![Page 1: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/1.jpg)
![Page 2: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/2.jpg)
Europe after 145o Europe after 145o
![Page 3: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/3.jpg)
Renaissance Art in Northern Europe
Renaissance Art in Northern Europe
, Should not be considered an appendage to Italian art.
, But, Italian influence was strong. Painting in OIL, developed in Flanders, was
widely adopted in Italy.
, The differences between the two cultures: Italy change was inspired by humanism
with its emphasis on the revival of the values of classical antiquity.
No. Europe change was driven by religious reform, the return to Christian values, and the revolt against the authority of the Church.
, More princes & kings were patrons of artists.
![Page 4: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/4.jpg)
Characteristics of Northern Renaissance Art
Characteristics of Northern Renaissance Art
, The continuation of late medieval attention to details.
, Tendency toward realism & naturalism [less emphasis on the “classical ideal”].
, Interest in landscapes., More emphasis on middle-class
and peasant life., Details of domestic interiors., Great skill in portraiture.
![Page 5: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/5.jpg)
The Spread of the Printing Press
The Spread of the Printing Press
![Page 6: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/6.jpg)
![Page 7: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/7.jpg)
![Page 8: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/8.jpg)
1. Giovanni Arnolfini and His
Wife
(Wedding Portrait)
Jan Van
Eyck
1434
![Page 9: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/9.jpg)
Jan van Eyck - Giovanni Arnolfini & His Wife
(details)
Jan van Eyck - Giovanni Arnolfini & His Wife
(details)
![Page 10: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/10.jpg)
2. Rogier van der Weyden (1399-1464)
2. Rogier van der Weyden (1399-1464)
The Depositio
n
1435
![Page 11: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/11.jpg)
van der Weyden’s Deposition (details)van der Weyden’s
Deposition (details)
![Page 12: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/12.jpg)
Isenheim Altarpiece today, Mussée d’ Unterlinden, Colmar, FranceIsenheim Altarpiece today, Mussée d’ Unterlinden, Colmar, France
![Page 13: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/13.jpg)
![Page 14: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/14.jpg)
3. Hieronymus Bosch, The Garden of Earthy Delights, 15003. Hieronymus Bosch, The Garden of Earthy Delights, 1500
![Page 15: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/15.jpg)
Hieronymus
Bosch
The Garden
of Earthy Delights(details)
1500
Hieronymus
Bosch
The Garden
of Earthy Delights(details)
1500
![Page 16: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/16.jpg)
Hieronymus
Bosch
The Garden
of Earthy Delights(details)
1500
Hieronymus
Bosch
The Garden
of Earthy Delights(details)
1500
![Page 17: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/17.jpg)
4. Bruegel’s, Niederlandisch Proverbs, 1559
4. Bruegel’s, Niederlandisch Proverbs, 1559
![Page 18: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/18.jpg)
Bruegel’s, The Harvesters, 1565
Bruegel’s, The Harvesters, 1565
![Page 19: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/19.jpg)
Bruegel’s, Hunters in the Snow, 1565
Bruegel’s, Hunters in the Snow, 1565
![Page 20: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/20.jpg)
![Page 21: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/21.jpg)
5. Albrecht
Dürer
Self-Portrait in Fur-Collared Robe
1500
5. Albrecht
Dürer
Self-Portrait in Fur-Collared Robe
1500
![Page 22: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/22.jpg)
Dürer
FourHorsemen
of theApocalyps
e
woodcut, 1498
Dürer
FourHorsemen
of theApocalyps
e
woodcut, 1498
![Page 23: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/23.jpg)
Dürer
St. Jerome
engraving, 1514
Dürer
St. Jerome
engraving, 1514
![Page 24: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/24.jpg)
![Page 25: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/25.jpg)
6. Holbein’s, The Ambassadors, 1533
6. Holbein’s, The Ambassadors, 1533
A Skull
![Page 26: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/26.jpg)
Multiple PerspectivesMultiple Perspectives
![Page 27: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/27.jpg)
![Page 28: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/28.jpg)
The English Were More Interested in Architecture
than Painting
The English Were More Interested in Architecture
than PaintingHardwick Hall, designed by Robert Smythson in the 1590s, for the Duchess of Shrewsbury [more medieval in style].
Burghley House for William Cecil, the largest & grandest house of the early Elizabethan era.
![Page 29: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/29.jpg)
The School of FontainebleauThe School of Fontainebleau
, Gallery [right] by Rosso Fiorentino & Francesco Primaticcio
, 1528-1537
![Page 30: Europe after 145o Renaissance Art in Northern Europe, Should not be considered an appendage to Italian art., But, Italian influence was strong. Painting](https://reader036.vdocument.in/reader036/viewer/2022062422/56649edd5503460f94beddc0/html5/thumbnails/30.jpg)
ConclusionsConclusions
, The artistic production of Northern Europe in the 16c was vast, rich, and complex.
, The Northern Renaissance ended with a Mannerist phase, which lasted a generation longer in the North than it did in Italy, where it was outmoded by 1600.