Download - Romantic movies - History of Emotions slides
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EMOTIONS THROUGH MOVIES
Ryan : comedy moviesDamian: dramatic movies
Jonah: Horror movies Gabrielle: Romantic movies
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ROMANTIC MOVIESLOVE: the « everywhere»
emotion
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Romantic movies: LOVE, HAPPINESS, HATE, JEALOUSY….
• IDEAL LOVE• ILLUSION OF REALITY
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The impact of romantic movies on the brain
The use of the right hemisphere: The visual area Memory area Emotion area
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DISTRESS: melancholy, depression,sadness
LOVEANGER
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Casablanca
MICHEL CURTIZ (1886-1962)
Peter LorreSignor Ugarte
Ingrid Bergman Humphred BogartIlsa Lund Rick Blaine
Paul HenreidVictor Laszlo
Claude RainsCaptain Louis Renault
Conrad VeidtMajor Heinrich Strasser
• American movie • 1942• Won 3 Oscars• https://www.youtube.com/watch?v=Yt1vQ81jNWw• https://www.youtube.com/watch?v=kc02Y4xHWys
THE ICONIC CHARACTERS
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CASABLANCA: the Cliché movie
Max Steiner (1888- 1971)
• Political idea: To put love aside for the
cause: The involvement in the war• The Music: La Marseillaise, Gone with
the wind smooth and melancholic atmosphere
• Black and white The audience focus on the characteres
• The facial expressions • The actions, use of object• Language:‘Here ’s looking at you kid’
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The eyes, and facials expressions
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Silent movie: Seventh Heaven
• American, • 1927• Expressionism• Iconic couple
Frank Borzage(1894-1962)
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Evolution of romantic movies: The cultural and historical impact.• Technical evolutions: more realism• Countries have their own way to deal with
romantic movies:• Happy ending culture: Love is stronger than your duty in the
society. The importance of LOVE is different
• The use of the body (kiss, nudity, sexual scenes…), what is moraly acceptable
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Passion and Tenderness
The Kiss (1896)https://www.youtube.com/watch?
v=zURTEs8C1lo
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HISTORICAL AND POLITICAL IMPACTLE QUAI DES BRUMESPort of Shadows
• 1938• Jacques Prevert and Pierre Dumarchais• ‘t’as d’beaux yeux tu sais?’ https://www.youtube.com/watch?
v=snY3L7RYOOs• Censure of the totalitarian regime • ‘No one consider the barometer responsible for the storm and
the function of the artist s to be the barometer of the time.’• Cultural differences• Country specificities• How dangerous movie can be for regimes
Marcel Carné (1906-1993)
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