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Preserving ancient Indianheritage in all its manifestationshas been the fulcrum of activitiesof Bharatiya Vidya Bhavan sinceinception in 1938.
Re-invigorating these ideals,the Bengaluru Kendra haspioneered several programmesthat have focussed on leaving alasting legacy for futuregenerations. Taking it to thecommon man through variedmedia such as performing arts,seminars and institutionalizedteaching of many branches ofIndian knowledge have been theroad map chosen by theBengaluru Kendra to keep aliveIndian culture.
The Kendra has especiallyfocussed on this, its pioneeringwork in resurrecting rare andfading arts in eleven States acrossthe country and conductinginternational conferences onIndian immortal scriptures beingits landmark contribution in
MESSAGE OFMAHABHARATAA UNIQUE FIVE DAYFESTIVAL FROMJUNE 26 TO 30, 2019
recent years. The visionaryoutlook and focus on reachingout to youth through all theseactivities has ensured theparticipation of youngsters inthese programmes.
Since 2013, the Kendra hasbeen holding mega annualconferences on Indian scripturesof antiquity and world literature -Veda Samvada (2013),Upanishad Sandesha (2014),Message of Mahapuranas (2015),Message of Mahakavyas (2016),Message of Bhagavata (2017)and Message of Ramayana(2018).
Over 350 top doctoralscholars from across thecountry have participated inthese seminars, presentingabout 350 papers, each one ofthe topics having a connectionand relevance to presenttimes, lending them practicalvalue. 30 established scholarswere honoured on theseoccasions.
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As an integral part ofdisseminating knowledge throughthese seminars, book exhibitionswere held as an adjunct to themain event, with every eveningdevoted to music, dance andtheatre, their themes drawnfrom the seminar topics.The international conferenceswere a holistic intellectual,literary, and cultural comingtogether of the best in the chosenfields, interspersed with therecitation of Vedas all through.
The Kendra acknowledgesthat ISKCON, Bengaluru, hasgiven unconditional support,without whose activeinvolvement, the conferenceswould not have been sosuccessful. Similarly, Tirupati-
Tirumala Devasthanams (TTD)have been supporting the Bhavanfinancially without whosesupport, it would not havebeen possible to take up suchconferences on mammoth scale.This year too, the BengaluruBhavan, TTD and ISKCON areorganizing a five-day seminar,Message of Mahabharata, fromJune 26 to 30, 2019, focussingon topics such as cosmology,geography, genealogy, yoga,legends, music and dance.
The most importantoutcome and lasting legacy ofBengaluru Bhavan, has been thedocumentation of all theconferences in both book anddigital form, which is of greatarchival value.
MESSAGE OF MAHABHARATA
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CALENDAR OF EVENTS
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A total of an impressive
587 programmes featuring 5672artistes,attracting an audience ofapproximately 172216 – that hasbeen how well-received theBharatiya Vidya Bhavan-InfosysFoundation Cultural Outreachprogramme since its launch in2015 February.
“A Sculpture Workshop”was organized byThiruvananthapuram Kendra(Kerala).The famous sculptor,Shri Satheeshan, gave thestudents basic lessons in claymodelling and pottery.
A program based on GujaratiSugam sangeeth by young andtalented artistes “Ghanu JivoGujarati,” “Bajaba Gana
Fatana Sandhya” – a programon Gujarati traditional ancientmarriage songs,“MahashivaratriNritya Arpan”, and“Pt. Paluskar SangeetSamaroh” were organized byAhmedabad Kendra (Gujarat).
A dance drama on the lifeof saints of Maharashtra,“Samarpan,”and “IndiaInternational Dance Festival”–a dance program by youngdancers and specially abledartistes, a blend of three classicaldances “Shivarpanam” wasorganized on the occasion ofShivarathri. “MaanVandana”was organized on the occasion ofthe birth centenary of SwarajChotta Gandharva and“SwarVasant” – a solo
BVB-INFOSYS FOUNDATION CULTURALOUTREACH PROGRAMMES : NEW UPDATES
Shivarpanam by Smt.Anuja Bathe and troupe held on Mar 2nd at Pune
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performance of the sarod, violinand vocal classical music wereorganized by the Pune Kendra(Maharashtra).
A drama organized inassociation with MalayalamAmateur Samithy,“Lankalakshmi,” wasconducted by Kolkata Kendra(West Bengal/Agarthala).
A dance drama andtraditional folk dance,“PrahalladaNatak” and“Gotipua Nata,” “Pala”,“Folk Song of Odisha”,Chhau Nrutya of Mayur Bhanja“Kumuda Bandhu Ko-Aham,”“Lakshmi Purana” and“Puppet Dance and AnimalDance” was organized byBhubaneshwar Kendra (Odisha).
“VivekanandaBirthday Celebrations”,“Thyagaraj Aaradhana”,“Nadhaswaram Concert”,“Flute Concert,” and two“Vocal Concerts”, “VeenaTrio” was organized by TrichyKendra (Tamil Nadu).
KERALA
Sculpture Workshop washeld on 16/02/2019 in twosessions and Shri.Satheeshan, thefamous sculptor, gave the studentsbasic lessons in clay modellingand pottery. The students enjoyedthe practical class. An exhibitionof the sculpture created duringthe workshop was also held at thevenue.
BVB-INFOSYS FOUNDATION OUTREACH PROGRAMMES
SculptureWorkshop
byShri.
V. Satheesanheld on
Feb 16that
Kodunganoor
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GUJARAT
Ghanu Jivo Gujarati waspresented on 19/01/2019 bySmt.Shaili Shah & troupe.The artistes performed manyregional Gujarati well known andnot so well known compositionsfor the benefit and learning of theaudience. The singing was alsosupported by reciting poems andthe best pieces of regionalliterature.
Bajaba Gana FatanaSandhya was presented
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on 02/03/2019 by Shri.RameshKarolkar & troupe. The programwas based on Gujarati TraditionalAncient Marriage Songs byvery young artistes from villages.The female artistes from villageswere performing on the stage forthe first time. The theme basedtraditional marriage songsreflected the funny and healthyrelationship between the twomarriage parties. It’s a reflectionof society and their balance withthe current times, languages anddiversities.
Bajaba Gana Fatana Sandhya by Shri.Ramesh Karolkar & troupeheld on Mar 2nd at Ahmedabad
Ghanu Jivo Gujarati by Smt.Shaili Shah & troupe held on Feb 21st at Ahmedabad
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Mahashivaratri NrityaArpan was presented on03/03/2019 by the disciples ofGuru.Smt.Rucha Bhatt. A smalltribute was paid to Lord Shivathrough a classical Bharatanatyamand Odissi dance. This programstarted with Lord Ganesha stutiand then continued with ShivKautram, Shiv Varnam, andShiv Tandav. Kala Guru Smt.Suprva Mishra performed two
Odissi dance items calledAstshambhu and Natraj Stuti.
Pt. Paluskar SangeetSamaroh was presented on31/03/2019 by M.Kantilal andtwo of his Sons.The programwas organized to pay tributeto legendary singer PanditVishnushankar Paluskar.He was the original singerof the most popular religiouscomposition: ‘Raghupati RaghavaRaja Ram’ and the founder of
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Mahashivaratri Nritya Arpan” by the disciples of Guru.Smt. Rucha Bhattheld on Mar 3rd at Ahmedabad
Pt.Paluskar Sangeet Samaroh presented by M.Kantilal & two of his Sonswas held on Mar 31st at Ahmedabad
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Gandharva Maha Vidyalaya in1901.The program wasorganized in association withSwaram Academy of classicaland light music. Young studentspresented vocal and instrumentalmusic.
MAHARASHTRA
Smt. Anagha Kakade andthe students of Bharatiya KalaKendra, Pune, presented adance drama on 18/01/2019 onthe life of Saints of Maharashtra,to pay tribute to the founder ofKendra and celebrated dancer,theatre artiste and television star,the late Ashwini Ekbote, througha program titled “Samarpan”(To dedicate).
India International DanceFestival was presented on
26/01/2019 & 27/01/2019 byyoung dancers and specially abledartistes in association with IndiaInternational Dance Festival(IIDF) and Samskritiki.The festival of dance by youngdancers was conducted,comprising of Priyanka Bhide,Mumbai (Kathak), 8 dancers ofLokkala, Pune (folk dance),Vaishali Sohoni, Pune (Flemanco),
SamarpanDirected
by Smt.AnaghaKakade held on
Jan 18th at Pune
MofassalHossen,Mumbai(Bangladeshifolk), AnjaliBagal
Spain dance form- Flemanco
by Kum VaishaliSohoni heldon Jan 26th
at Pune
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and troupe of 6 artistes ofKalavardhini, Pune(Bharatanatyam) and
Amarnath Ghosh, Mumbai(Rabindra Nritya). There was aspecial slot for specially abledartistes in which three artistes,namely Gauri Gadgil, GayatriKale, Isha Patki showcased theirtalent.
Shivarpanam was presentedon 02/03/2019 by Smt. AnujaBathe and troupe. On theoccasion of Mahashivratra,Shivanjali Dance Academy,Pune, presented Shivarpanam.This programme was a blend of3 Indian classical dance styles:Kathak, Bharatanatyam andKuchipudi.
Maan Vandana waspresented on 15/03/2019 byShri. Shankar Kulkarni andtroupe.On the occasion of thebirth centenary of the late SwarrajChotta Gandharva, a specialNatya Sangeet programme titled“Maan Vandana” was conducted.Eminent theatre vocalists
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Kathakrecital
byShri.Siddhi
Abhayheld on
Jan 27that
Pune
Chotta GandharvaSmrutigaan presented
byShri.Shankar Kulkarni
and troupeheld on Mar 15th
at Pune
Mohiniattamby
Kum.UnnatiHimatbhai
Ajmeraheld on
Jan 27that Pune
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presented the traditional singingstyle of Chotta Gandharva –Shri Mukundraj Godbole,Mrs. Sucheta Avachat, and ShriChinmay Jogalekar, Shri Vidyanand Shri Deshpande (Tabla) andShri Jayram Potdar (Organ)accompanied them.
Swar Vasant was presentedon 28/03/2019 by Smt. UrvashiShah and troupe. The programmeSwar Vasant commenced witha solo violin performance byMrs. Anjali Singde Raoaccompanied by Pandit RamdasPalsule on the tabla. Thereafter,
Mrs. Urvashi Shah renderedclassical songs and wasaccompanied by Pandit RamdasPalsule on the tabla andShri. Leeladhar Chakdradeoon the harmonium. Then PanditPartho Sarothy, senior disciple ofPandit Ravi Shankar, presenteda solo sarod performanceaccompanied by Pandit RamdasPalsule on the tabla.
WESTBENGAL/AGARTHALA
Lankalakshmi, directed byShri.K.Nandakumar, a drama,was organized on 24/02/2019
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Swar Vasantpresented
bySmt.Urvashi
Shahand troupe
held onMar 28th at Pune
in associationwith MalayalamAmateur Samithy.
Lankalakshmi –Direction
byShri.K.Nandakumar
held on Feb 24th at Kolkata
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The play is based on the epicRamayana, written by lateC.N. Srikantan Nair in 1966.He has written three playsbased on the Ramayana knownas the Ramayana triology. Theseplays are ranked among thetop in Malayalam literature.Lankalakshmi is a classicalplay depicting the happeningsat the Ravanasabha during theRama Ravana war. This playshows the various emotionsof the king who wanted the bestin the world for his people andfought for it. This is a veryclassical way of storytellingwherein Ravana and his entirefamily including his nephews,children, uncle, grandfather, wife,brothers are characterized in aremarkable manner.
ODISHA
Pala was presented on07/01/2019 by Smt. BinapaniPadhi and Party.Pala has forgeda firm bond with the people ofOdisha and their livelihood andcultural consciousness forhundreds of years. Pala is themessenger / news carrier ofliterature and culture. The unionof vocal and instrumental music,the beat of the song and significanthearing mix well in Pala to makeOdiya literature melodious andlively. The palagayakas not onlyintroduce Odiya literature to thepeople but also renowned poetsof Sanskrit and regional language.As Pala is the strongest mediumto advertise and spread life’svalues, it has established itself
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Pala presented by Smt. Binapani Padhi and Party held on Jan 7th at Bhubaneshwar
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deeply not with standing the gloryof modernization. Recitation,explanation and dramatization aresignificant aspects of Pala. Whilepresenting the subject matter, thegayak’s dramatization attracts theaudiences. The real proof ofbrilliant palagayak is his brilliancein using Raga Ragini (tune) withcorrect recitation and presenceof mind. In the past, only menperformed Pala but since the pasttwo decades,many ladies haveproved their mettle in this field.One such lady gayika is Smt.Binapani Padhi of Delang villageof Puri district.
Prahallada Natak waspresented on 19/01/2019 byShri Lakshminrusingha Natya
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Parishad and Gotipua Natawas presented by Odisha DanceAcademy.
PrahalladaNatak
Prahallad Natak, a dancedrama, was written around 1860AD in Odiya attributed to RajaRama Krishna Dev Chotaray ofJalantara, now in AndhraPradesh.This story narrates theemergence of Narasimha, theman-lion avatar of Lord Vishnu,from the stone pillar of the royalcourt to kill Hiranyakashipu, thedemon king, who tortured his sonPrahallad for not giving up utteringthe name of Lord Srihari and hisclaim that God is presenteverywhere. In sheer frustration,when he asked Prahallad whether
PrahalladaNatak presented
byShri
LakshminrusinghaNatya Parishad
held onJan 19th
atBhubaneshwar
19
Srihari was present in the pillar,and gets an affirmative answer,he kicks it in anger, andNarasimha emerges from insideand tears Hiranyakashipu apartand blesses Prahallad. Thisperforming art is very attractive inits combination of Odiya andSanskrit shlokas of colloquiallight music based on classicalCarnatic and Hindustani ragasand well defined talas, using boththe Sutradharaas done in Sanskritplays and the Gahakalike intraditional folk plays.
It contains as many as 42Sanskrit shlokas, with 120 songsbased on 35 ragas and six talas.There are twenty male and fivefemale characters in PrahalladNatak, four rasas predominantly,i.e. Hasya, Karuna, Bhayanakand Raudra.
The play was originallyenacted over seven nights; later itwas brought down to two nights;now it is restricted to an entirenight. The various punishmentand enforcement procedures laidout by Hiranyakashipu to destroyhis son Prahallad throughdemons, elephants, snakes, fire,
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etc., are reduced to cut short thetime. An important aspect of thisplay is the use of the mask ofNarasingha. The mask is offereddaily puja in the Kotha Ghara orin the temple.After the withdrawalof royal patronage, the PrahalladNatak popularly known as RajaNatak became a Praja Natak.
Today, the Prahallad Natakgroups are supported by villagers.All the artistes and musicians whotake part in this play are amateurs,coming from different professionssuch as teaching, cultivation andsmall businessmen, etc. Thegroups travel and perform all overthe country on invitation at fairsand festivals.This entertaining folktheatre form has been influencedby its contemporary forms ofSouth India like Yakshagana ofKarnataka, Bhagavat Mela andTherukoothu of Tamilnadu.
Gotipua Nata
The incomparable richnessof our traditional and folk danceshas epitomized the essence ofsocio-cultural and religious lifeof the people of Odisha. Onesuch traditional dance is GotipuaDance which had contributed
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immensely as one of the mostlyrical and graceful classicaldances of India.In the process ofevolution from Mahari orDevadasi service attached toLord Jaganath, the Gotipuadance with its spiritual essencehas been enriched by the basicelements and nuances of Mahartdance.
Later, as an inevitableritualistic service to LordJaganath and other gods indifferent fairs and festivals likeJhulan Yatra, ChandanYatra andHoli, etc., the dance form hasbeen kept alive.Gotipua meanssingle boy. The dance of a boydressed in female garb and
costume is called Gotipua dance.The Vaishnavas inspired by thephilosophy of Chaitanya preachedand practised the cult of SakhiBhava (offering one’s own selfto Krishna as a female attendant)and popularized Gotipuadance through dancing on thecompositions of medieval poetsdedicated to Lord Krishna andhis play (leela).
The Gotipuas from the ageof 5 to 6 stayed at the gurukul,learnt and practised the danceunder the direct and constantsupervision of their Guru.They lead a life of rigorous trainingand exercise to make themselvesfit for singing, dancing and
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Gotipua Nata by Odisha Dance Academy held on Jan 19th at Bhubaneshwar
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BandhaNritya (acrobatics danceusing difficult and intricate posesof the body).
Folk Song of Odishawas presented on 04/02/2019by Guru Jalandhar Pradhan. Folksongs and folk music, performedin various regions of Odisha, andwhich was developed by ancienttradition are quite worth hearingand touch the heart of the listener.As South Odisha’s Chhanda,Champu, Chautisha entertainexpert and skilful listeners,
the sweet melody of the folkmusic of North and West Odishahas crossed the borders of Odishato entertain the listeners of thewhole world. Guru JalandharPradhan’s Nrutya SangeetAnusthan of Jatni Town ofKhordha district is one of the bestinstitutions of Odisha, striving hardto keep alive traditional folk songs/ music. The main purpose of thisorganization is to teach traditionalmusic and songs like Chhanda,Champu, etc. along with Odissi
BVB-INFOSYS FOUNDATION OUTREACH PROGRAMMES
Folk Song of Odisha presented by Guru Jalandhar Pradhanheld on Feb 4th at Bhubaneshwar
music. In this era ofmachines, the efforts ofJalandhar Babu to keepalive the ancient traditionare very laudable.
Kumuda BandhuKo-Aham was presentedon 18/02/2019 byGuru Sadashiv Pradhan.Chhau Nrutya is the bestamongst India’s mute
Kumuda Bandhu Ko-Aham presented by GuruSadashiv Pradhan held on Feb 18th at
Bhubaneshwar
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dances. In this, there is no scopefor the dances to exhibit theirsinging skills. The dancer presentsthe subject matter according tothe tune and measure of the musicby different gestures or difficultbody movements.
The Chhau Nrutya ofMayurbhanj is quite difficult incomparison to that of ChhauNrutya of Saraikela and Purulia.The Saraikela and Purulia Chhauartistes use a mask whereas thestyle of manifestation ofMayurbhanj Chhau Nrutya isgesture and body movements.
Kendra Sangeetha NatakAcademy award-winning andglobally acclaimed Nrutya GuruSj Sadashiv Pradhan is oneamongst some Nrutya Guruswho are devoted to research onChhau Nrutya. He is striving hardto make the Mayurbhanj ChhauNrutya style famous worldwide.He has deviated from the
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traditional style and createdtwo new methods based on theBhagavat Geeta to make it morefascinating - “Kumuda Bandhuand MuaKiye”. He has gainedfame by presenting these atvarious places.
As there is a very deeprelationship between Prakruti andPurush (Women and Men),likewise the relationship betweenthe Moon and Lily is very cordial.The existence of a lily is quiteimpossible without the Moon. TheLily becomes mad and surrendersherself to behold the Moon in aclear sky. “Kumuda Bandhu” isbased on the above facts.
Lakshmi Purana waspresented on 11/03/2019 bySri Sri Maa Mangala KalapataNatya Sangha. Every householdin Odisha is well acquainted withThe Lakshmi Purana writtenby Balaram Das. In the past,based on this story, many drama /
Lakshmipuranapresented
bySri Sri
Maa MangalaKalapata
Natya Sanghaheld on Mar
11th atBhubaneshwar
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singing theatrical performanceand pantomimes of a differentflavour were staged at variousplaces in Odisha.In comparisonto that of other regions, suchdramatic performances werequite different in Ganjam district.
During the 19th Century,this drama was performed ontwo stages. One for Maa Laxmiand another for Lord Jaganath.By this method, drama wouldbecome extinct / weaken as theaudiences were not interested init. It is a matter of joy that LaxmiPurana’s dramatic performancewas resurrected by the efforts ofMr. Banoj Sahu of Duan Pallivillage under the Polasara block.It is not performed on one stagelike Radha Krishan Prema Leela.This drama preaches theimportance of eradication ofcaste conflict and the necessity
of the female,as males and menare quite incomplete withoutwomen.
Puppet Dance andAnimal Dance was presentedon 25/03/2019 by Guru Shri.Alok Bisoi and group.The BichitraVarnali Natya Sansad is one ofthe institutions which strives hardfor the revival and resurrectionof near extinct folk arts. The headof this institution is SJ Alok Sahu,a youngster, under whosestewardship this institutionorganizes various styles of folkart like Ghuduki Nata, SakhiNata, Pashumukha Nata, RanapaNata, Chadeya Nata, etc.. Nowthe new entrant is Kandhei Nata(Toy dance / Puppetry). His styleof performing Kandhei Nata isquite different from others.Kandhei Nata is based on“Kanji Upakhyana”, a popular
legend of thesouth and haswon spectatorsadmiration andappreciation. Alongwith Kandhei Nata,he also performsPashumukha Nata(Animal MaskDance).
Puppet dance and animal dance presented byGuru Shri. Alok Bisoi and group held on
Mar 25th at Bhubaneshwar
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BVB-INFOSYS FOUNDATION OUTREACH PROGRAMMES
Fluteconcert –by Shri
V.M. JyothiSharma and
party heldon Mar 8th
at Trichy
Nadhaswaramconcert – bySrirangam
Harikrishnanand party held
on Mar 7that Trichy
ThyagarajaAradhana –rendering of
Pancharatna Kritisby young artistsheld on Feb 3rd
at Trichy
Veena Trioby
Dr.VeenaiSivakumar andparty held on
Mar 11that Trichy
TAMILNADU
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BVB-INFOSYS FOUNDATION OUTREACH PROGRAMMES
TAMILNADU
Vocal concertby
Selvan PrithviHarish and
party held onMar 10that Trichy
Vocal concertby
Dr. Apoorva SaiGowtam and partyheld on Mar 12th
at Trichy
Vocal concertby
Smt. Anusuya andparty held on
Mar 13that
Trichy
Vivekanandabirthday
celebrations speechby
Shri JayahindhuRaajaraaman
held on Jan 12th at
Trichy
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BHAVAN-INFOSYS FOUNDATIONOUTREACH CULTURALPROGRAMMES :FEB & MARCH, 2019
Instrumental music : Veena Venu and Violin Concert :
Veena : Smt. Vani Yadunandan, Violin : Shri. Aniruddha Bharadwaj,
Venu : Smt. Deepak Hebbar and party on Feb 23,
at Vasantha Vallabha Kalyani, Konanakunte,
Vasanthapura, Bengaluru.
Instrumental Music : Saxophone :
Vidwan Sridhar Sagar on March 23, at Vasantha Vallabha Kalyani,
Konanakunte, Vasanthapura, Bengaluru.
Fri 5.30 p.m. - KRG Hall07. Ballala Rayana Durga -The Untapped Eco-Tourism Potentialof Chikmangaluru Dist of KarnatakaBook Launch by Shri B.L.Shankar,President, Karnataka ChitrakalaParishathauthored by Shri. J.W. Lobo,former Regional, Director of ICCR
6.30 p.m. - Khincha HallKuchipudi recital :Shri. Surya N. Rao
Sat 4.00 p.m. - Khincha Hall08. Bharatanatya ArangetramMs. Hita Poonacha
Fri 6.30 p.m. - Khincha Hall21. “Veena Trio” :Shri Vishnu Teja S, Ms. SreeramyaAnand and Shri. Mahesh Prasad,Bengaluru
Tue 6.00 p.m. - Khincha Hall25. BVB- Shailusham Artsand Creations presentsJyothy Memorial EndowmentChinnara Kalarava - 2019featuring child prodigies
Wed - Sun BVB-ISKCON jointly 26 - 30 presents a five -dayNational Conference on‘Message of Mahabharata’(For more details pl see page 1-9)
PROGRAMME :JUNE - 2019
Fri 11.00 a.m.- Bhavan premises10. Inauguration of refurbishedGandhi Centre of ComputerEducation and InformationTechnology
Fri 6.30 p.m. - Khincha Hall14. Bharatanatya recital :Ms. Jalpa Mahadev
Sat 6.00 p.m. - Khincha Hall15. Carnatic music concertspecial child Master Devesh. Hunder S.P. Rajalakshmi andM.V. Jayaram endowment.
Fri 6.30 p.m.- Bhavan premises21. International Yoga daycelebrations.Chief Guest : Prashanth Kumar M.Awardee ‘Yoga Sadhaka’ in 2010
Fri 6.30 p.m. - Khincha Hall28. Bharatanatya recital :Ms. M.A. Shreya Balaji
Sat 6.30 p.m. - KRG Hall29. Horizon series -
Veena recital :Smt. Yoga Vandana J.(in association with Indian Councilfor Cultural Relations)
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June - 2019
BOOK POST
SMT. GEETHA RAO