DESIGNING RESPONSIVEEXPERIENCES
Image credit: Warner Bros, Village Roadshow Pictures, Groucho II Partnership & Silver Pictures (The Matrix, 1999) @duckymatt
SO, HOW DO WE DEFINE RESPONSIVE DESIGN?
Image credit: Hartswood Films, BBC Wales & Masterpiece (Sherlock, 2010)
JOB DONE, RIGHT?
Image credit: Broadway Video, Little Stranger, NBC Universal Television (30 Rock, 2006)
WELL, NOTQUITE
Image credit: Carolco Pictures, Pacific Western, Lightstorm Entertainment, Canal+ & T2 Productions (Terimator 2: Judgment Day, 1991)
Source: http://adwords.blogspot.co.uk/2015/05/building-for-next-moment.html
MOBILE WEB VS DESKTOP WEB
INTERNET USERS
2007 - 2015
Source: Kleiner Perkins Caufield Byers, Mary Meeker’s Internet Trends 2011 http://www.kpcb.com/insights/2011-internet-trends
DESKTOP
MOBILE
@duckymatt
A CRUDE GRAPH…
#MOBILEGEDDONImage credit: Twentieth Century Fox, & Centropolis Entertainment (Independence Day, 1996) @duckymatt
Content strategy plans for the creation, publication, and governance of useful, usable content.
Define not only which content will be published, but why we’re publishing it in the first place.
KRISTINA HALVORSON
Source: http://alistapart.com/article/thedisciplineofcontentstrategy @duckymatt
BUT AREN’T MOBILE USERS ALWAYS ‘ON THE GO’?
Image credit: 20th Century Fox Television & Greenway Productions (Batman, 1966) @duckymatt
60% OF SMARTPHONE DATA IS USED INDOORS
Source: http://www.cennydd.com/blog/designing-with-context
Image credit: Fox 2000 Pictures, Regency Enterprises, Linson Films, Atman Entertainment, Knickerbocker Films & Tarius Film (Fight Club, 1999)
@duckymatt
39% OF PEOPLE USE THEIR MOBILE IN THE LOO
Source: http://www.wiyamobile.net/pitch.pdf
Image credit: Bwark Productions & Young Films (The Inbetweeners, 2008)
@duckymatt
CHALLENGE ASSUMPTIONS WITH RESEARCH
Image credit: The Ladd Company, Shaw Brothers and Warner Bros. (Blade Runner, 1982) @duckymatt
AUDIT YOUR EXISTING CONTENT
Image credit: Nintendo & Capcom (The Legend of Zelda: A Link to the Past, 1991) @duckymatt
CONTENT STRUCTURE
YOU CAN’T CREATE GREAT EXPERIENCES IF YOU DON’T KNOW WHAT YOUR CONTENT IS MADE OF
@duckymatt
OUR CONTENT WILL NEED TO BECOME MORE FLEXIBLE THAN EVER
Image credit: Sunbow Productions, Marvel Productions & Hasbro (The Transformers, 1984) @duckymatt
TRANSFER SIZE
2010 2015
Source: http://httparchive.org/trends.php
700KB
2,000 KB
@duckymatt
71% OF PEOPLE EXPECT WEBSITES TO LOAD AS
QUICKLY (OR FASTER) ON THEIR MOBILE PHONE
See: http://e-commercefacts.com/research/2011/07/what-usrs-want-from-mobil/19986_WhatMobileUsersWant_Wp.pdf @duckymatt
OUR USERS DON’T WANT TO BE LEFT WAITING
Image credit: Wolper Pictures Ltd (Willy Wonka & The Chocolate Factory, 1971) @duckymatt
BRAD FROST
Photo credit: John Davey: http://www.flickr.com/photos/johndavey/8891059281/
Source: http://bradfrostweb.com/blog/post/performance-as-design/
It’s time for us to treat performance as an essential design feature, not just as a technical best practice
@duckymatt
PERFORMANCE AT THE HEART OF ALL DESIGN DECISIONS
Image credit: Paramount Pictures, Robert Stigwood Organisation & Allan Carr Production (Grease, 1978) @duckymatt
SETTING APERFORMANCE BUDGET
Image credit: Twentieth Century Fox Film Corporation (Speed, 1994) @duckymatt
Check out: http://danielmall.com/articles/how-to-make-a-performance-budget/
@duckymatt
PERCEPTION OF SPEED MATTERS
Source: http://www.nytimes.com/2012/08/19/opinion/sunday/why-waiting-in-line-is-torture.html?_r=0
Image credit:Children’s Television Workshop & SesameWorkshop (Sesame Street, 1969-)
@duckymatt
MAKE THE FIRST PAGE RENDER BLAZING FAST
Image credit: Pixar Animation Studios & Walt Disney (Toy Story, 1995) @duckymatt
LOAD ONLY CRITICAL CONTENT THAT IS VISIBLE TO THE USER
ON FIRST PAGE LOAD
https://developers.google.com/speed/docs/insights/PrioritizeVisibleContent#structure
@duckymatt
FUTUREFRIENDLINESS
Check out: http://futurefriendlyweb.com/ @duckymatt
THE FUTURE IS ALREADY HERE
Image credit: Universal Pictures, Amblin Entertainment, U-Drive Productions (Back to the Future, 1985) @duckymatt
Photo credit: TechStage: https://www.flickr.com/photos/bestboyzde/15710950965 @duckymatt
Photo credit: Orde Saunders Liew: https://www.flickr.com/photos/79578508@N08/10081419044/ @duckymatt
Photo credit: Christopher Schmidt: https://www.flickr.com/photos/crschmidt/2224975112/ @duckymatt
Photo credit: Jon Fingas: https://www.flickr.com/photos/jfingas/15770620452/ @duckymatt
Photo credit: Mobilyazilar: https://www.flickr.com/photos/mobilyazilar/16172156273 @duckymatt
Source & Image Credit: http://arstechnica.com/gadgets/2012/03/hands-on-gesture-voice-and-the-many-inputs-of-samsungs-smart-tv/ @duckymatt
Photo credit: David Carrington:https://www.flickr.com/photos/thox/5053262651 @duckymatt
Source & Image Credit: http://www.bmwblog.com/2008/03/05/more-info-on-the-bmw-full-in-car-web-access/ @duckymatt
A HOSTILE ENVIRONMENT
Image credit: Twentieth Century Fox Film Corporation, Gordon Company, & Silver Pictures (Die Hard, 1988) @duckymatt
Photo credit: LoKan Sardari: https://www.flickr.com/photos/lokan/17289001432/ @duckymatt
TINY TO HUGE SCREENS
Photo credit:Paul: https://www.flickr.com/photos/-macjasp/7056169897 @duckymatt
RETINA AND NON RETINA
Image credit: Paramount Pictures & Industrial Light & Magic (Star TrekIV: The Voyage Home, 1986) @duckymatt
NEW INPUTS
http://dowebsitesneedtolookexactlythesameineverybrowser.com/@duckymatt
Image credit: Julien Douvier: http://www.juliendouvier.com/Animated-photography-Escalators
PROGRESSIVE ENHANCEMENT
Source: http://christianheilmann.com/2012/02/16/stumbling-on-the-escalator/
@duckymatt
DESIGN FOR TOUCH BY DEFAULT
AND ENHANCE WITH TOUCH GESTURES
Image credit: Twentieth Century Fox, Dreamworks SKG, Cruise/Wagner Productions, Blue Tulip Productions, Ronald Shusett/Gary Goldman (Minority Report, 2002) @duckymatt
FORM ENHANCEMENTUSING INPUT TYPES AND ATTRIBUTES
Image credit: http://blog.teamtreehouse.com/use-input-element
@duckymatt
ANIMATION AS AN ENHANCEMENT
Source / Image credit: Dann Petty: https://dribbble.com/shots/1621359-Open-Close-Icon-Animation @duckymatt
WE’LL NEED TO ADAPT TO THESE CHALLENGES
Image credit: Paramount Pictures (Airplane!, 1980)@duckymatt
RESPONSIVE DESIGN GOES MUCH FURTHER
THAN MEDIA QUERIES AND FLUID GRIDS
Image credit: Pixar Animation Studios & Walt Disney (Toy Story, 1995) @duckymatt
MAKE TRULY RESPONSIVE EXPERIENCES
Image credit: Warner Bros, Village Roadshow Pictures, Groucho II Partnership & Silver Pictures (The Matrix, 1999) @duckymatt
OUR CLIENTS
Image credit: Twentieth Century Fox Film Corporation, Gordon Company, & Silver Pictures (Die Hard, 1988) @duckymatt
AND OUR USERS
Image credit: Chartoff-Winkler Productions and United Artists (Rocky, 1976) @duckymatt
WILL
Image credit: Warner Bros, Village Roadshow Pictures, A&E Television Network, Bazmark Films, Red Wagon Entertainment and Spectrum Films (The Great Gatsby, 2013) @duckymatt