Download - Transformations II
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Transformations II
CS5600 Computer Graphics
Rich Riesenfeld
Spring 2005
Lect
ure
Set
7
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Arbitrary 3D Rotation
• What is its inverse?
• What is its transpose?
• Can we constructively elucidate this
relationship?
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Want to rotate about arbitrary axis a
a
)(: Ra
x
z
y
3
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First rotate about z by
( ): Rz
a Now in the
(y-z)-plane
x
z
y
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Then rotate about x by
x
z
y
( ): Rx
Rotate in the
(y-z)-plane
a
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)(: Raxisz zNow perform rotation about
x
z
y
aNow a-axis aligned
with z-axis
6
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Then rotate about x by ( ): Rx
Rotate again in the (y-z)-plane
x
z
y
a
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Then rotate about z by ( ): Rz
Now to original position of a
a
x
z
y
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We effected a rotation by about arbitrary axis a
a
)(: Ra
x
z
y
9
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We effected a rotation by about arbitrary axis a )(: Ra
10
)()()( RRR z xa)( Rz
)()( RRx z
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Rotation about arbitrary axis a
• Rotation about a-axis can be effected by a composition of 5 elementary rotations
• We show arbitrary rotation as succession of 5 rotations about principal axes
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)( Ra
cos( ) sin( ) 0 0 1 0 0 0
sin( ) cos( ) 0 0 0 cos( ) sin( ) 0
0 0 1 0 0 sin( ) cos( ) 0
0 0 0 1 0 0 0 1
( )Ra
1000010000cossin00sincos
1000
0cossin0
0sincos00001
1000010000cossin00sincos
)( Rz
In matrix terms, )( Rz
)( Rx
)( Rx
)( Rz
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cos( ) sin( ) 0 0 1 0 0 0
sin( ) cos( ) 0 0 0 cos( ) sin( ) 0
0 0 1 0 0 sin( ) cos( ) 0
0 0 0 1 0 0 0 1
( )Ra
,)()(1 RaRa
1000010000cossin00sincos
1000
0cossin0
0sincos00001
1000010000cossin00sincos
)( Rz
Similarly, so,
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Recall, tAtBtAB
RtMtRtA
tttt RRMt
RMR .
Consequently, for , RMtRA
because,
RMR tt
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RStMtStRt
RSMtStR
It follows directly that,
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)()(1 RtaRa
)( Rtz
1000
0)cos()sin(0
0)sin()cos(00001
10000100
00)cos()sin(
00)sin()cos(
)(
Ra
1000010000cossin00sincos
1000
0cossin0
0sincos00001
1000010000cossin00sincos
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)()( 1 RtaRa
Constructively, we have shown,
This will be useful later
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What is “Perspective?”
• A mechanism for portraying 3D in 2D
• “True Perspective” corresponds to
projection onto a plane
• “True Perspective” corresponds to an
ideal camera image
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Differert Perspectives Used
• Mechanical Engineering
• Cartography
• Art
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Perspective in Art
• “Naïve” (wrong)
• Egyptian
• Cubist (unrealistic)
• Esher
– Impossible (exploits local property)
– Hyperpolic (non-planar)
– etc
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“True” Perspective in 2Dy
x
(x,y)
p
h
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“True” Perspective in 2D
pxpyh
pxy
ph
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“True” Perspective in 2D
px
py
px
px
px
py
px
px
p
pxpx
y
x
y
x
11
This is right answer for screen projection
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“True” Perspective in 2D
1 1
1
1 0 0
0 1 0
0 1 1px
x
xp p
pyx p
x
p
pp
x x
y y
x
y
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Perspective in Art
• Naïve (wrong)
• Egyptian
• Cubist (unrealistic)
• Esher
• Miro
• Matisse
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Egyptian Frontalism
• Head profile
• Body front
• Eyes full
• Rigid style
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Uccello's (1392-1475) hand drawing was the first extant complex geometrical form rendered according to the laws of linear perspective
Perspective Study of a Chalice, Drawing, Gabinetto dei Disegni, Uffizi, Florence, ca 1430)
65
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Perspective in Cubism
Woman with a Guitar (1913) G
eorg
es B
raqu
e
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Perspective in Cubism
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Madre con niño muerto (1937)
68
Pablo P
icaso
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Pablo Picaso, Cabeza de mujer llorando con pañuelo
69
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Perspective (Mural) Games
M C Esher, Another World II
(1947)
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PerspectiveAscending and Descending (1960)
M C
Escher
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M. C. Escher
M C Escher, Ascending and Descending (1960)
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M C Escher
• Perspective is “local”• Perspective consistency is not
“transitive”
• Nonplanar (hyperbolic)
projection
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Nonplanar (Hyperbolic) Projection
M C Esher, Heaven and Hell
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Nonplanar (Hyperbolic) Projection
M C Esher, Heaven and
Hell
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David McAllister
The March of Progress,
(1995)
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Joan Miro: Flat Perspective
The Tilled Field
What cues are missing?
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Henri Matisse, La Lecon de
Musique
Flat Perspective: What cues are
missing?
78
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Next 2 Images Contain Nudity !
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Henri Matisse, Danse (1909)80
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Henri Matisse, Danse II (1910)81
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Atlas Projection
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Norway is at High Latitude
There is considerable size distortion
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Isometric View
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Engineering Drawing: 2 Planes
AA
AA
Section AA
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Engineering Drawing: Exploded
View
Understanding 3D Assembly
in a 2D Medium 86
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“True” Perspective in 2Dy
x
(x,y)
p
h
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“True” Perspective in 2D
pxpyh
pxy
ph
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“True” Perspective in 2D
1
1
1
1 0 0
0 1 0
0 1 1 xp p
pyx p
pxx p
x pp
px
x p
py
x p
x x
y y
x
y
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Geometry is Same for Eye at Originy
x
(x,y)
p
h
Screen Plane
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What Happens to Special Points?
What is this point??
1
1 0 0
0 1 0
0 1 1 0
0 0
p
p p
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Let’s Look at Limit
1
1lim 0 0
01
n
nn
n
We see that
Observe,
on -axis0
nx
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Where does Eye Point Go?
• It gets sent to on x-axis
• Where does on x-axis go?
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What happens to ?
1 1
1 11 0 0
0 1 0
0 1 10
0 0 00
p p
p p
It comes back to virtual eye point!
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What Does This Mean?
x
y
p
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What Does This Mean?y
p
x
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The “Pencil of Lines” Becomes Parallel
y
x
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Parallel Lines Become “Pencil of Lines” !
x
y
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Parallel Lines Become “Pencil of Lines” !
x
y
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What Does This Mean?
x
y
p
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“True” Perspective in 2Dy
p
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“True” Perspective in 2Dy
p
p
p
p
p
p
p
p
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Viewing Frustum
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What happens for large p?”
1 0 01 0 0
0 1 0 0 1 0
0 1 0 1
1
1 01 1
lim 0
p
p
x x
y y
p
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Projection Becomes Orthogonal: “Right Thing Happens”
x
(x,y)
h=y
p
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The End
Transformations II
Lect
ure
Set
7