Download - 20/21 Posters The Ski Sale
22 JANUARY 2015 SOUTH KENSINGTON
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PAYMENT
BUYERS
Tel: +44 (0)20 7839 9060Fax: +44 (0)20 7389 2869
VENDORS
Tel: +44 (0)20 7389 2915Fax: +44 (0)20 7581 5295
SHIPPING
Tel: +44 (0)20 7389 2712Fax: +44 (0)20 7389 2869
STORAGE AND COLLECTION
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CONDITIONS OF SALE
This auction is subject to Important Notices, Conditions of Sale and to Reserves
BUYING AT CHRISTIE’S
For an overview of the process, see the Buying at Christie’s section.
[15]
christies.com
20/21 POSTERS THE SKI SALEThursday 22 January 2015
AUCTION
Thursday 22 January 2015
at 1.00 pm Lots 1-247
85 Old Brompton Road
London SW7 3LD
AUCTION CODE AND NUMBER
In sending absentee bids or making enquiries, this sale should be referred to as POS-10070
STORAGE AND COLLECTION
Please refer to the important notice
on page 72. Please note that Cadogan
Tate’s opening hours are Monday to
Friday 9am to 5pm, and purchases
transferred to their warehouse are not
available for collection at weekends.
SERVICES
ABSENTEE BIDS
Tel: +44 (0)20 7752 3225Fax: +44 (0)20 7581 1403
AUCTION RESULTS
Tel: +44 (0)20 7839 9060 christies.com
TELEPHONE BIDS
Tel: +44 (0)20 7752 3225Fax: +44 (0)20 7591 0987
CLIENT LIAISON
Aina TruyolsTel: +44 (0)20 7752 3179
CLIENT SERVICES
Tel: +44 (0)20 7839 9060Fax: +44 (0)20 7389 2869
Email : [email protected] cover: Lot 31
Inside front cover: 229
Back cover: Lots 88, 101, 133, 146
VIEWING
Saturday 17 January 11.00 am - 5.00 pm
Sunday 18 January 11.00 am - 5.00 pm
Monday 19 January 9.00 am - 7.30 pm
Tuesday 20 January 9.00 am - 5.00 pm
Wednesday 21 January 9.00 am - 5.00 pm
AUCTIONEER
Hugh Edmeades and William Porter
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SPECIALIST
Posters, lots 1-126, 152-247
Nicolette Tomkinson
Tel: +44 (0)20 7752 3301
Sophie Churcher
Tel: +44 (0)20 7752 3208
Irene Orgaz Garc-a
Tel: +44 (0)20 7752 3206
luggage, lots 127-151
Clare Borthwick
Tel: +44 (0)20 7752 3216
ADMINISTRATOR
Ava Carleton-Williams
Tel: +44 (0)20 7752 3279
Fax: +44 (0)20 7752 3185
BUSINESS MANAGER
Georgina Lewis
Tel: +44 (0)20 7389 2460
Please note all lots are sold unframed unless otherwise stated in the lot’s description.
2
1
1
ERICH HERMÈS (1881-1971)
MONTREUX-BERNER OBERLAND
lithograph in colours, 1929, printed by Säuberlin & Pfeiffer, S.A., Vevey, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
2
2
PAUL GUSSET (1909-1975)
BERNER OBERLAND
lithograph in colours, c.1950, printed by Brügger A.G., Meiringen, condition A-; backed on linen40 x 28 in. (101 x 71 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
3
3
FRANCO BARBERIS (1905-1992)
BERNER OBERLAND
lithograph in colours, printed by J.C.Müller A.G., Zürich, condition B+; backed on linen40 x 27Ω in. (102 x 69 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
CONTENTS
SWITZERLAND 1-125, 171
LUGGAGE 127-151
AMERICA & CANADA 152, 159, 164-166
ROGER BRODERS 167-179
FRANCE 126, 167-213
GERMANY 220-221, 223
NORWAY 224-228
AUSTRIA 229-240
ITALY 241-247
3
4
4
MARTIN PEIKERT (1901-1975)
MOB
offset lithograph in colours, 1946, printed by Klausfelder, Vevey, condition A-; backed on japan40 x 25 in. (102 x 64 cm.)
£4,000-6,000 $6,300-9,300 €5,100-7,600
*5
MARTIN PEIKERT (1901-1975)
MOB
lithograph in colours, printed by Säuberlin & Pfeiffer, S.A., Vevey, condition A; backed on linen39 x 25Ω in. (100 x 65 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
5
6
6
EDOUARD ELZINGRE (1880-1966)
THE GOLDEN PASS ROUTE
lithograph in colours, printed by Sonor S.A., Genève, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)
£5,000-7,000 $7,800-11,000 €6,400-8,800
4
11
*11
W. STUDER (PHOTO)
WENGEN
offset lithograph in colours, c.1935, printed by Fretz Frères S.A., Zurich, condition A; not backed40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
10
MARTIN PEIKERT (1901-1975)
WENGEN
lithograph in colours, c.1948, condition A; not backed40 x 25 in. (102 x 64 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
10
*9
WILLY TRAPP (1905-1984)
KANDERSTEG
lithograph in colours, printed by Wolfsberg, Zürich, condition A; backed on linen40 x 25Ω in. (102 x 65 cm.)
£800-1,200 $1,300-1,900 €1,100-1,5009
8
WILLY TRAPP (1905-1984)
KANDERSTEG
lithograph in colours, printed by A. Trüb & Co., Aarau, condition A-; backed on japan40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
8
*7
LEO KECK (1906-1987)
LENK
lithograph in colours, 1940, printed by Fretz A.G., Zürich, condition A; not backed40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
7
5
15
15
ALEX WALTER DIGGELMANN (1902-1987)
INTERLAKEN
lithograph in colours, 1933, printed by Fretz Frères, Zurich, condition A-; backed on linen40 x 25Ω in. (102 x 65 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
14
*13
ERIKA VON KAGER (1890-1975)
GURNIGEL
lithograph in colours, 1921, printed by Hubacher A.G., Bern, condition A-; backed on linen39 x 26 in. (99 x 66 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
13
*14
MARTIN PEIKERT (1901-1975)
MÜRREN
lithograph in colours, c.1933, printed by Orell Füssli, Zürich, condition B+/A-; backed on japan42 x 26Ω in. (107 x 68 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
12
ANDRÉ LECOMTE
MÜRREN
lithograph in colours, 1931, printed by Wolfsberg, Zürich, condition B+; backed on linen40 x 25Ω in. (102 x 65 cm.)
£4,000-6,000 $6,300-9,300 €5,100-7,600
12
6
16
17
16
ALEX WALTER DIGGELMANN (1902-1987)
GSTAAD
lithograph in colours, c.1933, printed by J.C.Müller, Zürich, condition A; backed on linen40Ω x 25 in. (103 x 64 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
17
SEILER
GSTAAD
lithograph in colours, 1942, printed by Grafca A.G., Basel, condition A-; not backed38Ω x 26Ω in. (98 x 67 cm.)
£5,000-7,000 $7,800-11,000 €6,400-8,800
18
18
MARTIN PEIKERT (1901-1975)
GSTAAD
lithograph in colours, 1946, printed by Klausfelder S.A., Vevey, condition B; backed on linen40 x 25 in. (102 x 64 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
7
19
19
ALEX WALTER DIGGELMANN (1902-1987)
GSTAAD
lithograph in colours, 1938, printed by J.C.Müller, Zürich, condition B+; backed on japan, framed49Ω x 35 in. (126 x 89 cm.)
£10,000-15,000 $16,000-23,000 €13,000-19,000
20
20
ANONYMOUS
GSTAAD
lithograph in colours, 1930, printed by Brügger, Meiringen, condition B+/A-; backed on linen, framed39Ω x 27Ω in. (100 x 70 cm.)
£8,000-12,000 $13,000-19,000 €11,000-15,000
21
21
CHARLES KUHN (1903-1999)
GSTAAD
lithograph in colours, 1931, printed by Wolfsberg, Zürich, condition B+; backed on japan50 x 36 in. (127 x 91 cm.)
£6,000-8,000 $9,400-12,000 €7,600-10,000
8
3027
29
28
26
25
24
23
22
9
*31
MARTIN PEIKERT (1901-1975)
SCHWEIZ. SKIRENNEN UNTERWASSER
lithograph in colours, 1939, printed by Eidenbenz-Seitz & Co., St. Gallen, condition A; backed on linen39Ω x 27Ω in. (100 x 70 cm.)
£5,000-7,000 $7,800-11,000 €6,400-8,800
31
30
DONALD BRUN (1909-1999)
HOLIDAYS IN SWITZERLAND
lithograph in colours, 1949, printed by Eidenbenz-Seitz & Co., St. Gallen, condition A; not backed40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
*28
ALOIS CARIGIET (1902-1985)
WINTER IN DER SCHWEIZ
lithograph in colours, 1937, printed by Ringier & Co., A.G., Zofngue, condition A-; not backed40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
*27
HANS JEGERLEHNER (1906-1974)
ZUM WINTERSPORT MIT DER EISENBAHN
lithograph in colours, 1950, condition B+/A-; backed on linen50 x 36 in. (127 x 92 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
*29
A. STEINER
WINTERSPORT IN DER SCHWEIZ
offset lithograph in colours, printed by Hélio Sadag, Genéve, condition A; backed on linen39Ω x 25 in. (100 x 64 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
*26
HERBERT MATTER (1907-1984)
ALL ROADS LEAD TO SWITZERLAND
offset lithograph in colours, 1935, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
*25
HERBET LEUPIN (1916-1999)
SWISSAIR
lithograph in colours, 1952, printed by Wolfsberg, Zurich, condition A; backed on japan40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
24
PLETSCHER
WINTER SPORTS? FLY THERE BY SWISSAIR
lithograph in colours, c.1936, printed by Bollmann S.A., Zurich, condition A; not backed40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
23
JOHANNES HANDSCHIN (1899-1948)
WINTERSPORT AUF BRAUNWALD
lithograph in colours, printed by A. Trüb & Cie., Aarau, condition A-, backed on linen39 x 27 in. (100 x 69 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
22
AMSTUTZ & HERDEG
GSTAAD
offset lithograph in colours, 1939, printed by Conzett & Huber, Zürich, condition B+; backed on linen50 x 35 in. (127 x 89 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
10
32
*32
EMIL CARDINAUX (1877-1936)
JUNGFRAU
lithograph in colours, 1925, printed by Paul Bender, Zürich, condition B+; backed on linen39Ω x 25 in. (100 x 64 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
33
*33
EMIL CARDINAUX (1877-1936)
JUNGFRAU-BAHN
lithograph in colours, 1910, printed by J.E. Wolfensberger, Zürich, condition B+; backed on linen40 x 28 in. (102 x 71 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
34
34
ANONYMOUS
WENGERNALP & JUNGFRAU
lithograph in colours, c.1930, printed by Paul Bender, Zurich, condition A; backed on linen39Ω x 25 in. (100 x 64 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
35
35
EMIL CARDINAUX (1877-1936)
JUNGFRAUBAHN
lithograph in colours, printed by Hoffer & Co., Zürich, condition B+; backed on linen27Ω x 39Ω in. (70 x 100 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
11
36
EMIL CARDINAUX (1877-1936)
JUNGFRAU
lithograph in colours, 1928, printed by Wolfsberg, Zurich, condition A-; not backed50 x 36 in. (127 x 92 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
3736
*37
EMIL CARDINAUX (1877-1936)
JUNGFRAU-BAHN
lithograph in colours, 1911, printed by J.E. Wolfensberger, Zürich, condition A-; backed on linen48Ω x 36 in. (123 x 91 cm.)
£10,000-15,000 $16,000-23,000 €13,000-19,000
38
*38
EMIL CARDINAUX (1877-1936)
JUNGFRAU-RAILWAY
lithograph in colours, 1928, printed by Wolfsberg, Zürich, condition A-; backed on linen40 x 25Ω in. (102 x 65 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
12
39
40
40
PAUL KAMMÜLLER (1885-1946)
FLUGSPENDE
lithograph in colours, printed by Wasserman, Basel, condition A-; backed on linen40 x 27 in. (102 x 68 cm.)
£1,200-1,800 $1,900-2,800 €1,600-2,30041
39
DONALD BRUN (1909-1999)
AROSA
lithograph in colours, c.1955, printed by Frobenius S.A., Basel, condition A-; not backed40 x 25 in. (101 x 63 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
41
CHARLES KUHN (1903-1999)
SWISS ALPINE POSTAL COACHES
lithograph in colours, printed by Wolfsberg, Zürich, condition A-; backed on linen40 x 24Ω in. (102 x 63 cm.)
£2,500-3,500 $3,900-5,400 €3,200-4,400
42
42
EMIL CARDINAUX (1877-1936)
AROSA
lithograph in colours, 1915, printed by J.E. Wolfensberger, Zürich, condition A-; backed on paper50 x 35Ω in. (128 x 90 cm.)
£5,000-7,000 $7,800-11,000 €6,400-8,800
13
43
43
HUGO LAUBI (1888-1959)
SUISSE
lithograph in colours, 1930, printed by Fretz Brothers S.A., Zurich, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
44
*44
ANONYMOUS
WINTER SPORTS IN SWITZERLAND
lithograph in colours, printed by Otis, condition B+; backed on linen41 x 27Ω in. (104 x 70 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
45
*45
ERICH HERMÈS (1881-1971)
WINTER IN SWITZERLAND
lithograph in colours, c.1938, printed by Säuberlin & Pfeiffer S.A., Vevey, condition A; backed on linen39 x 24Ω in. (99 x 62 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
14
51
50
*49
ANONYMOUS
GOTSCHNA, KLOSTERS
lithograph in colours, 1990, printed by J.C.M. Schlieren, condition A; backed on linen50 x 35 in. (127 x 89 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
49
48
J. CHARMOZ
KLOSTERS
offset lithograph in colours, 1957, printed by S.A. Klausfelder, Vevey, condition B/B+; backed on linen38 x 27 in. (97 x 68 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
48
*47
ALOIS CARIGIET (1902-1985)
KLOSTERS
lithograph in colours, 1947, printed by J.C. Müller A.G., Zürich, condition A-; backed on linen40 x 25 in. (101 x 64 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
47
*46
DONALD BRUN (1909-1999)
KLOSTERS
lithograph in colours, printed by J.C. Müller, Zürich, condition A; not backed40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
46
15
53
EMIL CARDINAUX (1887-1936)
L’INVERNO NELLA SVIZZERA
lithograph in colours, 1921, printed by Wolfsberg, Zurigo, condition B; backed on linen50 x 35Ω in. (127 x 90 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
53
*52
HUGO LAUBI (1888-1959)
KLOSTERS
lithograph in colours, 1934, printed by Fretz Bros Ltd., Zürich, condition A-; not backed40 x 25 in. (102 x 64 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
52
51
FRANCO BARBERIS (1905-1992)
KLOSTERS
lithograph in colours, c.1950, printed by J.C. Müller A.G., Zürich, condition A; not backed40 x 25 in. (102 x 64 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
50
ALEX WALTER DIGGELMANN (1902-1987)
KLOSTERS
lithograph in colours, printed by J.C. Müller, Zürich, condition A; backed on linen40 x 25 in. (102 x 64 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
16
54
55
*55
ALBERT BORER (1910-2004)
DAVOS PARSENN
lithograph in colours, 1952, printed by A. Trüb & Cie., Aarau, condition A; not backed40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
56
*54
PIERRE MONNERAT (1917-)
DAVOS PARSENN
lithograph in colours, 1947, printed by Fretz Frères S.A., Zurich, condition B+/A-; backed on linen40 x 25 in. (102 x 64 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
*56
HERBERT LEUPIN (1916-1999)
DAVOS PARSENN
offset lithograph in colours, 1956, printed by Wolfsberg, Zurich, condition A; not backed40 x 25 in. (102 x 64 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
57
57
BUKHARD MANGOLD (1873-1950)
WINTER IN DAVOS
lithograph in colours, 1914, printed by J.E. Wolfensberger, Zürich, condition B; backed on linen49Ω x 34Ω in. (126 x 88 cm.)
£10,000-15,000 $16,000-23,000 €13,000-19,000
17
58
58
EMIL CARDINAUX (1877-1936)
DAVOS
lithograph in colours, 1918, printed by Wolfsberg, Zürich, condition B+; backed on japan49Ω x 35 in. (126 x 89 cm.)
£12,000-18,000 $19,000-28,000 €16,000-23,000
59
59
HANS EGGIMANN (1872-1929)
GRAND HOTEL & BELVEDERE, DAVOS
lithograph in colours, 1905, printed by Kümerly & Frey, Bern, condition A-; backed on japan50 x 35Ω in. (127 x 90 cm.)
£10,000-15,000 $16,000-23,000 €13,000-19,000
18
64
WILLY TRAPP (1905-1984)
DAVOS PARSENN-BAHN
lithograph in colours, c.1930, printed by Wolfsberg, Zürich, condition A; backed on linen40 x 25 in. (102 x 64 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
64
63
HELMUT KURTZ (1903-1959)
PARSENN BAHN, DAVOS
offset lithograph in colours, c.1930, printed by Wolfsberg, Zürich, condition B+; not backed50 x 35Ω in. (127 x 90 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
63
62
HERBERT LEUPIN (1916-1999)
DAVOS
offset lithograph in colours, 1958, printed by Basler Druck, Basel, condition A; not backed40 x 25 in. (102 x 64 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,50062
*61
LEO KECK (1906-1987) & FURTER (PHOTO)
DAVOS PARSENN
offset lithograph in colours, printed by Eidenbenz-Seitz, St. Gallen, condition B+; backed on linen40 x 26 in. (102 x 66 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
61
60
HERBERT LEUPIN (1916-1999)
DAVOS PARSENN
lithograph in colours, 1946, printed by Wolfsberg, Zürich, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
60
19
*69
ERNST THOMMEN (1891-1976)
PONTRESINA
lithograph in colours, 1952, printed by Fretz A.G., Zürich, condition A; backed on linen40 x 25 in. (102 x 64 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
69
68
SCHÄR (PHOTO)
PONTRESINA
offset lithograph in colours, printed by Fretz Bros., Ltd., Zurich, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
68
66
MARTIN PEIKERT (1901-1975)
PONTRESINA
lithograph in colours, 1943, printed by Fretz A.G., Zürich, condition B; not backed40 x 25 in. (102 x 64 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
67
67
MARTIN PEIKERT (1901-1975)
PONTRESINA
offset lithograph in colours, 1959, printed by Klausfelder, Vevey, condition A-; not backed40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
66
65
MARTIN PEIKERT (1901-1975)
PONTRESINA
lithograph in colours, printed by Fretz A.G., Zurich, condition B+/A-; backed on linen39Ω x 25Ω in. (99 x 65 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
65
20
73
WILHELM FRIEDERICH BURGER (1882-1964)
PONTRESINA
lithograph in colours, 1914, printed by H.J. Burger & Sohn, Zürich, condition A; backed on linen39 x 26Ω in. (99 x 68 cm.)
£8,000-12,000 $13,000-19,000 €11,000-15,000
*75
WALTER KOCH (1875-1915)
WINTERSPORT IN GRAUBÜNDEN
lithograph in colours, 1906, printed by Gebr. Fretz, Zürich, condition B+; backed on linen39Ω x 28 in. (100 x 72 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
74
WALTER KOCH (1875-1915)
WINTERSPORT
lithograph in colours, printed by J.E. Wolfensberger, Zürich, condition A-; backed on linen36 x 47Ω in. (92 x 121 cm.)
£5,000-7,000 $7,800-11,000 €6,400-8,800
70
70
BOSSHART
LENZERHEIDE
lithograph in colours, printed by Eidenbenz Seitz & Co., St. Gallen, condition B+; backed on linen50 x 36 in. (127 x 92 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
71
*71
EMIL CARDINAUX (1877-1936)
RHÄTISCHE BAHN
lithograph in colours, 1916, printed by J.E. Wolfensberger, Zürich, condition B/B+; backed on linen50 x 35Ω in. (128 x 90 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
72
72
WILHELM FRIEDRICH BURGER (1882-1964)
MUOTTAS-MURAGL
lithograph in colours, printed by J.C. Müller A.G., Zürich, condition A-; backed on linen40 x 26 in. (102 x 66 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
21
73
74
75
22
79
HUGO LAUBI (1888-1959)
II. OLYMPISCHE WINTERSPIELE, ST. MORITZ
lithograph in colours, 1928, printed by Seitz & Co., St. Gallen, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)
£8,000-12,000 $13,000-19,000 €11,000-15,000
79
*78
ANONYMOUS
EISFEST, ST. MORITZ
lithograph in colours, printed by Fretz A.G., Zurich, condition A; backed on linen39 x 28Ω in. (99 x 73 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
78
*77
WERNER WEISKÖNIG (1907-1982)
ST. MORITZ 1948
lithograph in colours, 1946, printed by Orell Fussli AG, Zurich, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
77
76
*76
FRITZ HELLINGER (1923-)
OLYMPIC WINTER GAMES
lithograph in colours, 1948, printed by Wolfsberg, Zürich, condition B+; backed on linen40 x 25Ω in. (102 x 65 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
23
83
HUGO LAUBI (1888-1959)
ST. MORITZ
lithograph in colours, 1952, printed by Fretz A.G., Zürich, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800 83
82
81
81
WALTER HERDEG (1908-1995)
ST. MORITZ
lithograph in colours, c.1936, printed by Wolfsberg, Zurich, condition A-; backed on linen50 x 36 in. (127 x 90 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
*82
WALTER HERDEG (1908-1995)
ST. MORITZ
lithograph in colours, printed by Orell Füssli, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
80
ALOIS CARIGIET (1902-1985)
ST. MORITZ
lithograph in colours, 1932, printed by Wolfsberg, Zürich, condition A-; backed on japan40 x 25 in. (102 x 64 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
80
24
84
84
WILHELM FRIEDRICH BURGER (1882-1964)
ST. MORITZ
lithograph in colours, 1913, printed by H.J. Burger & Sohn, Zürich, condition B+/A-; not backed40 x 29 in. (102 x 74 cm.)
£15,000-20,000 $24,000-31,000 €19,000-25,000
85
85
HILDE SMITH
SKIFABRIK, ST. MORITZ
lithograph in colours, printed by H.J. Burger & Sohn, Zürich, condition A-; backed on japan43 x 31 in. (109 x 79 cm.)
£10,000-15,000 $16,000-23,000 €13,000-19,000
86
86
CARL MOOS (1878-1959)
ST. MORITZER, SKIRENNEN
lithograph in colours, 1928, printed by Fretz A.G., Zürich, condition B+/A-; backed on japan, framed39 x 27 in. (99 x 69 cm.)
£18,000-22,000 $28,000-34,000 €23,000-28,000
25
87
87
CHARLES KUHN (1903-1999)
ST. MORITZ
lithograph in colours, 1928, printed by Wolfsberg, Zürich, condition A; backed on linen40 x 25Ω in. (102 x 65 cm.)
£4,000-6,000 $6,300-9,300 €5,100-7,600
88
88
CARL MOOS (1878-1959)
ST. MORITZ
lithograph in colours, printed by Fretz Bros., Ltd., Zurich, condition A; backed on japan, framed40 x 25 in. (102 x 64 cm.)
£18,000-22,000 $28,000-34,000 €23,000-28,000
89
89
KARL BICKEL (1886-1982)
ST. MORITZ
lithograph in colours, 1930, printed by Wolfsberg, Zurich, condition A-; backed on linen36 x 25 in. (92 x 64 cm.)
£2,500-3,500 $3,900-5,400 €3,200-4,400
26
*93
HANS RUDI ERDT (1883-1918)
DIE WOCHE, “DIE SONNE VON ST. MORITZ”
lithograph in colours, 1910, printed by Hollerbaum & Scmidt, Berlin, condition B/B+; backed on linen28 x 37 in. (71 x 94 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
P R O V E N A N C E :
Restituted to the heirs of Hans Sachs by the German
Goverment, 2012.
93
92
WILLY TRAPP (1905-1984)
KULM HOTEL, ST. MORITZ
lithograph in colours, 1928, printed by Wolfsberg, Zürich, condition A-; backed on linen36 x 25Ω in. (92 x 65 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
92
*91
EMIL CARDINAUX (1877-1936)
PALACE HOTEL, ST. MORITZ
lithograph in colours, 1921, printed by Wolfsberg, Zürich, condition A-; backed on linen50 x 35Ω in. (127 x 90 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
91
*90
EDWARD STIEFEL (1875-1968)
ST. MORITZ
lithograph in colours, 1924, printed by Engadin Press, St. Moritz, condition A-; backed on linen40Ω x 25 in. (103 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
90
27
*96
ALEX WALTER DIGGELMANN (1902-1987)
ST. MORITZ
lithograph in colours, 1955, printed by J.C. Müller, condition A; backed on linen40 x 25 in. (102 x 64 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800 96
*95
ALEX WALTER DIGGELMANN (1902-1987)
ST. MORITZ
lithograph in colours, 1930, printed by Eidenbenz-Seitz & Co., St. Gallen, condition A-; not backed40 x 25 in. (102 x 64 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
95*94
JOHANNES HANDSCHIN (1899-1948)
SILVAPLANA
lithograph in colours, 1934, printed by Wassermann & Co., Basel, condition B; backed on linen39 x 28 in. (99 x 71 cm.)
£6,000-8,000 $9,400-12,000 €7,600-10,000
94
28
97
98
*98
ALBERT MURET (1874-1955)
CHEMIN-DE-FER, MARTIGNY-ORSIERES
lithograph in colours, 1913, printed by Sonor, Genève, condition A; backed on linen39Ω x 28 in. (101 x 71 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
99
97
WILHELM MERNSINGER (1898-1971)
SAAS-FEE
lithograph in colours, c.1930, printed by C.-J. Bucher S.A., Lucerne, condition A; backed on linen40 x 25 in. (102 x 64 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
99
JEAN PIERRE OTTH
VALAIS
offset lithograph in colours, printed by Brügger S.A., Meiringen, condition A; backed on linen, framed40 x 25 in. (102 x 64 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
100
*100
LIBIS (HERBERT LIBISZEWSKI, 1897-1985)
WALLIS
lithograph in colours, 1949, printed by Säuberlin & Pfeiffer S.A., Vevey, condition A-; backed on linen50 x 35Ω in. (127 x 90 cm.)
£6,000-8,000 $9,400-12,000 €7,600-10,000
29
101
102
102
LEO KECK (1906-1987)
ZERMATT
lithograph in colours, 1938, printed by Fretz A.G., Zürich, condition A; backed on linen40 x 25Ω in. (101 x 64 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
103
101
MARTIN PEIKERT (1901-1975)
VERBIER
lithograph in colours, c.1950, printed by Klausfelder S.A., Vevey. condition B/B+; backed on linen39Ω x 25Ω in. (103 x 96 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
103
MANFRED BINGLER
SWISSAIR
offset lithograph in colours, 1964, condition A; backed on linen40 x 25 in. (102 x 64 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
104
104
ALFRED PERREN-BARBERINI (PHOTO)
ZERMATT
offset lithograph in colours, 1959, printed by J.E. Wolfensberger, Zürich, condition A; backed on linen38Ω x 25 in. (98 x 64 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
30
108
SCHOL
ZERMATT
lithograph in colours, 1947, printed by J.C. Müller, A.G., Zürich, condition A-; backed on linen40 x 25Ω in. (102 x 65 cm.)
£4,000-6,000 $6,300-9,300 €5,100-7,600
108
107
106
ALFRED PERREN-BARBERINI (PHOTO)
ZERMATT
offset lithograph in colours, 1958, printed by J.C. Müller A.G., Zürich, condition A-; not backed40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
106
107
WEHRLI (PHOTO)
ZERMATT
offset lithograph in colours, c.1927, printed by Rotogravure, Genève, condition B+/A-; backed on japan39 x 25 in. (99 x 64 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
105
ANTON RECKZIEGEL (1865-1932)
ZERMATT
lithograph in colours, c.1900, printed by Hubacher & Cie., Berne, condition A-; backed on linen42Ω x 28 in. (108 x 71 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
105
31
*111
JEAN GABERELL-THALWIL (1887-1949)
WINTERSPORT IN ZERMATT
lithograph in colours, 1929, printed by Sadag, Geneva, condition A; backed on linen39Ω x 25 in. (100 x 64 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300 111
110109
*110
EMIL CARDINAUX (1877-1936)
ZERMATT
lithograph in colours, 1908, printed by J.E. Wolfensberger, Zürich, condition B+; backed on japan40Ω x 28Ω in. (103 x 72 cm.)
£8,000-12,000 $13,000-19,000 €11,000-15,000
109
CARL MOOS (1878-1959)
ZERMATT
lithograph in colours, c.1933, printed by Orell Füssli, Zürich, condition B+/A-; backed on linen, framed39Ω x 25Ω in. (100 x 65 cm.)
£5,000-7,000 $7,800-11,000 €6,400-8,800
32
112
*112
HERBERT MATTER (1907-1984)
ENGELBERG
offset lithograph, 1936, printed by C.J. Bucher A.G., Luzern, condition A-; not backed40 x 25 in. (102 x 64 cm.)
£1,800-2,200 $2,800-3,400 €2,300-2,800
113
113
ANONYMOUS
ENGELBERG
offset lithograph in colours, c.1934, printed by Fédérative S.A., Berne, condition A-; backed on linen38 x 26 in. (97 x 66 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
114
114
HERBERT MATTER (1907-1984)
SUISSE
offset lithograph in colours, 1935, printed by Ringier, condition A; backed on linen40 x 25 in. (102 x 64 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
33
115
116
T.
ANDERMATT
lithograph in colours, printed by Brunner & Co., A.G., Zürich, condition A; backed on linen40 x 27 in. (102 x 69 cm.)
£1,200-1,800 $1,900-2,800 €1,600-2,300 118
117
115
FRANÇOIS JAQUES
STE-CROIX-LES RASSES
lithograph in colours, c.1910, printed by Klausfelder S.A., Vevey, condition B+/A-; backed on linen39Ω x 24Ω in. (100 x 63 cm.)
£4,000-6,000 $6,300-9,300 €5,100-7,600
*117
W. AMSTUTZ
STE. CROIX - LES RASSES
offset in colours, printed by Orell Füssli, Zürich, condition A-; backed on japan40 x 25 in. (102 x 64 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
118
ANONYMOUS
WINTERSPORT ANDERMATT
lithograph in colours, c.1910, condition A-; backed on japan39Ω x 29Ω in. (100 x 75 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
116
34
123
PAUL LANDRY (1904-1990)
GRAND PRIX AUTOMOBILE, LAUSANNE
lithograph in colours, 1947, printed by R. Marsens, Lausanne, condition A; backed on linen39 x 25Ω in. (99 x 65 cm.)
£1,800-2,200 $2,800-3,400 €2,300-2,800
123
*122
EMIL CARDINAUX (1877-1936)
AUTOMOBILES MARTINI
lithograph in colours, 1916, printed by J.E. Wolfensberger, Zurich, condition B/B+; backed on linen50 x 35Ω in. (127 x 90 cm.)
£3,500-5,500 $5,500-8,500 €4,500-7,000
122
121
MARTIN PEIKERT (1901-1975)
ZUGERBERG
lithograph in colours, 1948, printed by Fretz A.G., Zürich, condition A-; backed on linen24Ω x 18 in. (63 x 46 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900121
*120
ANONYMOUS
SKI-RENNEN, GLARUS
lithograph in colours, 1905, printed by Fretz, Zürich, condition B; backed on japan41 x 28Ω in. (104 x 72 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
120
*119
WILHELM FRIEDRICH BURGER (1882-1964)
WINTER:SPORT, HEIDEN
lithograph in colours, 1914, printed by H.J. Burger & Sohn, Zürich, condition A-; backed on linen39 x 28 in. (99 x 71 cm.)
£1,200-1,800 $1,900-2,800 €1,600-2,300
119
35
*126
ROBERT FALCUCCI (1900-1989)
MONTE CARLO
lithograph in colours, 1930, printed by Monégasque, Monte Carlo, condition A-; backed on linen47 x 31 in. (119 x 79 cm.)
£10,000-15,000 $16,000-23,000 €13,000-19,000 126
*125
ERIC DE COULON (1888-1956)
VI. INTERNATIONALES KLAUSEN RENNEN
lithograph in colours, 1927, printed by Polygraphisches Institut A.G., Zürich, condition B+; backed on linen50 x 36 in. (127 x 92 cm.)
£12,000-18,000 $19,000-28,000 €16,000-23,000
125
*124
HANS THONI (1906-1980)
GROSSER PREIS DER SCHWEIZ
lithograph in colours, 1936, condition A; backed on linen39 x 27Ω in. (99 x 70 cm.)
£4,000-6,000 $6,300-9,300 €5,100-7,600
124
36
n127
A PAIR OF MONOGRAM CANVAS DESK TRUNKSLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Both composite leather and brass bound with leather handles to either side, one with the monogram ‘JDER’ the other with ‘D.C.S ST
PAUL MINN USA’, both mounted on casters, both with hinged lid and front opening panel to reveal three large and two small drawers,
a removable webbed basket, a pull out black wooden desk flap and the top with two lidded compartments, the padded lids studded
with ribbon taping
Both 38Ω x 22 x 20Ω in. (98 x 56 x 52 cm.)
The lock of the trunk with the monogram ‘JDER’ numbered ‘064378’ the other numbered ‘061511’ (2)
£50,000-80,000 $78,000-120,000 €64,000-100,000
L I T E R A T U R E :
For a similar trunk see Léonforte, Pierre and Pujalet-Plaà, Éric, 100 Legendary Trunks Louis Vuitton, New York, Abrams, 2010, pp. 206-209
These rare and unusual trunks were originally marketed as the perfect accompaniment to the large wardrobe trunk for the well to do traveller, with both lady’s and gentleman’s versions available. The trunks came with a small pull out desk flap that allowed the owner to compose their correspondence while travelling.
37
n129
A MONOGRAM CANVAS SHOE TRUNKLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Composite leather and brass bound, with leather handle and the
monogram ‘BM’ to either end, lined in orange leather and brown felt, with
two removable trays both with fittings for and with dividers
19º x 35æ x 15Ω in. (49 x 91 x 39 cm.)
The lock numbered ‘046609’
£15,000-20,000 $24,000-31,000 €19,000-25,000
n128
A MONOGRAM CANVAS SHOE TRUNKLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Leather and brass bound, with leather handles and a ‘S’ in a diamond to
either end, green and yellow stripes to the centre, mounted on casters,
with a hinged lid and front opening panel revealing thirty individual shoe
storage drawers, two full width drawers and a removable top tray
45 x 25º x 16Ω in. (114 x 64 x 42 cm.)
The lock numbered ‘060193
£30,000-40,000 $47,000-62,000 €38,000-51,000
128
129
38
n130
A MONOGRAM CANVAS CABIN TRUNKLOUIS VUITTON FIRST HALF OF THE 20TH CENTURY
Composite leather and brass bound, with leather handles and the monogram
‘W.DWIGHT 12 N.Y.’ to either end one handle broken, mounted on casters, the
interior lined in ivory linen with one removable tray with two canvas cross straps
two lidded compartments each with dividers, the base with three canvas cross
straps, the padded lid studded with ribbon taping
13Ω x 43º x 21Ω in. (34 x 110 x 55 cm.)
The lock numbered ‘049826’
£5,000-8,000 $7,800-12,000 €6,400-10,000
n131
A MONOGRAM CANVAS CABIN TRUNKLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Composite leather and brass bound, with leather handles and the monogram
‘LHH’ to either end, with fittings for a leather strap, mounted on casters, the
interior lined in ivory linen with one removable tray with two canvas cross straps
and two lidded compartments, each with dividers, the base with three canvas
cross straps, the padded lid studded with ribbon taping
13Ω x 43Ω x 21Ω in. (34 x 111 x 54.5 cm.)
The lock numbered ‘032066’
£5,000-8,000 $7,800-12,000 €6,400-10,000
n132
A TRUNK WITH DRAWERS IN NATURAL CALF LEATHERLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Leather and brass bound, with leather handles to either end,
the front panel hinged at either end, opening at the centre to
reveal two horizontal drawers, the top fitted with a tray with
dividers and a removable tray with two lidded compartments
each with dividers, the padded lid studded with ribbon taping
23º x 40 x 22Ω in. ( 59 x 102 x 57 cm.)
The lock numbered ‘101372’
£8,000-12,000 $13,000-19,000 €11,000-15,000
131
130
132
n134
A LADY’S LOW TRUNK IN MONOGRAM CANVASLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Brass and composite leather bound, with leather handles to either end, mounted
on casters, the interior lined in ivory linen, the padded lid studded with ribbon
taping, with one key
22Ω x 31Ω x 20 in. (57 x 80 x 51 cm.)
The lock numbered ‘010970’
£5,000-8,000 $7,800-12,000 €6,400-10,000
133
n133
A LADY’S LOW TRUNK IN MONOGRAM CANVASLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Composite leather and metal bound, with metal handles and blue, black, yellow
and white stripes in the shape of a circle to either end, fittings for a leather strap,
mounted on casters, the interior lined in cream linen with one removable tray,
the padded lid studded with ribbon taping
22 x 39Ω x 21Ω in. (56 x 100 x 55 cm.)
The lock numbered ‘040564’
£5,000-7,000 $7,800-11,000 €6,400-8,800
134
135
n*135
A MAIL TRUNK IN STRIPED CANVASLOUIS VUITTON, LATE 19TH CENTURY
Leather and brass bound, with metal handles and the monogram ‘FHB’ and the
number ‘3’ to either end, mounted on casters, the interior lined in ivory linen, with
a removable tray, the padded lid studded with purple ribbon taping
17 x 30 x 17 in. (43 x 76 x 43 cm.)
The interior labelled and numbered ‘6385’
£2,500-3,500 $3,900-5,400 €3,200-4,400
40
n139
A MOTORING TRUNK IN BLACK VUITTONITE CANVASLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Metal bound with leather handle to top, the interior lined in ivory linen, the base
with two canvas cross straps
5 x 33 x 17º in. (13 x 84 x 44 cm.)
The lock numbered ‘773821’
£800-1,200 $1,300-1,900 €1,100-1,500
nW137
A TAN LEATHER ENGLISH SADDLEGUCCI, LATE 20TH CENTURY
With stirrup irons, leathers and canvas saddle bag
18 in. (46 x 46 x 25 cm.)
The leather stamped with GUCCI monogram
£2,000-3,000 $3,200-4,700 €2,600-3,800
138
A SET OF FITTED TAN LEATHER LUGGAGE FOR A FERRARI 456 GTFERRARI AND SCHEDONI CIRCA 1990S
Comprising of two suitcases and a vanity case; the suitcases both with handles
and locks to top, with zip closures, keyfob and luggage tags, one with flap pocket
to front, the interiors both lined in biscuit leather, with leather cross straps to
base and elasticated pocket to lid; the vanity case with handle to top, front
closure and keyfob, the interior lined in biscuit leather, with elasticated pocket
to one side and elasticated fittings to the other, each case with green fabric cover
The larger suitcase 17æ x 31º x 7 in. (45 x 77 x 18 cm.); the smaller suitcase 17 x 31º x
6 in. (43 x 77 x 15 cm.); the vanity case 11Ω x 12Ω x 11 in. (29 x 32 x 28 cm.)
All stamped ‘CUOIO SCHEDONI MODENA’ and the locks stamped ‘456 GT’ (3)
£1,000-1,500 $1,600-2,300 €1,300-1,900
The Ferrari 456 GT released in 1992 saw Ferrari return to a front-engine model for the first time since the 1968 365 GTB4. The 2+2 coupè model came with a custom made luggage set that fitted into the boot of the car in order to maximise space.
136
A TRIO OF LIMITED EDITION PAPERWEIGHT TRUNKS AND A AERO SNOW GLOBELOUIS VUITTON, 2013, 2012 AND 2000
Comprising of a Hat Box, a Courrier trunk, a Miss France trunk and an Aero snow
globe, all of lithographed metal
The Hat Box 3 x 3 æ x 2 Ω in. ( 7.5 x 9.5 x 6.25 cm.); the Courrier trunk 2Ω x 4Ω x 2æ
in. (6.5 x 11.5 x 7 cm.); the Miss France paperweight 3 º x 6 x 3 in. ( 8 x 15 x 7.5 cm.); the
Aero snow globe 3 in. (8 cm.) (diam.) 5 in. (13 cm.) height (4)
£1,200-1,500 $1,900-2,300 €1,600-1,900
These mini trunks, originally created as gifts for Louis Vuitton’s VIP clients, are modelled after three classic Louis Vuitton trunks. The Miss France paperweight after the ‘Lady’s Trunk’ trunk that belonged to Miss France 1927, Roberte Cusey, the hat box after the ‘Lady’s Hat Box’ hat box that belonged to Mrs. William Twombley, of Paris 1895 and the courrier trunk an exact replica, one seventh the size, of an man’s courrier trunk from 1888. The Aero snow globe, also a VIP gift, was inspired by a Pierre-Emilie Legrain ink drawing and pays homage to Louis Vuitton’s 1906 Aero
trunk which was designed to be attached to the gondola of a hot air balloon.
41
n143
A MOTORING TRUNK IN BLACK VUITTONITE CANVASLOUIS VUITTON, EARLY 20TH CENTURY
Metal and leather bound, with metal handles to either end, the interior lined in
ivory linen, with fittings for one removable tray
17 x 32º x 17 in. (43 x 82 x 43.5 cm.)
The lock numbered ‘2087??’
£1,500-2,500 $2,400-3,900 €1,900-3,200
142
A PAIR OF MONOGRAM CANVAS SUITCASESLOUIS VUITTON, MID 20TH CENTURY
Both composite leather and brass bound, with leather handle and the monogram
‘MP’ to the top, the interiors both lined in cream linen, with two canvas cross
straps to the base, one case with two further canvas cross straps to the lid, the
other with an additional removable tray also with two canvas cross straps
Both 7 x 24 x 14Ω in. (18 x 61 x 37 cm)
Both locks numbered ‘084239’ (2)
£1,200-1,500 $1,900-2,300 €1,600-1,900
141
A SET OF TAN LEATHER LUGGAGEASTON MARTIN, LATE 20TH - EARLY 21ST CENTURY
Comprising of two weekend bags, a small suitcase and a small golf bag; the
weekend bags both with two handles, shoulder strap and zip closure to top, the
interiors both lined in cream linen with side zip pocket; the suitcase with handle
to top, fittings for a shoulder strap, three zip closures and flat front pocket,
the interior lined in cream leather with three separate compartments and two
leather drawstring shoe bags; the golf bag with shoulder strap, front pocket and
removable top cover, the interior lined in cream leather
The weekend bags both 12 x 26Ω x 12 in. (30 x 67 x 30 cm.); the suitcase 14 x 18 x 7 in.
(35.5 x 46 x 18 cm.); the golf bag 47 x 7Ω x 3 in. (120 x 19 x 8 cm.)
The exteriors all stamped ‘ASTON MARTIN’, the interiors with additional leather label stamped ‘HAND MADE IN ITALY BY GOLF BROTHERS WITH FLORENTINE LEATHER’ (6)
£1,000-1,500 $1,600-2,300 €1,300-1,900
n140
A MOTORING TRUNK IN BRICK RED VUITTONITE CANVASLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Metal bound, with metal handles to either end, the interior lined in ivory linen
with fittings for a removable tray
10 x 21Ω x 17æ in. (25 x 55 x 45 cm.)
The lock marked with a ‘D’
£1,000-2,000 $1,600-3,100 €1,300-2,500
42
~144
A GENTLEMAN’S FITTED SUITCASE IN NATURAL COWHIDELOUIS VUITTON, EARLY 20TH CENTURY CIRCA 1920S - 1930S
With brass hardware, a handle and the monogram ‘FL’ to the top, the interior
lined in black leather, with fittings for various accessories, including four glass
bottles, three glass containers all with silver lids with the monogram ‘FL’, an ivory
shoe buffer, brushes, combs, jewellery boxes, a lamp, a mirror and leather wallets
with various ivory tools and pill boxes, the case also with two further leather
accessories boxes both with the monogram ‘FL’ one with fittings for brushes the
other with nail accessories; with canvas dust cover
7 x 22 x 13æ in. (18 x 56 x 35 cm.)
The lock numbered ‘049614’
£1,500-2,500 $2,400-3,900 €1,900-3,200
146
A PAIR OF MONOGRAM CANVAS BRAKEN SUITCASESLOUIS VUITTON, 20TH CENTURY
Both composite leather and brass bound, with handle to top, the interiors both
lined in cream leather with removable garment tray with two canvas cross
straps, three wooden hangers and linen divider, the base of both cases with two
canvas cross straps, one case with luggage tag
8æ x 25Ω x 20Ω in. (22 x 65 x 52 cm.)
The lock of one suitcase numbered ‘127580’ and the other ‘127579’ (2)
£1,500-2,000 $2,400-3,100 €1,900-2,500
n145
A MONOGRAM CANVAS HAT BOXLOUIS VUITTON, 20TH CENTURY
Composite leather and brass bound, with leather handle to top, the interior lined
in ivory linen, with a removable webbed basked with four canvas cross straps,
the padded lid studded with ribbon taping
19º x 19Ω x 17º in. (49 x 50 x 44 cm.)
The lock numbered ‘076579’
£2,000-3,000 $3,200-4,700 €2,600-3,800
nW147
A TRUNK IN NATURAL COW HIDELOUIS VUITTON, 20TH CENTURY
Leather and brass bound, with leather handles and the monogram ‘PGV’ and
a crown to either end, mounted on casters, the interior lined in ivory linen, the
padded lid studded with ribbon taping
12Ω x 40 x 21 in. (32 x 101.5 x 53.5 cm.)
The lock numbered ‘028435’
£1,200-1,500 $1,900-2,300 €1,600-1,900
43
148
A MUSTARD YELLOW LEATHER SUITCASE AND FITTED VANITY CASEASPREY, FIRST HALF 20TH CENTURY
Both cases with the monogram ‘A.O.S’ in gold and leather handles with canvas
covers to top, both lined in brown moiré silk, the suitcase with fittings for a
removable tray, the vanity case with various fittings, one side fitted with four
brushes and a mirror in simulated tortoiseshell with the monogram ‘AOS’ in gold,
three lidded compartments two lids missing and four padded cushions, the other
side with three glass bottles, four glass pots all with simulated tortoiseshell tops
and lids with the monogram ‘AOS’ in gold and fittings for two removable boxes
one missing
The suitcase 7Ω x 25æ x 15Ω in. (19 x 65.5 x 39 cm.); the vanity case 5Ω x 14Ω x 12º
in. (14 x 37 x 31 cm.)
The lock of the suitcase stamped ‘ASPREY LONDON’; the lock of the vanity case stamped ‘PROV. PAT. 10965129’ the interior of the suitcase stamped ‘ASPREY LONDON’ (2)
£1,500-2,000 $2,400-3,100 €1,900-2,500
150
A DAMIER CANVAS MAN’S HAT BOXLOUIS VUITTON, LATE 19TH / EARLY 20TH CENTURY
Bound in leather, with leather handle to top, the interior lined in ivory linen with
one removable tray, the base with two red cord cross straps and one red canvas
cross strap
12º x 14 x 11Ω in. ( 31 x 36 x 29 cm.)
The interior label numbered ‘44406’
£2,000-4,000 $3,200-6,200 €2,600-5,100
n149
A MAN’S TRUNK IN MONOGRAM CANVASLOUIS VUITTON, FIRST HALF OF THE 20TH CENTURY
Metal bound with metal handles and a red diamond to either end, fittings for a
leather strap, mounted on casters, the interior lined in ivory linen with fittings for
removable trays, the padded lid studded with ribbon taping
21º x 39Ω x 20æ in. (54 x 100 x 53 cm.)
The lock numbered ‘07302’
£3,500-4,500 $5,500-7,000 €4,500-5,700
n151
A LADY’S HIGH TRUNK IN STRIPED CANVASLOUIS VUITTON, LATE 19TH CENTURY
Bound in metal, with metal handles, the monogram ‘B.J.F’ and the number 4 to
either end, with fitting for a leather strap, mounted on casters, the interior lined in
cream and red striped paper and canvas, with three removable trays each with
three canvas cross straps, the padded lid studded with purple ribbon taping
27º x 39æ x 23º in. (70 x 101 x 59 cm.)
The interior label numbered ‘10727’
£2,000-3,000 $3,200-4,700 €2,600-3,800
44
152
153
153
R.A. JOHNSON
ALBERTA
offset lithograph in colours, 1952, condition A-; backed on linen38 x 25 in. (97 x 64 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500154
152
ANONYMOUS
SUN VALLEY
offset lithograph in colours, condition B+/A-; backed on linen34Ω x 25 in. (88 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
154
ANONYMOUS
LA PROVINCE DE QUÉBEC
silkscreen, condition A-; backed on linen30 x 20 in. (76 x 51 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
155
*155
S.D.
SUN VALLEY, IDAHO
offset lithograph in colours, c.1950, condition B+; backed on linen40Ω x 26 in. (103 x 66 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
45
156
157
157
SASCHA MAURER (1897-1961)
LET’S GO SKIING!
lithograph in colours, printed by Latham Litho Co., condition A-; backed on linen22 x 14 in. (56 x 36 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
158
*156
SASCHA MAURER (1897-1961)
FLEXIBLE FLYER
offset lithograph in colours, condition A-; backed on linen37 x 23 in. (94 x 59 cm.)
£1,800-2,200 $2,800-3,400 €2,300-2,800
158
ANONYMOUS
III OLYMPIC WINTER GAMES, LAKE PLACID 1932
lithograph in colours, 1932, condition B+; backed on linen40 x 25 in. (102 x 63 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
159
159
ROY LICHTENSTEIN (1923-1997)
ASPEN WINTER JAZZ
silkscreen, 1967, condition A-; not backed40 x 26 in. (102 x 66 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
46
*163
J. HARPER
KOSCIUSKO
lithograph in colours, printed by D.H. Paisley, Sydney, condition A-; backed on linen40 x 30Ω in. (102 x 77 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
163
162
161
DICK (HENDRIK M. BRUNA, B.1947)
MIFFY, PAMPERS
lithograph in colours, 1963, condition A; not backed24 x 16 in. (61 x 40 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
161 162
DICK (HENRIK M. BRUNA, B.1947)
PAMPERS
lithograph in colours, 1974, condition A; not backed24Ω x 16 in. (62 x 41 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
*160
ANONYMOUS
SELO CHROME
lithograph in colours, condition A-; backed on linen30 x 20 in. (76 x 51 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
160
47
*166
JOHN R. BOWERS
DARTMOUTH
lithograph in colours, 1942, printed by Brett Lithographing Company, condition A-; backed on linen34 x 22 in. (87 x 56 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500 166
*165
ANONYMOUS
DARTMOUTH CARNIVAL
lithograph in colours, 1935, condition A; backed on linen34 x 22 in. (87 x 56 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
165
*164
T.N. JOANETHIS
DARTMOUTH
lithograph in colours, 1938, condition B+; backed on linen34 x 22 in. (87 x 56 cm.)
£2,500-3,500 $3,900-5,400 €3,200-4,400
164
48
167
*167
ROGER BRODERS (1883-1953)
WINTER SPORTS IN THE FRENCH ALPS
lithograph in colours, c.1930, printed by L. Serre & Cie., Paris, condition A-; not backed40 x 25 in. (102 x 64 cm.)
£8,000-12,000 $13,000-19,000 €11,000-15,000
168
*168
ROGER BRODERS (1883-1953)
ST. GERVAIS-LES-BAINS
lithograph in colours, c.1930, condition A; not backed39Ω x 25 in. (101 x 64 cm.)
£5,000-7,000 $7,800-11,000 €6,400-8,800169
ROGER BRODERS (1883-1953)
SPORTS D’HIVER DANS LES VOSGES
lithograph in colours, c.1930, printed by Lucien Serre, Paris, condition B; backed on linen39 x 24Ω in. (99 x 62 cm.)
£5,000-7,000 $7,800-11,000 €6,400-8,800
169
49
170 171
*170
ROGER BRODERS (1883-1953)
LES SPORTS D’HIVER A ST.PIERRE DE CHARTREUSE
lithograph in colours, 1930, printed by de Vaugirard, Paris, condition A; backed on linen39Ω x 25 in. (101 x 64 cm.)
£10,000-15,000 $16,000-23,000 €13,000-19,000
171
ROGER BRODERS (1883-1953)
GOLDEN MOUNTAIN, PULLMAN EXPRESS
lithograph in colours, c.1930, printed by Lucien Serre, Paris, condition B+; backed on linen39 x 24Ω in. (100 x 62 cm.)
£15,000-20,000 $24,000-31,000 €19,000-25,000
50
*175
ROGER BRODERS (1883-1953)
MONT-REVARD
lithograph in colours, c.1927, printed by Lucien Serre & Cie., Paris, condition A-; backed on linen42 x 30 in. (107 x 76 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
175
*174
ROGER BRODERS (1883-1953)
VILLARD DE LANS
lithograph in colours, c.1936, printed by Générale, Grenoble, condition B+; backed on linen39 x 24 in. (99 x 62 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
174
*173
ROGER BRODERS (1883-1953)
LE HOHWALD
lithograph in colours, c.1930, printed by Lucien Serre & Cie., Paris, condition B/B+; backed on linen39Ω x 24Ω in. (100 x 63 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
173
*172
ROGER BRODERS (1883-1953)
LE MONT REVARD
lithograph in colours, 1927, printed by Maurice Dupuy, Paris, condition A-; not backed42Ω x 31 in. (108 x 79 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
172
51
178
ROGER BRODERS (1883-1953)
LA CÔTE D’AZUR
lithograph in colours, c.1930, printed by Lucien Serre & Cie., Paris, condition A-; backed on linen, framed39Ω x 25 in. (100 x 64 cm.)
£2,500-3,500 $3,900-5,400 €3,200-4,400 178
*177
ROGER BRODERS (1883-1953)
CHAMONIX MT. BLANC
lithograph in colours, 1930, printed by Lucien Serre & Cie., Paris, condition A; backed on linen39Ω x 25 in. (101 x 63 cm.)
£4,000-6,000 $6,300-9,300 €5,100-7,600
177
*176
ROGER BRODERS (1883-1953)
COL DU GRAND ST. BERNARD
lithograph in colours, 1927, printed by Lucien Serre & Cie., Paris, condition A; backed on linen42Ω x 31 in. (107 x 79 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
176
52
179
*179
ROGER BRODERS (1883-1953)
FUNICULAIRE CHAMONIX-PLANPRAZ
lithograph in colours, c.1931, printed by Lucien Serre & Cie., Paris, condition A; not backed39Ω x 24Ω in. (100 x 63 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
180
*180
JEAN JULIEN
ROUTE D’HIVER DES ALPES
lithograph in colours, printed by Lucien Serre & Cie., Paris, condition B+; backed on linen42 x 30 in. (107 x 76 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500181
181
TAIRRAZ (PHOTO)
CHAMONIX-MONT BLANC
offset lithograph, condition A-; backed on linen39 x 24Ω in. (99 x 62 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
182
182
FRANCISCO TAMAGNO (1851-)
CHAMONIX MONT-BLANC
lithograph in colours, c.1900, printed by Émile Pécaud & Cie., Paris, condition B+/A-; backed on linen42 x 31 in. (107 x 79 cm.)
£7,000-9,000 $11,000-14,000 €8,900-11,000
53
183
184
184
MAX PONTY (1904-1972)
CHAMONIX MONT-BLANC
lithograph in colours, 1935, condition A-; backed on linen, framed39Ω x 24Ω in. (100 x 63 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
185
183
HENRY REB (1883-1959)
CHAMONIX MONT-BLANC
lithograph in colours, 1933, printed by Lucien Serre & Cie., Paris, condition B/B+; backed on linen39Ω x 24Ω in. (100 x 63 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
185
HUGO FREDERIC D’ALESI (1849-1906)
LE MONT BLANC
lithograph in colours, 1898, printed by A. Bellier & Cie., Paris, condition A; backed on linen41Ω x 29Ω in. (106 x 75 cm.)
£1,200-1,800 $1,900-2,800 €1,600-2,300
186
186
Y. LATY
MONT BLANC
lithograph in colours, c.1960, printed by B. Arnaud, Paris, condition A; backed on linen38 x 24Ω in. (97 x 62 cm.)
£700-900 $1,100-1,400 €890-1,100
54
192
ROLAND HUGON (1911-)
8 JOURS DE NEIGE
lithograph in colours, condition A-; backed on linen39Ω x 24Ω in. (100 x 63 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
*191
GEORGES S. DORIVAL (1879-1968)
VERS LE MONT-BLANC
lithograph in colours, 1928, printed by Lucien Serre & Cie., Paris, condition A-; backed on linen41 x 30 in. (104 x 77 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
*190
GEORGES S. DORIVAL (1879-1968)
VERS LE MONT-BLANC
lithograph in colours, 1928, printed by Lucien Serre & Cie., Paris, condition A-; backed on linen41 x 29Ω in. (104 x 75 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
189
HUGUETTE CROMIÈRES
BOBSLEIGH, ALPE D’HUEZ
lithograph in colours, 1951, printed by Watelet-Arbelot, Paris, condition A; backed on linen39 x 24Ω in. (99 x 63 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
188
P. FERVE-BRIQUET
AURON
lithograph in colours, 1950, printed by Monégasque, Monte-Carlo, condition A-; backed on linen39 x 24 in. (99 x 61 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
*187
GEORGES S. DORIVAL (1879-1968)
VERS LE MONT-BLANC
lithograph in colours, 1928, printed by Lucien Serre & Cie., Paris, condition A-; backed on linen41 x 29 in. (104 x 75 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
187 190 191
188
189
55
196
JÉAN LÉGER
WINTER SPORTS IN FRANCE
lithograph in colours, printed by E. Desfossés, Paris, condition A; backed on linen39 x 25 in. (99 x 64 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
*195
BERNARD VILLEMOT (1911-1989)
SPORTS D’HIVER, FRANCE
lithograph in colours, 1954, printed by S.A.Courbet, Paris, condition B+; backed on linen38Ω x 24 in. (98 x 61 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
194
VECOUX
WINTER SPORTS IN FRANCE
lithograph in colours, 1947, printed by Paul-Martial, Paris, condition A-; backed on linen39 x 24Ω in. (99 x 62 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
193
ABEL
FAITES DU SKI EN FRANCE
lithograph in colours, 1952, condition A; backed on linen39Ω x 24 in. (100 x 61 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
192 193
194
195
196
56
197
198
199
200
197
ANONYMOUS
VALLOIRE
lithograph in colours, printed by Réunies, Lyon, condition A-; backed on linen39 x 24 in. (99 x 61 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
198
SERRALIER (PHOTO)
SPORTS D’HIVER EN FRANCE, MERIBEL
offset lithograph in colours, condition A; backed on linen23Ω x 15Ω in. (60 x 39 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
199
H. CHAUFFARD
LE MARKSTEIN
lithograph in colours, c.1930, printed by Lucien Serre & Cie., Paris, condition A-; backed on linen, framed39 x 24 in. (99 x 61 cm.)
£1,200-1,800 $1,900-2,800 €1,600-2,300
200
THEO DORO (1896-1973)
SPORTS D’HIVER DANS LES VOSGES
lithograph in colours, 1931, printed by C. Courtois, Paris, condition B+; backed on linen38 x 25 in. (97 x 64 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
57
201
202
203
201
PIERRE MICHEL
BARCELONNETTE
lithograph in colours, 1928, printed by Azémard Cousins, Nimes, condition A-; backed on linen42Ω x 31 in. (108 x 79 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
*202
PAUL ORDNER (1900-1969)
COMBLOUX
lithograph in colours, 1935, printed by Bahy, Mulhouse, condition A-; backed on paper39Ω x 24 in. (101 x 62 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
*203
LEONETTO CAPPIELLO (1875-1942)
SUPERBAGNÈRES-LUCHON
lithograph in colours, 1929, printed by Devambez, Paris, condition A-; backed on linen39Ω x 24 in. (100 x 61 cm.)
£5,000-7,000 $7,800-11,000 €6,400-8,800
58
204 207
205 208
206 209 212
211
210
59
209
RENÉ MICHAUD
MÉGÈVE
lithograph in colours, 1933, condition A; backed on linen38Ω x 25 in. (98 x 64 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
213
213
PIERRE FIX-MASSEAU (1905-1994)
BON VOYAGE, BONNE NEIGE
lithograph in colours, 1938, printed by Edita, Paris, condition B/B+; backed on linen39 x 48Ω in. (99 x 123 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
*212
AFTER F.L. FRAUK
LA NUIT DU SKI
lithograph in colours, 1931, printed by Sple. du Salon du Ski, condition B; backed on linen46 x 29Ω in. (117 x 75 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
211
HULON
SKI YACHTING NICE
lithograph in colours, 1954, condition A-; backed on linen25 x 18Ω in. (64 x 47 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
210
RAYMOND SAVIGNAC (1907-2002)
VAL D’ISÈRE
lithograph in colours, 1948, printed by Bahy, Mulhouse, condition B+; backed on linen39 x 24Ω in. (100 x 62 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
*208
LUCIEN BLUMER (1871-1947)
VALLÉE DE MUNSTER
lithograph in colours, printed by Alsacienne, Strasbourg, condition B+; backed on linen39Ω x 24Ω in. (100 x 62 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
207
M. CARABIN (PHOTO)
FRANCE, VAL D’ISERE
offset lithograph in colours, 1954, printed by Draeger, Paris, condition A; backed on linen39 x 25 in. (99 x 64 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
206
F.R. GANEAU
L’ETE A MEGEVE
lithograph in colours, 1955, printed by Chantenay, Paris, condition B+; backed on linen38 x 24Ω in. (97 x 63 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
*205
ROGER SOUBIE (1898-1984)
COUPE DE FRANCE, LUCHON-SUPERBAGNÈRES
lithograph in colours, 1923, printed by Cornille & Serre, Paris, condition A-; backed on linen40 x 25 in. (102 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
*204
L. DE NEURAC
LUCHON-SUPERBAGNÈRES
lithograph in colours, 1922, printed by Léopold Verger, Paris, condition B+; backed on linen39Ω x 25Ω in. (100 x 65 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
60
214
RENÉ GONTRAN RANSON (1891-1977)
OH! LE JOLI BATON DE SKI
offset lithograph in colours, condition A; not backed18 x 12 in. (48 x 31 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
216
215
217
218
215
YVES THOS (B.1935)
AU SERVICE SECRET DE SA MAJESTE
offset lithograph in colours, 1969, Eon/United Artists, condition A-; on two sheets, not backed123 x 47 in. (312 x 120 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
216
PIERRE-LAURENT BRENOT (1913-1998)
MARIE DES NEIGES
offset lithograph in colours, 1952, condition A-; backed on linen27 x 12 in. (69 x 31 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
217
CARLO PELLEGRINI (1866-1937)
WINTER BEGINS
chromolithograph, 1912, published by Vouga & Cie., Genève (Série 211, No. 3); not backed, framedtogether with one other framed lithograph by Pellegrini13 x 24 in. (33 x 61 cm.) (2)
£800-1,200 $1,300-1,900 €1,100-1,500
219214
61
218
PIERRE-LAURENT BRENOT (1913-1998)
DOWNHILL FOLLIE
offset lithograph in colours, 1950, condition A-; backed on linen27 x 12 in. (69 x 31 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
219
PIERRE-LAURENT BRENOT (1913-1998)
A GLANCE BACK
offset lithograph in colours, 1950, condition A-; backed on linen27 x 12 in. (69 x 31 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
220
*220
CARL KUNST (1884-1912)
BILGERI-SKI-AUSRÜSTUNG
lithograph in colours, c.1910, printed by Reichold & Lang, Munchen, condition A; backed on linen20 x 30 in. (51 x 77 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
221
222
222
V. RUBASTA
JASNA NIZKE TATRY
lithograph in colours, 1951, condition A; not backed, framed33 x 23 in. (84 x 59 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
223
*221
LUDWIG HOHLWEIN (1874-1949)
WILDBAD KREUTH
lithograph in colours, 1912, printed by G. Schuh & Cie., München, condition B/B+; not backed29 x 41 in. (75 x 105 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
223
EDWIN HERMANN R. HENEL (1883-1953)
DEUTSCHE SKI-MEISTERSCHAFT
lithograph in colours, 1927, printed by Kunst Im Druck, München, condition B+/A-; backed on linen35 x 24 in. (89 x 61 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
62
227
226
225
227
SCHENK
L’HIVER EN NORVÈGE
lithograph in colours, 1938, printed by Norsk Lithografsk, Oslo, condition A; not backed39 x 24 in. (99 x 61 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
226
ANONYMOUS
TIL NORGE
lithograph in colours, printed by Broholm Poulsen, København, condition A; not backed33 x 24 in. (85 x 61 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
225
ANDERS BECKMAN (1907-1967)
LA SUÈDE, AEROTRANSPORT
offset lithograph, printed by A.-B. Offsettryck, Stockholm, condition B+; backed on linen39 x 25 in. (100 x 63 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
224
DAGTIN TH. HANSSEN
NORVEGE, PAYS DU SKI
lithograph in colours, 1935, printed by Norsk Lithografsk Offcin, Oslo, condition A; not backed39 x 24Ω in. (99 x 63 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
224
63
230
229228
230
EDITH REIDEL (1909-1992)
STEIERMARK
lithograph in colours, c.1930, printed by Alfred Wall, Graz, condition B+/A-; backed on linen37 x 25 in. ( 94 x 64 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
229
B.P.
AUSTRIA
lithograph in colours, 1938, condition B+; backed on linen37Ω x 25 in. (95 x 64 cm.)
£4,000-6,000 $6,300-9,300 €5,100-7,600
228
CLAUDE LEMEUNIER
NORWAY
lithograph in colours, 1957, printed by Offset-service, condition B+; not backed38Ω x 24Ω in. (98 x 63 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
64
239
238
231
236233
235
234
232
237
65
234
WAGNER
EN HIVER A VIENNE
lithograph in colours, printed by Gerin, Wien, condition B+/A-: not backed37 x 25 in. (94 x 64 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
240
ERICH VON WUNSCHHEIM
TO AUSTRIA
lithograph in colours, 1937, printed by Richard Bruchsteiner, Wienne, condition A-; backed on linen37 x 24Ω in. (94 x 62 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
240
239
ATELIER PROF. KIRNIG
AUTRICHE
lithograph in colours, 1937, printed by Christoph Reisser’s Söhne, Vienne, condition A-; not backed37Ω x 25 in. (95 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
238
ANONYMOUS
AUTRICHE
lithograph in colours, printed by J. Weiner, Vienne, condition A-; backed on linen39Ω x 25 in. (100 x 64 cm.)
£1,500-2,000 $2,400-3,100 €1,900-2,500
*237
ERICH VON WUNSCHHEIM
L’HIVER EN AUTRICHE
lithograph in colours, c.1930, printed by A. Luigard., Wien, condition A; backed on japan37Ω x 25 in. (96 x 64 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
236
ANONYMOUS
AUSTRIA!
offset lithograph in colours, printed by Elbemuhl, Ltd., Vienna condition B/B+; backed on linen38 x 23 in. (97 x 58 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
235
GUSTAV JAHN (1879-1919)
HOHE TAUERN, GROSSGLOCKNER
lithograph in colours, condition A-; backed on japan39 x 27Ω in. (100 x 71 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
*233
OTTO BARTH (1876-1916)
WINTERSPORT IM STEIR SALZKAMMERGVT
lithograph in colours, c.1915, printed by Cristoph Reisser’s Söhne, Wien, condition B+/A-; backed on linen38Ω x 26 in. (98 x 66 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
232
EBNER
ÖSTERREICH
offset lithograph in colours, c.1950, printed by Brüder, Vienna, condition B+/A-; backed on linen37Ω x 25 in. (96 x 64 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
*231
HANS WAGULA (1894-1964)
L’ AUTRICHE
lithograph in colours, printed by Kefa, Innsbruck, condition B+; backed on linen37Ω x 25 in. (96 x 64 cm.)
£800-1,200 $1,300-1,900 €1,100-1,500
66
241
241
MAGA (GIUSEPPE MAGAGNOLI, 1878-1933)
AOSTA
lithograph in colours, 1931, printed by E.N.I.T., condition A-; not backed39Ω x 24Ω in. (100 x 62 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
242
*242
A.M. CASSANDRE (1901-1968)
ITALIA
lithograph in colours, 1935, printed by Graf, Coen & C., Milano, condition B+; backed on linen39Ω x 24 in. (101 x 61 cm.)
£1,000-1,500 $1,600-2,300 €1,300-1,900
243
243
GIUSEPPE RICCOBALDI (1887-1976)
TERMINILLO
lithograph in colours, 1940, printed by Barabino & Graeve, Genova, condition A-; backed on linen39 x 27Ω in. (99 x 70 cm.)
£3,000-5,000 $4,700-7,800 €3,800-6,300
245
MARIO PUPPO (1905-1977)
CORTINA
lithograph in colours, 1938, printed by Pizzi & Pizio, Milano, condition B+/A-; backed on paper39 x 27Ω in. (99 x 70 cm.)
£6,000-8,000 $9,400-12,000 €7,600-10,000
*247
FRANZ LENHART (1898-1992)
MADONNA DI CAMPIGLIO
lithograph in colours, 1950, printed by Barabino & Graeve, Genova, condition B+; backed on linen39Ω x 27 in. (100 x 69 cm.)
£2,000-3,000 $3,200-4,700 €2,600-3,800
*246
FRANZ LENHART (1898-1992)
CORTINA
lithograph in colours, c.1930, condition B+/A-; backed on japan39 x 27 in. (99 x 69 cm.)
£8,000-12,000 $13,000-19,000 €11,000-15,000
244
FRANZ LENHART (1898-1992)
WINTER SPORT IN ITALIEN
lithograph in colours, condition A-; not backed39 x 24 in. (99 x 61 cm.)
£4,000-6,000 $6,300-9,300 €5,100-7,600
67
244
245
246
247
68
BIBLIOGRAPHY
THE ART OF SKIINGde Gex, Jenny, 2006, Palazzo Editions, ISBN 0954510380BAUMBERGEROtto Baumberger 1889-1961, 1988, Zurich, ISBN 3 907065 27 1BRODERSMontry de, Anne & Lepeuve, Francoise, Les Affiches de Roger Broders, 1991, Syros ISBN 2-86738-595-4CARDINAUXEmil Cardinaux 1877-1936, 1985, Museum für Geltaltung Zurich KunstegewerbemuseumCHAMONIXBibliothèque Municipale Chamonix, Cent ans d’affiches à Chamonix: exposition, Editions Clouet, 1991, ParisC.I.O.
Comite International Olympique, Olympism Through Posters 1896-1984, 1983, International Olympic CommitteeCONQUERING THE SKIESGiroud, Jean Charles, Conquering the Skies in Swiss Poster Art, Patrick Cramer, 2008, Geneva D.F.P. IDas Frühe Plakat in Europa und den USA Volume I, British and American Posters, Mann Verlag, 1977, BerlinD.F.P. IIDas Frühe Plakat in Europa und den USA Volume II, French and Belgian Posters, Mann Verlag, 1977, BerlinD.F.P. IIIDas Frühe Plakat in Europa und den USA Volume III, German Posters, Mann Verlag, 1980, Berlin
ELZINGREGiroud, Jean Charles and Cramer, Patrick (Editor) Ed. Elzingre, 1998, GenevaGIROUDGiroud, Jean-Charles, A Century of Swiss Winter Sports Posters, 2006, Patrick CramerTRAVEL ITALIAOttaviani, Lorenzo, The Golden Age of Italian Travel Posters (from the Collection Alessandro Bellenda, Alassio, Italy), 2007, Abrams, New York, ISBN 0810994410 LA MONTAGNE S’AFFICHEHillion, Daniel, La Montagne s’Affiche, 1991, Editions Ouest France ISBN 2-7373-0862-3LE TRAIN A L’AFFICHECanard, F & Zagrodzki, C, Le Train a l’Affiche, 1989, La Vie du Rail, Paris ISBN 2-902802-30-5LENHARTFesti, Roberto & Gullo, Lillo, Franz J.Lenhart, ISBN 88-85341-04-7LEUPINLüönd, Karl & Leupin, Charles, Herbert Leupin, 1995, Reinhardt Verlag, Basel ISBN 2-902808-30-5MANGOLDBurkhard Mangold 1873-1950, 1984, Museum für Geltaltung Zurich KunstgewerbemuseumMARGADANTMargadant, The Swiss Poster 1900-1983, 1983, Birkhäuser Verlag, Basel ISBN 3-7643-1354-4OLYMPIC IMAGEYew W., The Olympic Image, 1996, Quon Editions, Canada, ISBN 0-9694432-7-7
OLYMPIC POSTERSTimmers, Margaret, A Century of Olympic Posters, 2008, V&A Publishing, London ISBN: 978-1-85177-538-5PARADIS À VENDRE Cosandier, Giroud, Schlup & Vonèche, Paradis à Vendre, Un Siècle d’Affiches Touristiques Suisses, 2005, Patrick Cramer, GenevaRAYNERRayner, Ranulf, The Story of Skiing, 1989, Saik Wah Press, SingaporeSAVIGNACLelieur, Anne-Claude, Savignac Affichiste, 2001, Bibliothèque Forney, Paris ISBN 978-2843310799SPORTS D’HIVERClerc, Jean-Daniel & Giroud, Jean-Charles, Affiches de Sports D’Hiver, 2014, Éditions Citadelles & Mazenod, Paris ISBN 978 2 85088 597 6TOURISM POSTERS OF SWITZERLANDWobmann, K., Tourism Posters of Switzerland 1880-1940, 1981, AT Verlag, Stuttgart ISBN 3-85502-063-9WOBMANN & TRIETWobmann, Karl & Triet, Max, Swiss Sports Posters, 1983, ABC Verlag, Zürich ISBN 3-85504-077-XWYDERWyder, Bernard, Affiches Valaisannes Walliser Plakate, 2004, Edition Verlag, ISBN 3-907624-49-1
INDEX OF RESORTS
SWITZERLANDArosa, 39, 42Andermatt, 116, 118Berner Oberland, 1-6Braunwald, 23Davos, 54-64Engelberg, 112-113Glarus, 120Gstaad, 16-22Gurnigel, 13Heiden, 119Interlaken, 15Jungfrau, 32-38Kandersteg, 8, 9Klausen, 125Klosters, 46-52Lausanne, 123 Lenk, 7Lenzerheide, 70Martigny-Orsieres, 98Muottas-Muragl, 72Murren, 12, 14
Pontresina, 65-69, 73Saas-Fee, 97Silvaplana, 94St Croix Les Rasses, 115, 117St Moritz, 77-93, 95-96Verbier, 102Wengen, 10-11Zermatt, 102-111Zugerberg, 121
REST OF EUROPEAosta, 241Alpe d’Huez, 189Auron, 188Barcelonette, 201Chamonix & Mont Blanc, 177, 179, 181-186, 190-191Combloux, 202Cortina, 245-246Le Hohwald, 173Le Markstein, 199Le Mont Revard, 172, 175
Les Vosges, 169, 200Madonna di Campidoglio, 247Megeve, 206Meribel, 198, 209St Bernard, 176St Gervais Les Bains, 168St Pierre de Chartreuse, 170Superbagneres-Luchon, 203-205Terminillo, 243Val d’Isere, 207, 210Valle de Munster, 208Valloire, 197Villard de Lans, 174
USA & CANADAAlberta, 153Aspen, 159Dartmouth, 164-166Lake Placid, 158Quebec, 154Sun Valley, 152, 155
69
INDEX
AAbel, 193Amstutz & Herdeg, 22Amstutz, W., 117
BB.P., 229Barberis, F., 3, 51Barth, O., 233Beckman, A., 225Bickel, K., 89Bingler, M., 103Blumer, L., 208Borer, A., 55Bosshart, 70Bowers, J., 166Brenot, P., 216, 218-219Broders, R., 167-175, 177-179Brun, D., 30, 39, 46Bruna, D., 161-162Burger, W.F., 72-73, 84, 119
CCappiello, L., 203Carabin, M., 207Cardinaux, E., 32-33, 35-36, 38, 42, 53, 58, 71, 91, 110, 122Carigiet, A., 28, 47, 80Cassandre, A.M., 242Charmoz, J., 48Chauffard. H., 199Cromiéres, H., 189
DD’Alesi, H.F., 185de Coulon, E., 125Diggelmann, A.W., 15, 16, 19, 50, 95-96Dorival, G.S., 187, 190-191Doro, T., 200
EEbner, 232Eggimann, H., 59Elzingre, E., 6Erdt, H.R., 93
FFerve-Briquet, P., 188Fix-Masseau, P., 213Frauk, F.L., 212
GGaberell-Thalwil, J., 111Ganeau, F.R., 206Gusset, P., 2
HHandschin, J., 23, 94Hanssen, D., 224Haper, J., 163Hellinger, F., 76Henel, E.H.R., 223Herdeg, W., 81-82Hermes, E., 1, 45Hugon, R., 192Hulon, 211
JJahn, G., 235Jaques, F., 115Jegerlehner, H., 27Joanethis, T.N., 164Johnson, R.A., 153Julien, J., 180
KKammüller, P., 40Keck & Furter, 61Keck, L., 7, 102Kirnig, 239Koch, W., 74-75Kuhn, C., 21, 41, 87Kunst, C., 220Kurtz, H., 63
LLandry, P., 123Laty, Y., 186Laubi, H., 43, 52, 79, 83Lecomte, A., 12Léger, J., 196Lemeunier, C., 228Lenhart, F., 244, 246-247Leupin, H., 25, 56, 60, 62Libis, 100Lichtenstein, R., 159
MMagagnoli, G., 241Mangold, B., 57Matter, H., 26, 112, 114Maurer, S., 156-157Mernsinger, W., 97Michaud, R., 209Michel, P., 201Monnerat, P., 54Moos, C., 86, 88, 109Muret, A., 98
NNeurac, L., 204
OOrdner, P., 202Otth, J.P., 99
PPeikert, M., 4-5, 10, 14, 18, 31, 65-67, 101, 121Pellegrini, C., 217Perren-Barberini, A., 104, 106Pletscher, 24Ponty, M., 184Puppo, M., 245
RRanson, R.G., 214Reb, H., 183Reckziegel, A., 105Reidel, E., 230Riccobaldi, G, 243Rubasta, V., 222
SS.D., 155Savignac, R., 210Schär, 68Schenk, 227Schol, 108Seiler, 17Serralier, 198Smith, H., 85Soubie, R., 205Steiner, A., 29Stiefel, E., 90Studer, W., 11
TTairraz, 181Tamagno, F., 182Thommen, E., 69Thoni, H., 124Thos, Y., 215Trapp, W., 8-9, 64, 92
VVecoux, 194Villemot, B., 195von Kager, E., 13
WWagner, 234Wagula, H., 231Wehrli, 107Weiskönig, W., 77Wunschheim, E., 237, 240
70
IMPORTANT NOTICES AND EXPLANATION OF
CATALOGUING PRACTICE
IMPORTANT NOTICES
CHRISTIE’S INTEREST IN PROPERTY CONSIGNED FOR AUCTIONFrom time to time, Christie’s may offer a lot which it owns in whole or in part. Such property is identified in the catalogue with the symbol ∆ next to its lot number. On occasion, Christie’s has a direct financial interest in lots consigned for sale, which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. Where Christie’s holds such financial interest on its own we identify such lots with the symbol º next to the lot number.Where Christie’s has financed all or part of such interest through a third party the lots are identified in the catalogue with the symbol ºu. When a third party agrees to finance all or part of Christie’s interest in a lot, it takes on all or part of the risk of the lot not being sold, and will be remunerated in exchange for accepting this risk based on a fixed fee if the third party is the successful bidder or on the final hammer price in the event that the third party is not the successful bidder. The third party may also bid for the lot. Where it does so, and is the successful bidder, the remuneration may be netted against the final purchase price. If the lot is not sold, the third party may incur a loss. Please see http://www.christies.com/financial-interest/ for a more detailed explanation of minimum price guarantees and third party financing arrangements.Where Christie’s has an ownership or financial interest in every lot in the catalogue, Christie’s will not designate each lot with a symbol, but will state its interest in the front of the catalogue.
ALL DIMENSIONS ARE APPROXIMATE
CONDITION Christie’s catalogues include references to condition only in descriptions of multiple works (such as prints, books and wine). For all other property, only alterations or replacement components are listed. Please contact the Specialist Department for a condition report on a particular lot. The nature of the lots sold in our auctions is such that they will rarely be in perfect condition, and are likely, due to their nature and age, to show signs of wear and tear, damage, other imperfections, restoration or repair. Any reference to condition in a catalogue entry will not amount to a full description of condition. Condition reports are usually available on request, and will supplement the catalogue description. In describing lots, our staff assess the condition in a manner appropriate to the estimated value of the item and the nature of the auction in which it is included. Any statement as to the physical nature or condition of a lot, in a catalogue, condition report or otherwise, is given honestly and with appropriate care. However, Christie’s staff are not professional restorers or trained conservators and accordingly any such statement will not be exhaustive. We therefore recommend that you always view property personally, and, particularly in the case of any items of significant value, that you instruct your own restorer or other professional adviser to report to you in advance of bidding.
30/09/14
PROPERTY INCORPORATING MATERIALS
FROM ENDANGERED AND OTHER
PROTECTED SPECIESProperty made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife are marked with the symbol ~in the catalogue. Such material includes, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whale bone and certain species of coral, together with Brazilian rosewood. Prospective purchasers are advised that several countries prohibit altogether the importation of property containing such materials, and that other countries require a permit (e.g., a CITES permit) from the relevant regulatory agencies in the countries of exportation as well as importation. Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered and other protected wildlife material. The inability of a client to export or import property containing endangered and other protected wildlife material is not a basis for cancellation or rescission of the sale. Please note also that lots containing potentially regulated wildlife material are marked as a convenience to our clients, but Christie’s does not accept liability for errors or for failing to mark lots containing protected or regulated species.
RECENT CHANGES TO IMPORTS OF
ELEPHANT IVORY AND OTHER WILDLIFE
MATERIAL INTO THE USA
The USA has recently changed its policy on the import of property made of or containing elephant ivory. Only Asian Elephant ivory may be imported into the USA, and imports must be accompanied by DNA analysis and confirmation the object is more than 100 years old. We have not obtained a DNA analysis on any lot prior to sale and cannot indicate whether the elephant ivory in a particular lot is African or Asian elephant. Buyers purchase these lots at their own risk and will be responsible for the costs of obtaining any DNA analysis or other report required in connection with their proposed import of such property into the USA.The USA is also currently requiring all imports of property made of or containing wildlife material to be accompanied by a scientific confirmation of species and in some cases an additional confirmation of age. We have not obtained such confirmations prior to sale (unless specifically indicated) and buyers will be responsible for the costs of any such additional confirmations or opinions required for their proposed import into the USA.A buyer’s inability to export or import any lot containing elephant ivory or other wildlife material is not a basis for cancelling the purchase.
POST 1950 FURNITUREAll items of post-1950 furniture included in this sale are items either not originally supplied for use in a private home or now offered solely as works of art. These items may not comply with the provisions of the Furniture and Furnishings (Fire) (Safety) Regulations 1988 (as amended in 1989 and 1993, the “Regulations”). Accordingly, these items should not be used as furniture in your home in their current condition. If you do intend to use such items for this purpose, you must first ensure that they are reupholstered, restuffed and/or recovered (as appropriate) in order that they comply with the provisions of the Regulations.
71
BUYING AT CHRISTIE’S
CONDITIONS OF SALEChristie’s Conditions of Sale and Limited Warranty are set out later in this catalogue. Bidders are strongly encouraged to read these as they set out the terms on which property is bought at auction.
ESTIMATES Estimates are based upon prices recently paid at auction for comparable property, condition, rarity, quality and provenance. Estimates are subject to revision. Buyers should not rely upon estimates as a representation or prediction of actual selling prices. Estimates do not include the buyer’s premium or VAT. Where “Estimate on Request” appears, please contact the Specialist Department for further information.
RESERVESThe reserve is the confidential minimum price the consignor will accept and will not exceed the low pre-sale estimate. Lots that are not subject to a reserve are identified by the symbol • next to the lot number.
BUYER’S PREMIUMChristie’s charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% of the final bid price of each lot up to and including £50,000, 20% of the excess of the hammer price above £50,000 and up to and including £1,000,000 and 12% of the excess of the hammer price above £1,000,000. Exceptions: Wine and Cigars: 17.5% of the final bid price of each lot. VAT is payable on the premium at the applicable rate.
PRE-AUCTION VIEWINGPre-auction viewings are open to the public free of charge. Christie’s specialists are available to give advice and condition reports at viewings or by appointment.
BIDDER REGISTRATIONProspective buyers who have not previously bid or consigned with Christie’s should bring:• Individuals: government-issued photo identification (such as a photo driving licence, national identity card, or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or bank statement.• Corporate clients: a certificate of incorporation.• For other business structures such as trusts, offshore companies or partnerships, please contact Christie’s Credit Department at + 44 (0)20 7839 2825 for advice on the information you should supply.• A financial reference in the form of a recent bank statement or a reference from your bank in line with your expected purchase level. Christie’s can supply a form of wording for the bank reference if necessary.• Persons registering to bid on behalf of someone who has not previously bid or consigned with Christie’s should bring identification documents not only for themselves but also for the party on whose behalf they are bidding, together with a signed letter of authorisation from that party. To allow sufficient time to process the information, new clients are encouraged to register at least 48 hours in advance of a sale.Prospective buyers should register for a numbered bidding paddle at least 30 minutes before the auction. Clients who have not made a purchase from any Christie’s office within the last one year and those wishing to spend more than on previous occasions, will be asked to supply a new bank reference. For assistance with references, please contact Christie’s Credit Department at +44 (0)20 7389 2862 (London, King Street) or at +44 (0)20 7752 3137 (London, South Kensington). We may at our option ask you for a financial reference or a deposit as a condition of allowing you to bid.
REGISTERING TO BID ON SOMEONE ELSE’S BEHALFPersons bidding on behalf of an existing client should bring a signed letter from the client authorising the bidder to act on the client’s behalf. Please note that Christie’s does not accept payments from third parties. Christie’s can only accept payment from the client, and not from the person bidding on their behalf.
BIDDINGThe auctioneer accepts bids from those present in the sale-room, from telephone bidders, or by absentee written bids left with Christie’s in advance of the auction. The auctioneer may also execute bids on behalf of the seller up to the amount of the reserve. The auctioneer will not specifically identify bids placed on behalf of the seller. Under no circumstances will the auctioneer place any bid on behalf of the seller at or above the reserve. Bid steps are shown on the Absentee Bid Form at the back of this catalogue.
ABSENTEE BIDSAbsentee bids are written instructions from prospective buyers directing Christie’s to bid on their behalf up to a maximum amount specified for each lot. Christie’s staff will attempt to execute an absentee bid at the lowest possible price, taking into account the reserve price. Absentee bids submitted on “no reserve” lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate.The auctioneer may execute absentee bids directly from the rostrum, clearly identifying these as “absentee bids”, “book bids”, “order bids” or “commission bids”. Absentee Bids Forms are available in this catalogue, at any Christie’s location, or online at christies.com.
TELEPHONE BIDSTelephone bids cannot be accepted for lots estimated below £2,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at +44 (0)20 7389 2658 (London, King Street) or +44 (0)20 7752 3225 (London, South Kensington). Arrangements to bid in languages other than English must be made well in advance of the sale date. Telephone bids may be recorded. By bidding on the telephone, prospective purchasers consent to the recording of their conversation.
SUCCESSFUL BIDSWhile Invoices are sent out by mail after the auction we do not accept responsibility for notifying you of the result of your bid. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges. Successful bidders will pay the price of the final bid plus premium plus any applicable VAT.
PAYMENTBuyers are expected to make payment for purchases immediately after the auction. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Please note that Christie’s will not accept payments for purchased Lots from any party other than the registered buyer. Lots purchased in London may be paid for in the following ways: wire transfer, credit card: Visa and MasterCard & American Express only (up to £25,000), and cash (up to £5,000 (subject to conditions)), bankers draft (subject to conditions) or cheque (must be drawn in GBP on a UK bank; clearance will take 5 to 10 business days). Wire Transfers: Lloyds TSB Bank Plc City Office PO Box 217 72 Lombard Street, London EC3P 3BT A/C: 00172710 Sort Code: 30-00-02 for international transfers, SWIFT LOYDGB2LCTY. For banks asking for an IBAN: GB81 LOYD 3000 0200 1727 10. Credit Card: Visa and MasterCard & American Express only. A limit of £25,000 for credit card payments will apply. This limit is inclusive of the buyer’s premium and any applicable taxes. Credit card payments at London sale sites will only be accepted for London sales. Christie’s will not accept credit card payments for purchases made in any other sale site. The fax number to send completed CNP (Card Member not Present) authorisation forms to is +44 (0) 20 7389 2821. The number to call to make a CNP payment over the phone is +44 (0) 20 7752 3388. Alternatively, clients can mail the authorisation form to the address below. Cash is limited to £5,000 (subject to conditions). Bankers Draft should be made payable to Christie’s (subject to conditions). Cheques should be made payable to Christie’s (must be drawn in GBP on a UK bank, clearance will take 5 to 10 business days).In order to process your payment efficiently, please quote sale number, invoice number and client number with all transactions.All mailed payments should be sent to:Christie’s, Cashiers’ Department, 8 King Street, St James’s, London, SW1Y 6QTPlease direct all inquiries to King Street Tel: +44 (0) 20 7389 2996 Fax: +44 (0) 20 7389 2863
VAT†VAT payable at 20% on hammer price and buyer’s premium* These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie’s immediately after the auction.Ω
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 20%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. Where applicable Customs duty will be charged (per rate specified by HMRC guidance) on the Hammer price and VAT will be payable at 20% on duty. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie’s immediately after the auction.α �Buyers�from�within�the�EU:�
VAT payable at 20% on just the buyer’s premium (NOT the hammer price). Buyers�from�outside�the�EU:�VAT payable at 20% on hammer price and buyer’s premium. If a buyer, having registered under a non-EU address, decides that the item is not to be exported from the EU, then he should advise Christie’s to this effect immediately
q Zero rated No VAT charged.
(no symbol) Auctioneers’ Margin Scheme In all other circumstances no VAT will be charged on the hammer price, but VAT payable at 20% will be added to the buyer’s premium which is invoiced on a VAT inclusive basis.
Wine�Auctions‡ This wine is in bond. You can choose to take the wine
in bond or duty paid. See the additional conditions of sale relating to wine for further details.
VAT�RefundsRefunds cannot be made where lots have been purchased with an inside EU address. Christie’s can only refund Import VAT (Lots with * or Ωsymbol) if lots are exported within 30 days of collection. Valid export documents must be returned within the stipulated time frame. No refund will be paid out where the total amount is less than £100. UK & EU private buyers cannot reclaim VAT. Christie’s will charge £35 for each refund processed. For detailed information please see the leaflets available, or email [email protected] non-EU buyers have failed to export their lots outside of the EU within the required time, HM Revenue & Customs will not allow a VAT refund to be made. This is a requirement of UK legislation and Christie’s do not have discretion to make exceptions to the rule. UK and EU private buyers cannot reclaim any VAT charged.
ARTIST’S RESALE RIGHT (“DROIT DE SUITE”)If a lot is affected by this right it will be identified with the symbol λ next to the lot number. The buyer agrees to pay to Christie’s an amount equal to the resale royalty. Resale royalty applies where the Hammer Price is 1,000 Euro or more and the amount cannot be more than 12,500 Euro per lot. The amount is calculated as follows:
Royalty For the portion of the Hammer Price (in Euro) 4.00% up to 50,000 3.00% between 50,000.01 and 200,000 1.00% between 200,000.01 and 350,000 0.50% between 350,000.01 and 500,000 0.25% in excess of 500,000
Invoices will, as usual, be issued in Pounds Sterling. For the purposes of calculating the resale royalty the Pounds Sterling/Euro rate of exchange will be the European Central Bank reference rate on the day of the sale.
SHIPPINGIt is the buyer’s responsibility to pick up purchases or make all shipping arrangements. After payment has been made in full, Christie’s can arrange property packing and shipping at the buyer’s request and expense. Buyers should request an estimate for any large items or property of high value that require professional packing. A shipping form is enclosed with each invoice, alternatively buyers can visit www.christies.com/shipping to request a shipping estimate. For more information please contact the Shipping Department at + 44 (0)20 7389 2712 or via [email protected] for both London, King Street and London, South Kensington sales.
EXPORT OF GOODS FROM THE EUIf you are proposing to take purchased items outside the EU the following applies:Christie’s�Art�Transport:�If you use Christie’s Art Transport you will not be required to pay the VAT at the time of settlement.Christie’s�VAT�authorised�Shipper:If you use a Christie’s VAT authorised shipper you will not be required to pay the VAT at the time of settlement.Own�Shipper:VAT will be charged on the invoice, refundable by the VAT Department upon receipt of the appropriate official documents sent to us by your shipper.Hand-Carried:VAT will be charged on the invoice.This will be refunded by the VAT Department upon receipt of the appropriate official document.*, Ωor †Starred, Omega or Daggered lots – A C88 can be obtained from Christie’s Shipping Department .This document must be stamped by UK Customs on leaving the UK.(no symbol)Margin Scheme lots – Please obtain GB Tax Free form from the Cashiers. This document must be stamped by UK Customs on leaving the UK.Starred or Omega lots must be exported within 30 days of the date of collection. All other lots not subject to import VAT must be exported within three months of collection, and proof of export provided in the appropriate form.
EXPORT/IMPORT PERMITSBuyers should always check whether an export licence is required before exporting. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the rescission of any sale nor any delay in making full payment for the lot.Christie’s can advise buyers on the detailed provisions of the export licensing regulations and will submit any necessary export licence applications on request. However, Christie’s cannot ensure that a licence will be obtained. Local laws may prohibit the import of some property and/or may prohibit the resale of some property in the country of importation. For more information, please contact Christie’s Shipping Department at +44 (0)20 7389 2828 or the Museums, Libraries and Archives Council: Acquisitions, Export and Loans Unit at +44 (0)20 7273 8269/8267.
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STORAGE AND COLLECTION
Cadogan TaTe LTd’s Warehouse
241 Acton Lane,
Park Royal,
London NW10 7NP
Telephone: +44 (0)800 988 6100
Email: [email protected]
STORAGE & COLLECTION CHARGESSpecified lots, marked with a filled square ( ■ ) not cleared from Christie’s by 5.00 pm on the day of the sale and all sold and unsold lots not cleared from Christie’s by 5.00 pm on the fifth Friday following the sale will be removed to the warehouse of:Cadogan Tate Ltd241 Acton Lane, Park RoyalLondon NW10 7NPTelephone: +44 (0)800 988 6100Email: [email protected] will be available for collection on the first full business week after transfer to Cadogan Tate Ltd and every business weekday from 9.00 am to 5.00 pm.
Property, once paid, can be released to Christie’s Fine Art Storage Services (CFASS) in London, New York or Singapore FreePort at any time for environmentally controlled long term storage, per client request. CFASS is a separate subsidiary of Christie’s and clients enjoy complete confidentiality. Visit www.cfass.com, or contact [email protected]. Telephone: +44 (0)20 7622 0609 for details.
TRANSFER, STORAGE & RELATED
CHARGES (PER LOT)
CHARGES Furniture/ Pictures/ Large Objects Small Objects
Transfer/Admin £42.00 £21.00Storage per day £5.25 £2.65Extended The lower amount of 0.6% of Liability Charge: Hammer Price or 100% of the
above charges
All charges are subject to VAT. Very large or heavy items may be subject to a surcharge.
Please note that there will be no charge to purchasers who collect their lots within two weeks of this sale.
COLLECTION & PAYMENT OF ANY
CHARGES DUELots will be available for collection from Cadogan Tate Ltd241 Acton Lane, Park RoyalLondon NW10 7NPTelephone: +44 (0)800 988 6100Email: [email protected] every business day after the day of transfer, from 9.00 am until 5.00 pm. Lots may only be released by Cadogan Tate upona) production of the ‘Collection Order’ obtained from the cashier’s office at Christie’s, 85 Old Brompton Road, London SW7 or Christie’s, 8 King Street, London SW1 b) payment of any charges that may be due to Cadogan Tate LtdTo assist Cadogan Tate to provide a swift release please telephone on the business day prior to collection to ensure that Lots are available and to ascertain any charges due. If sending a carrier please ensure that they are provided with all necessary information, your written authority to collect, the Collection Order and the means to settle any charges.
COLLECTION FROM CADOGAN TATEPlease note that Cadogan Tate Ltd’s opening hours are Monday to Friday 9.00 am to 5.00 pm, and purchases transferred to their warehouse are not available for collection at weekends.
28/10/14
EXTENDED LIABILITY CHARGESAll services provided by Cadogan Tate Ltd (“Cadogan Tate”) will be subject to their standard Conditions of Business, copies of which are available at Christie’s South Kensington. Please note in particular that Cadogan Tate• does not accept any liability for damage or loss, due to its negligence or otherwise, exceeding the Hammer Price of a Lot plus associated Buyer’s Premium, or, at its sole option, the cost of repairing or replacing the damaged or missing Lot and• it reserves a lien over all goods in its possession for payment of storage and all other charges due to it and• it automatically arranges on behalf of the Lot’s owner and at the owner’s cost, insurance of the Lot for the sum of the Hammer price plus Buyer’s Premium. The Extended Liability Charge covers the Lot from the time of collection from the saleroom until release of the Lot to the owner or the owner’s agent. The Extended Liability Charge payable by the owner of the Lot is 0.6% of the sum of the Hammer Price and Buyer’s Premium or 100% of the transfer and storage charges, whichever is the smaller. This Extended Liability will not be arranged and no charge will be payable only on receipt by Cadogan Tate of advance written notice from the owner of the lot together with formal waiver of subrogation from the owners insurers.
Christie’s Fine Art Storage Services (CFASS) also offers storage solutions for fine art, antiques and collectibles in New York and Singapore FreePort. CFASS is a separate subsidiary of Christie’s and clients enjoy complete confidentiality. Visit www.cfass.com for charges and other details.
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CONDITIONS OF SALE
These Conditions of Sale and the Important Notices and Explanation of Cataloguing Practice set out the terms governing the legal relationship of Christie’s and the seller with the buyer. You should read them carefully before bidding.
1. CHRISTIE’S AS AGENTExcept as otherwise stated Christie’s acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.
2. CATALOGUE DESCRIPTIONS
AND CONDITIONLots are sold as described and otherwise in the condition they are in at the time of the sale, on the following basis.
(a) ConditionThe nature of the lots sold in our auctions is such that they will rarely be in perfect condition, and are likely, due to their nature and age, to show signs of wear and tear, damage, other imperfections, restoration or repair. Any reference to condition in a catalogue entry will not amount to a full description of condition. Condition reports are usually available on request, and will supplement the catalogue description. In describing lots, our staff assess the condition in a manner appropriate to the estimated value of the item and the nature of the auction in which it is included. Any statement as to the physical nature or condition of a lot, in a catalogue, condition report or otherwise, is given honestly and with appropriate care. However, Christie’s staff are not professional restorers or trained conservators and accordingly any such statement will not be exhaustive. We therefore recommend that you always view property personally, and, particularly in the case of any items of significant value, that you instruct your own restorer or other professional adviser to report to you in advance of bidding.
(b) Cataloguing PracticeOur cataloguing practice is explained in the Important Notices and Explanation of Cataloguing Practice, which appear after the catalogue entries.
(c) Attribution etcAny statements made by Christie’s about any lot, whether orally or in writing, concerning attribution to, for example, an artist, school, or country of origin, or history or provenance, or any date or period, are expressions of our opinion or belief. Our opinions and beliefs have been formed honestly and in accordance with the standard of care reasonably to be expected of an auction house of Christie’s standing, due regard having been had to the estimated value of the item and the nature of the auction in which it is included. It must be clearly understood, however, that, due to the nature of the auction process, we are unable to carry out exhaustive research of the kind undertaken by professional historians and scholars, and also that, as research develops and scholarship and expertise evolve, opinions on these matters may change. We therefore recommend that, particularly in the case of any item of significant value, you seek advice on such matters from your own professional advisers.
(d) EstimatesEstimates of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose.
(e) Fitness for PurposeLots sold are enormously varied in terms of age, category and condition, and may be purchased for a variety of purposes. Unless otherwise specifically agreed, no promise is made that a lot is fit for any particular purpose.
3. AT THE SALE(a) Refusal of admissionChristie’s has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.
(b) Registration before biddingProspective buyers who wish to bid in the saleroom can register online in advance of the sale, or can come to the saleroom on the day of the sale approximately 30 minutes before the start of the sale to register in person. Prospective buyers must complete and sign a registration form with his or her name and permanent address, and provide identification before bidding. We may require the production of bank details from which payment will be made or other financial references.
(c) Bidding as principalWhen making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium and all applicable taxes, plus all other applicable charges, unless it has been explicitly agreed in writing with Christie’s before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Christie’s, and that Christie’s will only look to the principal for payment.
(d) Absentee bidsWe will use reasonable efforts to carry out written bids delivered to us prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in the currency of the place of the sale. Please refer to the catalogue for the Absentee Bids Form. If we receive written bids on a particular lot for identical amounts, and at the auction these are the highest bids on the lot, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and provided that we have exercised reasonable care in the handling of written bids, the volume of goods is such that we cannot accept liability in any individual instance for failing to execute a written bid or for errors and omissions in connection with it arising from circumstances beyond our reasonable control.
(e) Telephone bidsIf a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone but we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding arising from circumstances beyond our reasonable control.
(f) Currency converterAt some auctions a currency converter may be operated. Errors may occur in the operation of the currency converter. Where these arise from circumstances beyond our reasonable control we do not accept liability to bidders who follow the currency converter rather than the actual bidding in the saleroom.
(g) Video or digital imagesAt some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image. We do not accept liability for such errors where they arise for reasons beyond our reasonable control.
(h) ReservesUnless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve will not exceed the low estimate printed in the catalogue. If any lots are not subject to a reserve, they will be identified with the symbol • next to the lot number. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders.
(i) Auctioneer’s discretionThe auctioneer has the right to exercise reasonable discretion in refusing any bid, advancing the bidding in such a manner as he may decide, withdrawing or dividing any lot, combining any two or more lots and, in the case of error or dispute, and whether during or after the sale, determining the successful bidder, continuing the bidding, cancelling the sale or reoffering and reselling the item in dispute. If any dispute arises after the sale, then, in the absence of any evidence to the contrary the sale record maintained by the auctioneer will be conclusive.
(j) Successful bid and passing of riskSubject to the auctioneer’s reasonable discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of his hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk and responsibility for the lot (including frames or glass where relevant) passes to the buyer at the expiration of seven calendar days from the date of the sale or on collection by the buyer if earlier.
4. AFTER THE SALE(a) Buyer’s premiumIn addition to the hammer price, the buyer agrees to pay to us the buyer’s premium together with any applicable value added tax. The buyer’s premium is 25% of the final bid price of each lot up to and including £50,000, 20% of the excess of the hammer price above £50,000 and up to and including £1,000,000 and 12% of the excess of the hammer price above £1,000,000. Exceptions: Wine and Cigars: 17.5% of the final bid price of each lot, VAT is payable at the applicable rate.
(b) Artist’s Resale Right (“Droit de Suite”)If the Artist’s Resale Right Regulations 2006 apply to the lot the buyer also agrees to pay to us an amount equal to the resale royalty provided for in those Regulations. Lots affected are identified with the symbol λ next to the lot number.
(c) Payment and ownershipThe buyer must pay the full amount due (comprising the hammer price, buyer’s premium and any applicable taxes or resale royalty) immediately after the sale. This applies even if the buyer wishes to export the lot and an export licence is, or may be, required. The buyer will not acquire title to the lot until all amounts due to us from the buyer have been received by us in good cleared funds even in circumstances where we have released the lot to the buyer.
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(d) Collection of purchasesWe shall be entitled to retain items sold until all amounts due to us, or to Christie’s International plc, or to any of its affiliates, subsidiaries or parent companies worldwide, have been received in full in good cleared funds or until the buyer has performed any other outstanding obligations as we, at our sole discretion, shall require, including, for the avoidance of doubt, completing any anti-money laundering or anti-terrorism financing checks we may require to our satisfaction. In the event a buyer fails to complete any anti-money laundering or anti-terrorism financing checks to our satisfaction, Christie’s shall be entitled to cancel the sale and to take any other actions that are required or permitted under applicable law. Subject to this, the buyer shall collect purchased lots within two calendar days from the date of the sale unless otherwise agreed between us and the buyer.
(e) Packing, handling and shippingAlthough we shall use reasonable efforts to take care when handling, packing and shipping a purchased lot and in selecting third parties for these purposes, we are not responsible for the acts or omissions of any such third parties. Similarly, where we suggest other handlers, packers or carriers if so requested, our suggestions are made on the basis of our general experience of such parties in the past and we are not responsible to any person to whom we have made a recommendation for the acts or omissions of the third party concerned.
(f) Export licenceUnless otherwise agreed by us in writing, the fact that the buyer wishes to apply for an export licence does not affect his or her obligation to make payment immediately after the sale nor our right to charge interest or storage charges on late payment. If the buyer requests us to apply for an export licence on his or her behalf, we shall be entitled to make a charge for this service. We shall not be obliged to rescind a sale nor to refund any interest or other expenses incurred by the buyer where payment is made by the buyer in circumstances where an export licence is required.
(g) Remedies for non paymentIf the buyer fails to make payment in full in good cleared funds within 7 days after the sale, we shall have the right to exercise a number of legal rights and remedies. These include, but are not limited to, the following: (i) to charge interest at an annual rate equal to 5%
above the base rate of Lloyds TSB Bank Plc;(ii) to hold the defaulting buyer liable for the
total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law;
(iii) to cancel the sale;(iv) to resell the property publicly or privately on
such terms as we shall think fit;(v) to pay the seller an amount up to the net
proceeds payable in respect of the amount bid by the defaulting buyer;
(vi) to set off against any amounts which we, or Christie’s International plc, or any of its affiliates, subsidiaries or parent companies worldwide, may owe the buyer in any other transactions, the outstanding amount remaining unpaid by the buyer;
(vii) where several amounts are owed by the buyer to us, or to Christie’s International plc, or to any of its affiliates, subsidiaries or parent companies worldwide, in respect of different
transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs;
(viii) to reject at any future auction any bids made by or on behalf of the buyer or to obtain a deposit from the buyer before accepting any bids;
(ix) to exercise all the rights and remedies of a person holding security over any property in our possession owned by the buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted by the law of the place where such property is located. The buyer will be deemed to have granted such security to us and we may retain such property as collateral security for such buyer’s obligations to us;
(x) to take such other action as we deem necessary or appropriate.
If we resell the property under paragraph (iv) above, the defaulting buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all reasonable costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the seller under paragraph (v) above, the buyer acknowledges that Christie’s shall have all of the rights of the seller, however arising, to pursue the buyer for such amount.
(h) Failure to collect purchasesWhere purchases are not collected within two calendar days from the date of the sale, whether or not payment has been made, we shall be permitted to remove the property to a third party warehouse at the buyer’s expense, and only release the items after payment in full has been made of removal, storage, handling, and any other costs reasonably incurred, together with payment of all other amounts due to us.
(i) Selling Property at Christie’sIn addition to expenses such as transport, all consignors pay a commission according to a fixed scale of charges based upon the value of the property sold by the consignor at Christie’s in a calendar year. Commissions are charged on a sale by sale basis.
5. LIMITED WARRANTYIn addition to Christie’s liability to buyers set out in clause 2 of these Conditions, but subject to the terms and conditions of this paragraph, Christie’s warrants for a period of five years from the date of the sale that any property described in headings printed in UPPER CASE TYPE (i.e. headings having all capital-letter type) in this catalogue (as such description may be amended by any saleroom notice or announcement) which is stated without qualification to be the work of a named author or authorship, is authentic and not a forgery. The term “author” or “authorship” refers to the creator of the property or to the period, culture, source or origin, as the case may be, with which the creation of such property is identified in the UPPER CASE description of the property in this catalogue. Only UPPER CASE TYPE headings of lots in this catalogue indicate what is being warranted by Christie’s. Christie’s warranty does not apply to supplemental material which appears below the UPPER CASE TYPE headings of each lot and Christie’s is not responsible for any errors or omissions in such material. The terms used in the headings are further explained in Important Notices and Explanation of Cataloguing Practice. The warranty does not apply to any heading which is stated to represent a qualified opinion. The warranty is subject to the following:
(i) It does not apply where (a) the catalogue description or saleroom notice corresponded to the generally accepted opinion of scholars or experts at the date of the sale or fairly indicated that there was a conflict of opinions; or (b) correct identification of a lot can be demonstrated only by means of either a scientific process not generally accepted for use until after publication of the catalogue or a process which at the date of publication of the catalogue was unreasonably expensive or impractical or likely to have caused damage to the property.
(ii) The benefits of the warranty are not assignable and shall apply only to the original buyer of the lot as shown on the invoice originally issued by Christie’s when the lot was sold at auction.
(iii) The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.
(iv) The buyer’s sole and exclusive remedy against Christie’s and the seller, in place of any other remedy which might be available, is the cancellation of the sale and the refund of the original purchase price paid for the lot. Neither Christie’s nor the seller will be liable for any special, incidental or consequential damages including, without limitation, loss of profits nor for interest.
(v) The buyer must give written notice of claim to us within five years from the date of the auction. It is Christie’s general policy, and Christie’s shall have the right, to require the buyer to obtain the written opinions of two recognised experts in the field, mutually acceptable to Christie’s and the buyer, before Christie’s decides whether or not to cancel the sale under the warranty.
(vi) The buyer must return the lot to the Christie’s saleroom at which it was purchased in the same condition as at the time of the sale.
6. COPYRIGHTThe copyright in all images, illustrations and written material produced by or for Christie’s relating to a lot including the contents of this catalogue, is and shall remain at all times the property of Christie’s and shall not be used by the buyer, nor by anyone else, without our prior written consent. Christie’s and the seller make no representation or warranty that the buyer of a property will acquire any copyright or other reproduction rights in it.
7. SEVERABILITYIf any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.
8. LAW AND JURISDICTIONThe rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of England. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Christie’s, to the exclusive jurisdiction of the courts of the United Kingdom.
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• DENOTES SALEROOM ENQUIRIES— Call the Saleroom or Office EMAIL— [email protected]
For a complete salerooms & offices listing go to christies.com
AUSTRIA
VIENNA
+43 (0)1 533 8812
Angela Baillou
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+32 (0)2 512 88 30
Roland de Lathuy
DENMARK
COPENHAGEN
+45 3962 2377 Birgitta Hillingso
(Consultant) + 45 2612 0092 Rikke Juel Brandt
(Consultant)
FINLAND AND THE
BALTIC STATES
HELSINKI
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(Consultant)
FRANCE
• PARIS
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GERMANY
DÜSSELDORF
+49 (0)21 14 91 59 30 Arno Verkade FRANKFURT
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Business Development
Director
MONACO
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PEOPLES REPUBLIC
OF CHINA
BEIJING
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WALES
+44 (0)20 7752 3004
Jane Blood
SCOTLAND
+44 (0)131 225 4756
Bernard Williams
Robert Lagneau
David Bowes-Lyon
(Consultant)
ISLE OF MAN
+44 (0)20 7389 2032
CHANNEL ISLANDS
+44 (0)1534 485 988
Melissa Bonn
IRELAND
+353 (0)59 86 24996
Christine Ryall
UNITED STATES
• NEW YORK
+1 212 636 2000
03/11/14
WORLDWIDE SALEROOMS AND EUROPEAN OFFICES
76
CHRISTIE’S SPECIALIST DEPARTMENTS AND SERVICES
KEY TO ABBREVIATIONS
KS: London, King Street
NY: New York, Rockefeller Plaza
PAR: Paris
SK: London, South Kensington
DEPARTMENTS
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AUCTION SERVICES
CORPORATE COLLECTIONSTel: +44 (0)20 7389 2548 Email: [email protected]
FINANCIAL SERVICESTel: +44 (0)20 7389 2624Fax: +44 (0)20 7389 2204
HERITAGE AND TAXATIONTel: +44 (0)20 7389 2101Fax: +44 (0)20 7389 2300 Email:[email protected]
PRIVATE COLLECTIONS AND COUNTRY HOUSE SALESTel: +44 (0)20 7389 2343Fax: +44 (0)20 7389 2225 Email: [email protected]
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VALUATIONSTel: +44 (0)20 7389 2464Fax: +44 (0)20 7389 2038Email: [email protected]
OTHER SERVICES
CHRISTIE’S EDUCATIONLondonTel: +44 (0)20 7665 4350Fax: +44 (0)20 7665 4351Email: [email protected]
New YorkTel: +1 212 355 1501Fax: +1 212 355 7370Email: [email protected]
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CHRISTIE’S FINE ART STORAGE SERVICESNew York +1 212 974 4570 [email protected]
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CHRISTIE’S INTERNATIONAL REAL ESTATENew YorkTel +1 212 468 7182Fax +1 212 468 [email protected]
LondonTel +44 20 7389 2551Fax +44 20 7389 [email protected]
Hong KongTel +852 2978 6788Fax +852 2845 [email protected]
06/11/14
Impressionist and Modern Day Sale
London, King Street • 5 February 2015
ALFONS WALDE (1891-1958)Einsamer berghof
oil on board · 13º x 23º in. (33.4 x 52.8 cm.)
Painted in 1935
£150,000–250,000
ContactKeith Gill
+44 (0)20 7389 2175
Viewing30 January–4 February
8 King Street
London SW1Y 6QT
19th Century European Art
London, South Kensington • 21 January 2015
EMILE EISMAN-SEMENOWSKY (POLISH, 1857-1911) Celebration
signed, inscribed and dated ‘EISMAN-SEMENOWSKY - PARIS 93.’ (lower right)
oil on panel · 8º x 6 in. (21 x 15 cm.)
£2,000–4,000
ContactAlastair Plumb
+44 (0)20 7752 3298
Viewing17–20 January 2015
85 Old Brompton Road
London SW7 3LD
79
Bespoke Framing Service
For Christie’s Use
Lot No.
Artwork title
Artist
Medium
Dimensions
Weight
Value
For Client Use
Name
Address
Tel
By signing this form you hereby authorise
John Jones to collect the following lots on your
behalf. John Jones will contact you to arrange
a framing consultation before a complimentary
collection of the work is booked. Please return
this form to Christie’s upon completion.
Signature
Date
The framing of a vintage poster requires
knowledge and sensitivity. Our framing consultants
have collectively been framing old masters and
contemporary work for 120 years, so we have a
wealth of expert advice and experience, not just
in terms of recommending the correct presentation
materials, but also in terms of the design aesthetic.
Whether you require a vintage deco style frame or
a minimal Perspex box, we can help. With our own
collection, delivery and installation service, your work
can be framed and up on the wall within two weeks.
To arrange a visit to our client showrooms
or to speak to one of our consultants directly,
please call us on 020 7281 5439.
John Jones
4 Morris Place London N4 3JG
www.johnjones.co.uk
Opening hours:
Mon–Fri 9.30am–5.30pm,
Sat 10am–3pm, or by appointment
80
81
PLEASE PRINT CLEARLY
If you are registered within the European Community for VAT/IVA/TVA/BTW/MWST/MOMSPlease quote number below:
Lot number Maximum Bid UK£ Lot number Maximum Bid UK£ (in numerical order) (excluding buyer’s premium) (in numerical order) (excluding buyer’s premium)
Please also refer to the information contained in Buying at Christie’s. I request Christie’s to bid on the following lots up to the maximum price I have indicated for each lot. I understand that if my bid is successful, the purchase price will be the sum of my final bid plus a buyer’s premium of 25% of the final bid price of each lot up to and including £50,000, 20% of the excess of the hammer price above £50,000 and up to and including £1,000,000 and 12% of the excess of the hammer price above £1,000,000, together with any VAT chargeable on the final bid and the buyer’s premium. VAT is chargeable on the purchase price of daggered (†) lots, and for buyers outside the EU on (α) lots, at the standard rate. VAT is chargeable on the purchase price of starred (*) lots at the reduced rate. Christie’s South Kensington is not able to notify successful bidders by telephone. While Invoices are sent out by mail after the auction we do not accept responsibility for notifying you of the result of your bid. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.I understand that Christie’s provides the service of executing absentee bids for the convenience of clients and that Christie’s is not responsible for failing to execute bids or for errors relating to execution of bids. On my behalf, Christie’s will try to purchase these lots for the lowest possible price, taking into account the reserve and other bids. Absentee bids submitted on “no reserve” lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If identical absentee bids are received for the same lot, the written bid received first by Christie’s will take precedence. Please contact the Telephone Bid office at least 24 hours in advance of the sale to make arrangements for telephone bidding. Tel: +44 (0)20 7752 3225All bids are subject to the terms of the Conditions of Sale and Limited Warranty printed in each Christie’s catalogue.
BIDDING INCREMENTS
Bidding generally opens below the low estimate and advances in increments of up to 10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments set below may be lowered to the next bidding interval. UK£50 to UK£1,000 by UK£50s
UK£1,000 to UK£2,000 by UK£100s
UK£2,000 to UK£3,000 by UK£200s
UK£3,000 to UK£5,000 by UK£200, 500, 800
(ie: UK£4,200, 4,500, 4,800)
UK£5,000 to UK£10,000 by UK£500s
UK£10,000 to UK£20,000 by UK£1,000s
UK£20,000 to UK£30,000 by UK£2,000s
UK£30,000 to UK£50,000 by UK£2,000, 5,000, 8,000
(ie: UK£32,000, 35,000,
38,000)
UK£50,000 to UK£100,000 by UK£5,000s
UK£100,000 to UK£200,000 by UK£10,000s
above UK£200,000 at auctioneer’s discretion
The auctioneer may vary the increments during the course of the auction at his or her own discretion.Auction Results: +44 (0)20 7839 9060
ABSENTEE BIDS FORM CHRISTIE’S SOUTH KENSINGTON
Absentee bids must be received at least 24 hours before the auction begins.
Tel: +44 (0)20 7752 3225 Fax: +44 (0)20 7581 1403 on-line www.christies.com
10070
Client Number (if applicable) Sale Number
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Signature
If you have not previously bid or consigned with Christie’s, please attach copies of the following documents. Individuals: government-issued photo identification (such as a photo driving licence, national identity card, or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or bank statement. Corporate clients: a certificate of incorporation. Other business structures such as trusts, offshore companies or partnerships: please contact the Credit Department at + 44 (0)20 7752 3137 for advice on the information you should supply. If you are registering to bid on behalf of someone who has not previously bid or consigned with Christie’s, please attach identification documents for yourself as well as the party on whose behalf you are bidding, together with a signed letter of authorisation from that party. New clients, clients who have not made a purchase from any Christie’s office within the last one year, and those wishing to spend more than on previous occasions may be asked to supply a bank reference. We may at our option ask you for a financial reference or a deposit as a condition of allowing you to bid. We also request that you complete the section below with your bank details:
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Bank Telephone Number
20/21 POSTERS THE SKI SALE
THURSDAY 22 JANUARY 2015 AT 1.00 PM
85 Old Brompton Road, London SW7 3LDCODE NAME: POS
SALE NUMBER: 10070
(Dealers billing name and address must agree with tax exemption certificate. Invoices cannot be changed after they have been printed.)
BID ONLINE FOR THIS SALE AT CHRISTIES.COM
09/08/13
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Code Subscription Title Location Issues UK£Price US$Price EURPrice
Photographs, Posters & PrintsL11 Old Master, 19th Century, King Street 3 57 91 86
Modern & Contemporary PrintsN61 Photographs New York 5 119 190 181N11 Prints New York 3 71 114 108P61 Photographs Paris 2 38 61 57K13 Old Master, 19th Century, South Kensington 4 68 114 103
Modern & Contemporary PrintsK72 Vintage Posters South Kensington 3 43 71 66
PHOTOGRAPHS, POSTERS & PRINTSVintage works from the 19th and early 20th centuries, modern and contemporary photographs and photographically illustrated books. Original works from the great masters of all periods of western printmaking from Dürer through Rembrandt and Goya to Toulouse-Lautrec, Picasso and Contemporary artists.
Photographs, Posters and Prints · Impressionist and Modern Art Jewellery, Watches and Wine · Antiquities and Tribal Art Asian and Islamic Art · Russian Art Furniture, Decorative Arts and Collectables · American Art and Furniture Books, Travel and Science · Design, Costume and Memorabilia Post-War and Contemporary Art Old Master Paintings and 19th Century Paintings
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