ArtisticIdentity:
MusicandtheMirror
AppendixF
FolioofScores
BelindaJaneWoodsORCIDiD:0000‐0001‐7374‐6119
TableofContents
TheUndisclosedQuestion Page1
Pardalote Page5
TheDividePt.II Page6
TheDividePt.III Page10
Fortunata Page13
ThroughtheCracks Page14
ForgetMeNot Page18
LongthandtheSlodge Page21
Voyeur Page22
TheDivide Page24
ISaidOnlyOnce Page26
Ophelia’sDance Page29
Evangelist Page33
Pardalote Page34
CutLunch Page36
Etchings Page39
Poly Page39
There’saTigerontheRun Page40
TheSistersofMercy Page53
SyntheticStrings Page60
23HeadsonaHighway Page65
TheElevator Page69
TheGoodnightPharmaceuticalCompany Page81
LaSortie Page87
Saveja Page95
The Undisclosed Questionq=100
q=100
Belinda Woods
Flute
Harp
2
Fl.
Hp.
3
Fl.
Hp.
4
Fl.
Hp.
33 fingernail down string
accel......5:4
3
3 3 3
accel......
1
Pardalote
Belinda Woods
Flute
Harp
5
6
7
8
9
D> D>/A E(b9)/G# Asus F6 A/E C#07
Bb^7#11 A-7b9(@11)
3 3 3 3
A-7b5/Eb A-7b5/D
3 3 3 3
E-7b9 D-6/F
3 3 3 3
A-6(#11)/C B7b9b6
3 3 3 3
Bb^7#11 Asusb9
3 3 3 3
5
q=52
The Divide Pt. II Belinda Woods
Alto Flute
Harp
5
10
15
19
21
stately
mp 3
3
p
mf
3 3 3
mp
f f3
3
mf
cresc.. mf mp
3
cresc...
6
30
32
34
38
42
3 3 3
B>^7 A#>6
G^7b5 F#7
B>^7 G^7b5
E>7 F#7
G^7#9 A#0 F#7
B>/D
C#>7b5 F#/G
F#/A# B>
G> F#+ B-sus C#0 B>/D
8
Belinda Woods
Performance Notes:
This piece is designed to incorporate improvisation. Where there is space, shape this space with sound.
The notated scales in the harp part indicate tuning and should not be reproduced as written. These pitches are a guide only.
The Divide Pt. III
10
The Divide Pt. III
Flute
Harp
2
Fl.
Hp.
3
Fl.
Hp.
4
Fl.
Hp.
5
Fl.
Hp.
cont...
improvise gesturallyusing the following tuning
strum chords using this tuning
cont...
improvisation module
cont...
continue improvising morphing into this tuning
cont...
throbbing, irregular bisbigliando
cont...
keep within 2 or 3 notes following this tuningwork down the strings very slowly cont...
cont...
11
Fortunata Belinda Woods
6
12
18
Rubato first time
3
3
G-
D
Eb
C-
G-/Bb
3 3
D
G-
D
G-
D
Eb
C-
G-/Bb
D
G-
F/A
Bb
D
Eb
C-
Bb
D
G-
D
Fine
13
Belinda Woods
Through the cracks
Flute
2
Fl.
3
Fl.
Hp.
4
Fl.
Hp.
5
Hp.
6
Hp.
Rubato
3 3
3
6
3
3
ad lib harmonics
prepared harp
Create a pad over which to improvise pulling a ribbon around these notes
B.^7 D.b6 D.^7b6 F+^7
14
8 Hp.
10
Hp.
12
Hp.
15
Hp.
18
Fl.
Hp.
19
Fl.
Hp.
D.^7
F.^7add4E.6
Texture begining to thicken throughout ensemble
slowly build up tempo, adding in chords
ad lib until flute cue
Jet Stream
9
3
3
15
Belinda WoodsForget Me Not
5
10
16
G#7b9 E^7@6 Eb7b9 Ab. Db.7@6
Eb7/Cb Eb7b6/G Ab7b9 Db.9 C7b6 F.7 F.^7/Bb
3
Double Time q = h
C.7 B0 Bb6 Ab^7 Ab^7 F.6
G7b6 B0 C.7 B0 Bb6 Ab^7
18
22
26
30
34
40
46
51
56 64
Ab^7 F.6 G7b6 B0
C.7 Eb^7/Bb Ab6 Fsus%
Eb+^7 D7b9 G.^7 G.^7
Ab.
Db.7@6
Eb7/Cb
SOLOS
Eb7b6/G
Ab7b9
Db.9
Eb7b9
Ab.
Db.7@6
Eb7/Cb
Eb7b6/G
Ab7b9
Db.9
C7b6 F.7
F.^7/Bb
F./Bb
C.7
B0
Bb6
Ab^7
Ab^7
F.6
G7b6
B0
C.7
Eb^7/Bb
Ab6
Fsus%
Eb+^7
D7b9
G.^7
D.S al Coda
G.^7
19
Voyeur Belinda Woods
Gtr
Bass
3
5
9
13
Intro
Melody Enters - return to start and repeat bars 1-12 until cue
22
q=52
The DivideBelinda Woods
Alto Flute
Tpt & Sax
5
8
11
15
18
22
25
D
B¨‹ D B¨‹
mp
D B¨‹ D B¨‹
3
3
p
D B¨‹ D B¨‹
Trumpet joins melody
mf
D B¨‹3
mp
D B¨‹ D B¨‹ D
Sax joins melody
B¨‹
f
3 3
F#± G& F#± G& F#± G& F#± G&
f3
3
cresc..
F#± G& F#± G& F#± G&
mf3
F#± G&
mp
F#± G& F#± G& B^7¨6¨9
f
expressive and dramatic
B>^7 A#>6 G^7b5 F#7 B>^7 G^7b5
E>7 F#7 B>^7 A#>6 G^7b5 F#7
24
28
31
34 38
42
46
51
55
B>^7 G^7b5 E>7 F#7 B>^7 A#>65
G^7b5 F#7 B>^7 G^7b5 E>7 F#7
B>^7 A#>6
G^7b5 F#7
SOLOS
B>^7 G^7b5
E>7 F#7
G^7#9 A#0 F#7
B>/D
C#>7b5 F#/G
F#/A# B>
G> F#+ B-sus C#0 B>/D
E>/G G>^7b5
rall.
F#7 Eb7 Ab>6
rit.
25
Ophelia's Dance Belinda Woods
Trumpet
Flute
Tenor Sax
Bass
5
9
E. F#-7b5 E. B7 E. F#-7b5 E. B7
E. F#-7b5 E. B7 E. F#-7b5 E. B7
29
13
17
20
E. F#-7b5 E. B7 E. F#-7b5 E. B7
3 3
3
E. F#-7b5 E. B7 E. F#-7b5
3 3 3
3
E. B7 E. F#-7b5 E. B7
3 3 3 3 3 3
3
30
23
27
31
35
A. E. A. E A. E. B7
3
3
3
3
3 3 3 3 3
E. F#-7b5 E. B7
SOLOS
E. F#-7b5 E. B7
A. E. A. E A. E.
B7
31
EVANGELISTBelinda Woods
Flute
Tenor Sax
Trumpet
5
9
14
18
22
E6 E+/F# F-/D Eb+7 Bbsus7/F Bb7/D
Absus9 Bb(add9) D+7 F-7b5 Eb-6 Eb-7
Db6 B9 Bbsus4 B9 Bb7
Last time, 4 bar tag
Fine
E6
E+/F#
SOLOS
F-/D Eb+7
Bbsus7/F Bb7/D
Absus9
Bb(add9) D+7
F-7b5
Eb-6 Eb-7
Db6
B9
Bbsus4
B9
Bb7
33
PardaloteBelinda Woods
Flute
Trumpet
Sax
5
9
D> D>/A E(b9)/G# Asus F6 A/E C#07
D> D>/A E(b9)/G# Asus F6 A/E C#07
34
13
14
15
16
17
Bb^7#11
SOLOS
A-7b9(@11)3 3 3 3
A-7b5/Eb A-7b5/D3 3 3 3
E-7b9 D-6/F3 3 3 3
A-6(#11)/C B7b9b6
3 3 3 3
Bb^7#11 A-7b9(@11)
3 3 3 3
35
EtchingsBelinda Woods
6
10
15
Belinda Woods
19
Poly
23
Ab-^7 C7 Ab7(b5) G-7
Gb7 A7(b9) A7(b5) C^9
Ab- G7 C(b13) D7(b9) G-9
Bass sets up groove.....G minor
G-
3G-7b5 E-7b5 Eb6
3 3 3
EbALT E+ Db7 F+
3 3 3
39
Flute
Tenor Sax
Trumpet
Guitar
Bass
C-^7(add6) A¨-^7 G-7 G¨^7 F6(#4) E¨^9
7
D-9 E¨^9 A¨^7(add6) B-9
Belinda Woods
There's a tiger on the run
40
Flute
Tenor Sax
Trumpet
Guitar
Bass
F-^7 C7 F-^7 C7
F-^7 C7 F-^7 C7
F-^7 C7 F-^7 C7
F-^7 C7 F-^7 C7 C71. 2.
5
F-^7 C7 F-^7 C7 C71. 2.
F-^7 C7 F-^7 C7 C7
Belinda Woods
23 heads on a highway
3
3
3 3
65
F-^7 C7 F-^7 C722
F-^7 C7 F-^7 C7
F-^7 C7 F-^7 C7
F-^7 C7 F-^7 C726
B¨-7 C7 B¨-7 C730
3
3
3
3 3
3
3
3 3
3
3
3 3
SOLOS
On Cue from soloist
68
Flute
Tenor Sax
Trumpet
Guitar
Bass
q=72
E¨m/D¨ D¨+q=72
5
Am/D¨ B¨m#11/D¨ D¨^7(#11)
A
Belinda Woods
The Elevator
69
17
B¨#11 B(#11) A¨(#11) A7 G7(¨9) A¨-7 A-7
18
B¨#11
BRIDGE
X4
X4
pitch bend slowly up and down, singing a Bb
X4
X4
X4
71
35
B¨#11 B(#11) A¨(#11) A¨^7#11 G7(¨9) A¨-7 A-7
36
B¨#11 A¨^7#11 B¨^7#11
A¨^7#11 B¨^7#11
BRIDGE
X4
X4
pitch bend slowly up and down, singing a Bb
X4
X4
X4
C
75
55
57
B¨#11 B(#11) A¨(#11) A7 G7(¨9) A¨-7 A-7
BRIDGE
X4
X4
pitch bend slowly up and down, singing a Bb
X4
X4
X4
79
Alto Flute
Tenor Sax
Trumpet
Guitar
Bass
q=86
E¨^7#11 E¨^7#11 Dsus4 Cm7 Cm7
5
E¨^7#11 E¨^7#11 Dsus4 Cm7
The Goodnight Pharmaceutical Company(Lo-Res)
Belinda Woods
A1
81
q=15729
Dm7(¨9) Cm7(¨9)
B¨^732
SOLO FORM: Guitar starts, Horns join, Drums amp up and start disintegrating
86
Fl.
Ten. Sax.
Tpt.
E. Gtr.
Bass
55
Fl.
Ten. Sax.
Tpt.
E. Gtr.
Bass
58
A-9 A-6
A-9 A-6
repeat and fade to end
Bass solo
93
B7(áÆ)
5
B7(áÆ) Dsusb9
9
B7(áÆ) Dsusb9 B7(áÆ)11
15
G(b13)
Rit.....
16
Belinda Woods
Saveja
IMPRO - using this tuning - occasionally add a D
Lead into...
95