Download - Class 2 lecture summer
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MEDP/FILMP 160: Summer 2015Plan for Today
A Brief History of the Moving Image (Film)Basic Intro to Framing and camera moves Introduce shooting exercise (lab #3) Introduce Assignment 1: Define a Space
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When you pick up a camera ...
First photograph: 1830
Etienne-Jules Marey, Pelican Studies 1882
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Matrix Trilogy, 1999 - 2003 Muybridge experiments 1877
Why does this matter?
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aka “Persistence of Vision”
flipbook
“Short Range Apparent Motion”
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victorian toys (mid-1800’s)
zoetrope
thaumatrope
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Photography - silver nitrate
Daguerrotype, 1839
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Boulevard du Temple, 1838
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Edison’s Kinetograph (1891)
first movie cameras
Lumieres’ Cinematographe (1895)
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Clip from Pioneers of Cinema
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qualities of early film
•black and white•silent•grainy•flicker•short•Square •Basic lighting
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how film cameras work
Intermittent movement: stop and start action that positions the film one frame at a time in the gate, using sprocket holes.
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the film shutter
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how the camera gate works
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how film projectors work
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frame rate
• flip book = 10 fps• early film cameras = 16 fps• modern film cameras = 24 fps• video = 30 fps (NTSC, US)
24 (sometimes)25 (PAL, Europe)
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What frame rate should I shoot at?
24 (24p) vs. 30 (60i)?
● film “look”● subject matter● destination● transfer to film?
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Time Lapse(“under-cranking”)http://en.wikipedia.org/wiki/Time-lapse_photography
What if you shoot at one frame rate and play back (project) at another?
Slow Motion http://en.wikipedia.org/wiki/Slow_motion(“over-cranking”)
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film formats
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Resolution
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aspect ratio
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Days of Heaven (Terrence Malick, 1978)
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Fistful of Dollars (Sergio Leone, 1964)
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some aspect ratios
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why aspect ratio matters now
Setting up cameras - most of what you shoot now will be 16 x 9 but older material other formats. You may have started a film on SD 4:3 aspect ratio, then moved HiDef halfway through.
Or, you may be incorporating archival footage that was shot on film, or SD video.
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pillarbox
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“letterboxing”
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basic cinematic vocabularyshot sizes & types
FILM/MEDIA 160 • LEC 02 PT 2
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extreme long shot (e.l.s.)
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long shot (l.s.)
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medium long shot (m.l.s.)
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medium shot (m.s.)
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medium close up (m.c.u.)
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close up (c.u.)
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extreme close up (e.c.u.)
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two shot
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low angle shot
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high angle shot
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Moving the camera through space
Pivot moves: Pan (right/left)Tilt
(up/down)Dynamic moves: Track/Truck (right/left)
Dolly (in/out)
Boom (up/down)
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Examples of camera moves:
• Manufactured Landscapes Clip 2• Manufactured Landscape Clip 1• Citizen Kane Clip 1• Farmingville Clip 1
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Camera Workshop Exercise In your groups, go out (not too far!) and shoot the following:
1. One subject you can shoot from at least three different points of view (various shot sizes or camera angles).
2. A shot where you zoom in to emphasize an important detail.
3. A shot where you zoom out from a close-up to reveal its context.
4. A shot where the frame stays still but there is movement within the frame.
5. A pan or tilt that has clear beginning and end destinations for your camera.
6. Walk with a person (your partner) maintaining consistent distance and framing.
Try and plan your shots before pushing the record button. Remember to look AT the viewfinder, not THROUGH it.