VINTAGE Art Fluorescent Porcelain Stains
Instructions for Use
SHOFU INC.
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VINTAGE
Introduction VINTAGE Art fluorescent porcela in stains are designed to realize the internal and externa l
modification of shades for all existing high fusing PFM porcelain systems . In add ition they
can be applied to all high fusing porcelain materials with zircon ia / alumina ceramic frames,
CAD/CAM porcelain blocks, press ceramics and artificia l porcelain teeth. Even the ready to
use Glazing Paste is highly fluorescen t and supports a' lifelike co lor impressio n. In a very
simple way the reprodu ction of every natural tooth characteristic can be created with a vital
appearance in the laboratory and dental oHice.
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¥ Contents II;,
1. Notes on Use . . . .. . . .. . . . . . . . . . .. . . .. . . . P. 3
.. . . . . . . . . . . . . . . . . . . . . . . . . P.2. Characteristics 3
3. System Components . . . . . . . . . . . . . .. . . ... . P. 4
4. Instructions for Use . . . . . . . . . . . . . . . . . . . . . . P. 5
4-1 Colors and Indications · . . . . . . . . . . . . . .. P. 5
4-2 Color Concept · . . . . . . . . . . . . . . . . . . . . . . P. 6
4-3 Examples for use P. 7
5. Firing Schedule P. 14
6. Troubleshooting P. 15
r a Notes on Use I 11-1 Notes
(1) Keep away from flame or ign
(2) Use of eye-protective glasse:
(3) Use of dust extractor or masl
(4) Do not mix this product with (
(5) VINTAGE Art must only be us
(6) VINTAGEArt must only be us
11-2 Important Notes
(1) If allerg ic reacti ons occ ur,
product , discontinue use imn
(2) Avoid contacting soft tissue"
with plenty amounts of water
& Characteristics
12-1 Compat ible with Variou:
VINTAGE Art can be used w
PFM, alumina cores, zirconia
as well as artificial porcelain
12-2 Easy to use Paste Stair
Due to the ultra-fine particle
handling and app lication pn
app lica tion of a thin layer
ceramists
I 2-3 Wide Variety of Colors ,
The VINTAGE Art sta in CO l
Yellow), secondary stain cc
(Shade Stains and Foundat
the req uirem ents of varic
necessary, so application b
12-4 Fluorescence
VINTAGE Art are highly fll
dentition and enhance the
:0 realize the interna l and externa l
orcelam systems . In add ition they
zirconia / alumina cerami c frame s,
porcelain teeth. Even the ready to
lifelike color impression . In a very
cteristic can be created with a vital
.. . .. . . . . . . .. .. .. .. . . . . P. 3
. . . . . . .. . . . . . . . . . . . . . . . P. 3
:s · .. P.4
.. .. .. ...... ...... .... P. 5
cations · . . . . . . . . . . . . . .. P. 5
.. .. .. .... .. .. .. ... .. . P. 6
S6 · · · · ·· · · · · · ·· · · ·· · · · P. 7
P. 14
P. 15
a Notes on Use
11-1 Notes
(1) Keep away from flame or ignition source.
(2) Use of eye-protective glasses is recommended for contouring work.
(3) Use of dust extractor or mask is recommended for contouring work.
(4) Do not mix this product with other stain products .
(5) VINTAGEArt must only be used for the intended purpose.
(6) VINTAGE Art must only be used by dental professionals.
11 -2 Important Notes
(1) If alle rgic reactions occur such. as eruption or skin inflammat ion while using this
product, discontinue use immed iately and seek medical adv ice .
(2) Avoid contacting sou tissues, skin or eyes. In case of eye contact, rinse immediately
with plenty amounts of water and seek medical advice .
• Characteristics
12-1 Compatible with Various Dental Ceramic Materials
VINTAGE Art can be used with various high fusing dent al ceramic materials, such as
PFM, alumina cores, zirconia frames, pressable cerami cs, CAD/CAM ceramic blocks
as well as artificial porcelain teeth.
12-2 Easy to use Paste Stains •ZDue to the ultra-fine part ic le structures the ready to use Paste Stains have exce llent o
CDhand ling and applicatio n properties as well as superb covering char act eristics The (fj
appl ication o f a thin layer can easi ly be done from beginners to exp erien ced o :::l
ceramists. C
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12-3 Wide Variety of Colors &Shades (32 colors) o zr
The VINTAGE Art stain concept cons ists of pr ima ry stain co lors (Pink. Blue and OJ...., Yellow), secondary stain colors (Orang e, Green and Violet) and shade stain colors OJ
o (Shade Stains and Foundation Shade Stains) . In total 32 colors are availab le to meet ....,CDthe requirem ent s of variou s estheti c restorations . Complicated mixing is not ?[
n'necessary, so app lication becomes easier. (fj
12-4 Fluorescence
VINTAGE Art are highl y fluore scent stains which ma tch the fluorescence of natura l
dentition and enhance the vitality of the ceramic frameworks .
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.. System Components
I Basic Color Set
• Glazing Paste, Pink, Yellow, Blue, Orange, Violet. Green, While, Black, Dark Red Brown, Orange Brown, Khaki, A-Shade, B-Shade,C-Shade, D-Shade, R-Shade
• VINTAGE Art Slain Liquid 50 ml
• Shade Color Card • lnstructions
I Effect Color Set
• Glazing Paste, Brown, Black Brown, Gray, Blue Gray, Corn Yellow, Rose Pink, Wine Red, Pink Orange, Mamelon Pink, Mamelon Ivor y,
Foundation A-Shade, Foundation B-Shade, Foundation C-Shade, Foundation D-Shade, Foundation R-Shade
• VINTAGE Art Slain Liquid 50 ml
• Shade Color Card
• Instructions
I Refills ( 39 each )
• VINTAGE Art (32colors/3g each) • VINTAGE Art Stain Liquid 50 ml
17 colors I 3g each
16 colors I 3g each
..
14-1
Instructions for I
Colors and Inc
Color
Indication
/'
1 Glaz ing Paste ~ »: 2 Pink
3 Yellow
4 Blu e
5 Oran ge
6 Violet
I 7 Gree n iu (f)
8 Bla ck a: 0 9 Whit e ...J 0 o 10 Dark Red Brown o
11 Orang e Brown (j) <l: m 12 Kha ki
13 A-Shade
14 B-Shade
15 C-S had e
16 D-Shade
-, 17 R-Shade
/' 18 Gray
19 Blue Gray
20 Corn Yellow
21 Brown
I 22 Black Brown w (f) 23 Mame lon Pink a: 0 24 Mamelon Ivory ...J 0 25 Rose Pink o I 26 Wine Redo w u, 27 Pink Orange u, w 28 Foundation A-SI
29 Foundation B-SI
30 Found ation CoS
31 Foundation D-S
-, 32 Foundation R-S
I
• Instructions for Use
14-1 Colors and Indications 17 colors I 39 each
16 colors I 39 each
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Color Use example
Indication Code Shade Cervical Stain Incisal Gumadjustment
~ 0 ::;;;;
1 Glazing Paste GP::;;;; 0
~ 2 Pink P 0 0 0 3 Yellow Y 0 4 Blue BI 0 0 5 Orange 0 0 0 0 6 Violet V 0 0 0
f- 7 Green Gr 0w ({)
8 Black B 0 0a: 0 9 White W 0 0...J 0
0 0o 10 Dark Red Brown DR-Br o
11 Orange Brown O-Br 0 0 0U5 « 12 Khaki K 0 0m
13 A-Shade AS 0 0 14 B-Shade BS 0 0 15 C-Shade CS 0 0 16 D-Shade DS 0 0
<, 17 R-Shade RS 0 0 /' 18 Gray G 0 0
19 Blue Gray BI-G 0 20 Corn Yellow CY 0 21 Brown Br 0 0
f- 22 Black Brown B-Br 0 0 w ({) 23 Mamelon Pink MP 0a: 0 24 Mamelon Ivory Mlv 0...J 0 25 Rose Pink RP 0 0o f- 26 Wine Red WR 0 0o w
27 Pink Orange P-O 0 0u.. u.. w 28 Foundation A-Shade F-AS 0
29 Foundation B-Shade F-BS 0 30 Foundation C-Shade F-CS 0 31 Foundation D-Shade F-DS 0
<, 32 Foundation R-Shade F-RS 0 o Base Color Stain 0 Color Stain 0 Shade Stain
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14-2 Color Concept
The co lor concept of the VINTAGE Art sys tem is logicall y struc tured in three main
co lo r g ro ups . VINTAG E Ar t a re hi g hl y fluorescent sta ins whic h matc h the
fluorescence of natura l dentition and enhance the vitality of the ceramic Irameworks
The natural appearance 01
the shade is even
maintained unde r artificial
light cond itions.
under natural light under ultraviolet light
1. Base Color Stains
The esthetic color concept includes primary colors, secondary color s and achromatic co lors.
Primary color$(P , Y . BI) Secondary color$(0 , Gr. V) Achromatic color$(W. G. B)
p Yl ~Jl G, ~Jl9 ~ ~J0 ~-------~
2. Color Stains
Based on these shades all individual colors and co lor adjus tments ca n be ac hieved for the
reproduct ion of every individ ual tooth cha racteristic .
e e e e e e DR-Br O-Br K BI-G CY Br B-Br MP Mlv RP WR p-O
3. Shade Stains (AS, BS, CS, DS, RS, F-AS, F-BS, F-CS, F-DS, F-RS)
The coloration in the des ired shade group of finished milled or pressed ceramic crowns and
bridges can be ob tained jus t by a surface applicat ion with these stains . Foundation Shade
Stains are designed with lower value compared to Shade Stains. These shades offer unique
possibiliti es for obtaining three-di men sionality with metal- free and metal -bonded porce lain
works, This can be achieved by a d irec t app lication of a thin layer on the Opaque or on
alumina or zirconia frameworks to estab lish the basic shade of the restoration.
Shade Stains Foundation Shade Stains
F-AS F-BS F-CS F-DS F-RS
Foundation Shade Stains are des igned with less brigh tness than Shade Stains.
14-3 Examples for Use
Please mix the PastE
ad justment of the vts Liquid accord ing to ti
surface with a thin la:
and fi re accord ing t
Glazing Paste can be
1. Base Color and Hue Col
The hue color circle displays the r
colors such as Pink, Yellow and B
Between the primary colors the SE
colors are located, In the center 0
color circle there are the achroma
The opposing colors of the hue cc
are called "complementary colors
neutralizing each other, which me
when mixed in equal quanlities or
shades turn gray, This is based or
subtractive color mixing theory,
White Gray
Achromatic co lo rs suc h as W
br ightness (value). In addi tion G
the surface of Opaque Porcelain
opacity is possible,
2. External Adjustment of ~
By mixing the colors in differen
value is reduced. By utilizing cor
reduced. reddish color as the c
tooth shade.
Adjustment of ceramic restoratio
14-3 Examples for Use
tructured in three main
uris whic h mat ch the
3 ceramic frameworks.
under ultraviolet light
and achromatic colors,
romalic colors(W . G. B)
G B
ian be achieved for the
, F-DS, F-RS)
'd ceramic crowns and
ns. Foundation Shade
;e shades offer unique
slal-bonded porce lain
on the Opaq ue or on
ration.
lade Stains
F-DS F-RS
an Shade Stains.
Please mix the Paste Stai ns well with a p las tic spatula before usag e. If an
adjustment of the visc os ity is needed . please add a small quantity of Sta in
Liquid acco rding to the personal preference. Moisten the grinded and c leaned
surface with a thin layer of Stain Liquid . apply the Paste Stains pure or mixed
an d fir e accord ing to the fir ing sc hedule . The viscos ity of the fluores cent
Glazing Paste can be modified as well by mixing with Stain Liquid .
1. Base Color and Hue Color Circle
The hue color circle displays the primary
colors such as Pink. Yellow and Blue,
Between the primary colors the secondary
colors are located. In the center of the hue
color circle there are the achromatic colors
The oppos ing colors of the hue color circle
are called "complementary colors" and are
neutralizing each other, which means that
when mixed in equal quantities oppos ing
shades turn gray, This is based on the
subtractive color mixing theory. ,uuu
White Gray Black kt Ach roma tic co lors such as White . Gray and Black can be use d for the ad jus tme nt of
brightness (value). In add ition Gray and Black can reduce the light reflect ion by app lying on
the surface of Opaq ue Porcelain or Opaq ue Liner. If White is mixed adequately, adjustment of
opacity is possible, • 2. External Adjustment of Shades
By mixing the co lors in di fferent qua ntiti es the intensi ty of the hue color inc reases and the
value is reduced. By utiliZing complementary colors, for example . if the Green tone should be
redu ced. redd ish co lor as the comp lementary co lor of Green can be app lied to adjus t the
tooth shade. C en CD
Adjustment of ceramic restorations
, • . ,. A2 shade guide / green tone crown A2 shade guide / after adjustment
t
3. Stains are recommended for the shade adjustment (chroma and hue)
Shade Stains and Foundation Shade Stains are recommended tor the shade adjustment of
chroma and hue.
_ Sh ade Stains (AS , BS, CS, OS, RS)
Shade Stains are recomm ended fo r the sh ad e adjus tment of fi nished ceramic
restorations. They should be applied on the porcelain surface to adjust the chroma and
hue of the shade . They ca n also be used on the opa que surface of metal ce ramic
porcelain for the adjustment of the base color.
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• Example: In order to make stronger A-Shade, AS (A-Shade) is applied.
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Since Shade 0 4 has a different hue. an appropriate amount of B-Shade shall be
mixed with Shade O.
_ Foundat ion Shade Stains (F-A
An extremely lifelike lhree-dimens
of Color Stains and Shade Stains
Foundation Shade Stains are rece
of alumina or zirconia frames. Fc
compared to Shade Stains.
F-AS F-BS •_ Adjustment of ceramic restor,
In order to make 04 shad,
amount of F-BS (Foundat io
•• • • •
de adjustment (chroma and hue)
l recommended for the shade adjustment of
e sha de ad justment of finished ceram ic
l porcelain surface to adjust the chrom a and
j on the opaque surface of me tal ce ramic
or.
~ ••DS RS
(A-Shade) is applied.
I appropriate amount of B-Shade shall be
_ Foundation Shade Stains (F-AS, F-BS, F-GS, F-DS, F-RS)
An extremely lifelike three-dimensional eHect can be created with the internal application
of Color Stains and Shade Stains. Even the value can be ad justed by internal staining .
Foundation Shade Stains are recommended for the shade (chroma and hue) adjustment
of alumina or zirconia frames. Foundation Shade Stains are designed with lower value
compared to Shade Stains.
F-AS F-BS F-CS F-DS F-RS
_ Adjustment of ceramic restorations
In order to make 04 shade, mix F-OS (Foundation O-Shade) with approp riate
amount of F-BS (Foundation B-Shade).
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4. Outer Staining
_ Interproximal, cervical and occlusal applications (ridges , fissures and cusps)
To create an individual occlusal surface, Orange and Brown can be app lied thinly to the
center of the occlusal area. Dark Red Brown can be placed in the fissure by using a very
sma ll br us h The cusps can be empha siz ed wi th White , Ora nge o r Blue. For
interproximal and cervical areas, Shade Stains or Khaki can be selected depending on
the c linica l case
Adjustment of occ lusal center
Dark Red Brown
Black Brown
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• _ Shade application of white bands and decalcifications
To crea te white or bright bands or decalcification areas, White or Corn Yellow ca n be
used individu ally or mixed with a brush or a fin e instr ument. A 1:1 mixture is often
required. It is also possible to stain these effects internally after the first firing of body.
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CornYellow
Orange
Brown ~...,._
White band Decalcification
Adjustment of pits and fissures
_ Shade application on the incisal
To intensify the translucency of the
Gray, Violet or Orange can be thinl,
Stains creates a stronger coloration.
_ Applications of stains, hair lines
Strong sta ining and discoloration-
can be acc urately reproduced with
brush. To crea te hair lines, Dark RE
The thickness, length or position of
excess of stain materials. Crack lim
White and Orange instead of Brown
_ Shade application of reddish gu
The shade of the ce rvical area 0
reflecting gum color. Fine adjustrne
be achieved by using Pink, Rose Pi
Rose Pink, Wine Red or Pink Orar
reddish appearance of the cervical
Pink
Rose Pink
Wine Red
Pink Orange
ions (ridges, fissures and cusps)
and Brown can be applied thinly to the
be placed in the fissure by using a very
.d with Whi te, Orange or Blue . For
lr Khaki can be selec ted depending on
lent of occlusal center
lent of pits and fissures
cifications
cation areas, White or Corn Yellow can be
a fine instrument. A 1" mixture is often
cts internally after the first firing of body.
Decalcification
_ Shade application on the incisal area (adjustment of translucency)
To intensify the tran slucen cy of the incisal area and to adjust the light reflection , Blue,
Gray, Violet or Orange can be thinly appli ed pa latinally. The frontal appli cation of Paste
Stains creates a stronger coloration.
Adjustment of cervical translucency
_ Applic ations of stains, hair lines and crack lines
Strong staining and disco loration -such as experienced by smokers and tea dr inke rs
can be accurately reproduced with Dark Red Brown, Black Brown or Brown with a small
brush. To create hair lines, Dark Red Brown, Black Brown or Brown are recommended.
The thickness, length or position of the lines is adjusted with a c lean brush by eliminating
excess of stain materia ls. Crack lines can be also created by using White or a mixture of
White and Orange instead of Brown.
•:J ~Hair line crack Staining of nicotine or food ..., c g. o :J _ Shade application of reddish gum effects on the cervical area (j)
0The shad e of the cervic al are a of natu ra l teeth is s lig htly reddi sh because of the ..., reflec ting gum color. Fine adjustment for redd ish gum efiects on the cervical areas can c
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be achieved by using Pink, Rose Pink, Wine Red, Pink Orange or Foundation Stain. Pink, CD
Rose Pink, Wine Red or Pink Orange are desig ned gum colors used to enhance the
redd ish appearance of the cervical area.
Pink
Rose Pink
Wine Red
Pink Orange
Natural teeth Image of cervica l shade
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_ Staining of gingi va porcelain
Espec ially for impl ant supp orted res torat ions the stain co lors White , Pink, Rose Pink or
Pink Oran ge are recommended for c reat ing indi vidual gum co lo rs . Violet , Brow n and
Black are also used to create mela nin di scolorat ion or ging ival sulcus .
Pink
Rose Pink
Wine Red
Pmk Oranqe
_ S tai ni ng o f press ce ra mic / CAD / CAM c row ns
Any required color adjustment and natu ral indi vid ualisation after pre ssing or millin g ca n
be achieved with VINTAGE Art stain s.
• Basic shades with stains AS or BS
• Enamel effec ts with Blue Whi te and Gray
• Cervica l effec ts with Khaki, Brown, Orange Brown or Dark Red Brown
Adju stment of gum color
Crowns after pressing After shade adj ustment
_ Charact erization of artific ial porcelain teeth
VINTAGE Art can be used to ind ividualize co nventi onal porcelain teeth
Porcelain teeth After contouring and shade adjustment
When VINTAGE Art stains are used to individual ize art ific ial porcelain teeth , the
firing schedule should be different compared to the regular firing of ceramic
c row ns.
5. Inner Staining
_ Designing of mamelon shapes an
If the mam elon struc ture is c learly I
Orange can be applied onto the man
Mamelon Pink
Mamelon Ivory
Pink Orange
_ Shade application on the inc isa l a
To intensify the tran slucency of the
Gra y, Violet or Orange can be thinly c
Stains creates a stronger coloration.
. (1) Stain Paste might separa te
(2) When using a spatula or bn.
(3) For the ad justmen t of the vi
used .
(4) Depending on the type of p
a test firing is recommende r
5. Inner Staining
_ Designing of mamelon shapes and adjustment of translucency
lain colors White, Pink, Rose Pink or If the mamelon stru c ture is c lea rly expres sed , Mamelon Pink, Mamelon Ivory or Pink
dual gum colors . Violet , Brown and Orange can be app lied onto the mamelon struc ture for reducing the domi nance .
)r gingival sulcus.
Mamelon Pink
Mamelon Ivory
Pink Orange
Adjustm ent of mamelon structure
Emphasized mamelon structure ent of gum color
rlisation after pressing or mil ling can _ Shade application on the incisal area (adjustment of translucency)
To intensify the tran slucency of the inc isal area and to ad just the ligh t ref lex ion, Blue,
Gray, Violet or Orange can be thinly app lied palatinatiy The frontal application of Paste
Stains creates a stronger coloration.
or Dark Red Brown
After shade adjustment
lal porcelain teeth.
Adjustment of translucency • ..
(1) Stain Paste might separate in storage, so mix well before usage.
(2) When using a spatu la or brush, water should be eliminated comp letely.
(3) For the adju stment of the viscosi ty of the paste , VINTAGE Art Stain Liquid is
used. C en
(4) Depending on the type of porce lain furnace, the firing temperature varies, so ([)
a test firing is recomme nded .
Jize artificial porce lain teeth, the
to the regular firing of cerami c
,
g Firing schedule CI Troubleshooting
_ For use of foundation or inner porcelain staining • Porcelain Stain
Drying °C
Drying m in.
Vac uum Start °C
Inc . Tem p . °C / min.
Final Temp. °C
Vacuum End °C
Hold min .
600 5-7 50-60 830-850 -
_ For use of outer staining
Drying °C
Dr ying m in.
Vacuum Start °C
Inc . Tem p . °C / min.
Final Temp . °C
Vacuu m End °C
Hol d min .
600 5-7 - 50-60 850-870 - -
_ For characterizing of porcelain teeth
Drying °C
Dryin g m in.
Vac uum Star t °C
Inc . Tem p . °C I m in.
Final Tem p . °C
Vacu um End °C
Ho ld min .
600 5-7 50-60 1000 2
Trou ble Cause I Crack on stain surface
Layer too thick I
Layer too thick
Drying temperature
Drying time too st
Firing ternperature high
Bubbles Firing tray temperature too h
Contaminationof application surfac
Contamination of Stain Liquid with water
Stain Paste is not smooth condition
Drying of stain Cap was not seak tightly and liquid evaporated
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• Porcelain
If the ceramic frame (alumina or zirconia) was finished with silicone polishers,
the wetability with porcelains and stains might become lower. The following
thermal treatment is recommended before the application of VINTAGE Art stains:
Dr ying °C
Dr yin g mi n .
Vacuum Start °C
Inc . Tem p . °C I min .
Final Temp. °C
Vacuum End °C
Hold min .
600 5-7 50-60 1050 - 5
Firing temperature varies depend ing on the type of furnace, so test firing is
recommended for app ropriate firing conditi ons.
Tro uble Cause
Crack ing of porcela in Too thick layer
Bubb les in porcelain Too thick layer an included
Lifting of porcelain Too high firing due to shrinkage temperature
White discoloration of Porcelain was porcelain contaminated by
Stain Liquid
a Troubleshooting
• Porcelain Stain
Final Temp . °C
Vac uum End °C
Hold min.
830-850 - -
Final Temp .
°C Vacu um End
°C Hold min.
850-870 -
Final Temp .
°C Vacuum End
°C Hold mi n.
1000 2
. . was frnrshed with silicone polis hers,
might become lower. The following
ie application of VINTAGE Art stains:
Final Temp . Vacu um End Hold °C °C min .
1050 5
Trouble Cause Solution
Crack on stain surface
Layer too thick Apply thin layer
Layer too thick Apply thin layer
Drying temperature toohigh Dry with appropriate temperature
Drying time too short Dry with appropria te time
Firing temperature too high
Fire wilh appropriate temperature
Bubbles Firing tray temperature too high
Place firing tray at least 2-3 minutes after firing stage is open
Contamination of appl ication surface
Clean the abrasive dust with sandb lasting machine
Contamination of Slain Liquid with water
Avoid contamination with wate r (for c leaning of the brush the use of Stain Liquid is necessary)
Stain Paste is not in smooth condition
Mix well with a spatula before usage
Drying of stain Cap was not sealed tightly and liquid evaporated
Add VINTAGEArt Stain Liquid and mix well
I unu • Porcelain
Tro ub le Cause So lut ion
Cracking of porcelain Too thick layer Apply with thin layer and fire
Bubbles in porcelain Too thick layer and bubble included
Apply with thin layer and fire
Lifting of porcelain due to shrinkage
Too high firing temperature
If the st ain surface is too sh iny, se lec t a lowe r temperature so that the stain surface does not ge t a shiny surtace .
White discoloration of porcelain
Porcelain was contaminated by Stain Liquid
Stain is app lied after firing of porcelain (Stain Liquid con sis ts of organic elements and it should not be mixed with por cel ain powder, as II is d if fi c ult to evaporate).
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, type of furnace, so test firin g is
ms.
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