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TURKISH FOLK MUSIC PHONETIC NOTATION SYSTEM/TFMPNS FEATURES OF VOCOLOGY: ANATOMIC MODEL SUGGESTION:
VISIBLE BODY®
Gonca Demir1*
1Research Assistant, ITU Turkish Music State Conservatory, TURKEY, [email protected]
*Corresponding author
Abstract
It was emphasized by vocologists that vocology which is defined as the discipline which studies formation/development principles of human voice, transfer/adaptation processes specific to related usage area, laboratory voice measurement/evaluation techniques and voice habilitation/therapy methods has three research field namely basic vocology-clinical vocology-pedagogical vocology (amateur/professional occupational voice usage types and styles: vocal pedagogy/elite vocal performance level/vocial disorders diagnosis and treatment). It was emphasized by vocologists that pedagogical vocology which is one of the sub-disciplines of vocology was constructed in the axis of privileged anatomic features (laryngeal/neural/respiratory/resonance)-anatomic terms (larynx/vocal fold/glottis/sub glottis/supra glottis/mucosa)-vocal extents (muscular/mucosal/aerodynamic/acoustic/mathematical)-basic elements (phonation/laryngeal configuration/resonance/articulation/diction/harmonic formant)-artistic expressions (anatomic/physiological/psychological/kinesthetic performance/sound technique/maximum sound economy). It was emphasized by (ethno)musicologists that musicology which is defined as a field of science/art which analyzes music which is defined as vocal/verbal/artistic performance based on prerational/prelinguistic/preartistic values in the axis of interdisciplinary approaches at the level of rhetoric/phonologic/performative usages has three research fields namely historical musicology-comparative musicology-systematic musicology (systemic musicology: musical information systematic/systemization-systemic orientation/orientation/field: practical way/performative side: vocal performance/performance types and styles). It was emphasized by musicologists that systematic musicology which is one of the sub-disciplines of musicology was constructed within the axis of psychological/biological/neurological approaches (psychomusicology: musical psychology/cognitive information processes-biomusicology: musical apprehension/motor control knowledge-neuromusicology: performance neurology)-vocological/predagogical/anatomic features (musical vocology: vocal pedagogy/vocal anatomy/voice therapy). There are 11 types of 3-dimensional interactive main product choice about anatomic/physiologic/biological/psychological/neurological structure/systems about Visible Body®; Anatomy & Function-Human Anatomy Atlas-Physiology Animations-Anatomy & Physiology-Skeleton Premium-Muscle Premium-Heart & Circulatory Premium 2-Brain & Nervous System Anatomy-Respiratory System Anatomy-Urinary & Reproductive Anatomy-Digestive System Anatomy. Through an announcement to be presented within the scope of SOCIO-INT14 - International Conference on Social Sciences and Humanities; in the theoretical/performative infrastructure of Turkish Folk Music Phonetic Notation System/TFMPNS, Visible Body® models will be analyzed in details which is predicted to be used in order to carry out educational/instructional transfer/adaptation processes of pedagogical vocology/musical vocology features, determine function of anatomic/physiological/biological/psychological/neurological structures/systems and observe them in 3-dimensional way which play important role interactively in the phases of articulation of Turkish Linguistic Institution Transcription Signs/TLITS and International Phonetic Alphabet/IPA symbols which sustain in the axis of phonetic/phono-morphology/morphological vocabulary/lexical measures together with local/universal relations.
Keywords: Vocology/Pedagogical Vocology, Systematic Musicology/Musical Vocology, Vocal Pedagogy/Vocal Anatomy, Visible Body®, 3 Dimensional Anatomic/Physiological/Biological/Neurological Modelling, Turkish Folk Music Phonetic Notation System/TFMPNS.
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1. TURKISH FOLK MUSIC PHONETIC NOTATION SYSTEM/TFMPNS
Turkish Folk Music Phonetic Notation System/TFMPNS is a notation system example which aims to initiate a parallel application to the international linguistic/musicological application foundations of which were laid under the scope of Istanbul Technical University Institute of Social Sciences Turkish Music Post Graduation Program thesis, which will be developed under the scope of Istanbul Technical University Institute of Social Sciences Musicology and Music Theory Doctorate Program thesis, which is configured in phonetics, morphology, syntactic, vocabulary and lexical axis of together with traditional/international attachments based on Turkish Linguistic Institution Transcription Signs/TLITS and International Phonetic Alphabet/IPA sounds. Turkish Folk Music Phonetic Notation System Alphabet Database/TFMPNS AD: transcription system of Turkish Language Institution/TLI dialect researches (Ercilasun, 1999: 43-48), transcript in dialect studies (Sağır, 1999: 126-138), vowel and consonant changes of Anatolia dialects (Caferoglu, 1964-1965: 1-33), Urfa/Kerkuk/Tallafer Dialects Turkish Language Institution Transcript Signs/UKTD TLITS (Ozbek, 2010: xviii, 11-19), IPA provisions of the words in Turkish alphabets and TDK-IPA provisions of voice descriptions-transcription signs (Pekacar & Guner Dilek, 2009: 584-588), phonology ABCs of Turkey Turkish Pronunciation Dictionary/TTPD: IPA provisions of vowels and consonants (Ergenç, 2002: 46-47), IPA tables (URL <http://www.langsci.ucl.ac.uk/ipa/ipachart.html>), International Phonetic Alphabet/IPA Turkish vowel/consonant letter tables (IPA, 1999: 154-156), extra-IPA symbols for irregular speaking (URL <http://www.langsci.ucl.ac.uk/ipa/extIPAChart2008.pdf), IPA number table (URL <http://www.langsci.ucl.ac.uk/ipa/IPA_Number_chart_(C)2005.pdf>), IPA unicode character codes (URL <http://www.langsci.ucl.ac.uk/ipa/phonsymbol.pdf>),IPA X-SAMPA equivalency table (URL <http://www.kreativekorp.com/miscpages/ipa/ipa-x.html>). Turkish Folk Music Phonetic Notation System Sound Database/TFMPNS SD: International Phonetic Alphabet/IPA sound records (URL <http://www.langsci.ucl.ac.uk/ipa/sounds.html>), International Phonetic Alphabet/IPA Turkish vowel/consonants tables sound records (IPA, 1999: 154-156), Turkish Language Institution Turkish Audio Dictionary/TLI TAD (URL <http://www.tdk.gov.tr/>), 128 pieces of Turkish folk music texts sound records transcripted with the Urfa/Kerkuk/Tallafer Dialects Turkish Language Institution Transcript Signs/UKTD TLITS (URL <https://tez.yok.gov.tr/UlusalTezMerkezi/>). Turkish Folk Music Phonetic Notation System Dictionary Database/TFMPNS DD: Turkish Language Institution Current Turkish Dictionary/TLI CTD (URL <http://www.tdk.gov.tr/index.php?option=com_gts&view=gts>), Turkish Language Institution Turkish Audio Dictionary/TLI TAD (URL <http://www.tdk.gov.tr/index.php?option=com_seslissozluk&view=seslissozluk>), Turkish Language Institution Big Turkish Dictionary/TLI BTD (URL <http://www.tdk.gov.tr/index.php?option=com_bts&view=bts>), Turkish Language Institution Search Dictionary/TLI SD (URL <http://www.tdk.gov.tr/index.php?option=com_tarama&view=tarama>), Turkish Language Institution Turkey Turkish Dialects Dictionary/TLI TTDD (URL <http://www.tdk.gov.tr/index.php?option=com_ttas&view=ttas>), Turkish Language Institution Folk Dialects Compilation Dictionary in Turkey/TLI CDFDT (TDK, C. I-VI), Turkey Turkish Pronunciation Dictionary/TTPD (Ergenç, 2002: 91-486), Urfa/Kerkuk/Tallafer Dialects Index and Dictionary/UKTD ID (Ozbek, 2010: 113-253). Turkish Folk Music Phonetic Notation System Works Database/TFMPNS WD; 128 pieces of Turkish folk music texts transcripted with the Urfa/Kerkuk/Tallafer Dialects Turkish Language Institution Transcription Signs/UKTD TLITS (Ozbek, 2010: 254-329), IPA Turca: Rule-Based Turkish Phonetic Converter Program/RBTPCP (Bicil & Demir, 2012). Turkish Folk Music Phonetic Notation System Phonotactical Probability Calculator Database/THMFNS PPCD: IPA provisions and sound definitions of the letters in Turkish alphabets IPA provisions of transcript signs (Pekacar & Guner Dilek, 2009: 584-588), Urfa/Kerkuk/Tallafer Dialects Turkish Language Institution Transcript Sings/UKTD TLITS vowel/consonant distinctive signs (Ozbek, 2010: xviii, 11-19), IPA Turca: Rule Based Turkish Phonetic Translator Program/RBTPTP character codes (Bicil & Demir, 2012), Turkey Turkish Pronunciation Dictionary/TTPD phonology ABCs: Standard Tukey Turkish/STT IPA provisions of vowels and consonants (Ergenç, 2002: 46-47), UCLA phonetics lab archive/Turkish language section (URL <http://archive.phonetics.ucla.edu>). International Phonetic Alphabet/IPA(URL<http://www.langsci.ucl.ac.uk/ipa/IPA_chart_(C)2005.pdf>), extra-IPA symbols for irregular speech(URL<http://www.langsci.ucl.ac.uk/ipa/extIPAChart2008.pdf>), IPA number table (URL <http://www.langsci.ucl.ac.uk/ipa/IPA_Number_chart_(C)2005.pdf>), IPA X-SAMPA equivalency table (URL <http://www.kreativekorp.com/miscpages/ipa/ipa-x.html>), International Phonetic Alphabet/IPA Turkish vowel/consonant letter tables (IPA, 1999: 154-156), IPA unicode character code charts (URL <http://www.langsci.ucl.ac.uk/ipa/phonsymbol.pdf>), IPA fonts (SIL Encore IPA and SIL IPA93 fonts (doulos/sophia/manuscript fonts: base characters/diacritics/tone and punctuation)-phonetic fonts for macintosh/windows-adobe fonts for macintosh/windows-the four stone phonetic fonts in GIF form (stone sans/stone sans alternate/stone serif/stone serif alternate)-rogers fonts (IPAPhon) for
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macintosh/windows-phonetic fonts for TeX/LaTeX etc. (URL <http://www.langsci.ucl.ac.uk/ipa/ipafonts.html>) (see Table 1).
Table 1. Turkish Folk Music Phonetic Notation System Phonotactical Awareness Skills Development Processes/TFMPNS PASDP developed in the axis of local/universal structural/generative/transformation
linguistic theories, linguistic/written science/rhetorical/phonological approaches in ethnomusicology, phonetic/phonetic-morphological info/syntactic-sound assets/the lexical criteria
Gele gele geldik bir kara taşa/ɟelɛ ɟelɛ ɟeldic biɾ kɑɾɑ tɑʃɑ Gele gele geldĭm bir ḳara daşa/Gɛlɛ gɛlɛ gɛld m biɾ kɑɾɑ dɑʃɑ
Region: Urfa Taken From: Mukim Tahir Compiled & Noted: Muzaffer Sarısozen Reader: Tenekeci Mahmut Guzelgoz TRT TFM Repertoire Sequence Number: 701
Standard Turkey Turkish/STT
International Phonetic Alphabet/IPA
Turkish Language Institution
Transcription Signs/TLITS
International Phonetic Alphabet/IPA
Gele gele geldik bir kara taşa
ɟelɛ ɟelɛ ɟeldic biɾ kɑɾɑ tɑʃɑ
Gele gele geldĭm bir ḳara daşa
Gɛlɛ gɛlɛ gɛld m biɾ kɑɾɑ dɑʃɑ
Yazılanlar gelir sağ olan başa aman efendim
jɑʐ ɫɑnɫɑɾ ɟeliɾ sɑː oɫɑn bɑʃɑ ɑmɑn efɛndim
Yazılanlar gelĭr saġ olan başa aman efendĭm
jɑz lɑnlɑɾ gɛl ɾ sɑɡ ɔlɑn bɑʃɑ ɑmɑn ɛfɛnd m
Bizi hasret koyar kavim kardaşa
biʐi hɑsɾɛt kojɑɾ kɑvim kɑɾdɑʃɑ
Bĭzĭ ḥesret ḳoydı ḳavım ḳardaşa
B z ḫɛsɾɛt kɔjd kɑv m kɑɾdɑʃɑ
Bir ayrılık bir yoksulluk bir ölüm aman efendim
biɾ ɑjɾ ɫ k biɾ joksuɫɫuk biɾ ølym ɑmɑn efɛndim
Bir ayrılıḫ bir yoḫsıllıḫ bir ölǚm aman efendĭm
Biɾ ɑjɾ l χ biɾ jɔχs ll χ biɾ ɶ im ɑmɑn ɛfɛnd m
Nice sultanları tahttan indirir
niʤɛ suɫtɑnɫɑɾ tɑhttɑn indiɾiɾ
Nice Sülėymanları taḫtan ėndĭrĭr
Niʤ ɛ s ɶlejmɑnlɑɾ tɑχtɑn end ɾ ɾ
Nicesinin gül benzini soldurur aman efendim
niʤɛsinin ɟyl benzini soɫduɾuɾ ɑmɑn efɛndim
Nicesĭnĭn gül benzĭnĭ soldırır aman efendĭm
Niʤ ɛs n n gyl bɛnzini sɔld ɾ ɾ ɑmɑn ɛfɛnd m
Niceleri dönmez yola gönderir
niʤɛlɛɾi dønmɛʐ joɫɑ ɟøndɛɾiɾ
Nicesĭnĭ dönmez ėle gönderĭr
Niʤ ɛs n dɶnmɛz elɛ gɶndɛɾ ɾ
Bir ayrılık bir yoksulluk bir ölüm aman efendim
biɾ ɑjɾ ɫ k biɾ joksuɫɫuk biɾ ølym ɑmɑn efɛndim
Bir ayrılıḫ bir yoḫsıllıḫ bir ölǚm aman efendĭm
Biɾ ɑjɾ l χ biɾ jɔχs ll χ biɾ ɶ im ɑmɑn ɛfɛnd m
Note 1. Transcription systems in Anatolia dialect researches: transcripted with Standard Turkey Turkish/STT in the axis of standard writing/transcription/variation method [Demir, 2010: 93-106].
Note 2. IPA Turca: IPA provisions and sound description [Pekacar & Guner Dilek, 2009: 575-589] of the letters in Turkish alphabet in Rule-Based Turkish Phonetic Converter Program/RBTPCP [Bicil & Demir, 2012]. Turkey Turkish Pronunciation Dictionary/TTPD phonology ABC’s: transcripted with International Phonetic Alphabet/IPA [IPA, 1999] by the IPA correspondences of vowel and consonants
Note 3. Linguistic approaches in ethnomusicology [Stone, 2008: 51-53]: phonetic writing usage in data recording in musicology: necessity of dialect documentation in linguistic and musicological axis: Urfa/Kerkuk/Tallafer Dialects Turkish Language Institution Transcription Signs/UKTD TLITS in the axis of phonetic notation method [Demir, 2011] of local dialect features of Turkish folk
Note 4. International Phonetic Alphabet/IPA usage in dialect researches of Turkish language: written dialect texts in Turkey by using IPA (TDK-IPA) provisions of transcription signs [Pekacar & Guner Dilek, 2009: 574-589] are transcripted with Standard Turkey Turkish/STT- Turkish Language Institution Transcription Signs/TLITS- International Phonetic Alphabet/IPA.
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[Ergenç, 2002: 1-496]. music: transcripted with vowels-consonants-distinctive signs [Ozbek, 2010: iii-338].
2. TURKISH FOLK MUSIC PHONETIC NOTATION SYSTEM/TFMPNS FEATURES OF VOCOLOGY
Vocologists emphasized that vocology, which is defined as a scientific discipline that researches human voice formation/development principles and transfer/adaptation processes specific to respective field of use at the level of laboratory voice measurement/assessment techniques and vocal habilitation/therapy methods, has three fields of research as main vocology (voice measurement and assessment via laboratory techniques and practices: acoustic methods: analysis of acoustic energy with different parameters, aerodynamic methods: examination of transglottic air flow rate/reverse filtering/supraglottic change of flow which is the actual source of voice, biomechanical methods: examination of studies of modelling viscous-elastic properties of vocal folds, electro-physiological methods: examination of neuromuscular potentials, visual methods: analysis of dynamic laryngeal process via computer/image processing technologies, perceptive methods: perceptive analysis of voice-based quality of life/voice via psychological measurement/evaluation applications, R&D methods: bio-feedback/analysis of development of treatment devices), clinical vocology (voice disorders diagnosis and treatment via vocal therapy methods and techniques: vocometry/phono-surgery/laryngology/audiology/psychiatry/physical rehabilitation/vocal analysis/voice-language-speaking therapy/vocological anamnesis) and pedagogic vocology (amateur/professional occupational voice use type and forms: vocal pedagogy/elite vocal performance level/diagnosis and treatment of voice disorders) (Titze, 1996: 5-6) & (Denizoglu, 2012, 1-40). (See Fig. 1).
Vocal pedagogues have emphasized that pedagogic vocology, one of sub-branches of the discipline of vocology, is structured around distinguished anatomic properties (laryngeal: broad cricothyroid gap-strong thyroaritenoid muscles-mucosa balanced laryngeal mucus with fibril/liquid concentration-symmetrical/proportional vocal cords, neural: strong musical memory-creative musical intellect-superior hearing function-reaction to neural stimulations, inspiratory: broad lung capacity-active/passive forces that play a role in potential energy formation-activity of physical muscle groups, resonance: symmetrical/wide/healthy controllable mouth/nose/throat structures), anatomic terms (larynx: glottis, vocal fold: vocal cord, glottis: gap between vocal cords, sub-glottis: the region under glottis/above air tube, supraglottis: pharynx region on the upper side of vocal cords, mucosa: layer that covers vocal cords), vocal dimensions (muscular dimension: neurological/vector forces- providing potential energy to air in lungs-contracting vocal folds-stimulating mouth/nose/throat resonators-anatomic/psychological point of view, mucosal dimension: mechanical oscillation-histological point of view, aerodynamic dimension: activating potential energy in lungs, acoustic dimension: chain of physical events created by vocal formation process-fluids dynamic-voice physics, mathematical dimension: factorization of movement/re-union-universal point of view), primary elements (phonation: perfect laryngeal configuration for every tone/correct speaking voice, resonance: perfect resonance tuning for every tone, articulation: purposeful use of source/filter interaction-harmonic/singer formant tuning) and artistic manifestations (anatomic/physiological/psychological/kinesthetic performance/voice technique/maximum voice economy) (Denizoglu, 2008: 1-16 URL <http://fonomed.net/pages/sesterapileri.pdf>) & (Denizoglu, 2005: 1-11 URL <http://www.fonomed.net/ders_notlari.asp>) & (Madden, 2012) & (Walders, 2005). (see figure 1).
(Ethno-) musicologists have emphasized that musicology (Cobanoglu, 1999: 258), which is defined as a scientific/artistic discipline that investigates music, which is described as a type of artistic performance based on pre-rational/pre-linguistic/pre-artistic values around inter-disciplinary approaches (Fubuni, 2006: 45-46), on the basis of rhetorical/vocal/performance deictic ritual totalities, has three fields of research as historical musicology (philosophy of musical history: evolutional/cyclical method, oscillation theory, historical relativity, cause/effect relationship in history, historical pluralism, theory and application of historical notation-musical history sources: Ancient Greek music, Greek/Latin manuscripts in music, early age Christian church music, secular monologism of the Middle Ages, polyphonic music of the 18
th century, 17
th-20
th centuries research
sources of musical history-research methods of musical history: problem identification, problem integration, material research, style critique), comparative musicology (field sectors: devices, material/data collection, transcription, identification, analysis, sequence, rhythm, melody, homophony, polyphony, heterophony, form, execution, instruments, history, practice) and systematic musicology (systemic musicology: musical knowledge systematic/systemization, systematic orientation/field: practical direction/executive part: vocal performance/execution forms and styles, inter-disciplinary approaches: musical
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theory/acustics/psychology/physology/perception/aesthetics/philosophy/pedagogy) (Haydon, 1941: 1-17, 47-82) & (Seeger, 1951: 240-248) & (McCredie, 1971: 1-35) & (Adler, 1885/1981: 1-21) & (Kimmey, 1988: 193-245) & (Kendall & Savage: 2005: 1-10).
Musicologists have emphasized that systematic musicology, one of sub-branches of the discipline of musicology, is structured around psychological/biological/neurological approaches: Erol, 2009: 44-46 (psycho-musicology: musical psychology/cognitive knowledge processes: psycho-dynamics of oral culture: internality of vocal speech/voice: unification/centralization/internalization economy of voice: Ong, 2007: 92, psycho-linguistics: psychological properties/inner form of language: internalized language/i-language: rules/set of principles related to linguistic structures that are present in human brain/mind, linguistic theory which attempts to explain language processing/generation form through principles/parameters: Cook, 1988: 12-17, bio-musicology: musical perception/motor control biology: natural/main musical equipment inherently possessed by humans: vocal/musical intellect which is one of eight intellect types that constitute multiple intelligences: Ucan, 2005: 11-14, bio-linguistics: inherent/evolutional theories of language: theory of inherent tendency, theory of contact, traditional theory, vocalic theory, theory of emotional voices, theory of voice imitation, theory of singing, theory of language/vocal channel, theory of mouth gesture and so on: Boynukara and Tanritanir, 1993: 62-70, linguistic system that exists potentially in every brain, database filled with effective talks of society members: Bauer, 2007: 3, neuro-musicology: performance/executive performance neurology, cognitive musicology: musical perception forms/processes: acoustic/audial/syntax/cipher/meaning decoding: Koelsch and Siebel, 2005: 1, musical stimulant forms/processes: sensual/functional/psychological/bio-chemical tone perception ability, musical action forms/processes: learning/memory/listening/composition/playing an instrument: Leman, 1999: 186, musical/linguistic skill forms/processes: organic relationship between musicological/linguistic ability type and forms: Platel, 2002: 223 & Patel, 2003 & Ozmentes, 2006, Karisci, 2007) and vocological/pedagogic/anatomic properties (musical/pedagogic vocology: vocal pedagogy/vocal anatomy/articulatory anatomy: individual lyrics assessment forms/processes: melody/vocal technical development, effective/healthy voice production, articulation/phonation/respiration/resonance studies of coral music texts with International Phonetic Alphabet/IPA) (Gerçeker & Yorulmaz & Ural: 2008: 71-78) & (URL <http://music.ku.edu/vocology-lab>&<http://music.ku.edu/programs/memt/classes/chovoped/voclab/voclab.html>).
Musicologists/vocologists have emphasized that vocology properties of Turkish Folk Music Phonetic Notation System/TFMPNS are structured on the basis of musicological/psycho-cognitive musicological/bio-musicological/neuro-musicological approaches and organic transitivity processes between linguistic properties of language (psychological properties of language, emotional language, design in language, arbitrary enrichment in language, Zipf’s law) and musicological properties of music (a vocal/artistic performance type, distinguishing properties of first language, first discovery of speech due to strong emotions, activation of the liveliest sensations with spiritual impacts, properties of voice that affect psycho-dynamics of oral culture, arbitrary enrichment in voice, design properties of music) (Campbell & Heller, 1981: 3-14) & (Demir, 2011). Anatomic models, which present visual/audial feedbacks, should be used by designing 3D high-definition interactive animations/illustrations on complex human biology/anatomy/physiology for active system users to be able to grasp with their details properties of pedagogic vocology, which is structured around privileged anatomic structures/anatomic systems/vocal dimensions/main elements/artistic manifestations (amateur/professional/occupational voice use type and forms: vocal pedagogy/elite vocal performance level/ diagnosis and treatment of voice disorders), and properties of musical vocology, which is structured around systematic/psychological/biologic/neurological approaches (vocal performance/execution type and forms: vocal pedagogy/vocal anatomy/articulator anatomy: individual lyrics evaluation forms/processes: melody/vocal technique development, effective/healthy voice generation, articulation/phonation/respiration/resonance studies of coral music texts with International Phonetic Alphabet/IPA), in processes of adaptation of Turkish Folk Music Phonetic Notation System/TFMPNS to instructive/educational applications.
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Fig. 1. Relationship of the discipline of vocology which is structured around inter-disciplinary approaches with
other disciplines: Titze, 2000.
3. VISIBLE BODY®
With its working group of 35 people consisting of special bio-medical imaging experts and groups of software architecture that work on complex human biology/anatomy/physiology, Visible Body® is an American corporation established in Boston in 1996 that serves as Argosy Publishing which designs more than 3500 3D, high-definition animations and illustrations to be used by bio-technology/medical devices/educational publishing firms, academicians and amateur/professional consumers with their licensed products being actively used by more than 4000 institutions and 1 million people in various fields of practice (URL <http://www.visiblebody.com/index.html> & <http://www.visiblebody.com/about_company/>).
There are 11 types of 3-dimensional interactive main product choice about anatomic/physiologic/biological/psychological/neurological structure/systems about Visible Body®; Anatomy & Function-Human Anatomy Atlas-Physiology Animations-Anatomy & Physiology-Skeleton Premium-Muscle Premium-Heart & Circulatory Premium 2-Brain & Nervous System Anatomy-Respiratory System Anatomy-Urinary & Reproductive Anatomy-Digestive System Anatomy (URL <http://www.visiblebody.com/products/> & <http://www.visiblebody.com/store/>). (See Fig. 2).
Visible Body® Anatomy & Function is a model sample designed to be able to explain anatomic/physiological structures/functions/processes which provides animations (72)/illustrations (77)/Latin pronunciations/detailed definitions/visual references containing more than 500 3D translatable/zoomable/dividable/sharable/writable/recordable/storable ideal interactive multiple imaging/detailed search options (URL <http://www.visiblebody.com/anatomy_function_ipad_overview/> & <http://www.visiblebody.com/index.html>).
Visible Body® Human Anatomy Atlas is a model sample designed to be able to explain masculine/feminine anatomic/physiological structures/functions/processes that provides an atlas section/small pictures/special drawings/dynamic searches/short quizzes/Latin pronunciations/detailed definitions/visual references containing more than 3600 3D translatable/zoomable/dividable/sharable/writable/recordable/storable ideal interactive multiple imaging/detailed search options (URL <http://www.visiblebody.com/download_overview/> & <http://www.visiblebody.com/index.html>).
Visible Body® Physiology Animations is a model sample designed to be able to explain physiological structures/functions/processes that provides animations (67)/system previews (11)/bone-skeletal muscles (9)/respiration-circulation (13)/cells-tissues (15)/nutrition-elimination (8)/vocal texts/comprehensive previews/visual-audial videos/Latin pronunciations/detailed definitions/visual references containing 3D translatable/zoomable/dividable/sharable/writable/recordable/storable ideal interactive multiple imaging/detailed search options(URL <http://www.visiblebody.com/physiology_animations_download/> & <http://www.visiblebody.com/index.html>).
Visible Body® Anatomy & Physiology is a model sample designed to be able to explain anatomic/physiological functions/processes that provides sections-modules (50)/learning target lists/impressive interfaces/on-screen cell-tissue-skin-skeleton-muscle-nerve and so on controls/short quizzes (65)/note cards/animations (80)/illustrations (85)/Latin pronunciations/detailed definitions/visual references containing more than 500 3D translatable/zoomable/dividable/sharable/writable/recordable/storable ideal interactive multiple imaging/detailed search options (URL <http://www.visiblebody.com/ap/download/> & <http://www.visiblebody.com/index.html>). (See Fig. 3).
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Visible Body® Skeleton Premium is a model sample designed to be able to explain skeletal/osseous anatomic/pathological functions/processes that provides ligaments (+100)/bones (200)/osseous tissues/osseous signs (800)/moveable synovial joints in jointed skeleton/short quizzes (500)/animations/illustrations/Latin pronunciations/detailed definitions/visual references containing more than 500 3D translatable/zoomable/dividable/sharable/writable/recordable/storable ideal interactive multiple imaging/detailed search options (URL <http://www.visiblebody.com/skeletal_download_overview/> & <http://www.visiblebody.com/index.html>).
Visible Body® Muscle Premium is a model sample designed to be able to explain muscular anatomic/physiologic functions/processes that provides an atlas section (600)/ bones (200)/peripheral nerves/ligaments (+100)/pins (+1000)/muscle insertion points (2200)-surface areas-points of movement/short quizzes (50)/questions (465)/ Latin pronunciations/detailed definitions/visual references containing 3D translatable/zoomable/dividable/sharable/writable/recordable/storable ideal interactive multiple imaging/detailed search options (URL <http://www.visiblebody.com/muscular_download_overview/> & <http://www.visiblebody.com/index.html>).
Visible Body® Brain & Nervous System Anatomy is a model sample designed to be able to explain cerebral/nervous anatomic/physiological functions/processes that provides an atlas section/brain-spinal cord-nerve structures/small pictures/special drawings/dynamic searches/ short quizzes/questions (130)/Latin pronunciations/detailed definitions/visual references containing more than 570 3D translatable/zoomable/dividable/sharable/writable/recordable/storable ideal interactive multiple imaging/detailed search options (URL <http://www.visiblebody.com/nervous_overview/> & <http://www.visiblebody.com/index.html>).
Visible Body® Respiratory System Anatomy is a model sample designed to be able to explain respiratory pathologies/procedures, anatomic/physiological functions/processes that provides an atlas-gallery section/anatomic structures (40)/upper respiratory tract/trachea/lung lobes/bronchi-bronchioles/small pictures/special drawings/dynamic searches/short quizzes/questions (60)/animations (12)/illustrations (12)/Latin pronunciations/detailed definitions/visual references containing more than 570 3D translatable/zoomable/dividable/sharable/writable/recordable/storable ideal interactive multiple imaging/detailed search options (URL <http://www.visiblebody.com/respiratory_overview/> & <http://www.visiblebody.com/index.html>).
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ISBN: 978-605-64453-1-6
Fig. 2. Visible Body® anatomic/physiologic/biological/psychological/neurological model product options:
URL <http://www.visiblebody.com/index.html & http://www.visiblebody.com/products/>
4. SUMMARY
Visible Body® which provides 11 3D interactive main product options related to anatomic/physiological/biological/psychological/neurological structures/systems as Anatomy & Function-Human Anatomy Atlas-Physiology Animations-Anatomy & Physiology-Skeleton Premium-Muscle Premium-Heart & Circulatory Premium 2-Brain & Nervous System Anatomy-Respiratory System Anatomy-Urinary & Reproductive Anatomy-Digestive System Anatomy is a model sample projected to be actively used for the sake of being able to realize processes of adaptation of all data, which sustain their presence in theoretical/practical background of Turkish Folk Music Phonetic Notation System Database/TFMPNS D (Turkish Folk Music Phonetic Notation System Alphabet Database/TFMPNS AD & Turkish Folk Music Phonetic Notation System Sound Database/TFMPNS SD & Turkish Folk Music Phonetic Notation System Dictionary Database/TFMPNS DD & Turkish Folk Music Phonetic Notation System Works Database/TFMPNS WD & Turkish Folk Music Phonetic Notation System Phonetic Therapy Applications/TFMPNS PTA & Turkish Folk Music Phonetic Notation System Phonotactical Awareness Skills Development Processes/TFMPNS PASDP & Turkish Folk Music Phonetic Notation System Phonotactical Probability Calculator Database/THMFNS PPCD & Turkish Folk Music Phonetic Notation System Aural Distinction Test/TFMPNS ADT & Turkish Folk Music Phonetic Notation System Articulation Test/TFMPNS AT & Turkish Folk Music Phonetic Notation System Phonological Awareness Competencies Education Sessions/TFMPNS PACES & Turkish Folk Music Phonetic Notation System Phonological Awareness Competencies Control Lists/TFMPNS PACCL & Turkish Folk Music Phonetic Notation System Phonological/Morphological/Lexicological Criteria Identification Test/TFMPNS PMLCIT & Turkish Folk Music Phonetic Notation System Phonetic Analysis Test/TFMPNS PAT & Turkish Folk Music Phonetic Notation System Sound Vocabulary Analysis Tests/TFMPNS SVAT & Turkish Folk Music Phonetic Notation System Phonetical Analysis Assessment Form/TFMPNS PAAF & Turkish Folk Music Phonetic Notation System Phonological Awareness Competencies Assessment Group/TFMPNS PACAG ect) to formation/development/instructional/educational applications and being able to observe in a 3D fashion/determine functions of anatomic/physiological/biological/psychological/neurological structures/systems that interactively play a role in phases of voicing (vocal/consonant posture properties: types and forms of correct articulation of vowel/consonants, vocal loading/vocal listening/vocal variation/vocal warming up and so on) Turkish Language Institution Transcription Signs/TLITS and International Phonetic Alphabet/IPA symbols that sustain their existence on the basis of phonetic-morphology/morphological-vocabulary/lexical criteria along with local/universal connections in theoretical/practical background of Turkish Folk Music Phonetic Notation System/TFMPNS.
Models projected to be used on behalf of bio-musicology properties (anatomic/physiological/biological structures/systems: musical perception/motor control biology, bio-linguistics and so on) of Turkish Folk Music Phonetic Notation System/TFMPNS that is structured around cognitive/psychological/biological/neurological approaches within the framework of systematic musicology, one of sub-branches of the discipline of musicology, were determined as Visible Body® Anatomy & Function & Visible Body® Anatomy & Physiology &
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ISBN: 978-605-64453-1-6
Visible Body® Physiology Animations & Visible Body® Human Anatomy Atlas & Visible Body® Respiratory System Anatomy & Visible Body® Skeleton Premium & Visible Body® Muscle Premium and the model projected to be used on behalf of cognitive musicology/psycho-musicology/neuro-musicology properties (musical psychology/cognitive knowledge processes: psycho-dynamics of oral culture, performance/executive notation neurology, musical perception/action forms/processes and so on) of Turkish Folk Music Phonetic Notation System /TFMPNS was determined as Visible Body® Brain & Nervous System Anatomy.
Fig. 3. Visible Body® Anatomy & Physiology user interface: oral cavity & laryngopharynx:
URL <http://info.visiblebody.com/bid/308623/Anatomy-and-Physiology-The-Pharynx-and-Epiglottis>
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E- REFERENCE LIST
URL Visible Body® <http://www.visiblebody.com/index.html> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/about_company/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/products/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/store/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/anatomy_function_ipad_overview/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/download_overview/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/physiology_animations_download/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/ap/download/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/skeletal_download_overview/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/muscular_download_overview/> (Access Date: 20.06.2014)
URL Visible Body®<http://www.visiblebody.com/nervous_overview/> (Access Date: 20.06.2014)
URL Visible Body®<http://www.visiblebody.com/respiratory_overview/> (Access Date: 20.06.2014)
URLVisibleBody®<http://info.visiblebody.com/bid/308623/Anatomy-and-Physiology-The-Pharynx-and-Epiglottis> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/anatomy_function_ipad_tutorial/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/moviedemo/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/physiology_animations_download_tutorial/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/ap_preview_movie/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/skeleton_download_tutorial/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/muscular_download_tutorial/> (Access Date: 20.06.2014)
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ISBN: 978-605-64453-1-6
URL Visible Body® <http://www.visiblebody.com/circulatory_download_tutorial/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/nervous_tutorial/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/respiratory_tutorial/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/reprourinary_tutorial/> (Access Date: 20.06.2014)
URL Visible Body® <http://www.visiblebody.com/digestive_tutorial/> (Access Date: 20.06.2014)
URL KU Vocology Lab <http://music.ku.edu/vocology-lab> (Access Date: 20.06.2014)
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