Edward Eaton – CV

EDWARD EATON

CLASSES TAUGHT

● Communications Skills▪ University of Nizwa X 3

● Creative Writing▪ Education Unlimited’s Emerging Writers’ Institute at Brown

University X 1

● Critical Thinking/Logic▪ Massachusetts Bay Community College X 22▪ Newberry College X 1▪ Quincy College X 4

● English Language Skills▪ University of Nizwa X3

● English Composition/College Writing▪ Bay Path College X 1▪ Bunker Hill Community College X 2▪ Lesley College X 2▪ Massachusetts Bay Community College X 1▪ Massachusetts College of Pharmacy and Health Sciences

X 6▪ Newberry College X 5▪ Quincy College X 30

● Fine Arts▪ Quincy College X 1

● Journalism – Introduction▪ Quincy College X 1

● History o American History II (Reconstruction through WWII)

▪ Quincy College X 1o Western Civilization I

▪ Massasoit College X 1▪ Quincy College X 2

o Western Civilization II▪ Quincy College X 1

● Literature

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Edward Eaton – CV

o Introduction to Literature▪ Lesley University X 1▪ Massachusetts Bay Community College X 3▪ MCPHS X 5▪ Quincy College X 17

o American Literature I (through the Civil War)▪ Quincy College X 1

o American Literature II (after the Civil War)▪ Quincy College X 2▪ Mass Bay Community College X 1▪ University of Nizwa X 2

o British Literature I▪ University of Nizwa X1

o British Literature II▪ Quincy College X 1▪ University of Nizwa X 2

o World Literature▪ Mass Bay Community College X 1▪ Newberry College X 1▪ Quincy College X 2

● Public Speaking▪ Endicott College X 3▪ Newberry College X 2▪ Quincy College X 15

● Philosophyo Introduction to Philosophy

▪ Quincy College X 6o Philosophy and Film

▪ Mass Bay Community College X 1

● Reading and Studies Skills▪ Quincy College X 1

● Theatreo Acting

▪ Emerson College X 1▪ Quincy College X 1

o Dramatic Literature

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Edward Eaton – CV

▪ Emerson College X 1▪ Emmanuel College X 1

o Introduction to Theatre/Theatre Appreciation▪ Bowling Green State University X 2▪ Emerson College X 4+▪ Semester at Sea X 1

o Playwriting▪ Endicott College X 1

o Playscript Analysis▪ Emerson College X 2

o Shakespeare▪ Semester at Sea X 1

o Stage Combat▪ The New England Conservatory X 2

o Theatre History▪ North Carolina State University X 1▪ Semester at Sea X 1

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Edward Eaton – CV

ACADEMIC POSITIONS HELD

● English and Literatureo Assistant Professor (Literature and Drama)

▪ University of Nizwa – Oman● 2009-2010

o Adjunct▪ Massachusetts Bay Community College (Wellesley, MA)

● Fall 2012 – Current ▪ Massachusetts College of Pharmacy and Health Sciences –

Boston, MA● 2008 – 2013

▪ Quincy College – Quincy, MA● 2002-20012

▪ Bay Path College – Burlington, MA● 2008

▪ Lesley University – Cambridge, MA● 2007-2008

▪ Emmanuel College – Boston, MA● 2008

▪ Endicott College – Boston, MA● 2007-2008

▪ Newberry College – Boston, MA● 2004-2006

▪ Bunker Hill Community College● 2001-2002

● Historyo Adjunct

▪ Massasoit College – Brockton, MA● 2003

● Theatreo Unranked Professor

▪ Semester at Sea● Spring 2009

o Visiting Professor/Artist in Residence▪ North Carolina State University – Raleigh, NC

● 2007o Adjunct

▪ Quincy College – see above▪ The New England Conservatory (Opera) – Boston, MA

● 1998-2000▪ Emerson College – Boston, MA

● 1996-2000o Teaching Assistant

▪ Boston University – Stage Combat, to Robert Walsh● Spring 1997

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Edward Eaton – CV

▪ Bowling Green State University● 1995

PROFESSIONAL TEACHING EXPERIENCE

● Guest Instructor The Fessenden Schoolo Workshop for Musical Theatre Students

▪ “Introduction to Stage Combat”● Fall 2014

● Guest Instructoro Workshop at Harvard University

▪ Introduction to Stage Combat● Summer 2014

● Guest Instructor The Massachusetts Institute of Technologyo Workshop for the MIT Shakespeare Ensemble

▪ “Introduction to Dramatic Structure”● Fall 2013

▪ “Introduction to Stage Combat – Bladed Weapons”● Spring 2014● Summer 2012

▪ “Introduction to Stage Combat – Unarmed” ● Fall 2014● Fall 2013● Spring 2012● Fall 2010● Spring 2008

● Guest Instructor Theatre in the Valley, Waterville Valley, NH▪ “Introduction to Stage Combat – Broadsword

● Summer 2011● Guest Instructor Tewskbury Memorial High School, Drama Club

▪ “Introduction to Stage Combat” ● Spring 2011

● Guest Instructor The Boston Conservatoryo Opera Department

▪ Workshop: A Brief Introduction to Stage Fighting ● 2003

● Guest Instructor North Carolina State Universityo Advanced Acting

▪ "Shakespeare and Violence"● 2001

● Instructor Emerson Collegeo Acting

▪ Stage Combat Workshop ● Spring 2000)

● Guest Lecturer The Eugene O’Neill Theatre Centero The National Critics Institute

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Edward Eaton – CV

▪ Stage Combat and the Critic ● 1998

● Guest Lecturer Emerson Collegeo Graduate Directing

● Fall 1998● Guest Lecturer Emerson College

o Undergraduate Directing, ▪ Director-Fight Director Collaboration

● Fall 2007● Guest Lecturer Cambridge Center for Adult Education

o Advanced Acting—Scene Study ▪ Introduction to Stage Combat

● Fall 1997● Assistant Instructor Emerson College

o Acting▪ Basic Stage Combat Workshop

● Spring 1997o to Robert Walsh

● Assistant Instructor Emerson College▪ Intensive Stage Combat Workshop

● Spring 1997o to Tony Simotes

● Guest Instructor Bowling Green State Universityo Theatre

▪ Director-Fight Director Collaboration/Stage Combat Safety Techniques

● Multiple courses (1995/96)● Instructor St. Joseph's Central Catholic High School, Freemont, OH

▪ Unarmed Stage Combat● 1995

● Instructor Bowling Green City Department of Parks and Recreation ▪ Acting

● 1994

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Edward Eaton – CV

ADMINISTRATION/COMMITTEES

● The University of Nizwao Theatre History and Literature Minor Development Sub Committee

(Coordinator) ▪ Designed Minor Program of studies in Dramatic Literature ▪ Developed courses

o Communications Skills Committee (Coordinator) ▪ Redesigned course▪ Developed course manual

o Introduction to Literature Committee (Coordinator) ▪ Designed course ▪ Developed/gathered/edited text

o English Language Theatre Group – advisor/directoro Proficiency Exam Committee

▪ Evaluated and designed proficiency entrance and exit examso Faculty Recruitment Committeeo Student Activities – departmental representative

● Quincy Collegeo Member – Editorial Board – Indigo (Arts Journal)

2008)● Bowling Green State University

o Graduate Student Government▪ Departmental Representative▪ Representative-at-Large▪ Vice President▪ Committees

● Graduate Senate Committeeso Mentoring Committee Coordinatoro Honors and Awards (Co-Chair)

● University Committeeso Academic Honestyo Disciplinary Committeeo Representative to Graduate Faculty Senate

● Various others● Production Coordinator - BGSU One-Act Festival (1993-94)

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Edward Eaton – CV

WRITING and PUBLICATIONS

PRINT▪ ACADEMIC

o Featured Essay (“Boston: Just as Dirty as the Rest”), Multiple Entries, and contributing photographer. Block, Marcelline, ed. World Film Locations: Boston. Intellect, LTD (April 2014)

o Multiple Entries (“The Aimless Walk,” “The Brothers Bloom,” “Chasing Liberty,” “GI Joe,” “Hannibal Rising,” “The Illusionist”). Block, Marcelline, ed. World Film Locations: Prague. Intellect, LTD. (November 2013)

o “Spain in the Theatre of London, 1588-1605: An Exploration of Popular Sentiment,” International Journal of Arts & Sciences (IJAS) (2010)

▪ Refereedo "Divide and Conquer: the Parts of The Memoirs of the Decorators;

a New Analysis" Selected Papers – CPRACSIS – Accepted (2010)o “Hamlet and His Women: A Study of Four Films.” West Virginia

University Philological Papers 45 (1999): 47-55. [Special Issue—Language into Light: The Written Word Becomes Cinema]

▪ Refereed o “The Memoirs of the Decorators”: Analyzed, Annotated, and

Rendered into English. Ann Arbor, MI: UMI 1998

▪ CREATIVEo With Dragonfly Publishing

▪ GIANTS FALL, A Verse Drama (2015)▪ TOH’S SAGA, A Journey in Free Verse (2014)▪ HECTOR AND ACHILLES, A Verse Drama (2013)▪ ROSI’S DOORS, a trilogy (2011-2013)

● ROSI’S CASTLE (2011)● ROSI’S TIME (2012)● ROSI’D COMPANY (2013)

▪ ORPHEUS AND EURYDICE – A Verse Drama (2012)▪ ELIZABETH BATHORY – A Play (2012)

ONLINE▪ “Self Analysis, Intent, and the Writer; or, my Fight with Vanya.” Great

Minds Think Aloud Literary Community. http://greatmindsthinkaloud.blogspot.com/2012/05/guest-post-self-analysis-by-edward.html

▪ “Alienation, Isolation, Technology, and Literature,” FreshFiction. http://freshfiction.com/page.php?id=3920

▪ “Review of Winds of War and War and Remembrance by Herman Wouk.” http://www.edwardeaton.com/Edward_Eaton/Reviews.html

▪ "Review of Dan Brown's The Lost Symbol" The Review Centre. http://www.reviewcentre.com/review578291.html

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Edward Eaton – CV

AWARDS● 2015 New England Book Festival

o Runner Up/2nd Place (Poetry)▪ Giants Fall

o Honorable Mention (Wildcard)▪ Elizabeth Bathory

● 2014 New England Book Festivalo Honorable Mention (YA Fiction)

▪ Rosi’s Companyo Honorable Mention (Poetry)

▪ Toh’s Saga● 2014 Readers Favorite Book Awards

o Finalist (Poetry)▪ Hector and Achilles

● 2013 New England Book Festivalo Winner (YA Fiction)

▪ Rosi’s Castle (Rosi’s Doors, Book I)o Runner Up/2nd Place (Poetry)

▪ Hector and Achilles● 2013 Hollywood Book Festival

o Honorable Mention (YA Fiction)▪ Rosi’s Time (Rosi’s Doors, Book II)

● 2013 Beach Book Festivalo Winner (General Fiction)

▪ Rosi’s Time (Rosi’s Doors, Book II)● 2012 New England Book Festival

o Runner Up/2nd Place (YA Fiction)▪ Rosi’s Time (Rosi’s Doors, Book II)

o Honorable Mention (Poetry)▪ Orpheus and Eurydice

● 2012 Readers Favorite Book Awardso Silver Medalist (YA Fantasy/Sci-Fi)

▪ Rosi’s Castle (Rosi’s Doors, Book I)

Other Writing Experience▪ JOURNALISM/CRITICISM

o Critic Fellow (1998) National Critics Institute at the Eugene O’Neill Theatre Center

o Travel Editorialist (1988) Mon Valley Revue, WVo Theatre Critic (1986) The Middlesex News, Framingham, MAo Various and Sundry Newspaper Articles and Reviews

▪ PLAYWRITING (produced, not published)o THE PRINCESS AND THE PEA

▪ Conception

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Edward Eaton – CV

▪ Centre for Anglo-Arab and Muslim Writing – Special Presentation

o 2B▪ The RiverWest Theatre, NYC

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Edward Eaton – CV

PUBLICATION EQUIVALENCY1* — DIRECTING

PROFESSIONAL2**

Film▪ RAGE BEAUTIFUL (and Co-Writer/Producer)

o LoNo Productions, Boston

Theatre▪ NUCLEAR FOLLIES

o Daniel Neiden Showcase, NYC▪ GETTING SICK IN MEXICO

o P.A.S. Artists' Group, NYC

▪ MACBETHo The Shakespeare Ensemble, MIT

▪ THE WITCHES OF MACBETHo The Psych Drama Company, Boston, MA

▪ HECTOR AND ACHILLESo The Shakespeare Ensemble, MIT

▪ JULIUS CAESARo The Shakespeare Ensemble, MIT

▪ ROMEO AND JULIETo The Shakespeare Ensemble, MIT

▪ A MIDSUMMER NIGHT’S DREAMo The Shakespeare Ensemble, MIT

▪ MACBETHo The Gazebo Players, Medfield, MA

▪ ROMEO AND JULIETo The Winthrop Playmakers, MA

▪ ROMEO AND JULIETo The Gazebo Players

▪ DRACULAo The Milton Players, MA

▪ OUR TOWNo The Wakefield Rep. Wakefield, MA

▪ THE LION IN WINTERo Footlights Theatre Club

▪ OLEANNA

1 * I am including my directing under publications. Rehearsing a play takes about 100-120 hours; outside of rehearsals, in production meetings and the like, there are another 40-50 hours; research and preproduction work can take any amount of time, but averages about 150-200 hours. The total time spent working on a production can easily equal 300+ hours.

2 ** Under "Professional," I am including any productions where I was brought in by theatre companies as an outsider to direct the productions. A convenient analogy might be that "professional" equals "peer reviewed," and "academic" equals "non peer reviewed."

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Edward Eaton – CV

o The Beacon Hill Artists Corporation▪ TO GILLIAN ON HER 37TH BIRTHDAY

o Showcase at the Actors’ Workshop, Boston▪ PICASSO AT THE LAPIN AGILE

o The Midsummer Night’s Company, Boston▪ BEFORE BREAKFAST

o BGSU▪ THE MOUND BUILDERS

o The Monongalia Arts Center, Morgantown, WV

Operas and Musicals▪ DER ROSENKAVALIER

o Lowell House Opera, Harvard University▪ NUNSENSE

o Bentley College, MA▪ THE LUSTY LADY OF BEACON HILL

o Club 21 – Private Cabaret Performance, Boston▪ THE DELIGHTFUL, THE DELICIOUS, THE DELECTABLE DYNAMIC

DUO OF JOHNNY AND JOANNIE BEAVERHAUSENo Club 21 – Private Cabaret Performance

▪ AN EVENING OF SONG AND CELEBRATIONo Club 21 – Private Cabaret Performance

Academic▪ ORPHEUS AND EURYDICE

o The University if Nizwa English Language Theatre Group▪ AN EVENING OF THEATRE –

o a series of short plays: including original plays, and work by Shel Silverstein and Abbott and Costello

o The University of Nizwa English Language Theatre Group▪ THE PRINCESS AND THE PEA

o Centre for Anglo-Arab and Muslim Writing – Special Presentation▪ A MIDSUMMER NIGHT'S DREAM

o The University of Nizwa English Language Theatre Group▪ The American International School, Muscat (special

performance)▪ THE PERSIANS

o Semester at Sea (UVA)▪ ROOM SERVICE

o NCSU ▪ THE MAIDS

o West Virginia University

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Edward Eaton – CV

CONFERENCES/GUEST SPEAKING/INTERVIEWS▪ Keynote Speaker “On Definition, Emotion, and the Irregular Adjective,”

The Annual Luncheon of the American Society of Geolinguistics, New York, June 2015

▪ “The Author as Historian – The desire for and the need for historical accuracy in fiction.” The 2014 New England Book Festival

o http://www.diyconvention.com/2014-new-england-book-festival- schedule/#sthash.5q67cbR1.dpuf

▪ “A Moment with Edward Eaton.” Thoughts from the Dan O’Brien Project. 30 July 2012.

o http://thedanobrienproject.blogspot.com/2012/07/a-moment-with-edward-eaton.html

▪ “Interview,” Life Defined—Rachel Hunter, Speculative Fiction Author and Poet. 7 June 2012.

o http://rachel-m-hunter.blogspot.com/2012/06/interview-with-edward- eaton-author-of.html

▪ International Journal of Arts and Sciences (IJAS) Conference for Academic Disciplines, at Harvard University (2012)

o “In Defense of George; a Contextual Look at Hemingway’s ‘Cat in the Rain.’”

▪ “Interview,” Great Minds Think Aloud Literary Community. 14 May 2012. o http://s3.excoboard.com/exco/thread.php?

forumid=90002&threadid=910407&page=1#7553416 ▪ “Beacon Hill Author Introduces Rosi’s Castle.” Beacon Hill Times. 17 April

2012 ▪ “Interview,” J. A. Beard's Unnecessary Musings: New England: The

Haunted Region. o http://riftwatcher.blogspot.com/2012/01/new-england-haunted-

region-interview.html▪ “Interview,” Lyndi Alexander. ClanElvesoftheBitterroot.com

o http://clanelvesofthebitterroot.com/updates/news/700/meet-edward-eaton-creator-of-rosis-castle.html

▪ Guest Speaker for the Psych Drama Company, Bostono Deconstructing a Deconstruction; Denial, Rejection, and

Repression in Wendy Lippe's 2011 Hamlet." ▪ International Journal of Arts & Sciences (IJAS) Conference for Academic

Disciplines, at Harvard University (2011) o "When the Evidence Fails to Support the Theory, Toss Out the

Evidence: The Case of the Satyr Plays of Euripides."▪ International Journal of Arts & Sciences (IJAS) Conference for Academic

Disciplines, at Harvard University (2010)o “Spain in the Theatre of London, 1588-1605: An Exploration of

Popular Sentiment” ▪ 2010

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Edward Eaton – CV

▪ CPRACSIS (Centre for Performance research and Cultural Studies in South Asia) international conference on “Body, Space and Technology in Performance”

o "Divide and Conquer: the Parts of The Memoirs of the Decorators; a New Analysis"

▪ 2010 ▪ Centre for Anglo-Arab and Muslim Writing (University of Nizwa)

o “Issues with Translation: Exumbration of Texts through Dramatic Interpretation”

▪ 2009▪ Kobe Women’s University – Kobe Women’s University-Semester at Sea

Joint Programo Keynote Speaker: “Shakespeare, Theatre, and The Need for

Cultural Exchange.”▪ 2009

▪ NCSU Honor’s Program Convocation Dinner o Guest Speaker – “Why Pursue a Career in the Arts?”

▪ 2007▪ Far West Popular Culture and American Culture Association

o “Dracula Agonistes: a Reichian Interpretation of Stoker's Novel."▪ 2000

o Panel Moderator: Film: Gothic Meets Noir▪ Far West Popular Culture and American Culture Association

o “Theatre: Whore of Ages.” ▪ 1999

o Panel Moderator: Theatre in the Age of Mass Media.▪ West Virginia Colloquium on Literature and Film (1998)

o “New Historicism vs. New Criticism: A Debate.” ▪ 1998

▪ Far West Popular Culture and American Culture Association o “Deconstructing Will; A Study of The Next Generation’s First

Officer.”o Panel Moderator: Star Trek and Science Fiction.

▪ 1998▪ West Virginia University Colloquium on Literature and Film

o “Hamlet and His Women: a Study of Four Films.”o Panels Moderator: “Theatre and Film” and “More or Less

Traditional: Neo-Aristotelian”▪ 1997

▪ Far West Popular Culture and American Culture Association o "An Apology for Nicia: A Study of Machiavelli's Lawyer in The

Mandrake."▪ 1997

▪ WVU Colloquium on Literature and Filmo "RIII5; Richard III on Screens both Large and Small" o Also, panel moderator.

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Edward Eaton – CV

▪ 1996▪ North East Modern Language Association

o "The Pyramid Becomes Electra: or, Freytag and O'Neill's Greek Tragedy."

▪ 1996▪ Far West Popular Culture and American Culture Association

o "The Rover Boys in Carnal Knowledge; or, Was Jack Rover Illegitimate?"

▪ 1996▪ Midwest Popular Culture and American Culture Association

o "Spain in the Theatre of London, 1588-1605: A Review of Primary Texts"

▪ 1995▪ West Virginia Renaissance Conference

o "Three Film Interpretations of Richard III."▪ 1995

▪ Far West Popular Culture and American Culture Association o "When the Evidence Fails to Support the Theory, Toss Out the

Evidence: The Case of the Satyr Plays of Euripides."▪ 1995

▪ WVU Colloquium on Literature and Film o “Dracula Agonistes: a Reichian Interpretation of Stoker's Novel."

▪ 1992

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Edward Eaton – CV

CONFERENCE EQUIVALENCY3*** — FIGHT CHOREOGRAPHY

Professional

Television and Film▪ STRICKEN

o Laurelin’s Light Productions▪ Ti Alan Chase, Dir.

▪ ASSIGNMENT: MEDIA LITERACYo Discovery Communications

▪ Fight Director and Guest Expert on Physical Acting▪ TRINITY 63

o National Broadcasting Society▪ and Stunt Coordinator

Theatre▪ A MURDER IN THE FAMILY

o RiverWest Theatre, NYC▪ WHITE COLLAR

o The Directors Company, NYC

▪ CABARETo Rivers Edge Players, Hudson, MA

▪ GREASEo The Babson Players, Babson College, Wellesley MA

▪ HAMLETo Hyperion Shakespeare Company, Harvard University

▪ CYRANO DE BERGERACo The Cannon Theatre, Littleton, MA

▪ OTHELLOo MIT Shakespeare Ensemble

▪ MACBETHo Ghostlight Theatre, Marlborough, MA

▪ HAMLETo Sea Change Theatre, Beverly, MA

▪ TWELFTH NIGHTo MIT Shakespeare Ensemble

▪ SMOKING LESSONSo Harvard-Radcliffe Dramatic Club, Harvard University

▪ ANTIGONEo Sea Change Theatre, Beverly, MA

▪ JULIUS CAESARo Hyperion Shakespeare Company, Harvard University

▪ A STREETCAR NAMED DESIRE

3 *** Given the relative amount of practical and research time when compared to that of Directing a full production, I am including Stage Combat as equivalent to academic conferences.

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Edward Eaton – CV

o The Psych Drama Company▪ NO EXIT

o The Psych Drama Company, Boston▪ HAMLET ASYLUM

o Calliope Theatre Project, Boston University▪ TAMING OF THE SHEW

o MIT Shakespeare Ensemble▪ HAMLET

o The Psych Theatre Company▪ MACBETH

o MIT Shakespeare Ensemble▪ KING LEAR

o MIT Shakespeare Ensemble▪ DON'T DRESS FOR DINNER

o The Burlington Players, MA▪ TWELFTH NIGHT

o Gazebo Players▪ ROMEO AND JULIET

o The Hovey Players, Waltham, MA▪ WEST SIDE STORY

o The Winthrop Playmakers▪ ONE FLEW OVER THE CUCKOO’S NEST

o Mystic Players, Medford, MA▪ DON GIOVANNI

o Boston Opera Collaborative, MA▪ LET’S FIGHT (co-choreographer)

o Atlantics Playmakers for the New England Fringe Festival▪ HENRY IV, part 1

o The Industrial Theatre, Taunton, MA▪ LES LIAISON DANGEREUSES

o NCSU▪ MACBETH

o DayDream Productions, RI▪ AS YOU LIKE IT

o Gazebo Players▪ AS YOU LIKE IT

o Quincy College, MA▪ GOODNIGHT DESDEMONA

o Footlights Theatre Club, Boston▪ JULIUS CAESAR

o Shakespeare Now! Boston▪ AN EVENING OF SHAKESPEARE

o Shakespeare Now!▪ THE CAPTAIN’S DAUGHTER (American Premiere)

o The Boston Conservatory▪ ROMEO AND JULIET

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Edward Eaton – CV

o Shakespeare Now!▪ THE FANTASTICKS

o Ubiquity Stage Company, Boston▪ ROMEO AND JULIET (Traveling production to MA schools)

o Shakespeare Now!▪ KING LEAR

o Ubiquity Stage Company▪ GOODNIGHT DESDEMONA

o The Boston Conservatory▪ ROMEO AND JULIET

o North Carolina State University▪ THE BOYS IN THE BAND

o North Carolina State University▪ I HATE HAMLET

o Ubiquity Stage Company▪ THE GRAPES OF WRATH

o The Boston Conservatory▪ HAMLET

o Ubiquity Stage Company▪ A VIEW FROM THE BRIDGE

o The Lyric West Theatre, Boston▪ 27 WAGONS FULL OF COTTON

o The Poets Theatre, Boston▪ THE PROPOSAL

o The Poets Theatre▪ A TALE OF TWO CITIES

o Emerson College, Boston▪ FAUST

o The New England Conservatory, Boston▪ ROMEO AND JULIET

o The Midsummer Night’s Company▪ ANTIGONE

o The Lyric Stage, Boston▪ ROSENCRANTZ AND GUILDENSTERN ARE DEAD

o Emerson College▪ THE WIDOW CLAIRE

o University of Richmond▪ EXTREMITIES

o Yale University▪ ‘TIS A PITY SHE’S A WHORE

o Yale University ▪ HENRY IV, Part 1

o Shakespeare and Company, Lenox, MA▪ ass’t to Tony Simotes

▪ THE PRINCESS BRIDEo Pentucket Regional High School, MA

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Edward Eaton – CV

▪ MISERYo Boston Center for the Arts

▪ DR. COOK’S GARDEN o Worcester Foothills Theatre, MA

▪ ass’t to Bob Walsh▪ ENTERTAINING MR. SLOANE

o The Lyric Stage▪ HENRY IV, Part 1

o Hampden-Sydney College, VA▪ TEA AND SYMPATHY

o Black Swamp Players, Bowling Green, OH▪ GOODNIGHT DESDEMONA

o Bowling Green State University, OH▪ HAMLET (co-chor.)

o University of Toledo, OH▪ MACBETH

o BGSU▪ ROMEO AND JULIET

o University of Toledo▪ I HATE HAMLET

o Huron Play House, Lake Huron, OH▪ TWELFTH NIGHT

o Black Swamp Players, Bowling Green▪ TWELFTH NIGHT

o American Renaissance Players, Toledo▪ I HATE HAMLET

o BGSU▪ THE LIAR

o The Theatre at Monmouth, ME▪ BLONDEL

o Camp Theatre, Richmond, VA

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Edward Eaton – CV

EDUCATION

Academic

▪ Bowling Green State University o Ph.D. Theatre

▪ 1997o MA Theatre

▪ 1994▪ Sorbonne

o French Language and Culture▪ West Virginia University

o Graduate Studies: English/Theatre/Philosophy▪ University of Richmond

o BA Theatre▪ 1987

▪ SUNY Buffalo (1984/85) o Archaeology

▪ Hebei Teachers University o History/Culture

▪ Chinese People's University o History/Culture

PROFESSIONAL TRAINING

▪ Tony Wolf, Combat Consultant for THE LORD OF THE RINGS films o German Long Sword, Fight Choreography for Stage and Film

▪ 2004▪ SAFD Workshop (1998)

o Broadsword, Smallsword, Sword and Shield o w/ Robert Walsh

▪ 1998▪ SAFD Workshop (1997)

o Rapier and Dagger, Hand to Hand, Quarterstaff o w/ Robert Walsh

▪ 1998▪ Shakespeare and Company

o Voice (Linklater Technique - Natsuko Ohama)o Acting (Tina Packer)o Movemento Stage Combat (Mark Ingram)

▪ 1997▪ Robert Walsh, SAFD Certified Teacher

o Techniques of Fight Choreography▪ 1996-1997

▪ American Karate and Fitness Centers

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Edward Eaton – CV

o Oriental Weapons’ Techniques▪ 1997

▪ National SAFD Stage Combat Workshop▪ 1994

▪ Video Associates o TV Directing o w/ Gordon Rigsby

▪ 1989▪ Eugene O'Neill Theatre Center

o Directing/Playwriting/Stage Combat o w/ Lynn Britt, Richard Digby-Day, Franklin White

▪ 1986

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Edward Eaton – CV

OTHER WORK EXPERIENCE

Administrative/Consulting● The Boston Camerata, Joel Cohen, Music Director

o Managing Director▪ 2002

● Eugene O'Neill Theatre Centero Special Projects Coordinator - to George White

▪ 1998● National Critics Institute at the Eugene O’Neill Theatre Center

o Administrative Associate ▪ 1998

● Beacon Hill Artists Corporation – Theatrical Consultation and Productiono President

▪ 1997-Current● Theatrical Advisor - to

o JoAnne Dickinson ▪ Former Vice-Chair - Boston Lyric Opera; ▪ Former Chair - The Boston Conservatory; Board of Directors

- The Eugene O’Neill Theatre Center▪ 1995-present

● Monongalia Arts Center, Morgantown, WV o Head of Theatre

▪ 1989

Other Stage Combat Experience▪ Resident Fight Director

o The Psych Drama Company, Boston, MA▪ 2012-current

▪ Resident Fight Mastero Ubiquity Stage Company, Boston, MA

▪ 2000-2003▪ Fight Director

o The New England Conservatory, Boston ▪ 1998-2000

▪ Staff Fight Director o Emerson College, Boston

▪ 1997-2000▪ Resident Fight Director

o The Midsummer Night’s Company, Boston ▪ 1998-1999

▪ Resident Fight Director o The Lyric Stage, Boston

▪ 1997-1998

Design

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Edward Eaton – CV

▪ THE PERSIANS (sets)o Semester at Sea

▪ OLEANNA (sets)o The Beacon Hill Artists Corporation

▪ TO GILLIAN ON HER 37TH BIRTHDAY (sets)o Showcase at the Actors’ Workshop

▪ PICASSO AT THE LAPIN AGILE (sets and lights)o The Midsummer Night’s Company

▪ ONE-ACT PLAY FESTIVAL (lights)o BGSU

▪ TARTUFFE (lights)o BGSU

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