dialogues in design

Click here to load reader

Post on 26-Mar-2016

272 views

Category:

Documents

0 download

Embed Size (px)

DESCRIPTION

Workshop in Provence, France 2008 with Massimo Vignelli, Armando Milani and Roger Remington

TRANSCRIPT

  • Dialogues in Design on the French RivieraMaster Workshop for Graphic Designers

    Massimo VignelliArmando Milani

    15 June 2008 to 21 June 2008

  • 2Introduction

    Dialogues in Design was an intensive one-week studio experience in graphic design, working with two master designers. International in scope, the workshop was conducted between 15 June and 21 June, 2008.

    The purpose of this book is to document the events of the workshop for the participants and others who may be interested in attending in the future.

  • 3Sunday 15 June7:45 pm Pick up at Hotel8:00 pm -10:30 pm Provencal welcome barbeque at Moulin des Trois Arcs

    Monday 16 June9:00 am Pick up at hotel9:15 am Coffee and croissants at Moulin des Trois Arcs9:30 am Introductions Instructors, participants, and program1:00 pm - 2.00 pm Lunch at the Moulin Introductions Instructors, participants, and programTour of Maeght Foundation and St. Paul-de-VenceDialogue #1: Is there a Process for Creativity? Workshop expectations Cynthia MilaniMassimo Vignelli introduction to project6:00 pm Return to HotelEvening Free

    Dialogues in DesignWorkshop Schedule

    Tuesday 17 June9:00 am Pick up at hotel9:15 am Coffee and croissants at Moulin des Trois Arcs9:30 am Work on project1:00 pm 2:00 pm Lunch at the Moulin2:00 pm Work on project6:00 pm Return to HotelSoccer night and picnic dinner at the Moulin

    Wednesday 18 June9:00 am Pick up at hotel9:15 amCoffee and croissants at Moulin des Trois Arcs9:30 amDialogue #2: My Life in Design Armando Milani11:00 am Work on project1:30 pmLunch at the Moulin3:00 pm Work on project6:00 pm Moules / frites dinner in Antibes

    Thursday 19 June9:00 am Pick up at hotel9:15 am Coffee and croissants at Moulin des Trois Arcs9:30 amDialogue #3: Vignelli Design: A Retrospect Lella Vignelli / Work on project1:00 pm to 2:00 pm / Lunch at the Moulin2:00 pm / Work on project6:00 pm Dialogue #4: My Life in Design/ M. Vignelli8:00 pm Dinner at Clos des Pins / Roquefort-les-PinsDinner Dialogue with the Chef: Creativity and Cooking - What it takes to be a Master Chef

    Friday 20 June9:00 am Pick up at hotel9:15 am Coffee and croissants at Moulin des Trois Arcs9:30 am / Work on project11:30 amMarket day and lunch in a medioeval village1:00 pm / Work on project6:00 pm Dialogue #5 The Trials and Tribulations of Being a Master Designer / Cynthia Milani 6:30 pm Individual presentations by participantsDialogue #6Critique and comment by Vignelli and MilaniDinner / Viewing of Helvetica film

    Saturday 21 June9:00 am Pick up at hotel9:15 am Coffee and croissants at Moulin des Trois Arcs9:30 am Dialogue #7: How to Illicit Visual Rhetoric Professor R. Roger Remington Dialogue #8: Cross-cultural Solutions to Corporate Branding and How to Create Your Own BrandCynthia Milani1:30 pm American barbeque at Moulin des Trois Arcs2:30 pmMaster Designer Workshop Awards Ceremony3:00 pm Tour Grasse and NiceEvening in Nice

    Sunday 22 JuneAu revoir

  • 4Roger Remingtons ex Schedule

    Dialogues in Design was a dynamic experience as evidenced by these schedule sheets which were dutifully carried in Roger Remingtons pocket throughout the workshop. The interaction between the demands of the master designers, Massimo Vignelli and Armando Milani with Roger Remington and Cynthia Milani, who worked as facilitators, was often a vigorous process as the days progressed. The goal was to create effective solutions to the graphic design project as well as to enjoy the beauty of Provence.

  • 5The workshop was conducted in a beautiful setting, the studio of Italian designer Armando Milani in Le Rouret, near Nice on the French Riviera. The area, Provence/Cte dAzur, is nestled between the sea and the mountains, and is known the world over for its natural beauty. Located in the heart of this gentle and lush vegetation, is Milanis home and studio, Les Moulin des Trois Arcs which was a former olive mill from the 1500s.Participants were able to reflect and exchange ideas with two master designers in a truly unique location where nature and the ancient architecture combine to produce a stimulating learning environment. Visits to neighboring Provencal villages, museums, cultural highlights and fishing ports were a popular part of the workshop.

    SettingsWorkshop SettingThe Moulin

  • 6Armando and Cynthia Milani, as part of their development of the Moulin des Trois Arcs, created a unique home in the old olive mill and, in an adjacent building, a modern design studio where the workshop was conducted. The facility served the work-shop very well for individual work space, wireless internet connection, library and lecture/projection use.

    SettingsWorkshop settingsThe Studio

  • 7Massimo VignelliMaster designer showcase

    Above left: Museum of Fine Arts Houston, Texas.The name of the Museum, spelled out with monumental letters in pre-cast concrete applied to the facade of the building, 1999.Above right: The Donors Wall dominates the Museum Atriumwith its monumental scale, 1999.To the right: Trademark for ABDIiBRAHIM, Istanbul 2006. Trademark for OPS, Off Shore Atomic Power Plants, USA,1972.Right page: Diagram of the New York Subway System, 2008.

  • 8Massimo VignelliMaster designer showcase

    Above:Richard Meier Museums, book design, 2006.This is one of the many books we have designed for Richard Meier.Right page, above:Format design for the Architecture magazine AAA,published in Santo Domingo, 2007.Below:Easy chairs, cast in nylon, designed for Heller, USA, in 2006.

  • 9Poster War / Peace for the 60th years Celebration of the United Nations / New York.

    Poster for the collection Tought on democracy, for the Wolfsonian Museum / Miami.

    Poster Africa the forgotten continent,for CESPI Foundation / Rome.

    Poster against the smoking,for the Policlinico Hospital / Milano.

    Armando MilaniMaster designer showcase

  • 10

    Logo Euromar for import-export company.Milan.

    Logo for Dialogos, publisher of psichology books.Milan.

    Logo Uomo Moda (man fashion) for ICE.New York.

    Logo for Brookehill Equities, investment.New York.

  • 11

    Denise Lowery Maureen Lynch Elisabetta DAffaraPetra Mueller Silvano Vitale Greg CunneyworthDan Pocock Marion DigelElle Yoon John Walsh Tom GloesenerAngela HaggmanAlberto Rigau

    PeopleThe Participants

  • 12

    Participants in the workshop were an international group, representing six countries. During the course of the workshop, they bonded into a strong group of friends in the quest of achieving new graphic design sensitivities. Close working relationships existed between the participants, master designers and faculty on a day by day basis. All participants enjoyed the unique opportunity of problem solving with the close support of Massimo Vignelli and Armando Milani.

    People

  • 13

    Massimo and Lella Vignelli are New York-based designers of international reputation who have designed corporate identity programs,posters, publications, architectural graphics, products, interiors and furniture.Massimo lead a project in corporate identity and Lella Vignelli lectured about her work.

    www.vignelli.com

    Armando Milani is an internationally prominent graphic designer. Milani opened his design studio in Milan in 1970, and a New York branch in 1979. His current focus is on designing logos and corporate identity programs and posters for social causes. He is a member of the Alliance Graphique Internationale. During the Master workshop, Milani lead the project in graphic design.

    www.moulin3arcs.com

    Cynthia Milani is a corporate anthropologist and President of The Institute for Global Development which provides cross-cultural training and branding for multinational companies throughout the world. She brought anthropological, cultural, and psychological, perspectives to the project in her lecture on branding.

    www.igd.moulin3arcs.com

    R. Roger Remington is the Vignelli Distinguished Professor of Design at Rochester Institute of Technology. An acknowledged and published design historian, he has established a unique graphic design archive of over 25 collections of American Modernist designers. During the Master class, Remington presented a lecture on visual rhetoric and, with Cynthia Milani, served as Workshop facilitators.

    www.rrogerremington.com

    PeopleTeachers

  • 14

    Massimo VignelliWords used by Massimo Vignelliin explaining his work to participants:

    Powerful visualsIntellectually elegant and timelessConsistentTo stamp out vulgarityPurityEmotionMovementNever compromiseIntegrityEleganceGridCollaborationDematerializeLuminosityMinimalismDirectSystem

    Armando Milani Words used by Armando Milani in explaining his work to participants:

    Eye to heartInfluencesExpress concepts without wordsPersonalityInterventionRelationshipsInterpretationDouble meaningAmbiguityTransformationMemorableSimplicityHumorContrastMetaphorDreamingContrastInspirationalTimelessness

    Lella Vignelli Words used by Lella Vignelli in explaining his work to participants:

    Transformation and connection PurityConsistency FeasibilitySubtletySimple yet complexInvisible yet beautiful in functionTransparencyDetailDecorativeContextReflectionProportionIlluminationCraftsmanshipHarmonyPlay of lightSpaceSurpriseEngagementParticipationPartnershipUtilitarianClassicSpace free and luminous

    Dialogues

  • 15

    Cynthia Milani Questions posed by Cynthia Milani to workshop participants in her lecture on personal branding.

    What makes you special?What do you want to be remembered for?What are your blessings?What are your core values/ethics?What do you do to demonstrate those values?What do you want to achieve in the next 15/10/5 years?What is your mission in life?What is your personal vision?How will you get there?What are your strengths, weaknesses, threats, opportunities?What are your goals and objectives?Are you being true to your brand?What is your Myers-Briggs Personality Type?How does that impact your life?

    R. Roger RemingtonProfessor Remington presented an illustrated lecture on design theory, namely the application of Visual Rhetoric for graphic design applications. His talk identified the historical connection between ancient rhetoric and contemporary graphic design.He made the case for rhetoric as a basis in both analytical and generative processes of visual problem-solving. In his introductory remarks, he said, This will be a lecture in design theory which hopefully will open your eyes to a new approach to creativity and the process of design. Today we are dealing here with both the head and the heart, not so much the hand. In that way we are adding a new dimension to the collective learning experience at the workshop.

    Helvetica MovieDuring the workshop, at the urging of Massimo Vignelli, there was a late evening showing of the film Helvetica. This film is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which is celebrating its 50th birthday this year) as part of a larger conversation about the way type affects our lives.

    Dialogues

  • 16

    Dialogues

    Theory map designed by Professor R. Roger Remington

    Communication Philosophy

    CulturalPsychology

    Science Design

    Economic Constructivist PedagogyBusiness

    Hypertext

    Narrative

    Literary

    Platonic

    Kantian

    Pragmatism

    Simulation

    Critical Thinking

    Learning

    Post-Modernism

    Neo-Structuralism

    Post-Structuralism

    Aesthetics

    CreativityStructuralism

    Modernism

    Human Factors

    Anthropology

    Multi-Culturism

    Contrarian

    Behaviorism

    Humanism

    Universalism

    Ethnography

    Gestalt

    Cognitive

    Evaluation

    Feminist

    Jungian

    Freudian

    MultipleIntelligences

    Fuzzy Logic

    Object-orientedProgramming

    Artificial Intelligence

    Marketing

    Case Study

    Management

    Information

    Interactivity

    Network

    Communication

    RhetoricLinguistic

    Sign Theory(Semiotics)

  • 17

    Participants in the workshop were assigned the task of individually developing a graphic design identity system for the Maeght Foundation located in Saint-Paul-deVence.

    Having played a pioneering role in France, the Maeght Foundation since 1964 is today internationally recognized as one of the great centers of modern and contemporary art. Its image is that of bold enterprise, which owes its success to the personality of its founders, Marguerite and Aime Maeght and to the friendship of the artists they brought together.(from Connaissance des Arts, 1998)

    Master designers Massimo Vignelli and Armando Milani, supported by Lella Vignelli, Cynthia Milani andR. Roger Remington, worked with the participants in providing direction, clarification, advice and critique.

    Vignelli and Milani asked each participant to develop the following:

    A logotype or symbol.

    Stationary System- Letterhead- Envelope- Business card- Fax and other forms.

    Admission ticket.

    Program folder (information on Maeght Foundation, collections, history, etc).

    Publication format- Brochure- Book cover.

    Signs- Building identification- Identification of art works- Directional signs- Informational signs.

    Poster(s) for exhibitions.

    Website.

    Dialogues in Design Workshop Graphic Design Project

  • 18

    Research and referenceMaeght Foundation

  • 19

    Research and referenceMaeght Foundation

  • 20

    Research and referenceMaeght FoundationSamples of existing signage

  • 21

    Phase I Ideation and sketches

    The first phase of the workshop projectinvolved translating the participantsimpressions from their trip to the MaeghtFoundation into concepts and ideas thatwould graphically symbolize the museum.

  • 22

    Phase II Selection and refiniment

    Each workshop participant developed identity logos or marks for the Maeght Foundation. The graphic work was evaluated by the master designers with advice and suggestions for further refinement.

  • 23

    Phase II Presentation of Identity elements

  • 24

    Phase III Application

    With the identity marks selected and refined, each participant developed a series of graphic design applications in which their individual marks were shown on letterheads, signage, etc..

  • 25

    Phase III Identity marks designed for Maeght Foundation

  • 26

    Alberto RigauProposal for Maeght Foundation

    19 juin 2008

    :Massimo VignelliArmando Milani

    des:La Fondation Maeght

    Un lieu unique ddi lart

    La Fondation Marguerite et Aim Maeght est un exemple unique de fondation prive en Europe. Inaugure le 28 juillet 1964 par Andr Malraux, alors Ministre des

    Aim et Marguerite Maeght pour prsenter lart moderne et contemporain sous toutes ses formes. Des peintres et des sculpteurs ont troitement collabor cette ralisation avec larchitecte catalan Josep Lluis Sert en crant des uvres, souvent monumentales, intgres au btiment et aux jardins : cour Giacometti, labyrinthe Mir peupl de sculptures et de cramiques, mosaques murales de Chagall et de Tal-Coat, bassin et vitrail de Braque, fontaine de Bury

    Vritable muse dans la nature, la Fondation Maeght est un lieu exceptionnel qui possde une des plus importantes collections en Europe de peintures, sculptures, dessins et oeuvres graphiques du XXme sicle : Bonnard, Braque, Calder, Chagall, Giacometti, Lger, Mir

    Plus de 200 000 visiteurs viennent chaque anne la Fondation Maeght qui a ralis plus de 100 expositions monographiques ou thmatiques depuis son ouverture.

    A partir de ses collections, de nombreuses expositions sont galement organises, chaque anne dans des muses, en France et ltranger.Des crivains, potes, philosophes, historiens dart, sont invits chaque anne la Fondation Maeght pour donner des confrences thmatiques autour des expositions.

    Reconnue dutilit publique, la Fondation Maeght est totalement autonome. Elle

    subvention de lEtat.

    +33 (0) 4 93 32 81 63 +33 (0) 4 93 32 53 22

    [email protected] www.maeght.com

    06570 Saint-Paul France

    [email protected] www.maeght.com

    06570 Saint-Paul, France

    C

    M

    Y

    CM

    MY

    CY

    CMY

    K

    AlbertoRigau_BusCard_Front.pdf 24-06-2008 17:06:54

    +33 (0) 4 93 32 81 63

    +33 (0) 4 93 32 53 22 [email protected]

    www.maeght.com 06570 Saint-Paul

    France

  • 27

    Brochure covers

    T-shirts Other applications

    SignageBook covers

    GIAC

    OMETTI

    MIR

    LIEU

    CONC

    EPT

  • 28

    Dan PocockProposal for Maeght Foundation

  • 29

    Tickets Book - cover and internal spread

    07.2008

  • 30

    Angela HaggmanProposal for Maeght Foundation

  • 31

    Book Posters

  • 32

    Elle YoonProposal for Maeght Foundation

    Fondation Marguerite et Aime Maeght06570 Saint-Paul

    www. fondation-maeght. com

    telephone +33.0.4.93.32.81.63 telecopie +33.0.4.93.32.53.22

    Quil trace une figure sur une toile, ou sur du papier, quil ptrisse largile, cest toujours la mme ligne frntique,

    acharne. Deux thmes chers Alberto Giacometti sont dploys dans les salles.

    Tout dabord, face la clbre sculpture de lHomme qui marche I,1960, sont prsentes des lithographies et eaux-fortes

    originalestraitant de la reprsentation humaine travers le portrait et le nu,dont un trs rare Autoportrait de 1964 ou le

    portrait mystrieux M rede lartiste, de 1965. Ces oeuvres graves sont les chefs-doeuvre de sa priode dite

    classique , toutes sont tires peu dexemplaires (trente ou cinquante). Le Buste dhomme de 1964, montre la

    similitude de traitement du visage par le trait, quil sagisse de sculpture ou de gravure .

    La deuxime partie propose de dcouvrir la srie des Ateliers initie en 1954, emblmatique de cette exposition, mais

    aussi reprsentative de lunivers o lartiste cre et o il vit. Alberto Giacometti, sans mise en scne, nous ouvre son

    atelier de la rue Hippolyte Maindron et reprsente sur la plaque de cuivre ses chefs-doeuvre sculpts dun trait sr, vif

    et direct. Ainsi, on peut reconnatre les sculptures en bronze La place, ou les Femmes de Venise dans les lithographies

    originales ou les eaux-fortes : Tte et tabouret, Figurines et pole, Les Deux tabourets, LAtelier aux deux seaux.

    La deuxime partie propose de dcouvrir la srie des Ateliers initie

    Sincerely,

    Michelle Maeght

    The Rockefeller Group1290 Avenue of the AmericasNew York, NY 10019

    Mr. John Smith:

    June 17, 2008

    Fondation Marguerite et Aime Maeght06570 Saint-Paul

    Mr. John Smith

    The Rockefeller Group1290 Avenue of the AmericasNew York, NY 10019

    www. fondation-maeght . com

    telephone +33.0.4.93.32.81.63 telecopie +33.0.4.93.32.53.22

    Fondation Marguerite et Aim Maeght

    06570 Saint-Paul

    Michelle Maeght

  • 33

    Menber Cards for woman and man Poster Brochure cover Brochure spreads

    june 2008 june 2009

    MEM

    BERSHIP:Entre gratuite la fondation M

    aeghtInvitation tous les vernissagesAccs la Bibliothque Affi ches des expositions tem

    poraires Catalogues des expositions tem

    poraires Affi ches des expositions tirage luxe

    www.fondation-maeght.com

    june 2008 june 2009

    MEM

    BERSHIP:Entre gratuite la fondation M

    aeghtInvitation tous les vernissagesAccs la Bibliothque Affi ches des expositions tem

    poraires Catalogues des expositions tem

    poraires Affi ches des expositions tirage luxe

    www.fondation-maeght.com

    alberto

    GIACOMETTI

    www.fondation-maeght.comFondation Marguerite et Aime Maeght

    7 avril 17 juin 2008

  • 34

    Petra MuellerProposal for Maeght Foundation

  • 35

    TicketsFront and back

    Brochure Grid and posters

  • 36

    John WalshProposal for Maeght Foundation

    06570 Saint-Paul, FranceTlphone: +33 (0)4 93 32 81 63 Tlcopie: +33 (0)4 93 32 53 22E-mail: [email protected] Site: www.fondation-maeght.com

    Dear Massimo,Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Proin nec lorem. Phasellus augue. Vestibulum aliquam orci in ante. Duis laoreet, odio id egestas fringilla, urna velit ultricies sapien, feugiat mattis velit purus nec sapien. Pellentesque tristique velit sit amet est. Morbi consectetuer, metus ut semper pharetra, nunc diam faucibus urna, eu laoreet tortor orci id mauris. Nunc iaculis porta mi. Sed elit. Aliquam viverra vestibulum tortor. Proin pellentesque cursus pede. Pellentesque scelerisque magna nec pede. Vivamus mollis. Proin at eros.

    Quisque nisl mauris, volutpat vel, hendrerit ac, aliquam eu, metus. Suspendisse interdum odio a massa. Maecenas diam tellus, faucibus vel, aliquam at, mattis vitae, eros. Integer mi orci, rhoncus non, molestie at, commodo quis, neque. Mauris lorem augue, lobortis eu, placerat sed, congue dignissim, nulla. Praesent commodo tincidunt leo. Suspendisse sed pede eget elit venenatis lacinia. Sed viverra enim sit amet risus. Integer tellus. Cras sodales congue neque. Aenean lobortis, risus ac congue pretium, velit lectus laoreet nulla, ut mollis eros mauris eu ligula.

    Vivamus nunc. Integer ultricies. Duis nec lorem. Mauris sem risus, rhoncus a, varius eget, vehicula sed, lorem. Quisque est. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Integer venenatis scelerisque neque. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Morbi non ligula ac felis rhoncus pulvinar. Integer ornare. In magna dolor, sollicitudin vitae, tempor ut, hendrerit ac, nisl. Mauris mi.

    Ut vel libero id metus tincidunt commodo. Curabitur nec erat. Morbi volutpat eleifend sapien. Praesent congue placerat risus. Praesent porttitor. Nulla turpis. Duis sodales erat non dui pharetra cursus. Vivamus malesuada ante non tellus. Aliquam sit amet eros. Cras feugiat, arcu non tincidunt iaculis, odio tellus imperdiet justo, a suscipit sapien augue nec massa. Nam porttitor. Vivamus augue lorem, laoreet ac, porta consectetuer, imperdiet vestibulum, tortor. Ut congue massa nec nibh. Vestibulum pharetra ante a arcu.

    John WalshSilver Birch CottageBirches LaneLostock GreenCheshireCW9 7SNUnited Kingdom

    18th June 2008

    Aim MaeghtDirector06570 Saint-Paul, France

    Tlphone: +33 (0)4 93 32 81 63

    Tlcopie: +33 (0)4 93 32 53 22

    [email protected]

    www.fondation-maeght.com

  • 37

    Posters

    s

    Ouvert tous les Jours10h 18hEntree 11`Etudiants 9`Photographie 2.5`Site sous Surveillance Video

    PARKING ENTREEs

    La Bibliothque / LibraryAmis de la Fondation / MembersLibraire / BookshopAdministration / OfficesLabyrinthe de MirToilettes / ToiletsVestiare / Cloakroom

    ss

    ss

    sss

    Alberto Giacometti

    Ouvert tous les jours sans exceptionOpen everyday without exception:

    1 octobre - 30 Juin: 10h-18hoctober 1st - june 30th: 10am-6pm

    1 juillet - 30 septembre: 10h-19hjuly 1st - september 30th: 10am-1pm

    06570 Saint-Paul, France

    du 5 avril au 8 juin 2008

    Mir

    du 5 avril au 8 juin 2008

    Ouvert tous les jours sans exceptionOpen everyday without exception:

    1 octobre - 30 Juin: 10h-18hoctober 1st - june 30th: 10am-6pm

    1 juillet - 30 septembre: 10h-19hjuly 1st - september 30th: 10am-1pm

    06570 Saint-Paul, France

    La Fondation Marguerite et Aim Maeght est un exemple unique de fondation prive en Europe. Inaugure le 28 juillet 1964 par Andr Malraux, alors Ministre des Affaires Culturelles, cet ensemble architectural a t entirement conu et financ par Aim et Marguerite Maeght pour prsenter lart moderne et contemporain sous toutes ses formes. Des peintres et des sculpteurs ont troitement collabor cette ralisation avec larchitecte catalan Josep Lluis Sert en crant des uvres, souvent monumentales, intgres au btiment et aux jardins : cour Giacometti, labyrinthe Mir peupl de sculptures et de cramiques, mosaques murales de Chagall et de Tal-Coat, bassin et vitrail de Braque, fontaine de Bury

    Vritable muse dans la nature, la Fondation Maeght est un lieu exceptionnel qui possde une des plus importantes collections en Europe de peintures, sculptures, dessins et oeuvres graphiques du XXme sicle : Bonnard, Braque, Calder, Chagall, Giacometti, Lger, Mir

    Plus de 200 000 visiteurs viennent chaque anne la Fondation Maeght qui a ralis plus de 100 expositions monographiques ou thmatiques depuis son ouverture.

    A partir de ses collections, de nombreuses expositions sont galement organises, chaque anne dans des muses, en France et ltranger.

    La Fondation Maeght: un lieu unique ddi lart

    Des crivains, potes, philosophes, historiens dart, sont invits chaque anne la Fondation Maeght pour donner des confrences thmatiques autour des expositions.

    Reconnue dutilit publique, la Fondation Maeght est totalement autonome. Elle ne dpend pas de ladministration des Muses Nationaux et ne bnficie daucune subvention de lEtat.

    The Marguerite and Aim Maeght Foundation is a unique example of a private European Foundation. Inaugurated on July 28th 1964 by Andr Malraux, then Minister of Cultural Affairs, this architectural ensemble was entirely conceived and financed by Aim and Marguerite Maeght to present modern and contemporary art in all its forms. Painters and sculptors collaborated closely in the realisation of this Foundation with Catalan architect Lluis Sert by creating frequently monumental works integrated into the building and gardens: the Giacometti courtyard, the Mir labyrinth filled with sculptures and ceramics, mural mosaics by Chaggall and Tal-Coat, a pool and stained glass window by Braque, a Bury fountain...

    The Maeght Foundation: a unique site dedicated to art

    A true museum in nature, the Maeght Foundation is an exceptional site that contains one of the most important collections in Europe, with paintings, sculptures; drawings and graphic works from the 20th century: Bonnard, Braque, Calder, Chagall, Giacometti, Lger, Mir...

    More than 200 000 visitors come each year to the Maeght Foundation, which has put on over 100 monographic or thematic exhibitions since its opening. Many exhibitions are also organized every year in museums in France and abroad based on the Foundations collections.

    Designated as being of public interest, the Maeght Foundation is autonomous. It is not linked to the National Museum Administration and receives no funding from the State.

    La Fondation Marguerite et Aim Maeght est un exemple unique de fondation prive en Europe. Inaugure le 28 juillet 1964 par Andr Malraux, alors Ministre des Affaires Culturelles, cet ensemble architectural a t entirement conu et financ par Aim et Marguerite Maeght pour prsenter lart moderne et contemporain sous toutes ses formes. Des peintres et des sculpteurs ont troitement collabor cette ralisation avec larchitecte catalan Josep Lluis Sert en crant des uvres, souvent monumentales, intgres au btiment et aux jardins : cour Giacometti, labyrinthe Mir des uvres, souvent monumentales, peupl de sculptures et de cramiques, mosaques murales de Chagall et de Tal-Coat, bassin et vitrail de Braque, fontaine de Bury

    Vritable muse dans la nature, la Fondation Maeght est un lieu exceptionnel qui possde une des plus importantes collections en Europe de peintures, sculptures, dessins et oeuvres graphiques du XXme sicle : Bonnard, Braque, Calder, Chagall, Giacometti, Lger, Mir

    La Bibliothque The Library

    Plus de 200 000 visiteurs viennent chaque anne la Fondation Maeght qui a ralis plus de 100 expositions monographiques ou thmatiques depuis son ouverture.

    A partir de ses collections, de : cour Giacometti, labyrinthe Mir nombreuses expositions sont galement organises, chaque anne dans des muses, en France et ltranger.

    Des crivains, potes, philosophes, historiens dart, sont invits chaque anne la Fondation Maeght pour donner des confrences thmatiques autour des expositions.

    Reconnue dutilit publique, la Fondation Maeght est totalement autonome. Elle ne dpend pasde ladministration des MusesNationaux et ne bnficiedaucune subventionde lEtat.

    The Marguerite and Aim Maeght Foundation is a unique example of a private European Foundation. Inaugurated on July 28th 1964 by Andr Malraux, then Minister of Cultural Affairs, this architectural ensemble was entirely conceived and financed by Aim and Marguerite Maeght to present modern and contemporary art in all its forms. Painters and sculptors collaborated closely in the realisation of this Foundation with Catalan architect Lluis Sert by creating frequently monumental works integrated into the building and gardens: the Giacometti courtyard, the Mir labyrinth filled with sculptures and ceramics, mural mosaics by Chaggall Andr Malraux, then Minister of Cultural Affairs, this architectural ensemble and Tal-Coat, a pool and stained glass window by Braque, a Bury fountain...

    06570 Saint-Paul, France

    La Socit des Amis La Librairie Tarifs/Fees: Accs/How to find us?

    Visites Guides/Guided Tours:

    Individuel/Individual.......................11`

    Groupes, Etudiants:.........................9`Renseignements/Information:

    Tlphone : +33 (0)4 93 32 81 63Tlcopie : +33 (0)4 93 32 53 22

    Cre en 1966, lAssociation rassemble aujourdhui plus de 2000 membres (au niveau national et international). Les cotisations des adhrents permettent tout courtyard, the Mir labyrinth filled historians are invited every year to the particulirement de disposer mosaics by Chaggall Andr Malraux, chaque anne dun budget dacquisitions. Ainsi prs dune centaine duvres (peintures, dessins, et sculptures) ont t acquises au fil des ans.

    Writers, poets, philosophers, art historians are invited every year to the Maeght Foundation to give thematic conferences about the exhibitions..

    La Socit des Amis de la Fondation Maeght a pour but denrichir les collections de la Fondation Maeght et de contribuer son rayonnement.

    Aroport: Nice Cte dAzurGare SNCF: Cagnes sur MerBus: N 400 Direction Vence par Saint-Paul de la Gare routire de Nice ou de la Gare SNCF de Cagnes sur Mer, arrt Saint-Paul/La PosteAutoroute:sDE.ICEsortie N 48 Villeneuve-LoubetsDE#ANNESsortie N 47 Villeneuve-Loubet/Cagnes sur Mer puis suivre la direction de Saint-Paul

    Airport: Nice Cte dAzurTrain Station: Cagnes sur MerBus: take the number 400 bus in direction of Vence by Saint-Paul from the bus station in Nice or at the train station in Cagnes sur Mer, the bus stop is Saint-paul/La PosteAutoroute:sDE.ICEsortie N 48 Villeneuve-LoubetsDE#ANNESsortie N 47 Villeneuve-Loubet/Cagnes sur Mer puis suivre la direction de Saint-Paul.

    06570 Saint-Paul, France

    La Socit des Amis de la Fondation Maeght a pour but denrichir les collections de la Fondation Maeght et de contribuer son rayonnement.

    La Socit des Amis prend galement en charge le fonctionnement de la Bibliothque de la Fondation Maeght en permettant lachat rgulier douvrages (thmatiques ou monographiques, catalogues raisonns, etc.) et labonnement aux principales revues. Grce la Socit des Amis, la Bibliothque de la Fondation Maeght conserve ainsi plus de 40 000 volumes, ce qui en fait lune des plus particulirement de disposer chaque anne dun budget dacquisitions. importantes bibliothques dart du Sud de la France.

    06570 Saint-Paul, France

    Tlphone : +33 (0)4 93 32 81 63Tlcopie : +33 (0)4 93 32 53 22

    La Fondation Maeght est ouverte tous les jours.1er octobre - 30 juin : 10h - 18h.1er juillet - 30 septembre : 10h - 19h.

    Visites guides sur rendez-vous.Bibliothque, Librairie et Cafeteria :Ouverture aux mmes horaires que le muse.

    Tarifs :Adulte : 11 euros.Etudiant, Enfant : 9 euros.Enfant -10 ans : Gratuit.

    Home Foundation Library Members Bookstore Contacts

    Brochure Signage Shopping bag and web site

  • 38

    Marion DigelProposal for Maeght Foundation

    Noelle Gillt85 Rue de Palliers07410 Poitiers France

    Saint-Paul, 23.5.2008

    subjt: Henry Moore

    Chre Madame Gilot,

    nous reservons votre imprints et les livres de Henry Moore pour vous. Si vouz voullez, nous vous donnerons les materiaux '87 le vernissage, '87 le 28.5. ou nous vous apporterons avec Fed Ex a la maison.

    Comme vous veux prendre, rsvp. nous reservons votre imprints et les livres de Henry Moore pour vous. Si vouz voullez, nous vous donnerons les materiaux '87 le vernissage, '87 le 28.5. ou nous vous apporterons avec Fed Ex a la maison. Comme vous veux prendre, rsvp. nous reservons votre imprints et les livres de Henry Moore pour vous.

    Cordialement,Mdm. Juliette Marais

    fondation marguerite et aim maeght 06570 saint-paul, francetel +33 049 3328163 fax +33 049 3328163email [email protected] siteweb www.fondation-maeght.com

    maeght

    aim maeght, presidentfondation marguerite et aime maeght06570 saint-paul, france

    +33 049 3328163 fax +33 049 3328163email [email protected] siteweb www.fondation-maeght.commaeght

    Noelle Gillt85 Rue de Palliers07410 Poitiers France

    fondation marguerite et aim maeght

    maeght

    aim maeght, president

    fondation marguerite et aime maeght

    06570 saint-paul, france

    tel +33 049 3328163 fax +33 049 3328163

    email [email protected]

    siteweb www.fondation-maeght.com

    maeght

  • 39

    maeght linvitation

    les sculptures de mir

    fondation marguerite et aim maeght

    maeght exposition

    les sculptures de mir

    ouvert tous les jours 1er octobre - 30 juin 10h - 19h I open everydayoctober 1st - june 30th

    29 juin - 22 octobre 2008 I vernissage - vendredi 28 juin I19h

    fondation marguerite et aim maeght 06570 saint-paul, francetel +33 049 3328163 fax +33 049 3328163email [email protected] siteweb www.fondation-maeght.com

    fondation marguerite et aim maeght

    ouvert tous les jours 1er octobre - 30 juin 10h - 19h I open everydayoctober 1st - june 30th

    29 juin - 22 octobre 2008 I vernissage - vendredi 28 juin I19h

    fondation marguerite et aim maeght 06570 saint-paul, francetel +33 049 3328163 fax +33 049 3328163email [email protected] siteweb www.fondation-maeght.com

    les sculptures de giacometti

    maeght exposition

    Invitation Tickets

    Posters Brochure Signage

    fondation marguerite et aim maeght

    lart & larchitecture

    maeghtmaeght

    fondation marguerite et aim maeght 06570 saint-paul, francetel +33 049 3328163 fax +33 049 3328163email [email protected] siteweb www.fondation-maeght.com

    ouvert tous les jours 1er octobre - 30 juin 10h - 19h I open everydayoctober 1st - june 30th

    Saint-PaulNice

    Vence

    accs

    la socit des amis

    La Fondation Marguerite et Aim Maeght est un exemple unique de fondation prive en Europe. Inaugure le 28 juillet 1964 par Andr Malraux, alors Ministre des Affaires Culturelles, cet ensemble archi-tectural a t entirement conu et financ par Aim et Marguerite Maeght pour prsenter l'art moderne et contemporain sous toutes ses formes.Vritable muse dans la nature, la Fondation Maeght est un lieu exceptionnel qui possde une des plus importantes collections en Europe de peintures, sculptures.

    the friends of the maeght foundationassociation

    The Marguerite and Aim Maeght Foundation is a unique example of a private European Foundation. Inaugurated on July 28th 1964 by Andr Malraux, then Minister of Cultural Affairs, this architectural ensemble was entirely conceived and financed by Aim and Marguerite Maeght to present modern and contemporary art in all its forms. Painters and sculptors collaborated closely in the realisation of this Foundation with Catalan architect Lluis Sert by creating frequently monumental works integrated into the building and gardens:.

    fondation marguerite et aim maeght

    La Fondation Marguerite et Aim Maeght est un exemple unique de fondation prive en Europe. Inaugure le 28 juillet 1964 par Andr Malraux, alors Ministre des Affaires Culturelles, cet ensemble archi-tectural a t entirement conu et financ par Aim et Marguerite Maeght pour prsenter l'art moderne et contemporain sous toutes ses formes.

    Vritable muse dans la nature, la Fondation Maeght est un lieu exceptionnel qui possde une des plus importantes collections en Europe de peintures, sculp-tures, dessins et oeuvres graphiques du XXme sicle : Braque, Calder, Chagall, Giacometti, Mir et a ralis plus de 100 expositions monographiques.

    The Marguerite and Aim Maeght Foundation is a unique example of a private European Foundation. Inaugurated on July 28th 1964 by Andr Malraux, then Minister of Cultural Affairs, this architectural ensemble was entirely conceived and financed by Aim and Marguerite Maeght to present modern and contemporary art in all its forms.

    Painters and sculptors collaborated closely in the realisation of this Foundation with Catalan architect Lluis Sert by creating frequently monumental works integrated into the building and gardens: the Giacometti courtyard, the Mir labyrinth filled with sculptures and ceramics, mural mosaics by Chaggall and Tal-Coat, a pool and stained glass window by Braque.fountain...

    La Fondation Marguerite et Aim Maeght est un exemple unique de fondation prive en Europe. Inaugure le 28 juillet 1964 par Andr Malraux, alors Ministre des Affaires Culturelles, cet ensemble archi-tectural a t entirement conu et financ par Aim et Marguerite Maeght pour prsenter l'art moderne et contemporain sous toutes ses formes.Vritable muse dans la nature, la Fondation Maeght est un lieu exceptionnel.

    The Marguerite and Aim Maeght Foundation is a unique example of a private European Foundation. Inaugurated on July 28th 1964 by Andr Malraux, then Minister of Cultural Affairs, this architectural ensemble was entirely conceived and financed by Aim and Marguerite Maeght to present modern and contemporary art in all its forms. Painters and sculptors collaborated closely in the realisation of this Foundation with Catalan architect Lluis Sert by creating frequently monumental works integrated into the building and gardens.

    la bibliothque

    the library

    La Fondation Marguerite et Aim Maeght est un exemple unique de fondation prive en Europe. Inaugure le 28 juillet 1964 par Andr Malraux, alors Ministre des Affaires Culturelles, cet ensemble archi-tectural a t entirement conu et financ par Aim et Marguerite Maeght pour prsenter l'art moderne et contemporain sous toutes ses formes.Vritable muse dans la nature, la Fondation Maeght est un lieu exceptionnel qui possde une des plus importantes collections en Europe de peintures, sculp-tures, dessins et oeuvres graphiques du XXme sicle.

    The Marguerite and Aim Maeght Foundation is a unique example of a private European Foundation. Inaugurated on July 28th 1964 by Andr Malraux, then Minister of Cultural Affairs, this architectural ensemble was entirely conceived and financed by Aim and Marguerite Maeght to present modern and contemporary art in all its forms. Painters and sculptors collaborated closely in the realisation of this Foundation with Catalan architect Lluis Sert by creating frequently monumental works integrated into the building and gardens.

    lart

    art

    larchitecture

    architecture

    la librairie

    the bookstore

  • 40

    Maureen LynchProposal for Maeght Foundation

    06570 saint-paul, francetlphone : +33 (0)4 93 32 81 63 tlcopie : +33 (0)4 93 32 81 63www.fondation-maeght.com/amis/index.htm

    fondation marguerite et aim maeght

    fondation mauguerite et aim maeght06570 saint-paul, francetlphone : +33 (0)4 93 32 81 63 tlcopie : +33 (0)4 93 32 81 63www.fondation-maeght.com

    Chr Monsieur,

    Veuillez voir la copie ci-jointe de la lettre rcente dAT& ; et ma lettre de previos AT& ; ce sujet, car je me rfrerai lui dans le rcit suivant. 1. Comme procuration de Mary Scullane, je laide dehors sur sa requte. 2. Mme Scullane a recevoir encore les disques des appels daide dannuaire pour lesquels elle est charge, nous croient inexactement. Nous avons appel votre ligne de service la clientle (800-288-2747) et avons parl avec deux de vos reprsentants, la premire Denise puis son surveillant, Alan le 24 mars 2008. Javais expliqu eux que Mme Scullane ma dit quelle na fait aucun appel daide dannuaire. Notez que 109 appels ont t alledgedly faits partir de son tlphone et affichs donc contre son compte. Il y a seulement deux personnes avec laccs au tlphone de Mme Scullanes, elle et moi ont accs.

    Cordialement,

    Maureen L.Wood

    AT&T

    B.P. 16795

    Mesa, AZ 85211-6795

    Mr. John WoodMonarchia Matt International 611 Decatur AvenuePeekskill, NY 10566

    fondation maeght

    06570 saint-paul, france

    tlphone : +33 (0)4 93 32 81 63

    tlcopie : +33 (0)4 93 32 81 63

    www.fondation-maeght.com

    jean-louis prat, director [email protected]

  • 41

    Ticket Banner Brochure Announcement Cards

    fondation maeght fo

    ndat

    ion

    mae

    ght

    fondation maeght fo

    ndat

    ion

    mae

    ght

    fondation maeght fo

    ndat

    ion

    mae

    ght

    fondation maeght fo

    ndat

    ion

    mae

    ght

    fondation maeght fo

    ndat

    ion

    mae

    ght

    fondation maeght fo

    ndat

    ion

    mae

    ght

    fondation maeght fo

    ndat

    ion

    mae

    ght

    fondation maeght fo

    ndat

    ion

    mae

    ght

    fondation maeght fo

    ndat

    ion

    mae

    ght

    fondation maeght fo

    ndat

    ion

    mae

    ght

    fondation maeght fo

    ndat

    ion

    mae

    ght

    fondation maeght fo

    ndat

    ion

    mae

    ght

    fondation maeght fo

    ndat

    ion

    mae

    ght

    fondation maeght fo

    ndat

    ion

    mae

    ght

    fondation maeght fo

    ndat

    ion

    mae

    ght

  • 42

    Denise LoweryProposal for Maeght Foundation

    foundation marguerite et aim maeght0657 Saint-Paul, Francetel. +33(4) 93 32 45 91fax +33(4) 93 32 53 22www.foundation-maeght.com

    16 juin 2008

    Denise LoweryPO Box 242Lima, New York 14485

    Cher Rob,

    Mon nom est Meagan Mahar et jai rcemment reu un diplme de luniversit et jointif les ventes team chez ImageNow. ImageNow est un service de publicit par courrier individuel de plein-paquet avec une nouvelle division des possibilits numriques et des actions spcia-lises ; pendant que nous sommes situs bien ici Elmira nous pouvons tre utiles vous. Jespre que vous trouverez quelques informations passionnantes et utiles dans cette garan-tie, qui illustre lventail de produits que nous offrons. Si vous avez nimporte quelles ques-tions ou demandes des informations supplmentaires, veuillez ne pas hsiter me contacter. Merci de votre considration ; Jespre que nous aurons une occasion de travailler ensemble lavenir. Je serai en contact avec vous bientt !

    Mon nom est Meagan Mahar et jai rcemment reu un diplme de luniversit et jointif les ventes team chez ImageNow. ImageNow est un service de publicit par courrier individuel de plein-paquet avec une nouvelle division des possibilits numriques et des actions spcia-lises ; pendant que nous sommes situs bien ici Elmira nous pouvons tre utiles vous. Jespre que vous trouverez quelques informations passionnantes et utiles dans cette garan-tie, qui illustre lventail de produits que nous offrons. Si vous avez nimporte quelles ques-tions ou demandes des informations supplmentaires, veuillez ne pas hsiter me contacter. Merci de votre considration ; Jespre que nous aurons une occasion de travailler ensemble lavenir. Je serai en contact avec vous bientt !

    Jespre que vous trouverez quelques informations passionnantes et utiles dans cette garan-tie, qui illustre lventail de produits que nous offrons. Si vous avez nimporte quelles ques-tions ou demandes des informations supplmentaires, veuillez ne pas hsiter me contacter. Merci de votre considration ; Jespre que nous aurons une occasion de travailler ensemble lavenir. Je serai en contact avec vous bientt !

    Sincrement,

    Denise Lowery

    foundation marguerite et aim maeght0657 Saint-Paul, France

  • 43

    Ticket

    Brochure

    Book

    2 3

    foundation marguerite et aim maeght0657 Saint-Paul, Francetel. +33(4) 93 32 45 91fax +33(4) 93 32 53 22www.foundation-maeght.com

    mir

    10 11ch 1 Iscipsum quat lummodo lortionsecte Magna faccum zzriusci eu faccum quam ent la autem el ulputpat vullut lore magna faccummodit et praesequat alismod ionullu ptationullan henibh euisi bla conum amcoreet lum ipis digna feugiat.Min hendreet la at exer sum dolobore do dunt ipsum quat wisl et aliPat. Ullam deliquisis aliquis sequatie vel deliquat alit er iniamco nsequisisi. , commy nisit, sum digna

    Enim inim iuscil il incidui psuscin ver aci bla faccums andigna commodipit ipsustrud ting endigna feugue faccum dolutat wissit accum zzrit lamet at ipissed del ullaore feummy nullum nisim quatio commy nisim del dignim dolor sed dunt volorem quis eum doloreriure dolorting etum volendio od eugiat dolobor perillam, senim eu feugue faccumm odipsustrud mincilis num ex euis nulluta tumsandrero od enibh ex eriliquis adiam vel in eugait velenit ad dolorem volessecte ex euisim doleniam iriurer aut at lobor sit at.Accum zzriliquam, commolo rpercincip et, cor sed dolorem quatisim doluptat dolesto er si blamcon utpat ad te dolutpat, sustin heniscin ut auguer aliqui eummy nostrud dolorti onsenibh et ut lutpatie min velisi etumsan veraese quissequi el ullam ipissi blaortis dolor suscip exeros alit wisi. , commy nisit, sum dignaMod exerci blam, si tem iure velessecte do odit ute dolorer sisim in elit ex ea faccummy numsan henibh erit pratuerat.Ulputatum zzril ute molesequat.Guero dignim veriure dolore tat atio conse vel utatinit ilisi.Modoluptat, commy nisit, sum digna alis nisl er augait vulputat.Vullaore ex ea am, sum venim dolor amconullan hendre dolenis do consequat wisl dolobor eetuero dolendi psuscil ex exer sectetu msandip er sim vendigna conulla feum iriure velessit dolor il ut num

    Gait, quat. Urerate dolorperat.Ing enit nostrud tem dunt autat do esequat aliquisl ut alit velenim nullut lor sis nim zzrilit veliquis eu feugait lum vercing ex enim iustrud magnibh eum ing et accum deliquat ad tet nibh ex ea aci tat. Ut nit utat, si.

    8

  • 44

    Greg CunneyworthProposal for Maeght Foundation

    Greg Cunneyworth141 Caversham WoodsPittsford NY, 14534

    June 18, 2008

    Dear Mr. Vignelli

    Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

    Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur.

    Best Regards,

    Greg Cunneyworth

    Mr. Pierre Heraux

    Project Manager

    Address: 06570, Saint - Paul, France

    Telephone:

    +33 (0) 4 93 32 81 63

    E-mail: [email protected]

    www.fondation-maeght.com

  • 45

    JOAN MIR

    Jose MirExposition printemps 2008du 5 avril au juin 2008 Ta

    rifs

    Adul

    te: 1

    1 eu

    ros

    Entu

    dian

    t: 9

    euro

    sEn

    fant

    1

    0 an

    s: G

    ratu

    it

    Alberto Giacometti Exposition printemps 2008du 5 avril au juin 2008 Ta

    rifs

    Adul

    te: 1

    1 eu

    ros

    Entu

    dian

    t: 9

    euro

    sEn

    fant

    1

    0 an

    s: G

    ratu

    it

    Ticket Advertising Pages External banners Posters

    Joan

    Mir

    Joan Mir i Ferr (April 20, 1893 December 25,1983)

    was an ethnic Catalan (of Spanish nationality) painter, sculptor

    and ceramicist born in Barcelona, Catalonia, Spain.

    Fondation Maeght

    Tarifs & HeursAddress: 06570, Saint - Paul, France Adulte: 11 euros.Telephone: +33 (0) 4 93 32 81 63 Entudiant: 9 eurosE-mail: [email protected] Enfant 10 ans: Gratuit

    Visites guides sur rendez-vous. La Fondation Maeght est ouverte tous les jours.Bibliothque, Librairie et Cafeteria : 1er octobre - 30 juin : 10h 18h.Ouverture aux mmes horaires que le muse. 1er juillet - 30 septembre : 10h 19h.

    www.fondation-maeght.com

    JOA

    N M

    IR

    1er o

    ctob

    re -

    30 ju

    in :

    10h

    18

    h.1e

    r jui

    llet -

    30

    sept

    embr

    e : 1

    0h

    19h

    .

    Joan

    Mir

    Joan Mir i Ferr (April 20, 1893 December 25,1983) was an ethnic Catalan (of Spanish nationality) painter, sculptor and ceramicist born in Barcelona, Catalonia, Spain.

    Fondation Maeght Tarifs & HeursAddress: 06570, Saint - Paul, France Adulte: 11 euros.Telephone: +33 (0) 4 93 32 81 63 Entudiant: 9 eurosE-mail: [email protected] Enfant 10 ans: Gratuit

    Visites guides sur rendez-vous. La Fondation Maeght est ouverte tous les jours.Bibliothque, Librairie et Cafeteria : 1er octobre - 30 juin : 10h 18h. Ouverture aux mmes horaires que le muse. 1er juillet - 30 septembre : 10h 19h.

    www.fondation-maeght.com

    Joan

    Mir

    JOAN MIR1er octobre - 30 juin : 10h 18h.1er juillet - 30 septembre : 10h 19h.

    ALBERTO GIACOMETTI1er octobre - 30 juin : 10h 18h.1er juillet - 30 septembre : 10h 19h.

  • 46

    Tom Gloesener and Silvano VidaleProposal for Maeght Foundation

  • 47

    TakisSignal olien, 2005Don de lArtiste

    Alberto GiacomettiBorgonovo (Suisse) 1901

    Tte de Diego au col roulBronze, 1952-1952Exemplaire Fondation Maeght 34 x 13,5 x 13 cmDon Aim Maeght, 1981

    AdamiValerio

    La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum voluptate tum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat.

    Sumsandigna faciduis del dolese dolortie modolore magna adit lum er sim iriure tio erilis nibh eu facil inim accum duismod ionsequ iscilla ndipsum iliquat ipisit dipisi tat, vendignis nos num veraesecte modiat ad tatio ex ent lum dolore eumvel et eugiam, suscilisi. Vulla consed te consendit wis ad tatum et am il ullandre ming eugiam ipsum vullum vendigna alit autatio nsequat exerat.

    Ud tat alit lametueratum vel et aut init dip eugue doluptat nim quat. Sre ero odit velestrud diam dolobore vercilis nit am nos-tionsed. La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enisse-quat del in velit la faccum voluptate tum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. a feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con

    Tour Eiffel

    velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum voluptate tum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat.

    La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum voluptate tum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Sumsan-digna faciduis del dolese dolortie modolore magna adit lum er sim iriure tio erilis nibh eu facil inim accum duismod ionsequ iscilla ndipsum iliquat ipisit dipisi tat, vendignis nos num veraesecte mo-diat ad tatio ex ent lum dolore eum vel et eugiam, suscilisi. Vulla consed te consendit wis ad tatum et am il ullandre ming eugiam ipsum vullum vendigna alit autatio nsequat exerat. La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum vo-luptatetum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Sumsandigna faciduis del do-lese dolortie modolore magna adit lum er sim iriure tio erilis nibh eu facil inim accum duismod ionsequ iscilla ndipsum iliquat ipisit

    dipisi tat, vendignis nos num veraesecte modiat ad tatio ex ent lum dolore eumvel et eugiam, suscilisi. Vulla consed te consendit wis ad tatum et am il ullandre ming eugiam ipsum vullum vendigna alit autatio nsequat exerat.

    Ud tat alit lametueratum vel et aut init dip eugue doluptat nim quat. Sre ero odit velestrud diam dolobore vercilis nit am nos-tionsed. La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enisse-quat del in velit la faccum voluptate tum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing

    La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum voluptatetum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Sumsan-digna faciduis del dolese dolortie modolore magna adit lum er sim

    Luptate Deleniamet1938, peinture sur toile50 x 75 cm

    4 5

    velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum voluptate tum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat.

    La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum voluptate tum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Sumsan-digna faciduis del dolese dolortie modolore magna adit lum er sim iriure tio erilis nibh eu facil inim accum duismod ionsequ iscilla ndipsum iliquat ipisit dipisi tat, vendignis nos num veraesecte mo-diat ad tatio ex ent lum dolore eum vel et eugiam, suscilisi. Vulla consed te consendit wis ad tatum et am il ullandre ming eugiam ipsum vullum vendigna alit autatio nsequat exerat. La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum vo-luptatetum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Sumsandigna faciduis del do-lese dolortie modolore magna adit lum er sim iriure tio erilis nibh eu facil inim accum duismod ionsequ iscilla ndipsum iliquat ipisit

    dipisi tat, vendignis nos num veraesecte modiat ad tatio ex ent lum dolore eumvel et eugiam, suscilisi. Vulla consed te consendit wis ad tatum et am il ullandre ming eugiam ipsum vullum vendigna alit autatio nsequat exerat.

    Ud tat alit lametueratum vel et aut init dip eugue doluptat nim quat. Sre ero odit velestrud diam dolobore vercilis nit am nos-tionsed. La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enisse-quat del in velit la faccum voluptate tum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing

    La adionsecte mod magna augait, sustin vel ipsummy nonse feugait, vel dolessit wis augait verat augait iliquam irilisl enis accumsandio eugait wis nostrud tinsed ero eum quat. Umsan henit in henit lorper aliscing et, quam ipis amet lum dunt incip ea feuisl utat. Ut ad er inim in velesti onullaore feugue el dolestis nonse conulputem ing exerit am dolobor se feui tinis nim nosto con velis ad dolorem in henit lore tat augait, volorero odit ip enissequat del in velit la faccum voluptatetum in utat velis deleniamet lor ipis nullums andiam iusto consed ea facilis num eraessequat. Sumsan-digna faciduis del dolese dolortie modolore magna adit lum er sim

    5

    TicketShopping bagPosters

    Publications Signage

  • 48

    Fun and games

    The Moulin, Nice and surrounding towns provided a special location for participants to enjoy the special Provencal country. Breaks from the rigorous project work schedule were a welcome relief.

  • 49

  • 50

    Calypso the Milani cat and Roger the Workshop magpie became the workshop mascots.

  • 51

    St. Paul de Vence

  • 52

    Antibes

  • 53

    Antibes

  • 54

    Vallbonne

  • 55

    GrasseThe village of parfums

  • 56

    GrasseThe village of parfums

  • 57

    GrasseThe village of parfums

  • 58

    Awards

    The hard work and dedication of the participants was acknowledged at the conclusion of the workshop with a special awards ceremony. Certificates were given to the participants and to the master designers and faculty. Everyone celebrated a newly planted olive tree at the Moulin.

  • 59

    Summary comments by Master Designers Massimo Vignelli

    The pleasant setting of the Moulin de Trois Arcs in the beautiful landscape of Provence made it an ideal place to have the week long seminar on graphic design.Some of the participants were students from the last year of school, some others were professionals with several years of practice, some others were teachers in Design schools. Their diversity of background added to the liveliness of the course, as well it underlined some of the problems that have emerged as a consequence of the different teaching of typography in many schools in the last twenty years.With few exceptions among the participants, we noticed a great diversity of typographic knowledge, both in terms of structure, awareness and sensibility By the end, these diversities were overcome by the quality of the results.Our major efforts were addressing the issue of consistent handling of the identifiers within a given project.The positive aspect was the willingness of the participants to implement our corrections, sometime with great efforts, due more to different backgrounds than willingness to follow instructions, however the final results of the projects were remarkably good.Some of the participants displayed a mature dose of creativity and talent and that contributed to rise the spirit of the group.

    On the last day of the seminar we had a very interesting lecture by Roger Remington on the issue of Rhetoric in Graphic Design. The presentation was paired by a series of brilliant examples supporting a list of rhetoric issues. A rare and excellent opportunity to learn about reaches of Design approaches.As a closing event Cynthia Milani gave us a very interactive presentation about personal branding and a test based on the Myers-Briggs questionnaire. It was a very entertaining and informative lecture which engaged the whole audience till the end.How much of the benefits of this week will be saved in the future is too soon to determine. but this not withstanding I am in favor of repeating this experiment and extending its participation to a wider international group of students.The presentations of the Speakers and the guidance of the Masters represents in itself an opportunity not to be missed by people coming to this seminars from different places and less exposed to this kind of opportunities.I hope this initiative will continue in the next future, and I thank Armando and Cynthia Milani for giving birth to it.

    Massimo Vignelli

  • 60

    Summary comments by Master Designers in facultyArmando Milani

    Two years ago Massimo Vignelli introduced me to Roger Remington in New York and we immediately liked each other. The next year, Roger came to visit us at the Moulin and later I visited Roger at the Rochester Institute of Technology for a lecture to his students. We started to envision the seminars and workshops at the Moulin with Massimo and Lella. That idea now is transformed into a beautiful reality.I really enjoyed this week with Lella, Massimo, Roger, Cynthia and our 12 motivated participants.Working with the students, it was clear that in order to express their creativity they needed more knowledge of the typography and, in some cases, it was difficult to achieve the perfection that we demanded. My recommendation to all the students is to look for constant improvement reading design books,magazine articles on creativity, to be always alert and show passion, passion, passion for their work.It is very important to achieve more confidence in yourself and learn how to be in contact with your emotions in order to be able to transmit that to the reader. Synthesis from the eye to the heart is a must: teaching, particularly with designers of the Vignelli caliber is a continuous stimulation toward the research of new expression and the deeper descover of ones self.

    For me, the most important part of this workshop were the presentations followed by the dialogues and analysis with the students with the documentation of the words that are the interpretation of our values and our creativity. My wife Cynthia was a master provoking this dialogue and understanding how to apply the principles to our own lives, and Roger Remington made the entire experience possible with his excellent organizational and oratory skills. Finally, I would like to say that it was an honor and priviledge to have Massimo and Lella Vignelli with us, Their intelligence, humor, dedication and genius for design will be an inspiritation to all who were able to join us in the Dialogues in Design, 2008. The olive tree dedicated to our experience has been christened and is thriving. The lovely yellow flowers Cynthia received have been planted and grace our garden with the memories of each and everyone of our participants. It is my wish that this workshop will be just the beginning of many more years of such beautiful programs at our Moulin.

    Armando Milani

  • 61

    The last wordR. Roger Remington

    While planning and implementing Dialogues in Design, I found myself creating certain hopes and expectations for the workshop. Having visited the Moulin, I knew that the setting would be perfect. Knowing Massimo Vignelli and Armando Milani as our master teachers, I was completely certain that the workshop participants would gain a great deal from the experience. How could we not succeed with two world-class designers as teachers? What I did not factor in was the special chemistry of the unique group of individuals that would attend this summer. It was exceptional and, for me, made all the difference in what actually happened. Therefore my hopes and dreams for the workshop were exceeded in every respect. It was a great pleasure to work with Massimo and Armando. Having Lella with us made the week a very special occasion and we all appreciated so much her contributions. Finally a great big thank you to Cynthia Milani. Beyond the substantive intellectual contributions to the workshop, she made sure that we were all fed so well and that the balance of project work to enjoyment of Provence was made real.In conclusion what comes to mind are the words of a colleague which seem an appropriate way for me to conclude. It is out of the relationships we establish among ourselves, while participating in

    this enterprise and it is with the fruits of our cumulative efforts, born as we proceed toward clearer expressions of an understanding of our times, that we can expect a prophetic style to emerge.

    DIALOGUE IS EDUCATION IS COMMUNICATION

  • 62

    Colophon

    Design and productionElisabetta DAffara with guidancefrom Massimo, Armando,Roger and Cynthia

    PhotographyAll the workshop participants, especially Alberto Rigauand Roger Remington

    SupportMilani Designvia Vivaio 2120122 Milan, Italy