Download - post modern architecture
![Page 1: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/1.jpg)
![Page 2: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/2.jpg)
ARTS AND CRAFTS MOVEMENT
Rejecting excess aesthetic eclectismPromoted handmade
![Page 3: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/3.jpg)
CONSERVATIVE IDEALS
JOHN RUSKINWILLIAM MORRISPHILIP WEBBWILLIAM LETHABYGUSTAV STICKLEYCHARLES AND HENRY GREENE
![Page 4: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/4.jpg)
PRINCIPLES
1. LEARNING & RESPECTING TRADITIONAL CRAFTS
2. CORRECT RELATIONSHIP OF DESIGN TO MATERIALS
3. RELATIONSHIP OF BUILDINGS TO THEIR SITE
4. REVERENCE FOR VERNACULAR ARCHITECTURE AND ITS BUILDING TECHNIQUES.
![Page 5: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/5.jpg)
LEARNING & RESPECTING TRADITIONAL CRAFTS
DID NOT DEMAND EXACT FINISH OR REFINEMENT
![Page 6: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/6.jpg)
Wood, stone, or stucco siding
Low-pitched roof ; Wide eaves with triangular brackets
Exposed roof rafters
Porch with thick square or round columns
Stone porch supports
Exterior chimney made with stone
Open floor plans; few hallways
Numerous windows ;Some windows with stained or leaded glass
Beamed ceilings
Dark wood wainscoting and moldings
Built-in cabinets, shelves, and seating
![Page 7: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/7.jpg)
![Page 8: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/8.jpg)
![Page 9: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/9.jpg)
Beaux Arts
1885-1925
classical Greek and Roman architecture with Renaissance
![Page 10: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/10.jpg)
![Page 11: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/11.jpg)
École des Beaux Arts in Paris
aesthetic principles of classical design supported
Or Academic Classicism, or Classical Revival
a late and eclectic form of neoclassicism
characterized by order, symmetry, formal design, grandiosity, and elaborate ornamentation.
eg:United States, the Beaux Arts style led to planned neighborhoods with large, showy houses, wide boulevards, and vast parks.
Style commonly used for public buildings like museums, railway stations, libraries, banks, courthouses, and government buildings.
![Page 12: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/12.jpg)
VIENNA SCHOOLOTTO WAGNER
Guilded globe at entrance Higher jugendstil(counterpart of art nouveau)
![Page 13: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/13.jpg)
![Page 14: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/14.jpg)
Postal savings bankVienna1904-06
![Page 15: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/15.jpg)
![Page 16: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/16.jpg)
![Page 17: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/17.jpg)
![Page 18: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/18.jpg)
![Page 19: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/19.jpg)
SPANISH MODERNISM
BARCELONA
![Page 20: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/20.jpg)
Casa batllo1904-7
Roots fromSpanish gothic, baroque,Art nouveau,tile vaulting,Catalan crafts(metal),Glass ceramics
Imbricated roof,PlasticOvoid stone surroundsSlender bony columnsWall surface-blue,green glass
![Page 21: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/21.jpg)
Sagrada familia basilca1882 planned1906-design completed
![Page 22: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/22.jpg)
BUILDINGS SHOULD FIT THE PURPOSE , HABIT AND EMOTIONS OF MODERN LIFE
ADOLF LOOS-PROMOTED RICH SIMPLIFIED SURFACES,OPEN PLANS AS CORRECT SETTING
DUETSCHER WERKBUND(1907)-TO PROMOTE LINK BETWEEN INDUSTRY AND ARTS -HERMAN MUTHESIUSSTYLELESSNESS
INDUSTRIAL BUILDINGS BY PETER BEHRENS, HANS POELZIG
FLAT ROOFED, FREEPLAN, USE OF NEW INDUSTRIALISED BUILDING MATERIALS
![Page 23: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/23.jpg)
They believed that the greatest beauty could be found in nature.
Art Nouveau (French for "New Style")
Maison de l'Art Nouveau, a Paris art gallery
Against formal, classical approaches to design
flourished in major European cities between 1890 and 1914.
Art Nouveau in US - Louis Comfort Tiffany, Louis Sullivan, and Frank Lloyd Wright.
Art Nouveau
![Page 24: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/24.jpg)
![Page 25: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/25.jpg)
Otto wagner Appartments 1898-99Vienna austria
![Page 26: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/26.jpg)
![Page 27: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/27.jpg)
Behrens House, by Peter Behrens, at Darmstadt, Germany, 1901.
Casa Batllo, by Antoni Gaudi, at Barcelona, Spain, 1905 to 1907.
Casa Mila, by Antoni Gaudi, at Barcelona, Spain, 1905 to 1910.
Castel Beranger, by Hector Guimard, at Paris, France, 1890 (circa).
Glasgow School of Art, by Charles Rennie Mackintosh, at Glasgow, Scotland, 1897 to 1909.
Hill House, by Charles Rennie Mackintosh, at Helensburgh, Scotland, 1902 to 1903.
Horta House, by Victor Horta, at Brussels, Belgium, 1898.
Hotel Guimard, by Hector Guimard, at Paris, France, 1912.
Hotel Solvay, by Victor Horta, at Brussels, Belgium, 1895 to 1900.
![Page 28: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/28.jpg)
Hotel van Eetvelde, by Victor Horta, at Brussels, Belgium, 1895 to 1898.
Majolica House, by Otto Wagner, at Vienna, Austria, 1898 to 1899.
Paris Metro Entrances, by Hector Guimard, at Paris, France, 1899 to 1905.
School in Glasgow, by Charles Rennie Mackintosh, at Glasgow, Scotland, 1904 to 1906.
Sezession House, by J. M. Olbrich, at Vienna, Austria, 1896.
Tassel House, by Victor Horta, at Brussels, Belgium, 1892 to 1893.
The Willow Tea Rooms, by Charles Rennie Mackintosh, at Glasgow, Scotland, 1902 to 1904.
Werkbund Theater, by Henry van de Velde, at Cologne, Germany, 1914.
Whitechapel Art Gallery, by C. Harrison Townsend, at London, England, 1897 to 1901.
![Page 29: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/29.jpg)
Darmstad ,Germany
![Page 30: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/30.jpg)
Art Nouveau buildings have many of these features:
Asymmetrical shapes
Extensive use of arches and curved forms
Curved glass
Curving, plant-like embellishments
Mosaics
Stained glass
Japanese motifs
![Page 31: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/31.jpg)
Other Names for Art Nouveau:
Style Moderne, in France
Style Nouille (Noodle Style), in France
Jugendstil, in Germany
Sezession, in Austria
Stile Liberty, in Italy
Arte Noven, in Spain
![Page 32: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/32.jpg)
Eg:
in St. Louis, Missouri, by Louis Sullivan and Dankmar Adler
Parque Güell in Barcelona, Spain by Antoni Gaudí
Majolika Haus in Vienna, Austria by Otto Wagner
The Marquette Building in Chicago, Illinois, by William Holabird and Martin Roche with Coydon T. Purdy
The Municipal House in Prague, Czech Republic
`
![Page 33: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/33.jpg)
EXPRESSIONISM
Sculpted curvesFunctionalStation for astraunomicalObservation
Einstein Tower
Potsdam(1920)
Erich Mendelsohn.
![Page 34: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/34.jpg)
distorted shapes
fragmented lines
organic or biomorphic forms
massive sculpted shapes
extensive use of concrete and brick
lack of symmetry
many fanciful works rendered on paper but never built
![Page 35: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/35.jpg)
Chicago School
Steel frame blgMasonry cladding or terracotta cladFacade-gridbaywindows,oriel windows
![Page 36: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/36.jpg)
"Chicago window"
three-part window
of a large fixed center panel flanked by two smaller double-hung sash window
![Page 37: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/37.jpg)
Architects
Henry Hobson RichardsonWilliam Le Baron JenneyMartin RocheLouis SullivanFL Wright
![Page 38: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/38.jpg)
Carson, Pirie, Scott & Co. Building
Louis Sullivan
![Page 39: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/39.jpg)
BAUHAUS
Germany 1919-33
BetweenWorld wars
Architecture of the new era
![Page 40: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/40.jpg)
absence of ornamentation
harmony between the function of an object or a building and its design.
functional, economical and consistent with mass production
unify art, craft, and technology.
machine considered a positive element
industrial and product design were important components.
Vorkurs "Basic Design" course- foundational courses offered
no teaching of history in the school because- design and create according to first principles rather than by following precedent.
![Page 41: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/41.jpg)
Weimer- 1919-25 ; Walter Gropius
Desau – 1925 – 32; Hannes Meyer
Berlin – 1932- 33 ; Ludwig Mies van der Rohe
![Page 42: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/42.jpg)
![Page 43: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/43.jpg)
3 CONNECTED WINGS/BRIGES- PI.N WHEEL CONFIG
2 STOREY STSPAN APPROACH ROAD FROM DESSAU
LOWER ADMINISTRATIONUPPER -PVT. OFFICE
DORMITORIES,SCHOOL BIDGATTCHED AS WINGS
ASSEMBLE HALL,DINING SPACE AND STAGE BETWEEN
RCC FRAMEWORK,BRICK WALLSMUSHROOM SHAPES CEILING AT LOWER LEVELS
ASPHALT TILE ROOFING
STRUCTURAL TRANSPERANCY
![Page 44: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/44.jpg)
![Page 45: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/45.jpg)
Chrysler Building
NY
William Van Alen
Year: 1928-1930
Height: 319 meters / 1,047 feet
Stories: 77
Stainless steel exteriorhood ornaments, hubcaps,and abstract images of cars.
![Page 46: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/46.jpg)
AIG BUILDING, NY(1932 COMPLETED)
ART DECO
![Page 47: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/47.jpg)
POST MODERN
![Page 48: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/48.jpg)
BRUTALIST STYLE
![Page 49: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/49.jpg)
Alison and Peter Smithson,
![Page 50: post modern architecture](https://reader033.vdocument.in/reader033/viewer/2022061304/55004a374a7959c9478b4757/html5/thumbnails/50.jpg)
AT&T Headquarters
Philip Johnson
INTERNATIONAL STYLE
1984
Height: 197 meters / 647 feet
Stories: 37