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POTTERY HANDBOOK
Simon Leach s Pottery
a n d b o o k by Simon Leach
with Bruce Dehnert
This how-to instructional book
combines text and large step-by-
step photos of core throwing,
trimming, assembling, deco-
rating, and firing techniques
with associated video clips on
a companion DVD, giving the
reader multiple ways to process
the information.
Simon Leach s Pottery Han dboo k by Simon Leach with Bruce
Dehnert. Hardcover spiral
bound
includes DVD), 240pages. Stewart
Tabori Chang an imprint ofAbrams, New York New York 2013.
www.abramsbooks.com. ISBN: 978-1-61769-022-8.
Infinite Piace: The
Ceramic Art of Wayne
H ig by edited by Peter Held
This monograph includes texts
and essays by Helen W. Drutt
English, Peter Held, Tanya
Harrod, Henry M. Sayre, Ezra
Shales, Carla Coch, and Mary
Drach Mclnnes. The book cov-
ers Higby s entire career, in both
texts and images, and discusses
the way that landscape and place
have influenced his work.
Infinite Place: Th e C eramic Art
of Wayne Higby
edited by Peter
Held. Hardcover 216 page, 180 images. Arnoldsche Art Publishers,
Stuttgart, Germany and Arizona State University Art Museum, Tempe,
Arizona, 2013. www.arnoldsche.com. ISBN: 978-3-89790-384-5.
Kathy Venter: Life
The Gardiner Museum
essay by John K. Grande
Focusing on 36 terra-cotta
figurative sculptures of everyday
wom en, an essay by Grande and
an interview with Venter expand
on the personal, cultural, and art
histories she references for her
life-size portraits of women at
all stages of life.
Kathy Venter: Life by John K .
Grande. Hardcover, 80 pages,
Gardiner Museum, Toronto,
Ontario,
Canada,
2013. ISBN:
978-0-9784999-6-9.
Natural Glazes: Collecting
and Making
by Miranda Forrest
Forrest explains how to source
and collect materials—degraded
rocks; ash from seaweed, flowers,
and different types of wood; iron
ochre and other colorants from
local depo sits; s well as local clays.
After discussing how to process
the materials, she explains how to
test them either on their own or in
combination with clays and glazes
that you already have in the stu dio.
The New Ceramics Natural Glazes: Collecting and Making
by
Miranda Forrest. Paperback, 112 pages, l40 color illustrations.
University of Pennsylvania Press, Philadelphia, Pennsylvania, 2013.
www.upenn.edu/pennpress.
ISBN:
978-0-812-22262-3.
Paperclay: Ar t and Practice
by Rosette Qault
Building on her previous book.
Paper Clay, Rosette Gault s new
book covers both the basics along
with intermediate and advanced
techniques for working with the
material, including creating arma-
tures, building
figures
and creating
wall-mounted forms. Images of
both works-in-progress and finished
pieces by other contemporary art-
ists who use paperclay are included
throughout the book.
Paperclay: Art and Practice, by Rosette Gault. Paperback 160pages, 150
color illustrations. University of Pennsylvania Press, Philadelphia, Pen
sylvania, 2013. www.upenn.edu/pennpress. ISBN:978-1-4081-3120-6.
500 Teapots: Voiume 2
juried by Jim Lawton
This second volume collects im-
ages of sculptural and functional
teapots made roughly between
2007 and 2012 by both well-
known and emerging artists. Tea-
pots were the focus of the first ever
book in the 500 series, published
over 10 years ago. The works in
this new volume show the current
trends in a wide variety of approaches to the form.
500 Teapots: Volume 2 juried by Jim Lawton. Paperback 420 pages.
Lark Crafts, an imprint of Sterling Publishing New York New York
2013.
www.larkcrafts.com.
ISBN:
978-1-4547-0398-3.
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cera mic arts 2014 | Yearbook and Annua i Buyers Guide
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8/20/2019 500 Teapots_ Volume 2
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C o p y r i g h t o f C e r a m i c s M o n t h l y i s t h e p r o p e r t y o f A m e r i c a n C e r a m i c S o c i e t y a n d i t s c o n t e n t
m a y n o t b e c o p i e d o r e m a i l e d t o m u l t i p l e s i t e s o r p o s t e d t o a l i s t s e r v w i t h o u t t h e c o p y r i g h t
h o l d e r ' s e x p r e s s w r i t t e n p e r m i s s i o n . H o w e v e r , u s e r s m a y p r i n t , d o w n l o a d , o r e m a i l a r t i c l e s f o r
i n d i v i d u a l u s e .