Download - Ravel Maurice - Daphnis Et Chloe Suite Nº2
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Maurice RAVEL
Daphnis &, ChloEBALLET EN UN ACTE
Fragments Symphoniquea
2- SfiRIE
LEVER DU JOUR — PANTOAUME — DANSE GENERALE
ITR
.^ PartitioD d'orchestre
— — format de pocheParties d'orchestre
Chaqoe sapplt^meot
Piano 6 2 mains, par I'AtrreuR . . .
Piano A 4 mains on 2 Pianos ad lib.
transcriptioD par L^on Roques(Pour Vixicuttim 6 3 PiAim il Jnt 3 exani>Uira)
DURAND & C'^ fediteurs
Paris, 4, Place de la Madeleine
Vnlttii Muaic PtiblUhers Lid. Londra.Elkin-Vogel C. PUUdelphia. Pa (D.S.H.)
Diposi stion les iraU«> itilotnalionaui.
Propri^l^ pour tous paysTon
Made In Fnin
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DURAND & 0% EJiteurs4. PLce Je U MaxUleme - PAULS (8')
General Conditions of Sale
and Hire of OrcheslraJ
Material
Conditions g^n^rales de V«nt«
el de Location des Materiel*
d'Orcbeatre
All^meine Bestimmangen uber
Erwarb und Verleih
von Orchesler- Material
on hire ouch msUrioJ. TK«reforc.
of Lhij material Is not permitted •rilhoul the
wntUn authority of Mcwrs Durand 4. C". Faite Mn» la conMM Darand & C".
verb od2r Be^itj de* Im Varlagc
St. C- erjctier.encn Orch«»t.f-bcrechtigt niemandvn, dskaslbe
erl^hen Das Auftieibca dlescA
darf also nisht ohriQ •dn-iflUch*
t Verfegers erfolgsn.
;Dun &. C-. behalt
Rccht
111 - Tn* sibllity for
either l»ni.
nor l«t oot OR htr*, nor dUpo«« of ihe
ume nuteridl to anyone vhatsoevcr vitKotit
the vrltt«n authonution of the publKher
Cop<» most be treated irithait reasonable
C4re and be retamcd in good condition to
the pabiishcr immo^Mclj ftH«r the pcr-(onnutco or porformenoca egrotd apon.Any damage to copies muet be made goodby the hirer
Al' copiei mast ba r«turr>ed at the hirer's
eipenae, urafuHy pedud, by the sdfe«t and
IV. ' Mechanical reproduction, or broad-
cast performance by *irele*s. or any moansby whJoh the work may be heard other than
by those present at the actual place of per-
Formanoe, or any public performance of the
xpt in it) original form, l» itrtctfy
ling the written
s i qui elle
U lot
lea exdcdtloos eoovcoae*. Toutedeterlor^e devra etre rembour*^
Le retour in materiel est fart ) ses frais,
was cmbaDage aolgn£, par Ics voica les
plus rapidea el les plus sfires let en paqaet
suar4, %'U pa»M 1«9 mora).
IV - LenregiGtrement phonograph Iquede I'-xuvre, u diffusion radlopfaontque el,
d'une manifere g^niraie. toute execution
susceptible d'atteindre un pubhc plua large
que tcs aodite^rs granpis dans le liea odI'cKuvre est ex^ot^e. ainsi que toate ex£-
forme qac 94 forme originate aont formol-lomoirl IntcrdRs sans le consentemcnteipr^ et ionni par ^rit de I' Editeur-
II - DcrVeHeih des Materials an vereinc
Oder Einielperaonen gcschiaht atreng per-sonllch.
III. - Der Entlcther isl flir das ihm aber-
Ussenc Matertaj haHbir. Er itri es ohneschriftliche Eriaubms des Verl^era an nie-
manden voHervcrleihen nocb wcKor-gohen.
Er musi das Material sorgfsltia behandeln
und e» dem Verlegrr »ofori naen den vor-•hibaricn Aa^iihrungon in gutenr Zuitand
turilr lege ben. Jeder verarsachle Schadenmoss vergatet verden
Die Rijcksendung gesohieht aof K^slendes Entleihera Das Material muss SorgTaltig
verpackt und aflf dem achncllaten und slchtr-
Btcn Vege befordert werden (Be! DoberMOto vordoboricn Postpakcien.)
IV. - Phonographjsche Aofnahmen d*»
Vcrkes, Uebertragung dorch Radio und, gamai;gemetn. jegliche Darbietung. die Mch an
eln veitercs Publikum vendet als die an Ortund Stelle. der An^ohrong veTsammelten
Horer, sowie auoh ^e Sfentbche Au^hr-ang in einer anderen ale der OrigtnaEfassung,
sind strangctons anterugl, faus nicht cine
bcsondere schriflliche ©enehmignng dwVeriegers vorlregt.
NOTE DES gDlTEURS
La copie de la partition et des parties d'orchestre est inlerdite
et sera poursuivie comme contrefa(;on.
Tous droits d* execution, de reproduction, d' adaptation et de
representation, notamment par la choregraphie. expressement reserves.
S'adresser aux Editeurs-Proprietaires :
MM. DURAND & 0\ 4. Place de la Madeleine.
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DAPHNIS ET CHLOEFRAGMENTS SYMPHOtlQUES
<^ <^ cg:>
NOMENCLATURE DES INSTRUMENTS
1 Peote FIQte.
2 Grandes Flutes.
1 Flute en Sol.
2 Hautbois.
I Cor Anglais.
1 Petite Clarinette en Mi \f.
2 Clarinettes en Si [;.
I Clarinette Basse en Si >.
3 Bassons.
I Conirebasson.
4 Cors en Fa.
4 Trompettes en Ut.
3 Trombones.
1 Tuba.
Timbales.
Grosse-Caisse.
Cymbales.
Triangle.
Tambour.Tambour Basque.
Caisse Claire.
Castagnettes.
Celesta.
Jeu de Timbres.
2 Harpes.
Quintette 4 cordes (Ojotrebuse a
N.-B — Les CHCEURS peuveol etre remplac^a par les variAntes gravees & cet effet dans
les parties d'orcheslre.
La coptc dzs parlies d'orcheslre dc ccltc ocuvr* €Jt Interdite ct »erB pouTsm
ontTcftfon.
TOUS DROITS DE REPRfiSENTATION EXPRESStBtENT R£SERT£S.
S'idr«s»cr «u« Editeun-Proprriwircs.
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DAPHNIS ET CHLOELEVER DUJOVR- PASTOIdlME . DANSE OBNBRALE T :
"
Frasmeats^Symphoaique.LI"-..?'-^ MAURICE RAVEL
HiilLent j = w U:-.1V
N C
• OhM /es sourdines une d wie en coinaitn^anl par Us chtft dt pupitres. Toules doi-oeat elre enhvies a ll56)
Tons draUs d'execntion resiirvcs
'Jopyright by Daraod et CI? 1913 Paris, 4, Place de la MadeUi
855301
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^ / "^ ^•^-^••'^
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f;^,^t^^^t^:t;;^ft;f^;^:e;t;;^^r1f!:^;^;;.;^:?f^^^tM>;:^:^ ''
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Retenez
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~?
[rnlLent J^zWt
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(nllaa Mtmv' Cedez tres peu au Mouv^
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Cedez Pressez (Its]
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[nDTres lent
2-.'Hrp
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Retenu le'gerement Rail.
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[l78lau Mouv!
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liTfllau Mouv! Pressezau Mottvl Pressez
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|isa| Un peu plus amme
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[i83| En animant toujours davantage
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58
pi."Fl
Htb
|l8,'i|Animez un peu.
T.-g.
Crmb
TdeR
llsslAnimez nn peu.4'".« Cordf
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^'
dUTres lent. p,,„„ i, .,i ,,^,
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Cede^ tres peu Pressez Plus lent.
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Il90|au Mouvl Ce'dez trfes peu Pressez Plusjent.
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[ToTlMeme mouv! (Plus lent! Retenez peu
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|l92|au Mouvl
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1 193
1
Lent J =50
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|l94| Ani
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Il9o| Lent .J 50 Anil
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Cjmb-
Tamb. —1 1 H 1
J ' n r r r r pr p 'r h p r r r p r r"^
r r r p'
r
—
rr~r
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Sept. 1956 Paris Imp. Mounot