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Shannon Carter, PhDAssociate Professor of EnglishTexas A&M-Commerce
Image: East Texas State Teachers College, 1948Commerce, TexasNortheast Texas Digital Collections
Apps
Dene Grigar, Washington State University
Mark Tebeau, Cleveland State University
Games
“Pox in the City” PI: Lisa Rosner, Stockton CollegeHistory of Medicine
“Soul of a Place” PI: Andrea Kalin and Nancy Camp, Stone Soup Productions, Inc.
Digital Tools in the Digital Humanities
• Tools for teaching humanities content (for example, apps, games)
• Tools for research in the humanities (visualization tools, data mining tools)
Shannon Carter, PhDAssociate Professor of EnglishTexas A&M-Commerce
Image: East Texas State Teachers College, 1948Commerce, TexasNortheast Texas Digital Collections
Commerce, TX
Greenville, TX
Dallas, TX
Integration at “the State’s Most Democratic College” (1964)
John Carlos, ETSU Track Team, 1966-1967 (Commerce, Texas)
Black Power Runs Through Commerce
Writing for (a) Change: Activist Rhetoric through University-Community Partnerships (1973-78)
Olympics, 1968(Mexico City)
Old Signs (1921-65), New Signs (installed 2008)
To support: The development of a prototype for facilitating the "remixing" of various types of digitized primary sources for Web presentations (video) on rhetorical constructions of race and race relations in rural Texas within the broader historical context of the Civil Rights Movement.
Shannon Carter, PhDAssociate Professor of EnglishTexas A&M-Commerce
Image: East Texas State Teachers College, 1948Commerce, TexasNortheast Texas Digital Collections
Funded in part by
“To compose is to create.” --“Composition,” CCC 2010
“Creativity and innovation always builds on the past.”
--Lawrence Lessig, Free Culture, 2004
All minds quote. Old and new make the warp and woof of every moment. There is no thread that is not a twist of these two strands.
--Ralph Waldo Emerson, “Quotation and Originality” (Collected Works, 1904)
“Remixing is a folk art but the techniques are the same ones used at any level of creation: copy, transform, and combine.” (Kerby Furguson)
“Everything is a Remix” (2011)by Kerby Furguson
Furguson, Kerby. “Everything is a Remix: Part 3,” 2011.
Eduardo Navas, "Regressive and Reflexive Mashups in Sampling Culture" (in Vague Terrian Journal, 2009, reprinted in Mashups Culture, 2010)
1960
1920
Hannah Hoch Beer-Belly Cultural Epoch in Germany (1919)
1960
1920
1900
All minds quote. Old and new make the warp and woof of every moment. There is no thread that is not a twist of these two strands.
…Every book is a quotation; and every home is a quotation out of all forests and mines and stone-quarries; and every man is a quotation from all his ancestors. (“Quotation and Originality”)
2011
1960
1920
1900
Creativity and innovation always builds on the past.
The past always tries to control the creativity that builds upon it.
Free societies enable the future by limiting this power of the past.
Ours is less and less a free society.
Brett Gaylor and mashup artist Girl Talk explore copyright and content creation in the digital age. In the process they dissect the media landscape of the 21st century and shatter the wall between users and producers. [. . .]
“RiP!: A Remix Manifesto” (2008)by Brett Gaylor, with mashup artist Girl Talk
Commerce, TX
Greenville, TX
Dallas, TX
Integration at “the State’s Most Democratic College” (1964)
John Carlos, ETSU Track Team, 1966-1967 (Commerce, Texas)
Black Power Runs Through Commerce
Writing for (a) Change: Activist Rhetoric through University-Community Partnerships (1973-78)
Olympics, 1968(Mexico City)
Old Signs (1921-65), New Signs (installed 2008)
John Carlos, East Texas State University Track Team, 1966-1967
Commerce, Texas
John Carlos, Olympics1968
Mexico City
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To support: The development of a prototype for facilitating the "remixing" of various types of digitized primary sources for Web presentations (video) on rhetorical constructions of race and race relations in rural Texas within the broader historical context of the Civil Rights Movement.
To support: The development of a prototype for facilitating the "remixing" of various types of digitized primary sources for Web presentations on the history of race and race relations in rural Texas.
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20111900 1941
Wright, Richard. 12 Million Black Voices. Basic Books, 1941.
America Library of
Congress
Gee
LibraryNortheast
Texas
Wright, Richard. 12 Million Black Voices. Basic Books, 1941.
Soul of a People/Soul of a Place
“Soul of a Place” PI: Andrea Kalin and Nancy Camp, Stone Soup Productions, Inc.
19411940 19451938
Wright, Richard. 12 Million Black Voices. Basic Books, 1941.
Furguson, Kerby. “Everything is a Remix: Part 3,” 2011.
Commerce, TX
Greenville, TX
Dallas, TX
Integration at “the State’s Most Democratic College” (1964)
John Carlos, ETSU Track Team, 1966-1967 (Commerce, Texas)
Black Power Runs Through Commerce
Writing for (a) Change: Activist Rhetoric through University-Community Partnerships (1973-78)
Olympics, 1968(Mexico City)
Old Signs (1921-65), New Signs (installed 2008)
Commerce, TX
Greenville, TX
Dallas, TX
Integration at “the State’s Most Democratic College” (1964)
John Carlos, ETSU Track Team, 1966-1967 (Commerce, Texas)
Black Power Runs Through Commerce
Writing for (a) Change: Activist Rhetoric through University-Community Partnerships (1973-78)
Olympics, 1968(Mexico City)
Old Signs (1921-65), New Signs (installed 2008)
John Carlos, East Texas State University Track Team, 1966-1967
Commerce, Texas
“Like most Harlem kids, I thought anyplace away from the ghetto would have to be beautiful. . .
Texas was in the South but I was sure it was nothing like Mississippi or Alabama.”
--Carlos, interview with New York Magazine reporter in 1968
“About two minutes after I got [to Commerce], I noticed that my name changed from John Carlos to Boy.”
--Carlos, New York Magazine, 1968
“Thinking about it now, a guy like Carlos lasting a year and a half in a redneck town like Commerce is one of the most amazing records in track and field.”
--Texan at 1968 Olympics in Mexico City, (New York Magazine, November 1968)
Me!
Me!
Project Team
Shannon Carter, Project Director
Andrea Weddle, Director of Special Collections (Gee Library)
Michael Lewandowski, Media Specialist, Instructional Technology
Jim Conrad, Professor Emeritus (former Director of Special Collections)
Donna Dunbar-Odom, Professor of English, Department of Literature and Languages
Kelly Dent, MA Student (Political Science)Sunchai Hacumpai, PhD Student (English)
To support: The development of a prototype for facilitating the "remixing" of various types of digitized primary sources for Web presentations (video) on rhetorical constructions of race and race relations in rural Texas within the broader historical context of the Civil Rights Movement.
To support: The development of a prototype for facilitating the "remixing" of various types of digitized primary sources for Web presentations (video) on rhetorical constructions of race and race relations in rural Texas within the broader historical context of the Civil Rights Movement.
