Details of the Coming Opera SeasonPlans of the Metropolitan

And Chicago CompaniesLocal Organization Will Confine Itself Chiefly!

to Revivals; Visitors AnnounceThree Novelties

By Katharine WrightN'-w York will, .as usual, have its til!

oí opera this year. In addition to ther.guiar ses ¡on at the MetropolitanOpera House, which logins next month,tnc Chicago company will make its an¬nual visit to '¦ cil tu January, re¬

maining weeks longer than hist;. ear,

.... «when the Metropolitan Opera House

opens its doors on Monday evening, No-vember la, the seat will be fili d by ffte

sul 3CT '*.« rs who for. .¦*, yeaihave followed with interés! the activi-|t es of the great temple of mush on

Broadway., Willian J.(Guard, wl ¡pen!summ« r abi .. d, repo to« :i,

in European citie wi v of :,

now public, Ignorant unmusical, without nds Is, Former patrons o th«oper-i houses who d manded the bus'.row unable to afford the luxui-y oftickets. Bui ¦" Melropolitan Opera House remains un-

e tanged, and Mr. Guard out 1 haithis is a matter for congratulation, inhi op nion, Now 'tor!-, is now theoperatic center of the world, h distincion to be jealously guarded.

A;, airead*) ann unccd, th« opt a on

the opening night will be Ualevy'i "LaJuive," with Enrico Curuso, rville

».: Id, Leo :.¦" hier, M raret Mat-zenauer and Evelyn Scotney in the« as!There will be few noweltie: at the

Metropolii :. Opera isc this season.

fact, one o] i« ¦. ew toNew York is announced h PolishJew," with nu c iv W« s and a

llbr« tto Victor Leon nd Richard}:.¦',,. Samui.l rin in, tage di¬rector of the 1'raj has been

.-l to supervise the production.

The opera will be fung in Knplish. Ontl.e other hand, Verdi's "Don Carlos,"which will he riven for the first timefit this opera house, with GiovanniMartinelli in the title rôle, willl bepracticaly a novelty to New Yorkers.It -.-..;.. given once in the '70s, at theAcademy of Music, duijing the lastdays of Maretzck's régime.

This was the last opera composed "byVerdi before he took the musical worldby storm with "Aída." The work is infour acts, the libretto by Mery and du

having (been reproduced fromFchiller's tragedy of the same title as

the opera.The Story of "Oon Carlos"

The characters are Philip II of Spain,bass; Don Garlos, his son, tenor; Ro¬

go, Marquis de l'osa, barytone;Inquisitor, bass; El'zabeth de

Valois, Queen of Philip II and step-- :¦. Di n (arios, soprano; Princess

iiboii, soprano. In, the original produc-n the line role of Koderigo was taken

by Kaure.Don Carlos and Elizabeth de Valois

have been in love with each other, butfor reasons of state Elizabeth has beenb ;;-¦ il to marry Philip, II, father ofDon ('arlos. The son is counselled byRoderigo to absent himself from Span:by obtaining from his father a commis¬sion to Ero t the Netherlands, there to

mitigate the cruelties practiced by theSpaniards upon the Flemings. DonCarlos seeks an audience with Elizabethin order to gain her intercession withPhilip. The result, however, of themeeting is that their passion for each,other returns with even greater inten¬sity than before. Princess Eboli, whois in love with l><>n Carlos, becomescognizant of the Qu icn's affection for

i ¡JÉSchool of SingiiiQ["he season <>l I920-'2I m.irks the sixthyear ol the Papalardo Vocal Ail Studies. Thismost successful School is already well knownboth here and abroad. A list of over fortyartist» who have been traincr.1 and prepare«!i or the Conceit and Operate Stage testifieslo the ability ol Arturo Papalardo a: a

Master of Song and Coach,M

m-*-

in tour II

n Pa pain ills» rr.nI"!-.;.'. !'

N,,\ |, Í..-,.! lia -,.

'. c|,..¦ .'.. AR i URO FArAl íDO, D.rect«

Address:315 West 93th Street, New Yor.

Telephone, Riverside 1669

Municipal Opera SocietyArturo I'aptiltirdn, Pnur.iler ¡itul Comlin'tor of Hie SiM'let.v

Im« tin h« nform« 'I Soclel :¦

Uk alms nii'l obli been « I«i i -, »\i ¦.-

Artiir Boilanzky. Uo.ia I.'«"¦ row V /du l'ont, r 11 «înw ,"¦.'....¦ 17 ¡i

Opet ¡tic il/i .11 a!-. tu be pin¦><l'ithe nus/ ices of the So ¦ i«« pr« m« le ai i i

operatic an»l or« i |in cv'ti ., r : i

^..¡,¡., rteit l«j muIt I« e i.- to "all m ml n li .;:'..-:

jiori nui ti a schein An t mem -.¦ ppoi If eligibl«perfoi m for the Soel«

Kurthei pm ulii ¦.¦ .,.,..,-, en :-

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eNEW YORK SCHOOL!¡OF MUSIC AMD ÄÜTSI

E Have Removed io Their New Building,| 150 Riverside Drive (Corner 87th St.), New York

RALFE LEECH STERNER. Director fo DEAL location overlooking Hud- ~

p son River. Building completely 5equipped' for resident and day ~

pupils. Gorgeously 'decorated Estudios and concert hall. All large ~

lit rooms, roof garden, elevator, -"-

í-|^7:';.(- -¦ 'n,l every modern convenience. A E?f$M*[¦'¦' ¡41 -\>1 honie for n usic and art stu E

nts. Proper chaperonnge for £-«^, _ung ladii ;. All brancht of music

"

= H''I'lTli^r".-^-..¦¦*.' ;'i: >¦.''":'. fr«,¡11 the l.i'gimiiiii.'' r."

5 **tll|ÖHll :i:' '-''' ¦".'l " finish, by a E"-y-^""^^iSi'vh; ''acuity composed of most omino,-;, r-.i || 5 p 'achers of Europe and America. Eï*»* a L Ml recréai advantages. Terms,*^^^ ncluding tuition, board, practicing. -

ttc, on applicatii :S:

^fiiiiiiiiifiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiriiiiiiiiiiiiiiniiiifiiiiiiijiiiiiiiiiiii.nniiiiiirOUT OF TOWN STUDENTSCan Be Cared for and Chaperoned àt thr

Powell and Pirani MiAcademy Dormitory Additif

915 President St., Near Prospect Park West, Brooklyn,New York.All Branches of Music, Languages, Etc.

DirectorsDr. Alma Webster Powell, Prof. Eugenio di Pirani and

Mr. A. Judson Powell.

mm

VpecfasifiusîGUourses

No. 1 Sight Singing and Rhythm (not do re mi).No. L' .Modulation, and Ear, Eye and Touch work.

No. 3.rPedagogical Music Course.ADDRESS

EFFÄ ELLIS PERFIELD41'Í, W_\ST 4.Mh ST. < Nt-ar Fifth Ave.)

I '"Phono Jlrymt ?_13. t NB*W YORK OITT

.I...'i.Am ii. ... .,.'

ALICE MIRIAM, ANNE ROSELLE, FRANCES PERALTA

Three Americans who will sing at the Metropolitan for the first time this season

her stepson, and informs Philip. DonCarlos is thrown into prison. Roderigo,who visits him there, is shot by orderof Philip, who suspects him of aidingSpain's enemies in the Low Countries.Don Carlos, having been freed, makes a

tryst with the Queen. Discovered byPhilip, he is handed fiver to the Inquisi¬tion to b'e put to dath,An account of a new ballet, "II

Carillon Mágico," by Pick-Mangiagalli,a Milanese composer, to be producedunder the direction of Miss RosinaGalli, who will also appear in the lead-ing rule, will lie found elsewhere in this;: sue.Otherwise the season will he devoted

to revivals and to the performance offamiliar operas no; before given bythis company. Among these will be"Andrea Chenier," Umberto Giordani'sfour act opera of the l'rench revolu¬tion, with a libretto by Illica, in whichMr. Caruso will appear in the title rôle.Encouraged by the success of "Par¬

afai" in English last year. Mr. Gatt¦.ill add "Lohengrin" and "Tristan antsolde" to this year's repertory. TheEnglish *e\«, by li. and J-'. Corder wilbe used, rcvisi d by Sigmund Spaeth ancCi ile Cowdray.

"Louise," by Gustave Charpentierwill algo he given for the first time hjthis company, with Miss Géraldine Farj ar -in the title role,

Arrigo Boito's "Mefistofele," whiclnot been heard at the Metropolitar

I'm- a ion:'; time, will be sung with .lostMardones in the title rôle, Frances AldaFlorence Easton as Helena, ami Banjamino Gigli, a new tenor from the Seal;if Milan and the Monte Carlo Operain the cast."Cleopatra's Night," .last season'

American opera by Henry Iladlejwil' remain in th.'' repertoire, and therwiil pri bably be a revival of eithc'¦:. ikme" or 'fiie Tales of Hoffmann."

"Mel u ful ," "Tristan and Isolde,-, ;, Margaret Matzenauer, Johanne

.-'. mbai h ¡jnd Ji ¦'¦ m Gordon, and thnew ballet, "li Carillon Mágico," wi!be presented dui ing the first i lire,ii ks of the eason.Ni only th iiovi Ities but all th

reviva!, will have new and originsseem ry. The Russian artist Bcjris Anisfold be ri ¡ble for the setting

*. '.: iff ,"

Personnel of the CompanyTl re « be a n urab r of changethe person el of company, Andre

ola, he S mu ish bass, who I'oe::. y ;. rs ha.* b« fii a familiar ligui

tin stage of the Metropolitan, habecon director of tl

'a.- no at Havana, Cuba.Besides Mr, Gigii, another newcomi

will be G ¡eppe Dami \ barytone", froiIn Scala ind town of Buenos Ayres.The m magi r.'.en! has engaged tl

fi ¦¦.'. in A can artistsM i ra Chase, a colorai urn si

who In en singing at tl'Ken Opi ;¦¦:. « .' Madrid.

,'..: A ¡c Miriam, soprano, who lumade an lt.:.!:..'-. career.Mm1. Franc s Peralto, dramatic si

pran '"oi ., !y of the Boston anChicago 0] era companies.Mi .-. Sue Han ird, soprano, wide!.! here ¡n concerl s.

Mi.-- Anno Roselle, soprano.Elvir, voroni, mezz i-soprar¦: thi U toi Opera Company.Marii Cl mlee. tenor, alvo known Ithe A m ri n publ ic.William Gustnfson, basso.('aro Edwards, ass.slant conductoMme. Emma Pc 't inn will be with :Vom ny du ,; 11 (ii st part of thoasm and Mme, Lucrezia Bori durinthe b tier half.

Flon e Easton will be heai'¦: El ?a in "Lu ei grin."Ti¡ U \ have been ri engage.le .'

Si Mines. Frances Alda, Glad)Axma'n, Ellen Dalossy, Florence EastoMinnie Egener, Alary Ellis, MarganParnam, Géraldine Fiirrar, Rita ForniMabel Garrisc n, Claudia Muzio, Mailellish, May Peterson, Rosa Ponsell'.' .' Rap] ild, Mai garet RomainEvelyn Scotney, Lcnora Sparkes, MarSund< I ins, 5 I'any, E Ina K ;llofand Nina Morgana,M< oj n is and Contraltos

Mmes. Ceci! Arden, Louise Berat, JulipClatlsoen, Raymonde Delaunois, Jeann«Gordon, Fiances Ingham, ICathlgenHoward, Carolina Lazzari, Marie Matt¬feld, Margaret Matzenaucr, Flora Pe¬rini, Lila Robeson.Tenors Messrs. Paul Althouse,

Pietro Audisio, Angelo Bada, EnricoCaruso, Giulio Crimi, Rafaelo Diaz,Octave Dua, Charles Hackett, OrvilleHarrold, Morgan Kingston, GiovanniMartinelli, Giordano Paltrinieri, Jo¬hannes Sembach (who has taken outhis first citizenship papers).

Barytor.es Pasquale Amato, ThomasChalmers, Robert Couzinou, Louisd'Angelo, Giuseppe Tie Luca, MarioLaurcnti, Robert Leonhardt, MilloPicco, Vincenzo Reschiglian, CarlSchlegel, Antonio Scotti, ClarenceWhitehill, Reinald Werrenrath, RenatoZanelli.Basses.Paolo Anairian, Adamo Di-

dur, Pompilio Malatesta, .¡os«' Mar-dones, Giovanni Martino, Leon Rothier.

Conductors- Artur Bodanzky, Rich-

DOROTHY FRANCIS*iS"8:*S**"-TO'A'v':'^

yt^i^y.^^^ ¦;.' ;'«' ;> I'-l&v/' +y .'...-.¦:-:lï;-.-'¦¦¦¦!«'' .;,¦¦'. ¦¦¦;>-''y\**v '¦;/. ;.-'¦''¦';,", ^'-'*f i:*y'V - ''-'^"sßyf: '- îv^'V'"H %«V '"'"yC - ', rrs-.i cî fñ $11 '.

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American soprano. ChicagoOpera Company

ard Hageman, Roberto Mi ra; oui, Gen-n.-i! o Papi, Albi ri Wolff.A sistanl coi uctors Giu ai pe Bamboschek, R :i ai do Déliera, Ptftil ¡visier,Wi Ifl'itl Pe I« ¡or, Aies 3 in ro Seul i.

'i- orus master Giulio Setti.Technical dir« ctor Edward Siedle.Stag« .;r A miando Agni ni.Premien danseuse and balletri Miss Rof.ina Galli.Premier danseur

figlio.Solo o;. :, icuses M is ; FIore nedolph aiid Miss Lilian OgiBalle; muster

Adolph Bolm.

mis-

Giuseppe Bon

Ru-

l'Or""Coq

The Chicago Company's Sea-sonThe annual .W w York i ng¡ icnt of

the Chicag >¡ er i Companj .ill beginJanuary 21. This year the companywill -;o to the Manhattan Opi Housiv, her,- ¡t will remain for six we k -.

Din ctor Hi rb rl M. John >on ha an¬nounced three novelties "Jacquerie,"by Gino Marinuzzi, chief conductor ofthe 'h ¡cago c rgan izal ion, to be su ng inItalian "Love for Th n Orang ," bySerge Prokofieff, who has appeared hereas pianist a nd c« mpo r, to be sung inFrench, and "Ed p R ." i; la *1 icraby Leoncavallo, to be sung in Italian.

Marinuzzi's Opera"Jacquerio" has already been sung in

Rome and Buenos Ayres. The opera islaid in loó?, a year of revolution -inNormandy, which became known iitory as La Jacquerie. The immedcauses of the peasants' outbreak werethe cruelty and excessive demands madeby the feudal lords through their bail¬iffs. This revolution commenced on theday of Corpus Domini, 1857, and withinn few weeks spread from the Somme tothe Loire. More than 100,000 exchangedthe pitchfork for the lance, and armedin primitive fashion formed bunds of

YVET.TE -OUILbEItTSCHOOLOFTHE THEATRENEW YORK SECOND YEAROCTOBER 4TH, 1920, TO APRIL 2ND, 1921

Dramatic and Lyric Interpretation, Pantomime, Improvisation,Folk-Songs and Dances, Vocal Instruction, Voice Culture,Eurythmies (.Dalcroze), History of the Drama, Str.gecrafts,French Language.LECTURES (open also to the public):

FROF. HARRY MORGAN AYRES.Some Dramatic and Satiri¬cal "Subjects of the Literature of ths Middle Açes.6 LeciurcsMR. H. E. KREHB1EL.Afro-American Slave Songs; CreoleSongs from Louisiana nnd Martinique-4 LecturesDR. LUDWIG LEWISOHN-.Historical Development of theDrama (Ancient and Modern Drama) .13 LecturesAdvanced pupils will participate in an educational trip to Europeplanned for May, June, July, 1921.Apply to Sec. of School, Mis.-- Poillon, Hotel Majestic, New York.

« Knahf» Piano.

marauders who burned, murdered andlestroyed whatever crossed their _>ath.At the head of the revolt was a

"casant, Guillaume Charlet, who took aslis nom de guerre that of JacquesBonhomme. This name was soon applied0 all the peasants, and chroniclers ofhe period refer to him as "Kins of theJacques." Hence the name of the revo¬lution.

The story of the libretto, borrowedby A. Donaudy from Eugene Sue, dealswith the sorrows and adventures olMazurec, a Norman peasant, who, because of hi"* kindness, was known a:"The Lamb."When the action opens the people an

joyously celebrating the coming nuptialof Mazurec* and Isaura. Hut the ernelord of the castle. Count Comido dMointel, demands his right of monetär;payment, exacted of every man who docnot wish his sweetheart to become thproperty of the lord of the manor. Thcount himself is about to be marrieto Glorianda de Chicry. In honor of tlievent ho decrees an amnesty, whicconsist in payments being accepted fooffences committed and a pardogranted upon financial considérât ioiMazurec, with Isaura-'s father, hasteno the palace with their offering. Bithey are poor. Th«' tribute moneyn enough, and while others can affoio buy clemency they are forced to loa\saura in the count's clutches.After many indignities Isaura is give

¦ack to Mazurec, but only to die. II«over swears vengeance. As leader of tlcvolting peasants he burns the Countustle and takes Glorianda prisoner. Iito.ul of subjecting the Count's brothed, however, to the sufferings th,o fell Isaura, Mazurec is softened by h:. feat ¡es a nd he a¡ pa i: ion of his deilethrothed which appears before hiiFollowing the beckoning visions,nounts the steps nC the castle and diappears amid the flames, while the pele chant the hymn of liberty.

Prokofieff's Fairy Opera"Love for Three Oranges" is bas

on tin Italian fairy story by Gottzi, covi rted by ProkofiefT into a Russiopera*, which has been translated it'French by Miss Vera Janacopulos.The three oranges are throe princes!

¡imprisoned in the fruit by a sorcerei"he princeSses ;.re s «ueht by*"prince who suiters from hy]:hondria. Nothing can induceto laugh. Wrestling matches smasquerades arranged for his amument only cause him to burst ¡itears. But one day his mirth is arouiat^thc sight of the sorcerers, FMorgana, tun ing an involuntary som

xi indignant sorceress piundoing and condemns him to lovethree oranges. Disregarding the app

- father and the courtiers, he sout in quest of them. On bis adventu

me 'I s a cook, n magician and a «te

till three akin to characters in Alice inWonderland.At length he finds the three oranges^

but it has been decreed that the im¬prisoned princesses can only be releasedif the fruit is opened at the water'sedge, and neither river nor oasis is athand. The prince's attendant, over-

come by his own thirst, cuts open twoof the oranges and the princesses are

released, only to die of thirst. Theprince himself opens the third orange,and this princess, with whom he im-

' mediately falls in love, is saved by theintervention of onlookers, who watchthe performance f;**m each side of thestage, as in "Le Coq d'Or." These on¬

lookers include personages styled bythe author the Tragics, the Comics,the Lyrics, the Ridicules and theEmpty Heads. Scenery and costumesfor this production have been designedby Boris Anisfeld."Edipo Re" is based on the Greek

tragedy by the same name. ,

Mr. Rulfo will create the title rôle.Among the rivals announced for the

New York season is Strauss'.-. "Salome"with Mary Garden and Lucien Mura-tore. Others are:

Italian ."Orfeo," "La Favorita." "An-drea Chenier'' and "Jewels of the Ma¬donna."

French "Lakme" and "Tales of Hoffmann."English."Lohengrin," "Die Walküre'

and "Tristan and Isolde."The regular repertoire will be se¬

lected from:French- "Faust." "Manon," "Cal¬

men," "Thais," "Romeo and Juliet.'"Le Cher.vineau,'' "Monna Vanna", am"Cleopatre."

Italian."Barber of Seville," "La Sonnambula," "Falstaff," "Rigoletto," "LiGioconda,'' "Cavalleria Rusticana,'"Madam Butterfly," "Linda di Chamounix," "Don Pasquale," "Aida," "TinMasked Ball," "L'Amore dei Tre Re,'"Tosca," "I! Trovatore," "Luci di Lammormoor," "Norma," "La Traviata,"L'Elisir d'Amore," "I Pagliacci," "L:Boheme," "Puccini's Trittico," "Il Tah'"'*-o." "Suor Angelica" and "GiannSchicchi."A number of new singers have bee'

added to the personnel of the com

pany.In the reign of Napoleon I the pos

of Superintendent of the Opera, whichad been abolished during the révolution as a relic of aristocratic affectation. was restored. According to CTouchard-Lafosse, in Chroniques dL'Opera, 1667-1845, M. de Lucay, re

cently appointed First Prefect of thPalace, sent out the following appeal:r(!eal Opera Singer During the Empir«"Singers with firm voices are wanted

All who present themselves, for en

gagement must understand music anibe able to read at sight easily. Applicants must not be more than twentyfive years old or less than eighteciyears old. Height must not be lesthan five feet two inches, unless thvoice ¡s a superb one. in that casthe height will not be so strictly takeiinto consideration. An agreeable fue-is of the first importance. Applicantmust belofig to respectable familieand show that they have had sormschooling. They must not have defeet ¡ve vision. They must possessfull set of teeth."

Qualifications for admission to modern opera houses are, fortunately, noso exacting.

New .Members of the CompanyHeading the list oí new singers wh

will appear with this organization ithe Scotch tenor, Joseph Hislop, whhas had a romantic career and v. a

highly praised by the London prèswhen he sang for the first time a'event Garden recently.Mr, Hislop began life as a painte

who nursed secret ambitions for a

operatic career. While painting iSweden he married the daughter cthe richest baker of the three kingdoms, Norway, Sweden and DenmarlAfter his marriage he devoted mosof his time to acquiring a large repeitoir- of operatic rôles m Swedish. IImade his début and sang with sui cin all three count lies. Then he triehis fortunes in the opera hou e

Italy. It. was while there that D-lector Herbert M. Johnson obtained a

214OTTO JÄBLONSKI

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(Near !2!sîSî.)VAN VALKENBUROHMusical Director nusiiiet*,- Director«An institution for a thorough, artistic Musical Education, from tit? begin¬ning to the highest degree of perfection, in ¡ill branches of Musical .¡it.Pupils' Concerts and Faculty Recitals are features of theConservatory of Musical Art incorporated under Chartergranted by the Board of Regents of the University o; iheState of New York.

Catalogues upon application Phone Harlem 3036

THE REAL CLASSIC DANCING SCHOOL IN AMERICAPANTOMIME DRAMATIC ART STAGE CRAFTENDORSED BY THE MOST EMINENT ARTISTSLUÏGÏ ALBERTIER111 EAST59TH STREET

Formerly Stage Director »n«. Bauet MasterMetropolitan Opera Co.Chicago Opera Co.Covent Garden, London

MISS ANNA PAVLOWA says: "By far the best dancing Schcol Iknow of in America." Private anJ normal classes for teachers. Childrena specialty. Coaching in the business and dramatics of grand opera.

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*-. V i' n I-'i lay»,i 19 to Nov It" P.

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Miss Anna M. TuttleMWnOI.IN, C.riTAK. IRISH IHRp,.il.WJO, STEEL GVlTAK AM) l'KI J.KI.E.STUDIO, 551 H GREENE AVE.

Brooklyn, N TPhona Decatur 134.

Frank E. ¥#ardClasses in

Ear Training, Harmony,Counterpoint

Thorough scientific method. Alsopiano and organ. Send i'.r circular.371 West 119th St., Phone 3912 Morninpide

The National Conservatoryof Music of America

The only School of Music in the U. ?chartered by Congress

JEANNETTE M. THÜRBER, FosmderArtistic Faculty i." Adele Margulies, Romualdc

Sapio, Leopold Lichtenberg, Henry TFinck and other».

Addrei» Sec, 126 W. 79t_ St., H. ï. Ça,

option on ¡lis services. N'ext came his'engagement at Covent Garden, whici.is ce .;

"

v-. eé ¦. pearance -"i

America. Before joining the operacompany Mr. Hislop will make a con-

cert tour.Another newcomer will be Mme.

Rosina Storchio, soprano, who createdthe part of Mme. Butterfly when Puc¬cini's opera was first given at LaScala, in 1904. She will makfirst appearance in New Yorkrôle.An American soprano who will

for the first time here wit]ganization is Miss Dorothy Francis, ofBoston, who has gained experiia member of smaller opera companies.Mme. Galli-Curci, Rosa Ra sa, T tta

RufFo and other favorite? o-f otherseasons will again be with the com¬

pany. Riccardo Martin will be an ad¬dition to the tenors, and Georg" H;:k-lanoiT, whose difficulties with the au¬thorities have been adjusted, will againbe among the barytones.There will be two new Italian con¬

ductor-», Pietro Cimini and Gabria!Santini. The new French conductorwill be Henri Morin. The completelist of the artists in this company isa.« follows:

Sopranos- Olga Carrpja (new). ElD m r (new). Dorothy Francis (newYvonne Gall. Amelita Galli-Curci, MaryGarden, Marcelle Goudard (new), I-.ence Macb'i th, Margery Maxwell, RosaRaisa, Maria Santillan, Rosina Storchia(new), Ganna VValska (new).Tenors.Alessandro Bonci,

Hislop new), Edward Johnson, For-

rest Lamont, E

Contrail'

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treuilNicolay, Vit'

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New York College of Music\Note New Address Our New Building114-116 East 85th Street

43D YEARLISTED RY N. Y. STATE EDUCATION DEPARTMENT

THOROUGH EDUCATION IN ALL BRANCHES OF MUSICBY EMINENT INSTRUCTORS FROM BEGINNING

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VOCAL DEPARTMENT. CARL HEIN, DEAN-THEORY DEPARTMENT, RUBIN GOLDMARK. DEAN.PUBLIC SCHOOL MUSIC COURSE ACCEPTED BY

BOARD OF EDUCATION.Instruction individual. Class lessons in Harmony, Sight S

Ear Training, free to students, also Orchestra ClassConcerts, Lectures and Recitals.

Diplomas, Teachers' Certificates and Post-Graduates' Degree,awarded on completion of studi«*-*.

Terms Reasonable. Send for Catalogue.IL.jfe_E__î_g_CJJ-&*:'^^ (MHr

-, «.vSi. CARVER WILIAMS, Preside16th Floor, Kimball Building;

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Piano, Voice, Violin, Cello,í*ipe-Organ, Dramatic Art,

Academic, Graduate and Collegiate CoursesWrite for Catalog

HARRY & LAURA PRAMPIN

TEACHINGCORNET, TROMBONE, Horn. BARITONE, CLARÍN

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LESSONS IN THEORY OF MlPractical Training Given to Pupils in School Band at-.d Orchestra

131 WEST 136TH STREETPHONE AUDUBON 1987

AMERICAN INSTITUTEOF APPLIED MUSIC213 Went ."'.»tli Str«*rt. New Vork <;i.«

VOICE PIANO STRINGSORGAN THEORY

PEDAGOGY35th Year

KATE S. CHÎTTENDEN, DeanRend .fur Cut aloe

Harlem Conservatoryof Music

202 Lenox Ave. (120th St.)RICHARD HAAS, DirectorThorough M usual Education

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MARTIN-SMITHMusic School

139 WEST 13STH ST.Tel. 8216 Audubon

Harlem's best equipped institutionfor Serious Music. Piano, VoiceCulture, Violin, Violoncell«**», e«¿c.TERMS REASONABLE

DAVID 1. MARTIN, Music»! Director

TOLLEFSENMUSICAL ART

946 PRESIDENT STREETBrooklyn, V V.

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Lewando1 MUSIC STUDIOSVocal, Violin and Piano

\H WEST USA ST. NEW YORK

GOTTLIEBDirector of ff\i"-\c

SYMPHONY ORCH

Community Music institute

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Brooklyn emyof Mm'ml Art

Mrs Robert W. Connor¡>ii.;

547-549 Greene Avenue

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The Adele SutorSchool of Music

Opens Mondar, Sepl

1823 Ranstcad Street

548 Riverside Drive

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