Download - As Kipper 40
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8/3/2019 As Kipper 40
1/18
Manchester Book Fair
The Moving Finger writes; and, having writ, Moves on:Design and print a l imited edition run o hand printed posters, using hand drawn letters.Using Typography Gallimaury a brie written by Ken Garland, during TypographySumm er Sch ool 2011.The vertical progression throughout the poster shows how the two hundred year quotehas reached the present day, with type rom pre, during and post 20th Century.
Hand Printed
Two Colour PosterA manual two colour blend, screen printed poster, using uorescent pink and orange.
OUGD301
Aaron Skipper
Brief05-Page
01/02
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8/3/2019 As Kipper 40
2/18
Manchester Book Fair
The Moving Finger writes; and, having writ, Moves on:
Hand Printed
Two Colour PosterHand rendered type produced using a stage o sketches, beore scanning in to digitally compose thelayout, beore producing the fnal layout produced by hand.
OUGD301
Aaron Skipper
Brief05-Page
01/02
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8/3/2019 As Kipper 40
3/18
Visiting Proessionals
Studio Talk PostersDesign and print a promotional poster or weekly visiting proessionals. Eachproessional must be contacted in order to adhere to any content or direction within theproessionals practice.
Ric
BellA poster which looks purely at contemporary type and layout, along with the consideration o colour.Overlaying body copies shows a chronological journey and the studio talk circle, oers a platorm orweekly posters.
OUGD301
Aaron Skipper
Brief06-Page
01/02
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8/3/2019 As Kipper 40
4/18
Visiting Proessionals
Studio Talk Posters
Generation
PressUsing the existing brand identity and taking it to a three dimensional level, to incorperate a unctionalposter rom two dierent angles on the course notice board.
OUGD301
Aaron Skipper
Brief06-Page
02/02
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8/3/2019 As Kipper 40
5/18
Bespoke
TypeacesDesign a series o typeaces specifcally or particular bries and/or clients
Flower/Corsano/Hejnowski
Vinyl Cover TypeA geometric type ace exploring the relationship between the two key members o the band,who or this recording have drawn upon another party.
OUGD301
Aaron Skipper
Brief07-Page
01/03
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8/3/2019 As Kipper 40
6/18
Bespoke
Typeaces
Louise Tiler
Surace Pattern BrandingTwo proposals looking at a handwritten and a classical option. Both can be applied acorass a range oproducts, with the incorporation o graphic elements denoting the particular product.
OUGD301
Aaron Skipper
Brief07-Page
02/03
W A L L PA P E R C O L L E C T I O N
W A L L P A P E R
C O L L E C T I O N
W A L L PA P E R C O L L E C T I O N
G I F T C A R D C O L L E C T I O N
S T AT I O N E R Y C O L L E C T I O N
C U S H I O N C O L L E C T I O N
A C C E S S O R Y C O L L E C T I O N
A C C E S S O R Y C O L L E C T I O N
C U S H I O N C O L L E C T I O N
W A L L PA P E R C O L L E C T I O N
W A L L PA P E R C O L L E C T I O N
S T AT I O N E R Y C O L L E C T I O N
G I F T C A R D C O L L E C T I O N
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8/3/2019 As Kipper 40
7/18
Bespoke
Typeaces
Charles Dickens
200th Anniversary TypeaceA bespoke san-seri typeace, heavily inuenced by Caslon Egyptian, the frst ever (what we now knowas a) san-seri typeace to be cut, in 1812 - the year o Dickens birth. Further bespoke display versionswere created to use or the main branding and text highlights throughout. These were based on threedimensional wood cut type o the time, with the diagonal partitions creating a modern spin, suggestingthe development o the two hundred year legacy.
OUGD301
Aaron Skipper
Brief07-Page
03/03
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8/3/2019 As Kipper 40
8/18
Leeds College o Art
SymposiumDesign a series o products or a collge symposium
Programme, Leaet
& PostcardsA set o ephemera which comuincates the promotion and organisation o the symposium. The twoelemnents o the same event are communicated by a reversal in reading, where each piece o print readrom ront to the middle, rom each end.
OUGD301
Aaron Skipper
Brief08-Page
01/01
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8/3/2019 As Kipper 40
9/18
Shore Book
PublishingTypeset multi-page novels and reerence books, and design artwork or covers.
Stand
& DeliverTypeset a reerence book, using, tabbing and margins eectively to allow or a complex arrangement obuleted lists.
OUGD301
Aaron Skipper
Brief09-Page
01/02
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8/3/2019 As Kipper 40
10/18
Shore Book
Publishing
Stand
& DeliverCover design, which typographically represents the title and typeset pages using Avenir Book Regular.
OUGD301
Aaron Skipper
Brief09-Page
02/02
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8/3/2019 As Kipper 40
11/18
Web
DesignDesign, code and develop ully unctioning, multi-page websites or mysel and a musicmanagement company.
Sounds Unique
EntertainmentSix page website eaturing text, navigation, images, videos and links to multiple media platorms.
OUGD301
Aaron Skipper
Brief10-Page
01/02
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8/3/2019 As Kipper 40
12/18
Web
Design
Personal
WebsiteThree page website, with a contemporary layout across a vast artboard. Along with a drag and dropunctions on all images, the audience can interact with the website in the same manner o which it wasoriginally constructed.
OUGD301
Aaron Skipper
Brief10-Page
02/02
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8/3/2019 As Kipper 40
13/18
Wven
BrandingBrand identity proposal
Concept #01
LogoA bespoke produced typeace, based on Neutra Bold, but with modifcation suggesting the owing,interlocking nature o the directional/locational inuences within the brand, rom both the productiono the abric and the locational interest rom Scandinavian inspiration to production and sales. The logoitsel could come in various weight options, or could have one fnal option decided upon.The key element in this concept is how the crossbars o the A and E create a symmetrical weave inand out o whole word.The ring above the A and its woven crossbar could also unction alone, and become the brands symbol.
OUGD301
Aaron Skipper
Brief11-Page
01
/06
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8/3/2019 As Kipper 40
14/18
Wven
Branding
Concept #01
Application o LogoThe brands symbol oers a strong visual, to apply to clothing elements, particularly that othe oten embroided part o the jean back pocket. The woven crossbar o the E could oer asymmetrical counterpart or the opposite pocket.The same could be applied to the chest o a pocket tee, a garment which seems to be currentlyon trend.The brand symbol could also unction at dierent sizes and style variation depending on theuse o the logo throughout the brand.
OUGD301
Aaron Skipper
Brief11-Page
02
/06
Denim Pockets with gold embroidery T-shirt pocket with white print
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8/3/2019 As Kipper 40
15/18
Wven
Branding
Concept #01
Garment sizingThe as a letterorm, lends itsel potential to suggest the shape o a pair o jeans, and alongwith the ring above it, this combination seem the perect platorm to create sizing signifers.The keyline o the ring could simply be in staged widths, to denote the sizing, and each vericalstroke o the could be manipulated to orm a suggestion o the cut o each jean.The options above, show how the could be manipulated in two dierent ways - one adhereingto the nuances within the construction o the letterorm, where the sizing modifcations onlyhappens to the lower hal o the letterorm and the other where the sizing variation begins inthe vertex o the letterorm. Both could work with or without the woven crossbar.
OUGD301
Aaron Skipper
Brief11-Page
03
/06
Skinny Regular Bootcut
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8/3/2019 As Kipper 40
16/18
Wven
Branding
Concept #02
LogoA bespoke produced typeace, based on Neutra Bold, but with modifcations looking at the angleo each letterorm and its curved underline, suggesting the depth and dimensionality nature owoven abric.This interesting angular approach could be taken across the brand, with products, such as swingtags, and look books, being heavily considered around this particlar angle.
OUGD301
Aaron Skipper
Brief11-Page
04
/06
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8/3/2019 As Kipper 40
17/18
Wven
Branding
Concept #02
Photography and Garment sizingThe angular direction o the brand materials could be eveident in the all brand photography aswell, All images could be shot rom this angle, creating an image where the viewer is looking up atthe jean product, suggesting the superiority o the brand.The curved underline romt he logo, could oer a systematic appraoch to sizing, where the tighterthe curves are together the slimmer the jean product.
OUGD301
Aaron Skipper
Brief11-Page
05
/06
bootcut
regular
skinny
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8/3/2019 As Kipper 40
18/18
Wven
Branding
Concept #03
LogoA completely bespoke logotype, which uses a geometric, almost zig-zag like construction, whichcreates a set o letters tightly interlocked, like that o the construction o denim.The largest option above is arguably unreadable, but with the interesting subject area o locationand language, there is potential to create a brand identity, which is almost creates a symbolicimage, until the letterorms are more apparent, upon closer inspection.The smaller three options are similar to the larger, in the terms that each letterorm is constructed
OUGD301
Aaron Skipper
Brief11-Page
06
/06