View all lots online at www.skinnerinc.com
cover: 79; frontispiece: 73; back cover: 248
Auction Information
Auction 2635B Friday, February 112PMfollowed by Fine Paintings & Sculpture at 4PM
63 Park PlazaBoston, MA
Robin S.R. StarrDepartment Director508.970.3259
Absentee Bidding
T: 617.874.4318F: 617.350.5429
General Inquiries: 617.350.5400
SkinnerLive!: skinnerinc.com
Kathy Wong508.970.3297
Elizabeth C. Haff508.970.3258
Specialists
Preview
Wednesday, January 3012 to 5PM
Thursday, January 3112 to 8PM
Friday, January 1 9 to 10AM
Department Inquiries: 508.970.3206
Annie Claflin508.970.3264
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Table of Contents
1 Auction & Specialist Information
2 Web Site & Online Bidding
4 Glossary of Terms
5 Lots 1-261
160 Artist Index
162 Conditions of Sale
163 Absentee Bid Form
164 Company Directors & Specialty Departments
165 Administrative Staff & Client Services
166 Map & Driving Directions
167 Catalog Subscription Form
Please Note: All lots sold subject to our Conditions of Sale.
Please refer to page 162 of this catalog for the full terms and conditions governing your purchase.
Copyright © Skinner, Inc. 2013
All rights reserved
MA/Lic. #2304
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All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.
Authorship will be described in the following ways:
John Joseph EnnekingIn our judgment, the work is by the artist.
Attributed to John Joseph EnnekingIn our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.
School of John Joseph EnnekingIn our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.
Manner of John Joseph EnnekingIn our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.
After John Joseph EnnekingIn our judgment, an intended copy of the work of the artist.
American School, 19th CenturyIn our judgment, the work of an unknown hand that can only be identified as to period and culture.
Other terms:
Bears SignatureIn our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.
Glossary of Terms
1George Manuel Aarons (American, 1896-1980)
Ruth + Naomi, unknown edition size. Titled and signed “...George Aarons” on upper edge. Plaster relief, 3 3/4 x 7 1/4 in. (9.4 x 18.4 cm), mounted onto panel.Condition: Minor soiling and rubs.$400-600
6 Additional information and photos at www.skinnerinc.com
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7Online bidding at www.skinnerinc.com
2Yaacov Agam (Israeli, b. 1928)
Untitled, edition of 99. Signed “Agam” in felt-tip pen or similar l.r., numbered “33/99” in felt-tip pen or similar l.l. Agamograph, image size 14 7/8 x 10 1/2 in. (37.7 x 26.5 cm), framed.Condition: Not examined out of frame.$250-350
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3Josef Albers (German/American, 1888-1976)
Four Images: I-S Va 1, I-S Va 2, I-S Va 4, and I-S Va 5 from the I-S/SIX VARIANTS Portfolio, 1969, edition of 150, published by Ives-Sillman, Inc., New Haven (Danilowitz, 192.1, 2, 4 & 5). Each signed and dated “Albers’69” in pencil l.r., and titled and numbered “...141/150” in pencil l.r., two with the publisher’s dry stamp l.r., two identified on a label from Graphics 1 and Graphics 2, Boston, on the backing. Color screenprints on paper, image sizes approximately 21 1/4 x 27 in. (53.9 x 70.1 cm), three framed, one shrink-wrapped.Condition: Va 4 with unpressed crease to image, not examined out of frames or wrap.$2,000-3,000
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4Josef Albers (German/American, 1888-1976)
Plates K and L from GRAY INSTRUMENTATION II, 1975, edition of 36, published by Tyler Graphics, Bedford Village, New York (Danilowitz, 228.11-12). Both signed “Albers’” in pencil l.r., titled and numbered in pencil l.l., and with artist’s and publisher’s dry stamps l.r., the latter identified on a label from the Harcus Krakow Gallery, Boston, affixed to the backing. Screenprints in various grays on paper, image sizes 11 x 11 in. (27.8 x 27.8 cm), framed.Condition: Both with toning to edges, L floated within frame but not examined out of frame.$1,500-2,000
9Online bidding at www.skinnerinc.com
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5Pierre Alechinsky (Belgian, b. 1927)
KRACH/A Portfolio of Five Works, 1973, edition of 99 plus proofs. Each signed “Alechinsky” in pencil l.r. and numbered “1/99” in pencil l.l., also signed and numbered in red pencil on the inside back cover of the portfolio. Color aquatints with collage on Japan paper, sheet sizes 30 1/4 x 22 1/8 in. (76.8 x 56.0 cm), unmatted, presented in the original portfolio cover.Condition: Deckled edges, minor creasing/wear to deckles.$1,000-1,500
6Vera Andrus (American, 1896-1979)
Les Trois Soeurs, 1936, edition of 25. Signed and dated “Vera Andrus ‘36” in pencil l.r., titled and numbered “...6/25” in pencil l.l. Lithograph on paper, image size 10 x 13 5/8 in. (25.4 x 34.5 cm), framed.Condition: Gentle cockling, not examined out of frame.$400-600
7Richard Anuszkiewicz (American, b. 1930)
Plate V from SEQUENTIAL, 1972, edition of 200, published by Sanmore Editions, New York. Signed, numbered, and dated “ANUSZKIEWICZ 179/200 1972” in pencil l.r., inscribed “V” in pencil l.l. Color screenprint on paper, image size 26 x 19 1/8 in. (66.0 x 48.5 cm), framed.Condition: Not examined out of frame.$700-900
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8Karel Appel (Dutch, 1921-2006)
Untitled, 1973. Signed and dated “appel 73” in pencil l.r., inscribed “ea” in pencil l.l. Color screenprint on paper, image size 26 1/4 x 21 in. (66.5 x 53.3 cm), framed.Condition: Margins 1 inch or more, not examined out of frame.$400-600
9Karel Appel (Dutch, 1921-2006)
Untitled, 1974. Signed and dated “appel 74” in pencil l.r., inscribed “ea” in pencil l.l. Color lithograph on paper, image size 28 1/4 x 21 in. (71.7 x 53.2 cm), framed.Condition: Margins 3/4 inches or more, gentle rippling, not examined out of frame.$500-700
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10Avigdor Arikha (French/Israeli, 1929-2010)
Mirror with Self-Portrait and Press, 1971, edition of 30. Signed and dated “Arikha ‘71...” in pencil l.r., numbered “29/30” in pencil l.l. Etching on laid J. Whatman paper with watermarks, plate size 11 1/4 x 9 1/4 in. (28.5 x 23.3 cm), unmatted, unframed.Condition: Margins over 2 inches with deckled edges, gentle cockling and soiling, glue residue to right edge on verso.
Provenance: From a private New England collection, sold to benefit a philanthropic organization.$1,500-2,000
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11Avigdor Arikha (French/Israeli, 1929-2010)
R.B. Kitaj, 1982, published in 1983, edition of 50. Signed and dated “Arikha ‘83...” in pencil l.r., numbered “38/50” in pencil l.l. Soft ground etching in red and black on wove paper, plate size 10 1/8 x 13 1/4 in. (25.5 x 33.5 cm), unmatted, unframed.Condition: Margins 2 inches or more with deckled edges, two registration pinholes just within the plate mark, two thinned spots to upper edge on verso.
Provenance: From a private New England collection, sold to benefit a philanthropic organization.$800-1,200
15Online bidding at www.skinnerinc.com
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12Mario Avati (French, 1921-2009)
Les noix de Riverdale, 1976, final state of four, proof edition outside of the edition of 100 (Passeron, 561). Signed “AVATI” in pencil l.c., numbered and titled “EPREUVE D’ARTISTE XVI/XVI...” in pencil l.l., inscribed “t8” in pencil l.r. Color mezzotint on paper, plate size 11 1/4 x 13 7/8 in. (28.5 x 35.2 cm), framed.Condition: Margins over 1/2 inch, cockling, not examined out of frame.$300-500
13John Baeder (American, b. 1938)
Empire Diner, 1976, edition of 100. Signed and dated “Baeder76” in pencil l.r., numbered “70/100” in pencil l.l., identified on a label affixed to the backing. Mezzotint on paper, plate size 8 3/4 x 13 3/4 in. (22.1 x 34.8 cm), framed.Condition: Margins over 4 inches with deckled edges, toning to edges, not examined out of frame.$500-700
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14Ernst Barlach (German, 1870-1938)
Two Images from WALPURGISNACHT, 1923: Die Trödelhexe, plate fourteen (Schult, 217); and Mephistopheles tanzend mit der Alten, plate sixteen (Schult, 219). Both signed “EBarlach” in pencil l.r. Woodcuts on paper, image sizes to 5 1/8 x 5 1/2 in. (12.8 x 13.9 cm), framed.Condition: Pale mat burn, not examined out of frames.$600-800
15Georg Baselitz (German, b. 1938)
Der Neue Typ, 1966, edition of 30. Signed and dated “Baselitz 66” in pencil l.r., numbered “24/30” in pencil l.l., identified on a label from The Alpha Gallery, Boston, affixed to the backing. Woodcut printed in brown on paper, image size 16 1/2 x 13 1/4 in. (41.8 x 33.5 cm), framed.Condition: Possible areas of bloom or similar, gentle rippling, not examined out of frame.
Provenance: From a private New England collection, sold to benefit a philanthropic organization.$1,000-1,500
17Online bidding at www.skinnerinc.com
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16Leonard Baskin (American, 1922-2000)
Anatomist, 1952, proof outside of the edition of 15 (Fern & O’Sullivan, 143). Titled, inscribed, and signed “...Artist’s proof Baskin” in pencil along the lower margin, identified on a label from the William H. Lane Foundation, Leominster, Massachusetts, affixed to the backing. Woodcut printed in red and black on paper, image size 18 3/4 x 11 in. (47.5 x 28.1 cm), framed.Condition: Cockling, not examined out of frame.$300-500
17Leonard Baskin (American, 1922-2000)
Birdman in Profile, c. 1961, edition of 50. Numbered and signed “44/50 Baskin” in pencil l.r., identified on a label from the William H. Lane Foundation, Leominster, Massachusetts, affixed to the backing. Etching on paper, plate size 17 3/4 x 14 5/8 in. (45.0 x 37.0 cm), framed.Condition: Margins over 3 1/2 inches, not examined out of frame.$200-300
18 Additional information and photos at www.skinnerinc.com
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18Leonard Baskin (American, 1922-2000)
Cerberus, 1969, edition of 250. Titled within the composition, numbered, titled, identified, and dated “68/250...” in a stamped inscription on the reverse. Bronze relief plaque with brown patina, diameter 6 3/4 in. (17.1 cm).Condition: Minor wear to surface l.c.$300-500
19Leonard Baskin (American, 1922-2000)
Rachel, 1976, edition of 100 (Fern & O’Sullivan, 666). Signed “Baskin” in pencil l.r., numbered “79/100” in pencil l.l., signed and dated within the matrix, printer’s or publisher’s dry stamp l.l. Color lithograph on paper, image size 38 x 26 3/8 in. (96.1 x 66.8 cm), framed.Condition: Margins over 1 inch, not examined out of frame.$300-500
19Online bidding at www.skinnerinc.com
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20Frank Weston Benson (American, 1862-1951)
Pair of Yellowlegs, 1916, second published state of two, edition of 80 (Paff, 101). Signed “FrankWBenson.” in pencil l.l., numbered “11” in pencil l.r. Drypoint on paper, plate size 3 x 3 7/8 in. (7.5 x 10.0 cm), framed.Condition: Subtle toning, not examined out of frame.$300-500
21Frank Weston Benson (American, 1862-1951)
Over Sunk Marsh, 1920, published state, edition of 150 (Paff, 188). Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 5 7/8 x 7 7/8 in. (15.0 x 19.8 cm), matted, unframed.Condition: Margins 2 inches or more with all but the left edge deckled, subtly light-struck, minor handling creases.$400-600
22Frank Weston Benson (American, 1862-1951)
Cloudy Dawn, 1922, published state, edition of 150 (Paff, 215). Signed and dedicated “FrankW.Benson. To Charles H Taylor 1923.” in pencil l.l. Etching on paper, plate size 9 3/4 x 11 7/8 in. (24.7 x 30.0 cm), framed.Condition: Mat burn, not examined out of frame.$300-500
23Frank Weston Benson (American, 1862-1951)
Yellowlegs in Sunlight, 1928, published state, edition of 150 (Paff, 285). Signed “FrankW.Benson.” in pencil l.l., initialed and dated within the plate, identified on a label from the Leamon Gallery, Cleveland, affixed to the backing. Drypoint on paper, plate size 9 7/8 x 7 3/4 in. (25.0 x 19.5 cm), framed.Condition: Prevalent toning to upper half of image, not examined out of frame.$500-700
20 Additional information and photos at www.skinnerinc.com
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24Thomas Hart Benton (American, 1889-1975)
I Got a Gal on Sourwood Mountain, 1938, edition of 250, published by Associated American Artists (Fath, 19). Signed “Benton” in pencil l.r., signed within the matrix, identified on a label from E. Weyhe, New York, affixed to the backing. Lithograph on paper, image size 12 1/2 x 9 1/8 in. (31.5 x 23.3 cm), framed.Condition: Mat burn, not examined out of frame.$1,500-2,000
22 Additional information and photos at www.skinnerinc.com
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25Thomas Hart Benton (American, 1889-1975)
Rainy Day, 1938, edition of 250, published by Associated American Artists, New York (Fath, 23). Signed “Benton” in pencil l.r. and within the matrix, identified on a label from AAA affixed to the mat. Lithograph on paper, image size 8 3/4 x 13 3/8 in. (22.2 x 33.8 cm), unmatted, unframed.Condition: Margins over 1 inch with deckled edges, white paper hinges near upper corners.$1,000-1,500
26Thomas Hart Benton (American, 1889-1975)
Wreck of the Ol’ 97, 1944, edition of 250, published by Associated American Artists (Fath, 63). Signed “Benton” in pencil l.r. and within the matrix, identified on a label from AAA affixed to the backing. Lithograph on paper, 10 1/4 x 15 in. (25.9 x 38.0 cm), framed.Condition: Toning, mat burn, not examined out of frame.$1,000-1,500
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27Thomas Hart Benton (American, 1889-1975)
Running Horses, 1955, edition of 100, circulated by Associated American Artists, New York (Fath, 78). Signed “Thomas H. Benton” in pencil l.r., signed and dated within the matrix, identified on a label from AAA affixed to the mat. Lithograph on paper, image size 12 1/2 x 16 1/2 in. (31.6 x 41.8 cm), framed.Condition: Mat burn, not examined out of frame.$1,000-1,500
28Thomas Hart Benton (American, 1889-1975)
Sorghum Mill, 1969, edition of 250, published by Associated American Artists (Fath, 81). Signed “Benton” in pencil l.r. and within the matrix. Lithograph on paper, 9 5/8 x 13 3/4 in. (24.3 x 35.0 cm), framed.Condition: Rippling, not examined out of frame.
N.B. The work is accompanied by a letter from the artist to a Dr. Barlow, November 10, 1971.$1,200-1,800
24 Additional information and photos at www.skinnerinc.com
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29William Blake (British, 1757-1827)
There Were not Found Women Fair as the Daughters of Job…, plate XX from THE BOOK OF JOB, 1825, final state of four (Binyon, 125). Identified within the plate and on a label from Harlow, Keppel & Co., Inc., New York, affixed to the backing. Etching on paper, sight size 8 1/4 x 6 1/8 in. (20.8 x 15.5 cm), framed.Condition: Not examined out of frame.
Provenance: A Massachusetts collecting institution.$1,200-1,800
25Online bidding at www.skinnerinc.com
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30Pierre Bonnard (French, 1867-1947)
La toilette assise from MAÎTRES ET PETITS MAÎTRES D’AUJORD’HUI, 1925, first state of three, edition of 25 (Bouvet, 96). Signed “PBonnard” in pencil l.r. Lithograph on paper, image size 13 1/8 x 8 5/8 in. (33.3 x 21.8 cm), framed.Condition: Margins 1 1/2 inches or more, several fox marks, not examined out of frame.$1,000-1,500
31After Pierre Bonnard (French, 1867-1947), Jacques Villon (French, 1875-1963)
Port de pêche, c. 1944, from BONNARD-VILLON LITHOGRAPHIES, edition of 80 (Bouvet, 117). Initialed “PB” in pencil l.r., signed within the matrix, numbered “24/80” in pencil l.l. Color lithograph on paper, image size 12 3/4 x 19 3/4 in. (32.3 x 50.0 cm), framed.Condition: Margins 2 inches or more, not examined out of frame.$1,200-1,800
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32After Pierre Bonnard (French, 1867-1947), Jacques Villon (French, 1875-1963)
La baignoire, c. 1944, from BONNARD-VILLON LITHOGRAPHIES, edition of 80 (Bouvet, 120). Initialed “PB” in pencil l.r., signed within the matrix, numbered “37/80” in pencil l.l. Color lithograph on paper, image size 20 x 25 1/2 in. (50.7 x 69.8 cm), framed.Condition: Rippling, not examined out of frame.
Provenance: Purchased from the William Weston Gallery, London, February 15, 1984, by the present owner.$800-1,200
33After Pierre Bonnard (French, 1867-1947), Jacques Villon (French, 1875-1963)
Jardin au Cannet, c. 1944, from BONNARD-VILLON LITHOGRAPHIES, edition of 80 (Bouvet, 126). Initialed “PB” in pencil l.r., signed within the matrix, numbered “12/17” in pencil l.l. Color lithograph on paper, image size 25 1/2 x 17 1/2 in. (64.6 x 44.4 cm), framed.Condition: Not examined out of frame.
Provenance: Purchased from the William Weston Gallery, London, February 15, 1984, by the present owner.$800-1,200
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34Georges Braque (French, 1882-1963)
Untitled (Profile), page 37 from LE TIR À L’ARC, 1960, printed by Desjobert, Paris, published by Louis Broder, Paris (Vallier, 153). Signed “G Braque” in pencil l.r., inscribed “H.C.” in pencil l.l. Lithograph in brown/black on paper, image size 8 1/4 x 5 3/4 in. (20.8 x 14.5 cm), framed.Condition: Deckled edges, sheet with gentle rippling, floated in frame, not examined out of frame.$2,500-3,000
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35Georges Braque (French, 1882-1963)
L’Essor I, 1961, edition of 100, published and printed by Maeght, Paris (Vallier, 161). Signed “G. Braque” in pencil l.r., numbered “71/100” in pencil l.l., initialed within the matrix. Color lithograph on paper, image size 10 1/8 x 13 1/2 in. (25.6 x 34.2 cm), framed.Condition: Margins over 2 1/2 inches, not examined out of frame.$1,500-2,000
36After Georges Braque (French, 1882-1963)
La Chaise, edition of 300 (Vallier, p. 296; Maeght, no. 1046). Signed “G. Braque” in pencil on mount l.r., numbered “291/300” in pencil on mount l.l. Color lithograph mounted to a supporting sheet, image size 14 5/8 x 11 1/8 in. (37.0 x 28.2 cm), framed.Condition: Not examined out of frame.$1,000-1,500
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37Norbertine Bresslern-Roth (Austrian, 1891-1978)
Panther and Antelope. Signed “Bresslern-Roth.” in pencil l.r., inscribed “Handdruck” in pencil l.l. Color linocut on paper, image size 8 5/8 x 8 3/4 in. (21.8 x 22.2 cm), framed.Condition: Subtle toning, not examined out of frame.$300-500
38Gerald Leslie Brockhurst (British, 1890-1978)
Two Portraits: La Tresse, 1926; and The Black Cloak (Mrs. Paul Mellon), 1943. Both signed “...Brockhurst...” in pencil l.r. and signed within the plate, the former identified on a label from Harlow, McDonald & Co., New York, affixed to the backing. Etchings on paper, plate sizes to 9 7/8 x 8 in. (25.0 x 20.3 cm), framed.Condition: Not examined out of frames.$700-900
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39Gerald Leslie Brockhurst (British, 1890-1978)
Two Portraits: The Basque Boy, 1927; and Head of a Girl (Anais, Mélisande), 1944. The former signed “G.L. Brockhurst” in pencil l.r., both signed within the matrix, the former identified on a label from Arthur H. Harlow & Co., Inc., New York, affixed to the backing. Lithographs on paper, image sizes to 13 1/8 x 10 1/8 in. (33.2 x 25.6 cm), framed.Condition: Boy with gentle rippling and mat burn, not examined out of frames.$700-900
40Gerald Leslie Brockhurst (British, 1890-1978)
Dorette, 1932, edition of 111. Signed “GL Brockhurst” in pencil l.r., signed and dated within the plate, identified on a label from Arthur H. Harlow & Co., Inc., New York, affixed to the backing. Etching on paper, plate size 9 1/4 x 7 3/4 in. (23.4 x 19.6 cm), framed.Condition: Gentle toning and rippling, not examined out of frame.$800-1,200
41Gerald Leslie Brockhurst (British, 1890-1978)
Jeunesse Dorée (Ophelia), 1942, edition of 100. Signed and dated “G.L. Brockhurst. 1942” in pencil l.r., signed within the plate, identified on a label from Arthur H. Harlow & Co., Inc., New York, affixed to the backing. Etching on paper, plate size 10 7/8 x 8 7/8 in. (27.5 x 22.4 cm), framed.Condition: Gentle rippling, unobtrusive mat burn, not examined out of frame.$800-1,200
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42Bernard Buffet (French, 1928-1999)
Le clown sur fond vert, 1960, edition of 175 (Mourlot, 24). Signed “Bernard Buffet” in pencil l.r., numbered “64/175” in pencil l.l. Color lithograph on paper, image size 26 1/2 x 20 3/4 in. (67.3 x 52.5 cm), unmatted, unframed.Condition: Deckled right edge, mat burn, tear into image along right edge, several cuts/abrasions to image in left background, masking tape to upper edge on verso.$800-1,200
43Bernard Buffet (French, 1928-1999)
New York V, 1965, edition of 150 (Mourlot, 57). Signed “Bernard Buffet” in pencil l.r., numbered “29/150” in pencil l.l. Color lithograph on Arches paper with watermark, image size 24 1/2 x 19 1/4 in. (62.2 x 48.8 cm), framed.Condition: Margins 1 inch or more with deckled right and lower edges, water and other staining (primarily to lower margin), gentle toning, not examined out of frame.$800-1,200
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44Bernard Buffet (French, 1928-1999)
Saint-German-des-Prés, 1965, edition of 150 (Mourlot, 65). Signed “Bernard Buffet” in pencil l.r., inscribed “EA” in pencil l.l. Color lithograph on paper, image size 23 x 17 7/8 in. (58.3 x 45.3 cm), unmatted, unframed.Condition: Deckled right edge, subtle toning.$800-1,200
45Bernard Buffet (French, 1928-1999)
Le Moulin de la Galette, 1965, edition of 300 published by Mourlot, Paris (Sorlier, 308). Signed “Bernard Buffet” in pencil l.r., numbered “206/300” in pencil l.l., signed and dated within the matrix. Color lithograph on paper, image size 25 3/4 x 19 5/8 in. (65.3 x 49.8 cm), framed.Condition: Toning, staining to lower margin, not examined out of frame.$800-1,200
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46Félix Hilaire Buhot (French, 1847-1898)
Les Grandes Chaumières, 1881 (Bourcard/Goodfriend, 150). Artist’s red stamp l.c. Etching and drypoint on paper, plate size 5 1/2 x 10 3/4 in. (13.9 x 27.3 cm), framed.Condition: Toning, subtle rippling, not examined out of frame.$300-500
47Harrison Cady (American, 1877-1970)
The Bishop’s Dilemma, edition of 100. Signed “Harrison Cady” in pencil l.r., numbered “Imp/100” in pencil l.l. Etching on paper, plate size 10 1/2 x 7 7/8 in. (26.5 x 19.8 cm), matted, unframed.Condition: Margins over 1 1/4 inches, unobtrusive toning.$200-250
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48Alexander Calder (American, 1898-1976)
Untitled, edition of 100. Signed “Calder” in pencil l.r., numbered “52/100” in pencil l.l. Color lithograph on paper, sight size 21 1/8 x 27 7/8 in. (53.5 x 70.6 cm), framed.Condition: Not examined out of frame.$1,000-1,500
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49Alexander Calder (American, 1898-1976)
McGovern, 1972, edition of 200, published by Styria Studio Ltd., New York. Signed “Calder” in pencil l.r., numbered “125/200” in pencil l.l., publisher’s dry stamp l.r. Color lithograph on Rives paper with watermark, image size 28 1/4 x 22 in. (71.1 x 55.8 cm), unmatted, unframed.Condition: Deckled upper and right edges.$800-1,200
50Alexander Calder (American, 1898-1976)
Untitled, edition of 75. Signed “Calder” in pencil (within the image) l.r., numbered “57/75” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 21 5/8 x 29 1/2 in. (54.8 x 74.8 cm), framed.Condition: Minor creases/rubs to edges of sheet/image, not examined out of frame.$700-900
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51Mary Cassatt (American, 1843-1926)
Margot wearing a Bonnet (No. 3), c. 1902, possibly a later impression (Breeskin, 181). Unsigned. Drypoint on laid paper with partial figural watermark, plate size 9 x 6 1/4 in. (22.8 x 15.8 cm), matted, unframed.Condition: Pale foxing, gently light-struck, pencil annotations to verso.$400-600
52Mary Cassatt (American, 1844-1926)
The Party Dress, c. 1904, the second state of two, probably from the 1923 printing (Breeskin, 191). Unsigned. Drypoint on paper, plate size 8 1/8 x 5 7/8 in. (20.5 x 14.8 cm), framed.Condition: Toning, sheet sandwiched between facing and back mats (though sheet is not totally laid down).$1,000-1,500
37Online bidding at www.skinnerinc.com
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51
53Mary Cassatt (American, 1844-1926)
The Manicure, c. 1908, second state of two, printed by Delâtre c. 1926 (Breeskin, 199). Unsigned. Drypoint on blue paper, plate size 8 x 5 3/4 in. (20.3 x 14.4 cm), framed.Condition: Scattered pinpoint fox marks, not examined out of frame.
Provenance: Purchased from Merrill Chase, Chicago, 1972.$1,200-1,800
38 Additional information and photos at www.skinnerinc.com
53
54Paul Cézanne (French, 1839-1906)
Portrait du peintre Armand Guillaumin au pendu, 1873, a posthumous impression (Cherpin, 2). Unsigned. Etching on paper, plate size 6 1/8 x 4 3/4 in. (15.5 x 12.0 cm), framed.Condition: Gentle rippling and toning, not examined out of frame.$500-700
39Online bidding at www.skinnerinc.com
54
55Marc Chagall (French/Russian, 1887-1985)
Autoportrait blanc, 1957, edition of 30 (Mourlot, 181). Signed “Marc Chagall” in pencil l.r., numbered “30/30” l.l. Lithograph on paper, image size 25 1/4 x 19 1/2 in. (64.1 x 49.3 cm), framed.Condition: Ripple or unpressed crease to image l.r., not examined out of frame.
Provenance: Sotheby Parke-Bernet Galleries, Inc., New York, Nineteenth & Twentieth Century Prints, February 3, 1972, Sale 3310, Lot 196.
N.B. The original invoice from Parke-Bernet Galleries, and a note card from Vera Chagall accompany the lot.$1,500-2,000
40 Additional information and photos at www.skinnerinc.com
55
56Marc Chagall (Russian/French, 1887-1985)
Le couple devant l’arbre, 1960, edition of 40 (Mourlot, 292). Signed “Marc Chagall” in pencil l.r., numbered “23/40” in pencil l.l. Lithograph on paper, image size 12 1/4 x 9 1/2 in. (31.0 x 24.0 cm), framed.Condition: Not examined out of frame.$4,000-6,000
41Online bidding at www.skinnerinc.com
56
57Marc Chagall (Russian/French, 1887-1985)
Le bouquet de l’artiste, 1964, edition of 75 (Mourlot, 410). Signed “Marc Chagall” in pencil l.r., numbered “20/75” in pencil l.l. Color lithograph on paper, image size 14 1/2 x 10 3/4 in. (36.7 x 27.2 cm), framed.Condition: Margins over 2 inches, not examined out of frame.$7,000-9,000
42 Additional information and photos at www.skinnerinc.com
57
58Marc Chagall (Russian/French, 1887-1985)
La féerie, 1969, edition of 50 (Mourlot, 576). Signed “Marc Chagall” in pencil l.r., numbered “45/50” in pencil l.l. Color lithograph on paper, image size 13 1/4 x 16 in. (33.5 x 40.5 cm), framed.Condition: Not examined out of frame.$3,000-5,000
59Marc Chagall (Russian/French, 1887-1985)
Autoportrait, 1973, edition of 50 (Mourlot, 697). Signed “Marc Chagall” in pencil l.r., numbered “38/50” in pencil l.l. Color lithograph on cream paper, image size 22 3/4 x 15 5/8 in. (57.5 x 39.5 cm), framed.Condition: Margins over 1 inch, not examined out of frame.$3,000-5,000
43Online bidding at www.skinnerinc.com
59
58
60After Marc Chagall (Russian/French, 1887-1985)
Die Zauberflöte, printed by Mourlot, Paris, published by Charles Sorlier, Paris. Identified within the matrix. Color lithographic poster, sight size 39 x 25 3/4 in. (99.0 x 65.3 cm), framed.Condition: Not examined out of frame.$500-700
44 Additional information and photos at www.skinnerinc.com
60
61Brian Chippendale (American, b. 1973)
Untitled, 2006, edition of 20. Signed, numbered, and dated “Brian Chippendale 8/20 2006” on the reverse. Color screenprint on paper, image/sheet size 20 x 13 in. (50.6 x 33.0 cm), framed.Condition: Deckled upper and right edges, sheet floated in frame, soiling near edges, not examined out of frame.$300-500
62Corneille (Dutch, 1922-2010)
Jeux d’été, 1960, edition of 210 (Donkersloot-Van den Berghe, 87). Signed and dated “Corneille ‘60” in pencil l.r., numbered and titled “200/210...” in pencil l.l. Color lithograph on paper, image size 25 x 19 1/2 in. (63.4 x 49.4 cm), framed.Condition: Pale mat burn, toning, not examined out of frame.$500-700
45Online bidding at www.skinnerinc.com
6261
63Enrique Climent (Spanish, d. 1980)
Portfolio 10 GRABADOS EN LINOLEO, 1951, edition of 300. Each signed “Climent” in pencil l.r., identified and numbered “107” on the colophon page, dedicated “Al amigo Stanton Forbes...” in ink on the title page. Color linocuts on paper, image sizes 11 1/4 x 8 3/4 in. (28.5 x 22.2 cm), presented in the original portfolio cover.Condition: Subtle toning, creasing to left edge of some sheets.
Provenance: Ex-collection of artist W. Stanton Forbes (1912-1989). From 1950 to 1953 Forbes studied History of Art and Applied Arts at Mexico City College under Justino Fernandez, Lola and German Cueto, and Enrique Climent.$800-1,200
46 Additional information and photos at www.skinnerinc.com
63
64Jean-Baptiste-Camille Corot (French, 1796-1875)
Souvenir d’Italie, 1866, final state of four (Delteil, 5). Unsigned. Etching and drypoint on fine laid paper, plate size 12 5/8 x 9 1/2 in. (34.2 x 26.5 cm), framed.Condition: Margins over 1/2 inch, pale toning, pencil annotations to lower edge.$700-900
65Jean-Baptiste-Camille Corot (French, 1796-1875)
Le petit berger (2è planche), 1855, second state of two, probably published in 1921 (Delteil, 50). Signed within the matrix and identified on labels affixed to the backing. Cliché-verre on paper, sight size 13 1/2 x 10 1/2 in. (34.2 x 26.5 cm), framed.Condition: Minor rippling, not examined out of frame.$500-700
47Online bidding at www.skinnerinc.com
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64
66José Luis Cuevas (Mexican/American, b. 1933)
Seven Prints: Title Page and La Mascara from the HOMAGE TO QUEVEDO Portfolio, 1969; El Desfile, 1969, bon à tirer; Poet in the Dining Room from the MEXICAN MASTERS Suite, 1972, edition of 100; Untitled, 1972; La Maga, 1972; and Los Papeles de Salazar, 1983, edition of 100. Each signed and some dated in pencil within the images. Color lithographs on various papers and supports, image/sheet sizes to 24 1/2 x 34 1/4 in. (62.2 x 86.8 cm), unmatted, unframed.Condition: Very minor handling creases.
Provenance: From a private New England collection, sold to benefit a philanthropic organization.$3,000-5,000
67Salvador Dalí (Spanish, 1904-1989)
Manhattan, 1964, from the edition of 125 (Michler & Löpsinger, 112). Signed “Dali” in pencil l.r., numbered “116/125” in pencil l.l. Etching in sienna and black on paper, plate size 16 3/4 x 24 1/4 in. (42.4 x 61.5 cm), framed.Condition: Margins 1 1/4 inch or more, gentle rippling, not examined out of frame.$400-600
48 Additional information and photos at www.skinnerinc.com
67
66
68Dorothy Dehner (American, 1901-1994)
The Barn in Bolton, 1953, a proof outside of the edition of 45. Signed and dated “Dorothy Dehner ‘53” in pencil l.r., titled and annotated “...A.P.” in pencil l.l. Etching with aquatint in red and black on paper, plate size 13 3/4 x 9 7/8 in. (34.8 x 25.0 cm), framed.Condition: Margins 1/2 inch or more, gentle rippling, not examined out of frame.$800-1,200
69James DeWoody (American, b. 1945)
Follow Me, 1987, edition of 20. Monogrammed and dated “...’87” in pencil l.r., titled in pencil l.c., numbered “17/20” in pencil l.l., identified on a label from the Kristina Wasserman Gallery, Providence, Rhode Island, affixed to the backing. Color lithograph on paper, image size 11 3/4 x 19 1/2 in. (29.8 x 49.4 cm), framed.Condition: Not examined out of frame.$250-300
49Online bidding at www.skinnerinc.com
68
69
70Jim Dine (American, b. 1935)
Black and White Cubist Venus, 1985, edition of 30, published by Pace Editions, Inc., New York (D’Oench & Feinberg, 195). Numbered, signed, and dated “30/30 J Dine 1985” in pencil beneath the image. Etching and aquatint on paper, plate size 33 3/4 x 25 7/8 in. (85.5 x 65.5 cm), framed.Condition: Margins 2 1/2 inches or more with deckled upper and lower edges, sheet floated within frame, not examined out of frame.
Provenance: Pace Gallery, New York.$1,500-2,000
71Jim Dine (American, b. 1935)
The New Year’s Tree from THE ASTRA SET, 1985, edition of 300. Numbered, signed, and dated “57/300 J Dine 1985” in pencil l.l. Color lithograph and offset on paper, image size 24 1/4 x 20 in. (61.5 x 50.8 cm), unmatted, unframed.Condition: Margins 2 inches or more with deckled upper edge.$500-700
50 Additional information and photos at www.skinnerinc.com
71
70
72Jim Dine (American, b. 1935)
The Garrity Necklace, 1986, edition of 30, published by Pace Editions, New York (Carpenter, 5). Numbered, signed, and dated “7/30 Jim Dine 1986” in pencil l.l. Direct gravure, aquatint, and power-tool drypoint in colors on paper, plate size 47 3/4 x 35 5/8 in. (121.3 x 90.4 cm), framed.Condition: Deckled edges, sheet with gentle rippling, floated in frame, not examined out of frame.
Provenance: Purchased from the Pace Gallery, New York, by the present owner.$1,800-2,200
73Jim Dine (American, b. 1935)
Jumps Out at You, No?, 1993, edition of 75, printed and published by Bill Hall and Julia D’Amario, Spring Street Workshop, New York (Carpenter, 73). Numbered, signed, and dated “67/75 Jim Dine 1993” in pencil l.l. Etching and aquatint with hand-coloring on cream paper, plate size 12 1/2 x 21 1/8 in. (31.7 x 53.5 cm), framed.Condition: Margins over 3 inches with deckled edges, sheet floated in frame, not examined out of frame.$3,500-5,500
51Online bidding at www.skinnerinc.com
73
72
74Albrecht Dürer (German, 1471-1528)
The Virgin Surrounded by Many Angels, 1518 (Boon & Scheller/Hollstein, 211). Monogrammed and dated within the block. Woodcut on laid paper, image size 11 3/4 x 8 7/16 in. (29.8 x 21.3 cm), framed.Condition: Trimmed to border of image, horizontal crease to image, affixed to mat along upper edge with several spots of glue or similar, thin spots to sheet on verso near the lower edge, pencil annotation to verso.$1,500-2,000
75Hans Erni (Swiss, b. 1909)
Der Techniker und seine Umwelt, edition of 150. Signed “Erni” in pencil l.r., numbered “53/150” in pencil l.l. Color lithograph on paper, image size 21 x 16 3/4 in. (53.3 x 42.4 cm), framed.Condition: Margins over 1 inch with deckled right and lower edges, not examined out of frame.$400-600
52 Additional information and photos at www.skinnerinc.com
75
74
76Romain de Tirtoff, called Erté (French, 1892-1990)
Automne, 1979, edition of 300 (Lee, 144). Signed “Erté” in pencil l.r., inscribed “EA” in pencil l.l. Color screenprint on paper, image size 24 x 17 1/2 in. (60.8 x 44.4 cm), framed.Condition: Not examined out of frame.$600-800
77Richard Estes (American, b. 1932)
Pressing Machinery from URBAN LANDSCAPES II, 1979, edition of 100 plus proofs (Arthur, p. 118). Signed “RICHARD ESTES” in pencil l.r., inscribed “A.P.” in pencil l.l. Color screenprint on paper, image size 19 5/8 x 13 in. (49.7 x 32.9 cm), framed.Condition: Not examined out of frame.$1,000-1,500
78Lyonel Feininger (German/American, 1871-1956)
Gelmeroda, 1920, from the 1958 edition of 300, published by The Print Club of Cleveland (Prasse, W237). Unsigned, publisher’s stamp on verso, label from The Print Club of Cleveland affixed to the backing. Woodcut on Japan paper, image size 13 1/8 x 9 1/2 in. (33.2 x 24.1 cm), framed.Condition: Not examined out of frame.$400-600
53Online bidding at www.skinnerinc.com
77
76 78
79Helen Frankenthaler (American, 1928-2011)
Drawing on Woodblock Proof I, 1977. Signed and inscribed “Frankenthaler (Woodcut, mulberry juice, and crayon)” in pencil l.l., identified on labels from The Morris Museum, Morristown, New Jersey, and the André Emmerich Gallery, New York, on the backing. Woodcut with mulberry juice and crayon on paper, image size 25 x 19 5/8 in. (63.4 x 49.8 cm), framed.Condition: Gentle cockling, narrow areas of pale staining near the side edges on the reverse.
Provenance: Collection of the Stedawill Art Foundation, Long Island, New York.
Literature: Pegram Harrison, Frankenthaler: A Catalogue Raisonné, Prints 1961-1994 (New York: Harry N. Abrams, Inc., 1996), p. 242. [See Harrison 57, Related Works, no. 2.]; Helen Frankenthaler: Monotypes & Drawings on Proofs, catalog for the exhibition (New York: André Emmerich Gallery, 1981), illustrated.
N.B. The work presented here used one of the blocks from Frankenthaler’s four-block print Essence Mulberry. Frankenthaler worked closely with publisher Kenneth Tyler. Outside of his studio stood a mulberry tree, a very appropriate symbol for a printmaker, as the bark of the mulberry tree has been used in the making of paper for over 2,000 years. Not long after viewing an exhibition of 15th century woodcuts at the Metropolitan Museum of Art, Frankenthaler found herself in front of Tyler’s tree. It was covered with berries, and their juice put her in mind of the faded reds ubiquitous in that show, thus inspiring Essence Mulberry, and a large number of related works. This is one of the related works, where she used one of the blocks as a backdrop for her drawing.
Sold to benefit Community Servings, a nonprofit food and nutrition program feeding 1300 critically ill neighbors and their families each year in eighteen communities across Massachusetts.$50,000-60,000
54 Additional information and photos at www.skinnerinc.com
80Paul Gauguin (French, 1848-1903)
La femme aux figues, 1894, third state of three (Kornfeld, 25iii/iii). Inscribed within the plate. Etching and aquatint on laid Arches paper with watermark, plate size 10 1/2 x 16 3/8 in. (26.6 x 41.5 cm), unmatted, unframed.Condition: Mat burn margins folded under 1 3/4 inches or more outside of the plate mark, small puncture and tape/residue to upper margin.$1,000-1,500
81Michiel Gloeckner (American, 1915-1989)
Two Abstract Compositions: Untitled (Curves), 1974, edition of 100, published by Michel Cassé, Paris; and Untitled (Quadrilaterals), 1974, edition of 125. Both signed and dated “Michiel Gloeckner 1974” in pencil l.r. and numbered in pencil l.l. Color lithographs on paper, image sizes to 26 3/4 x 19 3/4 in. (67.8 x 50.0 cm), unmatted, unframed.Condition: Margins 1/2 inch or more.$400-600
56 Additional information and photos at www.skinnerinc.com
81
80
82Douglas Warner Gorsline (American, 1913-1985)
Express Stop, 1948, edition of approximately 100, published by the Society of American Etchers, New York. Signed “Douglas W Gorsline” in pencil l.r., identified on a label from The Print Cabinet, Ridgefield, Connecticut, affixed to the backing. Etching on paper, plate size 6 1/2 x 6 in. (16.4 x 15.2 cm), framed.Condition: Not examined out of frame.$600-800
83Susan Hall (American, b. 1943)
Midnight Swimmer, 1990. Signed and dated “Susan Hall 1990” in pencil l.r., titled in pencil l.l., identified on a label affixed to the backing. Color monotype on paper, image size 12 x 23 in. (30.4 x 58.3 cm), framed.Condition: Not examined out of frame.$500-700
83AAlbert William Heckman (American, 1893-1971)
Cross-Roads, 1939, published by Associated American Artists, edition of 250 (AAA/Czestochowski, 1939.032). Signed “AlbertHeckman” in pencil l.r., titled in pencil l.l. Etching with aquatint on paper, plate size 8 7/8 x 13 3/4 in. (22.5 x 34.8 cm), framed.Condition: Mat burn, not examined out of frame.$200-250
57Online bidding at www.skinnerinc.com83A
83
82
84Al Held (American, 1928-2005)
Kyoto-Wa, 1985, edition of 100, published by Crown Point Press, San Francisco. Signed and dated “Al Held © 85” in pencil on verso, numbered “72/100” in pencil on verso. Color woodcut on paper, image size 24 5/8 x 32 3/8 in. (62.4 x 82.1 cm), framed.Condition: Not examined out of frame.$700-900
85Damien Hirst (British, b. 1965)
Windmills of My Mind from IN A SPIN/THE ACTION OF THE WORLD ON THINGS II, 2002, printer’s proof outside of the edition of 68. Signed “Damien Hirst” in pencil l.r. and within the plate, inscribed “PP” in pencil l.l., titled and dated within the plate. Color etching and engraving on paper, plate size 39 3/4 x 29 3/4 in. (100.8 x 75.5 cm), unmatted, unframed.Condition: Margins 2 inches or more with deckled edges, minute handling creases.$4,000-6,000
58 Additional information and photos at www.skinnerinc.com
85
84
86Ryan Humphrey (American, b. 1971)
AK-47 from the GUNS Series, c. 2006, edition of 100. Unsigned. Silkscreen ink, gesso, and clear coat on medium-density fiberboard, 10 1/2 x 34 1/2 in. (26.7 x 87.6 cm).Condition: Subtle bubble-wrap imprint on surface.
Provenance: RxArt Ball, New York, 2007.
N.B. We wish to thank the artist and RxArt for their assistance cataloging the lot. $300-500
87Friedensreich Hundertwasser (Austrian, 1928-2000)
It Hurts to Wait with Love if Love is Somewhere Else, 1966, plate 3 from LOOK AT IT ON A RAINY DAY, 1971-1972, edition of 3000 (Koschatzky, 46). Signed and dated within the matrix, stamped number “02045” l.r., identified on a label from Pucker-Safrai, Boston, affixed to the reverse. Color screenprint with metal foils on paper, image size 14 1/4 x 23 3/4 in. (36.2 x 60.2 cm), framed.Condition: Rippling, sheet floated in mat, not examined out of frame.$700-900
59Online bidding at www.skinnerinc.com
87
86
88Alfred Heber Hutty (American, 1877-1954)
Gossips, Ile de Noirmoutier, c. 1927. Signed “Alfred Hutty” in pencil l.r. Etching on paper, plate size 10 1/8 x 8 1/4 in. (25.5 x 20.8 cm), framed.Condition: Gentle toning, subtle stain to image u.r., not examined out of frame.$400-600
89Alfred Heber Hutty (American, 1877-1954)
Old St. Michael’s, Charleston. Signed “Alfred Hutty” in pencil l.r., identified on a label from Doll & Richards, Inc., Boston, affixed to the backing. Drypoint on paper, plate size 10 3/8 x 8 5/8 in. (26.2 x 21.8 cm), framed.Condition: Not examined out of frame.$700-900
60 Additional information and photos at www.skinnerinc.com
89
88
90Helen Hyde (American, 1868-1919)
Two Images of Children: The Red Curtain, 1907 (Mason, 74); and Miss Apricot-Cloud, 1908 (Mason, 78). Both signed “Helen Hyde” in pencil within the image, with date and copyright text within the block and with clover chop to image. Color woodcuts on paper, image sizes to 7 3/8 x 5 1/8 in. (18.6 x 13.0 cm), framed.Condition: Subtle mat burn to Apricot, gentle rippling to both (more prevalent to Curtain), not examined out of frames.$250-300
91Helen Hyde (American, 1868-1919)
Three Images of Children: The Daruma Branch, 1910 (Mason, 84); The Go-Cart, 1913 (Mason, 107); and A Windy Ride, 1913 (Mason, 113). The last two signed “Helen Hyde” in pencil within the image, each with date, monogram, clover chop, and copyright text within the block. Color woodcuts on paper, image sizes to 4 1/4 x 5 3/8 in. (10.8 x 13.5 cm), framed.Condition: Minor rippling, pale staining to Branch, not examined out of frames.$300-350
92Helen Hyde (American, 1868-1919)
The Sacred Calf in the Bazaar at Agra, 1910 (Mason, 89). Signed “Helen Hyde” in pencil within the image l.l., numbered “12” in pencil within the image l.r., monogram, date, and copyright text within the block, clover chop to image. Color woodcut on paper, image size 9 x 9 7/8 in. (22.8 x 25.0 cm), framed.Condition: Very minor rippling, not examined out of frame.$200-250
61Online bidding at www.skinnerinc.com
90
92
91
93Helen Hyde (American, 1868-1919)
Going to Market (Viga Canal, Mexico), 1912 (Mason, 93). Signed “Helen Hyde” in pencil within the image l.l., numbered “43” in pencil within the image l.r., monogram, date, and copyright text within the block, clover chop to image. Color woodcut on paper, image size 11 3/8 x 4 1/4 in. (28.8 x 10.7 cm), framed.Condition: Very minor rippling, not examined out of frame.$200-250
94Louis Icart (French, 1888-1950)
Coup de vent, 1925 (Holland et al., 235). Signed “Icart” in pencil l.r., inscribed “ep art” in pencil l.l., identified within the plate. Etching with aquatint and stencil coloring on paper, plate size 22 1/8 x 18 3/4 in. (56.2 x 47.4 cm), framed.Condition: Toning, not examined out of frame.$1,000-1,500
95Louis Icart (French, 1888-1950)
Il m’aime, 1926 (Holland et al., 263). Signed “Icart” in pencil l.r., numbered “290” in pencil l.l., identified within the plate, artist’s dry stamp l.l. Color etching with aquatint and stencil coloring on paper, plate size 17 1/4 x 12 5/8 in. (43.7 x 31.9 cm), framed.Condition: Unobtrusive toning, not examined out of frame.$500-700
62 Additional information and photos at www.skinnerinc.com
9594
93
96Louis Icart (French, 1888-1950)
La cachette, 1927 (Holland et al., 308). Signed “Icart” in pencil l.r., numbered “341” in pencil l.l., identified within the plate, artist’s dry stamp l.l. Color etching with aquatint and stencil coloring on paper, oval format, plate size 19 x 15 1/2 in. (48.2 x 39.3 cm), framed.Condition: Toning, foxing, not examined out of frame.$500-700
97Louis Icart (French, 1888-1950)
Don Juan, 1928 (Holland et al., 330). Signed “Icart” in pencil l.r., numbered “489” in pencil l.l., identified within the plate, artist’s dry stamp l.l., titled within a separate plate printed beneath the main image. Color etching with aquatint and stencil coloring on paper, plate size 21 1/8 x 14 1/4 in. (53.3 x 36.2 cm), framed.Condition: Unobtrusive toning, not examined out of frame.$700-900
98After Wassily Kandinsky (Russian, 1866-1944)
Tache rouge II, c. 1960, edition of 300. Monogrammed within the matrix, numbered “90/300” in pencil l.l. Color lithograph on paper, image size 15 1/8 x 19 7/8 in. (38.3 x 50.4 cm), framed.Condition: Mat burn, not examined out of frame.$300-500
63Online bidding at www.skinnerinc.com
97
96
98
99Alex Katz (American, b. 1927)
Brisk Day, 1990, edition of 150 plus proofs, published by Gjon, Inc., Kyoto (Blum, 38). Signed and numbered “Alex Katz 20/150” in pencil (within the image) l.l. Color woodcut on paper, image/sheet size 36 x 29 in. (91.4 x 73.5 cm), framed.Condition: Not examined out of frame.$5,000-7,000
64 Additional information and photos at www.skinnerinc.com
99
100Ellsworth Kelly (American, b. 1923)
Corneilla from the THIRD CURVE SERIES, 1973-1976, edition of 16, published by Gemini G.E.L., Los Angeles (Axsom, 119). Numbered and signed “15/16 Kelly” in pencil l.r., copyright and publisher’s dry stamps l.r. Lithograph with embossing on paper, image size 21 7/8 x 29 in. (55.4 x 73.5 cm), framed.Condition: Minor rippling, sheet floated in frame, not examined out of frame.$4,000-6,000
101Ellsworth Kelly (American, b. 1923)
Colored Paper Images XVI (Yellow Curve) from COLORED PAPER IMAGES, 1976-1977, edition of 24, published by Tyler Graphics Ltd., Mount Kisco, New York (Axsom, 154). Signed “Kelly” in pencil l.r., numbered “22/24” in pencil l.l., publisher’s dry stamp l.r., identified on a label from the Harcus Krakow Gallery, Boston, affixed to the backing. Colored pressed paper pulp, image size 30 1/4 x 29 1/4 in. (76.7 x 74.2 cm), framed.Condition: Deckled edges with minor cockling to same, sheet floated in frame, not examined out of frame.$5,000-7,000
65Online bidding at www.skinnerinc.com
101
100
102Rockwell Kent (American, 1882-1971)
Starry Night, 1933, edition of 1,750 (Jones, 103). Signed “Rockwell Kent” in pencil l.r. Wood engraving on paper, image size 7 x 4 7/8 in. (17.5 x 12.4 cm), framed.Condition: Foxing, not examined out of frame.$600-800
103Rockwell Kent (American, 1882-1971)
Communing with Nature, 1934, edition of 125 (Jones, 106). Signed “Rockwell Kent” in pencil l.r., titled in pencil l.l., identified on a label from Associated American Artists affixed to the reverse. Lithograph on paper, image size 8 1/2 x 13 1/2 in. (21.5 x 34.3 cm), framed.Condition: Subtle rippling, not examined out of frame.$500-700
66 Additional information and photos at www.skinnerinc.com
103
102
104Marguerite Kirmse (American, 1885-1954)
Three of a Kind. Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l. Etching on paper, plate size 6 x 9 1/2 in. (15.2 x 24.0 cm), framed.Condition: Several pale fox marks, not examined out of frame.$300-500
105Gene (Alice Geneva Glasier) Kloss (American, 1903-1996)
Desert Drama, 1977, edition of 35 (Kloss, 575). Signed “Gene Kloss -- NA.” in pencil l.r., numbered and titled “8/35...” in pencil l.l. Drypoint and aquatint on paper, plate size 11 x 17 3/4 in. (27.8 x 45.0 cm), framed.Condition: Not examined out of frame.$1,000-1,500
67Online bidding at www.skinnerinc.com
105
104
106Käthe Kollwitz (German, 1867-1945)
Die Witwe II from KRIEG, 1921-1922, final (published) state of seven, B edition of 100 (Klipstein, 181viib). Signed “Käthe Kollwitz” in pencil l.r., numbered “B 13/100” in pencil l.l. Woodcut on paper, image size 11 7/8 x 20 5/8 in. (30.0 x 52.2 cm), framed.Condition: Gently light-struck, not examined out of frame.$1,500-2,000
107Lawrence Kupferman (American, 1909-1982)
Two Impressions of Fantasia Americana-1880: first proof of the first state, 1942, with additional elements drawn in pencil; and the published state, 1943. Both signed “Lawrence Kupferman” in pencil l.r., titled in pencil l.l., and annotated with edition in pencil l.c. Etchings with drypoint on paper, plate sizes 11 7/8 x 14 7/8 in. (30.0 x 37.8 cm), the published state framed.Condition: Unobtrusive toning, latter not examined out of frame.$400-600
68 Additional information and photos at www.skinnerinc.com
107
106
108Armin Landeck (American, 1905-1984)
Shaker Stove, 1938, edition of 100 (Kraeft, 72). Signed “Landeck imp” in pencil l.r., monogrammed within the plate. Drypoint on paper, plate size 8 x 6 in. (20.3 x 15.0 cm), framed.Condition: Gentle rippling, not examined out of frame.$350-450
109Lois Lane (American, b. 1948)
Untitled (Girl with Stars), 1990, edition of 15. Signed and dated “Lois Lane ‘90” in pencil l.r., numbered “9/15” in pencil l.l., identified on labels from Pace Prints, New York, and Kristina Wasserman Gallery, Providence, Rhode Island, affixed to the backing. Color woodcut and screenprint on paper, image size 35 x 27 in. (88.8 x 68.5 cm), framed.Condition: Deckled edges, sheet floated in frame, not examined out of frame.$800-1,200
110William Lee-Hankey (British, 1869-1952)
Two Scenes: Secrets, 1905-1906, from the monochrome edition (Hardie, x); and A Spanish Boy, 1909, proof impression (Hardie, 62). Both signed “W Lee Hankey inv. del. et imp.” in pencil and with artist’s dry stamp beneath the image, both monogrammed within the plate. Etchings with aquatint on paper, plate sizes to 8 3/8 x 6 1/2 in. (21.0 x 16.4 cm), unmatted, unframed. Condition: Margins over 3/4 inches with unobtrusive soiling.$600-800
69Online bidding at www.skinnerinc.com
109
110
108
111Sol LeWitt (American, 1928-2007)
A Circle Divided into Eight Equal Parts, with Colours Superimposed in Each Part, 1989, edition of 40, published by Achenbach Art Edition, Düsseldorf, and Edition Schellmann, Munich. Signed and numbered “LeWitt 18/40” in pencil (within the image) l.r. Color screenprint on paper, image/sheet size 29 3/4 x 29 3/4 in. (75.4 x 75.4 cm), framed.Condition: Not examined out of frame.
Provenance: Purchased from Editions Schellmann, Inc., New York, May 1990.$1,000-1,500
112Roy Lichtenstein (American, 1923-1997)
As I Opened Fire.../A Triptych, 1966, large open edition (Corlett, App. 5). Unsigned, identified in text on the reverse of each sheet. Offset color lithographs on paper, sheet sizes 25 1/4 x 20 3/4 in. (64.5 x 52.7 cm), unmatted, unframed.Condition: Very minor handling marks and creases.$500-700
113Tod Lindenmuth (American, 1885-1976)
Along Side. Signed “Tod Lindenmuth” in pencil l.r., titled in pencil l.l. Color linocut on paper, image size 9 x 7 1/8 in. (22.7 x 18.0 cm), framed.Condition: Several pinpoint fox marks, not examined out of frame.$250-300
114Jacques Lipchitz (French, 1891-1973)
Zion, edition of 200. Signed “Lipchitz” in pencil l.r., numbered “141/200” in pencil l.l. Color lithograph on paper, image size 23 7/8 x 18 1/2 in. (60.5 x 47.0 cm), framed.Condition: Not examined out of frame.$500-700
71Online bidding at www.skinnerinc.com
114113
115Sydney Mackenzie Litten (British, 1887-1949)
Salute Steps, Venice, edition of 80. Signed “SMLitten” in pencil l.r., numbered “72/80” in pencil l.l., identified on a label from Harlow, McDonald & Co., New York, affixed to the backing. Etching on paper, plate size 9 7/8 x 13 7/8 in. (25.0 x 35.0 cm), framed.Condition: Margins 1/2 inch or more, not examined out of frame.$300-500
116Louis Lozowick (Russian/American, 1892-1973)
Hanover Square, 1929, edition of 25 (Flint, 28). Signed and dated “LOUIS LOZOWICK ‘29” in pencil l.r., monogrammed within the matrix, identified on a label from E. Weyhe, New York, affixed to the backing. Lithograph on paper, image size 14 5/8 x 8 7/8 in. (37.0 x 22.5 cm), framed.Condition: Pinpoint foxing, mat burn, toning, not examined out of frame.$2,500-3,000
117Louis Lozowick (Russian/American, 1892-1973)
City on a Rock - Cohoes, 1931, edition of 242 plus proofs, published by The Print Club of Cleveland (Flint, 79). Signed and dated “LOUIS LOZOWICK ‘31” in pencil l.r., label from The Print Club of Cleveland affixed to the backing. Lithograph on paper, image size 8 1/8 x 12 7/8 in. (20.4 x 32.5 cm), framed.Condition: Not examined out of frame.$300-500
72 Additional information and photos at www.skinnerinc.com
115
116
117
118Haku Maki (Japanese, 1924-2000)
Poem 72-39, edition of 153. Signed “HAKU MAKI” in pencil l.r., chop to image l.l., titled (in both English and Japanese) in pencil l.c., numbered “47/153” in pencil l.l. Woodcut in ochre and black with embossing on paper, image size 14 1/8 x 10 1/8 in. (35.8 x 25.6 cm), framed.Condition: Margins approximately 3/4 inches, not examined out of frame.$250-300
119Marino Marini (Italian, 1901-1980)
Il sogno del cavaliere, 1960, edition of 50 (Guastalla & Schulz-Hoffman, A61). Signed “MARINO” in pencil l.r., numbered “40/50” in pencil l.l. Etching on paper, plate size 13 7/8 x 11 3/4 in. (35.2 x 30.0 cm), framed.Condition: Margins 3/4 inches or more, not examined out of frame.$500-700
73Online bidding at www.skinnerinc.com
119
118
120Marino Marini (Italian, 1901-1980)
Untitled (Plate 1) from FROM COLOR TO FORM, 1969, edition of 50 (Guastalla & Schulz-Hoffman, L92). Signed “MARINO” in pencil l.r., numbered “21/50” in pencil l.l. Color lithograph on paper, image size 15 1/2 x 20 1/2 in. (39.4 x 52.0 cm), framed.Condition: Margins 1 inch or more, not examined out of frame.
Provenance: Purchased from La Bibliofila (Carla C. Marzoli), Milan, in 1968 by the Lawrence Gallery, Kansas City, Missouri; purchased there by the present owner in 1981.$500-700
121Marino Marini (Italian, 1901-1980)
Le sacre du printemps, 1973, edition of 50 (Guastalla & Schulz-Hoffman, LR). Signed “MARINO” in pencil l.r., numbered “47/50” in pencil l.l. Color lithograph on paper, image size 12 5/8 x 9 7/8 in. (32.0 x 25.0 cm), framed.Condition: Margins 1 inch or more, not examined out of frame.$500-700
74 Additional information and photos at www.skinnerinc.com
121
120
122Reginald Marsh (American, 1898-1954)
Wrestlers, 1931, edition of 13 (Sasowsky, 113). Signed “Reginald Marsh” in pencil l.r., inscribed “#8” in pencil l.l., titled (faintly) l.l. Etching on laid paper with partial watermark, plate size 7 x 5 in. (17.7 x 12.5 cm), framed.Condition: Toning and some mat burn near edges, title probably erased, brown paper tape to edges on the reverse.$1,200-1,500
75Online bidding at www.skinnerinc.com
122
123Alessandro Mastro-Valerio (American, 1887-1953)
Four Nudes: Longing; End of Day; Arising, 1942; and Bathing Nudes. Each inscribed “A. Mastro-Valerio” in pencil by members of the artist’s family l.r. Mezzotints on paper, plate sizes approximately 9 x 7 in. (22.8 x 17.5 cm), three matted, all unframed.Condition: Margins approximately 1 inch, unobtrusive toning.$500-700
124Henri Matisse (French, 1869-1954)
Circé from ULYSSES, 1935, published by the Limited Editions Club, New York (Duthuit, 237). Signed “Henri Matisse” in pencil l.r., numbered “75/150” and inscribed “The Circe Episode” in pencil l.l. Medium soft ground etching on wove paper, plate size 11 x 8 3/4 in. (27.8 x 22.2 cm), framed.Condition: Not examined out of frame.$500-700
76 Additional information and photos at www.skinnerinc.com
124
123
125Jean François Millet (French, 1814-1875)
Le paysan rentrant du fumier, 1855, final state of four (Delteil, 11). Signed within the plate, identified on a label from Frederick Keppel & Co., New York, affixed to the backing. Etching on paper, plate size 6 1/2 x 5 1/4 in. (16.4 x 13.3 cm), framed.Condition: Not examined out of frame.$400-600
126Jean François Millet (French, 1814-1875)
Le départ pour le travail, 1863, fourth state or later of seven (Delteil, 19). Signed within the plate. Etching on chine collé, plate size 15 1/4 x 12 1/4 in. (38.6 x 31.0 cm), framed.Condition: Unobtrusive foxing, staining and toning, not examined out of frame.$700-900
127Jean-François Millet (French, 1814-1875)
La fileuse auvergnate, 1886, final state of five (Delteil, 20). Signed within the plate. Etching on paper, plate size 7 3/4 x 5 1/8 in. (19.6 x 13.0 cm), framed.Condition: Rippling, not examined out of frame.$350-550
77Online bidding at www.skinnerinc.com
127
126125
128Jean-François Millet (French, 1814-1875)
La précaution maternelle, 1862, probably from the 1921 printing, edition of 150 (Delteil, 27). Signed within the matrix. Cliché-verre on paper, sight size 11 1/2 x 9 1/4 in. (29.2 x 23.4 cm), framed.Condition: Rippling, not examined out of frame.$500-700
129Jean-François Millet (French, 1814-1875)
Femme vidant un seau, 1862, probably a proof from the 1921 printing (Delteil, 28). Signed within the matrix. Cliché-verre on paper, sight size 11 3/8 x 8 7/8 in. (28.8 x 22.5 cm), framed.Condition: Rippling, fading, not examined out of frame.$300-500
78 Additional information and photos at www.skinnerinc.com
129
128
130Joan Miró (Spanish, 1893-1983)
Plate from FLUX DE L’AIMANT, 1964, edition of 75 (Dupin, 383). Initialed “M” in pencil l.r., numbered “55/75” in pencil l.l. Drypoint and aquatint in colors on paper, sheet size 19 x 23 in. (48.3 x 58.3 cm), framed.Condition: Deckling to all but upper edge, sheet floated within mat, gentle rippling, not examined out of frame.$700-900
131Joan Miró (Spanish, 1893-1983)
Plate from UBU ROI, 1966, edition of 75, printed by Mourlot, Paris, published by Tériade (Mourlot, 416). Initialed “M.” in pencil l.r., numbered “46/75” in pencil l.l. Lithograph on paper, image size 16 1/4 x 24 1/2 in. (41.2 x 62.2 cm), framed.Condition: Not examined out of frame.$1,500-2,000
79Online bidding at www.skinnerinc.com
131
130
132Joan Miró (Spanish, 1893-1983)
Plate from UBU ROI, 1966, edition of 75, printed by Mourlot, Paris, published by Tériade (Mourlot, 417). Unsigned, numbered “46/75” in pencil l.l. Color lithograph (without the black stone) on paper, image size 16 1/4 x 24 1/2 in. (41.2 x 62.2 cm), framed.Condition: Not examined out of frame.$2,500-3,500
133Joan Miró (Spanish, 1893-1983)
Plate from UBU ROI, 1966, edition of 75, printed by Mourlot, Paris, published by Tériade (Mourlot, 418). Signed “Miró” in pencil l.r., numbered “46/75” in pencil l.l. Color lithograph on paper, image size 16 1/4 x 24 1/2 in. (41.2 x 62.2 cm), framed.Condition: Not examined out of frame.$5,000-7,000
80 Additional information and photos at www.skinnerinc.com
133
132
134Henry Moore (British, 1898-1986)
Two Women Bathing a Child II, 1973, edition of 175 (Cramer, 310). Signed “Moore” in pencil l.r., numbered “65/175” in pencil l.l. Color lithograph on paper, image size 14 1/2 x 16 5/8 in. (36.8 x 42.2 cm), framed.Condition: Not examined out of frame.$2,000-3,000
81Online bidding at www.skinnerinc.com
134
135Henry Moore (British, 1898-1986)
Girl Seated at Desk III, 1974, edition of 50 plus proofs (Cramer 339). Signed “Moore” in pencil l.r., dedicated “For/Mary” in pencil l.l. Color lithograph on paper, image size 8 7/8 x 6 7/8 in. (22.5 x 17.4 cm), framed.Condition: Margins 2 inches or more, not examined out of frame.$700-900
136Henry Moore (British, 1898-1986)
Sculptural Ideas 3, 1980, edition of 50 (Cramer, 582). Signed “Moore” in pencil l.r., numbered “48/50” in pencil l.l., identified on a label from the Peter Bartlow Gallery, Chicago, affixed to the backing. Color etching with aquatint on paper, plate size 8 5/8 x 9 1/2 in. (21.8 x 24.0 cm), framed.Condition: Margins over 1 3/4 inches, not examined out of frame.$1,000-1,500
82 Additional information and photos at www.skinnerinc.com
136
135
137Henry Moore (British, 1898-1986)
The Three Marys, 1981, edition of 50 (Cramer, 627). Signed “Moore” in pencil l.r., numbered “22/50” in pencil l.l. Color lithograph on paper, image size 8 7/8 x 9 7/8 in. (22.5 x 25.0 cm), framed.Condition: Margins over 1 inch, not examined out of frame.$600-800
138Henry Moore (British, 1898-1986)
Kneeling Woman, 1982, edition of 50 plus proofs (Cramer, 650). Signed “Moore” in pencil l.r., numbered “44/50” in pencil l.l. Color lithograph on paper, image size 12 3/4 x 9 7/8 in. (32.4 x 25.0 cm), framed.Condition: Margins over 1 1/2 inches, not examined out of frame.$1,000-1,500
83Online bidding at www.skinnerinc.com
138
137
139Henry Moore (British, 1898-1986)
Mother and Child III from MOTHER AND CHILD, 1983, edition of 65 plus proofs (Cramer, 673). Signed “Moore” in pencil l.r., inscribed and numbered “PL III 53/65” in pencil l.l., signed within the plate. Color etching and aquatint on paper, plate size 8 7/8 x 7 in. (22.4 x 17.6 cm), framed.Condition: Margins over 1 1/2 inches, not examined out of frame.$1,000-1,500
84 Additional information and photos at www.skinnerinc.com
139
140Robert Motherwell (American, 1915-1991)
Untitled (Cultural Foundation of New York City) from the NEW YORK PORTFOLIO, 1982, edition of 250 plus proofs, printed by Tyler Graphics, Ltd., Bedford Village, New York, published by the New York Graphics Society, Greenwich, Connecticut (Engberg & Banach, 293). Signed and numbered “RMotherwell 201/250” in pencil l.r., printer’s dry stamp l.r. Color lithograph on paper, image size 29 1/4 x 22 5/8 in. (74.2 x 57.4 cm), unmatted, unframed.Condition: Deckled edges, minor handling creases.$300-500
141No lot.
85Online bidding at www.skinnerinc.com
140
142Shiko Munakata (Japanese, 1903-1975)
Bitan no Saku (April) from MUNAKATA NO SAKU, 1956, printed in 1985. Signed with chop and with facsimile signature. Woodcut on paper, image size 13 1/4 x 11 in. (33.5 x 27.8 cm), framed.Condition: Margins 1/2 inch or more, not examined out of frame.$500-700
143Alice Neel (American, 1900-1984)
Victoria and Cat, 1981. Signed and dated “Neel ‘81” in pencil l.r., numbered “HC 1/3” in pencil l.l., two dry stamps l.l., identified on labels from Graham Modern, New York, and Kristina Wasserman Gallery, Providence, Rhode Island, on the backing. Color lithograph on paper, image size 40 1/8 x 26 in. (101.7 x 66.0 cm), framed.Condition: Margins over 2 inches, with deckled left and lower edges, sheet floated in frame, gentle rippling, not examined out of frame.$800-1,200
86 Additional information and photos at www.skinnerinc.com
143142
144Bruce Onobrakpeya (Nigerian, b. 1932)
Urholo (Red Base), 1973, edition of 20. Signed and dated “Bruce Onobrakpeya, Lagos Aug 1973” in pencil l.r., numbered, titled, and inscribed “5/20...-Deep Etching” in pencil l.l. Color etching and aquatint on paper, plate size 23 5/8 x 18 in. (59.8 x 45.6 cm), framed.Condition: Not examined out of frame.$400-600
145Jules Pascin (French, 1885-1930)
Cendrillon accroupie from CENDRILLON, 1929. Initialed within the plate, identified on a label from the William H. Lane Foundation, Leominster, Massachusetts, affixed to the backing. Soft ground etching with aquatint on paper, plate size 14 1/8 x 10 1/8 in. (35.8 x 25.6 cm), framed.Condition: Gentle rippling, not examined out of frame.$500-700
87Online bidding at www.skinnerinc.com
145
144
146Pablo Picasso (Spanish, 1881-1973)
Salomé from LA SUITE DES SALTIMBANQUES, 1905, from the 1913 edition of 250, published by Ambrose Vollard, Paris (Bloch, 14). Signed and dated within the plate. Etching and drypoint on paper, plate size 15 3/4 x 13 5/8 in. (40.0 x 34.5 cm), framed.Condition: Toning, staining, foxing, not examined out of frame.$1,500-2,000
147Pablo Picasso (Spanish, 1881-1973)
Nu assis entouré d’equisses de bêtes et d’hommes from LE CHEF D’OEUVRE INCONNU, 1927, edition of 99 (Bloch, 91). Signed “Picasso” in brown ink l.r., numbered “11/99” in brown ink l.l. Etching on paper, plate size 7 5/8 x 10 7/8 in. (19.3 x 27.5 cm), framed.Condition: Toning, not examined out of frame.$3,000-5,000
148Pablo Picasso (Spanish, 1881-1973)
Couple et Enfant from LYSISTRATA, 1934, edition of 150 (Bloch, 268). Signed “Picasso” in pencil l.l., numbered “150/141” in pencil l.r. Etching on wove paper, plate size 8 1/8 x 5 3/8 in. (20.5 x 13.5 cm), unmatted, unframed.Condition: Margins 2 3/4 inches or more, several pinpoint fox marks, subtle handling marks and creases.$2,500-3,500
89Online bidding at www.skinnerinc.com
148
149Pablo Picasso (Spanish, 1881-1973)
Portrait of Max Jacob from CHRONIQUE DES TEMPS HÉROÏQUES, 1956, edition of 60 (Bloch, 804). Signed “Picasso” in red pencil l.c., numbered “26/60” in pencil l.l., dated within the plate. Drypoint on paper, plate size 7 3/4 x 5 3/4 in. (19.5 x 14.5 cm), framed.Condition: Mat burn, not examined out of frame.
Provenance: From a private New England collection, sold to benefit a philanthropic organization.$4,000-6,000
90 Additional information and photos at www.skinnerinc.com
149
150Pablo Picasso (Spanish, 1881-1973)
La vieux roi, 1959, edition of 1,000 (Bloch, 869). Signed in the stone (in red) l.r. Lithograph on paper, image size 25 3/4 x 19 3/4 in. (65.3 x 50.2 cm), unmatted, unframed.Condition: Small tear to left edge, subtle toning.$800-1,200
150APablo Picasso (Spanish, 1881-1973)
Dans l’Atelier: Modèle et Deux Amateurs, 1966, printed in 1981, published by Galerie Louise Leiris, Paris (Bloch, 1438). Stamped signature l.r., numbered “E.A. V/XV” in pencil l.l. Etching and aquatint on paper, plate size 8 3/4 x 12 1/2 in. (22.2 x 31.6 cm), framed.Condition: Margins 2 1/2 inches or more with deckled edges, sheet floated within mat, not examined out of frame.$3,000-5,000
91Online bidding at www.skinnerinc.com
150A
150
151After Pablo Picasso (Spanish, 1881-1973)
Tête de Faune, c. 1958, edition of 300, published by Crommelynck, Paris. Signed “Picasso” in pencil l.r., numbered “163/300” in pencil l.l. Color soft ground etching with aquatint on paper, plate size 11 7/8 x 10 in. (30.0 x 25.5 cm), framed.Condition: Laid down, pale mat burn, margins 1 inch or more, rub to lower margin near right corner.$4,000-6,000
92 Additional information and photos at www.skinnerinc.com
151
152After Pablo Picasso (Spanish, 1881-1973)
Picasso Arts, Inc., New York, 1965, edition without banners, published by Les Editions Cercle d’Art, Paris (Czwiklitzer, 218). Signed, dated, and dedicated within the matrix, publication text to lower corners. Color lithograph on paper, image size 14 1/2 x 21 in. (36.8 x 53.3 cm), framed.Condition: Margins 3 inches or more, not examined out of frame.$800-1,200
93Online bidding at www.skinnerinc.com
152
153Pablo Picasso (Spanish, 1881-1973)
Bird with Worm, 1952, edition of 500 (Ramie, 172). Inscribed “EDITION PICASSO” on the underside, stamped “MADOURA” and “EDITION PICASSO” on the underside. Turned white earthenware clay with white enamel and black glaze, diameter 5 3/4 in. (14.5 cm).Condition: Minor soiling.$1,500-2,000
154Pablo Picasso (Spanish, 1881-1973)
Bird on a Branch, 1952, edition of 500 (Ramie, 175). Inscribed “EDITION PICASSO” on the underside, stamped “MADOURA” and “EDITION PICASSO” on the underside. Turned white earthenware clay with white enamel and black glaze, diameter 5 3/4 in. (14.5 cm).Condition: Minor soiling.$1,200-1,800
94 Additional information and photos at www.skinnerinc.com
153154
155Lucien Pissarro (French, 1863-1944), After Camille Pissarro (French, 1831-1903)
Les guardeuses des vaches, c. 1893. Signed and identified within the block. Woodcut on paper, image size 4 3/4 x 6 3/4 in. (12.2 x 17.0 cm), framed.Condition: Not examined out of frame.$300-500
156Serge Poliakoff (Russian, 1906-1969)
Composition Rouge, Jaune et Bleue, 1957, edition of 200 (Poliakoff/Schneider, 13). Signed “Serge Poliakoff” in pencil l.r., numbered “14/200” in pencil l.l. Color lithograph on paper, image size 22 5/8 x 17 3/8 in. (57.3 x 44.0 cm), framed.Condition: Pale mat burn, toning, not examined out of frame.$4,000-5,000
95Online bidding at www.skinnerinc.com
156
155
157Fairfield Porter (American, 1907-1975)
Street Scene, 1969, edition of 100, printed by Mourlot, New York, published by Brooke Alexander, Inc., New York (Ludman, 18). Signed “Fairfield Porter” in pencil l.r., numbered “35/100” in pencil l.l. Color lithograph on paper, image/sheet size 22 1/4 x 30 in. (56.4 x 76.0 cm), framed.Condition: Deckled right and lower edges, gentle toning, sheet floated in frame, not examined out of frame.$1,000-1,500
158Jean François Raffaëlli (French, 1850-1924)
Le bon homme venant de peindre sa barrière, 1904 (Delteil, 55). Numbered and signed “no 48 J.F. Raffaëlli” in pencil l.r. Color etching and drypoint on paper, plate size 10 3/4 x 7 5/8 in. (27.2 x 19.3 cm), framed.Condition: Minute abrasions to right edge of image, pale mat burn, not examined out of frame.$500-700
96 Additional information and photos at www.skinnerinc.com
158
157
159Robert Rauschenberg (American, 1925-2008)
Sink, 1964, artist’s proof outside of the edition of 43, published by Universal Limited Art Editions, Bay Shore, New York. Titled, signed, dated, and inscribed “...RAUSCHENBERG 1964 A.P. 1/2” in pencil l.r., publisher’s dry stamp u.r. (inverted). Offset lithograph on paper, image size 14 1/4 x 16 1/2 in. (36.2 x 42.0 cm), framed.Condition: Margins over 3 1/2 inches with deckled edges, not examined out of frame.$4,000-6,000
97Online bidding at www.skinnerinc.com
159
160Man Ray (American, 1890-1976)
Sheila from LA BALLADE DES DAMES HORS DU TEMPS, 1970, edition of 75 (Anselmino, 60). Signed “Man Ray” in pencil l.r., numbered “30/75” in pencil l.l. Etching and color aquatint on Arches paper with watermark, plate size 19 5/8 x 14 1/4 in. (49.7 x 36.1 cm), unmatted, unframed.Condition: Margins over 2 1/2 inches with deckled edges.$700-900
161Odilon Redon (French, 1840-1916)
Il tombe à l’abîme, la tête en bas, plate 17 from TENTATION DE SAINT-ANTOINE (troisième série), 1896 (Mellerio, 150). Unsigned. Lithograph on chine collé, image size 10 7/8 x 8 1/4 in. (27.5 x 20.8 cm), framed.Condition: Sheet disadhering from support, pencil annotations beneath image, not examined out of frame.$500-700
98 Additional information and photos at www.skinnerinc.com
161
160
162Rembrandt van Rijn (Dutch, 1606-1669)
The White Negress, c. 1630, a lifetime impression (Bartsch/Hollstein, 357ii/ii). Unsigned, various collectors’ stamps (see below) on the reverse. Etching on laid paper, plate size 3 7/8 x 3 in. (9.7 x 7.5 cm), framed.Condition: Margins 1/8 inch or more with nicks and loss to left margin (all outside of the plate mark) and repairs to upper margin (going just into the plate mark), dry impression, gentle toning, hinge and glue residue to upper and right edges on verso.
Provenance: Kupferstichkabinett der Staatlichen Museen, Berlin, collector’s stamp (Lugt, 1606 and duplicate stamp Lugt, 234); Karl Ferdinand Friedrich von Nagler (1770-1846) stamped twice (Lugt, 2529).$1,000-1,500
99Online bidding at www.skinnerinc.com
162
163Pierre-Auguste Renoir (French, 1841-1919)
Etude pour une baigneuse, c. 1906, second state (Stella, 16). Stamped signature l.r. Etching on paper, plate size 8 3/4 x 6 5/8 in. (22.2 x 16.8 cm), framed.Condition: Toning, not examined out of frame.$1,800-2,200
164Pierre-Auguste Renoir (French, 1841-1919)
Baigneuse debout, à mi-jambes, c. 1910 (Stella, 23). Unsigned. Etching on laid paper, 6 9/16 x 4 7/16 in. (16.6 x 11.3 cm), matted, unframed.Condition: Margins over 2 3/4 inches with deckling to all but the upper edge, pale staining to right margin, light-struck within mat opening.$400-600
100 Additional information and photos at www.skinnerinc.com
164
163
165Robert Riggs (American, 1896-1970)
Casualty Award, 1942-1945 (Bassham, 83). Signed within the matrix. Lithograph on paper, image size 15 1/2 x 12 3/8 in. (39.3 x 31.5 cm), unmatted, unframed.Condition: Margins over 1 1/2 inches with deckled edges to two sides, gently light-struck, old hinges to verso along upper edge.$250-300
166Larry Rivers (American, 1923-2002)
Bronx Zoo, 1983, edition of 250, published by the New York Graphic Society, Greenwich, Connecticut, printed by Styria Studio, New York. Numbered, signed, and dated “93/250 Larry Rivers ‘83” in pencil l.r., printer’s dry stamp l.l. Color lithograph on paper, image/sheet size 26 x 34 in. (66.0 x 86.3 cm), unmatted, unframed.Condition: Minor handling creases.$500-700
167Cristoforo di Michele Robetta (Italian, 1462-c. 1535)
Allegory of the Power of Love, a modern impression (Bartsch, 18; Print Collector’s Quarterly, 36; Hind, D.II.29). Signed within the plate, identified on a label from E. Weyhe, New York, affixed to the backing. Engraving on paper, sight size 11 3/4 x 10 5/8 in. (29.8 x 26.8 cm), framed.Condition: Gentle toning, not examined out of frame.$500-700
101Online bidding at www.skinnerinc.com
167
166
165
168Georges Rouault (French, 1871-1958)
La Parade from CIRQUE, c. 1930, edition of 270 (Wofsy, 211). Unsigned. Color etching with aquatint on paper, plate size 12 x 10 1/2 in. (30.4 x 26.5 cm), framed.Condition: Not examined out of frame.$3,500-5,500
169Georges Rouault (French, 1871-1958)
Les disciples, 1936, from PASSION, 1939, total edition of 270, published by Ambrose Vollard, Paris (Wofsy, 352). Initialed and dated within the plate. Color etching and aquatint on paper, plate size 12 x 8 5/8 in. (30.6 x 21.6 cm), framed.Condition: Margins 2 inches or more with deckled edges, several fox marks, brown paper tape to upper edge on the reverse, white cloth tape to lower edge on the reverse, corrugation staining (more prevalent to verso).$1,000-1,500
102 Additional information and photos at www.skinnerinc.com
168
169
170Ed Ruscha (American, b. 1937)
Every Building on the Sunset Strip/A Book, 1966, edition of 1,000. Identified on the title page. Offset lithographs on attached and accordioned sheets, book size 7 1/8 x 5 5/8 in. (17.9 x 14.3 cm), presented in the original Mylar-covered slipcase.Condition: Minor wear (primarily to case).$2,500-3,500
171Kiyoshi Saito (Japanese, 1907-1997)
Maiko. Signed “Kiyoshi Saito” in pencil (within the image) l.l. Color woodcut on paper, image size 15 1/2 x 10 1/8 in. (39.3 x 25.5 cm), framed.Condition: Faint annotations to lower margin, not examined out of frame.$250-300
103Online bidding at www.skinnerinc.com
170
171
172Mike Schacht (American, 1936-2001)
Joe DiMaggio, 1992, edition of 50. Signed and dated “M. Schacht 92” in pencil l.r., numbered “14/50” in pencil l.l. Aquatint on paper, plate size 14 3/4 x 9 7/8 in. (37.4 x 25.0 cm), framed.Condition: Not examined out of frame.$200-300
173Mike Schacht (American, 1936-2001)
Ted William’s Last Home Run, 1993, proof edition of 9. Signed and dated “M. Schacht 93” in pencil l.r., signed within the matrix, numbered “AP 2/9” in pencil l.l. Screenprint in black and grays on paper, image size 17 3/4 x 24 in. (45.0 x 60.8 cm), framed.Condition: Not examined out of frame.$300-500
104 Additional information and photos at www.skinnerinc.com
173
172
174Louis Schanker (American, 1903-1981)
Circle Image No. 25, 1954-1955, edition of 10. Signed “Schanker” in pencil l.r., numbered “4/10” in pencil l.l. Color woodcut on paper, image size 14 x 17 7/8 in. (35.5 x 45.3 cm), framed.Condition: Subtle toning, not examined out of frame.$300-500
175Sean Scully (Irish/American, b. 1945)
Standing I, 1986, edition of 35. Signed and dated “Sean Scully 86” in pencil l.l., titled in pencil l.c., numbered “34/35” in pencil l.r. Color woodcut on Japan paper, image size 39 7/8 x 30 in. (101.1 x 76.2 cm), unmatted, unframed.Condition: Deckled edges, minor handling creases near edges.$3,500-4,500
105Online bidding at www.skinnerinc.com175
174
176Ben Shahn (American, 1898-1969), Stefan Martin, engraver (American, b. 1936)
Martin Luther King, 1966, edition of 300, published by International Graphic Arts Society, Inc., New York (Prescott, 72). Signed “Ben Shahn” in brown ink and with chop l.r., signed “Stefan Martin Sc.” in pencil l.l., numbered “77/300” in pencil l.l. Wood engraving on Japan paper, image size 18 3/4 x 15 1/4 in. (47.5 x 38.6 cm), framed.Condition: Gentle toning, water or similar staining to lower edge.$700-900
177William Sharp (American, 1900-1961)
Lincoln Park Marabous, c. 1940. Signed “Wm Sharp” in pencil l.r. Etching and aquatint on paper, plate size 11 x 8 3/4 in. (27.6 x 22.3 cm), matted, unframed.Condition: Margins over 3/4 inches.$300-500
106 Additional information and photos at www.skinnerinc.com
177176
178Harry Shokler (American, 1896-1978)
Coney Island, 1942, edition of 100. Signed within the matrix. Color screenprint on paper, image size 12 5/8 x 16 in. (32.0 x 40.5 cm), framed.Condition: Not examined out of frame.$300-500
179Alexis Smith (American, b. 1949)
Boy’s Life, 1989, edition of 50. Numbered, titled, signed, and dated “39/50...Alexis Smith 1989” in pencil l.r., dry stamp l.l., identified on a label from the Kristina Wasserman Gallery, Providence, Rhode Island, affixed to the backing. Color lithograph with collage on paper, image size 24 3/4 x 35 in. (62.8 x 88.8 cm), framed.Condition: Not examined out of frame.$600-800
107Online bidding at www.skinnerinc.com
179
178
180Raphael Soyer (American, 1899-1987)
Casting Office, 1945, edition of 250, published by Associated American Artists (Cole, 65; AAA/Czestochowski, 1945.078). Signed “Raphael Soyer” in pencil l.r., signed within the matrix, titled in pencil l.l. Lithograph on paper, image size 9 3/4 x 12 7/8 in. (24.6 x 32.5 cm), framed.Condition: Not examined out of frame.$400-600
108 Additional information and photos at www.skinnerinc.com
180
181Andrew Spence (American, b. 1947)
Untitled (Window), 1990, edition of 50. Signed and dated “ASpence90” in pencil l.r., numbered “26/50” in pencil l.l., identified on a label (see below) affixed to the backing. Color linocut on paper, image size 20 x 9 in. (50.7 x 22.7 cm), framed.Condition: Margins 3 inches or more, sheet floated in frame, not examined out of frame.
Provenance: Ex-collection of the Maccabees Mutual Life Insurance Company, Southfield, Michigan, according to label.$500-700
109Online bidding at www.skinnerinc.com
181
181ADonald Sultan (American, b. 1951)
Five Lemons, a Pear, and an Egg, 1994, from the proof edition of 25. Titled, dated, and initialed “...March 1994 DS” in pencil in the left margin, numbered “AP 18/25” in pencil l.r. Color screenprint on paper, image size 12 x 12 in. (30.4 x 30.4 cm), framed.Condition: Not examined out of frame.$1,000-1,500
181BAntoni Tàpies (Spanish, 1923-2012)
Empreintes de pas, 1972, edition of 75 (Galfetti, 341). Signed “tàpies” in chalk or similar l.r., numbered “63/75” in chalk or similar l.l. Color offset lithograph with applied gravel on paper, image/sheet size 36 x 24 3/4 in. (91.4 x 62.8 cm), framed.Condition: Hinged at edges to backing mat, crease to corner l.l.
Exhibitions: Tàpies, Nielsen Gallery, Boston, September 1976.$1,500-2,000
182Prentiss Taylor (American, 1907-1991)
Experience Meeting, Massydony, 1934, edition of 25 (Rose, 39). Signed and dated “Prentiss Taylor May 1934” in pencil l.r., titled and annotated “...25 prints” in pencil l.l., initialed and dated within the matrix. Lithograph on paper, image size 9 1/4 x 13 3/8 in. (23.4 x 33.9 cm), framed.Condition: Not examined out of frame.$200-250
110 Additional information and photos at www.skinnerinc.com
181B
181A
183Mark Tobey (American, 1890-1976)
Pensées germinales, 1972, published in 1973 by The Print Club of Cleveland (Heidenheim, 35). Signed “Tobey” in pencil l.r., identified in text affixed to the backing. Drypoint in blue and brown on paper, plate size 9 3/8 x 5 3/4 in. (23.7 x 14.5 cm), framed.Condition: Rippling, not examined out of frame.$400-600
184Mark Tobey (American, 1890-1976)
Companionship from SALUTE TO TOBEY, 1974, edition of 100, published by Edition de Beauclair, Frankfurt am Main (Heidenheim, 46). Signed “Tobey” in pencil l.r., numbered “3/100” in pencil l.l., signed within the plate, publisher’s dry stamp l.l. Color soft ground etching with aquatint on buff paper, plate size 13 5/8 x 9 3/4 in. (34.5 x 24.6 cm), unmatted, unframed.Condition: Margins over 4 1/2 inches with deckled edges.
Provenance: From a private New England collection, sold to benefit a philanthropic organization. $800-1,200
111Online bidding at www.skinnerinc.com
184
183
182
185Henri de Toulouse-Lautrec (French, 1864-1901)
Yvette Guilbert dans Colombine à Pierrot, 1894, probably from the 1950 edition (Adriani, 90). Monogrammed within the matrix. Lithograph printed in olive on paper, image size 8 5/8 x 4 3/8 in. (21.8 x 11.0 cm), framed.Condition: Not examined out of frame.$500-700
112 Additional information and photos at www.skinnerinc.com
185
186Victor Vasarely (Hungarian/French, 1908-1997)
Pamir, 1950-1951, edition of 100. Signed “Vasarely-” in pencil l.r., numbered “54/100” in pencil l.l. Color screenprint on paper, image size 16 1/2 x 13 1/2 in. (41.8 x 34.2 cm), unmatted, unframed.Condition: Margins over 3 inches, subtle toning, annotations to lower margin.$300-500
187Victor Vasarely (French/Hungarian, 1906-1997)
Untitled (Black and White). Signed “Vasarely-” in pencil l.r. Screenprint with embossing on paper, image size 10 1/4 x 9 3/4 in. (25.9 x 24.6 cm), framed.Condition: Not examined out of frame.$300-350
113Online bidding at www.skinnerinc.com
187
186
188Victor Vasarely (Hungarian/French, 1908-1997)
Four Plates from CTA 102/A Portfolio of Eight Works, 1966, edition of 150, published by Edition Denise René, Paris. Each signed “Vasarely-” in pencil (within the image) l.c., numbered “114” and identified on the colophon. Color screenprints on paperboard, sheet/image sizes 27 3/4 x 27 3/4 in. (70.4 x 70.4 cm), unmatted, presented in the original clamshell box.Condition: Extremely subtle rubs to surfaces.$1,200-1,800
114 Additional information and photos at www.skinnerinc.com
188
189Victor Vasarely (French/Hungarian, 1906-1997)
Cosca II, edition of 325. Signed “Vasarely-” in pencil l.r., numbered “217/325” in pencil l.l., identified in information encapsulated on the backing. Color screenprint on paper, image size 18 3/4 x 18 3/4 in. (47.5 x 47.5 cm), framed.Condition: Margins 1 inch or more, not examined out of frame.$300-500
190Victor Vasarely (Hungarian/French, 1906-1997)
Torony II, 1988, edition of 175, published by Circle Gallery, New York. Signed “Vasarely-” in ink l.l. and numbered “17/175” in ink l.r. Hand-painted acrylic on wood, 24 3/8 x 18 x 2 7/8 in. (61.9 x 45.7 x 7.3 cm).Condition: Minor abrasions to edges, fading to signature, small repair to one corner of base.
Provenance: Acquired from Circle Gallery, New York, c. May 11, 1987; private collection.$5,000-7,000
115Online bidding at www.skinnerinc.com
190
189
191Victor Vasarely (French/Hungarian, 1906-1997)
Torony III, 1989, edition of 200. Signed “Vasarely-” in pencil l.r., numbered “132/200” in pencil l.l. Color screenprint on paper, image size 23 3/4 x 23 3/4 in. (60.2 x 60.2 cm), framed.Condition: Not examined out of frame.
Provenance: Purchased from the Circle Gallery - Soho, New York, 1989.$300-500
192Victor Vasarely (French/Hungarian, 1906-1997)
Untitled (Red and Blue), edition of 80. Signed “Vasarely-” in pencil l.r., numbered “37/80” in pencil l.l. Color screenprint on paper, image size 14 1/8 x 13 3/8 in. (35.8 x 33.9 cm), framed.Condition: Gentle rippling, not examined out of frame.$500-700
116 Additional information and photos at www.skinnerinc.com
192
191
193Jacques Villon (French, 1875-1963)
Le petit manège rue Caulaincourt, 1905, edition of 50 (Ginestet & Pouillon, E135). Signed “Jacques Villon” in pencil l.r., signed and dated within the plate. Color etching with aquatint on paper, plate size 15 3/4 x 19 1/2 in. (40.0 x 49.5 cm), framed.Condition: Margins over 3/4 inches, images gently light-struck, soiling and annotations to margins.
Provenance: Ex-collection of Louis Carré, Paris.$1,800-2,200
194Jacques Villon (French, 1875-1963)
René a bicyclette, alternatively titled Un début, 1906, edition of 50 (Ginestet & Pouillon, E152). Signed “Jacques Villon” in pencil l.r., numbered “9/50” in pencil l.l., signed and dated within the plate. Drypoint and aquatint on paper, plate size 15 3/4 x 11 7/8 in. (40.0 x 30.0 cm), framed.Condition: Not examined out of frame.
Provenance: Ex-collection of Louis Carré, Paris.
Literature: Daniel Robbins, Jacques Villon (Cambridge, Massachusetts: Fogg Art Museum, Harvard University, 1976), illustration no. 16.$800-1,200
117Online bidding at www.skinnerinc.com
194
193
195Jacques Villon (French, 1875-1963)
Jeune serveuse from IMPRESSIONS, c. 1906, edition of 50, published by Sagot (Ginestet & Pouillon, E216). Signed “Jacques Villon” in pencil l.l. Color lithograph on fine China paper, image size 5 3/4 x 2 3/4 in. (14.5 x 6.8 cm), framed.Condition: Several pale fox marks, subtly light-struck.$500-700
196Jacques Villon (French, 1875-1963), After Marcel Duchamp (French, 1887-1968)
La Mariée, 1934, edition of 200 plus proofs, published by Galerie-Bernheim Jeune, Paris (Ginestet & Pouillon, E672). Signed Jacques Villon” in pencil l.l. and “Marcel Duchamp” in pencil l.r., numbered “39/200” in pencil l.c. Color aquatint on cream Arches paper with watermark, plate size 19 5/8 x 12 3/8 in. (49.7 x 31.3 cm), matted, unframed.Condition: Margins 2 3/4 inches or more with deckled upper edge, even toning, indentation to margin surface u.r., two registration pinholes within image.
N.B. Sold for the benefit of the collections of the Smith College Museum of Art.$1,500-2,000
197Jacques Villon (French, 1875-1963)
Maternité, c. 1952, final state of four, edition of 75 (Ginestet & Pouillon, E534). Signed “Jacques Villon” in pencil l.r., numbered “15/75” in pencil l.l., signed within the plate. Etching on paper, plate size 11 x 7 3/8 in. (27.8 x 18.6 cm), framed.Condition: Gentle rippling, not examined out of frame.$400-600
118 Additional information and photos at www.skinnerinc.com
196
195
198Jacques Villon (French, 1875-1963)
Portrait de P. de Massot, 1959, edition of 8 (Ginestet & Pouillon, E588). Signed “Jacques Villon” in pencil l.r., numbered “6/8” in pencil l.l., signed, inscribed, and dated within the plate. Etching printed in green on paper, plate size 6 x 4 5/8 in. (15.2 x 11.5 cm), framed.Condition: Not examined out of frame.$400-600
199Jacques Villon (French, 1875-1963)
Hommage à Rimbaud, 1962, edition of 92. Signed “Jacques Villon” in pencil l.r. and within the plate, numbered “26/92” in pencil l.l., identified on a label from Kennedy Galleries, Inc., New York, affixed to the backing. Etching on paper, plate size 9 1/4 x 6 7/8 in. (23.4 x 17.4 cm), framed.Condition: Subtle toning, not examined out of frame.$500-700
119Online bidding at www.skinnerinc.com
199
198197
200Maurice de Vlaminck (French, 1876-1958)
Le toit rouge from EN NOIR ET EN COULEUR, 1962, from the edition of 100. Signed “Vlaminck” in pencil l.r., titled in pencil l.c., numbered “82/100” in pencil l.l., signed within the matrix. Color lithograph on paper, image size 13 3/8 x 18 1/2 in. (34.0 x 46.9 cm), framed.Condition: Not examined out of frame.$600-800
120 Additional information and photos at www.skinnerinc.com
200
201Andy Warhol (American, 1928-1987)
Liz, 1964, edition c. 300, published by Leo Castelli Gallery, New York (Feldman & Schellmann, II.7). Signed and dated “Andy Warhol 65” in blue ballpoint pen l.r. Color offset lithograph on paper, image size 22 x 21 15/16 in. (55.7 x 55.5 cm), framed. Condition: Laid down to cardboard, very subtle fading, staining to image l.l. and to all edges of sheet.
Provenance: From the artist to Mr. and Mrs. James Henry Simpson and Nancy Simpson, Circular Cellar Shop, Provincetown, Massachusetts, then by descent to the present owner.$7,000-9,000
121Online bidding at www.skinnerinc.com
201
202Andy Warhol (American, 1928-1987)
Campbell’s Soup Can on Shopping Bag (Tomato soup), 1966, printed by the Institute of Contemporary Art, Boston, October 1966 (Feldman & Schellmann, II.4A). Unsigned, identified within the matrix l.c. Color silkscreen on a shopping bag, 19 1/2 x 16 15/16 in. (49.5 x 42.9 cm), unframed, shrink-wrapped.Condition: Minor handling creases, folded as issued. $3,000-4,000
203Andy Warhol (American, 1928-1987)
Untitled from FLOWERS (HAND-COLORED), 1974, edition of 250 plus proofs (Feldman & Schellmann, II.116). Initialed “AW” in pencil l.r. Screenprint with hand-coloring on paper, image size 24 1/2 x 26 5/8 in. (62.0 x 67.5 cm), framed.Condition: Deckled edges, not examined out of frame.$1,500-2,000
122 Additional information and photos at www.skinnerinc.com
203
202
204Andy Warhol (American, 1928-1987)
Northwest Coast Mask from COWBOYS AND INDIANS, 1986, edition of 250, published by Gaultney, Klineman Art, Inc., New York (Feldman & Schellmann, II.380). Numbered and signed “147/250 Andy Warhol” in pencil l.r., dry stamp l.l. Color screenprint on Lenox Museum Board paper, sheet size 36 x 36 in. (91.4 x 91.4 cm), framed.Condition: Sheet floated in Plexiglas frame, minute wear to corners, not examined out of frame.$10,000-15,000
123Online bidding at www.skinnerinc.com
204
205Carrie Mae Weems (American, b. 1953)
Not Manet’s Type, 2001, edition of 40, published by Segura Publishing Company, Tempe, Arizona. Signed and dated “Carrie M. Weems. 2001” in pencil l.r., numbered “13/40” in pencil l.l., publisher’s dry stamp l.r. Photo-lithograph on paper, image size 27 1/8 x 17 in. (69.0 x 43.1 cm), framed.Condition: Minor handling creases near corners, not examined out of frame.$2,000-2,500
124 Additional information and photos at www.skinnerinc.com
205
206Neil Welliver (American, 1929-2005)
Night Scene, 1981-1982, edition of 90 (Welliver, pp. 62-63). Stamped signature “Welliver” l.r. Color relief print on paper, image size 10 1/2 x 14 in. (26.5 x 35.5 cm), framed.Condition: Margins 1 inch or more, not examined out of frame.$1,200-1,500
207Neil Welliver (American, 1929-2005)
Birches, 1982-1983, edition of 100 plus proofs (Welliver, p. 64). Signed “Welliver” in ink l.r. Color aquatint on paper, plate size 18 x 17 3/4 in. (45.7 x 45.0 cm), framed.Condition: Margins 2 inches or more, gentle rippling to sheet, not examined out of frame.$700-900
125Online bidding at www.skinnerinc.com
207
206
208Neil Welliver (American, 1929-2005)
Synthetic Blue - St. John, 2000, edition of 80. Signed “Welliver” in pencil l.r., inscribed “AP” in pencil l.l. Color aquatint on paper, plate size 17 7/8 x 17 5/8 in. (45.3 x 44.6 cm), framed.Condition: Margins over 2 inches, gentle rippling to sheet, not examined out of frame.$800-1,200
126 Additional information and photos at www.skinnerinc.com
208
209Stow Wengenroth (American, 1906-1978)
Two Allegorical Scenes: Composition (New York, New York), 1933, edition of 20 (Stuckey, 39); and Exodus (New York, New York), 1933, edition of approximately 20 (Stuckey, 40). Both signed “Stow Wengenroth” in pencil l.r. Lithographs on paper, image sizes to 10 x 17 5/8 in. (25.4 x 44.7 cm), framed.Condition: Not examined out of frames.$400-600
210Stow Wengenroth (American, 1906-1978)
Abandoned Light (Dark Harbor, Maine), 1940, edition of 132 (Stuckey, 102). Signed “Stow Wengenroth” in pencil l.r., titled in pencil l.l. Lithograph on paper, image size 8 3/8 x 12 3/4 in. (21.3 x 32.3 cm), framed.Condition: Not examined out of frame.$300-500
211Stow Wengenroth (American, 1906-1978)
The Captain’s House (Monhegan, Maine), 1945, edition of 60 (Stuckey, 151). Signed “Stow Wengenroth” in pencil l.r., inscribed “Proof” in pencil l.l. Lithograph on paper, image size 7 5/8 x 13 1/2 in. (19.3 x 34.2 cm), matted, unframed.Condition: Margins over 1 inch with deckled left and lower edges, subtle toning.$300-500
127Online bidding at www.skinnerinc.com
211
210
209
212Tom Wesselmann (American, 1931-2004)
Helen Nude, 1981, edition of 150. Signed, dated, and numbered “Wesselmann 81 119/150” in pencil l.r. Color screenprint on paper, image size 31 x 32 in. (78.7 x 81.0 cm), framed.Condition: Not examined out of frame.$5,000-7,000
128 Additional information and photos at www.skinnerinc.com
212
213Tom Wesselmann (American, 1931-2004)
Seascape Dropout, 1982, from the proof edition of 9. Signed, dated, and numbered “Wesselmann 82 AP3/9” in pencil (within the image) l.c. Color woodcut on paper, image/sheet size 21 3/4 x 25 in. (55.2 x 63.4 cm), framed.Condition: Deckled upper and right edges, not examined out of frame.$4,000-6,000
129Online bidding at www.skinnerinc.com
213
214James Abbott McNeill Whistler (American, 1834-1903)
Billingsgate, 1859, sixth or later state of eight (Kennedy, 47). Signed and dated within the plate. Etching on laid paper, plate size 5 7/8 x 8 7/8 in. (15.0 x 22.5 cm), matted, unframed.Condition: Margins over 1 inch, mat burn (some into image), gentle toning.$1,000-1,500
130 Additional information and photos at www.skinnerinc.com
214
215James Abbott McNeill Whistler (American, 1834-1903)
Becquet, final state of four (Kennedy, 52iv). Unsigned, identified on labels from H. Wunderlich & Co., New York, affixed to the backing. Etching with drypoint on paper, plate size 10 x 7 1/2 in. (25.4 x 19.0 cm), framed.Condition: Not examined out of frame.$800-1,200
216James Abbott McNeill Whistler (American, 1834-1903)
The Forge, 1861, final state of four (Kennedy, 68). Signed and dated in the plate. Etching and drypoint on paper, plate size 7 1/2 x 12 3/8 in. (19.1 x 31.3 cm), framed.Condition: Pale mat burn, not examined out of frame.$1,000-1,500
131Online bidding at www.skinnerinc.com
216
215
217Charles Banks Wilson (American, b. 1918)
The Race, 1976. Signed and dated “Charles Banks Wilson 76” in pencil l.r., titled and inscribed “...200” in pencil l.l. Lithograph on paper, image size 10 3/4 x 14 1/2 in. (27.2 x 36.7 cm), framed.Condition: Not examined out of frame.$300-500
218Jack Youngerman (American, b. 1926)
Rouge et Noir, 1966, edition of 90. Initialed and dated “JY/66” in pencil (within the image) l.r., numbered “50/90” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 32 x 24 1/4 in. (81.2 x 61.5 cm), shrink-wrapped.Condition: Deckled edges, minor crease at very corner l.l., not examined out of wrap.
Provenance: Estate of Charles Rand Penney (1923-2010), Lockport, New York.$250-300
132 Additional information and photos at www.skinnerinc.com
218
217
219Zao Wou-Ki (Chinese, b. 1921)
Les cerfs, 1952, from the proof edition of 25 (Ågerup, 76). Signed (in Chinese characters) in pencil l.l., inscribed and numbered “Epreuve d’artiste vii/xxv.” in pencil l.r. Color lithograph on paper, image size 13 x 19 1/8 in. (33.0 x 48.5 cm), framed.Condition: Toning, gentle rippling, not examined out of frame.
Provenance: From a private New England collection, sold to benefit a philanthropic organization.$2,000-3,000
133Online bidding at www.skinnerinc.com
219
220Zao Wou-Ki (Chinese, b. 1921)
Untitled, 1968, edition of 99 (Ågerup, 190). Signed and dated “...68” in pencil (in Chinese characters) l.r., numbered “11/95” in pencil l.l., identified on a label from The Bonfoey Company, Cleveland, affixed to the backing. Color etching with aquatint on paper, plate size 21 1/2 x 17 1/4 in. (54.5 x 43.7 cm), framed.Condition: Gentle rippling, not examined out of frame.$2,000-2,500
134 Additional information and photos at www.skinnerinc.com
220
221Berenice Abbott (American, 1898-1991)
James Joyce, 1929. Artist’s stamp and reproduction rights stamp on the reverse. Gelatin silver print, image/sheet size 9 1/2 x 7 3/4 in. (24.0 x 19.5 cm), matted, unframed.Condition: Unmounted, silvering-out along edges, areas of touch-up or similar to background, minute wear to corners, brown paper tape to upper edge on the reverse.$1,000-1,500
136 Additional information and photos at www.skinnerinc.com
221
222Ansel Adams (American, 1902-1984)
Moon over Half Dome, Yosemite National Park, 1960, a later printing. Signed “Ansel Adams” in ink on the mount l.r.; stamped “Special Edition of Fine Prints/Photographs of Yosemite/by Ansel Adams,” numbered “1017 of S.E.Y. no 12,” and titled on verso. Gelatin silver print on paper, image/sheet size 9 3/4 x 7 3/8 in. (24.8 x 18.6 cm), framed.Condition: Not examined out of frame.$4,000-6,000
137Online bidding at www.skinnerinc.com
222
223Ansel Adams (American, 1902-1984)
Rocks and Swirling Water. Stamped “Polaroid Land/Photograph/by/Ansel Adams” and “PROOF/not to be used for/reproduction or display” on verso, inscribed with various Zone System and development markings on the mat at left and lower edges. Gelatin silver print mounted to paperboard, board size 11 x 14 in. (27.9 x 35.6 cm), unmatted, unframed.Condition: Unmounted, pen mark u.r., scattered slight surface abrasions.$700-900
224Andrew Bush (American, b. 1956)
1 Dollar Bill, 1996 from the SHORT SNORTER Series, 1993-1998. Signed, numbered, and dated “Bush 4/20 1996” in felt-tip pen on the reverse. Chromogenic print, sheet size 16 x 20 in. (40.6 x 50.8 cm), matted, framed.Condition: Taped to backing mat at u.l. and u.r. corners.$400-600
138 Additional information and photos at www.skinnerinc.com
224
223
225Todd Eberle (American, b. 1963)
Rek-O-Kut “Rondine” Turntable (circa 1958), San Francisco, California. Signed “Todd Eberle” on an artist’s label affixed to the reverse. Archival pigment print, image size 10 x 12 in. (25.4 x 30.5 cm), unmatted, framed.Condition: Mounted, not examined out of frame.$400-600
139Online bidding at www.skinnerinc.com
225
226Harold Eugene Edgerton (American, 1903-1990)
Milk Drop Coronet, 1936, probably a later printing. Signed and inscribed “H. Edgerton/M.I.T/4-405/cambridge/mass/02139” on verso. Gelatin silver print, image size 9 1/2 x 7 1/2 in., unmounted, unframed. Condition: Handling creases u.l. and u.r., minor scattered surface abrasions, minor accretions left edge, printing flaws.$1,000-1,500
227Harold Eugene Edgerton (American, 1903-1990)
Fighting Finches, 1936, probably a later printing. Signed and numbered “3601.2031 HAROLD EDGERTON” in pencil on verso. Gelatin silver print, image size 18 x 14 1/2 in. (45.7 x 36.8 cm), unmatted, unframed. Condition: Unmounted.
Provenance: From the darkroom printer of Palm Press.$800-1,200
140 Additional information and photos at www.skinnerinc.com
226
227
228Harold Eugene Edgerton (American, 1903-1990)
Two Acrobatic Photographs: Shot from a Cannon, 1940; and Dive, artist’s proof. Cannon signed and numbered “HAROLD EDGERTON/86.0068” on verso; Dive signed, numbered, and inscribed “HAROLD EDGERTON/88.0319 5402.AP” on verso. Dye-transfer prints, image sizes to 11 3/8 x 8 3/8 in. (28.8 x 21.3 cm), unmounted, unframed. Condition: Minor handling creases (Cannon l.l. quadrant, Dive u.r. quadrant), Dive with printing flaw on right edge of paper.$1,000-1,500
229Harold Eugene Edgerton (American, 1903-1990)
Tumblers, 1942, artist’s proof. Signed “HAROLD EDGERTON” and numbered “81.0140 4201 A/P” in pencil on verso. Gelatin silver print, 17 1/2 x 13 7/8 in. (44.5 x 35.2 cm), unmatted, unframed. Condition: Minor printing flaws.$800-1,200
141Online bidding at www.skinnerinc.com
229
228
230Harold Eugene Edgerton (American, 1903-1990)
Diver, 1955. Signed “HAROLD EDGERTON” and numbered “85.0432” in pencil on verso. Dye-transfer print, 18 3/8 x 13 5/8 in. (46.7 x 34.6 cm), unmatted, unframed. Condition: Negligible surface abrasions.
N.B. The diver is Charles Batterman, a diving coach at M.I.T.$1,500-2,000
231Harold Eugene Edgerton (American, 1903-1990)
Two M.I.T. Night Views: M.I.T. WINTER, c. 1970, and Building 10 from Boston. M.I.T. signed and titled “HAROLD EDGERTON/M.I.T. WINTER” in pencil on the reverse; Building 10 unsigned. Gelatin silver prints, image/paper sizes to 9 9/16 x 17 5/8 in., unmatted, unframed. Condition: Unmounted, M.I.T. with scattered slight handling creases, minor surface abrasions; Building 10 with slight handling creases l.r. quadrant, slight rippling to right and left edges, minor printing flaws, minor emulsion loss at upper edge of paper.$800-1,200
142 Additional information and photos at www.skinnerinc.com
231230
232Chris Enos (American, b. 1944)
Jack in The Pulpit, c. 1980. Unsigned. Polaroid 20 x 24 print, sight size 23 3/4 x 19 3/4 in. (60.3 x 50.2 cm), matted, framed.Condition: Unmounted, fading, slight rippling, not examined out of frame.
N.B. In 1976, Chris Enos founded the Photographic Resource Center (PRC) in Boston to provide a venue for fine art and documentary photographers to meet, promote, and display their work, filling a critical gap in the Boston arts scene. She served as director of the PRC from 1976 to 1981.$250-300
143Online bidding at www.skinnerinc.com
232
233Walker Evans (American, 1903-1975)
Four Photographs of Buildings: Birmingham, Ala. Boarding House, 1936, Kentucky, 1961, Two Outhouses, and Old Church. Birmingham identified with an artist’s stamp, Lyme, Connecticut, and titled, dated, and inscribed “J.D.” in pencil on verso; Kentucky identified with an artist’s stamp, titled and dated in pencil on verso; Old Church and Two Outhouses unsigned. Gelatin silver prints, image sizes to 11 1/2 x 10 1/4 in. (29.2 x 26 cm), unmatted, unframed.
Condition: All but Church mounted to matboard, Birmingham with scattered slight indentations to surface, Kentucky with slight rippling, Church with printing flaws u.r.
Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$4,000-6,000
144 Additional information and photos at www.skinnerinc.com
233
234John Gruen (American, b. 1926)
Untitled, 1980, edition of 75. Signed “John Gruen” in ink in the margin l.l., numbered “28/75” in ink in the margin l.r. Gelatin silver print, image size 15 1/4 x 11 3/4 in. (38.7 x 29.8 cm), matted, unframed. Condition: Unmounted.$300-500
235David L. De Harport (American, 1920-2001)
Four Southwestern Views: Timberline Wood - Colorado, 1951, Ranch - Colorado, 1945, Corrizo Mts - Arizona, 1949, and Dunes - Arizona. Titled, signed, and dated “David L. De Harport” in pencil on the left edge of the mat, Dunes inscribed in pencil with artist’s address and printing notes. Gelatin silver prints on matboard, image/sheet sizes to 7 1/4 x 9 1/2 in. (18.4 x 24.1 cm), unmatted, unframed.Condition: Slight losses to edges of images.
N.B. De Harport was an anthropologist from the Peabody Museum at Harvard University. His was among many surveys that systematically inventoried the archeological resources of a large portion of the Canyon de Chelly monument between 1946 and 1951. He received his PhD in anthropology from Harvard in 1960.$300-500
236Lewis Wickes Hine (American, 1874-1940)
Little Orphan Annie in a Pittsburgh Institution, 1909, a later printing. Inscribed “Lewis Hines” [sic] on paper backing and back of mat backing, inscribed “property of...” on front of mat backing. Gelatin silver print mounted to matboard, image/sheet size 6 1/4 x 4 1/4 in. (15.9 x 10.8 cm), matted, framed. Condition: Good.$1,500-2,500
145Online bidding at www.skinnerinc.com
236
234 235
237Paul Ickovic (Czech, b. 1944)
Prague Czechoslovakia, 1981. Signed and inscribed “IC...A/P” in felt-tip pen in the margin l.r. Gelatin silver print, 14 x 22 in. (35.6 x 55.9 cm), unmatted, unframed.Condition: Unmounted, slight printing flaws.$800-1,200
238William Henry Jackson (American, 1843-1942)
Cathedral Spires...Garden of The Gods, 1873. Numbered, titled, and inscribed “19.../W.H.JACKSON & Co. PHOT. DENVER.” in the image l.l., identified in graphite on verso. Albumen print with hand-coloring mounted to paperboard, image size 11 x 13 3/4 in. (27.9 x 34.9 cm), matted, framed.Condition: Slight emulsion cracking, scattered minor foxing, crease u.r. quadrant, not examined out of frame.$300-500
146 Additional information and photos at www.skinnerinc.com
238
237
239Rodger Paul Kingston (American, b. 1941)
Portfolio of Ten Color Photographs: AMERICAN ICONS, 1986, edition of 25. Unsigned, identified on a Palm Press, Littleton, Massachusetts, label affixed to portfolio box, inscribed “3” on the colophon page. Cibachrome prints, image sizes 20 x 16 in. (50.8 x 40.6 cm), matted, unframed. Condition: Unmounted.
N.B. This portfolio is housed in a blue and red clamshell box. Identifying text accompanies the lot.$3,000-5,000
240Heather Lin (American, 20th Century)
Two Black and White Photographs: Self Portrait #58, 2005, and Self Portrait #32, 2005. Unsigned. Pigment prints on watercolor paper, sight sizes 19 1/2 x 20 1/2 in. (49.5 x 52.1 cm), matted, framed. Condition: Not examined out of frames.$300-500
147Online bidding at www.skinnerinc.com
240
239
241Peter Miller (American, b. 1945)
Bamboo Story, 1996, edition of 40. Numbered, titled, signed, dated, and inscribed “6/40...Peter Miller.../For my teacher and friend Dan Bell” in the margin. Photogravure, image size 10 1/2 x 13 1/2 in. (26.7 x 34.2 cm), unmatted, framed.Condition: Slight rippling, minor creases u.c., deckled edges, creases to lower edge, not examined out of frame.$300-500
242Tod Papageorge (American, b. 1940)
Hollywood Hills, 1975. Titled and signed “...Tod Papageorge” in pencil on verso. Gelatin silver print, image size 10 7/8 x 15 7/8 in. (27.5 x 40.3 cm), matted, unframed.Condition: Wear to lower edge, subtle surface abrasion to image l.r., printing flaw l.c.$1,000-1,500
148 Additional information and photos at www.skinnerinc.com
242
241
243Eliot Porter (American, 1901-1990)
Foxtail Grass, Lake City, Colorado, August, 1957. Signed “Eliot Porter” in pencil on the matboard l.r. Dye-transfer print mounted to matboard, image/sheet size 36 3/4 x 29 1/2 in. (93.3 x 74.9 cm), unmatted, unframed.Condition: Scattered slight printing flaws.
Provenance: From the artist’s family.$1,200-1,800
244Eliot Porter (American, 1901-1990)
Redbud Tree in Bottom Land, Red River Gorge, Kentucky, April 17, 1968. Signed “Eliot Porter” in pencil on the matboard l.r. Dye-transfer print mounted to matboard, image/sheet size 36 1/2 x 29 3/4 in. (92.7 x 75.5 cm), unmatted, unframed. Condition: Good.
Provenance: From the artist’s family.$1,200-1,800
149Online bidding at www.skinnerinc.com
244
243
245Paul Strand (American, 1890-1976)
Near Saltillo, 1932, probably a later printing. Unsigned, numbered “89.0294” in pencil on verso. Photogravure on BFK Rives paper, image size 4 7/8 x 6 1/4 in. (12.4 x 15.9 cm), unmatted, unframed. Condition: Unmounted, slight foxing to u.l. quadrant, minor crease to u.r. corner.$400-600
246Aaron Siskind (American, 1903-1991)
Four Interior Views from HARLEM DOCUMENT, c. 1939/1940, including: Bedroom through Doorway, c. 1939; Man in Chair, 1940, Man in Mirror and Man with Crutch from the (Most Crowded Block in the World) Series, c. 1940. Three inscribed, dated, and signed “Harlem...Aaron Siskind” in pencil on verso, Mirror signed “Aaron Siskind” in felt-tip pen in the margin l.r. Gelatin silver prints, sheet sizes to 14 x 11 in. (35.6 x 27.9 cm), unmatted, unframed.Condition: Unmounted.$2,000-2,500
150 Additional information and photos at www.skinnerinc.com
246
245
247Aaron Siskind (American, 1903-1991)
New York, 1950. Titled, dated, and signed “...Aaron Siskind” in pencil on verso. Gelatin silver print, image size 18 1/4 x 14 1/4 in. (46.3 x 36.2 cm), unmatted, unframed. Condition: Unmounted, slight printing flaws.
Provenance: From the artist to the darkroom printer of Palm Press.$2,000-3,000
248Aaron Siskind (American, 1903-1991)
Suite of 10 Photographs from the Series PLEASURES AND TERRORS OF LEVITATION: #37, 1953, #474, 1954, #477, 1954, #482, 1954, #484, 1954, #491, 1954, #58, 1956, #63, 1956, #99, 1961, #121, 1961, and P. and T. of L., 1961. Nine titled, dated, and signed “...Aaron Siskind” in pencil on verso; P. and T. of L. titled in pencil on verso. Gelatin silver prints, 17 3/4 x 17 1/2 in. (45.1 x 44.5 cm), matted, unframed. Condition: Unmounted. $10,000-15,000
151Online bidding at www.skinnerinc.com248
247
249Aaron Siskind (American, 1903-1991)
Portfolio of Six Photogravures: HOMAGE TO FRANZ KLINE, #APII, 1982. Each titled, dated, inscribed and signed “A/P II...Aaron Siskind” in pencil in the margin, identified on colophon and within accompanying text. Photogravures, sheet sizes 26 x 22 in. (66.0 x 55.9 cm), unmatted, unframed. Condition: Unmounted, slight soiling to edges of title page.
N.B. Original text accompanies lot.$2,500-3,500
152 Additional information and photos at www.skinnerinc.com
249
250Aaron Siskind (American, 1903-1991)
Olive Tree, Corfu 514, 1970. Titled, dated, and signed “...Aaron Siskind” in felt-tip pen in the margin, inscribed “OTC 514 /70/B5/84.0009” in pencil on verso, annotations and possible printing diagrams in pencil on verso. Gelatin silver print, image size 12 1/2 x 9 1/4 in. (31.8 x 23.5 cm), unmatted, unframed.Condition: Unmounted.$1,000-1,500
251Aaron Siskind (American, 1903-1991)
Utah 84, 1976. Titled, dated, and signed “...Aaron Siskind” in pen in the margin, inscribed “U84 3/76/5 4/85.0020” in pencil on verso. Gelatin silver print, image size 9 1/2 x 9 1/2 in. (24.1 x 24.1 cm), unmatted, unframed.Condition: Unmounted.$1,000-1,500
153Online bidding at www.skinnerinc.com
251
250
252Alfred Stieglitz (American, 1864-1946)
The Aeroplane, 1910. Unsigned. Photogravure on Japan tissue, 5 5/8 x 7 in. (14.3 x 17.8 cm), matted, framed. Condition: Mat burn u.r., l.r., and l.l. corners.
Provenance: Gift from Gerald Sykes to the current owner.
N.B. Alfred Stieglitz mentored American writer and critic Gerald Sykes. $1,500-2,000
253George A. Tice (American, b. 1938)
Shaker Interior, Sabbath Day Lake, 1971. Signed “GEO A. TICE” in ink on the mat l.r. Gelatin silver print mounted to card stock, 13 x 19 in. (33.0 x 48.3 cm), matted, framed.Condition: Good.$800-1,200
154 Additional information and photos at www.skinnerinc.com
253
252
254Jerry Uelsmann (American, b. 1934)
Untitled (Floating Tree), 1969. Initialed and dated “J.N.U. 1969” in pencil on the mount l.r., signed and dated in ink on the reverse of the mount. Gelatin silver print on paper, image/sheet size 9 5/8 x 12 1/4 in. (24.5 x 31.1 cm), unframed.Condition: Loss to l.c. and u.c. edges, slight crease in l.r. and u.r. corners.$1,000-1,500
255Jerry Uelsmann (American, b. 1934)
Rock-Tree, 1969. Initialed and dated “J.N.U. 1969” in pencil on the mount l.r., titled in pencil on the mount l.l., titled, dated, and signed “Jerry N. Uelsmann” on the reverse, identified on an artist’s label affixed to the reverse. Gelatin silver print on paper, image/sheet size 12 7/8 x 8 3/4 in. (32.5 x 22.0 cm), framed.Condition: Very minor accretions on upper half, minor edge abrasions u.c.$1,000-1,500
155Online bidding at www.skinnerinc.com
255
254
256Bradford Washburn (American, 1910-2007)
Two Alaskan Landscapes: Mineral Spring NE of Copper Center, Alaska, 1938; and Mt McKinley Looking up Ruth Glacier, 1937. Both signed “Bradford Washburn” in pencil on verso; the latter dated “1937” on verso; the former numbered “1785.2009” on verso. Gelatin silver prints, image sizes to 14 1/2 x 18 1/2 in. (36.8 x 47.0 cm), unmatted, unframed.Condition: Unmounted, printing flaws.$1,000-1,500
257Bradford Washburn (American, 1910-2007)
Mount McKinley at 35000 ft Altitude, 1978. Signed “Bradford Washburn” and numbered “79753045” in pencil on verso. Gelatin silver print, image size 17 3/8 x 22 3/8 in. (44.1 x 56.8 cm), unmatted, unframed. Condition: Unmounted, two embossed marks and slight tearing at l.c. edge.
Provenance: From the darkroom printer of Palm Press.$3,000-5,000
156 Additional information and photos at www.skinnerinc.com
257
256
258Bradford Washburn (American, 1910-2007)
Snout of Chitina Glacier (St Elias Range), 1938. Signed “Bradford Washburn” and numbered “1410.3005” on verso. Gelatin silver print, 17 x 21 3/4 in. (43.2 x 55.2 cm), unmatted, unframed. Condition: Unmounted, slight edge damage in l.r. quadrant.
Provenance: From the darkroom printer of Palm Press.$3,000-5,000
259Bradford Washburn (American, 1910-2007)
Two Mount McKinley Views: Tremendous Southerly Windstorm Sweeps Mt. McKinley’s Twin Peaks, June 6, 1942, and Mount McKinley at Twilight. Both signed “Bradford Washburn” and numbered “2471.207” and “5099 2007,” respectively, in pencil on verso. Gelatin silver prints, image sizes to 14 3/4 x 18 3/4 in., unmatted, unframed. Condition: Unmounted, printing flaws, Twin Peaks with slight crease u.c.$1,000-1,500
157Online bidding at www.skinnerinc.com
258
259
260Edward Weston (American, 1886-1958)
Two Portraits of Lt. Roswell Drake Ison, 1944. Both initialed and dated “E W 1944” in pencil on the mount, and identified on a label affixed to the reverse. Gelatin silver prints, image/sheet sizes 4 5/8 x 3 5/8 in. (11.5 x 9.0 cm), framed.Condition: Subtle toning, minor staining to mounts, not examined out of frames.
N.B. The lot is accompanied by an undated letter from Weston to Frances (Forbes) Ison, in an envelope postmarked 1949.$1,200-1,500
158 Additional information and photos at www.skinnerinc.com
260
261Garry Winogrand (American, 1928-1984)
Six Photographic Works: Central Park Zoo, New York, 1967, Coney Island, New York, 1952, American Legion Convention, Dallas, 1964, Texas State Fair, Dallas, 1964, Metropolitan Museum of Art Centennial Ball, New York, 1969, and Staten Island Ferry, New York, 1971. Five unsigned, Ferry signed “Garry Winogrand” in ink in the margin. Gelatin silver prints, sheet sizes 11 x 14 in. (27.9 x 35.6 cm), two matted, all unframed. Condition: Unmounted.$3,000-5,000
End of Fine Prints and Photography
159Online bidding at www.skinnerinc.com
261
160 Additional information and photos at www.skinnerinc.com
Aarons, George Manuel ................................ 1Abbott, Berenice ...................................... 221Adams, Ansel ...................................222, 223Agam, Yaacov .............................................. 2Albers, Josef ............................................3, 4Alechinsky, Pierre .........................................5Andrus, Vera ................................................ 6Anuszkiewicz, Richard ..................................7Appel, Karel ..............................................8, 9Arikha, Avigdor .....................................10, 11Avati, Mario ................................................ 12
Baeder, John .............................................. 13Barlach, Ernst .............................................14Baselitz, Georg ...........................................15Baskin, Leonard ....................................16-19Benson, Frank Weston ..........................20-23Benton, Thomas Hart ............................24-28Blake, William .............................................29Bonnard, Pierre .......................................... 30Bonnard, Pierre (After) ...........................31-33Braque, Georges ..................................34, 35Braque, Georges (After) .............................. 36Bresslern-Roth, Norbertine .........................37Brockhurst, Gerald Leslie ......................38-41Buffet, Bernard ......................................42-45Buhot, Félix Hilaire ......................................46Bush, Andrew...........................................224
Cady, Harrison ...........................................47Calder, Alexander ..................................48-50Cassatt, Mary ........................................51-53Cézanne, Paul ............................................54Chagall, Marc ........................................55-59Chagall, Marc (After) ................................... 60Chippendale, Brian ..................................... 61Climent, Enrique ......................................... 63Corneille ..................................................... 62Corot, Jean-Baptiste-Camille ................64, 65Cuevas, José Luis ...................................... 66
Dalí, Salvador .............................................67De Harport, David L. ................................235de Tirtoff, Romain (called Erté) ....................76Dehner, Dorothy .........................................68DeWoody, James .......................................69Dine, Jim ...............................................70-73Duchamp, Marcel (After) ...........................196Dürer, Albrecht ...........................................74
Eberle, Todd .............................................225Edgerton, Harold Eugene ..................226-231Enos, Chris ............................................... 232Erni, Hans...................................................75Erté ............................................................76Estes, Richard ............................................77Evans, Walker........................................... 233
Feininger, Lyonel ........................................78Frankenthaler, Helen ...................................79
Gauguin, Paul .............................................80Gloeckner, Michiel ......................................81Gorsline, Douglas Warner ...........................82Gruen, John .............................................234
Hall, Susan .................................................83Heckman, Albert William ...........................83AHeld, Al ......................................................84Hine, Lewis Wickes .................................. 236Hirst, Damien..............................................85Humphrey, Ryan ........................................86Hundertwasser, Friedensreich ....................87Hutty, Alfred Heber ...............................88, 89Hyde, Helen ..........................................90-93
Icart, Louis ............................................94-97Ickovic, Paul .............................................237
Jackson, William Henry ............................238
Kandinsky, Wassily (After) ...........................98Katz, Alex ...................................................99Kelly, Ellsworth .................................100, 101Kent, Rockwell .................................102, 103Kingston, Rodger Paul .............................239Kirmse, Marguerite ...................................104Kloss, Gene (Alice Geneva Glasier) ...........105Kollwitz, Käthe .......................................... 106Kupferman, Lawrence ..............................107
Landeck, Armin ........................................108Lane, Lois.................................................109Lee-Hankey, William ................................. 110LeWitt, Sol ................................................ 111Lichtenstein, Roy ...................................... 112Lin, Heather ..............................................240Lindenmuth, Tod ...................................... 113Lipchitz, Jacques .....................................114Litten, Sydney Mackenzie .........................115Lozowick, Louis ................................116, 117
Maki, Haku ...............................................118Man Ray ................................................... 160Marini, Marino ....................................119-121Marsh, Reginald ....................................... 122Mastro-Valerio, Alessandro ....................... 123Matisse, Henri ..........................................124Miller, Peter ..............................................241Millet, Jean Franìois ...........................125-129Miró, Joan .........................................130-133Moore, Henry ....................................134-139Motherwell, Robert ...................................140Munakata, Shiko ......................................142
Neel, Alice ................................................143
Onobrakpeya, Bruce ................................144
Papageorge, Tod .....................................242Pascin, Jules ............................................145Picasso, Pablo ............... 146-150A, 153, 154Picasso, Pablo (After) .......................151, 152Pissarro, Camille (After) .............................155Pissarro, Lucien ........................................155Poliakoff, Serge ........................................156Porter, Eliot ......................................243, 244Porter, Fairfield .........................................157
Raffaëlli, Jean François .............................158Rauschenberg, Robert .............................159
Redon, Odilon .......................................... 161Rembrandt van Rijn .................................. 162Renoir, Pierre-Auguste .....................163, 164Riggs, Robert ...........................................165Rivers, Larry ............................................. 166Robetta, Cristoforo di Michele ..................167Rouault, Georges .............................168, 169Ruscha, Ed...............................................170
Saito, Kiyoshi ............................................171Schacht, Mike ..................................172, 173Schanker, Louis........................................174Scully, Sean .............................................175Shahn, Ben ..............................................176Sharp, William ..........................................177Shokler, Harry ..........................................178Siskind, Aaron ...................................246-251Smith, Alexis .............................................179Soyer, Raphael .........................................180Spence, Andrew .......................................181Stieglitz, Alfred ..........................................252Strand, Paul .............................................245Sultan, Donald ........................................181A
Tàpies, Antoni ........................................181BTaylor, Prentiss .........................................182Tice, George A. ........................................253Tobey, Mark .....................................183, 184de Toulouse-Lautrec, Henri ......................185
Uelsmann, Jerry ...............................254, 255
Vasarely, Victor ..................................186-192Villon, Jacques ...................... 31-33, 193-199de Vlaminck, Maurice ............................... 200
Warhol, Andy .....................................201-204Washburn, Bradford ..........................256-259Weems, Carrie Mae ..................................205Welliver, Neil ......................................206-208Wengenroth, Stow ............................209-211Wesselmann, Tom ............................212, 213Weston, Edward ....................................... 260Whistler, James Abbott McNeill .........214-216Wilson, Charles Banks ..............................217Winogrand, Garry ..................................... 261
Youngerman, Jack ...................................218
Zao Wou-Ki .....................................219, 220
Artist Index
Conditions of Sale1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.
Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.
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9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.
10. Except for property purchased via On-line Auctions, a premium equal to 20% of the final bid price up to and including $500,000, plus 12% of the final bid over $500,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyer’s premium on property purchased via On-line Auctions will be in an amount up to 23% of the final bid price.
11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.
Revised December 17, 2012162
Sale Title Sale Date
Name (Please Print) Business Name
Address check if change in address
City State Zip Code
Phone # Alternate # e-mail
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that
my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.
Absentee Bid Form
Marlborough Boston Phone Fax Mail Person Employee:
FOR OFFICE USE
Lot # Description Bid Price
Signature (Required) Date
63 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429
274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100 www.skinnerinc.com
First Time Bidder? YES NO Customer #
Bid confirmation via email? YES NO
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63 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429
274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100
www.skinnerinc.com
Board of Directors
Administration
Expert Departments
Chairman of the Board - Nancy R. SkinnerRichard AlbrightJohn DeightonBarnet FainStephen L. FletcherKaren M. KeaneAndrew Payne
President/Chief Executive Officer - Karen M. KeaneChief Financial Officer - Don KellyExecutive Vice President - Stephen L. FletcherVice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr
20th Century Design - Jane D. PrentissAssistant: Shannon M. AmesAmerican & European Paintings & Prints - Robin S.R. StarrAssistants: Kathy Wong, Elizabeth C. Haff, Annie ClaflinAmerican Furniture & Decorative Arts - Stephen L. FletcherDeputy Director: Chris Barber; Assistants: Karen Langberg, Kelli Lucas StewartAmerican Indian & Ethnographic Art - Douglas DeihlAsian Works of Art - Judith DowlingAssistants: Karen Mak, Suhyung KimBooks & Manuscripts - Devon GrayBottles, Flasks & Early Glass - Stephen L. FletcherCeramics - Stuart G. SlavidClassic Automobiles & Motorcycles - Jane D. PrentissCouture - Cara ElmslieDiscovery Auctions - Cara ElmslieAssistants: Garrett J. Sheahan, Melissa RiebeEuropean Furniture & Decorative Arts - Stuart G. SlavidAssistants: Leah Kingman, Stephanie OpolskiFine Wines - Marie KeepAssistant: Michael J. MoserHistorical Militaria - Joel BohyJewelry - Victoria BratbergAssistants: John Colasacco, Julie KhouriJudaica - Kerry ShrivesMusical Instruments - David BonseyDeputy Director: Jill ArbetterOriental Rugs & Carpets - Gary RichardsScience, Technology & Clocks - Robert C. CheneyAssistant: Jonathan DowlingSilver - Stuart G. SlavidToys & Dolls - Kerry ShrivesAuctioneers - LaGina Austin, Chris Barber, Robert C. Cheney,John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid,Robin S.R. Starr, Laura V. Sweeney
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Marlborough: Warehouse Manager - Fred Trottier, 508.970.3261
Boston: Property Distribution Manager - Jessica R. Lincoln, 617.874.4308 Auction Coordinator - Benjamin Evans, 617.874.4329
Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269 Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268 Accounts Payable, Trade - Kevin Rota, 508.970.3283
Marlborough: Heather Retzke, 508.970.3240
Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Hadley Bridgman, Rachel KingsleyAdvertising Production - Pamela Van de HoutenBoston Gallery Director - Laura V. SweeneyAssistant Gallery Director: Paige LewellynGallery Assistant: Jessica TurnerCatalog Production - Pamela Van de Houten, Kristina HarrisonConsignment Services - Patricia Walker King, Megan J. Blomgren, Carol ZeiglerCustomer Relations - Carol McCaffreyInstitutional Relations - L. Emerson TuttleHuman Resources - Carol McCaffreyInformation Technology & Internet Auctions - Kerry ShrivesAssistants: Timothy Shaughnessey, Melissa RiebeManaging Director - Marie C. KeepMarketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather RetzkePhotographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John CorneliusReceptionists - Marlborough: Kealyn GarnerBoston: Sarah L. Collins Staff Portraits - Cheryl Richards Photography Transportation - Eric JonesAssistant: Mark McCaffrey
Service Departments
Exhibitions & Property Distribution
Finance Department
Subscriptions
166
Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116
617-350-5400
From the West:Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From the South:Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From Logan Airport:Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From the North:Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.
Name __________________________________________ Business Name
Mailing Address ____________________________________________________
City ______________________________ State _______ Zip______________
email address ____________________________________ __________ Tel: ( ) _____________________________
Quarterly Brochure No charge No charge
Included with catalog subscription
American Furniture & Decorative Arts $120 $143
European Furniture & Decorative Arts $120 $143
American & European Paintings & Prints $120 $143
Fine Jewelry $120 $143
20th Century Furniture & Decorative Arts $60 $73
Asian Works of Art $60 $73
Fine Oriental Rugs & Carpets $18 $25
American Indian & Ethnographic Art $60 $73
Fine Books & Manuscripts $30 $36
Fine Ceramics $60 $73
Fine Musical Instruments $60 $73
Science, Technology & Clocks $60 $73
Fine Wines $60 $73
All Above Departments $750 $915
subtotal
ma residents 6.25% sales tax
total
PlEASE EnClOSE PAyMEnT WITh SuBSCRIPTIOn FORM AnD MAIl OR FAx TO:
Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100
please check the appropriate boxes: U.S./Canada Foreign (payable in U.S. dollars only)
SKINNER catalog subscription formPRICES EFFECTIvE July 1, 2010. Catalog subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com
MasterCard/VISA # Exp. Date
Signature Check enclosed
Upcoming Auction
Howard Hodgkins (British, b. 1932) Red Palm, 1986-1987
May 17, 2013, Boston, MA
Consignment Deadline: March 1st, 2013
For more information, please contact the American & European Works of Art department at 508.970.3206, or email [email protected] or [email protected]
American & European Works of Art