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EDEXCEL AS Music P.L.C. 6MU03 - Anthology NHA
Edexcel GCE Music (AS)
6MU06 – Further Musical Understanding (Anthology of Set Works)
Personal Learning Checklists
Demonstrate your understanding of your set works by filling in the tables with as much relevant detail as possible.
Try to reference bar numbers/sections where specific events happen.
You may find it useful to copy out key melodic/rhythmic motifs using notation rather than describing them – there is often a question in the exam that requires you to recall specific rhythmic or melodic ideas from your set works.
Name………………………………………………………………
Teacher……………………………………………………………
MTG………………………………………………………………..
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Instrumental Music
Holborne – Pavane ‘The image of melancholy’ and Galliard ‘Ecce quam bonum’Tonality key signature(s) tonal centres major/minor/chromatic/
atonal
Metre the number of beats in a bar changes to the main pulse
Tempo main speed(s) any changes (and where
they occur) rubato/rit./rall./accel.
Melody main tunes/motifs use of modes/blues
scale/pentatonic scale/raga
Harmony commonly used chords diatonic/chromatic harmony commonly used cadences
Rhythm commonly used rhythm
patterns use of syncopation/triplets/
hemiola
Texture different layers/combinations
of parts monophonic/homophonic/
2
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polyphonic/counterpoint
Timbre instruments/voices pitch range/tessitura instrumental techniques
Structure organisation of sections binary/ternary/rondo form 12 bar blues/pop song repetition/variation of ideas
Mood main mood/atmosphere/
character expression/dynamics theme/story behind lyrics
Context Period/year of composition musical/social developments
of the time period Album/large scale work the
extract is taken from
Self-Assessment of My Understanding
Red(Insecure)
Amber(Moderately Secure)
Green(Secure)
Date Date Date
Instrumental Music
JS Bach – Partita No. 4 in D, BWV 828: Sarabande and GigueTonality key signature(s) tonal centres major/minor/chromatic/
3
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atonal
Metre the number of beats in a bar changes in the main pulse
Tempo main speed(s) any changes (and where
they occur) rubato/rit./rall./accel.
Melody main tunes/motifs use of modes/blues
scale/pentatonic scale/raga
Harmony commonly used chords diatonic/chromatic harmony commonly used cadences
Rhythm commonly used rhythm
patterns use of syncopation/triplets/
hemiola
Texture different layers/combinations
of parts monophonic/homophonic/
polyphonic/counterpoint
Timbre instruments/voices pitch range/tessitura
4
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instrumental techniques
Structure organisation of sections binary/ternary/rondo form 12 bar blues/pop song repetition/variation of ideas
Mood main mood/atmosphere/
character expression/dynamics theme/story behind lyrics
Context Period/year of composition musical/social developments
of the time period Album/large scale work the
extract is taken from
Self-Assessment of My Understanding
Red(Insecure)
Amber(Moderately Secure)
Green(Secure)
Date Date Date
Instrumental Music
Haydn – Symphony No. 26 in D minor: ‘Lamentatione’: movement I
Tonality key signature(s) tonal centres major/minor/chromatic/
atonal
Metre
5
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the number of beats in a bar changes in the main pulse
Tempo main speed(s) any changes (and where
they occur) rubato/rit./rall./accel.
Melody main tunes/motifs use of modes/blues
scale/pentatonic scale/raga
Harmony commonly used chords diatonic/chromatic harmony commonly used cadences
Rhythm commonly used rhythm
patterns use of syncopation/triplets/
hemiola
Texture different layers/combinations
of parts monophonic/homophonic/
polyphonic/counterpoint
Timbre instruments/voices pitch range/tessitura instrumental techniques
Structure organisation of sections
6
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binary/ternary/rondo form 12 bar blues/pop song repetition/variation of ideas
Mood main mood/atmosphere/
character expression/dynamics theme/story behind lyrics
Context Period/year of composition musical/social developments
of the time period Album/large scale work the
extract is taken from
Self-Assessment of My Understanding
Red(Insecure)
Amber(Moderately Secure)
Green(Secure)
Date Date Date
Instrumental Music
Brahms – Piano Quintet in F minor, Op. 34: movement III
Tonality key signature(s) tonal centres major/minor/chromatic/
atonal
Metre the number of beats in a bar changes in the main pulse
7
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Tempo main speed(s) any changes (and where
they occur) rubato/rit./rall./accel.
Melody main tunes/motifs use of modes/blues
scale/pentatonic scale/raga
Harmony commonly used chords diatonic/chromatic harmony commonly used cadences
Rhythm commonly used rhythm
patterns use of syncopation/triplets/
hemiola
Texture different layers/combinations
of parts monophonic/homophonic/
polyphonic/counterpoint
Timbre instruments/voices pitch range/tessitura instrumental techniques
Structure organisation of sections binary/ternary/rondo form 12 bar blues/pop song repetition/variation of ideas
Mood
8
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main mood/atmosphere/character
expression/dynamics theme/story behind lyrics
Context Period/year of composition musical/social developments
of the time period Album/large scale work the
extract is taken from
Self-Assessment of My Understanding
Red(Insecure)
Amber(Moderately Secure)
Green(Secure)
Date Date Date
Instrumental Music
Shostakovich – Prelude and Fugue in A, Op. 87 No. 7
Tonality key signature(s) tonal centres major/minor/chromatic/
atonal
Metre the number of beats in a bar changes in the main pulse
Tempo main speed(s) any changes (and where
they occur) rubato/rit./rall./accel.
9
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Melody main tunes/motifs use of modes/blues
scale/pentatonic scale/raga
Harmony commonly used chords diatonic/chromatic harmony commonly used cadences
Rhythm commonly used rhythm
patterns use of syncopation/triplets/
hemiola
Texture different layers/combinations
of parts monophonic/homophonic/
polyphonic/counterpoint
Timbre instruments/voices pitch range/tessitura instrumental techniques
Structure organisation of sections binary/ternary/rondo form 12 bar blues/pop song repetition/variation of ideas
Mood main mood/atmosphere/
character expression/dynamics theme/story behind lyrics
Context
10
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Period/year of composition musical/social developments
of the time period Album/large scale work the
extract is taken from
Self-Assessment of My Understanding
Red(Insecure)
Amber(Moderately Secure)
Green(Secure)
Date Date Date
11
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Instrumental Music
Duke Ellington and his Orchestra – ‘Black and Tan Fantasy’
Tonality key signature(s) tonal centres major/minor/chromatic/
atonal
Metre the number of beats in a bar changes in the main pulse
Tempo main speed(s) any changes (and where
they occur) rubato/rit./rall./accel.
Melody main tunes/motifs use of modes/blues
scale/pentatonic scale/raga
Harmony commonly used chords diatonic/chromatic harmony commonly used cadences
Rhythm commonly used rhythm
patterns use of syncopation/triplets/
hemiola
Texture different layers/combinations
of parts monophonic/homophonic/
12
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polyphonic/counterpoint
Timbre instruments/voices pitch range/tessitura instrumental techniques
Structure organisation of sections binary/ternary/rondo form 12 bar blues/pop song repetition/variation of ideas
Mood main mood/atmosphere/
character expression/dynamics theme/story behind lyrics
Context Period/year of composition musical/social developments
of the time period Album/large scale work the
extract is taken from
Self-Assessment of My Understanding
Red(Insecure)
Amber(Moderately Secure)
Green(Secure)
Date Date Date
Instrumental Music
Miles Davis Quintet – ‘Four’ (opening)
Tonality key signature(s) tonal centres
13
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major/minor/chromatic/atonal
Metre the number of beats in a bar changes in the main pulse
Tempo main speed(s) any changes (and where
they occur) rubato/rit./rall./accel.
Melody main tunes/motifs use of modes/blues
scale/pentatonic scale/raga
Harmony commonly used chords diatonic/chromatic harmony commonly used cadences
Rhythm commonly used rhythm
patterns use of syncopation/triplets/
hemiola
Texture different layers/combinations
of parts monophonic/homophonic/
polyphonic/counterpoint
Timbre instruments/voices pitch range/tessitura
14
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instrumental techniques
Structure organisation of sections binary/ternary/rondo form 12 bar blues/pop song repetition/variation of ideas
Mood main mood/atmosphere/
character expression/dynamics theme/story behind lyrics
Context Period/year of composition musical/social developments
of the time period Album/large scale work the
extract is taken from
Self-Assessment of My Understanding
Red(Insecure)
Amber(Moderately Secure)
Green(Secure)
Date Date Date
15
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Applied Music
J.S. Bach – Cantata Bo. 48, ‘Ich elender Mensch’: movements I-IV
Tonality key signature(s) tonal centres major/minor/chromatic/
atonal
Metre the number of beats in a bar changes in the main pulse
Tempo main speed(s) any changes (and where
they occur) rubato/rit./rall./accel.
Melody main tunes/motifs use of modes/blues
scale/pentatonic scale/raga
Harmony commonly used chords diatonic/chromatic harmony commonly used cadences
Rhythm commonly used rhythm
patterns use of syncopation/triplets/
hemiola
Texture different layers/combinations
of parts monophonic/homophonic/
16
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polyphonic/counterpoint
Timbre instruments/voices pitch range/tessitura instrumental techniques
Structure organisation of sections binary/ternary/rondo form 12 bar blues/pop song repetition/variation of ideas
Mood main mood/atmosphere/
character expression/dynamics theme/story behind lyrics
Context Period/year of composition musical/social developments
of the time period Album/large scale work the
extract is taken from
Self-Assessment of My Understanding
Red(Insecure)
Amber(Moderately Secure)
Green(Secure)
Date Date Date
Applied Music
Schoenberg – ‘Der kranke Mond’ from Pierrot Lunaire
Tonality key signature(s) tonal centres
17
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major/minor/chromatic/atonal
Metre the number of beats in a bar changes in the main pulse
Tempo main speed(s) any changes (and where
they occur) rubato/rit./rall./accel.
Melody main tunes/motifs use of modes/blues
scale/pentatonic scale/raga
Harmony commonly used chords diatonic/chromatic harmony commonly used cadences
Rhythm commonly used rhythm
patterns use of syncopation/triplets/
hemiola
Texture different layers/combinations
of parts monophonic/homophonic/
polyphonic/counterpoint
Timbre instruments/voices pitch range/tessitura
18
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instrumental techniques
Structure organisation of sections binary/ternary/rondo form 12 bar blues/pop song repetition/variation of ideas
Mood main mood/atmosphere/
character expression/dynamics theme/story behind lyrics
Context Period/year of composition musical/social developments
of the time period Album/large scale work the
extract is taken from
Self-Assessment of My Understanding
Red(Insecure)
Amber(Moderately Secure)
Green(Secure)
Date Date Date
Vocal Music
Leonard Bernstein – ‘On the Waterfront: Symphonic Suite’ (opening)
Tonality key signature(s) tonal centres major/minor/chromatic/
atonal
Metre the number of beats in a bar
19
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changes in the main pulse
Tempo main speed(s) any changes (and where
they occur) rubato/rit./rall./accel.
Melody main tunes/motifs use of modes/blues
scale/pentatonic scale/raga
Harmony commonly used chords diatonic/chromatic harmony commonly used cadences
Rhythm commonly used rhythm
patterns use of syncopation/triplets/
hemiola
Texture different layers/combinations
of parts monophonic/homophonic/
polyphonic/counterpoint
Timbre instruments/voices pitch range/tessitura instrumental techniques
Structure organisation of sections binary/ternary/rondo form
20
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12 bar blues/pop song repetition/variation of ideas
Mood main mood/atmosphere/
character expression/dynamics theme/story behind lyrics
Context Period/year of composition musical/social developments
of the time period Album/large scale work the
extract is taken from
Self-Assessment of My Understanding
Red(Insecure)
Amber(Moderately Secure)
Green(Secure)
Date Date Date
Applied Music
John Williams – ‘ET: Flying Theme’
Tonality key signature(s) tonal centres major/minor/chromatic/
atonal
Metre the number of beats in a bar changes in the main pulse
Tempo
21
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main speed(s) any changes (and where
they occur) rubato/rit./rall./accel.
Melody main tunes/motifs use of modes/blues
scale/pentatonic scale/raga
Harmony commonly used chords diatonic/chromatic harmony commonly used cadences
Rhythm commonly used rhythm
patterns use of syncopation/triplets/
hemiola
Texture different layers/combinations
of parts monophonic/homophonic/
polyphonic/counterpoint
Timbre instruments/voices pitch range/tessitura instrumental techniques
Structure organisation of sections binary/ternary/rondo form 12 bar blues/pop song repetition/variation of ideas
Mood main mood/atmosphere/
22
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character expression/dynamics theme/story behind lyrics
Context Period/year of composition musical/social developments
of the time period Album/large scale work the
extract is taken from
Self-Assessment of My Understanding
Red(Insecure)
Amber(Moderately Secure)
Green(Secure)
Date Date Date
Applied Music
Niall Keegan (Ireland) – Tom McElvogue’s (jig) and New Irish Barndance (reel)
Tonality key signature(s) tonal centres major/minor/chromatic/
atonal
Metre the number of beats in a bar changes in the main pulse
Tempo main speed(s) any changes (and where
they occur) rubato/rit./rall./accel.
23
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Melody main tunes/motifs use of modes/blues
scale/pentatonic scale/raga
Harmony commonly used chords diatonic/chromatic harmony commonly used cadences
Rhythm commonly used rhythm
patterns use of syncopation/triplets/
hemiola
Texture different layers/combinations
of parts monophonic/homophonic/
polyphonic/counterpoint
Timbre instruments/voices pitch range/tessitura instrumental techniques
Structure organisation of sections binary/ternary/rondo form 12 bar blues/pop song repetition/variation of ideas
Mood main mood/atmosphere/
character expression/dynamics theme/story behind lyrics
Context
24
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Period/year of composition musical/social developments
of the time period Album/large scale work the
extract is taken from
Self-Assessment of My Understanding
Red(Insecure)
Amber(Moderately Secure)
Green(Secure)
Date Date Date
Glossary/Key Terms/Vocabulary
25
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Grade tracking:Note: You should discuss this checklist regularly with your subject teacher.
All marks are your current standard / level. Please be positive about these and use these to motivate you to succeed!
Date Type of exam question
Mark Feedback
26