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702831 Development of Western Architecture
Byzantine diffusion
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COMMONWEALTH OF AUSTRALIACopyright Regulations 1969
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This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part
VB of the Copyright Act 1968 (the Act).
The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection
under the Act.
do not remove this notice
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Sicily
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Europe in AD 998Colin McEvedy, The Penguin Atlas
of Medieval History(Harmondsworth [Middlesex] 1966 [1961]), p 53
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Sicily
the Arab / Byzantine / Norman synthesisSan Giovanni degli Eremiti, 1132
San Cataldo, pre-1161Palazzo Reale: Roger’s Chamber, decorated c 1160
Palazzo Reale: Cappella Palatina, 1132-83
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San Giovanni degli Eremiti, Palermo, 1132, view from the cloisteranonymous commercial slide
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San Giovannidegli Eremiti
© Paradoxplace.comhttp://www.sacred-
destinations.com/italy/palermo-san-giovanni-degli-eremiti.htmc
anonymous commercial slide
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San Giovanni degli Eremiti, underside of the dome. MUAS 6,764
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San Cataldo, Palermo, pre-1161Miles Lewis
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San Cataldo: model MUAS student model, Mark Strizic photo;1
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San Cataldo: detail of the apseMiles Lewis
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S Cataldo, Palermo
H F Kubach, Romanesque Architecture
(London 1988 [Milan 1978], p 178
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San Cataldo: interior looking eastBucaro, Palermo, no 35
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San Cataldothe domed vaulting
Gustav Künstler, Romanesque Art in Europe
(London 1969 [Vienna 1955-1968]), pl 116
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San Cataldo: detail of a domeMiles Lewis
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Palazzo Reale or Royal Palace,
Palermo
Roger's Chamber, decorated c 1160
Ediz Urso, Palermo, no 13
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Roger's Chamber
birds and trees
centaurs
André Grabar, Byzantium: Byzantine Art in the Middle Ages
(London 1966), p 27Jean Lassus, The Early Christian
and Byzantine World (London 1967), p 123
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Roger's Chamber
detail of a leopard
Lassus, Early Christian and Byzantine World, p 123
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Palazzo RealeCappella Palatina (of S Pietro), 1132-83: plan
J A Hamilton, Byzantine Architecture and Decoration (London 1956 [1933]), p 243
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Cappella Palatina: interior looking west; ceilingEdiz Urso, Palermo, no A-56 & unnumbered
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Cappella Palatina: detail of the stalactite ceilingEdiz Urso, Palermo, no 1207
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Cappella Palatina: view east & detail of amboEdiz Urso, Palermo, nos A-55, A-50
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Cappella Palatina
views of the apse & east end
Ediz Urso, Palermo, no 1Samuel Landete
http://www.sacred-destinations.com/italy/palermo-cappella-
palatina.htm
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Cappella Palatina, views of the domeMUAS 6,765
© Paradoxplace.comhttp://www.sacred-destinations.com/italy/palermo-cappella-palatina.htm
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Cappella Palatina, detail of the dome with the PantocratorEdiz Urso, Palermo, no A-1557
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Cappella Palatina, nave wall© Paradoxplace.com
http://www.sacred-destinations.com/italy/palermo-cappella-palatina.htm
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Cappella Palatinanave wall
the Flight into EgyptChrist's entry into Jerusalem
Ediz Urso, Palermo, nos 16, 17
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Cappella Palatinanave wall mosaic
scene with camels
the story of the Apostles Peter and Paul
Photo by youngrobv. http://www.sacred-
destinations.com/italy/palermo-cappella-palatina.htm
Grabar, Byzantium, p 95
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Cappella Palatina
the 'Byzantine Madonna'
Ediz Urso, Palermo, no 4
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Charente
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Charente, France
the domed churches of the C11th
St-Étienne-de-la-Cité, Cathedral of Perigeux, c 1100 & c 1150
Gensac church, C12th
St-Front, Perigeux (c 980-1047), c 1125-1150
the Constantinople connection
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domed churches of Charente, Aquitaine, C11th: plansArchitectural Association, A visit to the Domed Churches of Charente, &c (London nd [?1880]), pl 1
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St-Étienne-de-la-Cité, long sectionV I Atroshenko & Judith Collins, The Origins of the Romanesque (Woodstock [New York] 1985), p 79
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Gensac Church, C12th
Architectural Association, Charente, pl 34
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St Hripsimeinterior of the dome; detail of the corner lobe
Miles Lewis; Mango, Byzantine Architecture, facing p 113
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Byzantine and French methods of dome constructionStewart, Early Christian, &c, p 6.
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St-Front, Perigeux (c 980-1047), c 1125-
1150
MUAS 15,565
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St-Front, Perigeux & San Marco, VeniceMUAS 15,565 ; Scala VM1
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St-Front, cutaway isometricKubach, Romanesque Architecture, p 117
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St-Front: planMUAS 15,483
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St-Front, PerigeuxMUAS 3,093
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St-Front, PerigeuxLewis, Architectura, p 222
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Church of the Holy Apostles, Constantinople, 532: from the manuscript, Homilies of the Virgin; Byzantine brazier
Cormack, Byzantium, pp 206, 207
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comparative plansD T Rice, Byzantine Art (Harmondsworth [Middlesex]
1968)p 99, figs 71-3, all from Dehio & von Bezold
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the third period
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Byzantiumthe third period 1261-1453
St Mary Pammakaristos, or Fetiyeh Cami, Constantinople, C11th and post-1315
Paragoritissa, Arta, Greece, 1282-9,
Church of the Virgin at Asinom, Cyprus, Pantocrator fresco in dome, 1322
Church of the Holy Apostles, Salonika, c 1312-15
Mistra: H Theodori, Pantanassa, Peribleptos, late C14th to 1462
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the medieval world in 1401McEvedy, Atlas of Medieval History, p 81
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St Mary Pammakaristos, or
Fetiyeh Cami, Constantinople,
C11th and post-1315
original & final plans
Stewart, Early Christian, &c, p 76J E N Hearsey, City of Constantine
324-1453 (London 1963), p 216
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Fetiye Cami, from the south-westMiles Lewis
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Fetiye Cami: decoration of the Perekklesion, after 1315Miles Lewis
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Fetiye Cami: dome of the Perekklesion, after 1315Miles Lewis
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Paragoritissa, Arta, Greece, 1282-9Krautheimer, Early Christian and Byzantine Architecture, pl 17
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Paragoritissa, Pantocrator mosaic in dome, c 1300MUAS 15,646
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Church of the Virgin at Asinom,
CyprusPantocrator fresco
in dome, 1322
Country Life, CLIV, 3985 (8 November 1973), p 1432
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Church of the Holy Apostles, Salonika, c 1312-15: planCountry Life, CLIV, 3985 (8 November 1973), p 1433.
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Church of the Holy Apostles, Salonika, from the eastMiles Lewis
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Church of the Holy Apostles, Salonikadetails of the main and the southern apses
Miles Lewis
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MistraGeorge Tibbits
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Palace of the Despots, Mistra, no dateGrabar, Byzantium, pl 13
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Peribleptos, Mistra, late C14th
plan and section
Hamilton, Byzantine Architecture, p 195
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Pantanassa, Mistra, 1428George Tibbits
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Pantanassa, plan and section; view
Krautheimer, Early Christian and Byzantine Architecture, p 299 George Tibbits
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the Balkans
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the BalkansH Basilios, Kastoria Macedonia, C11th
St John the Baptist, Nessebar, c 900
St Paraskeva, Nessebar, C13th
Church of the Monastery of Decani, Serbia, 1327-1348
Church at Gracanica, Jugoslavia, c1321
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H Basilios, Kastoria, Macedonia, C11th: view from the north-eastKrautheimer, Early Christian and Byzantine Architecture, pl 133
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plans of basilican churches in Serbia and Croatia (1)after Sdenko Vinski et al, Rani Srednji Vijek (Beograd 1986), p 32-3.
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Basilican churches in Serbia and Croatia (2)after Vinski et al, Rani Srednji Vijek (Beograd 1986), pp 32-3
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St John the Baptist, Nessebar, c 900:view & plan
Velizar Velkov, Nessebur (Sofia 1995), pp 43, 42
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St Paraskeva, Nessebar, C13thMiles Lewis
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St Paraskeva, Nessebar: detailMiles Lewis
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Church of the Holy Virgin of Ljeviša, KosovoGojko Subotić, The Sacred Land: Art of Kosovo (New York 1988), pl 23
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Holy Virgin, Ljeviša
baked clay ornaments
Gojko Subotić, The Sacred Land: Art of Kosovo (New York
1988), p 79
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Church of the Monastery of Decani, Serbia, 1327-1348Mango, Byzantine Architecture, p 171
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Church of the Monastery of
Decani, Serbia, 1327-1348
Subotić, The Sacred Land, pp 179, 178
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Decani, windowsSubotić, The Sacred Land, p 182
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Church at Gracanica, Kosovo, c
1321
Subotić, The Sacred Land, pl 36
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Church at Gracanica, Kosovo,
Serbia, c 1321
Subotić, The Sacred Land, p 67; Krautheimer, Early
Christian and Byzantine Architecture, p 303
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Gracanica: dome from below; personification of the Sea and Earth, from the Last Judgement.
Subotić, The Sacred Land, pls 44, 52
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Kiev & Novgorod
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RussiaCathedral of St Sophia, Kiev, c1018-37
Church of the Saviour, Nereditsa, near Novgorod, 1198 Cathedral of St Sophia, Novgorod, 1045-62
Church of the Saviour, Pereyaslavl-Zalessky, 1152-8:Church of the Virgin of the Intercession, Bogolyubovo, 1165Cathedral of the Assumption (Uspenskaya), Vladimir, 1158,
1185 onCathedral of St Dmitri, Vladimir, 1193-7
Cathedral of St Basil the Blessed, Moscow, 1555-60Rozhdestvensky (Nativity of the Virgin) Cathedral, Suzdal,
1222-5 and C16th
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early church sites in Russia
Miles Lewis
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Cathedral of St Sophia, Kiev,
c1018-37
interior, from the west gallery
Hubert Faensen & Vladimir Ivanov, Early Russian
Architecture (London 1975), pl 1
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St Sophia, Kiev, reconstructed elevationT T Rice, A Concise History of Russian Art (London 1963), p 19.
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Nea, or Nea Ecclesia, Istanbul, 880: planMUAS 15,447
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Nea, or Nea Ecclesia, Istanbul, 880
St Sophia, Kiev, after Alpatov
MUAS 15,447; Rice, Russian Art, p 17
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St Sophia, Kiev, original & final plansRice, Russian Art, p 17; Stewart, Early Christian, &c, p 81
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St Sophia, Kiev, reconstructed view from the east, by ConantMUAS 13,253
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St Sophia, Kiev, modern viewPeter Bamm, The Kingdoms of Christ: the Story of the Early Church (London 1959), p 179
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St Sophia, Kiev, original planChurch of the Saviour, Nereditsa, near Novgorod, 1198
Rice, Russian Art, p 17; Stewart, Early Christian, &c, p 83
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Cathedral of St Sophia, Novgorod,
1045-62
view & plan
Rice, Russian Art, p 51Stewart, Early Christian, &c,
p 81
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Church of the Saviour, Pereyaslavl-Zalessky, 1152-8: from the south-eastChurch of the Virgin of the Intercession, on the River Nerl, Bogolyubovo, 1165
Rice, Russian Art, p 28; MUAS 15,456
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Vladimir & Suzdal
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Cathedral of the Assumption (Uspenskaya), Vladimir built 1158 and rebuilt after fire 1185 Time, 12 September 1969
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Cathedral of St Dmitri, Vladimir,
1193-7
from the north-east
Miles Lewis
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St Dmitri, Vladimir, detail of the west front, showing the relief carvingMiles Lewis
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St Dmitri, Vladimir, west front
south gable
central division, detail of geese
unbranded commercal slides
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St Dmitri, Vladimir: corbel tableMiles Lewis
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St Dmitri, Vladimir
west door
Miles Lewis
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Cathedral of St Basil the Blessed, Moscow, 1555-60
Miles Lewis
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Cathedral of St Basil the Blessed,
Moscow
detail of turrets
Miles Lewis
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Rozhdestvensky (Nativity of the
Virgin) Cathedral, Suzdal, 1222-5
and C16th
Miles Lewis
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Rozhdestvensky Cathedral,
Suzdal
details
Miles Lewis
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Rozhdestvensky Cathedral, Suzdal
original west door(damascene work)
Miles Lewis
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Rozhdestvensky Cathedral, Suzdalthe iconostasis; fresco of the tree of Jesse
Miles Lewis
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Suzdal
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Bogolubskaya & SS Kosma & Damian, 1696 , SuzdalMiles Lewis
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Suzdal: Tsarevokonstantinovskaya church, 1707 (rear), Skorbyashenskaya Church, 1752
Miles Lewis
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Spaso-Efemievsky Monastery, Suzdal: the C17th walls
Miles Lewis
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Spaso-EfemievskyMonastery
entrance tower
Miles Lewis
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Spaso-Efemievsky Monastery: detail of the entrance towerMiles Lewis
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Spaso-Efemievsky, Blagoveschenskaya (Annunciation) Gate Church, C17thMiles Lewis
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Spaso-Efemievsky, detail of the Blagoveschenskaya Gate ChurchMiles Lewis
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Tailor's house, Suzdal, C17thMiles Lewis
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the timber tradition
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Reconstruction of roofing used in Russian medieval domestic architecture, by M V Krakowski & B D Grekov
Rice, Russian Art, p 99
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stave church at Borgund, Sogn, Norway, c 1150
view, plan, & roof ornament
Dan Lindholm, Stave Churches of Norway(London 1969), pl 2, pp 37, 10
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Stave church at Vaga, Gudbrandsal, c 1100
decorative arcading of the west front
Dan Lindholm, Stave Churches of Norway (London 1969), pl 39
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Stave church at Vaga, Gudbrandsal, Norway, c 1100: capitals
Dan Lindholm, Stave Churches of Norway (London 1969), pl 39, p 70
Canterbury Cathedral, Englandblock capital in the crypt, c 1100-1125Pevsner, Outline of European Architecture, (London p
68
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stave church at
Urnesdoor detail
Dan Lindholm, Stave Churches of Norway(London 1969), pl 26
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stave church at Urnes; colonettes at Lincoln Cathedral, England, 1072 onwardsLindholm, Stave Churches of Norway, pl 26; Grigson, English Cathedrals, pl 134
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Church of the Resurrection (Voskresenskaya), from Potakaino, Nikolskaye (St Nicholas) Church, from the village of Glotovo, both 1766, and now in the Suzdal Wood Museum
Miles Lewis
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Nikolskaye Church, Suzda
roof detail
Miles Lewisl
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Church of the Transfiguration (Preobazhenskaya) from Kozlyatevo, 1756, now at Suzdal
Miles Lewis
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Church of the Transfiguration, Kizhi, 1714: view & : roof detailTime, 12 September 1969; Hansen, Architecture in Wood, p 45
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window of a nineteenth
century house at Suzdal
Miles Lewis
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the transformation of the classical language
window from a traditional house in Suzdal, Russia
Miles Lewis
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