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THE PAPER
SCULPTURE MANUAL
Curated by Mary Ceruti, Matt Freedman, and Sina Najafi
ICI
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Lively and unconventional, The Paper Sculpture Show explored the nature of the art object and the identity of the artist as a traveling exhibition from 2003-07. Twenty-nine international artists and artist collaboratives each contributed a design for a three-dimensional sculpture that could be assembled out of paper by museum visitors. As many around the world are experiencing social distancing and orders to stay home, ICI is sharing the designs from The Paper Sculpture Show as a downloadable, printable, and shareable manual to take you away from your screens and recreate art experiences in domestic spaces. Interactive, nonconformist and witty, The Paper Sculpture Manual still rais-es many questions about authorship, original versus copy, art and craft, product and process, two dimensional and three dimensional objects, … Now the question is: what are YOU going to make?
Based on the traveling exhibition The Paper Sculpture Show (2003-07), curated by Mary Ceruti, Matt Freedman, and Sina Najafi, and organized by
Cabinet, Independent Curators International, and Sculpture Center.
THE PAPER SCULPTURE MANUAL
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JANINE ANTONI
THE ART GUYS
DAVID BRODY
LUCA BUVOLI
FRANCIS CAPE + LIZA PHILLIPS
SEONG CHUN
MINERVA CUEVAS
E.V. DAY
NICOLE EISENMAN
SPENCER FINCH
CHARLES GOLDMAN
RACHEL HARRISON
STEPHEN HENDEE
PATRICK KILLORAN
GLENN LIGON
CILDO MEIRELES
HELEN MIRRA
ARIC OBROSEY
ESTER PARTEGÀS
PAUL RAMÍREZ JONAS
DAVID SHRIGLEY
EVE SUSSMAN
FRED TOMASELLI
PABLO VARGAS-LUGO
OLAV WESTPHALEN
ALLAN WEXLER
Crumple
Paper Stunts
Rental Truck Camera Obscura
Pop-Up #16 for: Flying–Practical Training for Be-ginners
No. 7
Craft-Proof
Homemade MVC Student ID Card
Sex, Bugs, and Rock and Roll
Village Witch Burning
Untitled (Samuel Beckett)
Night in Day
Straws and Spitballs
Binding Sites
Disposable Watches
Pictures at an Exhibition
From Plane to Line, From Plane to Space
Stage/Levee
Paper Work Glove, Recto Verso
Things You Don’t LIke
Breath
The Paper Sculpture
Goggles for Kaleidoscope Eyes
Guide for Spring Molt and Courtship Display
Infinite Compassion
How Much Is Not Enough?
Work and Display Stations for the Paper Sculpture Show
PAPER SCULPTURES
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SCISSORS
GLUE
TAPE
X-ACTO KNIFE
STRAIGHT EDGE
CUTTING MAT (DON’T SCRATCH YOUR KITCHEN TABLE)
MATCHES
PUSHPINS
STEP 1:SELECT THE DESIGN YOU WOULD LIKE TO MAKE INTO A SCULPTURE
STEP 2:IN YOUR PRINT DIALOGUE BOX, TYPE IN THE PAGE RANGE OF SELECTED DESIGN
STEP 3:FOR DOUBLE SIDED PRINTING, MAKE SURE TO SELECT LONG-EDGE BINDING
STEP 4:PRINT
STEP 5:FOLLOW THE ARTIST’S INSTRUCTIONS
STEP 6:LET US KNOW HOW IT GOES! @CURATORSINTL
RECOMMENDED TOOLS
PRINTING INSTRUCTIONS
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Janine AntoniCrumple
Requires: 1 single-sided sheet
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1. Follow the numbers in reverse order.2. Begin with the 585th fold. 3. The solid lines are peaks. 4. The dotted lines are valleys.
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The Art GuysPaper Stunts
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Luca Buvoli Pop-Up #16 for: Flying–Practical Training for Beginners
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Francis Cape + Liza Phillips No. 7
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Seong Chun Craft-Proof
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Minerva CuevasHomemade MVC Student ID Card
Requires: 1 single-sided sheet
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MIN
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CU
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S_HO
MEM
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MVC
STU
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E.V. DaySex, Bugs, and Rock and Roll
Requires:2 single-sided sheets
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E.V.
DAY
_SEX
, BUG
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.V. D
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E.V.
DAY
_SEX
, BUG
S, A
ND R
OCK
AND
ROLL
Th
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Show
and
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3 E.
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New
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ASSEMBLY INSTRUCTIONS:
PAGE 1
1. FOLD PAGE LENTHWISE ALONG DOTTED LINE.
2. FOLD PAGE WIDTHWISE ALONG SOLID LINE.
3. CUT ALONG SOLID LINES.
4. AFTER CUTTING IS COMPLETE, OPEN PAGE - THERE SHOULD BE TWO BUGS ATTACHED BY REAR FEET.
5. FOLD ALONG DOTTED LINES.
6. FOLD REAR TWO HIND LEGS ACCORDIAN STYLE; BACK + FORTH.
7. REPEAT FOLDING PATTERN SYMMETRICALLY ON BUGS.
8. TRY POSING ANTENNA + LEGS IN VARYING POSITIONS FOR HOURS OF FUN. FOR YOU +THEM...
PAGE 2 (ABOVE)
1. CUT OUT ALONG PERIMETER OF RECTANGLES.
2. FOLD ON DOTTED LINES.
3. CUT 4 VERTICAL SHORT WHITE LINES ON EACH MAT.
4. FOLD AND TAPE CORNERS.
5. AFTER ASSEMBLED PLACE 2 MATS SIDE BY SIDE.
6. PLACE BUGS ON TOP OF EACH OTHER ON TOP OF THE MATS.
The
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Nicole EisenmanVillage Witch Burning
Requires:3 single-sided sheets
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VILLAGE WITCH BURNING
5.
4.
3.
2.
1.
ROLL UP WOOD STAKE INTO A TUBE AND TAPE.
WRAP THE WITCH PAGE AROUND THE WOOD STAKE AND BIND WITH A PIECE OF STRING.
PLACE WITCHES AND STAKE IN THE CENTER OF THE TOWN.
6.
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Spencer FinchUntitled (Samuel Beckett)
Requires:1 double-sided sheet
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SPEN
CER
FIN
CH
_UNT
ITLE
D (S
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T)Th
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Show
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Cur
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Sculp
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• Cut along dashed lines to create six strips.
• Join strips by overlapping matching ends and taping on w
hite back side only.
• Attach single long strip to the w
all vertically so that the bottom edge just touches the floor w
ith the grey facing outwards.
B
A B
C D EA
C D E
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Charles GoldmanNight in Day
Requires:1 double-sided sheet
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The
Pap
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culp
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Sho
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yrig
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harle
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oldm
an, C
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Inde
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poke holes in paper. hang in window.
CH
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DAY
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Rachel HarrisonStraws and Spitballs
Requires:3 double-sided sheets
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The
Pape
r Scu
lptur
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Cop
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Rach
el Ha
rriso
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, Ind
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dent
Cur
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s Int
erna
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Sculp
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Cent
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STRAWS AND SPITBALLS Standard directions for making a straw and spitball
Choose any one of the diagrams on the facing page.
Place a strip of scotch tape inside the blue box.
Cut along the red dotted line.
Fold straw in half lengthwise so that the tape is on the inside and the stripes on the outside.
Attach a strip of scotch tape along one edge of the straw and then fold over to tape the straw shut. This ensures an airtight seal.
Place a round object such as a pencil or chopstick inside the straw and gently roll to make it more tube-like.
Cut the image of one of the artworks from the slidesheet on the next page and chew.
Place the spitball into one end of the straw.
Blow from other end, aiming at your target.
Repeat steps 7 through 9, if more spitballs are needed.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
The
Pap
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culp
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RA
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EL H
AR
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ON
_STR
AWS
AND
SPIT
BALL
S
The
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epen
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Cur
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Stephen HendeeBinding Sites
Requires:4 single-sided sheets
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binding sites
10 minutes
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35 minutes
binding sites
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binding sites
20 minutes
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culp
ture
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teph
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binding sites
35 minutes
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culp
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teph
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Patrick KilloranDisposable Watches
Requires:1 single-sided sheet
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DISPOSABLE WATCHES
01) Cut along the dotted line.
02) Strap watch to wrist using tape.
03) Throw out when worn out.
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Glenn LigonPictures at an Exhibition
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Ester Partegàs Things You Don’t Like
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Paul Ramírez Jonas Breath
Requires:1 single-sided sheet
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David Shrigley The Paper Sculpture
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Eve Sussman Goggles for Kaleidoscope Eyes
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Fred Tomaselli Guide for Spring Molt and Courtship Display
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Pablo Vargas-Lugo Infinite Compassion
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PAB
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Olav Westphalen How Much is Not Enough
Requires:4 double-sided sheets
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Allan Wexler Work and Display Stations for The Paper
Sculpture Show
Requires:3 double-sided sheets
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WORK STATION SCALE: 1"=1'-0"
DISPLAY STATION SCALE: 1"=1'-0"
CONSTRUCTION DRAWINGS AND INSTRUCTIONS FOR BUILDING WORK AND DISPLAY
STATIONS FROM 4’X8’ SHEETS OF PLYWOOD FOR THE PAPER SCULPTURE SHOW
ALL
AN
WEX
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ATIO
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LPTU
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HOW
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Cop
yrigh
t © 2
003
Allan
Wex
ler, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
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Sculp
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er
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INSTRUCTIONS FOR GALLERY STAFF
The Work and the Display Stations can be constructed in a variety of ways to allow each gallery to configure an exhibition specific to its needs.
To design your gallery's Paper Sculpture Show exhibition create a scale model of the elements using sheet 3. Consider using various permutations and configurations of the Work and Display Stations as shown on sheet 2.
To Fabricate the Stations:
1. Translate your exhibit model. Since the construction drawings contain all the lines needed for all variations of the work stations, you will need to analyze which variation of Work or Display Station model you created to determine which of the lines on the construction drawings you will need to transfer to the plywood. Each Station uses one 4’X8’ sheet of 3/4" birch plywood. Use your exhibition model to determine how many sheets of plywood you will need to purchase.
2. Use the construction drawings on sheet 1 to transfer the cutting lines onto plywood sheets. Determine which of the lines in the construction drawings you will need to transfer to the plywood. Be sure to transfer ONLY the lines needed for the configuration you have chosen. Tools should include a pencil, straight edge, compass and tape measure.
3. The drawings below illustrate the cutting and assembly sequence of Station A1. To cut the plywood use a Bosch Jig saw with a U1 AO blade (or a similar jig saw and blade). Carefully plunge cut and cut out the elements. The 3/4" diameter curves allow for easy cutting. To assemble use #6 flat head drywall screws where necessary. Option: to cut the 3/4" slots, use a plunge router.
STEP 1 STEP 2 STEP 3
STEP 4 STEP 5 STEP 6
STEP 7 STEP 8 STEP 9
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A1 A2 B1
B2 B3 B4
B5 C1 C2
C3 D1 D2
E1 E2 E3ALL
AN
WEX
LER
_WOR
K AN
D DI
SPLA
Y ST
ATIO
NS F
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HE P
APER
SCU
LPTU
RE S
HOW
The
Pape
r Scu
lptur
e Sh
ow a
nd B
ook.
Cop
yrigh
t © 2
003
Allan
Wex
ler, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
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ork,
Sculp
ture
Cent
er
![Page 135: ICI The Paper Sculpture Manual€¦ · your screens and recreate art experiences in domestic spaces. Interactive, nonconformist and witty, The Paper Sculpture Manual still rais -](https://reader036.vdocument.in/reader036/viewer/2022081615/5fd8aa5d2ad8eb7cb160f08c/html5/thumbnails/135.jpg)
ALL
AN
WEX
LER
_WOR
K AN
D DI
SPLA
Y ST
ATIO
NS F
OR T
HE P
APER
SCU
LPTU
RE S
HOW
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r Scu
lptur
e Sh
ow a
nd B
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Cop
yrigh
t © 2
003
Allan
Wex
ler, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
F1 D1, D2
D1, D2, D1, D2 D1, E2
B3, B4 C3, E3
A2, B4 A1, B3, B4
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ALL
AN
WEX
LER
_WOR
K AN
D DI
SPLA
Y ST
ATIO
NS F
OR T
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LPTU
RE S
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r Scu
lptur
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Cop
yrigh
t © 2
003
Allan
Wex
ler, C
abine
t Mag
azine
, Ind
epen
dent
Cur
ator
s Int
erna
tiona
l (IC
I), N
ew Y
ork,
Sculp
ture
Cent
er
Design your own Paper Sculpture Show Cut out and fold the scale drawings of 4’X8’ sheets of plywood to create scale models of the exhibition's Work and Display Stations. You can configure the basic design of each Station in a variety of ways, and use them to create a unique exhibition design. SCALE: 1/2"=1'-0"
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SCALE: 1/2"=1'-0"
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