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C R R E A D E R S ' P A N E L BELOW, TOPS TWO POSTERS FROM DIESEL'S NEW
BE STUPIDCAMPAIGN, CREATED BYANOMALY.
PHOTOGRAPHY: CHRIS BUCK, MELODIEMCDANIEL
AND KRISTIN VLCARL. STYLIST: LESLIE LESSING.
BKLOW, BOTTOM: THE BE STUPID WEBSITE NT
D IESC]. COM H OPES TO REC RU I TL
ST UPID PEOPI E'
FORA FUTURE PART OF THE CAMPAIGN
of it is really appropriate; as an arts
centre, I imagine it's constantly
moving. So the identity reflects that.
O L L I E : A l s o , yo u have to think about
what works within the Center itself,
like the colours representing different
areas like dance or music.
K A T E : Yes, if it's not used for signage,
then itshould he. Idon't know if I'd
want a tattoo of the logo on my arm,
like they had at the launch party, but
the people of Philadelphia must be
really proud of the work.
Diesel: Be Stupid campaign
Posters and website
Anomaly
T
he new Dieselcampaign,
Be Stup id, proved to be
very divisive on the C R
Blog. It's by Anomaly and
features posters of people,
essentially, being stupid: going for a'heart' rather than 'head' attitude to
living, where 'smart' is seen as stuffy
and risk-averse. Some bloggers
suggested itwasa continuation of the
classic Diesel campaigns of old, others
that it just perpetuates the idea of
dumbing d o w n . What did you think of
this celebration of stupidity?
O L L I E ; Diesel'sheritage is with the
KesselsKramer agency and that's what
this campaign feels like. They used to
create these silly ideas and then
photograph them - like having groups
protesting about the most stupid
things. 1 don't mind that the message
is fun at all; when it's grey and
freezing it makes you smile as you
walk past it. A l s o , it's not too serious,
which is good fora fashion brand.
K A T E : As a consumer I don't know if
it works. What's the relevance?1wasn't
sure what Be Stupid was implying: be
stupid and buy Diesel jeans?
OL L IE : It's the idea of never thinking
that you're wrong; you have to let these
ideas out, then you can do great stuff.
J O H N : It's spontaneity. Th e first one I
saw was really funny; a girl sitting
backwards on a guy 's shoulders, with
eyes on her bum. But some are more
contrived, they're not 'pure' acts of
being stupid. I like the fee ling of the
pictures, they have an old-school 80s
feel to them.
K A T E : Actually, 1 think the
photography is pretty awful.
O L L I E : There's not enough of a
handmade, spontaneous aesthetic to
it. Maybe if they were shot more off-
angle or something? T h e y ' re not
'rcaiistic* e n o u g h , in that sense.
J O H N : They look like the kind of
things that they would 'hope' that
people email to friends.
K A T E : Yes, it's very orchestrated.
O L L I E : T h e y ' re looking to encourage
people to make 'heart' decisions, not
'head' ones, sensible ones.
K A T E : I think the problem is the word
'stupid'. It's too simplistic. Iassociate
it wit h people just being idiots. I
wouldn't think, 'I' ll be braver today,
I'll take some risks '. That wasn't clear.
Th e Diesel brand is really strong, itlooks and feels like Diesel, but I'm not
sure of the message.
C R : Is celebrating stupidity just a joke
here, or is the implication in the
message something that we should
take more seriously?
K A T E : They 've got so much power
with a campaign like this, they're a
massive company and so there's a
responsibility to consider.
O L L I E : They ' re trying to get people to
'break free*. Perhaps 'stupid" doesn't
necessarily convey that, for people to
do something outside of their comfort
zone. But from the client side, it's quite
a brave thing for Diesel to do. 1 mean,
who else could you sell that idea to?
It's true to the heritage.
K A T E ; Diesel's ecological ly-sty led
campaign was like that - 'embracing
the coming problems'. But remember
the Wrangler We Are Animals ads
with Ryan M cG in ley's amazing photo
graphy? It's a shame that this Diesel
campaign wasn't sl ightly better honed,
O L L I E : Th e problem is that it's stuck
in the middle. It needs to shift to either
h a ve' you - a nd-your-ma tes -1 a king- a -
picture' type shots, which woul d have
a rough and ready feel, or itall needs
to be much more polished.
SMARTHAVET
REGISTER SIGH IN
COLLECTION URESTYIE ONUN! STORE STORE 1DCAT0H
OF POSSIBILITY
BE STUPID: RECRUITMENT I RE STUPID: C01LECTION
CHECK OUT HOWSTUPID DIESEL IS
' J R 11
"
D I E S E L ^
PID COUfcnOKS UHSTVLE ONLINE STORE STOHELOCATOR
THE WORLD IS FUU Of
SMARTPEOPLE
BE
STUPID.
BESTUPID: MCRUIT ME NT BESTUPIO: COLLECTION
AKWUaTimD? WILL
M H
I T ' S S T U C K I N
T H E M I D D L E .I T N E E D S T O
E I T H E R H A V EA R O U G H A N D
R E A D Y F E E L , OR
B E M U C H M O R EP O L I S H E DO L L I E
Stuff W e Really Like
Self-promotional book
Music
The final project is from
design studio Music in
Manchester. It's their
ow n 78 5 page book, Stuff
W e Really Like, based on
a list that tiiey began on their website.
It's a self-promotional project but,
unusually, doesn't contain any of their
ow n design work, instead implying
more about the studio's attitudes and
interests. What's your initial reaction
to su ch a sizeable tome w h ich , to look
at, must have been quite an investment?
J O H N : It's a great object and it's well
made. When a lot of the things that we
like to look at are on our laptops, you
really appreciate getting a book.
O L L I E : ' The C h u p a C h u p s logo wa s
designed by Salvador Dali', it says
here! That for me is worth all the
work. It's such a random collection.
53 T CREATIVE REVIEW | MARCH 2010
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COPYRIGHT INFORMATION
TITLE: Diesel: Be Stupid campaign
SOURCE: Creat Rev 30 no3 Mr 2010
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