BorderIn the past many borders were not c lear ly def ined l ines, but were neutra l zones cal led m a r c h l a n d s . This has been ref lected in recent t imes wi th the neutra l zones that were set up along part of Saudi Arabia 's borders wi th Kuwai t and I raq (however, these zones no longer exist ) . In modern t imes the concept of a marchland has been replaced by that of the c lear ly def ined and demarcated border. For the purposes of border contro l , a i rports and seaports are a lso c lassed as borders.

Border-

Chapter_03Advisor : David Tseng

Location : Taiwan / HsinchuTime : 9 / 2009

TheWall

Border - The Wall (NCTU campus )

35/36

BorderIn the past many borders were not c lear ly def ined l ines, but were neutra l zones cal led m a r c h l a n d s . This has been ref lected in recent t imes wi th the neutra l zones that were set up along part of Saudi Arabia 's borders wi th Kuwai t and I raq (however, these zones no longer exist ) . In modern t imes the concept of a marchland has been replaced by that of the c lear ly def ined and demarcated border. For the purposes of border contro l , a i rports and seaports are a lso c lassed as borders.

Border-

Chapter_03Advisor : David Tseng

Location : Taiwan / HsinchuTime : 9 / 2009

TheWall

Border - The Wall (NCTU campus )

35/36

CAMPUS Europe CampusBuilding more corridors

The vast area and separate the main academic building

Campus with a commemorative

Intermediate axis Taiwan's high density

time

The Italian Cypress TreeLatin Name: Cupressus sempervirens Country of Origin: Persia/SyriaHeight: 20 to 25 mUses: windbreak, furniture/coffin making, essential oil production and decorative use.

WALL

Rene Francois Ghislain Magritte

Bo

rde

r

the shade of a treeThe forest of wall

37/38

Border - The Wall (NCTU campus )

CAMPUS Europe CampusBuilding more corridors

The vast area and separate the main academic building

Campus with a commemorative

Intermediate axis Taiwan's high density

time

The Italian Cypress TreeLatin Name: Cupressus sempervirens Country of Origin: Persia/SyriaHeight: 20 to 25 mUses: windbreak, furniture/coffin making, essential oil production and decorative use.

WALL

Rene Francois Ghislain Magritte

Bo

rde

r

the shade of a treeThe forest of wall

37/38

Border - The Wall (NCTU campus )

1 Discharge of liquid film

2 Membrane rupture

3 Gas diffusion

21

12

A-2 A-1

A-3

B

B-2

B-3

B-1

C

C-1C-2

C-3

D

Path length = 4 Path length = 3 Path length = 2.82 Path length = 2.712 bubble=180’ 3 bubble=60’ 4 bubble=60’

Dew

Dew is water in the form of droplets that appears on thin, exposed objects in the morning or evening. As the exposed surface cools by radiating its heat, atmospheric moisture condenses at a rate greater than that at which it can evaporate, resulting in the formation of water droplets.

Border

3

39/40

Border - The Wall (NCTU campus )

1 Discharge of liquid film

2 Membrane rupture

3 Gas diffusion

21

12

A-2 A-1

A-3

B

B-2

B-3

B-1

C

C-1C-2

C-3

D

Path length = 4 Path length = 3 Path length = 2.82 Path length = 2.712 bubble=180’ 3 bubble=60’ 4 bubble=60’

Dew

Dew is water in the form of droplets that appears on thin, exposed objects in the morning or evening. As the exposed surface cools by radiating its heat, atmospheric moisture condenses at a rate greater than that at which it can evaporate, resulting in the formation of water droplets.

Border

3

39/40

Border - The Wall (NCTU campus )

5

1 2

3 4

6

in

out

wall

Model section process1-6

41/42

Circulation

RP model photo Elevation

Elevation

Border - The Wall (NCTU campus )

5

1 2

3 4

6

in

out

wall

Model section process1-6

41/42

Circulation

RP model photo Elevation

Elevation

Border - The Wall (NCTU campus )

Section

Perspective

43/44

Campus Gate

Campus Gate

Section

North elevation

South elevation

Border - The Wall (NCTU campus )

Section

Perspective

43/44

Campus Gate

Campus Gate

Section

North elevation

South elevation

Border - The Wall (NCTU campus )

NCTU LibraryNTU Library

About National Chiao Tung University LibraryThe new NCTU Library building opened for academic and public use in 1998, and is the focal point of the campus covering approximately 32,000 square meters. The library is set in scenic surroundings with a Chinese garden, gallery and an art and technology area.

The Library is well equipped with online and Internet facilities that provide users with fast and comprehensive access to information. Combining technology, art and leisure, this multifunctional library also hosts exhibitions, concerts and performances.

Historical Sketch1958: Founding of the Library Room, located at the Bo-Ai Campus1967: Renamed as the Engineering College Library, National Chiao Tung University1970: Completion of the Bo-Ai Campus Library1979: Renamed as the National Chiao Tung University Library1981: Main building relocated to the Kuan-Fu Campus1998: Official opening of the Hao-Ran Library and Information Center

National Taiwan University Library addition to the main library, there are laws Society of Medicine 2 University College and the branch library, as well as physics, mathematics, chemistry, atmospheric, oceanic, biological and map data and other seven departments library.

Lending Library provides books, reference, interlibrary cooperation, resource use guide, e-learning courses, paper and digital collections, information search, information system development services. Library opening hours up to 96 hours per week, and a 24-hour study room for students to use.

Library collection of books and materials to meet the teachers and students in teaching, research, learning mainly to the collection of more than 4,401,450 copies by the end of 2007 (kind of) (including electronic resources), is currently Taiwan's largest collection of data volume University Library.

Park lane by CMP

Eslite

Shih Chien University No: H building

45/46

Border - The Wall (NCTU campus )

NCTU LibraryNTU Library

About National Chiao Tung University LibraryThe new NCTU Library building opened for academic and public use in 1998, and is the focal point of the campus covering approximately 32,000 square meters. The library is set in scenic surroundings with a Chinese garden, gallery and an art and technology area.

The Library is well equipped with online and Internet facilities that provide users with fast and comprehensive access to information. Combining technology, art and leisure, this multifunctional library also hosts exhibitions, concerts and performances.

Historical Sketch1958: Founding of the Library Room, located at the Bo-Ai Campus1967: Renamed as the Engineering College Library, National Chiao Tung University1970: Completion of the Bo-Ai Campus Library1979: Renamed as the National Chiao Tung University Library1981: Main building relocated to the Kuan-Fu Campus1998: Official opening of the Hao-Ran Library and Information Center

National Taiwan University Library addition to the main library, there are laws Society of Medicine 2 University College and the branch library, as well as physics, mathematics, chemistry, atmospheric, oceanic, biological and map data and other seven departments library.

Lending Library provides books, reference, interlibrary cooperation, resource use guide, e-learning courses, paper and digital collections, information search, information system development services. Library opening hours up to 96 hours per week, and a 24-hour study room for students to use.

Library collection of books and materials to meet the teachers and students in teaching, research, learning mainly to the collection of more than 4,401,450 copies by the end of 2007 (kind of) (including electronic resources), is currently Taiwan's largest collection of data volume University Library.

Park lane by CMP

Eslite

Shih Chien University No: H building

45/46

Border - The Wall (NCTU campus )

Study process

47/48

Border - The Wall (NCTU campus )

Study process

47/48

Border - The Wall (NCTU campus )

Border

Study process

49/50

Border - The Wall (NCTU campus )

Border

Study process

49/50

Border - The Wall (NCTU campus )

51/52

Concept 1 Concept 2 Concept 3

Border - The Wall (NCTU campus )

4F Plan

3F Plan

2F Plan

1F Plan

Section

Site plan Elevation

Elevation

51/52

Concept 1 Concept 2 Concept 3

Border - The Wall (NCTU campus )

4F Plan

3F Plan

2F Plan

1F Plan

Section

Site plan Elevation

Elevation

Cut sections every four meters

53/54

Border - The Wall (NCTU campus )

Cut sections every four meters

53/54

Border - The Wall (NCTU campus )

55/56

Border - The Wall (NCTU campus )

55/56

Border - The Wall (NCTU campus )

57/58

Perspective

Border - The Wall (NCTU campus )

57/58

Perspective

Border - The Wall (NCTU campus )

59/60

Perspective

Border - The Wall (NCTU campus )

59/60

Perspective

Border - The Wall (NCTU campus )

Chape 6

6-1Nangang DistrictUrbanizing industrial innovationNCTU AA collaboration

Advisor :Charles Lin Lawrence Barth Dominic PapaLocation : Taiwan/Taipei .HsinchuTime:3.2010

6-2 The Vertical Village -Workshop

Advisor :MVRDVLocation : Taiwan/TaipeiTime:3.2010

6-3 ‘CITROEN CREATIVE AWARDS' CITROEN DS3

Location :French/ParisTime:6.2010

6-4 Eco -Fresh Life Manufacturing To be selected collaboration

Advisor :Charles Lin Location : Taiwan/HsinchuTime:4.2009

Competition

Spiral House

87/88

Chape 6

6-1Nangang DistrictUrbanizing industrial innovationNCTU AA collaboration

Advisor :Charles Lin Lawrence Barth Dominic PapaLocation : Taiwan/Taipei .HsinchuTime:3.2010

6-2 The Vertical Village -Workshop

Advisor :MVRDVLocation : Taiwan/TaipeiTime:3.2010

6-3 ‘CITROEN CREATIVE AWARDS' CITROEN DS3

Location :French/ParisTime:6.2010

6-4 Eco -Fresh Life Manufacturing To be selected collaboration

Advisor :Charles Lin Location : Taiwan/HsinchuTime:4.2009

Competition

Spiral House

87/88

Thesis

Innovation is urban.Looking at industry as part of a fabric, fully urbanized including civic facilities to support augmented network and sustain polycentric region.How architecture and type can be the driver of this urban strategy?

Nangang District Urbanizing industrial innovationNCTU AA collaboration

89/90

Thesis

Innovation is urban.Looking at industry as part of a fabric, fully urbanized including civic facilities to support augmented network and sustain polycentric region.How architecture and type can be the driver of this urban strategy?

Nangang District Urbanizing industrial innovationNCTU AA collaboration

89/90

The vertical village workshop

Hutong in Beijing, Tokyo, town houses and single-family house in Taipei city, these small-scale traditional and informal urban spaces constitute a very intensive exchange of close-knit community and form a tremendous and one by one the cities with the characteristics of the opposite sex villages. In the past decade, in response to pressure brought by the densely populated East Asia, there were many large buildings in the city, gradually replaced the more traditional, independent, organic, urban landscape, "The Vertical Village" would like to explore: When the existing old community to face the future things will be turned into a giant the intention of the threat, whether through other means to solve the density problem for these regions, and also reached Yuanyou community preservation and character.

The vertical village workshop

91/92

The vertical village workshop

Hutong in Beijing, Tokyo, town houses and single-family house in Taipei city, these small-scale traditional and informal urban spaces constitute a very intensive exchange of close-knit community and form a tremendous and one by one the cities with the characteristics of the opposite sex villages. In the past decade, in response to pressure brought by the densely populated East Asia, there were many large buildings in the city, gradually replaced the more traditional, independent, organic, urban landscape, "The Vertical Village" would like to explore: When the existing old community to face the future things will be turned into a giant the intention of the threat, whether through other means to solve the density problem for these regions, and also reached Yuanyou community preservation and character.

The vertical village workshop

91/92

'CITROEN CREATIVE AWARDS' competition theme

Context:

Citroën provides the option of obtaining graphics that can be applied to the Citroën DS3 dashboard and roof.Candidates must propose creations based on 2D visuals of the CITROEN DS3 provided by the organiser that satisfythe specifications contained in article 6 where:Developing projects:Candidates must propose creations based on 2D visuals of the CITROEN DS3 provided by the organiser that satisfythe specifications contained in article 6 where:The different aspects to be considered are:• Respect the values of the DS3 (audacity, dynamism, optimism, personalisation)• The project's international dimension• The quality of the delivered project• The ease of realising the project on production models (see the specifications)

Project selection process

Project selection involves 3 stages.1. AcceptanceProjects will be sorted as they are received. Only those projects that comply with the technical and functionalspecifications will be accepted.The organisers reserve the right to not retain any drawings that do not appear to comply with these rules.2. Selecting winnersThe best projects will be selected between July 5th and August 30th 2010 by the jury of the following people inlimited session:

- Thierry METROZ, Director of Style Citroën

- Estelle ROUVRAIS, DS3 Citroën Product Manager

- Frédéric SOUBIROU, DS3 Exterior Designer

- Xavier DUCHEMIN, Citroën Marketing Director

- Mathieu WANDON, Citroën Graphic Designer

- Jean Pierre PLOUE, Style Peugeot Citroën Director

- Sonia PERRIN, Fondation Cartier Director

- Xavier DIXSAUT, Jury Chairman and Louis Vuitton Malletier Innovation Director

- Arthur KING, Konbini.com Artistic Director

- Anne BOULAY, GQ Magazine France EditorSelection criteria:

- Relevance of the solution to the competition challenge provided by the project

- Ease of use / integration of innovations

- Creativity and impertinence

- Originality

- Application for mass production and internationalisation of projectThe project that best satisfies the selection criteria will win the competition.

'CITROEN CREATIVE AWARDS'

93/94

Paper umbrella

Paper umbrella in the Hakka custom, because the "paper" and "child" of the Chinese homophones, representing the circle, the meaning of reunion.At the same time. the"umbrella" word has four more symbols and more children on the paper umbrella to do so mostly Hakka dowry.

Paper umbrella also features a manual and practical appreciation of folk decorative features such as gift collections sustainable legend, but also represents the art of skilled and sophisticated spirit of cultural heritage.

'CITROEN CREATIVE AWARDS' competition theme

Context:

Citroën provides the option of obtaining graphics that can be applied to the Citroën DS3 dashboard and roof.Candidates must propose creations based on 2D visuals of the CITROEN DS3 provided by the organiser that satisfythe specifications contained in article 6 where:Developing projects:Candidates must propose creations based on 2D visuals of the CITROEN DS3 provided by the organiser that satisfythe specifications contained in article 6 where:The different aspects to be considered are:• Respect the values of the DS3 (audacity, dynamism, optimism, personalisation)• The project's international dimension• The quality of the delivered project• The ease of realising the project on production models (see the specifications)

Project selection process

Project selection involves 3 stages.1. AcceptanceProjects will be sorted as they are received. Only those projects that comply with the technical and functionalspecifications will be accepted.The organisers reserve the right to not retain any drawings that do not appear to comply with these rules.2. Selecting winnersThe best projects will be selected between July 5th and August 30th 2010 by the jury of the following people inlimited session:

- Thierry METROZ, Director of Style Citroën

- Estelle ROUVRAIS, DS3 Citroën Product Manager

- Frédéric SOUBIROU, DS3 Exterior Designer

- Xavier DUCHEMIN, Citroën Marketing Director

- Mathieu WANDON, Citroën Graphic Designer

- Jean Pierre PLOUE, Style Peugeot Citroën Director

- Sonia PERRIN, Fondation Cartier Director

- Xavier DIXSAUT, Jury Chairman and Louis Vuitton Malletier Innovation Director

- Arthur KING, Konbini.com Artistic Director

- Anne BOULAY, GQ Magazine France EditorSelection criteria:

- Relevance of the solution to the competition challenge provided by the project

- Ease of use / integration of innovations

- Creativity and impertinence

- Originality

- Application for mass production and internationalisation of projectThe project that best satisfies the selection criteria will win the competition.

'CITROEN CREATIVE AWARDS'

93/94

Paper umbrella

Paper umbrella in the Hakka custom, because the "paper" and "child" of the Chinese homophones, representing the circle, the meaning of reunion.At the same time. the"umbrella" word has four more symbols and more children on the paper umbrella to do so mostly Hakka dowry.

Paper umbrella also features a manual and practical appreciation of folk decorative features such as gift collections sustainable legend, but also represents the art of skilled and sophisticated spirit of cultural heritage.

95/96

Eco -Fresh Life ManufacturingEco -Fresh Life Manufacturing

to be selected collaboration

95/96

Eco -Fresh Life ManufacturingEco -Fresh Life Manufacturing to be selected collaboration

97/98

Eco -Fresh Life ManufacturingEco -Fresh Life Manufacturing

to be selected collaboration

97/98

Eco -Fresh Life ManufacturingEco -Fresh Life Manufacturing to be selected collaboration