donatello he masterfully uses linear perspective in the service of psychological realism he...

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Donatello •he masterfully uses linear perspective in the service of psychological realism •he constructs his work by paying careful attention to optical effects •his figures in both their expressions and/or their postures convey an emotional intensity that is unparalleled by any other sculptor

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Page 1: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical

Donatello•he masterfully uses linear perspective in the service of psychological realism

•he constructs his work by paying careful attention to optical effects

•his figures in both their expressions and/or their postures convey an emotional intensity that is unparalleled by any other sculptor

Page 2: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical

DonatelloPazzi Madonna1420-30sMarble, 75 x 70 cmStaatliche Museen, Berlin

Page 3: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical

DonatelloDavid (detail)c. 1430BronzeMuseo Nazionale del Bargello, Florence

Page 4: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical

DonatelloPietà1447-50Bronze, 58 x 56 cmBasilica di Sant'Antonio, Padua

Page 5: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical

DonatelloEquestrian Statue of Gattamelata1447-50Bronze, 340 x 390 cmPiazza del Santo, Padua

Page 6: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical

DonatelloEquestrian Statue of Gattamelata1447-50Bronze, 340 x 390 cmPiazza del Santo, Padua

Page 7: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical

DonatelloJudith and Holofernes 1455-60BronzePalazzo Vecchio, Florence

Page 8: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical

DonatelloJudith and Holofernes 1455-60BronzePalazzo Vecchio, Florence

Page 9: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical

Donatellodetail: Judith and Holofernes

1455-60

Page 10: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical

Donatellodetail: Judith and Holofernes

Page 11: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical

DonatelloSt Mary Magdalenc. 1457WoodHeight: 188 cmMuseo dell'Opera del Duomo, Florence

Page 12: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical
Page 13: Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical

Donatellodetail of the Deposition from the Pulpit at San Lorenzo, FlorenceDeposition1465