TM

TMTM

he said the way my blue eyes shinedput those georgia stars to shame that nighti said, that’s a liejust a boy in a Chevy truck that had a tendency of getting stuck on bAck roads at night and i was right there beside him all summer loNgand then the time we woke up to find that summer gone, buT

choruswhen you think tim mcgraw, i hope you think my favorite songthe one we danced To all night longthe moon like a spotlight on the lakewhen you think happinEss, i hope you think that Little black dressthink of my head on your chest and my oLd faded blue jeans,when you think tim Mcgraw… i hope you think of me

septEmber saw a month of tears and thanking godthat you weren’t here, to see me like thatbut in a box beNeath my bed is a letter that you never read from three summers backit’s hard not tO find it all a little bittersweet and looking back on all of thaTit’s nice to believe

repeat chorus

And i’m back for the first time since tHen i’m standIng on your street,and there’s a letter left on your door stepand the first thiNg that you’ll read…

choruswhen you think tim mcgraw, i hope you think my favorite songsomeday you’ll turn your radio on i hope it takes you back to that placewhen you think happiness, i hope you think that little black dressthink my head on your chest and my old faded blue jeans,when you think tim mcgraw … i hope you think of methink of me

Produced by Nathan ChapmanRecorded by Chad Carlson at QuadStudios-A, Nashville, TN; AdditionalRecording by Chad Carlson andNathan Chapman at Sound Cottage,Nashville, TN; Assistant Engineer:Aaron Chmielewski / Mixed byChuck Ainlay, Assisted by GregLawrence at Masterfonics, Nashville,TN © 2006 Sony/ATV Songs LLC,Sony/ATV Sounds LLC, Taylor SwiftMusic (BMI), Hillsboro Valley Songs(SESAC)/Administered by Sony/ATVMusic Publishing. All rights reserved.Used by permission.

Tim McGraw

by Taylor Sw

ift and L

iz Rose

TMTM

Picture To Burn

by Taylor Swift and Liz Rose

Teardrops On My Guitarby Taylor Swift and Liz Rose

drew looks at me, i fake a smile so he won’t seethat i want and i’m needing everything that we should bei’ll bet sHe’s beautiful, that girl he talks about and she’s got evErything that i have to live withoutdrew talks to me, i laugh cuz it’s just so funnythat i can’t even see anyone When he’s with mehe says he’s so In love, he’s finally got it right,i wonder if he knows he’s alL i think about at night

CHORUShe’s the reason for the teardrops on my guitarthe onLy thing that keeps me wishing on a

wishing starhe’s the song in the car i keep singing, don’t know

why i do

drew walks by me, can he tell that i caN’t breathe?and thEre he goes, so perfectlythe kind of flawless i wish i could beshe’d better hold him tight, give him all her loVelook in those bEautiful eyes and know she’s lucky cause

REPEAT CHORUS

so i dRive home alone, as i turn out the lighti’ll put his picture down and maybe get some sleep tonighthe’s the reason for the teardrops on my guitarthe only one who’s got enough for me to breaK my hearthe’s the soNg in the car i keep singing don’t know

why I dohe’s the time taken up, but there’s never enOughand he’s all that i need to fall into…

dreW looks at me, i fake a smile so he won’t see

Produced by Nathan Chapman / Recorded by Nathan Chapman at Sound Cottage, Nashville, TN / Re-Mixed by Chris Rowe at Love Shack Studios, Nashville, TN © 2006 Sony/ATV Songs LLC, Sony/ATV Sounds LLC, Taylor Swift Music (BMI), Hillsboro Valley Songs (SESAC)/Administered by Sony/ATV Music Publishing. All rightsreserved. Used by permission.

state the obvious, i diDn’t get my perfect fantasyi realize you love yourself more thAn you could ever love meso go and tell your friends thaT i’m obsessive and crazythat’s fine; i’ll tell mine you’rE gayand by the way…

CHORUSi hate that stupid old pickup truckyou Never let me driveyou’re a redneck heartbreak who’s really bad at lyIngso watCh me strike a match on all my wastEd timeas far as i’m concerned you’re just another picture to Burn

there’s nO time for tears,i’m just sitting here planning mY revengethere’s nothing Stopping mefrom going out with all of your best friendsand if you come around saying sorry to memy daddy’s gonna show you how sorry you’ll be

REPEAT CHORUS

if you’re missing me,you’d better keep it to yourself cause coming back around herewould be bad for your health…

REPEAT CHORUS

burn, burn, burn, baby, burnyou’re just another picture to burnbaby, burn...

Produced by Nathan Chapman / Recorded by Chad Carlson at The Castle Studios-A, Nashville, TNAdditional Recording by Chad Carlson & Nathan Chapman at Sound Cottage, Nashville, TN & Sound Emporium, Nashville, TN / Assistant Engineer: Steve Short / Mixed by Chuck Ainlay, Assisted by Scott Kidd at Masterfonics, Nashville, TN. © 2006 Sony/ATV Songs LLC, Sony/ATV Sounds LLC, Taylor Swift Music (BMI), Hillsboro Valley Songs(SESAC)/Administered by Sony/ATV Music Publishing. All rights reserved. Used by permission.

TM

i don’t know what i want, so don’t ask mecause i’m still trying to figure it outdon’t know what’s down thIs road, i’m just walkingtrying to see through the rain coming downeven though i’m not the only onewho Feels the way i do...

CHORUSi’m alone, On my own, and that’s all i knowi’ll be strong, i’ll be wrong, oh but life goes oni’m just a girl, trying to find a place in this world

got the radio on, my old blUe jeansand i’m weariNg my heart on my sleevefeeling lucky toDay, got the sunshinecould you tell me what more do i needand tomorrow’s just a mystery, oh yeahbut that’s ok

REPEAT CHORUS

maybe i’m just a girl on a mIssionbut i’m ready To fly...

REPEAT CHORUS

Produced by Nathan Chapman / Recorded by Chad Carlson at The Castle Studios-A, Nashville, TN / Additional Recording by Chad Carlson & Nathan Chapman at Sound

Cottage, Nashville, TN / Assistant Engineer: Steve Short / Mixed by Chuck Ainlay, Assisted by Scott Kidd at Masterfonics, Nashville, TN © 2006 Sony/ATV Songs LLC,

Taylor Swift Music (BMI)/Administered by Sony/ATV Music Publishing, Orrall Fixation Music (ASCAP)/ Administered by Bluewater Music Service Corp., Universal-PolyGram

International Publishing, Inc., Green Wagon Music (ASCAP)/Administered by Universal-PolyGram International Publishing, Inc. All rights reserved. Used by permission.

A Place In This Worldby Taylor Swift, Robert Ellis Orrall and Angelo

TMTM

i didn’t know what i would findwhen i went looking for a reason, i knowi didn’t read between the linesand, baby, i’ve got nowhere to go i tried to take the road less traveled bYbut nothing seems to wOrk the first few timesam i right?

CHORUSso how can i ever try to be better?nobody ever lets me ini can still see yoU, this ain’t the best viewon the outside looking ini’ve been a lot of lonely plAcesi’ve neveR been on the outside

you saw mE there, but never kNewi would give it all up tO bea parT of this, a pArt of you

and now it’s alL too late so you seeyou could’ve helped if you had wanted tobut nO one notices uNtil it’s too latE to do anything

REPEAT CHORUS

so how can i ever try to be better?nobody ever lets me ini can still see you, this ain’t the best viewon the outside looking ini’ve been a lot of lonely placesi’ve never been on the outside

Produced by Robert Ellis Orrall, with additional tracks produced byNathan Chapman / Recorded by Clarke Schleicher at The TrackingRoom, Nashville, TN / Additional Recording by Alan Ditto at Love ShackStudios, Nashville, TN / Mixed by Jeff Balding at Masterfonics,Nashville, TN © 2006 Sony/ATV Songs LLC, Taylor Swift Music(BMI)/Administered by Sony/ATV Music Publishing. All rights reserved. Used by permission.

you have a way of coming easily To meand when you take, you take the very best of meso i start a fIght cause i need to feel soMethingand you do what you want causE i’m not what you wanted

CHORUSoh whaT a shame, what a rainy ending given to a perfect dayjust walk away, ain’t no use defending wOrds that you will

never sayand now that i’m sitting here thinking it throughi’ve never been anywhere cold as you

you put up walls and paint them alL a shade of grayand i stood there loving you and wishEd them all awayand you come away with a great liTtle storyof a mess of a dreamer with the nerve to adore you

REPEAT CHORUS

you never did Give a damn thing honey but i cried, cried for youand i know you wOuldn’t have told nobody if i died, died for you

oh what a shame, what a rainy ending given to a perfect dayevery smile you fake is so condescending counting all the scars you madeand now that i’m sitting here thinking it throughi’ve never been anywhere cold as you

Produced by Nathan Chapman / Recorded by Chad Carlson atDarkhorse Recording, Franklin, TN / Additional Engineering by NathanChapman at Love Shack Studios, Nashville, TN / Mixed by Jeff Baldingat Masterfonics, Nashville, TN © 2006 Sony/ATV Songs LLC, Sony/ATVSounds LLC, Taylor Swift Music (BMI), Hillsboro Valley Songs(SESAC)/Administered by Sony/ATV Music Publishing. All rightsreserved. Used by permission.

Cold As Youby Taylor Swift and Liz Rose

The Outsideby Taylor Swift

TMTM

Stay Beautifulby Taylor Swift and Liz Rose

cory’s eyes are like a junglehe smiles, it’s like the radiohe whiSpers songs into my windowin words nobody knowsthere’s pretty girls on every cornerthat watcH him as he’s walking homesaying, does he knowwill you ever know

CHORUSyou’re beAutifulevery little piece, love, don’t you Know you’re rEally gonna be someone, ask anyonewhen you find everythiNg you looked fori hope your life leads you Back to my dooroh but if it don’t, stay beautiful

cory finds Another way to bethe highlight of my dayi’m taKing pictures in my mindso I can save thEm for a rainy dayit’s hard to make conversation when he’s taking my breath awayi should say, hey by the way...

REPEAT CHORUS

if you and i are a storythat never gets toldif what you are is a daydreami’ll never get to hold, at least you’ll know

REPEAT CHORUS

Produced by Nathan Chapman / Recorded by Chad Carlson and Nathan Chapman at Quad Studios-A,Nashville, TN / Additional Recording by Chad Carlson at Sound Cottage, Nashville, TN / AssistantEngineer: Aaron Chmielewski / Mixed by Jeff Balding at Masterfonics, Nashville, TN © 2006Sony/ATV Songs LLC, Sony/ATV Sounds LLC, Taylor Swift Music (BMI), Hillsboro Valley Songs(SESAC)/Administered by Sony/ATV Music Publishing. All rights reserved. Used by permission.

Tied Together With

A Smile by Taylor Swift and Liz Rose

seems the only one who doesn’t see Your beautyis the face in the mirror looking back at yOuyou walk around here thinking yoU’re not prettybut thAt’s not true, cause i know you...

CHORUShold on, baby, you’Re losing itthe watEr’s high, you’re jumping into itand letting go...and no one knowsyou cry, but you don’t tell anyonethat you might not be the goLden oneand yOu’re tied together with a smilebut you’re coming undone

i guess it’s true that love was all you wantedcause you’re giVing it away like its extra changehoping it will end up in his pocketbut he leaves you out like a penny in the rainoh, cause it’s not his pricE to paynot his price to pay...

REPEAT CHORUS

you’re tieD together with a smilebut you’re coming undone...ohgoodbye, babygoodbye, babywith a smile, baby, baby

Produced by Nathan Chapman / Recorded by Chad Carlson at Quad Studios-A,Nashville, TN / Additional Recording by Chad Carlson & Nathan Chapman atSound Cottage, Nashville, TN / Assistant Engineer: Aaron Chmielewski / Mixed byChuck Ainlay, Assisted by Greg Lawrence at Masterfonics, Nashville, TN© 2006 Sony/ATV Songs LLC, Sony/ATV Sounds LLC, Taylor Swift Music (BMI),Hillsboro Valley Songs (SESAC)/Administered by Sony/ATV Music Publishing. All rights reserved. Used by permission.

Should’ve Said Noby Taylor Swift

it’s strange to think the songs we used to singthe smiles, the flowers, everything...is goneyesterday i found out about youeven now just looking at you...feels wrongyou say that you’d take it all back, given one chanceit was a moment of weakness and you said yes...

CHORUSyou should’ve said no, you Should’ve gone homeyou should’ve thought twice before you let it All goyou should’ve known that word, bout what you did with herwould get back to Me...and i Should’ve been there, in the bAck of your Mindi Shouldn’t be Asking Myself whyyou shouldn’t be begging for forgivenesS At My feet...you should’ve Said no, baby And you Might still have me

you can see that i’ve been cryingand baby you know all the right things...to saybut do you honestly expect me to believewe could ever be the same...you say that the past is the past, you need one chanceit waS A Moment of weakness and you said yes...

REPEAT CHORUS

i can’t resist...before you go, tell me thiswas it worth it...was she worth this...

no...no no no...

REPEAT CHORUS

Produced by Nathan Chapman / Recorded by Chad Carlson at Darkhorse Recording, Franklin, TN / AdditionalEngineering by Nathan Chapman at Love Shack Studios, Nashville, TN / Assistant Engineer: GordonHammond / Mixed by Jeff Balding at Masterfonics, Nashville, TN © 2006 Sony/ATV Songs LLC, Taylor SwiftMusic (BMI)/Administered by Sony/ATV Music Publishing. All rights reserved. Used by permission.

she said, i was Seven and you were ninei looked at yOu like the stars that shined in the sky, the pretty lightsand our daddies used to joke about

the two of usgrowing up and falling in love and our

Mamas smiled and rolled their eyEs and said

oh my my my

take me back to the house in the backyard Tree

said you’d beat me up, you were bIgger than me

you never did, you never didtake Me back when our world

was one block widei dared you to kiss mE and ran

when you triedjust two kidS, you and i...oh my my my my

i was sixteen when suddenlyi wasn’t that littLe girl you used to seebut your eyes still shined like pretty lightsand our daddies used to joke about

the two of usthey neVer believed we’d really fall in loveand our mamas smiled and

rollEd their eyesand said oh my my my...

take me back to the creek beds we turned up

two a.m. riding In your truck and all i need iS you next to me

take me back to the time we had our very First fight

the slamming of doOrs instead of kissinggoodnight

you stayed outside till the moRning lightoh my my my my

a fEw years had gone and come aroundwe were sitting at our faVorite spot in townand you looked at me,

got down on one knee

take me back to the timE when we walkeddown the aisle

our whole town came and ouR mamas criedyou said i do and i did tootake me home where we met so

many years beforewe’ll rock our babies on that very

front porchafter all this time, you and i

i’ll be eighty-seven; you’ll be eighty-ninei’ll still look at you like the stars that shinein the sky, oh my my my…

Produced by Nathan Chapman / Recorded by Chad Carlson at DarkhorseRecording, Franklin, TN / Additional Engineering by Nathan Chapman at LoveShack Studios, Nashville, TN / Assistant Engineer: Gordon Hammond / Mixedby Jeff Balding at Masterfonics, Nashville, TN © 2006 Sony/ATV Songs LLC,Sony/ATV Sounds LLC, Taylor Swift Music (BMI), Hillsboro Valley Songs(SESAC)/Administered by Sony/ATV Music Publishing, Moraine Music (ASCAP).All rights reserved. Used by permission.

Mary’s Song (Oh My My My)by Taylor Swift, Liz Rose and Brian Maher

TM

by Taylor Swift

i was riding shotgun with my hair undone in the front seat of his car

he’s got a one-hand feel on the steering wheelthe other on my hearti Look around, turn the radio downhe says baby is something wrong?i say nothIng i was just thinking how we don’t haVe a songand hE said…

CHORUSour song is the slamming screen door, sneakin’ out late, tappIng on your wiNdowwhen we’re on the phone and you talk real slowcause it’s Late and your mama don’t knowour song is the way you laughthe first date “man, i didn’t kiss her, and i should have”and when i gOt home …before i said amenasking god if he could play it again

i was walking up the front porch steps after eVerything that day

had gone all wrong and bEen trampled on and lost and thrown awaygot to the hallway, well on my way

to my lovin’ bed i almost didn’t notice all the rosesand the note that said…

REPEAT CHORUS

i’ve heard every album, listened to the radiowaited for something to come alongthat was as good as our song….

cause our song is the slamming screen doorsneaking out late, tapping on his windowwhen we’re on the phone and he talks real slowcause it’s late and his mama don’t knowour song is the way he laughsthe first date “man, i didn’t kiss him, and i should have”and when i got home, before i said amenasking god if he could play it again

i was riding shotgun with my hair undonein the front seat of his cari grabbed a pen and an old napkinand i...wrote down our song

I’m Only Me When I’m With You by Taylor Swift, Robert Ellis Orrall and Angelo

friday night beneath the starsin a field behind your yard

you and i are painting pictures in the skysometimes we don’t say a thing

just listen to the crickets singeverything i need is right here by my side

and i know everything about youi don’t wanna live without you

CHORUSi’m only up when you’re not down

don’t wanna fly if you’re still on the groundit’s like no matter what i do

well, you drive me crazy half the timethe other half i’m only trying

to let you know that what i feel is trueand i’m only me when i’m with you

just a small-town boy and girlliving in the crazy world

trying to figure out what is and isn’t trueand i don’t try to hide my tearsmy secrets or my deepest fears

through it all nobody gets me like you do

and you know everything about meyou say that you can’t live without me

REPEAT CHORUS

when i’m with anybody elseit’s so hard to be myself

and only you can say

that i’m only up when you’re not downdon’t wanna fly if you’re still on the ground

it’s like no matter what i dowell, you drive me crazy half the time

the other half i’m only tryingto let you know that what i feel is true

and i’m only me, who i wanna bewell, i’m only me when i’m with you, with you

Produced by Robert Ellis Orrall and Angelo / Recorded by A.J. Derrick at Abtrax Recording, Nashville, TN / Mixed by Jamie Tate at AbtraxRecording, Nashville, TN © 2007 Sony/ATV Songs LLC, Taylor Swift Music (BMI)/Administered by Sony/ATV Music Publishing, Ten Ten Tunes,

Orrall Fixation Music (ASCAP), Universal-PolyGram International Publishing, Inc., Green Wagon Music (ASCAP)/All rights for Green WagonMusic controlled and administered by Universal-PolyGram International Publishing, Inc. All rights reserved. Used by permission.

Produced by NathanChapman / Recorded by

Chad Carlson at Quad Studios-A,Nashville, TN / Additional Recording

by Chad Carlson & Nathan Chapman atSound Cottage, Nashville, TN / Assistant

Engineer: Aaron Chmielewski / Re-Mixedby Chris Rowe at Love Shack Studios,

Nashville, TN © 2006 Sony/ATV Songs LLC, TaylorSwift Music (BMI)/Administered by Sony/ATV MusicPublishing. All rights reserved. Used by permission.

my producer

my feet

...

Our Song I’m Only Me When I’m With You

by Taylor Swift, Robert Ellis Orrall and Angelo

friday night beneath the starsin a field behind your yard

you and i are painting pictures in the skysometimes we don’t say a thing

just listen to the crickets singeverything i need is right here by my side

and i know everything about youi don’t wanna live without you

CHORUSi’m only up when you’re not down

don’t wanna fly if you’re still on the groundit’s like no matter what i do

well, you drive me crazy half the timethe other half i’m only trying

to let you know that what i feel is trueand i’m only me when i’m with you

just a small-town boy and girlliving in the crazy world

trying to figure out what is and isn’t trueand i don’t try to hide my tearsmy secrets or my deepest fears

through it all nobody gets me like you do

and you know everything about meyou say that you can’t live without me

REPEAT CHORUS

when i’m with anybody elseit’s so hard to be myself

and only you can say

that i’m only up when you’re not downdon’t wanna fly if you’re still on the ground

it’s like no matter what i dowell, you drive me crazy half the time

the other half i’m only tryingto let you know that what i feel is true

and i’m only me, who i wanna bewell, i’m only me when i’m with you, with you

Produced by Robert Ellis Orrall and Angelo / Recorded by A.J. Derrick at Abtrax Recording, Nashville, TN / Mixed by Jamie Tate at AbtraxRecording, Nashville, TN © 2007 Sony/ATV Songs LLC, Taylor Swift Music (BMI)/Administered by Sony/ATV Music Publishing, Ten Ten Tunes,

Orrall Fixation Music (ASCAP), Universal-PolyGram International Publishing, Inc., Green Wagon Music (ASCAP)/All rights for Green WagonMusic controlled and administered by Universal-PolyGram International Publishing, Inc. All rights reserved. Used by permission.

TMTM

Invisible by Taylor Swift

and Robert Ellis Orrall

Produced by Robert Ellis Orrall / Recorded by Clarke Schleicher at The Tracking Room, Nashville, TN / Assistant Engineer: Jason Lefan / Additional Recording by Allen Ditto at Masterfonics and LoveShack Studios, Nashville, TN / Digital Editing by Chris Rowe at Love Shack Studios, Nashville, TN / Mixed by Ben Fowler at The Rec Room, Nashville, TN © 2007 Sony/ATV Songs LLC, Taylor SwiftMusic (BMI)/ Administered by Sony/ATV Music Publishing, Ten Ten Tunes, Orrall Fixation Music (ASCAP). All rights reserved. Used by permission.

A Perfectly Good Heart by Taylor Swift, Brett James and Troy Verges

CHORUSwhy would you wanna break

a perfectly good heartwhy would you wanna take our love

and tear it all apart nowwhy would you wanna make

the very first scarwhy would you wanna break

a perfectly good heart

maybe i should’ve seen the signs, should’ve read the writing on the wall

and realized by the distance in your eyes that i would be the one to fall

no matter what you say i still can’t believe that you would walk awayit don’t make sense to me but

REPEAT CHORUS

it’s not unbroken anymorehow do i get it back the way it was before

CHORUSwhy would you wanna break

a perfectly good heartwhy would you wanna take our love and

tear it all apart nowwhy would you wanna make the very first scarwhy would you wanna break, would you

wanna break a

REPEAT CHORUSProduced by Brett James and Troy Verges / Recorded by A.J. Derrick at Abtrax Recording, Nashville, TN / Mixed by Jamie Tate at Abtrax Recording, Nashville, TN / Additional recording at The EngineRoom, Nashville, TN © 2007 Sony/ATV Tree Publishing, Taylor Swift Music (BMI), Sony/ATV Cross Keys Publishing (ASCAP), Dimensional Music Of 1091 (ASCAP), Cornman Music (ASCAP), Songs ofUniversal, Inc., Songs From The Engine Room (BMI)/All rights for Songs From The Engine Room controlled and administered by Songs of Universal, Inc. All rights reserved. Used by permission.

she can’t see the way your eyeswill light up when you smileshe’ll never notice how you stop and starewhenever she walks byand you can’t see me wanting you the way

you want herbut you are everything to me

CHORUSand i just want to show youshe don’t even know youshe’s never gonna love you like i want toand you just see right through mebut if you only knew mewe could be a beautiful miracle, unbelievableinstead of just invisible

there’s a fire inside of youthat can’t help but shine throughshe’s never gonna see the lightno matter what you doand all i think about is how to make

you think of meand everything that we could be

REPEAT CHORUS

like shadows in the faded lightwe’re invisiblei just wanna open your eyesand make you realize

and i just want to show youshe don’t even know youbaby, let me love you, let me want youyou just see right through mebut if you only knew mewe could be a beautiful miracle, unbelievableinstead of just invisible

she can’t see the way your eyeswill light up when you smile

TMTM

I love you, family. Dad, because you are my biggest fan, and I’ll never get tired of the way you smile when I pickup a guitar and play. Mom, for being my best friend and most trusted companion, even in times when you were myonly friend. That was just fine. Austin, my little brother, for being so much more brave than I could ever hope tobe. My aunt, Alison, for being such a beautiful person. My aunts, uncles, cousins, and relatives (even the ones Ididn’t know I had) for making Thanksgiving something someone should write a book about. I love my mom anddad’s friends who have been so unbelievably supportive (and so unbelievably loud at my shows). I love myfriends. Abigail, I love you because you are my best friend in the entire world. Can’t wait to room togetherwhen we’re 65 and wrinkly and living in Minnesota. I love Ally, Kelsey, Kathryn, Jeff, Clay and all my awe-some friends in Hendersonville. Britany Maack for being my first friend, I miss you! I love everyone whohelped put this album together. Scott Borchetta for believing in me and actually DOING somethingabout it. Shake and bake, Radioman. This is how we roll. Nathan Chapman because he is the most amaz-ing red-headed freckle-faced little producer in the world and I love your beautiful wife Stephanie. Thanks

Nathan for gracing me with your first album. Liz Rose, you are my songwriting soulmate, and one of my dearest friends.Robert Ellis Orrall, you Rock! Nick for breaking your drumsticks on my songs, Tim for playing on my session ON YOUR BIRTHDAY, and

everyone else who played on the album because you are THAT GOOD. Chad, for your amazing mullet (and engineering skills). I love my record label.Jack Purcell, for your Minnesota accent. Mandy McCormack, for humoring me in my mailbox obsession. Rick Barker, because I learned everything I know about radioin..nevermind. HAHA. Bobby Young, thanks for taking us shopping. Whitney Sutton, you are so organized and I love you for it. JZ, because of that adorable laugh/nosething you do. Erik Powell, for being cool and pretty much a genius. Larry Hughes, you rock! Jamice Jennings, for being the sweetest ever. Kelly Rich, you are the wiz-ard of Marketing! Jayme Austin for adding so much spirit to the label. Sandi Spika Borchetta, for being so creative/brilliant/beautiful and buying me pretty things towear. Penny Lazo, because you are a crazy rock star. Andrew Kautz, if I ever walk into the label, and you’re NOT there, I will not know what to do with myself. NatalieKilgore, for your amazing sense of humor. Ray Pronto, for putting this Big Machine in motionnnn. I love the people who helped me get here. Arthur Buenahora,thank you for signing a FOURTEEN year old to a full writers publishing deal. I will never forget that. In fact, I love everyone at Sony Publishing. Pat Garret and Suzy Daltonfor letting my little ten-year-old self open up for you. Harry Warner, for being such a gentleman and having my back at BMI. Frank Bell for being so brutally honest aboutmy music from the time I was like 12, and so supportive of my career NOW. Andrew Orth for 14 years of great photos! ! Paula Erickson for being the most stylish publi-cist in the world. Jody Williams, for listening to my rants about high school, and being such a dear friend and musicologist. HHS for supporting me 100%. Bob Taylor andBob Borbonus at Taylor Guitars for believing in me and making perfection in the form of guitars. Mike Milom for being a genius and the best lawyer ever. Sarah, Ed, andJim at GAC for taking such a vested interest in me, and PUTTING ME ON TV! CMT you’re awesome! Trey Fanjoy, because you are such a visionary and for directing anamazing video. Pete Fisher you are amazing. Rod Essig, for believing in me from the beginning and being so passionate about what you do. I love Tim McGrawfor making such inspiring music. I love Faith Hill for being the most graceful woman in the world. I love you, Jack Ingram. If at any point in my life, I ever amountto being HALF as cool as you, I will throw myself a party. I LOVE RADIO because I haven’t met one person I don’t consider a friend. I love all of my myspace friendsfor taking such an active roll in what I do, I will never forget how you all rallied for me from the beginning. I love everyone who’s inspired me to write a song, whether you know it or not. I love anyone who has ever turned the volume up when mysong comes on the radio, anyone who has bought this album. Anyone who can sing along to my songs when I play them live. Anyone who’sever requested my song on the radio, or even remembered my name. If you ever see me in public, I want to meet you. I will thank you myself.You have let me into your life, and I will never be able to thank you enough for that. I love YOU, and I love God for putting you in my life.

-T- PS: To all the boys who thought they would be cool and break my heart, guess what? Here are 14 songs written about you. HA.

I love you’s

“I’m not that complicated.

My complicationscome out in my songs.

All you have to do to be my friend is like me…

…and listen.”

www.TaylorSwift.comwww.myspace.com/TaylorSwiftwww.BigMachineRecords.com

www.myspace.com/BigMachineRecords

1 TIM MCGRAW 3:52

2 PICTURE TO BURN 2:53

3 TEARDROPS ON MY GUITAR (RADIO SINGLE VERSION) 3:24

4 A PLACE IN THIS WORLD 3:19

5 COLD AS YOU 3:59

6 THE OUTSIDE 3:27

7 TIED TOGETHER WITH A SMILE 4:08

8 STAY BEAUTIFUL 3:56

9 SHOULD’VE SAID NO 4:02

10 MARY'S SONG (OH MY MY MY) 3:33

11 OUR SONG (RADIO SINGLE VERSION) 3:27

12 I’M ONLY ME WHEN I’M WITH YOU 3:35

13 INVISIBLE 3:25

14 A PERFECTLY GOOD HEART 3:42

Anti-Piracy Warning: Unauthorized copying is punishable under federal law.˚ & © 2007 Big Machine Records, LLC. All rights reserved.Distributed by Universal Music Distribution. BMR022702

www.taylorswift.comwww.myspace.com/taylorswift

www.bigmachinerecords.comwww.myspace.com/bigmachinerecords

D E L U X E

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Album Executive Producer:Scott Borchetta

Mastering:All songs Mastered by Hank Williams at Master Mix, Nashville, TN

Musicians:Taylor Swift-guitar:4,11,15,16 harmony:1,3,4,9,10,11

Nathan Chapman-acoustic & electric guitar, harmony:1,2,3,4,7,8,9,10,11 banjo:11 percussion:3 bass:3 B3:3,5,7,10 piano:5 mandolin:8

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Stephanie Chapman-harmony:4 Tim Marks-bass:1,2,4,5,7,8,9,10,11Rob Hajacos-fiddle:1,2,3,4,7,8,9,11

Bruce Bouton-dobro:1,7,11Eric Darken-percussion:1,2,3,4,5,7,8,9,10,11

Nick Buda-drums:1,2,4,5,7,8,9,10,11

Lex Price-mandolin:1,7Scotty Sanders-steel:2,4,9,10 dobro:5,8,10

John Willis-mandolin:2,4 high string acoustic:3 banjo:8Jeff Hyde-banjo:2

Dan Dugmore-steel:3,6,12,13Andy Leftwich-fiddle:5 mandolin:10

Ilya Toshinsky-banjo:5,9,10 acoustic guitar:5Gary Burnette–electric guitar:6,13

Mike Brignardello–bass:6,13Wanda Vick–fiddle:6,13 mandolin:12

Tony Harrell–keyboards:6,12Shannon Forrest–drums:6,13

Liana Manis–background vocals:6Robert Ellis Orrall–background vocals:6,12

Curt Ryle–acoustic guitar:12,14Troy Lancaster–electric guitar:12,14

Steve Bryant–bass:12,14Russ Pahl–steel guitar:14

Jonathan Yudkin–mandolin:14Tammy King–fiddle:13

Tommy Harden–drums:14Anthony Harrell–keyboards:14 piano:13

Lorraine Morrison–background vocals:12,14Dennis Holt–drums:12

Emily Poe–fiddle:15,16 harmony:15,16Ben Clark–banjo:15,16 harmony:15,16

Audio Production Coordinators:Jason Campbell, Melissa Carr, Whitney Sutton, Scott Johnson

Album Package:Photographers: Andrew Orth (covers & tray images) MelindaNorrisPhotography.com (additional images)Photographers assistant: Derrick ArmondLocation assistant: Austin SwiftGraphic Design: Lee Ann RameyDoodle graphics: Taylor SwiftMake-up: Lorrie Turk Creative Art Direction, Hair, Make-up, Wardrobe: Sandi Spika Borchetta

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