Royal Academy of Music she studied with Eva Turner, Hilda Dederich and Frederic Jackson. Workshops with Robert Shaw and Fred Waring have enriched her teaching. In addition to teaching piano, voice and conducting at ONC, she conducts the annual performances of the Messiah. The first semester of this year Mrs. Larsen spent her sabbatical leave teaching in our European Nazarene College in Switzerland,

(over)

Lauren Larsen

The caption over his "Who's Who" write up in the 1957 Aurora read "Young man with the golden voice" and pro­fessionally he has been living up to it ever since. Lauren is associated with several advertising agencies throughout the raid-west as a free-lance announcer, and currently has commercials playing across the country,He also records with several vocal groups including The Sixteen Singing Men, He graduated from ONC with an A.B, in speech and recieved his M.A. in speech from the University of Michigan, This is the seventh year he has produced the Orphetas Spring Musicale, Lauren is Vice-President of Investments for R, J, Ide Realtor in Grand Rapids,

Robert Azkoul

For the second year, Bob is on campus assisting the Orpheus in producing their annual spring musicale. Last year he staged and directed the cast and light­ing for a highly entertaining production, Bob has an M.A. degree in Education; majored in muaic and speech, and is working on an advanced degree in counseling and personnel. He has had over 20 years experience in directing, writing, and producing musical urograms, is founder-director of the "Sacred Tones", an interdenominational mixed chorus singing out of Grand Rapids, He has been choir director for numerous churches, and is currently director of vocal music in a Grand Rapids area High School,

(over)

OLIVET NAZARENE COLLEGEDEPARTMENT OF MUSIC

p> i£ i> Q .\ltA

C O N C E R T S I N G E R S

D, George Dunbar, Director Carolyn Poole, Accompanist

Program

I

Gloria (translation on back) .Vivaldi1, Gloria 7. Domine Fili Unigenite2. Et in terra pax 8, Domine Deus, Agnus Dei3. Laudamus te 9, Qui TollisL, Gratias agimus tibi 10, Qui sedes ad dexteram5. Propter magnam 11, Quondam tu solus Sanctu:

gloriam 12, Cum Sancto Spiritu6 . Domine Deus

Accompanied by instrumental ensemble

II

Selections from the following repertoire:Weep 0 Mine Eyes John BennettMusic Spread They Voice Around . , - . G„ F, HandelSound The Trumpet* . . . . . . . . . . .Henry PurcellPrayers From The Ark . . . . . . . . . . .Ivor DaviesNow From The Altar Of My Heart........ Sven LekbergFolk Hymns . . . . . . . . . . . . .arr, Alice ParkerShadrack . . . . . . . . . . . . . .arr, C, R. CasseyPax Dei, ................ C. W. Coombs

Concert Singers Personnelrano

Bennett, Donna Toigo Maish, Anne McPhail, Sandra Voyles, Barbara

AltoBrown, Sheryl Meyering Meadows, Andria Smith, Linda Williams, Denise

TenorHuddle, Harold Ingle, Gene Parr, Gerald Welch, David

BassHubartt, Gary Pinckard, Phil Voss, Gary Williams, Greg

String Bass - Linda Moore Percussion - Mike Weirman

Translation of Gloria text

1. Glory be to God on high.2. And on earth peace to men of good will.3, We praise Thee. Be bless Thee. We adore Thee.

We glorify Thee,4, S 5, We give thanks to Thee for Thy great glory.6, 0 Lord God, heavenly King, God the Father almighty.7, 0 Lord, the Only-begotten Son, Jesu Christ.8, 0 Lord God, Lamb of God, Son of the Fathers,

Who takest away the sins of the world, have mercy on us,

9, Who takest away the sins of the world, receive our prayer,

10, Who sittest at the right hand of the Father, have mercy on us,

11, For Thou only art holy. Thou only art the Lord, Thou only art most high, 0 Jesu Christ,

12, With the Holy Ghost in the glory of God the Father. Amen,

it it it it it it it it

About Concert Singers

Concert Singers was formed early in February, 1970,The group has or will appear at the following events: Sixtieth Annual Chamber of Commerce Dinner, Olivet Symphony Pops Concert, Olivet's Concert Band Banquet, Bishop McNamara High School, St. Martin's School,Round Table Concert, College Church of the Nazarene, First United Presbyterian Church of Kankakee, Olivet's Commencement Concert.

First United Presbyterian Church of Kankakee May 17, 1970

COLLEGE CHURCH OF THE NAZARENE

BOURBONNAIS, ILLINOIS

Dedication of the

Organ

OVID YOUNG, organist

with assisting vocal and instrumental musicians

Sunday, May 17, 1970 Four o'clock

INVOCATION Donald Irw in, pastor

M IN ISTER 0 worship the Lord in the beauty of holiness.

PEOPLE W e praise Thee, 0 God, we acknowledge T hee to be the Lord.

MINISTER It is a good th ing to give thanks unto the Lord, and to sing praises unto Thy Nam e, O Most High.

PEOPLE To show forth Thy loving-kindness every m orning and Thy fa ith ­fulness every night.

M INISTER 0 Lord, open Thou our lips.

PEOPLE And our mouths shall show forth Thy praise.

MINISTER Take up the tim brel and harp, and rejoice a t the sound of the organ.

PEOPLE P raise Him with the sound of the trum pet; praise Him w ith thepsaltery and harp. P ra ise Him with stringed instrum ents and organs.

ENTRATA F E S T IV A ___________________________________ Flor Peelersorgan with antiphonal brass and tympani

CONGREGATIONAL HYMN;

THE CHURCH’S ONE F O U N D A T IO N _________________No. 441organ, brass fanfares and soprano descant

GLORIA IN EXCELSIS D E O ________________________Antonio VivaldiThe Concert Singers and orchestra

D. George D unbar, conductor

TH E DEDICATION OF TH E ORGAN

M INISTER In a spirit of humility, and with hearts overflowing w ith praise, we would now dedicate this organ. W e are deeply grateful for this hallowed house of God, and are conscious of the sacrifices which have been m ade through the years by those who have gone before us. W e would add what we can to those things that make it possible to worship the Lord w ith beauty and gladness. W e would dedicate this concert to the glorious past, and hope to find in it the inspiration with which to face the unknown future. T hat the M inistry of Music in this church may be to the glory of God, we dedicate this organ.

M INISTER To the glory of God, the Father A lm ighty, that we may the more worthily worship Him.

PEOPLE W e dedicate th is organ.

M INISTER To the glory of Jesus Christ, the Saviour of the w orld, a t whose coming to earth the m ultitude of the heavenly host sang the songof the ages — “Glory to God in the highest, and on earth peace,good-will among m en” — th a t our joy in Him may find the moreworthy expression.

PEO PLE We dedicate th is organ.

M INISTER To the Holy Spirit, in whose fellowship the discords of life arelost in the glorious harm ony of God, that we may m ore fullyin terpret His prom ptings in our m inds and hearts.

PEOPLE We dedicate this organ.

M INISTER To the C hurch of Jesus Christ and its mission in the world— the com forting of the sorrowful, the strengthening, the salvation of m an’s im m ortal soul, the sw elling of the chorus of praise.

PEOPLE W e dedicate this organ.

THE NIN ETY -FIRST P S A L M ______________Gerald G reenlee, tenor

Jam es M acDerm id

Two Organ Chorale-Preludes: IF THOU BUT SUFFER GOD TO GUIDE TH EE ____ J. S. Bach

SONATA FOR ORGAN AND ORCHESTRA, K. 263 W. A. M ozart

CONGREGATIONAL HYM N:COME, THOU ALM IGHTY K IN G ____________________ No. 121

JESUS, TH E VERY THOUGHT OF T H E E ______________ Eric Thim anLinda D unbar, soprano

CONCERTINO FOR ORGAN AND O R C H E S T R A H arald RohligAllegro, M oderato molto, A llegro molto

PRELUDE AND TRU M PETING S FOR O R G A N M yron Roberts

LASST UN'S ERFREUEN (1623) _______________________Ovid Young(F ree Im provisation)

At a signal from th e organist, the congregation will rise and sing “ Praise God from W hom All Blessings Flow” with Alleluias, to the tune used in the foregoing organ improvisation.

BENEDICTION Donald Irw in

THE ELLA LEONA GALE ORGAN

1970

The Reuter Organ Company, Lawrence, Kansas

SWELL8 ' Principal 8’ Rohrflote 8" Viole De Gambe 8' Viole Celeste 4’ F lute 2 2 /3 ’ Nasard 2’ Blockflote 16’ Fagotto 8 ’ Trum pet 4’ H autbois T remolo

COU PLERS TO SW ELL: SW . to SW . 16’SW. Unison Off SW . to SW . 4'

PEDAL16' Contrabass 16’ Bourdon 16’ Lieblichgedeckt 10 2 /3 ’ Quint 8’ Diapason 8’ Bourdon 4’ Choral Bass 4’ Bourdon 2’ Bourdon 16' Fagotto 8’ Fagotto

CO U PLER S TO PED A L: GT. to PED. 8 ’GT. to PED . 4’SW . to PED. 8'SW. to PED. 4’CH. to PED. 8 ’CH. to PED. 4 '

GREAT8’ Open Diapason 8’ Vlelodia 8' Dulciana 4’ Octave 2 2 / 3 'Twelfth 2' F ifteenth III M ixture 8’ Festival T rum pet Chimes

C O U PLER S TO G R EA T: GT. to GT. 16’GT. Unison Off C T . to GT. 4’SW . to GT. 16’SW . to GT. 8 ’SW. to GT. 4'CH. to GT. 16’CH. to GT. 8’CH. to GT. 4'

CHOIR8’ Nasonflote 4’ Nachthorn 2’ Doublette 1 1 / 3 ’ Larigot Tremolo

C O U PLER S TO CH O IR : CH. to CH. 16’CH. Unison Off CH. to CH. 4’SW. to CH. 16’SW . to CH. 8'SW. to CH. 4’

The Organist acknowledges with grateful appreciation the musical assistance of the following persons:

Violin Scott BussKathryn Jorden Jewell Grothaus

Viola Jew ell G rothaus

Clarinet Harlow Hopkins

Trumpet Susan S laughter Trombone Terry Baldridge Janis Sharp George T urnerLinda Smith

Cello A nne Wetzel L inda Moore

Bass L inda Moore

Tym pani Michael W eirm an

Oboe Beth Clark

T h e C o n c e r t S in g e r s — D. George Dunbar, directorSandra M cPhail, A nne Maish, Donna Bennett, Barbara Voyles, A ndria Meadows, Denise W illiam s, Sheryl Brown, L inda Sm ith. David W elch, Harold Huddle, Gene Ingle, Gerald Parr, Gary Voss. Phil P inckard, Gary H ubartt, Greg W illiam s.

Olivet Nazarene CollegeDepartment of Music

FIFTY-SEVENTH ANNUAL

COMMENCEMENT CONCERT

Ovid Young, conductor

THE OLIVET NAZARENE COLLEGE ORCHESTRA STUDENT SOLOISTS

and

THE CONCERT SINGERSD. George Dunbar, director

C H A LFA N T H A LL SATU RD AY, MAY 23, 1970

8:00 P. M.

Program

In v o ca tio n ____________________________________________ Dr. Ross Price

Division of Religion & Philosophy

GLORIA

I. Gloria

II. Et in te rra pax

III. Laudamus te

IV. G ratias agimus tibi

V. P ropter m agnam gloriam

VI. Domine Deus

Antonio Vivaldi

V II. Domine Filii Unigenite

V III. Domine Deus, Agnus Dei

IX. Qui tollis

X. Qui sedes ad dexteram

XI. Quoniam tu solus sanctus

X II. Cum Sancto Spiritu

The Concert Singers and O rchestra

D. George D unbar, guest conductor

0 Had I Jubal’s Lyre (Joshua) George F. Handel

K athy P ra ter, soprano

The Jewel Song ( F a u s t ) Charles Gounod

Shirley Close, soprano

I N T E R M I S S I O N

Deh vieni non ta rd a r (The Marriage o f F ig a r o )_________ W. A. Mozart

N ina Freesm eyer, soprano

Non so piu cosa son, cosa faccio (The M arriage o f Figaro) W. A. Mozart

Sheryl Brown, mezzo-contralto

PRESEN TA TIO N :

TH E W A L T E R B. L A R S E N A W A R D FOR M U SIC AL EXCELLENC E

Harlow Hopkins, chairm an

Division of F ine A rts

Wie! du rufst m ich? (Die Gartnerin aus L i e b e ) W. A. M ozart

Donna Toigo Bennett, soprano

G erald Parr, tenor

Sonata for T ru m p e t Henry Purcell

Jan is Sharp , trumpet

Non mi dir ( Don G io v a n n i)___________________________ W. A. Mozart

S andra M cPhail, soprano

Scherzo Op. 102 (Concerto Sym phonique No. 4) H enry Litolff

Carolyn Poole, piano

TRANSLATION OF THE GLORIAI. Glory be to God on high.

II. And on earth peace to men of good will.

I II . We praise Thee. We bless Thee. We adore Thee. We glorify Thee.

IV. & V. We give thanks to Thee for Thy great glory.

V I. 0 Lord God, heavenly King, God the F ather Almighty.

V II. 0 Lord, the Only-begotten Son, Jesus Christ.

V III. 0 Lord God, Lamb of God, Son of the Father; Who takest awaythe sin of the world, have mercy on us.

IX. Who takest away the sin of the world, receive our prayer.

X. Who sittest at the right hand of the Father, have mercy on us.

X I. For Thou only a r t holy. Thou only art the Lord.Thou only a rt most high, 0 Jesus Christ.

X II. W ith the Holy Ghost in the glory of God the Father, Amen.

DEGREES TO BE CONFERRED 1970

BACHELOR OF ARTS IN MUSIC EDUCATION

Shirley Close, Voice K aren H illiker, Voice Jam es Miller, Organ Michael W eirm an, Percussion

BACHELOR OF SCIENCE IN MUSIC EDUCATION

‘ Terry Baldridge, Brass S tanley G reen, Voice Linda Moore, Strings A lan Moss, Brass David W ooten, Brass

BACHELOR OF SCIENCE IN CHURCH MUSIC

K enneth Gates, Voice Jam es Logston, Voice Gerald Parr, Voice David W elch, Voice

‘ Recipient of the 1969 W alter B. Larsen Award for M usical Excellence.