E D I T I O M U S I C A B U D A P E S T
K-122
score
Kurtág – Kurtág Jr. – cuendet
zwIEgESPrÄCh – DIAlOgUE fOr SynThESIzEr AnD OrChESTrA
FOR PERUSAL ONLY
EDITIO MUSICA BUDAPESTUniversal Music Publishing Editio Musica Budapest Ltd
H-1370 Budapest, P.O.B. 322 • Tel.: (361) 236-1100 • Telefax: (361) 236-1101E-mail: [email protected] • Internet: www.emb.hu
GyörGy KUrTáG – GyörGy KUrTáG Jr. –
OLIvIEr CUEnDET
zwIEGESPrÄCH – DIALOGUE fOr SynTHESIzEr
AnD OrCHESTrA
score
FOR PERUSAL ONLY
1
NOTES
The original version of Zwiegespräch is written for string quartet and synthesizer. This version was done on the request and with the approval of György Kurtág father and György Kurtág son.
The recorder (sopranino, tenor) can also, if necessary, be replaced in I and IX by third flute and in IV by a solo violin
I. Introduction – Tears
In the Introduction the main voice is performed by the natural harmonics of the solo strings. The first solo violin is only a shadow of it. All the others should be hardly heard – only air for the winds and caressing the body of the instrument with the bow for strings, with the hand or a cloth for keyboards, percussion and harp.
In case a recorder player, other then the 3d flute, performs the recorder part, the 3d flute could double it in the 4 first bars (everybody should be performing these quasi silencious bars !).
In Tears, the rests are every time different ; it should sound like drops falling irregularly.
« Sonagli » - small bells, crotales… - should sound very far, with irregular and unclear rythms.
The notation of the synthesizer part corresponds to one possible performance; the timing and coordination can be sligthly different from one performance to another. In any case, in this movement, the synthesizer follows the orchestra and not the contrary !
II. Visions (Hokusai)
The orchestra should be very incisive, every note well designed. The general dynamic is forte, in order to be adapted to the dynamic of the synthesizer; but the character should remain fugitive and mysterious as if performed pianissimo! The sign V means a short cesure, everytime a bit different, without breaking the flow of the music !
III. Babel
The piece starts with 3 contrabasses and bass drum alone (I 0); after a few seconds the first solo violin starts (I 1).
The piece ends - after a precise cut off of the Tutti (V 4)– with 3 contrabasses and bass drum alone, as at the beginning; stop without any diminuendo.
Each number (I 1, I 2 etc.) corresponds to a sign of the conductor to cue new events.
The second entry (I2, 1st solo of second violins) should start just before the end of the first violin solo phrase. Then the duration between the cues is up to the conductor (wait from 1’’ until circa 5’’); in any case it shouldn’t be regular and one should have time to notice the change in density and colour by each new entrance.
In case of a tutti group (for instants first violins 2-14, 3 horns…), the players start all together but then don’t try to coordinate within the group; each one plays independently.
Each player can add small interruptions between phrases; once all phrases of a part have been performed, the players should start them again, possibly changing order, until the stop (V4).
For some instruments it might be necessary to take away some notes or phrases which don’t fit the instrument (for instance the bass clarinet can either play one octave higher or skip the notes out of range); it is also possible to skip a complete phrase.
Every note, phrase, gesture should be performed with the maximum of intensity, passion, rubato and sempre ff !
The bass drum (as large and low as possible) and the 3 first contrabasses should play all the time p-mf but it should be noticeable. When the tutti stops suddenly in the end, they remain alone, sempre p-mf for a few seconds and then stop all together on the sign of the conductor, senza diminuendo (like a light turned off). The 3 contrabasses are not synchronised : each one plays in a very calm and independent tempo.
The solo parts at IV1 (1st solo violin), IV2 (2d solo violin) and IV4 (piccolo) are to be played p- mf but noticeable (adapt the dynamic to the tutti).
As the music is very small in the score of nr 3 the conductor will find the entire musical material used in Babel on supplementary pages.
IV. Love song
Sometimes, the woodwinds imitate a percussion instrument : using the tongue with almost no air. The melody played by recorder, pianino and solo violin should always be elastic, singing, expressive. If it is too high for the recorder and get too strident the solo violin will play the ossia. In this case, the second solo violin should take over the d♯ harmonic.
V. Birds
The strings should sound as a resonance from the birds songs. All other instruments should be well balanced, transparent and delicate.
VI. Ombra dell’ombra
Fast but always well pronounced. The caesuras (V) should be every time different, suspended but not stopping the line.
Bar 21 (distinto, superarticolato) can be a bit slower (eight note).
Bar 28 for Contrabass : the sign ↑ or ↓ means a bit higher or lower (less then a ¼ ton, like a slow and large vibrato with one finger).
Tearing and then creasing paper should remain very discret ( a colour rather then an effect).
VIII. Féerie
The synthesizer part is preregistrated, so that the conductor has to follow its timing precisely (seconds in bracket at the end of each bar show the duration of the whole bar including fermata (). It is recommended to slow down some bars rather then to have to make a too long rest.
The synthesizer plays the chords indicated within a complex polyphony.
IX. Solace
Here as well, the synthesizer is preregistrated and cannot variete.
The group consisting of recorder (ossia 3d flute), percussion 2, harpe, solo violin, viola and violoncello plays untill bar 24 with the synthesizer. They should try to be with it as much as possible, starting each note from almost nothing with a very small crescendo and going back to nothing.
All the other parts play chords as a comment to the melody of the synthesizer.
From bar 26, very soft but full sound. Last bar, keep the resonance of crotales and gong together with the slow fade out of the synthesizer.
Olivier Cuendet, November 2015
ZWIEGESPRÄCH – DIALOGUE FOR SYNTHESIZER AND ORCHESTRA
FOR PERUSAL ONLY
Recorders ad libitum (tenor and sopranino)
FOR PERUSAL ONLY
6
Score in CStand: 15.12. 2015
© Copyright 2014 by Editio Musica Budapest K-122
Flute 1
Flute 2
Tenor Recorderad lib. Fl.3
Oboe
English Horn
2 Clarinets in Bb
Bass Clarinet in Bb
Basson 1
Basson 2
3 Horns in F
3 Trumpets in C
2 Trombones
Tuba
Timpani
Sonagli,small bells
Triangle (large)
3 Cymbals (high, middle, low)
Tam-tam (large)
1 Tom-tom (middle)
2 Bongos (middle, high)
Snare Drum
Bass Drum (large)
Harp
Pianinocon supersordino
Synthesizer
Violin I Solo
Violin I Tutti
Violin II Solo
Violin II Tutti
Viola Solo
Viola Tutte
Violoncello Solo
Violoncello Tutti
Double bass Solo
Double bass Tutti
only air pppp
Introduzione h = 26 cca 5'' (in each bar different!)
Tears (Recitativo)2 3 4 1 2
only air pppp
only air pppp
only air pppp
only air
only air pppp
only airpppp
pppp
only air
only air
only airpppp
only air
only air
only air
almost no sound
pppp possibile, irregular
simile
ppppp
almost no sound pppp
almost no sound pppp
ppppp, ponticello, come un ombra
almost no sound
Introduzione h = 26 Tears (Recitativo)
cca 5'' (in each bar different!)
ppp
in rilievo
almost no sound
ppp
in rilievo
almost no sound
ppp in rilievo pppppppp
almost no sound ppppppppin rilievo
ppp
almost no sound
flzg.
György KURTÁG (1926) György KURTÁG Jr. (1954)Olivier CUENDET (1953)
I. Introduction – Tears
ZWIEGESPRÄCH – DIALOGUE FOR SYNTHESIZER AND ORCHESTRA
Solo
echo ton
1.2.
1-3. con sord. (cup)
con sord.
rub softly, slowly and continuously on various timpani
far away
softly with a thin metal stick
rub softly with a thin metal stick
rub softly, slowly and continuously on the body of the instrument
rub softly, slowly and continuously on the body of the instrument
(synth follows freelx orchestra)
souffle -----------------------------------------------------------------------------------------------------------
con sordinodi metallo
con sordinodi metallo
with the bow softly, slowly and continuously on the body of the instrument Tutti
con sordinodi metallo
IV
con sordinodi metallo
with the bow softly, slowly and continuously on the body of the instrument
Tutti
con sordinodi metallo
IV IV IV
con sordinodi metallo
with the bow softly, slowly and continuously on the body of the instrument Tutti
con sordinodi metallo
III II
I
con sordinodi metallo
with the bow softly, slowly and continuously on the body of the instrument
Tutti
con sordinodi metallo
I
con sordinodi metallo
with the bow softly, slowly and continuously on the body of the instrument
7
Fl
T. Rec
Ob
E.h
Cl
B.Cl
Bsn 1
Bsn 2
Hn
Tpt
Tbn
Tba
Timp
Son
Tri
Cym
Tamt
Tomt
Bong
S.D
B.D
Hp
Pianino
Synth
Vln I Solo
Vln II
Vln II Solo
Vln II
Vla Solo
Vla
Vc Solo
Vc
Db Solo
Db
delicatissimo
3 4 5 6 7 8 9 10
delicatissimo
delicatissimo
sempre pppp p espr. cant.
delicatissimo
p espr. cant.
pppp sempre ppppp espr. cant.
pppp sempre pppp
p, cuivré
pppp sempre pppp
sempre pppp
pppp
delicatissimo
rinf poco
pppp
pppp
pppp
rinf
pppp sempre pppp
rinf
(marimba)
ppppdelicatissimo
ppppdelicatissimo
pppp delicatissimo
pppp delicatissimo
pppp delicatissimo
delicatissimo poco rinf
delicatissimo poco rinf
poco rinf
flzg.
ord.
flzg.
ord.
flzg.
ord.
Solo
Solo1.
2.3.
c.s.1.2.
1.
with a thin metal stick
with a drumstick
with metal stick
super ball
bongo (middle)
between 2 pedalsarracher la corde
(souffle) ------------------------------------------------------------------------------------------------------------------------------------
(synth together with orch)
(souffle) ---------------------
c l batt. (jeté)
c.l. tratto ord.
c l tratto
7
c l batt. (jeté)
c.l. tratto ord.
c l tratto
7
c l tratto
pizz.
arco
c l tratto
pont. ord. c l tratto
pont.
ord. c l tratto
div.
III non div.
ord. c l tratto
ord.
div. III non div.
ord. c l tratto
ord.
Solo (gliss. slowly!)
K-122
4
FOR PERUSAL ONLY
8
Fl
T. Rec
Ob
E.h
Cl
B.Cl
Bsn 1
Bsn 2
Hn
Tpt
Tbn
Tba
Timp
Son
Cym
Tamt
Bong
Hp
Pianino
Synth
Vln I Solo
Vln II
Vln II Solo
Vln II
Vla Solo
Vla
Vc Solo
Vc
Db Solo
Db
ppp pp
11 12 13 14 15
pp
pp
ppp
ppp pp
pp
p, dolce espr.
pppp, dolce espr.
ppp p, dolce espr.
p, dolce espr.
pp
pppp
ppp
pp
poco rinf pp
ppp poco rinf pp
poco rinf pp pp
ppp
poco rinf ppppp-pp
poco rinf pp
ppp-pp
poco rinf pp
poco rinf pp ppp-pp
poco rinf pp
ppp-pp
poco rinf pp
ppp ppp-pp
3.
1.
con sord. Solo
(souffle) -----------------------------------------------------------------------------------------------------------------
ord. Solo
col legno tratto
ord.
col legno tratto
ord.
col legno tratto
ord.
col legno tratto
Solo
col legno tratto
K-122
58
9
Fl
T. Rec
Ob
E.h
Cl
B.Cl
Bsn 1
Bsn 2
Hn
Tpt
Tbn
Tba
Timp
Son
Tomt
S.D
B.D
Hp
Pianino
Synth
Vln I Solo
Vln II
Vln II Solo
Vln II
Vla Solo
Vla
Vc Solo
Vc
Db Solo
Db
rinfppppp
mf dim. molto16 17 18 19
rinf
rinf
rinf
rinf
rinf ppppp
rinf ppppp
rinf
rinf
rinf ppppp
rinf ppppp
rinf
rinf
rinfppppp
rinfppppp
pp
rinf ppppp
rinf ppppp
rinf ppppp
rinf
ppppp
rinf ppppp
rinf
mf dim. molto
rinf ppppp
rinf
rinfppppp
rinf
rinfppppp
rinf
rinf
rinf
3 3 3 3
3 3
3 3 3 3 3
3 3 3
3 3
3 3 3 3 3 3
3 3 3 3 3 3
3 3 3 3
3 3
3 3 3 3 3 3
1.2. 3 3 3 3 3
3
c.s.
1.2.
3. 3.
1.
1.
3 3 3
3 3
2. 3
3
3
3
3
3 3 3 3
c.s.
3
3 3 3 3 3
c.s.
3 3 3 3 3 3
with super ball
3 3 3 3 3 3
3 3 3
3 3 3 33
Synth. attacca Visions (Hokusaï)
ord.
Tutti jeté sim.
one desk less every time
one desk
ord.
jeté one desk less every time one desk
ord.
jeté one desk less every time one desk
ord.
jeté one desk less every time one desk
ord.
div: pizz/arco one desk less every time
K-122
69
FOR PERUSAL ONLY
10
Flute 1
Flute 2
Flute 3
Oboe 1
Oboe 2
Clarinet in Bb 1
Clarinet in Bb 2
Bass Clarinetin Bb
Bassoon 1
Bassoon 2
Horn in F 1
Horn in F 2
Horn in F 3
Trumpet in C 1
Trumpet in C 2
Trumpet in C 3
Trombone 1
Trombone basso
Wind machine
Chimes (Glass/Wood)
2 splash cymbals
4 Cymbals
Wood-block
Snare Drum
3 Tom-toms
Bass Drum (large)
Marimba
Vibraphone
Piano
Harp
Synthesizer
Violin I
Violin II
Viola
Violoncello
Double bass
rinf.
Synthesizer
Presto incisivoq. = ca. 1041 2 3 4 5
rinf.
rinf.
rinf.
fmolto
rinf.molto
rinf. molto
f rinf.molto
f
f
moltorinf.
molto
f
f
f
f
f
sf
mf
f
f f
f
ff
f f
f
ff
f
molto
Presto incisivoq. = ca. 104
rinf. f
f f
rinf. f
rinf. f
on the beat
II. Visions (Hokusaï)
on the beat
ordinary flute on the beat
To A. Fl
on the beat
before the beat
5
before the beat
on the beat fltzg.
before the beat
To Cbsn
con sord.
con sord.
con sord.
before the beat
près de la table
ord.
gliss
.
senza sord.
col legno battuto c.l.b
non div.
senza sord.
sul pont. c.l.b
senza sord. col legno battuto c.l.b
senza sord. c.l.b
senza sord. pizz.
c.l.b
K-122
7
11
Fl 1
Fl 2
Ob 1
Ob 2
Cl 1
Cl 2
B. Cl
Hn 1
Hn 2
Tbn 1
Tbn 2
W.m
Ch
Spl
Cym
W.B
S. D
Tomt
Mar
Vib
Pno
Hp
Vln I
Vln II
Vla
Vc
Db
mf rinf.
q . = q q . = q q = q .6 7 8 9 10 11 12 13 14 15
mf
rinf.
mfrinf.
mfrinf.
mff
rinf. rinf.
rinf.
rinf. rinf.
rinf. rinf.
rinf. sf
mf
rinf.
p f
rinf.
rinf. fmf mf
crescendo...
p
p f mf crescendo...mf rinf.
pf
mf
f crescendo
rinf.molto
rinf. mf rinf.
q . = q q . = q q = q .
rinf. molto rinf. rinf. mfrinf.
rinf. mf, crescendo rinf.
mf rinf. mf, crescendo rinf.
f, crescendo
3
on the beat
To Picc
3
on the beat
3
on the beat
on the beat 3
con sord.
con sord.
con sord.
con sord.
scratched
3
2 W.Bl.
ord.
senza Ped.
3
près de la table
ord.
3
1/2 pizz.
1/2 arco
arco
before the beatrinf.
sul pont.Solo
Tutti
1/2 pizz. 1/2 arco ord.
1/2 pizz.1/2 arco
before the beat
arco
Solo sul pont. 1/2 pizz.
1/2 arco ord.Tutti
1/2 pizz.1/2 arco
Solosul pont. 1/2 pizz.
1/2 arco ord.Tutti
battuto col legno 1/2 pizz.1/2 arco
Solosul pont. 1/2 pizz.
1/2 arco ord.Tutti
sul pont. Solo
K-122
8
FOR PERUSAL ONLY
12
Fl 1
Cl 1
Hn 1
Hn 2
Tpt 1
Tpt 2
Tpt 3
Tbn 1
Tbn 2
Ch
Spl
Cym
Tomt
Mar
Vib
Pno
Hp
Vln I
Vln II
Vla
Vc
Db
mf p
q = q . q . = q q = q .e = e16 17 18 19 20 21 22 23 24
mf
mp p
mp pp
mp
mp
mf
p
rinf.
mf
mf
f
p
mf
p
f mf mp f f
q = q . q . = q q = q . e = e
mf f
f
f
p ma sentito f
Piccolo
fltzg.
ord.
fltzg.
on the beat
on the beat
fltzg.
fltzg.
Wood-chimes
(ad lib. xyl.)
col l'arco
on the beat
pizz.
l.v.
arco
batt. col legno molto pont. Solo
ord.
Tuttibatt.
Solo
arco
molto pont. batt.
arco jeté
batt.
arco jeté
batt.
Solo (ombra)
Solo
K-122
9
13
Picc
Fl 2
Fl 3
B. Cl
Bsn 1
Cbsn
Hn 1
Hn 2
Hn 3
Tbn 1
Tbn 2
Tomt
B.D
Mar
Pno
Vln I
Vln II
Vla
Vc
Db
Più presto, feroce25 26 27 28 29 30 31 32 33 34 35 36
p
p
p
p
p
p
p simile pp sub. simile
p simile pp sub. simile
p pp sub.
ppppoco
pp pp
pp
Più presto, feroce
mf simile
mf simile
Contrabassoon
senza sord.
senza sord.
senza sord.
con sord.
gliss. late!
con sord.
gliss. late!
arcoSolo, in rilievo
arcoSolo, in rilievo
K-122
10
FOR PERUSAL ONLY
14
Picc
Fl 2
Ob 1
Ob 2
Cl 1
Cl 2
B. Cl
Bsn 1
Cbsn
Hn 1
Hn 2
Hn 3
Tbn 1
Tbn 2
Cym
Tomt
B.D
Mar
Pno
Hp
Vln I
Vln II
Vla
Vc
Db
p
Più agitato37 38 39 40 41 42 43 44 45 46 47 48 49 50
p
mf, marcato
mf, marcato
mf, marcato
mf, marcato
p più p mf, marcato
p più pmf, marcato
p mf, marcato
p
p
p
p
p
pp
p
p
p
mfmf
Più agitato
mfmf
mf
p, marcato mf
mf mf
Piccolo To Fl
marcato, come prima
marcato, come prima
Solo
Tutti
Solo
Tutti
Tutti
Tutti div.
Solo
Tutti
K-122
11
15
Fl 1
Fl 2
Fl 3
Ob 1
Ob 2
Cl 1
Cl 2
B. Cl
Bsn 1
Hn 1
Hn 2
Hn 3
Tpt 1
Tpt 2
W.m
Cym
B.D
Vln I
Vln II
Vla
Vc
ancora più mosso51 52 53 54 55 56 57 58
pp
pp
pp
pp
mp
ppin rilievo
pppoco
pp
mp
ancora più mosso
mptremolando sempre agitato, febbrile!
mf
mpin rilievo
Alto Flute
con sord.
ppin rilievo
con sord.
Wind machine
col l'arco
sul pont.non div.Tutti
tremolando sempre agitato, febbrile!
sul pont.
non div.Tutti
batt. col legno
Tutti
Solo sul tasto
K-122
12
FOR PERUSAL ONLY
16
Fl 1
Fl 2
A. Fl
Ob 1
Ob 2
Cl 1
Cl 2
B. Cl
Bsn 1
Hn 1
Hn 2
Hn 3
Tpt 1
Tpt 2
W.m
Cym
B.D
Vln I
Vln II
Vla
Vc
p
59 60 61 62 63 64
mpin rilievo
mpin rilievo
sub. mp
mp
p
p
p
pp etc. sempre più agitato et crescendo al fine
ppppoco
pp
sub. p
sub. p
sub. mf
sub. p
with soft mallets
K-122
13
17
Fl 1
Fl 2
A. Fl
Ob 1
Ob 2
Cl 1
Cl 2
B. Cl
Bsn 1
Cbsn
Hn 1
Hn 2
Hn 3
Tpt 1
Tpt 2
Tpt 3
Tbn 1
Tbn 2
W.m
Spl
Cym
Tomt
B.D
Mar
Pno
Hp
Synth
Vln I
Vln II
Vla
Vc
Db
cresc. molto ff
quasi senza rit.65 66 67 68 69 70
mp cresc. molto ff
mp cresc. molto ff
cresc. molto ff
cresc. moltomp f ff
mp ff
mp cresc. molto ff
cresc. molto ff
f ff
f ff
cresc. molto ff
cresc. molto ff
cresc. molto ff
pin rilievo cresc. molto ff
in rilievomp cresc. molto
f ff
pcresc. molto
ff
mp cresc. molto ff
f
ff
ff
ff
mp
mf
before the beat
f
mf ff
mf cresc. molto ff
f
mf cresc. molto
f
ff
cresc. molto ff
quasi senza rit.
cresc. moltoff
cresc. molto ff
cresc. moltoff
f ff
6-8'
attacca III. Babel
arco, sul pont.
Tutti
batt.
K-122
14
FOR PERUSAL ONLY
18
1
III. Babel Recitativo appassionato, molto Rubato I 0 I 1 I 2 I 3 I 4 II 1 II 2 II 3 II 4 III 1 III 2 III 3 III 4 Piccolo Fl, Ob. 3 Tr. all soli and independent
Alto Fl, E.H.,2 Clar. all soli and independent
B Clar. Bassoon all soli and independent
Cbassoon Tuba
Horn I-III all soli and independent
Tromb. I-II all soli and independent
Timp. x (rim shot ff) Bass Drum roll, sempre p fino alla fine ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ Synth. Piano with plectrum
ff with plectrum on the strings (together with entrance of winds) Vl I , Solo
Vl I 2 – 14 all soli and independent
Vl II , Solo
Vl II 2-12 all soli and independent
Viola, Solo
Viola 2-10 all soli and independent
Cello solo
Celli 2-4 all soli and independent
Celli 5-8 all soli and independent
ff
Double bass 1-3, independent
Db. 4-6 I 0 I 1 I2 I3 I4 II 1 II 2 II 3 II 4 III1 III2 III 3 III 4
K-122
K-122
19
2
IV 1 IV2 IV 3 IV 4 V 1 V 2 V 3 crescendo tutti-------------------------------------------------- HP ’ V4, around 5’’ Piccolo
Stop
on
the
sign
of t
he co
nduc
tor
Fl, Ob. 3 Tr.
Alto Fl, E.H., 2 Clar.
B Clar. Bassoon
Cbassoon. Tuba
Horn I-III Tromb. I-II
Timp. 4 Cy ♩♬♩♫♪free sempre ff ------------------------------------------------------------------------------------------------ Bass Drum -----------------------------------------------------------------------------------------------------------------------------------------------------------senza dim
(around 5’’), stop on a sign Piano / Harp with plectrum
ord.
Stop
on
the
sign
of t
he co
nduc
tor
Vl I , Solo
Vl I 2 – 14
Vl II , Solo
Vl II 2-12
Viola, Solo
Viola 2-10
Vc solo Vc 2-4 Vc 5-8
Db 1-3 ---------------------------------------------------------------------------------------------------------------------------------------------------sempre mf, senza dim
(around 5’’), stop on a sign Db. 4-6 all soli and independent
ff
stop
Conductor IV1 IV2 IV3 IV4 V1 V2 V 3 crescendo tutti-------------------------------------------------- HP ’ V4, around 5’’
attaca syntheziser>>>IV Love song K-122
attacca synthesizer ››› IV Love songK-122
FOR PERUSAL ONLY
Sopranino recorder ad lib. (ossia Vl solo)
Piccolo
Clarinet in Eb
Clarinet in Bb
Bass Clarinet in Bb
Tuba
2 Gueros
2 high Bongos
2 high Wood blocks
Bass Drum
Pianinocon supersordino
Synthesizer
Violin I solo
Violin I soloOssia if no recorder!
Violin II solo
Viola solo
Violoncello solo
Double bass solo
ppp, dolce, espr, morbido, cantabile
Sostenuto, Tempo I Vivacissimo, Tempo II, flexibleq = circa 54 e. = circa 1042 3 4 5 6
ppp, sempre quasi legato, poco articolato
ppp, sempre quasi legato, poco articolato
ppp, sempre quasi legato, poco articolato
pppp, molto delicato, with fingers
mp
pppp
ppp, dolce, espr, morbido, cantabile
pppp
pppp, flautando
pppp, flautando
IV. Love Song
sputato
sputato
sputato
con sord. di metallo
ossia if no recorder con sord. di metallo
con sord. di metallo
con sord. di metallo
con sord. di metallo
K-122
2220
Sopn. Rec
Picc
Cl Eb
Cl
B.Cl
Tba
W.bl
Pianino
Synth
Vln I
Vln I Ossia
Vln II
Vla
Vc
Db
Tempo primo Vivacissimo, Tempo II Tempo primo7 8 9 10 11
ppp, sempre quasi legato, poco articolato
pppp, molto delicato, with very thin sticks
ppp, dolce, espr, cantabile, morbidoin rilievo
mp
sputato
K-122
2321
FOR PERUSAL ONLY
22
Sopn. Rec
Picc
Cl Eb
Cl
B.Cl
Tba
B. D
Pianino
Synth
Vln I
Vln I Ossia
Vln II
Vla
Vc
Db
Vivacissimo, Tempo II (sempre a tempo) Tempo primo12 13 14 15 16
pppp
ppp
ppp
ppp
ppp
pppp
pppp
pppp
pppp
pppp
ppp
= a little bit too flat (giusto)
= a little bit too flat (giusto)
= a little bit too flat (giusto)
con sord.
= a little bit too flat
= a little bit too sharp
(giusto)
(a) almost center, b) border, c) center)
a)
b)
c)
= a little bit too flat (giusto)
= a little bit too flat (giusto)
= a little bit too flat
(giusto)
= a little bit too flat
(giusto)
= a little bit too flat
(giusto)
= a little bit too flat
= a little bit too sharp
(giusto)
K-122
24
Sopn. Rec
Picc
Cl Eb
Cl
B.Cl
Tba
Bong
Pianino
Synth
Vln I
Vln I Ossia
Vln II
Vla
Vc
Db
ppp, dolce, espr.
Vivacissimo, Tempo II17 18 19 20
pppp
ossia
ppp, dolce, espr.
pppp
sputato
sputato
sputato
ossia if no recorder
con sord. di metallo
K-122
2523
FOR PERUSAL ONLY
Sopn. Rec
Picc
Cl Eb
Cl
B.Cl
Tba
Bong
Pianino
Synth
Vln I
Vln I Ossia
Vln II
Vla
Vc
Db
Tempo primo21 22 23
K-122
2624
Sopn. Rec
Picc
Cl Eb
Cl
B.Cl
Tba
Guer
W.bl
Pianino
Synth
Vln I
Vln I Ossia
Vln II
Vla
Vc
Db
pp, sempe cantabilein rilievo
Vivacissimo, Tempo II Tempo primoVivacissimo,Tempo II
24 25 26 27 28
ppp, come prima
ppp, come prima
ppp
pppp, molto delicato
in rilievo ppp,sempre quasi legato
pppp
pp cantabielein rilievo
pppp
pp
ppp
sputato
pizz. vicino pont.
K-122
2725
FOR PERUSAL ONLY
Sopn. Rec
Picc
Cl Eb
Cl
B.Cl
Tba
Guer
Pianino
Synth
Vln I
Vln I Ossia
Vln II
Vla
Vc
Db
29 30 31 32
pppp
pppp (più dolce che viola!)
poco
pp
ppp
in rilievo
ord.
Echo ton
gliss. gliss. gliss.
gliss. gliss. gliss.
gliss.
III IV III III IV III IV III
III IIIII
simileIV
IIIIII
IIIII
IV
K-122
2826
Sopn. Rec
Picc
Cl Eb
Cl
B.Cl
Tba
Guer
Pianino
Synth
Vln I
Vln I Ossia
Vln II
Vla
Vc
Db
33 34 35
gliss. gliss. gliss. gliss. gliss.
gliss. gliss. gliss. gliss. gliss.
III IV III III IV III IV III
IIIII III
simileIV
III
K-122
2927
FOR PERUSAL ONLY
Sopn. Rec
Picc
Cl Eb
Cl
B.Cl
Tba
Guer
Pianino
Synth
Vln I
Vln I Ossia
Vln II
Vla
Vc
Db
smorzando, senza rit.!
36 37 38
poco
Synth attacca >>>>> V. Birds
gliss.
gliss.gliss. gliss. gliss.
gliss.
gliss. gliss.
gliss. gliss. gliss.
gliss.
III
IIIII
IV III IV III III IV III IV IIIIII II III
K-122
3028
29
Piccolo
Clarinet in Bb
2 Triangles
3 Cymbals
3 pieces of metaldry and high
Crotales
Glockenspiel(keyboard)
Xylophone
Marimba
Harp
Piano
Celesta
Synthesizer
Beat(conductor)
Violin I, solo 1
Violin I, solo 2
Violin II,solo 1
Violin II, solo 2
Viola solo
Violoncello solo 1
Violoncello solo 2
pp
Transitionx = circa 152
Leicht, flüchtig, zart
1 2
pp
pp
pp
Transition
x = circa 152Leicht, flüchtig, zart
pp ppp
ppp
ppp
V. Birds
muted with finger ord.
con sord. pizz.
II arco
I
con sord. II
con sord.
con sord.
con sord. II
con sord.
con sord.
K-122
31
FOR PERUSAL ONLY
Picc
Cl
Tr
Cym
Met
Crot
Glock
Xyl
Mar
Hp
Pno
Cel
Synth
Vln I 1
Vln I 2
Vln II 1
Vln II 2
Vla
Vc 1
Vc 2
dolce, cantabile
3 4 5 6
pp rinf
ppp
pppp
pp rinf
pp
pp ppp
ppp
ppp
ppp
with very thin sticks
(Stricknadel)
ord.
pizz.II
arcoI I
II II
III
1 Solo II
II
K-122
3230
31
Picc
Cl
Tr
Cym
Met
Crot
Glock
Xyl
Mar
Hp
Pno
Cel
Vln I 1
Vln I 2
Vln II 1
Vln II 2
Vla
Vc 1
Vc 2
pp, legg. pppppoco
7 8 9 10
pp dolce, cantabile
ppp
ppp
più rinf
rinf ppp
pp
pp
pp dolce, cantabile
sempre cantabile
mf rinf pp
rinf più rinf pp
rinf più rinf
ppp ppp
ppp
I II III I
II
II I II
I I I I
IV
II IIIIV
II
III
K-122
33
FOR PERUSAL ONLY
32
Picc
Cl
Tr
Cym
Met
Crot
Glock
Xyl
Mar
Hp
Pno
Cel
Vln I 1
Vln I 2
Vln II 1
Vln II 2
Vla
Vc 1
Vc 2
pp ppp
11 12 13
pp ppp pp ppp
ppp
pp
pp
pppp, delicatissimopppp, delicatissimo ppp (eco)
pppp, delicatissimopp
ppppp
pppp, delicatissimo ppp
pppp, delicatissimo
pppp, delicatissimo
pp
pppp, delicatissimo
con l'arco
pizz. ord.
III
sul tastoI II III IV II
IV
sul tasto
III
sul tasto
sul tasto
IV
IV
ord.IV III II I
IV
sul tasto
K-122
34
33
Picc
Cl
Tr
Cym
Met
Crot
Glock
Xyl
Mar
Hp
Pno
Cel
Vln I 1
Vln I 2
Vln II 1
Vln II 2
Vla
Vc 1
Vc 2
attacca Ombra14 15 16 17
ppp
ppp
pppp ppp
ppp legg. ppp
pppp ppp
pppp
pppp
ppp
attacca Ombra
pppp senza cresc.
pppp
pppp senza cresc.
ppp pppp
pp
with very thin sticks(Stricknadel)
I II
I III
I IV II
III
I
pizz.IV
K-122
35
FOR PERUSAL ONLY
Piccolo
Flute
Alto Flute
Oboe 1
Oboe 2
Clarinet in Bb
Clarinet in Bb
Bass Clarinetin Bb
Bassoon
Contrabassoon
Horn in F 1-3
Trumpet in C 1-3
2 Trombones
Tuba
Timpani
2 Triangels(large, small)
3 Cymbals(low, middle, high)
3 Wood-blocks(low, middle, high)
2 Tomtoms(middle, high)
1 Bass drum
Crotales
Marimba
Celesta
Pianinowith
supersordino
Harp
Synthesizer
Violin Icon sord. metallo
Violin IIcon sord. metallo
Violacon sord. metallo
Violoncellocon sord. metallo
Double basscon sord. metallo
pppp pppp eco
Presto q. = 144-152
erstarren(lunga)2 3 4 5
pppp eco
ppp
ppp
ppp ppp
ppp
ppp
ppp
ppp
ppp
ppp
ppp
ppp
eco
ppp
pp
Presto q. = 144-152erstarren(lunga)
pp ppp
ppp pp ppp
ppppp ppp
ppp
wistle sound
VI. Ombra dell’ombra
Echo ton
Echo ton
(sempre 8va sotto!)
I.
Solo
Solo non div. Tutti
Solo IV. III. Tutti
Solopizz.
col legno batt.
Tutti ord.
K-122
3634
35
Picc
Fl
A. Fl
Ob 1
Ob 2
Cl
Cl
B. Cl
Bsn
Cbsn
Hn
Tpt
Tbn
Tba
Timp
Tri
Cym
W.B
Tomt
B.D
Crot
Mar
Cel
Pianino
Hp
Synth
Vln I
Vln II
Vla
Vc
Db
ppp eco
6 7 8 9 10 11 12
ppp eco
ppp
ppp
ecoppp
ppp
eco ppp
eco ppp ppp
ppp eco
ppp
ppp
mp-mf
eco ppp
pppp
ppp mp-mf
eco
mp-mf
ppp
mp-mf
pp
pppeco
ppp
eco mp-mf ppp pochiss.
mp-mfppp
pochiss.
eco mp-mf ppp pochiss.
eco mp-mf ppp pochiss.
ppp ppp mp-mf ppp pochiss.
eco
eco
(con sord.)
1.2. con sord.
con sord.
col legno
with very thin stick
bordercenter
To Vib.
eco
Solo III II Tutti
pizz. arco
Tutti pizz.
Solo III
pont.
Solo III Tutti pizz.
pont. Solo
Tutti
pizz.
Solo
Tutti
arco pizz.
K-122
37
FOR PERUSAL ONLY
Picc
Fl
A. Fl
Ob 1
Ob 2
Cl
Cl
B. Cl
Bsn
Cbsn
Hn
Tpt
Tbn
Tba
Timp
Tri
Cym
W.B
Tomt
B.D
Crot
Vib
Cel
Pianino
Hp
Synth
Vln I
Vln II
Vla
Vc
Db
ppppeco
febbrile più agitato13 14 15 16 17 18 18a
ppp
ppp pp egualmente
ppp minaccioso
on bass drum:
pp
ppppeco
ppp minaccioso
ppppeco
ppppeco
ppp
ppppeco
ppp minaccioso étouffé (choked)
febbrile più agitato
ppp minaccioso étouffé (choked)
pppeco ppp minaccioso
étouffé (choked)
ppp minacciosoétouffé (choked)
étouffé (choked)
2.3.
senza sord.
Verge
Wood
Vibraphone coll'arco Marimba ord.
ord.
III.Solo
Tutti
Solo Tutti
arco
K-122
3836
Picc
Fl
A. Fl
Ob 1
Ob 2
Cl
Cl
B. Cl
Bsn
Cbsn
Hn
Tpt
Tbn
Tba
Timp
Tri
Cym
W.B
Tomt
B.D
Crot
Mar
Cel
Pianino
Hp
Synth
Vln I
Vln II
Vla
Vc
Db
fff pppp
distintosuperarticolato
Tempo primo19 20 21 22 23 24 25
fff pppp pppp
fff
sub. ff fff
sub. fffff
p mp - mf fffpppp
pp p mp - mf fff pppp
pp p mp - mf fff pppp
p mp - mf fff
pp p mp - mf sub. ff fff
mp - mf fff
fff
fff
sub. ff fff
fff
ppppp
sub. ff
sub. ff fff
pp p mp - mf fff
pppp
sub. ff fff
pp p mp - mf
pp p mp - mf sub. ff fff
pppp
mp - mf sub. ff fff pppp
distintosuperarticolato
Tempo primo
sub. ff fffpppp
mp - mf sub. ff fff pppp
pp p mp - mf sub. fffff
pppp
pp p mp - mfsub. ff fff pppp
secco
2.
1-3.
con sord.
col legno
2 perc. slowly tear pieces of paper
hammer on wood
rim shot
Verge
senza sord.
con sord.di met.
I. solo, sul tasto III.
senza sord.
con sord. di met. IV.
Solo, sul tastoIII.
senza sord.
con sord. di met. IV.
Solo, sul tasto
secco, alla cordasul ponticello
senza sord.
con sord. di met. Solo, sul tasto
secco, alla cordasul ponticello
senza sord.
con sord. di met.solo, sul tasto
Tutti
K-122
39
Picc
Fl
A. Fl
Ob 1
Ob 2
Cl
Cl
B. Cl
Bsn
Cbsn
Hn
Tpt
Tbn
Tba
Timp
Tri
Cym
W.B
Tomt
B.D
Crot
Mar
Cel
Pianino
Hp
Synth
Vln I
Vln II
Vla
Vc
Db
fff pppp
distintosuperarticolato
Tempo primo19 20 21 22 23 24 25
fff pppp pppp
fff
sub. ff fff
sub. fffff
p mp - mf fffpppp
pp p mp - mf fff pppp
pp p mp - mf fff pppp
p mp - mf fff
pp p mp - mf sub. ff fff
mp - mf fff
fff
fff
sub. ff fff
fff
ppppp
sub. ff
sub. ff fff
pp p mp - mf fff
pppp
sub. ff fff
pp p mp - mf
pp p mp - mf sub. ff fff
pppp
mp - mf sub. ff fff pppp
distintosuperarticolato
Tempo primo
sub. ff fffpppp
mp - mf sub. ff fff pppp
pp p mp - mf sub. fffff
pppp
pp p mp - mfsub. ff fff pppp
secco
2.
1-3.
con sord.
col legno
2 perc. slowly tear pieces of paper
hammer on wood
rim shot
Verge
senza sord.
con sord.di met.
I. solo, sul tasto III.
senza sord.
con sord. di met. IV.
Solo, sul tastoIII.
senza sord.
con sord. di met. IV.
Solo, sul tasto
secco, alla cordasul ponticello
senza sord.
con sord. di met. Solo, sul tasto
secco, alla cordasul ponticello
senza sord.
con sord. di met.solo, sul tasto
Tutti
K-122
3937
FOR PERUSAL ONLY
Picc
Fl
A. Fl
Ob 1
Ob 2
Cl
Cl
B. Cl
Bsn
Cbsn
Hn
Tpt
Tbn
Tba
Timp
Tri
Cym
W.B
Tomt
B.D
Crot
Mar
Cel
Pianino
Hp
Synth
Vln I
Vln II
Vla
Vc
Db
pppp
sempre in tempo a tempo26 27 28 29 30 31 32
pppp
pppp pppp
pppp
ppp dim. al niente
ppppp
pppp pppp
ppppp
ppp dim. al niente
pppp, molto sul tasto
sempre in tempo a tempo
pppp, molto sul tasto
pppp, molto sul tasto
pppp, molto sul tasto
(Rundbogen)
ppp dim. = a little too high
= a little too low
al nientepppp
2da volta tacet
Solo
con sord.
Ped. slow gliss. around F# around G§
2 perc. slowly crease pieces of paper
with soft mallet
Bass drum
attaca VII. Tempest, Synthesizer solo
la metà 2da volta tacet
la metà
la metà
la metà
Solo
senza rit.sul tasto
K-122
4038
39
Zwiegespräch – Dialogue for Synthesizer and Orchestra Zwiegespräch – Dialógus szintetizatorra és zenekarra
VII. Tempest
György Kurtág jr. Solo Synthesizer :
circa 1’
K-122
VII. TEMPEST
FOR PERUSAL ONLY
Piccolo
Flute 1
Flute 2
Clarinet in Eb
Clarinet in Bb
Harmonica 1
Harmonica 2
Glass chimes
3 Cymbals(high, middle, low)
Drumwithout snare
Bass Drum
Marimba
Harp
Celesta
Pianino
Synthesizer
Violin I Solo
Violin I Tutti
Violin II Solo
Violin II Tutti
Violoncello Solo
Violoncello Tutti
pppp, lontano, cantabile (ombra)
Poco allegretto (esitando)e = 116 (poco mosso)1 2
pppp, lontano, cantabile (ombra)
pppp, sempre leggero, delicatissimo
pppp, leggero, delicatissimo
pppp, leggero, delicatissimo
pppp, leggero, delicatissimo
ppppppp, leggero, delicatissimo
pppp
pppp, sempre leggero, delicatissimo
(duration of the complete bar: 7'') (10'')
ppp, lontano, cantabile
Poco allegretto (esitando)e = 116
(poco mosso)
pppp, leggero, delicatissimo
ppp, lontano, cantabile
pppp, leggero, delicatissimo
pppp, leggero, delicatissimo
VIII. Féerie
with brush
gliss.
gliss.
(chords in polyrythmic pattern)
Cue Synth.
2
slow
around 6''
gliss.
7 4
with metal mute
rest around 3''(never exactly the same!)
IVTutticon sord. (if possible metal)
gliss.
with metal mute
IVTutticon sord. (if possible metal)
gliss.
Tutti con sord. (if possible metal)
gliss.gliss.
gliss.
K-122
4240
41
Picc
Fl 1
Fl 2
Eb Cl
Cl
Cym
Hp
Cel
Pianino
Synth
Vln I Solo
Vln I Tutti
Vln II Solo
Vln II Tutti
Vc Solo
Vc Tutti
(esitando)3 4
pppp
pppp, leggero, delicatissimo
pppp
(9'') (12'')
(esitando)
ppp
pppp
brushed
x (souffle)
gliss.
5
battutowith metal mute
K-122
43
FOR PERUSAL ONLY
42
Picc
Fl 1
Fl 2
Eb Cl
Cl
Harm
Harm
Cym
B. D
Mar
Hp
Cel
Pianino
Synth
Vln I Solo
Vln I Tutti
Vln II Solo
Vln II Tutti
Vc Solo
Vc Tutti
ppp
(più esitando)morendo senza rigore
e = 965 6
ppp
lontano
ppp ppp
ppp ppp
ppp
ppp
pp, armonioso
pp, dolcissimo
(10'')
pp, dolcissimo pp
(più esitando) morendo senza rigoree = 96
3 3 3 3 3
1.
tranquillo
in C sharp in C natural
with thin metal stick with bow
with brush
hirondelles
6 7
(with clar.)
K-122
44
43
Picc
Fl 1
Fl 2
Eb Cl
Cl
Harm
Harm
Gl.ch
Cym
D w s
B. D
Mar
Hp
Cel
Pianino
Synth
Vln I Solo
Vln I Tutti
Vln II Solo
Vln II Tutti
Vc Solo
Vc Tutti
7 8
ppp
ppp
(5'')
pp
pp
3 3 3 3 3 3 3 3
in E natural
in D natural
with bow with bow
hirondelle
(souffle)1
(with clar.) flautando
(with clar.) flautando
(with clar.)
K-122
45
FOR PERUSAL ONLY
44
Picc
Fl 1
Fl 2
Eb Cl
Cl
Harm
Harm
Gl.ch
Cym
D w s
B. D
Mar
Hp
Cel
Pianino
Synth
Vln I Solo
Vln I Tutti
Vln II Solo
Vln II Tutti
Vc Solo
Vc Tutti
ppp, dolce
Lentox = 84
Tempo primo (poco allegretto)e = 929 10 11 12 13 14 15
ppp, dolce
ppp, dolce
ppp, dolce
ppp
ppp
ppp
ppp
ppp, dolcissimo
(19'')
ppp
Lentox = 84 Tempo primo (poco allegretto)
e = 92
ppp
ppp, dolce
attacca Solace
3 3 3
in E natural
in D natural
with bow
x (souffle)
2
3
(with fl.)
(with clar.)
attacca Solace
(with fl.)
(with clar.)
col legno tratto, molto sul tasto
K-122
46
Flute 1
Flute 2
Oboe
English horn
Clarinet in Bb 1
Clarinet in Bb 2
Bass Clarinet in Bb
Bassoon 1
Bassoon 2
3 Horns in F
3 Trumpets in C
2 Trombones
Tuba
2 Crotales
Sonaglismall bells
1 Wood-block(high)
1 Triangle(small)
3 Tomtoms(Low, middle, high)
Bass Drum
Marimba
Pianinowith supersord.
Synthesizer
Gong (d)
5 Cymbals
Tam-tam(large)
Harpwith synth.
Tenor Recorderwith synth.
(ossia Flute 3)
Violin II Solowith synth.
Viola Solowith synth.
Violoncello Solowith synth.
Violin I Solo
Violin I Tutti
Violin II
Viola
Violoncello
Double bass
p
Lento (follow the synthesizer)h = 60
q = q q = q12 3 4 5 6 7
p
p p
p p
p p
p
p
p
p p
p
pp
pp
pp
p
p
pp
pp
pochissimo pochissimo pp
Lento (follow the synthesizer)h = 60 q = q
q = q1
pp, following synth.
pochissimo
ppp
ppp
ppp
pp
p
p
IX. Solace
con sord.
1. con sord.
con sord.
(Stricknadel)
with soft mallet
with bow
con sord. ord.
con sord. ord.
non divisi con sord. ord.
non divisi con sord. ord.
non divisi con sord. ord.
con sord. ord.
II
K-122
4745
FOR PERUSAL ONLY
46
Fl 1
Fl 2
Ob
E.h
Cl 1
Cl 2
B. Cl
Bsn 1
Bsn 2
Hn
Tpt
Tbn
Tba
Tri
Tomt
B. D
Mar
Pianino
Synth
Cym
Hp
T. Rec
Vln II Solo
Vla Solo
Vc Solo
Vln I Solo
Vln I Tutti
Vln II
Vla
Vc
Db
p p espr.
2 38 9 10 11 12 13 14 15
p
p espr. p mf
mp espr. p mf
p mp espr. p mf
pp mf
p mp espr.p mf
mp espr.
ppp p mf
p p
pp
pp p
pp
mp
mp
pochissimo
2 3
pochissimo pp
pochissimo
pochissimo pp
pmp p mf
pmp p mf
pmp
p mf
pp
p
p
Solo
in rilievo
in rilievo
1.
1.2.
1.
with very thin metal stick
with soft sticks
with soft mallet
with thin metal stick (Stricknadel)
con sord. ord.
arco
arcoIII
1/2 pizz.1/2 arco
arco
1/2 pizz.1/2 arco
arco
IIIIV
K-122
48
47
Fl 1
Fl 2
Ob
E.h
Cl 1
Cl 2
B. Cl
Bsn 1
Bsn 2
Hn
Tpt
Tbn
Tba
W.B
Tomt
B. D
Mar
Pianino
Synth
Cym
Hp
T. Rec
Vln II Solo
Vla Solo
Vc Solo
Vln I Solo
Vln I Tutti
Vln II
Vla
Vc
Db
dolce
4 516 17 18 19 20 21 22 23
dolce p
rinf p
rinf p
rinf p
rinf
rinf dolce p
dolce
dolce
rinf dolce
p
dolce p
dolcep
rinf
dolce p
p
rinf
dolcerinf
id. id.
4 5
pochissimo
dolce
dolce
dolcedolce
rinfp
p
To Picc
1.
1.2.
To Cel
with bow
IV
K-122
49
FOR PERUSAL ONLY
Fl 1
Fl 2
Ob
E.h
Cl 1
Cl 2
B. Cl
Bsn 1
Bsn 2
Hn
Tpt
Tbn
Tba
Crot
Son
Mar
Cel
Synth
Gong
Cym
Tamt
Hp
T. Rec
Vln II Solo
Vla Solo
Vc Solo
Vln I Solo
Vln I Tutti
Vln II
Vla
Vc
Db
pp
whistle
pp diminuendo
Strascinato, pesanteh = 60 e. = 40
624 25 26 27 28 29 30 32
31
pp dolcissimo ma intenso
dolcissimo ma intenso pp perdendosi
dolcissimo ma intenso
pp dolcissimo ma intenso
pp dolcissimo ma intenso
ppdolcissimo ma intenso
pp dolcissimo ma intenso
dolcissimo
dolcissimo ma intenso
dolcissimo ma intenso
dolcissimo
pp
perdendosi
pppp
pppp sempre irregolare, misterioso
dolcissimo ma intenso
Bird 1Bird 2(simile)
pppp
dolcissimo
mf p, in rilievo
Strascinato, pesanteh = 60
e. = 406
ppp perdendosi
dolcissimo ma intenso, sul tasto
mf p, in rilievo ppp perdendosi
dolcissimo ma intenso, sul tasto ppp, come un ombra
dolcissimo ma intenso, sul tasto ppp perdendosi
dolcissimo ma intenso, sul tasto
dolcissimo ma intenso, sul tasto
dolcissimo ma intenso, sul tasto ppp perdendosi
dolcissimo ma intenso, sul tasto pp perdendosi
Piccolo
ord.
1-3.
against eachother
Pianino
To Pianino
al fine
souffle
l.v. al fine
with big mallet
sul tasto
sord. ord.
I
sul tasto I
div. sul tasto
Solo
div.
div.
sul tastoSolo
Solo
K-122
5048
FOR PERUSAL ONLY
A partitúra és a hozzá tartozó szólamanyag az Editio Musica Budapest tulajdona, ezért csak a kölcsönszerződésben meghatározott alkalmakra használható.
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The score and the related parts are the property of Editio Musica Budapest, and therefore may be used only for the occasions specified in the loan contract.
The material – may not be handed on to any other person or organization – may not be copied without permission – may not be altered, and any comments or performing instructions entered in the score or parts may be written only in pencil – must be returned intact and in good condition to the publishers by the date of expiry of the loan period.