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Case Study
Designing With Empathy: Humanizing Narratives for Inspired Healthcare Experiences
Candy Carmel-Gilfilen, MArch1, and Margaret Portillo, PhD1
Abstract Objective: Designers can and should play a critical role in shaping a holistic healthcare experience by creating empathetic design solutions that foster a culture of care for patients, families, and staff. Using narrative inquiry as a design tool, this case study shares strategies for promoting empathy. Back- ground: Designing for patient-centered care infuses empathy into the creative process. Narrative inquiry offers a methodology to think about and create empathetic design that enhances awareness, responsiveness, and accountability. Methods: This article shares discoveries from a studio on empathetic design within an outpatient cancer care center. The studio engaged students in narrative techniques throughout the design process by incorporating aural, visual, and written storytelling. Benchmarking, observations, and interviews were merged with data drawn from scholarly evidence- based design literature reviews. Results: Using an empathy-focused design process not only moti- vated students to be more engaged in the project but facilitated the generation of fresh and original ideas. Design solutions were innovative and impactful in supporting the whole person. Similarities as well as differences defined empathetic cancer care across projects and embodied concepts of design empowerment, design for the whole person, and design for healing. Conclusions: By becoming more conscious of empathy, those who create healthcare environments can better connect holistically to the user to take an experiential approach to design. Explicitly developing a mind-set that raises empathy to the forefront of the design process offers a breakthrough in design thinking that bridges the gap between what might be defined as ‘‘good design’’ and patient-centered care.
Keywords academic research, case study, ambulatory care center, cancer center, evidence-based design, interior design, patient-centered care, qualitative research, design methodology
Purpose
Empathetic design, by definition, is life affirming.
By centering on patients, engaged family mem-
bers, and caregivers, empathetic design contributes
to a holistic culture of care. We argue that narrative
inquiry—giving insight into the thoughts, feelings,
and experiences of others—can and should inform
1 University of Florida, Gainesville, FL, USA
Corresponding Author:
Candy Carmel-Gilfilen, MArch, University of Florida, 334
Architecture Building, Gainesville, FL 32611, USA.
Email: [email protected]
Health Environments Research & Design Journal
2016, Vol. 9(2) 130-146 ª The Author(s) 2015
Reprints and permission: sagepub.com/journalsPermissions.nav
DOI: 10.1177/1937586715592633 herd.sagepub.com
http://www.sagepub.com/journalsPermissions.nav http://her.sagepub.com
the design process and brings design solutions into
close alignment with the physical, emotional,
spiritual, and interpersonal needs of patients and
caregivers. Design, guided by personal narratives,
offers a myriad of opportunities to inspire the
healthcare experience.
We argue that narrative inquiry—giving
insight into the thoughts, feelings, and
experiences of others—can and should
inform the design process and brings
design solutions into close alignment with
the physical, emotional, spiritual, and
interpersonal needs of patients and
caregivers.
This article shares a new way of designing
empathetically for the whole person using narra-
tive inquiry. This approach offers a unique vehi-
cle to heighten compassion for people that can
be grounded in evidence-based design (EBD)
principles, thus linking the subjective personal
experience with objective ways of knowing. This
case study focuses on designing an outpatient
cancer care center using a narrative methodology
within a senior-level design studio. Within this
context, narrative inquiry became a vehicle for
students to explore multiple dimensions of empa-
thetic design from patient, family, and staff per-
spectives. This process involved exploring end
user experiences through three modes of story-
telling (i.e., verbal, written, and visual) to inspire
design thinking. Original narratives, told in first
person, situated the members of the design jury
within the ambulatory cancer care experience.
The award-winning results of this experience,
we argue, invite a new design process, one that
integrates narrative inquiry with EBD.
Background and Context
Cleveland Clinic’s1 YouTube 4.32-min video
Empathy: Exploring Human Connection has gen-
erated wide attention beyond the healthcare indus-
try since its release on February 27, 2013, and has
been viewed over 2 million times. A montage fea-
turing over two dozen fleeting profiles captures a
range of hospital experiences through deeply per-
sonal and impactful vignettes. An accident victim
in a body cast wills himself to be at his daughter’s
wedding scheduled a few days later. A man spends
3 hr in a waiting room. A new mother in a neonatal
intensive care unit wonders when she will be able
to take her daughter home. A doctor reflects on
being cancer free for 7 years. The viewing audi-
ence of Empathy sees the thoughts and feelings
of patients, family members, and caregivers.
Patients become more than ‘‘end users.’’ They are
mothers, fathers, sons, husbands, or wives. They
are single, married, or divorced. Their stories
involve receiving life-altering diagnosis, tolerating
the prosaic frustrations of testing and receiving
treatment, and experiencing a moment of happi-
ness or feelings of relief.
As the inner worlds of the patients, family
members, and caregivers build to a crescendo,
empathy ends with a single question, ‘‘If you
could stand in someone else’s shoes . . . Hear what they hear. See what they see. Feel what they
feel. Would you treat them differently?’’
Clearly the answer is yes and ‘‘empathy takes
on a new dimension in a hospital, where there is
the push and pull of health and sickness, and
where giving and receiving care happens every
day’’ (Cleveland Clinic, 2014). Designers and
design educators play a critical role in creating
empathetic healthcare environments. Empathy:
Exploring Human Connection inspired us and
reinforced the power of narratives to capture
human experience in ways that could be particu-
larly useful for designing interior spaces (Dohr &
Portillo, 2011; Portillo, 2000).
The project profiled in this article began with a
design charrette2 where students viewed Empa-
thy: Exploring Human Connection and then were
asked to consider the following questions: ‘‘If you
could know what patients and staff were seeing,
thinking, and feeling, would you design their
spaces differently?’’ Students had a 48-hr period
to explore responses to these questions by reflect-
ing on ways healthcare influences specific patient
or caregiver needs. Students were asked to pres-
ent their ideas through the words and images of
a story. Ideas from the charrette, shared with
healthcare and design specialists, showed imagi-
nation. Far from seeming forced, the students’
first attempt at design storytelling seemed ener-
gizing. The narrative structure not only allowed
Carmel-Gilfilen and Portillo 131
students to enter into the world of patients, family
members, and caregivers but also helped them
conceptualize the experience of moving through
space, paralleling the narrative unfolding of a
story’s beginning, middle, and end point. This
temporal focus encouraged the active consider-
ation of movement through space in ways that
seemed to support patient-centered design.
The narrative structure not only
allowed students to enter into the world
of patients, family members, and
caregivers but also helped them
conceptualize the experience of moving
through space, paralleling the narrative
unfolding of a story’s beginning, middle,
and end point. This temporal focus
encouraged the active consideration of
movement through space in ways that
seemed to support patient-centered
design.
The creation of reality-based narratives
necessitated secondary research and information
gathering throughout the course of the project. To
collect story content, students talked with former
cancer survivors, family members, and caregivers
and engaged with cancer patients and other mem-
bers of the community in a local arts-in-medicine
program. Visiting cancer care centers and other
related healthcare facilities led to a better aware-
ness of precedents and generated fresh insights.
Another indispensable source of material (and
potential for story content) came from students
gaining a working knowledge of related scholarly