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Copyright © 2011 by Walker & Collier, Inc.
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Library of Congress Cataloging- in- Publication Data
Strieber, Whitley.
Melody burning / Whitley Strieber.—1st ed.
p. cm.
“Christy Ottaviano Books.”
Summary: Melody, a sixteen-year-old celebrity living in an expensive
Hollywood high-rise with her manager-mother, meets a mysterious boy
who is determined to keep her safe.
ISBN 978- 0- 8050- 9327- 8 (hc)
[1. Apartment houses—Fiction. 2. Orphans—Fiction.
3. Criminals—Fiction. 4. Love—Fiction. 5. Hollywood (Los Angeles,
Calif.)—Fiction. 6. Los Angeles (Calif.)—Fiction.] I. Title.
PZ7.S91675Me 2011 [Fic]—dc22 2011002863
First Edition— 2011 / Book designed by Véronique Lefèvre Sweet
Printed in the United States of America
10 9 8 7 6 5 4 3 2 1
This is a really beautiful building and all, but something is
wrong here. I don’t know what it is yet, but it’s starting to
kind of piss me off. Maybe it should scare me, I don’t know.
Right now I’m in my bedroom on the fiftieth floor, and it
sounds like somebody’s in the stairwell behind my wall.
There are three doors to this apartment—the kitchen door,
the front door, and the den door. The den is here at the end
of the apartment, next to my room. Through its door is the
back stairwell for movers and things.
Could it be somebody working back there? No, not at this
hour.
Chapter 1
I hear you, I know I do.
Who are you?
Who are you?
Don’ t scare me, don’ t hurt me,
Don’ t go, don’ t go, don’ t go. . . .
11
A stalker?
Oh, man, these guys, there are so many of them.
Last night, I got Mom in here to listen. The verdict? The
wind making the building sway. To night there is no wind,
and I’m once again hearing this, so, hello? Except I know I can’t
prove it to her, not unless I actually catch somebody. She’s
going to come down on me again about a shrink, and I don’t
want that because prescriptions will follow, and that is a road
that only goes down.
Mom thinks teens should be messy and chaotic, and I’m
anything but, so her theory is that I’m too tense. She’s the one
who’s too tense, and her part of our world is complete bedlam.
Anyway, with this life I’m living, I’m totally tired all the
time, so maybe it’s just my wild imagination. But how do you
sleep with paranoia?
My concert’s coming up, and half the songs aren’t even
written. Plus, I’m behind memorizing my lines for Swingles.
Plus, Sandy Green assigned me over a hundred pages of
Middlemarch for our En glish class. Thank you so much. (You
think it would be cool to be a showbiz kid with a tutor and
no formal classes? Believe me, it’s not cool. You can cut classes,
but try cutting your tutor. Ain’t gonna happen.)
I’m at the point in my career where it’s either going up
or going down, so I have to be awesome in every episode of
Swingles, no matter how tired I am, and I absolutely must fill
12
the Greek Theatre to capacity when my concert happens.
I mean, that old outdoor theater in Griffith Park is part of
LA music history. Tina Turner, David Bowie, and Elton John
performed there, among many others. Getting a gig at the
Greek really, really matters.
So I don’t exactly need distractions. I pick up my guitar,
start hunting for a melody. But what if this person is sitting
out there listening? Can he hear me? I don’t want him to
hear me.
Mom moved us here because the Beresford is ultimate
glitz, and right now I need high- profile everything. Paparazzi
don’t do dinky condos in Calabasas.
Anyway, it’s okay because downtown LA is good. There are
clubs like M&M where I can just walk in despite being under-
age, and nobody cares. The line claps when I get out of my car.
Mike and Mikey, who own the place, are jaw- to- the- floor over
me. I think they’d pay me to chill there all the time.
I don’t have a boyfriend because when you turn into a
celebrity as fast as I have, dating gets complicated. I dance by
myself, and usually when I stop, I’m alone in the middle of a
sea of cell phone cameras. I don’t care. My own heart is my
best dancing partner anyway.
I have Julius, my bodyguard. Julius wears a suit to remind
everybody that he is with me on a professional basis. If I want
a guy to keep hitting on me, I have to give Julius a little three-
fingered wave. Otherwise, the guy is swept away. Zoom.
13
Gone. Then later you see him looking sheepish at the bar or
what ever.
Stuff like this is probably why I really enjoy being alone,
like right now when I’m in my room with the city out there
sparkling in the night.
Except, am I alone?
I haven’t heard the sound for a while, so maybe it is really
nothing. The wind making the building sway.
I fool around with my guitar. My guitar is my most pri-
vate place. And yet, it’s also my link to my fans and to the
world.
I find a melody, it’s sweet, it has a catch in it. Nice. So I
sing, “I hear you, I know I do. Who are you? Who are you?”
I’m not gonna call Julius, and I’m not gonna wake up Mom,
but I need to get past feeling there is someone watching me.
I press my ear against the wall.
Nothing. So am I alone or not?
I put on the new billowy robe Mom gave me. I get the black
and red can of Mace out of the drawer in my bedside table.
Julius has taught me how to use it. I put my finger through the
ring.
If there is some guy out there, I’m going to spray him like
the roach that he is. Then I’ll tell Mom. Then I will call Julius.
Nobody is gonna tell me it’s the damn wind.
Okay, I open my door. I step out into the hall. The apart-
ment is really quiet— but not completely dark. As I look down
14
the hall and across the living room, I see a faint line of light
under Mom’s door on the far side. She’s awake. Also, I hear
music. Frank Sinatra. So I know who’s in there with her:
Dapper Dan. At least, that’s what I call him. She’s dating two
guys, Dapper D, who wears sports jackets and takes her to
hear cabaret, and the Wolverine. He looks like an Egyptian
mummy trying to be an Elvis impersonator and likes to go
clubbing. Faint music drifts through the apartment.
Furious as she makes me, my heart hurts for my mom.
Bottom line, my dad ditched her for a bimbo. We fight all the
time, but I’ll never leave her or stop loving her. It breaks my
heart to see how hard she tries to find her way out of the
loneliness of her life. But she’s a pistol.
I turn. Now I’m facing the window at the far end of this
hall. To my left is the door into the den. I enter it.
This is where all my books are. My poetry book that
Daddy read to me when I was little. “The old canoe by the
shadowy shore . . .” I would sit cuddled in his arms. We had a
nice life, I thought. Guess nobody was happy except me.
Okay, the door is right over there. All I have to do is unlock
it and step out into the stairwell. Oh, God, I am so scared.
Mom’s room is far away. I could scream but she’d never believe
me. And Mace? What if it doesn’t work, or I spray myself?
What if he has a gun?
I put a hand on the bolt and, as silently as possible, I turn
it. There is the faintest of scrapes.
15
My song echoes in my mind. “I hear you, I know I do,
I know I do . . .”
Vampire?
Don’t go there, girl. Anyway, they don’t exist.
Ghost?
I lean against the door. The silence from the other side is
total.
So maybe it is a ghost.
And then I feel the door move. As in, somebody just
leaned against it from the other side. Pushing.
The second I turn the knob, they’re going to burst in on me.
Very slowly, very quietly, I turn the bolt back . . . only it
won’t go back—it’s stuck. Because he’s out there pushing so
hard the door is warping.
He must be incredibly strong. He must be huge.
And he knows I’m here, and he’s just an inch away.
I twist the bolt harder . . . and finally it clicks in.
The whole door creaks. Then it sort of lets go. Has he
moved away? Was he even there?
I am about to be sick. I want to say “I have a gun,” but I
can’t make my throat work.
I run back into my room, lock my door, and dive into bed.
I clutch the Mace like it’s a lifeline.
And now, another sound against the wall. I hate this! I
can’t stand this! Am I losing my mind for real?
I look at the phone. If I pick it up and call Julius, he’ll be
16
up here in five minutes with ten cops trailing behind. Except
I just wish I could prove there really is a guy out there and
it’s not all in my head. Because it could be. I fear that.
I get out of bed and pick up my guitar.
I hear you, I know I do.
Who are you?
Who are you?
Don’ t scare me, don’ t hurt me,
Don’ t go, don’ t go, don’ t go. . . .
Am I completely insane to even sing that? Except it’s got
flow. It does. I click on Voice Memo on my iPad and do it
again. Let the songs come.
Real songs come out of hurt and loss and longing. If they
also come out of fear, then this is a winner.
I close my eyes, imagining who I used to be. Melanie
Cholworth. Melody McGrath is much better— I have to admit
Mom is right about that. Nowadays, I have to actually pre-
tend that I’m the real me. I guess Melody took over.
I get back into bed and close my eyes. But sleep doesn’t
come; sleep is far away. Even though it’s quiet now, I can’t
stop listening. I imagine claws coming through the wall.
On the day we moved in and I arrived with my gaggle of
snapping paparazzi, I looked up at the soaring facade and
I had this gut reaction that made me go, “Ohmygosh.”
17
In my mind’s eye, I saw people tumbling off the balconies. . . .
They were all girls about my age, and they all had my hair
and my complexion and my clothes on, and they were all falling
just like I think I would probably fall, with their arms spread
wide, trying to say “I am flying, Mother dear— look at me!”
Fly and fly and fly and fly. . . . There’s a song there, girl,
remember that. Songs live in my nooks and crannies. I have
to hunt for them like a miner looking for diamonds or what-
ever, I guess.
Shit! I hear it again.
No way am I staying in my room, but also no way am I
going to Mom’s room when she and Dapper D might be get-
ting cozy.
So I drag the mattress, which turns out to be really heavy,
until it’s all the way across the room.
I look at my wall. How thick is it? Could he cut his way
through?
I will sing all night, until the dawn. Trouble is, dawn’s so
far away and I am so alone.
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MELODY BURNING