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Hasheem HalimPeter Zumthor’s Caplutta Sogn Benedegt
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Caplutta Sogn Benedegt sits on a hill in the intimate Swiss town of the same name. The form resembles a ship in motion, pulled o� the ground.
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Shingles clad the entire exterior reminiscent of the woodworking town. Silver gray in the North, sun-blackened facing South.The foundation has a rough �nish pulling out the materiality of the concrete.
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A simple metal roof caps the teardrop plan.Each wooden window mullion is backed by a metallic �n to re�ect additnional light into the space.
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The entrance does not interfere with the dynamic motion of the bulding, no columns acknowledge its intrusion. There is a clear step up one has to take to enter the main room.
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Silver painted walls, metallic �ns and the overall shape of the building create a dynamic, elevated atmosphere in the interior space.
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Nail connections to the wood columns characterize the readability and tactility of the material in the building
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Entering the chapel, the pews face traditionally East. A simple altar at the bow backed by choir seating. Spacial senquencing working in harmony with the tear drop.
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Hidden or exposed, the components of this building clearly express: structure as in the wooden columns and roof beams, materiality as in the wooden shingle cladding, readability as in the wood �oor coresponding to the radiating beams underneath,
and a sense of otherworldlyness sought from a place of worship
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-Information and Media-Zumthor, Peter. Peter Zumthor: Thinking Architecture. Lars Müller, 1998. Print.http://upload.wikimedia.org/wikipedia/commons/5/52/Sogn_Benedetg1.jpg
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