dreamcatcher 043 apr 2013
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How To Say: (Let's) Eat, Gatherings, Grey Snow Eagle House at AICCOK OKC Chapter, 2013 Miss Indian Oklahoma City Raven Morgan (Cheyenne), River Spirit partners with Jimmy Buffet and Margaritaville, Oklahoma Casinos & Entertainment, OK Casino Trail, Dreamcatcher online.TRANSCRIPT
2013 MISS INDIAN OKC
Raven Morgan
(Cheyenne)
O KL AH O MA I N D I A N N AT I O N S C U LT U R E + E V E N T S
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1899 S. Gordon Cooper Dr.Shawnee, OK 74801(405) 878-5830www.potawatomiheritage.org
043
How To Say: ... 9
Gatherings ...10
Miss Indian OKC ...12
Artist Joseph Erb ...16
Oklahoma Casinos & Entertainment
OK Casino Guide ...20
OK Casino Guide ...22
Casino Trail Map ...24
online...26
Cover: Dreamcatcher Images This page: Crown Dancers, Whiteriver, AZ, by John Jernigan
7APRI L 20 13
Dreamcatcher MagazineOklahoma Casinos & Entertainment
0 4 3
3101 N Flood Ave, Norman, OK 73069 [email protected] 405-360-8805, 405-360-2228 FAXhttp://www.dreamcatchermag.net
Single (1 issue/mo) Subscription: $25/yrBulk (25 issues/mo) Subscription: $200/yr
James T. Lambertus, Publisher, [email protected] Haigh, Operations Manager, [email protected] Inquiries: [email protected] & Editorial Submissions: [email protected]
© Copyright 2013 OCE Publishing, LLC/First Mesa, LLC
N A T I V E A M E R I C A N O W N E D
American Indian Chamber of Commerce
Oklahoma Indian Gaming Association
Oklahoma MuseumsAssociation
Oklahoma Indian Tourism Association
Dreamcatcher Images
888 APRI L 20 13
Agi’a
Ilimpa’chi’
MITSIN
YÁASA’
Agi’a
MIJET Pvpetv
Wanumbre
EmeseMIIC I˘ ˘
“(LET’S) EAT”
>CHICKASAW
>POTAWATOMI
>MUSCOGEE(CREEK)
>CADDO
>OSAGE,KAW
>DELAWARE
>CHEYENNE
>SHAWNEE
>CHEROKEE
9
Send us details or photos of your Gathering: [email protected]
BINGER>Caddo Culture ClubFirst and third Thursdays, 7 pmCaddo Nation Cultural Building>>
EDMOND>Otoe Language ClassesTuesdays, 6 pm 580-723-4466, [email protected]>>
ELGIN>Learn ComancheA Beginner’s Packet, free to tribal members, $70 for others. http://www.comanchelanguage.org>>
TULSA >Native Philanthropy InstituteWed-Fri, Apr 3-5, Hard Rock Hotel & Casinohttps://www.nativephilanthropy.org>>
OKLAHOMA CITY>Allie Reynolds Memorial Golf TournamentMonday, April 15, OKCG&CCContact Red Earth: 405-427-5228>>
PAWHUSKA>Osage Cultural CenterClasses on Ribbon work, Fingerweaving and more. 918-287-5539; http://www.osagetribe.com/cultural
PERKINS>Iowa Nation Grey Snow Eagle House2 mi S of Perkins on Hwy 177Tours by appointment, call 405-334-7471http://www.facebook.com/GreySnowEagleHouse>>
RADIO>Chickasaw Community RadioKCNP 89.5 FM>Kiowa VoicesSundays at 12 noon on KACO 98.5 FM>Seminole Nation Weekly Radio ShowLive on Tuesdays, 11 am on KWSH 1260 AM>>
QUAPAW>Quapaw Fingerweaving ClassesVideos of Beginner and Advanced classes:http://quapawtribe.com/index.aspx?NID=306>>
TALEQUAH>Trail of Tears Art Show and SaleEntries are being accepted now through April 8.http://www.cherokeeheritage.org/for-artists>>
WWW>Eye on NDN-Country with dg smalling Saturdays, 9 am on http://www.thespyfm.com >Tribal Scene RadioFridays, 8 am live on http://www.kbga.org
April 8, 1944 Ernest Childers (Muscogee) awarded theMedal of Honor
10 G A T H E R I N G S
Dreamcatcher Images
>AMERICAN INDIANCHAMBER OF COMMERCE>>
The March meeting of the OKC Chapter
of the American Indian Chamber of Commerce of Oklahoma opened with a performance by 2012 Jr. Miss Indian OKC. Featured speaker Victor Roubidoux, Wildlife Manager of the Iowa Tribe’s Bah Kho-je Xla Chi (Grey Snow Eagle House) spoke about the history and operation of the facility. >>(Clockwise from top left)
2012 Jr. Miss Indian OKC
Lindsey Harjo (Seminole)
>Aviary Assistant Harley Coleman
with RB, a golden eagle
shot in the wild in Utah.
>Victor Roubidoux, Founder and
Wildlife Manager of the
Grey Snow Eagle House
11
LIVING CULTURES>MISS INDIANOKLAHOMA CITY2013>>
The Destiny Christian Center was again the
site of the Changing Winds Cultural Society’s 2013 Miss, Jr. Miss and Little Miss Indian Oklahoma City competition. Since 1992, young women have stepped forward to compete to represent their tribes, OKC and Native Americans in general at 60+ events throughout the coming year. Congratulations to:>Miss Indian OKC:
Raven Morgan (Cheyenne)
>Jr. Miss Indian OKC:
Chyna Chupo (Seminole)
>Little Miss Indian OKC:
Akiane Bates (Shawnee)
Dreamcatcher Images
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LIVING CULTURES>MISS INDIANOKLAHOMA CITY2013>>
Behind the scenes, the judges rated the
contestants in the categories of: Introduction to Judges, Tribal Greeting, Traditional Dress, Traditional Talent and overall poise. >>(Opposite, clockwise from top left)
Miss Shirley Wapskineh talks to
the judges just before the
competition began. • Each judge
drew a number to anonymously
identify their ballots. • Judges Kristy
Smithson, Eric Oesch, Stephanie
Tehauno, Tim Tall Chief and James
Lambertus (not pictured) discuss a
point while Tabulator Kellie Moore
looks on. • Judges contestant book.
>(Opposite, lower)
Miss Shirley thanks the members
of the event committee, including
Pat Nimsey, Cheryl Anquoe , Jan
and Neil Colbert.
>(Left)
Little Miss, First Runner-Up:
Victoria Eckiwardy (Yakama)
Dreamcatcher Images
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Courtesy Fred Jones Jr. Museum of Art
LIVING CULTURES16
>THUMB TALKING AND THE ART OF SPEAKING CHEROKEE: JOSEPH ERB>by heather ahtone>>
The relationship between language and cul-ture are intertwined across the globe. For Native
American communities, the language is woven into the visual arts. Continuing to produce art that expresses indigenous knowledge is part of what keeps tribal communities thriving. For artist Joseph Erb (b. 1974), his Cherokee language is integral to his art. But for Erb, the Cherokee language is a driving force for more than just his imagery, it is his life’s passion. As a language specialist working for Cherokee Enterprises, Erb is committed to developing the best tools available to keep the Cherokee language evolv-ing with the needs of the community. Even though many Cherokee stories are available in English, translations from the original lose the nuances that are critical to the whole of the story being told. Retaining fluent speakers is key to the continued vitality of these stories and the culture. For the Cherokee Nation, with approximately 300,000 citizens, there are less than 12,000 speakers who actively use their Southern Iroquoian language to communicate. The need to address tribal fluency is immediate.
>
Speaking one’s language is necessary for the continued vitality of every culture. Often people
see the dances and the visual arts as the embodiment of cultures. But the soul of culture is seeded in the lan-guage. Without the traditional language, there is no way to invoke the prayers, the songs, the traditional ceremo-nies, or to tell the stories that carry the tribe’s genesis and history. For too many Native communities this is a lived
>Joseph Erb (Cherokee)
Gourd with Warriors Addressing Modern Technology, 2006
Gourd with pigment, 9-1/4 x 12-1/2 x 6-7/8”
Fred Jones Jr. Museum of Art, University of Oklahoma, Norman
17
LIVING CULTURES
experience as only 5.4% of Native American families are fluent speakers of their tribal language. Without the original language and speakers who know it, the culture is at risk of dying. It is the mission of artist Joseph Erb to keep his language alive. >
This is why Erb, who received a Masters of Fine Arts from the University of Pennsylvania, made
The Beginning They Told (2003) integrating Cherokee language into an animated short that tells the story of the Cherokee genesis. When he began teaching students how to develop their animation skills, he found it to be a viable way to pass on the language. He observed that young Cherokee people were often disconnected from their language because they were inhibited from using it as computers and texting became the most common ways for most people to communicate. Erb, with others at the Cherokee Nation, recog-nized that if they could conceive of a way to interface the language with the technology, that the young people would be more likely to retain their language skills–even develop them. They approached leaders
>>Joseph Erb demonstrates the Cherokee language iPhone.
Email, text messaging and other apps can use the language as
part of the native operating system.
>Top: We Prayed in Water (2012) animated short voiced
concerns about the effects of “fracking” on local water sources.
iPhone app: AP; Animation: Joseph Erb
18
process of connecting his culture to the present, he is also rejecting the shroud of a colonialized past that has loomed over all of Indian Country in some form. He replaces it with a Cherokee-centric vision.
>
This is not done to promote antagonism but to suggest that the world can be seen from other
perspectives that are equally as valid as the Euro-American-centric paradigm. This is evident in his series of global maps, where the names of every country are shown in Cherokee. The act of renaming has been used historically to erase the identities of the Indigenous people who live in these places. How many state names have subsumed the identities of the people who once inhabited these regions at the cost of their exile or extinction? Illinois, Michigan, Kansas, Arkansas and other names of municipalities that mask the colonialized history of this country.
For many young Native American people, the burdens of cultural survival in the twentieth century have turned towards the challenges of bringing their cultures into the twenty-first century world of technology and globalization. Erb is one of many who are em-bracing this challenge with creativity and confidence, seeking the goal of creating a place where there is room for them to have a strong cultural identity while being a global citizen. Erb sees the possibilities. He is exploring new possibilities, like using traditional metals to integrate an iconic traditional figure with the interface of a mother board’s circuits and Cherokee text as a form of jewelry. Though animation remains an important tool for Erb, he continues to develop as a painter and illustrator. Erb is the classic renaissance man, whose dreams are checked only by the limited hours in a day. One can only imagine how the next generation will build on the legacy he is establishing.
>For information, http://www.blackgummountain.com To see originals visit Tribes 131 Gallery in Norman.
>Heather ahtone (Choctaw/Chickasaw) is the James T. Bialac Assistant Curator of Native American and Non-Western Art at the Fred Jones Jr. Museum of Art at the University of Oklahoma.
at Apple, Inc., who by 2003 had already made the Cherokee’s unique syllabary available as a standard font on all Apple products. Erb and his colleagues in the tribal language program imagined the best case scenario and then worked to make it happen. By 2010, Cherokee language was supported for iPhone and iPad. In 2011, Google searches could be made in Cherokee. In 2012, Gmail was fully supported. But the challenge did not end there.
Erb and his colleagues then had to work with tribal elders to create Cherokee terms that reflected the technology that was now available. Erb explained that phrases evolved like “thumb talking” for texting and “lightning paper” for email. This creativity and in-novation has influenced Erb’s other creative activities.
>
Trained as an animator, Erb continues to develop media-based art that addresses issues important
to his Cherokee identity. But he flexibly uses whatever medium allows him to progress his message. He fuses traditional Cherokee imagery with cutting edge technol-ogy onto the painted surface of gourds, a time-honored tradition. He thinks its important that these reflected his contemporary experience as a tribal person. Gourd with Warriors Addressing Modern Technology (p. 12) shows the warrior sitting within the circular organized field with his weapons of choice, a mobile phone, an iPod, and a laptop computer. The warrior, sit-ting in a position of authority, is changing the world with his traditions intact. Not unlike Erb may see himself Recently, he participated in “H2OK: Native Response to Water Issues in Oklahoma.” We Prayed in Water (p. 14) was an animated short presented in Cherokee, with English subtitles, with concerns about the effects of “fracking” on local water sources that required no translation. His figures are drawn with thoughtful simplicity giving a conceptual balance to the weight of his message. An acoustic guitar track brought fluidity to the message without cliché. That’s important to Erb, bringing together culture, iconography and language in a presentation that avoids stereo-types of Cherokee, or even Native American. By placing Cherokee figures and subjects in a 21st century environment, Erb is leaping through time, binding culture and contemporaneity together. In this
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