Test Paper : III
Test Subject : FOLK LITERATURE
Test Subject Code : K-2115
Test Booklet Serial No. : _______________________
OMR Sheet No. : _________________________________
Roll No. (Figures as per admission card)
Name & Signature of Invigilator/s
Signature : _________________________________
Name : _________________________________
Paper : IIISubject : FOLK LITERATURE
Time : 2 Hours 30 Minutes Maximum Marks : 150
Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 75
K-2115 1 ���������/P.T.O.
Instructions for the Candidates1. Write your roll number in the space provided on the top of this page.2. This paper consists of seventy five multiple-choice type of questions.3. At the commencement of examination, the question booklet will
be given to you. In the first 5 minutes, you are requested toopen the booklet and compulsorily examine it as below :
(i) To have access to the Question Booklet, tear off the paperseal on the edge of the cover page. Do not accept abooklet without sticker seal or open booklet.
(ii) Tally the number of pages and number of questionsin the booklet with the information printed on thecover page. Faulty booklets due to pages/questionsmissing or duplicate or not in serial order or anyother discrepancy should be got replaced immediatelyby a correct booklet from the invigilator within theperiod of 5 minutes. Afterwards, neither the QuestionBooklet will be replaced nor any extra time will be given.
4. Each item has four alternative responses marked (A), (B), (C)and (D). You have to darken the oval as indicated below on thecorrect response against each item.
Example : A B C D
where (C) is the correct response.
5. Your responses to the question of Paper III are to be indicatedin the OMR Sheet kept inside the Booklet. If you mark at anyplace other than in the ovals in OMR Answer Sheet, it will not beevaluated.
6. Read the instructions given in OMR carefully.7. Rough Work is to be done in the end of this booklet.8. If you write your name or put any mark on any part of the OMR
Answer Sheet, except for the space allotted for the relevantentries, which may disclose your identity, you will render yourselfliable to disqualification.
9. You have to return the test OMR Answer Sheet to the invigilatorsat the end of the examination compulsorily and must NOTcarry it with you outside the Examination Hall.
10. You can take away question booklet and carbon copy ofOMR Answer Sheet soon after the examination.
11. Use only Blue/Black Ball point pen.12. Use of any calculator or log table etc., is prohibited.13. There is no negative marks for incorrect answers.14. In case of any discrepancy found in the Kannada
translation of a question booklet the question in Englishversion shall be taken as final.
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K-2115 3 Paper III
������ Total Number of Pages : 32
1. Who is the author of ‘Folklore andFolklife’ ?
(A) Bloomfield Leonard
(B) Maria Leach
(C) Peter J. Claus
(D) Dorson M. Richard
2. ‘Panchatantra’ was translated into
German by
(A) William Clouston
(B) Theoder Benfey
(C) Joseph Jacob
(D) Max Muller
3. According to Bauman, ‘artistic event’ in
Folklore is
(A) Dying Folklore
(B) Collective act
(C) Subverting Nature
(D) Performance situation
4. ‘Ethnography of Speaking’ is derived
from
(A) Rhetoric studies
(B) Ethnopoetics
(C) Mass communication
(D) Sociolinguistics
5. ‘Textualisation of Siri Epic’ is a book
written by
(A) Peter J. Claus
(B) A.K. Ramanujan
(C) Jawaharlal Handoo
(D) Lauri Honko
6. ‘Conceptions of Folklore in the
Development of Literary Semiotics’ is an
article appeared in 1982 semiotica is
written by
(A) Claude Levi-Strauss
(B) Alan Dundes
(C) Richard Bauman
(D) Ferdinand de. Sassure
7. One of the consequences of redirecting
attention to the individual creativity of
Folk artists and to the art of ‘every day’
genres and conversation is
(A) The death of folk artist
(B) To change the study of
Folkliterature
(C) To blur line separating verbal art
from literature
(D) To emphasize the vitality of context
FOLK LITERATURE
PAPER – III
Note : This paper contains seventy-five (75) objective type questions. Each questioncarries two (2) marks. All questions are compulsory.
Paper III 4 K-2115
������ Total Number of Pages : 32
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K-2115 5 Paper III
������ Total Number of Pages : 32
8. Theory of Epic Laws in Narration is
proposed by
(A) Elias Lonrot
(B) Axel Olrik
(C) Moitke Moe
(D) Felix Oinas
9. What is not the theory of Epic Law ?
(A) The Law of opening
(B) The Law of contrast
(C) The Law of two to a seen
(D) The Law of Villainy
10. ‘Communal Origins Theory’ was
proposed by
(A) Francis B. Gummere
(B) Fredrich Hash Savignu
(C) Roger Abrahams
(D) Dell Hymes
11. According to ‘Devolution’, a nineteeth
century theory
(A) Traditions cannot be devolved
(B) Tradition emerges from savage
stage
(C) Children traditions are remnants of
adult traditions
(D) Children have no tradition
12. Adult memory culture
(A) is redundant
(B) provides a diachronic context for
children’s folklore
(C) helps to introduce new elements
within cultural sphere
(D) is childish in nature
13. Melville and Francis Herkovits studied
(A) Russian proverbs
(B) Dahomean tales of West Africa
(C) Myths of Trobriand Islanders
(D) Ballads of Slavic countries
14. The term ‘emic ‘ and ‘etic’ were
introduced by
(A) Alan Dundes
(B) Richard Bauman
(C) Kenneth Pike
(D) Malinowski
15. The concepts ‘emic and ‘etic’ were
derived from
(A) Epic and endemic
(B) Syntagmatic and Paradigmatic
(C) Linguistic terms- Phonetic and
Phonemic
(D) Diachronic and synchronic
Paper III 6 K-2115
������ Total Number of Pages : 32
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K-2115 7 Paper III
������ Total Number of Pages : 32
16. According to Bakhtin meaning is the
result of
(A) Random decoding
(B) Value based action of participants
(C) Performance competence
(D) Powerful rendering
17. Dilemma tale
(A) is the synthesis between riddling
and narrating activities
(B) is the tale about false hero
(C) is the tale without a proper ending
(D) has confession in meaning
18. ‘Folklore is very much an organic
phenomenon. It is a body of knowledge,
a mode of thought, or a kind of art .... its
existence depends upon its social
context ... As an artistic process folklore
may found in any communicative
medium’ – who was defined folklore as
quoted above ?
(A) Alan Dundes
(B) A. Paredus
(C) Don-Ben-Amos
(D) Hensy Glassie
19. Who is the one of the editors of
‘Gopalanayaka’s Siri Epic’ ?
(A) L.R. Hegde
(B) Devendra Kumar Hakari
(C) Lauri Honko
(D) D. Javare Gowda
20. ‘Tembare’
(A) A String Musical Instrument
(B) Leather Musical Instrument
(C) Metal Musical Instrument
(D) Wind Musical Instrument
21. ‘Context’ is explained by Don-Ben-Amos
as
I. a definitive, realistic, artistic and
communicative process
II. ceremonial communicative
interaction of small groups
III. complex communicative event
IV. cultural categories of communication
(A) I and II are correct
(B) II and III are correct
(C) II and IV are correct
(D) I and IV are correct
22. The richness of local food ways is in
I. Storage of food and seedII. Community knowledge as food
III. Mixture of Modern foodIV. In tune with the space and climate
(A) I, II, and III are true
(B) II, III and IV are true
(C) III, IV and I are true
(D) IV, I and II are true
Paper III 8 K-2115
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IV. (�B��� ��� 8��1�� +��]�4�� �� �� "
�� +��b���1���
(A) I ��1����II ��$
(B) II ��1����III ��$
(C) I ��1����III ��$
(D) II ��1����IV ��$
K-2115 9 Paper III
������ Total Number of Pages : 32
23. Process of Globalisation making the
culture into
I. A commodity
II. A culture specific
III. An universal phenomenon
IV. A knowledge management
(A) I, II and III are true
(B) II, III and IV are true
(C) III, IV and I are true
(D) IV, I and II are true
24. Lauri Honko summarises Myth as
I. Myth as a mistaken explanations of
phenomena of human kind
II. Myth as source of cognitive
categories
III. Myth as projection of the sub
conscious
IV. Myth as form of symbolic expression
(A) I, II and III are correct
(B) I, II and IV are correct
(C) II, III and IV are correct
(D) IV, I and II are correct
25. Russian folklorist Y.M. Sokolov
emphasizes
I. Folklore is an echo of the part, but atthe same time it is also the vigorousvoice of the present
II. Folklore expresses the latestrepressed wishes and fears of infertilesexuality in symbolic disguises
III. The true Millieu of Myth is to be foundin religious rites and ceremonial
IV. Folklore has been and continuous tobe a reflection and a weapon of classconflict
(A) I and II are correct
(B) II and IV are correct
(C) III and II are correct
(D) I and IV are correct
26. As per V.J. Propp. the functions ofcharacters
I. Serve as stable, constant elements ina tale independent of how and bywhom they are fulfilled
II. Serve as variable elements in a tale,independent of how and by whomthey are fulfilled
III. They constitute the fundamentalcomponents of a tale
IV. They constitute the fundamentalconcepts of a tale
(A) I and II are correct
(B) II and III are correct
(C) I and III are correct
(D) II and IV are correct
Paper III 10 K-2115
������ Total Number of Pages : 32
27. U����F���Y���1����U>��EY����"�)��� ����� 4�!������K
I. ����F����>�����7�F]�(��>B�7��J&���(7��F����"����?�� �
II. >��E�1���"��a�1�C���1�1�C����"����?�� �
III. >��E�>���� �7�F]�(�� ��1���� �J&���(7��F����"����?�� �
IV. ����F����1���"��a�1�C���1�1�C����"����?�� �
(A) I ��1����II ��$ (B) I ��1����III ��$
(C) II ��1����IV ��$ (D) III ��1����IV ��$
28. >���1�F��7 ��o&(������ �������4� 5��������
I. >87N��
II. >x�N=�
III. �7���(�4����
IV. P7c�����1����(M3� N4����
(A) I, II, III ��$
(B) II, III ��1����IV ��$
(C) III, IV ��1����I ��$
(D) IV, I ��1����II ��$
29. 4��H�(���m� ���G170���7��N���#� ��
I. b���W-.�N��4�7����i���&��
II. ���� ������P7c�����i���&��
III. �� �H���� �� ������ � ��1�� �� P7c�����������+��4�74��&��
IV. P7c�������F)�j�����'3"�G��y-���&� �
(A) I, II ��1����III ��$
(B) II, III ��1����IV ��$
(C) III, IV ��1����I ��$
(D) IV, I ��1����II ��$
30. �7 �� '�7#�(�� � � ��o&� ��1�� �� P7���������E�7 1���74� ��(7��m
I. ���� ���74�1��P7c�����1����(M3� N4����
II. >���1�F����� ���
III. 4��O���74�������� ���
IV. A�������1�����E:����P7c����������4����
(A) I, II ��1����III ��$
(B) II, III ��1����IV ��$
(C) III, IV ��1����I ��$
(D) IV, I ��1����II ��$
31. ��)7(7�N�/ !�����(�B����������j
I. ��� 1����!���74��1���
II. ����7m���G���G1�0��"
III. (7�N�87;�����(��O�4� 5�
IV. d(�_�np�����-3�;���������������7��
(A) I, II ��1����III ��$
(B) III ��1����IV ��$
(C) I, III ��1����IV ��$
(D) I ��1����II ��$
32. UU������f@�YY�/ !��������` d�����"�(������E�������(��&�44�(���@17���Z
I. (������ II. D(��,
III. �7#� IV. ����
(A) I ��$9 II,�III, IV 1����0
(B) II ��$9 III9�IV, I 1����0
(C) IV ��$9�I, II, III 1����0
(D) III ��$9�I,�IV, II 1����0
K-2115 11 Paper III
������ Total Number of Pages : 32
27. Jung used Persona and Anima to denote
I. Persona to denote his public orprofessional roles
II. Anima to denote his feminine principle
III. Anima to denote his public orprofessional roles
IV. Persona to denote his feminineprinciple
(A) I and II are correct
(B) I and III are correct
(C) II and IV are correct
(D) III and IV are correct
28. The Intangible cultural heritage includes
I. Practices
II. Expressions
III. Monuments
IV. Knowledge and skills
(A) I, II and III are true
(B) II, III and IV are true
(C) III, IV and I are true
(D) IV, I and II are true
29. Due to Globalisation of productionsystems
I. Bio-diversity is declining rapidly
II. Traditional knowledge systemsdeclining
III. Misappropriation of local resourcesand knowledge is taking place
IV. Management of knowledge does notarise
(A) I, II and III are true
(B) II, III and IV are true
(C) III, IV and I are true
(D) IV, I and II are true
30. Traditional culture and Folklore is
equivalent to
I. Traditional knowledge and skills
II. Intangible heritage
III. Tangible cultural heritage
IV. Forms of knowledge being and doing
(A) I, II and III are true
(B) II, III and IV are true
(C) III, IV and I are true
(D) IV, I and II are true
31. Epic is a narrative
I. Constantly change
II. By-product of Myth
III. Conched in poetic language
IV. Subject to special rules of texture
(A) I, II and III are correct
(B) III and IV are correct
(C) I, III and IV are correct
(D) I and II are correct
32. ‘Lola Lotte’ is a wooden bell tied to the
neck of
I. Horse
II. Cat
III. Dog
IV. Cattle
(A) I is correct, II, III, IV are false
(B) II is correct, III, IV, I are false
(C) IV is correct, I, II, III are false
(D) III is correct, I, IV, II are false
Paper III 12 K-2115
������ Total Number of Pages : 32
33. U(��z�r�1���7Y�����"�R�4����(����!)�����
I. )�����i��74�i
II. 17������K�
III. ��7�����1����]7D�
IV. ��:��� ��7��
(A) I ��1����II ��$
(B) I ��1���� IV ��$
(C) I ��1����III ��$
(D) III ��1����IV ��$
34. U! �'Y�/ !����
I. ��$���4�54
II. D�#������4�54
III. /jw���4�54
IV. )7����4�54
(A) I ��$9 II,�III, IV 1����0
(B) II ��$9 I9�IV, III 1����0
(C) III ��$9 I, II, IV 1����0
(D) IV ��$9�I,�II, III 1����0
35. (��d7�P7������� !�����A�����G170���
I. �7R1�N
II. 7I]N
III. A&)7��
IV. �7]=���
(A) I, II,�IV ��$
(B) I9�III, IV ��$
(C) II, III9 IV ��$
(D) I,�II, III ��$
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I. �7��$�874��1�
II. (����7 �����
III. O�-1�����7�(�
IV. 1 (��&��@
(A) I, III, IV ��$9 II 1����0
(B) I���1��� III ��$9�II, IV 1����0
(C) II, III ��$9 I ��1��� IV 1����0
(D) IV ��1����III ��$9�I ��1�����II 1����0
37. �7�I���1���� ��)7(7�N4������"� ����� ����
����\�������$ �����$I&���:�������
I. �����-���(�'�E���4�1�����"�>$�� �
II. ���� ��F)�j� ��1���� ���;�,��7���*)7��
��:�� �
III. (���� !�����b�������F)�j���(�'������"
>$�� �
IV. ������7��� ����7(�;��@�{3�C��F���:�� �
(A) I ��1����II ��$
(B) II ��1�����III ��$
(C) III ��1���� IV ��$
(D) IV ��1����I ��$
K-2115 13 Paper III
������ Total Number of Pages : 32
33. ‘Kalgi-Tura’ is also called as
I. Haradesi Nageshi
II. Taalamaddale
III. Saval and Javab
IV. Paduvala Paya
(A) I and II are correct
(B) I and IV are correct
(C) I and III are correct
(D) III and IV are correct
34. ‘Bangri’ is a
I. Water pot
II. Baking pot
III. Oil pot
IV. Milk pot
(A) I is correct, II, III, IV are false
(B) II is correct, I, IV, III are false
(C) III is correct, I, II, IV are false
(D) IV is correct, I, II, III are false
35. ‘FAKELORE’ can be a production of
I. Literary
II. Commercial
III. Historical
IV. Political
(A) I, II, IV are correct
(B) I, III, IV are correct
(C) II, III, IV are correct
(D) I, II, III are correct
36. Identify the similar Art forms of ‘Bayalata’.
I. Dasari Bhagavatam
II. Karapala Mela
III. Cavittu natakam
IV. Tenkutittu
(A) I, III, IV are correct, II is false
(B) I and III are correct and II, IV are
false
(C) II, III are correct, I, IV are false
(D) IV and III are correct and I and II are
false
37. The purpose of narrating Ballad and
Epics again and again is a training on
I. Chronological order of a theme
II. House keeping and on concept of
sumptuous food
III. Maintenance of order of life in a
family
IV. Fetching enormous wealth by the
community
(A) I and II are true
(B) II and III are true
(C) III and IV are true
(D) IV and I are true
Paper III 14 K-2115
������ Total Number of Pages : 32
38. )�����(7' &���3��C�E�����K
I. �W1 �� �� �� " � ��� � ���74�1 �� ( � J|#� �������-f@��K$ ��
II. )����������� �W1������"� � ��C�7��B�NF���1������@�>� !�#� ��������-f@��K$ ��
III. k�]4������1����1� 1�'P7c�������d d��)�(�,���"�W1�$4���5��K$ ��
IV. ��$�����������1�� ���(7��K��K$ ��(A) I ��1����II ��$(B) II ��1���� III ��$(C) III ��1����IV ��$(D) I ��1����IV ��$
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�� ��=6�� �(A) I, II,�III ��$(B) II, III9�IV ��$(C) III, IV, �I ��$(D) IV,�I, II ��$
40. P7������I. ������7�����i'��� 1������ ����)� ��%II. >��(��)���5����4�F4�������7���'�A�%III. -3�C��� ��o&�����"���$O�#����1���%IV. ������7�����b�������/�7�� � (�:4�������
�N��������"��>�����$�����������"�-�$���1���%(A) I, II,�III ��$(B) II, III9�IV ��$(C) III, IV, �I ��$(D) IV,�I, ��1���� II ��$
41. ��"��2�����(A) H 37kK(���� ��o&��������4���>.�N����%
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42. ��"��2�����(A) H �7��� �7 ��o&(�� -(7������ "!���=�����$ ��� >.�N�����E:��1��%
�,7�R�(R) �H P7�������(��3� �(���>x�J�l����� �)� 1�%
(A) (A)���$�(R) ��$
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43. ��"��2�����(A) H ]��������� ��'�7��>����N1�����"��7 (�&(�7�>x�N=����1���%
�,7�R�(R) �H ]��������� ���7'���7'+���(�7��(��������@���������:��74��1���%
(A) (A)�1����0��(R) ��$
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K-2115 15 Paper III
������ Total Number of Pages : 32
38. The ‘Green Revolution’ was successful
I. To keep away the farmers from theirTraditional farming
II. The farmer was thrown out from“self sufficiency to total dependency”on outsiders
III. Giving patent right to farmers onseeds and technology
IV. In keeping ecological balance
(A) I and II are true
(B) II and III are true
(C) III and IV are true
(D) I and IV are true
39. Dissemination of Archival material isimportant for
I. Enriching Indigenous knowledge
II. Educating the wider community
III. Promoting research
IV. Maintaining the rights to performRituals
(A) I, II, III are true
(B) II, III, IV are true
(C) III, IV, I are true
(D) IV, I, II are true
40. The Folklore
I. Rich Heritage of a ‘Group’.
II. As a data scattered in various Genres.
III. Explain the Universal culture.
IV. Explain the ‘system’ that is beingfollowed in every aspect of life of aGroup.
(A) I, II, III are true
(B) II, III, IV are true
(C) III, IV, I are true
(D) IV, I and II are true
41. Assertion (A) : Verbal culture is the
study of words.
Reason (R) : Folklore began with
the study of words or
what is also called
oral literature.
(A) Both (A) and (R) are correct
(B) Both (A) and (R) are false
(C) Only (A) is correct (R) is false
(D) (A) is false and R is correct
42. Assertion (A) : We can study cultural
evolution through
‘survivals’.
Reason (R) : Folk craft is the
primitive stage of
development.
(A) (A) is true (R) is correct
(B) (A) is true (R) is wrong
(C) (A) is false (R) is correct
(D) (A) is false (R) is wrong
43. Assertion (A) : Folk costume expresses
identity in a symbolic
way.
Reason (R) : Folk costume is
practically down played.
(A) (A) is false (R) is correct
(B) (A) is false (R) is wrong
(C) (A) is true (R) is wrong
(D) (A) is true (R) is correct
Paper III 16 K-2115
������ Total Number of Pages : 32
44. ��"��2�����(A) H������7�1 �F�� / !����P7���������1� 1�'47$(%
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(A) (A)�1����0��(R) 1����0
(B) (A)�1����0�(R) ��$
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(D) (A)����$���(R) ��$
45. ��"��2�����(A) H�E�� ( �1 � JF�V� A ��� K$ ��P7������� �7���'�����"� )�(��,�7C��N��� (7��������(7#�K:��74����� �%
�,7�R�(R) �H P7����������E]���G170���%
(A) (A)���$��(R) ��$
(B) (A) ��$�(R) 1����0
(C) (A)�1����0��(R)���$
(D) (A)�1����0��(R) 1����0
46. ��"��2�����(A) HP7������� A&)7��� !)���;�� @�� '�Em��� �7]=���4� ��4������"�)�1����1� ��%
�,7�R�(R) �H �7]=���� >P :7� A������.�N�&F4�H ��� !)���;�� @!���7�j4�����47��%
(A) (A)���$���1����(R) ��$
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(C) (A)���$���1���� (R)�1����0
(D) (A)�1����0����1����(R) 1����0
47. ��"��2�����(A) H -�7��~]$����� ='+����1�7�� �����(7�EFO���j�������:���1���%
�,7�R�(R) �H -�7��~]$�����*O���j�������4�����)��f@�K����7�Eb(��� ! .�4������'&='+������"(77N1��(�7��� �%
(A) (A)�1����0��(R) 1����0 (B) (A)�1����0��(R) ��$(C) (A)���$�(R)���$(D) (A)����$���(R) 1����0
48. ��"��2�����(A) H ]���������C���������"7Nu7N��� �� >���� i��-���j4�����7(��%
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(A) (A)�1����0�*����(R) ��$ (B) (A)�1����0��*����(R) 1����0(C) (A)���$����1�����(R)���$(D) (A)���$����1����(R) 1����0
49. ��"��2�����(A) H �7'�����>.�N�����U� (7'�(�Y%
�,7�R�(R) �H �7'��� =��"��� (�B4������"�>��4������874�4�� �� ��� (�-�$���17�� %� ���874�4�� ��� ! .�4������"�������0��7��)74�d7@�� -�$����� �� '��1� "�E:��17��%
(A) (A)�1����0�*����(R) ��$ (B) (A)���$�*����(R) 1����0(C) (A)���$�*�����(R)���$(D) (A)�1����0�*����(R) 1����0
K-2115 17 Paper III
������ Total Number of Pages : 32
44. Assertion (A) : Repetition is thestrategy of Folklore.
Reason (R) : In order to keep it inmemory, oral traditionsuccumbs to the act ofrepetition.
(A) (A) is false (R) is wrong
(B) (A) is false (R) is correct
(C) (A) is true (R) is correct but improperexplanation
(D) (A) is true, R is correct
45. Assertion (A) : Since there are noauthors, Folklorematerials cannot beguard under copy rightlaw.
Reasoning (R) : Folklore is the productof the society.
(A) (A) is true (R) is correct
(B) (A) is true (R) is wrong
(C) (A) is false (R) is correct
(D) (A) is false, (R) is wrong
46. Assertion (A) : Folk history hascarried for amount ofpolitical baggage.
Reasoning (R) : It is highly manipulatedby agencies withpolitical agenda.
(A) (A) is true (R) is correct
(B) (A) is false (R) is correct
(C) (A) is true (R) is false
(D) (A) is false (R) is false
47. Assertion (A) : Lamenting is regularlypracticed duringwedding ceremonies.
Reason (R) : Laments originatedas a form of ritualpoetic keeping thatcomments on socialrelations.
(A) (A) is false and (R) is wrong(B) (A) is false and (R) is correct(C) (A) is true and (R) is correct
(D) (A) is true and (R) is wrong
48. Assertion (A) : Genetic explanationsare sufficient to definethe nature of Folklore.
Reasoning (R) : That was nineteenthcentury interpretationof Folklore. Theiremphasis has clearlybeen upon the genesisrather than upon thestructure.
(A) (A) is false but (R) is correct(B) (A) is false but (R) is wrong(C) (A) is true and (R) is correct(D) (A) is true and (R) is wrong
49. Assertion (A) : Propp’s study wassynchronic.
Reason (R) : Propp describes thefairy tale according toits component parts andto indicate therelationship of thesecomponents to eachother and to the whole.
(A) (A) is false but (R) is correct(B) (A) is true but (R) is wrong(C) (A) is true but (R) is correct(D) (A) is false but (R) is wrong
Paper III 18 K-2115
������ Total Number of Pages : 32
50. ( 6�1 � '� (7�� N����� ��:����� ='+������ "(�'�E���4�1�7��-�$�$%
I. D�(7���G��(���m4��� �4����l74�������
II. ��1������"����F�(���m��E:�������
III. �� ��3�F������"���:��������
IV. �ER&�7�������"�4�����&��������(A) I II III IV
(B) I IV III II(C) IV II III I
(D) II I IV III
51. (7 (�'�E���4�1�7��P7������� (6�1�'(,� (�:��4��5���-�7C �������"�)��$�%
I. >Dv�:��D7#���
II. k%/%�-�(���W
III. >O�F(���� 4��7C-�
IV. ^+��:7���D��[�(A) I IV III II(B) II III IV I
(C) I II IV III(D) IV I III II
52. ������(�4������"�>�����'(��4� :��(�'�������)��$�%
I. (��7�H�P7�������r�kH���
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III. (��7F�(����P7�������(�B4�����r��74M
IV. G1��� �� ( ��7F�(�� !���7�4����� r!����7]���� 3f@
(A) IV III II I
(B) III IV I II(C) I II III IV
(D) II III IV I
53. �E�� �� '��3������ � �E�� ( ��7� �� '(7��������1����/ !������"�(�'��7��4�����&�$����(�647��9�(�H(9�> f4�� f49�(� �7H
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II. (���7��
III. .���F�����
IV. &�B�F)�Hs(A) III II IV I(B) I II III IV
(C) II III IV I(D) IV II III I
54. O���F7��N9�1� &7��N9�47H�7��N���1����(�������$(���4������"�(�'��7��P��5��!�#�$%
I. :����s
II. OM5(
III. ���g�-�j
IV. (���7�(A) II, III, I, IV
(B) I, III, II, IV(C) I, IV, III, II
(D) I, II, III, IV
55. �� ��1��7��N4������"�(������(�'��������E��(��7��'(7��4�������!��(�E4��1���/ !������"�(�'��7�!�#�$���OM5(9�:������4�9�(� �7�9�O� :
I. ��(�647��
II. P����(��I1�
III. 4��������(��I1�
IV. ��)���3�C�����)7(7�N���'��3�F��(A) I, IV, II, III
(B) II, IV, III, I(C) II, III, IV, I
(D) I, II, III, IV
K-2115 19 Paper III
������ Total Number of Pages : 32
50. Correct sequence of the works to be donein field work.
I. Equipping with requiredequipments
II. Classification of data
III. Conducting interviews
IV. Identifying the informant
(A) I II III IV(B) I IV III II
(C) IV II III I
(D) II I IV III
51. Name the scholar who contributed to thefield of Folklore in chronological order.
I. Abbe DuboisII. B.A. Viveka Rai
III. Archak RangaswamyIV. Theoder Benfey
(A) I IV III II(B) II III IV I
(C) I II IV III
(D) IV I III II
52. Sequence the books in the order of theirpublication years.
I. Karavali Janapada by BilimaleII. Hyderabad Karnataka
Tatwapadagalu by BasavarajaSabarada
III. Karnataka Janapada Kathegalu byRagau
IV. Uttara Karnataka Bayalatagalu byBasavaraja Malashetty
(A) IV III II I(B) III IV I II
(C) I II III IV
(D) II III IV I
53. Identify and write in order, the place/
region in which their art forms locate :Yakshagana, Kelike, Antigepantige,Kamsaale
I. Mysore
II. Kolar
III. Dharmasthala
IV. Thirthahalli
(A) III II IV I
(B) I II III IV(C) II III IV I
(D) IV II III I
54. Arrange in the order of Percussion, string,wind and wooden stick musicalinstruments.
I. Dollu
II. Chowdike
III. Mukhaveene
IV. Kolata
(A) II, III, I, IV
(B) I, III, II, IV(C) I, IV, III, II
(D) I, II, III, IV
55. Arrange in the order of MusicalInstruments Chowdike, Damaruga,Kamsaale, Chande in the performances.
I. Yakshagana
II. Jogi Kathe
III. Goravara dance
IV. Maadeshwara Epic performance
(A) I, IV, II, III
(B) II, IV, III, I(C) II, III, IV, I
(D) I, II, III, IV
Paper III 20 K-2115
������ Total Number of Pages : 32
56. .7-�F(�� (� ��'4������"� (�'��7��)����������
P�14����14������"�)� ���!�#�$%������&�9
O� ��'4��&�9�/ %/ %�D�@�9��:��$
I. �E��3�C��
II. 8W����0
III. / ����
IV. ��m�(7 D�/ ����
(A) I III II IV
(B) III IV I II
(C) III II I IV
(D) IV II I III
57. >�����J&�4������"�4�����&��!�#�$%
!54�9� ��3���7 (�9� ���f@� )j�����9� (�����
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III. 4� �
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(A) IV III I II
(B) I II III IV
(C) IV III II I
(D) I II IV III
58. ��f@�����Y I ���"���f@��Y�II �� �4�)� ���!�#�$%
��������IJ��Y I ��IJ�� Y�II
a) �E������ 4�')7 �� I. O�"nW
b) �7�����}i�Ef(�����Wf II. 8���7��
*X��A 5�E
c) �� ��1���7�(��>(7:-� III. (�� ,17�
d) ��=6m�?17' IV. ���Nr���
��:O� H
a b c d
(A) III I II IV
(B) II III IV I
(C) II IV III I
(D) IV III II I
59. ��f@��Y I ���"���f@��Y II �� �4�)� ���!�#�$%
��IJ��Y I ��IJ��Y II
a) ����7�@ I. (��7F�(�
b) ��:��E� II. * .�'���'��3�
c) 4� 47�P71�' III. (�����
d) �W�7��� 4����P71' IV. 1�-�����7:��
��:O� H
a b c d
(A) IV III II I
(B) III II I IV
(C) IV II I III
(D) III I II IV
K-2115 21 Paper III
������ Total Number of Pages : 32
56. Write in the order of religious centres
Savadatti, Chandragutti, M.M. Hills,
Medleri to which the deities belonged to
I. Maadeshwara
II. Birappa
III. Yellamma
IV. Renukamba Ellamma.
(A) I III II IV
(B) III IV I II
(C) III II I IV
(D) IV II I III
57. Write in order of their occupation.
Carpentary, Pastoral, Basket making,
Stone sculpture
I. Medar
II. Shilpi
III. Golla
IV. Badiga
(A) IV III I II
(B) I II III IV
(C) IV III II I
(D) I II IV III
58. Match the following List - I with List - II .
List - I List - II
a) Ma_nava sangraha
_laya I. Chennai
b) Royal Asiatic Society of India II. Bhopal
c) Sangeeta Nataka Akademi III. Kolkatta
d) Dakshina Chitra IV. New-Delhi
Code :
a b c d
(A) III I II IV
(B) II III IV I
(C) II IV III I
(D) IV III II I
59. Match the following List - I with List - II.
List - I List - II
a) Devara_ttam I. Karnataka
b) Padayani II. Andhra Pradesh
c) Ganga jatra III. Kerala
d) Mailaralingana jatre IV. Tamil Nadu
Code :
a b c d
(A) IV III II I
(B) III II I IV
(C) IV II I III
(D) III I II IV
Paper III 22 K-2115
������ Total Number of Pages : 32
60. ��f@��– I ���"���f@��– II �� �4�)� ���!�#�$%
��IJ��– I ��IJ��– II
a) (%5%�G�7.�N I. * .�'��'��3�
b) ��� ��'���17N^F II. 1�-�����7:��
c) �:�����$�4� 47.��� III. G1�������'��3�
d) 7m�E���W IV. �� P7D�
��:O� H
a b c d
(A) IV I II III
(B) I II III IV
(C) III IV I II
(D) II III IV I
61. ��f@��– I ���"���f@��– II ���P�14�)� ���!�#�$%
��IJ��– I ��IJ��– II
a) �����7f�O�$1� I. (��7F�(�
b) �:�(�,����7��4���� II. 1�-�����7:��
c) ��=,4�����(�BW III. (�����
d) \$�E���@m����7�I IV. * .�'��'��3�
��:O� H
a b c d
(A) IV III II I
(B) I II III IV
(C) III II I IV
(D) IV II III I
62. (��������f@��– I ���"���f@��– II ���P�14�)� ��!�#�$%
��IJ��– I ��IJ��– II
a) 1��E37 I. ��.�N��'��3�
b) X7:� II. ��@�D 47��
c) �7 :�7� III. ��)7�7;�h
d) ����?17' IV. �7]�7���
��:O� H
a b c d
(A) I II III IV
(B) IV III II I
(C) II III IV I
(D) III IV I II
63. ��f@��– I ���"���f@��– II ���P�14�)� ���!�#�$%
���IJ��– I ��IJ��– II
a) (���":��]�������(�B4���� I. )O�%/��%��74�4M:�
b) ������P7�������(�B4���� II. b %�3� %�������i���N
c) P7�������(�B4���� III. /��%*��%�)4�:
d) (��7F�(��P7�������(�B4���� IV. (%� (���7��O7��F
��:O� H
a b c d
(A) III II I IV
(B) II III IV I
(C) I II III IV
(D) IV III II I
K-2115 23 Paper III
������ Total Number of Pages : 32
60. Match the following List – I with List – II.
List-I List-II
a) K.D. Upadhya I. Andhra
Pradesh
b) Devendra Satyarthi II. Tamilnadu
c) Ne_dunuri Ganghadharam III. Uttarpradesh
d) Va_nama
_malai IV. Punjab
Code :
a b c d
(A) IV I II III
(B) I II III IV
(C) III IV I II
(D) II III IV I
61. Match the following List – I with List – II
List-I List-II
a) Palna_ti charitam I. Karnataka
b) Vadakkar Pattugal II. Tamil Nadu
c) Sakkigamman Katai III. Kerala
d) Piriya_pat.t.anada La
_vani IV. Andhrapradesh
Code :
a b c d
(A) IV III II I
(B) I II III IV
(C) III II I IV
(D) IV II III I
62. Match the following List – I with List – II.
List-I List-II
a) Tamasha I. Madhya Pradesh
b) Phad II. West Bengal
c) Pa_nd.ava
_ni III. Maharashtra
d) Pat.achitra IV. Rajasthan
Code :
a b c d
(A) I II III IV
(B) IV III II I
(C) II III IV I
(D) III IV I II
63. Match the following List – I with List – II
List-I List-II
a) Kannada Janapada I. H.L. Na_ge Gowda
Kategal.u
b) Namma Ja_napada II. J.S. Paramasivaiah
Kategal.u
c) Janapada Kategalu III L.R. Hegde
d) Karnataka Ja_napada IV. K. Venkataraya Charya
Kategal.u
Code :
a b c d
(A) III II I IV
(B) II III IV I
(C) I II III IV
(D) IV III II I
Paper III 24 K-2115
������ Total Number of Pages : 32
64. ��f@��– I ���"���f@��– II ���P�14�)� ���!�#�$%
��IJ��– I ��IJ��– II
a) 1M �(������l& I. �M$�)7 (�
b) 87;���1����3�=� II. �7' ���L��D����
c) ������0����CnW���.�N4���� III. :$:����1�������(����@
d) �E���(����S�N IV. �-�7h��
��:O� H
a b c d
(A) I II III IV
(B) II III IV I
(C) III II I IV
(D) IV III II I
65. ��f@��– I ���"���f@��– II ���P�14�)� ���!�#�$%
��IJ��– I ��IJ��– II
a) (��� �/H1��� I. (��7F�(�
b) ���:� ��7�� II. * .�'���'��3�
c) ��� �(�B7 III. 1�-�����7:��
d) ]���(���@ IV. (�����
��:O� H
a b c d
(A) I III IV II
(B) II III I IV
(C) IV I II III
(D) II III IV I
66. (��������f@��– I ���"���f@��– II ���P�14�)����
!�#�$%
��IJ��– I ��IJ��– II
a) ]�������b������E���37��a�� I. $O�:�F�/ %
> 3�����"����'&�q���1��� :7��F��
b) 4�1����-3��;�j���1��� II. 7:�F4��:�
��� ����+��]�4�H4 /��X�
{&)7�(����J|@(�����>4�1�N
c) /1�"��,���_�O� ��i� III. /%P%��'�L�_
]�������"���'&�q���1���
d) �� ��o&��7'?����������H(���IV. /%�>�70����W
-P7c�����)�1����- 4�:��7
-.�����"����?���1���
��:O� H
a b c d
(A) I II III IV
(B) II III IV I
(C) II I IV III
(D) III IV II I
K-2115 25 Paper III
������ Total Number of Pages : 32
64. Match the following List - I with List - II.
List – I List – II
a) Comparative method I. Lauri Honko
b) Language and Power II. Franz Boas
c) Bionary oppositions III. Derrida and Facault
d) Mental text IV. Levis Strauss
Code.
a b c d
(A) I II III IV
(B) II III IV I
(C) III II I IV
(D) IV III II I
65. Match the following List - I with List - II
List-I List-II
a) Kalam Elittu I. Karnataka
b) Mudala Pa_ya II. Andhra Pradesh
c) Patam Katha III. Tamil Nadu
d) Jalli Kattu IV. Kerala
Code :
a b c d
(A) I III IV II
(B) II III I IV
(C) IV I II III
(D) II III IV I
66. Match the following List - I with List - II.
List – I List – II
a) Folk life represents I. Richard M. Dorson
the aspect of cultural
Anthropology
b) Historical perspective II. Wardgood Enough
is essential in an analysis
of past and in planning
in future
c) Ethnoscapes refers III. A.J. Grims
to moving people
d) An archaeology of IV. A. Appadurai
culture with ten
methods of
segmentation
Code :
a b c d
(A) I II III IV
(B) II III IV I
(C) II I IV III
(D) III IV II I
Paper III 26 K-2115
������ Total Number of Pages : 32
67. (������ 4�' B�4������"� � >��4���� (�1�JF4��� �4
)� ���!�#�$%
��IJ��– I Z��� 2������[ ��IJ��– II (��#�S������[
a) )��f@���)�Hs I. k%/%�-�(���W
b) �$]����754�����m II. >O�F(��k%��� 4��7C-�
c) P7���������C����� III. R�%�?%�D����� 4���N
d) >��C#�(��P7������ IV. )7%�E%��7��(���:O� H
a b c d
(A) II III I IV
(B) IV II III I
(C) II III IV I
(D) I II III IV
68. (��������f@��– I ���"���f@��– II ���P�14�)� ��!�#�$%
��IJ��– I ��IJ��– II
a) (7:7N�7� I. ����7:�����'��3�
b) i'�(�J;�w��7$P71� II. �W���������'��3�
c) (� �7� III. !�� ��������'��3�
d) > f4��� f4 IV. (��7�H�(��7F�(�����'��3�
��:O� H
a b c d
(A) I II III IV
(B) IV III II I
(C) II IV III I
(D) III II I IV
69. (��������f@��– I ���"���f@��– II �� �4�)� ��
!�#�$%
��IJ��– I ��IJ��– II
("���������/����,7������[���������ZU����&��"�S &������[
a) �7:�K�� I. D'���7$����_
b) P7���������)7(7�N II. 8��17�(���@
c) �7�I4���� III. {&)7�(���N=�4����
d) {&)�N4���� IV. �7 ��o&(��R����4������"
7Nu7N����1��
��:O� H
a b c d
(A) II IV I III(B) I III IV II
(C) III IV II I
(D) IV III II I
\���]� "������^(�����4���������������G#��.��H
)M����>B�7�> �V��P7����������7�F]�(�
(7��F(� '��4�H4� 3��.��� ��1�� �� �� :��
)����7��� �W�7l &(����J|@(��������"�P7��������
-��C&�4� ��5���������A ����b�� 1��O�OF4
(7��m7��%�� ����-O7�� ����b��]������
K-2115 27 Paper III
������ Total Number of Pages : 32
67. Match the following Books with their
Authors.
List – I List – II
(Books) (Authors)
a) Hut.t.ida Halli I. B.A. Vivek Rai
b) Girijana Na_dige Payan.a II. Archak B. Rangaswamy
c) Ja_napada Swaru
_pa III. H.C. Boralingaiah
d) Anvayika Janapada IV. H.M. Nayak
Code :
a b c d
(A) II III I IV
(B) IV II III I(C) II III IV I
(D) I II III IV
68. Match the following List – I with List – II
List-I List-II
a) Ka_d.ya
_na
_t.a I. Malena
_d.u Region
b) SriKrishna Parija_ta II. Mysore Region
c) Kamsa_l.e III. Bayalu Si
_
me Region
d) An.tige Pantige IV. Coastal KarnatakaRegion
Code.
a b c d
(A) I II III IV
(B) IV III II I(C) II IV III I
(D) III II I IV
69. Match the following List - I with List - II
List – I List – II
(Generes) (Folk cults)
a) Paddana I. Brave Warriors
b) Folk epics II. Bhuta Cult
c) Ballads III. Historical persons
d) Legends IV. Defined cultural heroes
Code :
a b c d
(A) II IV I III(B) I III IV II
(C) III IV II I(D) IV III II I
Read the passage below and answer
the questions.
Whether or not the researching and
presentation of folklore for public
programming has contributed new
theoretical perspectives in folklore
scholarship is a topic of lively debate.
Paper III 28 K-2115
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K-2115 29 Paper III
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One position is that those engaged in the
staging of folklife festivals, curating of
exhibits, production of documentary
videos and films, and coordination of
folklife in education programs are using
academic theories developed by theorists
rather than making new contributions to
ways of theorizing the discipline (Ben-
Amos 1998:267). Another perspective is
that folklorists working in these projects
as fieldworkers, coordinators, and
administrators are constantly developing
new ways to doing the work of folklorists,
and that these new approaches entail new
ways of conceptualizing and theorizing
the materials of folklore (Jones 1994: 13).
Within the generally unspoken– and
occasionally vituperatively open-debate
on the tension between academic theory
and public practice (Kurin 1997 : 135), a
major problem emerges. Namely, public
sector folklorists seem to lack a clearly
stated theory that unifies public folklore
practice. Although articulating any one
theory for unifying practice is a challenge,
there is a need for public folklorists to
develop means for connecting their work
to wider issues within academic
discourse. As a few examples of public
programming illustrate, folklorists working
outside of academe are involved in a wide
array of programming practices. Their use
of theory is often as tacit as it is eclectic.
No good public folklorist would cite
scholarly articles and books verbatim
during folklife festival presentations, and
footnoting one’s comments about folklore
will fail to persuade corporate founders to
support folklife presentations. As a result,
some folklorists regard public folklife
programming as a non-theoretical
endeavor (Ben-Amos 1998:267)
Is this assertion accurate ? Rather than
facilely labeling public sector work “low
theory” or even “no theory,” consider what
it would mean to argue that public sector
folklore is non-theoretical or a “purely
applied” process of working.
Paper III 30 K-2115
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K-2115 31 Paper III
������ Total Number of Pages : 32
70. Topic of lively debate is
(A) Folklife
(B) Folklorists
(C) Folklore for public programme
(D) Public practice
71. “New approaches entail new ways of
conceptualising and theorising the
materials of folklore” is stated by
(A) Ben-Amos
(B) Kurin
(C) Jones
(D) Verbatim
72. Open-debate on the tension between
academic theory and public practice, a
major problem emerges is stated by
(A) Kurin
(B) Jones
(C) Corporate Funder
(D) Ben-Amos
73. “Folklorist regard public folklife
programming as a non-theoretical
endeavour” –
(A) Jones
(B) Ben-Amos
(C) Academic theory
(D) Public theory
74. No good public folklorist wood cite
(A) Negative public theory
(B) Videos and films
(C) Scholarly articles and books
(D) Action Folklore
75. What is the desired role of Folklorists in
folklife festival ?
(A) Mediator
(B) Propagandist
(C) Interpreter
(D) Presenter
Paper III 32 K-2115
������ Total Number of Pages : 32
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