MOZART'SREQUIEM
OFFICERSPresident Ellen C CummingsVice President Catherine A MarrionTreasurer Thomas R CastleSecretary Anne H WilkinsonImmediate Past President Robert P Reed
PAST PRESIDENTSWilifred A Park
Henkle ScottEdward AdamsAdam Perkins
John C AlbohmNelson WhiteG S Torrey
Seymour HendelRobert Weller
William MehlmanRobert F ShannonClarence B SharpThomas Althuis
William LockwoodRobert N RueJulie C MaischBarry Levinson
Peter F Stuart, Esq Richard A Bauerfeld
Marc E GinsbergDorothy A Askelson
Pamela A AkinsWanda E (Beth) Tillman
Alan R ProctorDuncan Stoddard
Lois AndrewsPaul McGlincheyThomas R CastleAna M Schneider
Robert P Reed
BOARD OF DIRECTORS
John AnthonyThomas Berl
Katherine BergeronLiane Crawford
Svetlana Kasem-BegJohnPaul MoralesEdward O’Donnell
Jerry OlsonNaomi OtternessAna Schneider
Anish ShahGary Upton
EXECUTIVEDIRECTOR
Caleb Bailey
EXECUTIVECOORDINATORDaniel Brandl
BOOKKEEPERRoanna Breen
EMERITUS EXECUTIVEDIRECTOR
Isabelle G Singer
FOUNDING MUSICDIRECTOR
Victor Norman
MUSIC DIRECTOR and CONDUCTOR
Toshiyuki Shimada
CHORUS DIRECTOR
Wendy Moy
CHORUSPRESIDENT
Kathy Walburn
YOUTH ORCHESTRAMUSIC DIRECTORKathleen Anderson
YOUTH STRING ENSEMBLEDIRECTOR
Shannon Stevenson
YOUTH ORCHESTRA AND STRING
ENSEMBLE PRESIDENT
Scott Westervelt
FRIENDS PRESIDENT
Gay Clarkson
OFFICE 289 State Street, New London, CT 06320
Phone: (860) 443-2876Website: www ectsymphony com
THE EASTERN CONNECTICUT SYMPHONY ORCHESTRA BOARD AND STAFF 2018-2019
THE EASTERN CONNECTICUT SYMPHONY ORCHESTRAORCHESTRA PERSONNEL 2018-2019
ConcertmasterStephan Tieszen
Violin IKen Hayashi (AP)
Nancy Allen Ziemski (NR)Marianne Vogel (NR)
Simon BilykKathryn Fausel
Lisa GrayGwyneth Haydock (LOA)
Jung Eun KangGregory Tompkins
Jessica StensrudHeather Yanovitch (S)Denise Chividian (S)
Violin IIJoan Winters (P)Nuri Lim (AP)
Nathaniel BrownEmily Franz
Gabriel KastelleLydia Lee Villarreal
Cynthia SmithKaren Stokke (LOA)Ariana StraznickyAnn Gerrietts (S)
Meghan O’Connor-Miller (S)
ViolaBarbara Wiggin (P)Hannah Ross (AP)
John BiatowasAmy Jones
Rebecca JohnsonAndrew KnebelCarol PearsonSteven Sergi
(P) Principal(P*) Acting Principal
(AP) Assistant Principal(NR) Non-Rotating
(S) Substitute(LOA) Leave of absence
CelloPrincipal position vacant
Corinne Cunha (AP)Jenna CalabroLaura Cetilia
Christine CoyleMatilda Petrela
Nara ShahbazyanLeah E Thomas
BassThomas Green (P)
Jordan Calixto (AP)Ryan Ford
Lou GolstonJames P Hunter, Jr
David Szych
FluteNancy Chaput (P)
Clare Iannotta NielsenCheryl Six (Piccolo)
OboeCarla Parodi(P)Marta Boratgis
Olav van Hezewijk(English Horn)
ClarinetKelli O’Connor (P)
Jonathan TowneAndrew Grenci(Bass Clarinet)
BassoonTracy McGinnis (P)
Cheryl BankerRebecca Noreen(Contrabassoon)
HornMatt Muehl-Miller (P)
Matt Melone (AP)Bryce NakaokaBrian NicholsJoshua Michal
TrumpetThomas Brown (P)
Stephen OwensGino Villarreal
Richard J Dumas
TromboneTerrence B Fay (P)
Mark WeaverVictor Johnson
TubaGary Sienkiewicz (P)
TimpaniKuljit Rehncy (P)
PercussionConnie Coghlan (P)John Frascarelli (AP)Christopher Smith
HarpColleen Thorburn (P)
PianoGary Chapman (P)
LibrarianJohn Biatowas
Personnel ManagerRichard Dumas
Recording EngineerKuljit Rehncy
THE EASTERN CONNECTICUT SYMPHONY CHORUSMOZART’S REQUIEM ROSTER
SopranosKatrusia Diachenko
Susy DianaJane Falivene
Jennifer FinlaysonLynn Getty
Rebecca Harris*Amy HolmbergBethany JensenSally Johnson
Enid M LebronJane Statchen
Sherburne StidfoleSharon Tyree
Kathy Walburn
AltosPeggy Ayer
Evelyn BamfordJoy Diamantini
Valerie FastWhitney Gillette*Maureen Gressler
Mary HarrisKay Harvey
Debbie KimballBetsy Lebel
Donna MartellJana Noyes
Monica ThakurJoyce Wallace
Nancy WilliamsClare Wurm
TenorsMichele Delmhorst
Bill HathawayAlec Leshy
Diantha McMorrowKevin RigdonDavid Rinzler*
BassesJohn Charland
Raymond GradyBenjamin Hayes*
Lee HowardPeter Jenkins
Robert KeltnerTodd Tuomi
AccompanistJeehyun Kim
Director Wendy Moy
THE EASTERN CONNECTICUT SYMPHONY ORCHESTRAMOZART’S REQUIEM ROSTER
ConcertmasterStephan Tieszen
Violin INancy Allen Ziemski
Simon BilykLisa Gray
Kathryn Fausel
Violin IINuri Lim
Ariana StraznickyNathaniel Brown
Lydia Lee
ViolaHannah RossJohn BiatowasCarol Pearson
Andrew Knebel
CelloChristine Coyle
Nara Shahbazyan
BassJordan Calixto (AP)
ClarinetKelli O’Connor (P)
Jonathan Towne
BassoonStevi Rehncy
Rebecca Noreen
TrumpetKenny Piatt
Stephen Owens
TromboneMark WeaverTopher Logan
Victor Johnson
TimpaniKuljit Rehncy
OrganAymeric Dupre la Tour
LibrarianJohn Biatowas
Personnel ManagerRichard Dumas
Recording EngineerKuljit Rehncy
*Denotes Section Leader
Toshiyuki Shimada Music Director & Conductor Wendy Moy ECSC DirectorCarley DeFranco, soprano Caroline Olsen, mezzo-sopranoEthan DePuy, tenorGregory Flower, baritone
Requiem, K 626 (48’) WOLFGANG AMADEUS MOZART(1756 - 1791)
I Introitus - Requiem II Kyrie III Sequenz Dies irae Tuba mirum Rex tremendae Recordare Confutatis Lacrimosa IV Offertorium Domine Jesu Hostias V Sanctus VI Benedictus VII Agnus Dei VIII Communio
Tonight’s concert is dedicated to the late Jerry Olson, longtime ECSO Board member
Concert sponsored by: The Edward & Mary Lord Foundation
with additional funding by the Knights of Columbusand The American Group
Special thanks to the Diocese of Norwichand Bishop Michael Cote
Goodwill donations collected will benefit the ECSO and the St. Vincent de Paul Place
MOZART’S REQUIEM- ST. PATRICK’S CATHEDRALSUNDAY, APRIL 14, 2019 - 7:30 PM
Carley DeFrancoSoprano
“Sunny” and “soaring” soprano Carley DeFranco is the 2018-19 Lorraine Hunt Lieberson Fellow with Emmanuel Music This season she is a frequent soloist in the Sunday Bach cantata series, is a soloist in Handel’s Ode for St Cecilia and in June she is Lucy Lockit in the Beggar’s Opera (arr Britten) Her other operatic roles include Alcina (Opera del
West), Susanna in Le nozze di Figaro (Greater Worcester Opera), Zuniga in The Tragedy of Carmen (Opera Theatre of Cape Cod) and four years of world premieres in Boston Opera Collaborative’s annual presentations of “Opera Bites” A champion of the baroque, Carley has appeared as a soloist with the North Carolina Master Chorale, Bach Sinfonia, Arlington Philharmonic and Polymnia Choral Society In demand for her performances of new music by American composers, Carley has given premieres at the Kennedy Center, Fog X FLO on the Emerald Necklace, New England Conservatory, Middle-sex Community College, Longy School of Music and American University This summer she will perform the role of The Rose in The Little Prince with NEMPAC Opera Studio at Faneuil Hall and will be featured at the American Bach Soloists Academy in San Francisco In the Fall of 2019 she will be a soloist with Emmanuel Music in Bach’s Mass in B-Minor
Caroline OlsenMezzo-Soprano
California born mezzo-soprano Caroline Olsen is sought after as a soloist and collabora-tor This season, Caroline appeared as a soloist with the Newburyport Choral Society (New-buryport, MA), singing Charpentier’s Messe de Minuit de Noël, and The Thirteen (Wash-ington, D C ), singing Duruflé’s Requiem Past
solo engagements include Handel’s Israel in Egypt with Musica Sacra in 2017 (Gloucester, MA) and Bach’s Christmas Oratorio with Harvard Pro Musica in 2015 (Cambridge, MA) In addition, she has sung with critically-acclaimed professional ensembles, including The Handel and Haydn Society (Boston, MA), the Oregon Bach Festival (OBF) Chorus (Eugene, OR), The Brookline Consort (Brookline, MA), Cappella Clausura (Newton, MA), and Source-work (Boston, MA) In Germany, Caroline has toured with the Weimar Bach Academy and the Stuttgart Youth Bach (JSB) Ensemble Caroline holds a Bachelor of Music from Boston University’s College of Fine Arts When offstage, she teaches voice and piano lessons privately and with Note-Worthy Experiences (Sudbury, MA)
Ethan DePuyTenor
Praised for his “masterful acting” and “fine singing,” American tenor Ethan DePuy brings his unique dramatic style to works ranging from the Baroque era to now DePuy trained as a young artist at the Chautauqua Opera Company, Charlottesville Opera, and the Brevard Music Center On the concert stage, highlights include performances of Bach’s St John Passion, St
Matthew Passion, Easter Oratorio, and Mass in B Minor, Handel’s Israel in Egypt and Messiah, Mozart’s Requiem, Solemn Vespers, and Coronation Mass, Schubert’s Mass in G, Haydn’s Seven Last Words, Rachmaninoff ’s All Night Vigil, Stravinsky’s Mass, Buxtehude’s Membra Jesu Nostri, Charpentier’s Messe de Minuit, the Evangelist in Bach’s Christmas Oratorio, and the title role in Handel’s Judas Maccabaeus A native of Rochester, NY, he earned degrees from SUNY Fredonia and Arizona State University
Gregory FlowerBaritone
Bass-Baritone Gregory Flower’s “rich and powerful voice” (Cape Cod Times) has been heard across New England, where he’s performed Opera, Oratorio, Song, Operetta, and Musical Theatre This season’s engagements have included: Mozart Requiem, Faure Requiem, Messiah, Durufle Requiem, Aeneas in Dido and Aeneas, and Jim Ferguson in the world premier
of Bessie and Ma In May, Greg will be singing a complete performance of Schubert’s Schwanengesang in Tolland Greg is active with several professional choirs including: Voce, Alchemy, and Novi Cantori He is the Director of Music at St Mark the Evangelist Church in West Hartford Greg holds degrees in Vocal Performance and Music Education from The University of Hartford, and is currently pursuing a masters degree in voice at the University of Connecticut He would like to thank the ECSO for their invitation to join them on this wonderful program
PROGRAM NOTES
Requiem in D minor, K 626 Wolfgang Amadeus Mozart (1756 - 1791)
Much has been written both fact and myth about the circumstances surrounding the Requiem, Mozart’s final commission, and one that he could not complete before his untimely death at the age of 35 Mozart was not known in Vienna as a composer of sacred music and had not been commissioned to do a work of this nature in the ten years that he was in residency in that city Count Franz von Walsegg, through an anonymous emissary dubbed the “man in gray,” commissioned the Requiem. The Count planned to have the Requiem performed annually in memory of his wife, who had died suddenly in February of that year (1791) Walsegg’s emissary was described in old biographies as a “mysterious, gaunt-looking stranger, tall, dark, and dressed all in gray ” But there was no mystery; it was Franz Anton Leitgeb, an employee of the count, who was tall, thin, and, because of his Turkish descent, dark-skinned Walsegg liked to pass off the music as his own compositions, paying them well and probably realizing that his little subterfuge was not quite a secret
In the hit play and later the movie Amadeus, much is made of Mozart’s obsession with death and the thought that the messenger and commission were from God and that the Requiem would be for his own death Mozart was exhausted from work and alcohol, financially embarrassed, and weak Before his death, Mozart was able to complete only the opening movement the Aeternam along with much of the Kryie and portions of the Sequence, the long poem beginning with Dies Irae and ending with the Lacrimosa For some of the remaining sections, he left drafts in varying states of completion; for the concluding movements, nothing Even though only a fraction of the Requiem was written by Mozart, it is numbered today among his most beloved and most frequently performed works Ultimately the completion was left to his friend and assistant, Franz Sussmayr, who took up the task after Mozart’s wife, Constanze, had petitioned three composers without success
The style of the Requiem is paralleled most noticeably in Mozart’s Magic Flute and not in his other church music written before he moved to Vienna Much of the writing is either richly contrapuntal or
PROGRAM NOTES
direct, simple, even hymn like Arias are conspicuously absent The four soloists are treated as a group, not as individuals, with one brief exception: the beginning of the Tuba mirum which Mozart sets as a dialogue between baritone and solo trombone Trombones are heard throughout much of the Requiem They were associated then with church music, not with the symphony, as they would be from Beethoven on For Mozart, they always pointed to the presence of the Divine
Early writers on Mozart were unanimous in their belief that this work marked a new direction, away from opera and the symphony towards a reform of church music The new style, as they saw it, would banish operatic display and blend ancient polyphony with modern symphonic ideas of form Had Mozart really started a fundamental rethinking of his style? The Requiem could, in fact, substantiate this claim At all events, we are mistaken to think of this as a late work To him, it was simply the next work, the next commission He could not have known that it would be his last, and that he would not live to finish it
Dining Passport - Friends Fundraiser
The Friends of the Symphony are embarking on a new fundraiser
to support the ECSO’s mission - the Dining Passport The Dining Pass-port provides buy-one get-one dining at 14 area restaurants throughout all of 2019
The Dining Passport is available at the table in the lobby tonight for $50, and there is a limited supply. After using the Dining Passport at three or four restaurants, it pays for itself!
TRANSLATION OF TEXTS
Requiem in D minor, K. 626 Wolfgang Amadeus Mozart (1756 - 1791)
IntroitRequiem aeternam dona eis, Domine,et lux perpetua luceat eis Te decet hymnus, Deus, in Sion,et tibi reddetur votum in Jerusalem Exaudi orationem meam,ad te omnis care veniet Requiem aeternam dona eis, Domine,et lux perpetua luceat eis
Grant them eternal rest, Lord,and let perpetual light shine on them You are praised, God, in Zion,and homage will be paid to You in Jerusalem Hear my prayer,to You all flesh will come Grant them eternal rest, Lord,and let per-petual light shine on them
KyrieKyrie eleison Christe eleison Kyrie eleison
Lord have mercy upon us Christ have mercy upon us Lord have mercy upon us
SequenzDies irae, dies illaSolvet saeclum in favilla,Teste David cum Sibylla
Quantus tremor est futurusQuando judex est venturusCuncta stricte discussurus
Tuba mirum spargens sonumPer sepulcra regionumCoget omnes ante thronum
Mors slopebit et natoraCum resurget creaturaJudicanti responsura
Liber scriptus profereturIn quo totum continetur,Unde mundus judicetur
Judex ergo cum sedebitQuidquid latet apparebit,Nil inultum remanebit
Quid sum miser tunc dicturus,Quem patronum togaturus,Cum vix justus sit securus?
Day of wrath, that dayWill dissolve the earth in ashes,As David and the Sibyl bear witness
What dread there will beWhen the Judge shall comeTo judge all things strictly
A trumpet, spreading a wondrous soundThrough the graves of all lands,Will drive mankind before the throne
Death and Nature shall be astonishedWhen all creation rises againTo answer to the Judge
A book, written in, will be brought forthIn which is contained everything that is, out of which the world shall be judged
When therefore the Judge takes His seat Whatever is hidden will reveal itself Nothing will remain unavenged
What then shall 1 say, wretch that I am,What advocate entreat to speak for me, When even the righteous may hardly be secure?
TRANSLATION OF TEXTSRex tremendae majestatis,Qui salvandos salvas gratis,Salve me, fons pietatis
Recordare, Jesu pie,Quod sum causa tuae viae,Ne me perdas ilia die
Quaerens me sedisti lassus,Redemisti crucem passus,Tamus labor non sit cassus
Juste judex ultionisDonum fac remissionisAnte diem rationis
lngemisco tamquam reus,Culpa rubet vultus meus,Supplicanti parce, Deus
Qui Mariam absolvistiEt latronem exaudisti,Mihi quoque spem dedisti
Preces meae non sum dignae,Sed tu bonus fac benigne,Ne perenni cremet igne
Inter oves locurn praesta,Et ab haedis me sequestra,Statuens in parle dextra.
Confutatis maledictisFlammis acribus addictis,Voca me cum benedictis.
Oro supplex et acclinis,Cor contritum quasi cinis,Gere curam mei finis.
Lacrimosa dies iliaQua resurget ex favillaJudicandus homo reus.Huic ergo parce, Deus,Pie Jesu Domine,Dona els requiem.
King of awful majesty,Who freely savest the redeemed,Save me, O fount of goodness
Remember, blessed Jesu,That I am the cause of Thy pilgrimage,Do not forsake me on that day
Seeking me Thou didst sit down weary,Thou didst redeem me, suffering death on the cross Let not such toil be in vain
Just and avenging Judge,Grant remissionBefore the day of reckoning
I groan like a guilty man Guilt reddens my face Spare a supplicant, O God
Thou who didst absolve Mary MagdaleneAnd didst hearken to the thief,To me also hast Thou given hope
My prayers are not worthy,But Thou in Thy merciful goodness grantThat I burn not in everlasting fire
Place me among Thy sheepAnd separate me from the goats,Setting me on Thy right hand
When the accursed have been confoundedAnd given over to the bitter flames,Call me with the blessed
I pray in supplication on my knees My heart contrite as the dust,Safeguard my fate
Mournful that dayWhen from the dust shall riseGuilty man to be judged Therefore spare him, O God Merciful Jesu,Lord Grant them rest
TRANSLATION OF TEXTSOffertoriumDomine, Jesu Christe, Rex gloriae,libera animas omniurn fidelium defunctorum de poenis inferni, et de prof undo lacu: libera cas de ore leonis, ne absorbeat eas tartarus, ne cadant in obscurum,
sed signifer sanctus Michaelrepraesentet eas in lucem sanctam,quam olim Abrahae promisistiet semini ejus
Hostias et preces, tibi, Domine,laudis offerimus: tu suscipe pro an-imabus illis, quarum hodie memo-riam facimus: fac eas, Domine, de morte Iransire ad vitam, quam olim Abrahae promisisti et semini ejus
Lord Jesus Christ, King of glory,deliver the souls of all the faithfuldeparted from the pains of hell and from the bottomless pit Deliver them from the lion’s mouth Neither let them fall into dark-ness nor the black abyss swallow them up
And let St Michael, Thy standard-bearer,lead them into the holy lightwhich once Thou didst promiseto Abraham and his seed
We offer unto Thee this sacrifice of prayer and praise Receive it for those souls whom today we commemorate Allow them, O Lord, to cross from death into the life which once Thou didst promise to Abraham and his seed
SanctusSanctus Sanctus, Sanctus,Dominus Deus Sabaoth!Pleni suni coeli et terra gloria tua Osanna in excelsis
Holy, holy, holy,Lord God of Sabaoth Heaven and earth are full of Thy glory Hosanna in the highest
BenedictusBenedictus qui venit in nomine Domini Osanna in excelsis
Blessed is He who cometh in the name of the Lord Hosanna in the highest
Agnus DeiAgnus Dei, qui tollis peccata mundi,dona eis requiem Agnus Dei, qui tollis peccata mundi,dona eis requiem sempiternam
Lamb of God, who takest away the sins of the world, grant them rest Lamb of God, who takest away the sins of the world, grant them everlasting rest
CommunioLux aeterna luceat eis, Domine,cum sanctis mis in aeternum,quia pius es Requiem aeternam dona eis, Domine,et lux perpetua luceat eis,cum sanetis tuis in aeternum,quia plus es
May eternal light shine on them, O Lord with Thy saints for ever, becauseThou art merciful Grant the dead eternal rest, O Lord,and may perpetual light shine on them,with Thy saints for ever,because Thou are merciful
Toshiyuki Shimada is Music Director and Conductor of the Eastern Con-
necticut Symphony Orchestra in New London; Music Director and Conductor of the Orchestra of the Southern Finger Lakes; and has been Music Director of the Yale Symphony Orchestra of Yale Univer-sity since 2005 He is also Music Director Laureate of the Portland Symphony Orchestra in Portland, Maine, for which he served as Music Director from 1986 to 2006 Prior to his Portland engagement
he was Associate Conductor of the Houston Symphony Orchestra for six years Since 1998, he has also served as Principal Conductor of the Vienna Modern Masters record label in Austria
This season Maestro Shimada will guest conduct the Istanbul State Symphony Orchestra and the Lindenbaum Festival Orchestra in the US and Europe Recently, Maestro Shimada guest conducted the Borusan Istanbul Philharmonic Orchestra in Istanbul, the Presidential Symphony Orchestra and Bilkent Symphony Orchestra in Ankara, Turkey, as well as The World Peace Day Concert at Korean DMZ He led a highly successful Russian tour of the Yale Symphony Orchestra, performing in the White Hall at Saint Petersburg, and the Great Hall of the Moscow Tchaikovsky State Conservatory with highly acclaimed reviews
He has collaborated with distinguished artists such as Itzhak Perlman, Emanuel Ax, Yefim Bronfman, Joshua Bell, and many others In the Pops field he has performed with Doc Severinsen, Willie Nelson, Johnny Cash, Marvin Hamlisch, and Toni Tennille Maestro Shimada has had the good fortune to study with many distinguished conductors of the past and the present, including Leonard Bernstein, Herbert von Karajan, Herbert Blomstedt, Hans Swarovsky, and Michael Tilson Thomas
Maestro Shimada holds a teaching position at Yale University, as Associ-ate Professor of Conducting with Yale School of Music and Department of Music He resides in Connecticut with his wife, concert pianist Eva Virsik
TOSHIYUKI SHIMADA - BIOGRAPHYECSO Music Director & Conductor
Wendy K Moy is the Director of Choral Activities and Music Education at
Connecticut College and the Co-Artistic Director of Chorosynthesis Singers She is frequently sought as a guest conductor and clinician and recently made her conducting debuts in Brazil and China Recent honors include placing 3rd in The American Prize in Choral Conducting (professional division) and being selected as a Fellow in the American Choral Directors Association (ACDA) International Conductors Exchange Program
She performs as a soprano soloist and currently sings in CONCORA as well as Chorosynthesis Singers when not conducting A violinist since the age of four, Wendy held the positions of violin coach, chamber music coordinator, and assistant conductor with the Cascade Youth Symphony Organization She has presented her ethnographic research on the culture of successful singing communities at conferences around the world She serves on the ACDA Standing Committee on International Activities and multiple grant selection panels Wendy holds a Masters of Music Education from Westminster Choir College and a Doctor of Musical Arts in Choral Conducting from the University of Washington For more information, please visit www wendymoy com
WENDY MOY - BIOGRAPHYEastern Connecticut Symphony Chorus Director
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Peter and the W lf
Featuring the Eastern Connecticut Ballet
TOSHIYUKI SHIMADA, MUSIC DIRECTOR & CONDUCTOR
Sunday, May 5 at 2PMPalmer AuditoriumConnecticut College
with narratorResurrección Espinosa-Frink
For tickets: onstage.conncoll.eduor call 860-439-ARTS (2787)
Join the ECSO for the continuation of its popular family concert, exploring the excitement of orchestral music!
Arrive at Palmer Auditorium at 1pm for pre-concert activities in the lobby, including a photobooth, musical petting zoo, and many other activities.
JUAN ARRIAGALos esclavos felices
JOHN PHILIPSSouth of the BorderMexican Medley
SERGEI PROKOFIEVPeter and the Wolf
with the Eastern Connecticut Ballet
This concert is generously sponsored by the Chelsea Groton Foundation
Eastern Connecticut Symphony Orchestra289 State St., New London, CT 06320www.ectsymphony.com | 860-443-2876
@ectsymphony
Peter and the Wolf English.indd 1 4/2/2019 1:52:21 PM
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2019-20 Dates10/26/19 2/29/2011/23/19 3/28/202/1/20 4/25/20
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