Download - Art apprec ch1-3
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Art Appreciation
Spring 2010Chapters 1, 2 & 3
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Brancusi studio
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Brancusi, Endless Column
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Brancusi, Bird in Space
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Cave Paintings from Chauvet cave, Francec. 25,000 – 17,000 BCE
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Cave Paintings from Lascaux, FranceDated 16,000 yrs old
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Female Figure (“Venus of Willendorf’)c. 23,000 BCE found near Austria
Limestone, height 4 ⅜”
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Stonehenge c. 2000-1500 BCESalisbury Plain, England
Height of stones 13’6”, weight up to 50 tons each
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Carhenge, Jim Reinders, 1987
vintage American cars near Alliance, Nebraska
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Eggshell pottery, c. 2000 BCELongshan culture, China
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The Origins of Art
• To construct meaningful images and forms– Magic, Spirituality, Ceremony, Ritual– Record history
• To create order and structure– A desire to make sense of the world– The urge to paint and pile rocks
• To explore aesthetic possibilities– The desire to make something beautiful
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Maya Lin, Wave field
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Frank GehryGuggenheim Museum in Bilbao, Spain
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Gehry Tower in Hanover, germany
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THE ROLE OF THE ARTIST• The artist records and commemorates: historical reference,
captures a moment• The artist creates places for some human purpose: ritual,
remembrance, bringing the community together• The artist gives tangible form to the unknown: things we
don’t see… to the unknown, to the unseen, to the future• The artist gives feelings and ideas tangible form: using their
own perspective and the viewer’s response• The artist offers an innovative way of seeing: a visual way to
compare and contrast differing perspectives• The artist creates extraordinary versions of ordinary objects:
exploring aesthetics of the material, makes a functional item into a nonfunctional artwork
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Records and commemorates
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Creates places for some human purpose
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Gives tangible form to the unknown
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Offers an innovative way of seeing
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Creates extraordinary versions of ordinary objects
Dieter's Spoon
by Sarah Doremus
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Van Gogh
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Monet
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Monet, Water Lilies close-up
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Vanitas
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Terms to know:
• Aesthetics – branch of philosophy concerned with feelings aroused in us by sensory experiences such as seeing and hearing (your particular taste, what appeals to you)
• Artist Intent – the decision to use certain artistic devices to create a specific look, feeling or content
• Perception - The process of becoming aware through sight, sound, taste, smell, or touch; detection
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The romantic definition of art:
• Art is created in search of an ultimate truth, an ultimate perfection, an ultimate confrontation with the self and the art.
• True fine art has the primary motive of artist expression & the secondary motive of money.
• Art has 2 intentions:– Satisfying the artist– Satisfying the patron
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My personal definition of ART:
• The “art world” tells us what art is.
– In other words: if a piece is displayed in a gallery or an image of it is published in a magazine or if it is critiqued by professionals, it is art.
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Verrocchio
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Patronage
• Popes• The Medici family
• Dorothy and Herbert Vogel
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The Gallery of Cornelis van der Geest,
Willem van Haecht, 1628.
A private picture gallery as an early precursor of the modern museum.
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Rodin studio
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Camille
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The Thinker, Auguste Rodin, 1902
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Tales of Hamza
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Dale Chihuly
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James Hampton
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Gayleen Aiken
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Blurring the lines between high brow and low brow art:
• High art– Painting– Sculpture– Fine photography
• Low art– Pottery– Comic books– Advertisements
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Dada movement – peak 1916-22an avante-garde art movement
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avant-garde
• Artists and their work which stand in the forefront of a movement or of new ideas, often in opposition to established ideas and traditions; art that's ahead of its time, innovative, experimental.
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Marcel Duchamp
The Fountain, 1917
He is considered part of the Dada movement.
Duchamp changed art for the 20th century.
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From Prinzhorn’s book: Artistry of the Mentally Ill
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Salvador Dali
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Russian Surrealism
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Degenerate Art Exhibition
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Worhol
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Lichtenstein
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David Huang
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Georgia O’Keefe
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La Pietà, Michelangelo, 1499
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Universal qualities of beauty
• Symmetry• Simple geometrical shapes• Pure color• Repetition of line or shape• Fine craftsmanship
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Francisco de Goya
Chronos Devouring One of His Children1820
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Pablo Picasso
First Communion, 1895
15 yrs old
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Pablo Picasso
Seated Woman Holding a Fan
1908
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The Birth of Venus, Sandro Botticelli, 1486
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William Harnett
The Old Violin 1886
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Pablo Picasso
Seated Woman Holding a Fan
1908
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Lavender Mist, Jackson Pollock, 1950
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Alfred Stieglitz - photography
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Three Major Styles of Art:• Representational– Naturalistic– Trompe L’oeil
• Abstract– Cubism– Stylized
• Nonrepresentational– Patterns– Shapes– Colors
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Édouard Manet Luncheon on the Grass , 1863
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Pere Borrell del Caso
Escaping Criticism
1874
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Still life, Pompeii, c. 70 AD
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Man on a Bench, Duane Hanson, 1997vinyl, polychromed in oil, with accessories
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Marilyn Levine
Ceramic Leather Jacket
Life Size
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David Furman
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David Furman
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The Actor
Pablo Picasso
1905
Rose Period
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Paul Cézanne
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Pablo Picasso
Les Demoiselles d'Avignon
1907
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Georges Braque
Violin and Candlestick
1910
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Wassily Kandinsky
On White 2
1923
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Kazimir Malevich, Black Square, c. 1915
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Cataract 3, Bridget Riley, 1967
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Where, Morris Louis, 1960
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Pablo Picasso
Seated Woman Holding a Fan
1908
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STYLE
• Characteristics that we recognize as constant, recurring or coherent to an individual artist’s work.
• Pieces will have traits in common– Drawing style– Brush stroke– color
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General styles
• Constructed after the fact as scholars discern broad trends– Cultural – Atzec, Egyptian– Period – Gothic, Victorian– School styles – Impressionism, cubism
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The textbook’s definition of art:
• “embodied meaning”• Art is always about something
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The romantic definition of art:
• Art is created in search of an ultimate truth, an ultimate perfection, an ultimate confrontation with the self and the art.
• True fine art has the primary motive of artist expression & the secondary motive of money.
• Art has 2 intentions:– Satisfying the artist– Satisfying the patron
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My personal definition of ART:
• The “art world” tells us what art is.
– In other words: if a piece is displayed in a gallery or an image of it is published in a magazine or if it is critiqued by professionals, it is art.
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4 key terms related to meaning:
• Form
• Content
• Iconography
• Context
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Art & Meaning
• FORM – the way art looks; size, shape, materials, color, composition
• CONTENT – what the art is about; subject matter
• The interaction between form and content help us determine meaning
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Music lesson, Matisse, 1917Piano Lesson, Mattise, 1916
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iconography
• The identification, description & interpretation of subject matter in art
• Relates to the culture of the time
• To understand iconography of the past, we often have to do research
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Shiva Statue
in Bangalore, India
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Arnolfini Double Portrait
Jan van Eyck, 1434
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CONTEXT
• Web of connections to the larger world of human culture– Relates to time & place– Personal and/or social circumstances– Why was the work made?– Who sees the work?– ALSO, the physical setting that the work is meant
to be seen in
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Pablo Picasso
Seated Woman Holding a Fan
1908
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4 key terms related to meaning:
• Form
• Content
• Iconography
• Context
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The Gallery of Cornelis van der Geest,
Willem van Haecht, 1628.
A private picture gallery as an early precursor of the modern museum.
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Jenny Holzer, "Truisms“ 1977–79
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Barbara Kruger
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Richard Serra, Tilted Arc
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Born in the Streets exhibition, Paris
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• http://gprime.net/images/sidewalkchalkguy/
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Non-object Art
• Installation art
• Conceptual art
• Performance Art
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Rachel Whitread
Embankment
at Tate Modern
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Jenny Holzer
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jenny holzer
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Jenny Holzer
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Felix Gonzalez-Torres, 1995
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Themes of Art• Craft / Decor• Sacred Realm / Religion• Politics / Propaganda• Social Order• Storytelling / History• Genre Art – images of daily life• Human Experience / Self-Expression• Invention & Fantasy• Art & Nature / Landscape• Art about Art
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Beaded Pomo Basket Bowl
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Mata Ortiz pottery jar,Jorge Quintana, 2002
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Dale Chihuly
30-foot blown-glass chandelier in the Victoria and Albert Museum in 2000.
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Women of Gee's Bend, Alabama, quilting, 2005
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Roman Stripes by Deborah Pettway Young, circa 1963.
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Drunkard´s Path -- Variation (Snowball) by Lucy T. Pettway, circa 1950
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Ru Ware Bowl Stand, Chinese, Early 12th Century
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iconoclasm• Iconoclasm means “image breaking”• Began in the Byzantium Empire– Early Christians debated the use of images• Idol worship
• Arose again after Henry VIII broke from Rome– The protestants claimed the Catholics practiced
idolatry, they destroyed many Catholic churches and art across Britain
• Taliban – Islamic fundamentalism
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Byzantine Iconoclasm, Chludov Psalter, 9th century.
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The Sons of Liberty pulling down the statue of King George III on Bowling Green (New York City), 1776.
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The April 2003 toppling of Saddam Hussein’s statue
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Buddhas of Bamyan6th century, Afghanistan
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2001
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Delacroix, Liberty Leading the People, 1830
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Guernica, Picasso, 1937
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Propaganda• Propaganda is a form of communication aimed at
influencing the attitude of a community toward some cause or position. As opposed to impartially providing information, propaganda in its most basic sense, presents information primarily to influence an audience.
• Propaganda often presents facts selectively (thus possibly lying by omission) to encourage a particular synthesis, or uses loaded messages to produce an emotional rather than rational response to the information presented.
• The desired result is a change of the attitude toward the subject in the target audience to further a political agenda.
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1876
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1947 comic book
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1917
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1914
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John Brown going to his Hanging, Horace Pippen, 1942 (the actual event happened in 1859)
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1941
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Dorothea Lang, Migrant Mother, 1936
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Mary Cassatt, The Child’s Bath, 1893
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Kathe Kollwitz, Woman with Dead Child, 1903 etching
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The Hungry Lion Throws Itself on the Antelope, Rousseau, 1905
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The Snake Charmer, 1907
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http://en.wikipedia.org/wiki/The_Garden_of_Earthly_Delights
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Revenge of the goldfish, 1981, sandy skoglund
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Germs are everywhere, 1984
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The Tetons and the Snake River, Ansel Adams, 1942
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Evening, McDonald Lake, Glacier National Park (1942)
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Great Wave off KanagawaHokusai
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Red Fuji from Hokusai's series, Thirty-six Views of Mount Fuji.
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Mattise, L'Atelier Rouge, (The Red Studio), 1911
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Themes of Art• Craft / Decor• Sacred Realm / Religion• Politics / Propaganda• Social Order• Storytelling / History• Genre Art – images of daily life• Human Experience / Self-Expression• Invention & Fantasy• Art & Nature / Landscape• Art about Art
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End of Ch 1-3
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Grading Criteria - Presentations• Proper length = 5 minutes• Full bio/history– Pic of artist– Where did they go to school– Influences/legacy
• Anecdotal info• Plenty of images• Presenters interest in the subject• Seems informed/able to answer questions• Proper sources cited