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eviant Dames: viant Dames: esearching Celluloid Transgressions searching Celluloid Transgressions Gary Handman Gary Handman [email protected] 3-8666 3-8666 Call Her Savage Call Her Savage Dir. John Francis Dillon, 19 Dir. John Francis Dillon, 19

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Page 1: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

Deviant Dames: Deviant Dames: Researching Celluloid Transgressions Researching Celluloid Transgressions

Gary HandmanGary [email protected] Call Her SavageCall Her Savage

Dir. John Francis Dillon, 1932Dir. John Francis Dillon, 1932

Page 2: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

1. Describe the types and sources of information available related to film studies and other media research

2. Discuss how to find this stuff in the library, using print and online resources

3. Introduce a group of basic moves and features common to many online catalogs and indexes.

4. Practice using these features in selected databases.

Morocco, Dir. J. Von Sternberg, 1930Morocco, Dir. J. Von Sternberg, 1930

Page 3: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

CurrentCurrent

ScholarlScholarly/y/In-depthIn-depth

Pop and Pop and fanfan

HistoricalHistorical

Writing About Writing About Film…Film…

IndustryIndustry

Page 4: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

•Journals, Magazines, NewspapersJournals, Magazines, Newspapers•ReviewsReviews

•Critical/ScholarlyArticles Critical/ScholarlyArticles

•BooksBooks

•Web Sites (more about this Web Sites (more about this later…)later…)

•Other online databasesOther online databases

Sources for Film & Sources for Film & TV Scholarship TV Scholarship and Researchand Research

Scarlet Street, Dir. Fritz Lang, 1945Scarlet Street, Dir. Fritz Lang, 1945

Page 5: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

Journal Articles:Journal Articles:Reviews?Reviews? Critical Writing? Critical Writing? What’s the Diff?What’s the Diff? Reviews:

Found in popular periodicals, film periodicals, and (less often) in more scholarly journals

Web sites (fan, commercial, academic)

Assessment of aesthetic and content merits of a film

Usually cover current releases, more pop theatrical releases

Tend to be relatively short and relatively superficial (with some exceptions and depending on the publication and who’s doing the writing)

Behind the Screen, Behind the Screen, Charlie Chaplin, 1916Charlie Chaplin, 1916

Page 6: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

Reviews? Critical Writing? What’s the Diff?Reviews? Critical Writing? What’s the Diff? Critical analysis: Found in books and scholarly or film-related journalsDiscuss films in:

broader historical, cultural, political, artistic context and/orFocus on a specific aspect of a film, film genre, or filmmaker

Tend to be longer, more substantive than reviews (with some exceptions and depending on the publication and who’s doing the writing)Often include notes, bibliographies, other scholarly apparatus

Dorothy ArznerDorothy Arzner

Page 7: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

Who’s Writing About Film?:Who’s Writing About Film?:

•Film studies Film studies & scholarly journals in & scholarly journals in

other other disciplines—eg:disciplines—eg:•Language & LitLanguage & Lit•Women’s studies Women’s studies (representations of (representations of women and issues of women and issues of gender)gender)•Gay/Lesbian studies Gay/Lesbian studies (issues of masculinity (issues of masculinity and gender)and gender)•Area studies…etc. (noir Area studies…etc. (noir from other countries)from other countries)

Critical/Scholarly ArticlesCritical/Scholarly Articles

Sylvia ScarlettSylvia ScarlettGeo. Cukor, 1935Geo. Cukor, 1935

Page 8: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

BooksBooks•Scholarly/authoritative worksScholarly/authoritative works

•Pop schlock and fan worksPop schlock and fan works

How Do You Tell em’ How Do You Tell em’ apart?apart?

• Author’s credentials/affiliationsAuthor’s credentials/affiliations

• Publisher (e.g. BFI, AFI, University Publisher (e.g. BFI, AFI, University Presses vs pop press)Presses vs pop press)

• Scholarly apparatus and sources: Scholarly apparatus and sources: notes, bibliographies, other notes, bibliographies, other documentationdocumentation

• If they’ve been widely cited by other If they’ve been widely cited by other scholarsscholars

RebeccaRebeccaA. Hitchcock, 1940A. Hitchcock, 1940

Page 9: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

……But But howhow do you locate this stuff? do you locate this stuff?

Library Catalog(s)

Journal/NewspaperIndexes (article databases)

Mae WestMae West

Page 10: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

Library Catalog(s)

OskiCat: UCB Library holdings only

MELVYL (CDL cat): All 9 UC Campuses•An inventory of what the library owns

(books, journals, newspapers, media, maps, manuscripts, govt documents…etc. etc. etc. etc.

•Search by Author, Title, Subject

•Whole books and print and electronic journals, NOT what’s inside of those publications

Page 11: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

A Hitchcock reader / edited by Marshall Deutelbaum and Leland Poague Chichester, U.K. ; Malden, MA : Wiley-Blackwell, 2009. Location(s): PN1998.3.H58 H574 2009

Get da Book in da Stax

Call #

Page 12: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

Articles/Reviews Articles/Reviews (how do you find this (how do you find this

stuff?)stuff?)

Article databases Article databases (aka Indexes)(aka Indexes)

•Library subscribes to hundreds of Library subscribes to hundreds of them in all disciplinesthem in all disciplines•Can’t find what’s in the by using Can’t find what’s in the by using GoogleGoogle•Often look/feel/behave differently Often look/feel/behave differently from each other (proprietary from each other (proprietary products from diff commercial products from diff commercial vendors)vendors)•Need to come in from berkeley.edu Need to come in from berkeley.edu account or use Proxy Server (more account or use Proxy Server (more later)later)

Queen Christina, R. Mamoulian, 1934Queen Christina, R. Mamoulian, 1934

Page 13: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

Articles/ReviewsArticles/Reviews(how do you find this (how do you find this

stuff?)stuff?)Article DatabaseArticle Database(aka Indexes)(aka Indexes)

Jumping Off point for Finding Jumping Off point for Finding Online Indexes:Online Indexes:

http://www.lib.berkeley.edu/Find Information / Articles /Find Information / Articles /

General Databases are often good places to start – Multidisciplinary (lots of film)

Blonde Venus, Blonde Venus, J. Von Sternberg, 1932J. Von Sternberg, 1932

Page 14: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

Gary’s Desert Island Index/Article Database List

NoNow Playing

Page 15: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

GH Desert Island Film Index/Article Database List

NoNow Playing

•EBSCO dbs: Academic Search Complete and others

•MLA Bibliography

•FIAF Index

•International Index to the Performing Arts (IIPA)

•Don’t forget to check databases devoted to other disciplines!

Page 16: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

The Information Universe

Remember:

•Not every topic has lots written about it, either in books or journal lit.

--Research on very current topics--Research on radically specific topics--Research on topics off the beaten

academic track or off the pop culture radar

Page 17: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

Try it out,Try it out,SweetheartSweetheart

Page 18: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

•Two possibilities:

•Links you to full-text in ANOTHER Links you to full-text in ANOTHER article databasearticle database

OrOr

•Flips you over to MELVYL so you can Flips you over to MELVYL so you can locate a physical copy of the journal at locate a physical copy of the journal at UCB or elsewhere.UCB or elsewhere.

The Letter, William Wyler, The Letter, William Wyler, 19401940

Page 19: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

How to Begin? Before you click: THINK

Formulate your search in terms of keyword and key phrases:

Sex [women, love, relationships] and Death [dying, mortality, fate] in the films [cinema, movie*] of Robert Siodmak and Edward Dmytryk.

The representation [reflect* portray*] of gender [sex*] and masculinity [masculin*, male, men] in film noir

****Truncation varies from db to db: * # ?emigra* = emigrant, emigrants, emigrate, emigration

Page 20: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

Whatta ya do if nuthin’ ain’t Whatta ya do if nuthin’ ain’t turning up?turning up?

……OrOrtoo Much?too Much?

BoundBoundDir. Andy and Larry Wachowski, 1997Dir. Andy and Larry Wachowski, 1997

Page 21: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

•Tweak your topic: Broaden it / select a different angle•Rethink your search strategy (new keywords, new concepts, etc.)•Bail out completely and choose another topic

Page 22: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

A few cautionary words about research on the Net

LibraryLand

The NetGoogle Rocks!

Google ScholarGoogle Scholargoogle.scholar.comgoogle.scholar.com

Page 23: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

http://www.lib.berkeley.edu/MRC/FilmBibMenu.html a growing listing of bibliographies on various film topics and individual films compiled by MRC (includes bibs for genres, filmmakers, national cinemas, and individual film).

Forty GunsForty GunsDir. Sam Fuller, 1957Dir. Sam Fuller, 1957

Page 24: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

Johnny GuitarJohnny GuitarDir. Nicholas Ray, 1954Dir. Nicholas Ray, 1954

Page 25: Deviant Dames: Researching Celluloid Transgressions Gary Handman ghandman@library.berkeley.edu 3-8666 Call Her Savage Dir. John Francis Dillon, 1932

……being driven totally over being driven totally over the edge by your research?the edge by your research?Call me:Call me:

Gary HandmanGary Handman643-8566643-8566

[email protected]@library.berkeley.edu.edu

Fatal AttractionFatal AttractionDir. Adrian Lyne, 1987Dir. Adrian Lyne, 1987