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Retouching
• Youneeda headandshoulderstype portrait to work with(preferred).
• You should be looking mostly at the camera
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Portrait RetouchingCamera - Bridge/Lightroom - Photoshop
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Raw File Adjustments in ACR or Lightroom
LiquefySkin smoothing ContrastStray Hairs
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Another retouching example
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Retouching techniques for today
• Liquefy Tools
• Blemish removal (demoed )
• Wrinkle smoothing or removal (Healing and Cloning)
• Stray hair removal (Cloning)
• Teeth whitening (Hue/Saturation)
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• Skin smoothing
• For your assignment, use 2 of the 6 techniques here
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Liquefy
tools• We’ll deal mostly with the Warp tool
and the Freeze tool
• Warp(w) moves pixelsaround
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• Freeze(f) (and Thaw) help youmask off what doesn’t getaffected
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When to useLiquefy
• Minimize bulges
• Double chins
• Rumpled clothing…
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• Reducefeatures enhanced bywide angle lens
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Morerealistic use, but not foreveryday…
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Recently…
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The Liquefy Editing Space• Hitting Cmd+Shift+X or choosing Filter
->Liquefy… gets you in the Liquefy editing space
• Always work on a copy of your layer
• Warp pushes the pixels around
• Freeze protects areas you want unchanged
• Thaw “unfreezes” that area, in case you want to then Warp it
• Check and uncheck the Show Mask
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box to see frozen and unfrozen areas
• Use a bigger brush than you might expect to move things around
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Liquefy forclothing…
• Video recap of using Liquefy to smooth and redefine lines in clothing: https://youtu.be/ clwOlbRRQx8
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Wrinkle smoothing, blemish removal
• Healing brush is best for blemishes
• Forwrinkles, Healing brush orClone stamp set to Lightenmode works best
• Always work on a new layer
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• Makesureyour HealingBrush isaffectingall layers
• Videodemo: https://youtu.be/1TWuPEakKg4
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MainWorkflow• Create a new layer
• Select your Healing brush(affectall layers)
• Clonefrom a nearby area ofskin (option-click) that issmooth orblemish free
• Brushonto area to be concealed
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• Reducetheopacity of your layertobringback some of theoriginal texture (unless it’sacne)
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Teeth Whitening• Most people’s teeth are more
yellow than they’d like
• We’ll use the Hue/Saturation Adjustment layer to affect the Yellows, and sometimes the Reds
• Will have to mask off the areas we don’t want affected
• Be careful not to completely desaturate the teeth or
• over-brighten them... which becomes fake
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• recap: https://youtu.be/LlSdbmZ7K0o
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FixingBlotchy Skin
• Redness is usually what we’re out to fix here, but yellowness is often a consideration, too
• Most of the work is done in a Hue/Saturation layer
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where we try to isolate the redness from the other skin tones
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Red Skinfixes…• Create a new
Hue/Saturation Adjustment Layer
• Move down to the Reds (Option-3) to start isolating the Reds
• Use the “+ Eyedropper” Tool to hone in on reds, then use the “- Eyedropper” Tool to
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protect the area of skin you don’t want to change
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Red SkinFixes…• Drag your Hue slider all
the way to the left to exaggerate the skin colours
• The most vivid blue areas will be the areas most affected
• The more purple areas show where your adjustment will have some effect, but much
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less than the vivid blue areas
• We will then hone in even further to isolate the red area
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Red SkinFixes…• Drag the special targeting
tool to the right to narrow your range of red
• Watch as less of the skin is affected
• Once you’re satisfied with what will be affected, slide the Hue slider back to zero, and then start moving it to the right
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• Redness will move to the yellows, and adjust to taste
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Select the reddestpart in the
image withthe
✛ Eyedropper tool
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Dragtherightmost slider tonarrow the range of redthatyou’ll be affecting
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Red SkinFixes…• In this case, the Hue
slider was dragged to +14 due to major sunburn
• Remember to mask off effect from lips or anything else that is red in the image that might be affected
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• Video recap: http://youtu.be/ 6Xu3c0KKhT4
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SofteningSkin• Great for evening out
blotchy or shiny skin
• Usually a final stage, once you’ve removed blemishes and softened wrinkles
• Many different ways to smooth out skin, each has advantages and disadvantages
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• Numbers, settings are dependent on how much skin is at the forefront of the image
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Stepstoskinsoftening
• Copy everything you’ve done to your image so far up to its own layer by selecting the top layer and hit Cmd+Option+Shift+E
• Repeat the same shortcut again to make another copy Cmd+Option+Shift+E. Name this topmost layer something like "Blur"
• Making sure the top, "Blur" layer is selected, go to Filter -
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> Blur-> Surface Blur. In the case of our image, choose Radius of 39 and Threshold of 31
• Also make sure your blurred layer is set to 50% Opacity
• But first, a word on blurring…
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KindsofBlur…
No Blur Gaussian Blur, Radius 39 blurs
“everything”
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Surface Blur, with similar settings, respects edges but blurs inside each area
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Surface BlurSettings
• Radius: The higher the Radius value, the more blurring gets applied
• Threshold: A value of zero means next to no blurring will get applied. Photoshop will think everything is an edge and will not identify any common areas to blur.
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• Increase the Threshold value to start seeing an effect but stop before your true edges start to blend with each other
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HighPass Filter• You'll remember that we
made 2 copies of our "up-flattened" layers
• The other, non-blurred layer should be called something like "Texture"
• Run a High Pass filter on this Texture layer, usually to a value between 4 and 5. Your layer will look gray-ish and bumpy
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• You will then set the blending mode of this layer to Soft Light
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Put your layers in a Group folder
• The next thing we want to make sure of is our Texture layer is above our Blur layer
• Shift-select your 2 layers, and then hit the Group
Group
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icon in your layers palette
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Add a mask to your group
• We then want to add a mask pre-filled with black to it, so hold the Option or Alt(PC) key and hit the Add Layer Mask icon in your layers palette
• We next want to brush back in to our black mask
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(using white) to apply the skin blurring effect only where we want it
To get this view, hit the"\" key
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blackandwhitemask view
• Video Recap: http://youtu.be/ 8vZJ9uYQxAQ
• (recap is a little different, uses a more complicated
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method of masking, but is overall the same technique)
To get this view, Option-click in your mask's thumbnail
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Stray Hairs• Clone Stamp, rather than
Healing Brush, is your best tool
• Against lighter backgrounds, set your Clone Stamp to Lighten mode, but will depend on case by case
• Always work on a new layer
• Use Polygonal Lasso tool to outline around
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person's head to protect it, then use Clone Stamp tool to cover up fly- aways
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Exception for Stray Hairs• Use theHealing Brush (instead of
CloneStamp) for hairsthat areagainst skin that needtobe cleaned
up (usually forehead area)
• In other words, if thebackground has texture, you’re probably
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better off withthe Healingbrushes
![Page 56: PortraitRetouching - Media Arts Classes at SJAmediaartssja.weebly.com › uploads › 3 › 5 › 0 › 5 › 35055… · Web viewMost people’s teeth are more yellow than they’d](https://reader036.vdocument.in/reader036/viewer/2022070821/5f2375176cd89c57fa6d6913/html5/thumbnails/56.jpg)