dreamhamar | situations & collective sense | a proposal by matias lecoq
TRANSCRIPT
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8/3/2019 DREAMHAMAR | SITUATIONS & COLLECTIVE SENSE | a proposal by Matias Lecoq
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my proposal
for STOR-TORGET-
Hamar(norway
)
1.a) As the days progress, we ask about democracy,
its application and prospects in our society. His ani-
mation, as to the participation of citizens in political
life, is also defined as a major topic of concern.
We need participation to form a society in adaptation
to the people living in it, out of a technocratic regime
where "managers are the leaders of a democracy
that is held in a voting paper that few support ; todevelop mechanisms, such deliberation or advice,
that would become, without participation, mere ob-
jects of desire of researchers or political utopians.
Participation in political life thus becomes essential
for all democratic development that suggests the
idea of living together. Is an essential quality of a
community policy and assimilate to the degree to
which democracy satisfy political life and help to self-
realization (Fishman). However, political participation
through a difficult time and it's that's why participa-
tion need news forms.
To this end, urban planning, for his contemporary
relationship with participation in the sense that many
urban projects involve citizen consultation, must also
develop new forms of participation. And Dreamha-
mar is a very good example.
We are in a triangular design between Ecosistema
Urbano, online participants and citizens of Hamar. In
my opinion, this is a pattern that makes fuller partici-pation as it responds to quantity and quality chal-
lenges of participation which are related. It's a way to
integrate people who want to get involved in the pro-
ject and may make additional proposals through the
variety of their profiles and their concerns. And inte-
gration of new technology is also in this direction
(ease and speed of information, online and interactive
participation, etc.). As a result, I enjoyed the con-
tinuation of this participatory design proposed in tac-
tical urbanisms blog (by Silvia) through terminals lo-cated on Stortorget, but this should be just the be-
ginning : architectural practice, urbanism, must
make every citizen an actor involved itself in the
construction of situations, that is to be involved in the
development of moments of life, both singular and
collective, to create atmospheres or games tran-
sients (Simay).
b) So we must take this momentum participatory ini-
tiated by EU and the various participants, to make
the identity of Stortorget and to allow this creativity
and participation in its own context. I believe that be-
hind this reflection focused on Stortorget, there is
also the idea that participation is not limited to con-
sultation and the possible construction of the site,
but it is part of the identity of this. However, partici-
pation means being involved in something and, as
political scientist, I would like Stortorget become a
tool, or at least, a place of political participation. And
the first element is common sense that can facilitatecollective whole. So Stortorget just have to be a
common sense space but this requires the possibility
Situati
ons&collectivesense
MATIASLECOQ:[email protected]
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GENERAL VISUAL STORTORGET - HAMAR (NORWAY)
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to increase the customs and
practices, all in the same dy-
namic, but respecting individual
differences, which means to limit
the angles of social control that
exists on the public space. To
meet this goal, we must imagine
various aspects : elements whichcan stimulate participation, be-
cause involve citizenship in the
collective ; and the adaptability
of the place in participatory and
civic interactions practices.
2. Concretization
a) Self-built furniture
What is more participatory than
self-construction?! Build its
square is design it but also lay
the stones to where we live. Ad-
mittedly, citizens of Hamar are
not construction workers, but
they can be involved in the proc-
ess of physical change in the
square. This may have cost ad-
vantages, but overall in terms of
identification with the place. Spe-cifically, by linking with a previous
post, this can be realized in the
construction of street furniture as
suggested by the project "Guer-
rilla Bench : thus, the people of
Hamar, by following some prede-
fined templates for concept is-
sues, could be involved in work-
shops to build furniture that
would take place on Stortorget.
In an other way, and based on
the postpublic space in pieces,we can suggest too that this new
urban furniture (bench, chair, etc.)
can be assigned to various col-
lective (schools, associations,...)
to decorate and enhance the
identity of the place and adding
the "public furniture" label on it topromote its use. The furniture
should also be mobile, not fixed.
PlaaLesseps-BarcelonaLeo Praesen
2 designs for the back of the Agora
This is for "inventing new de-
signs, to make architectural
complex changeable, that its ap-
pearance may change partly or
completely according to the will
of its people" (IS n1).
b) The Agora : culturals and politi-
cals practices
What could be more symbolic in
these times of global indignation
that the Agora, the birthplace of
Greek democracy?! But more
than a symbol, the Agora is afabulous site for assembly, meet-
ing, which can be used for vari-
ous purposes (public meetings,
concerts, etc.). It is also an archi-
tectural element height and light
which allow a direct view of the
lake from the top, and we can
possibly take advantage of the
below to insert logistics areas
(load point for electrics bikes, wifi
connexion, etc.), public library or
newspaper kiosks. Agora meets the wishes of the
original plan to hold the square
with a central space dedicated to
community activities. From there,
and with the public greenhouse
in his hand, the Agora has a spe-
cial place for this kind of activity
while an architectural light ele-
ment that fits in the square and
has the advantage to not be very
expansive.
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c) Public Greenhouse : urban agriculture and every
season public space
It's necessary to take account of local identity
which is unique in Hamar for its relationship with
the rural world (Norways capital of agriculture). So,
agriculture can be a good start to get to the people
and who, in addition to enroll directly into the chal-
lenges of the XXI century in terms of environment,
can allow travel between theory and practice on a
specific topic which is that private activities con-
ducted in public space. To do this, and in addition
to achieving a space that reflects a narrative as-
pect of the relationship between space and its us-
ers, this point is focused on urban agriculture.
Specifically, it is the installation of a greenhouse in
the center or around Stortorget square, breaking
the momentum of the asphalt and reconnect with
the environment and history of Hamar. A green-
house, which is closed or opened according the
seasons (which can cope with the problems of
temperature particularly intense in Norway), and
leaves space for citizens to cultivate and share.
Requirements to the project are its transparency, to
not cut space, and grandeur that should not dis-
rupt urban mobility or related activities taking place
on this square. This suggests a greenhouse like
glass-cube that would be buried in part and allows
openings leaving a path in it to not hinder the pas-
sage of the square. The aim is to, first, grow com-
fortably all types of plants inside, and on the other
hand, can walk on it and possibly make a stage for
theater, concerts, public meetings and so on.
d) Legislation of public space : freedom to use and
common sense
Today, there is a "very clear desire to control be-
havior in public space" (Galdon Clavell) and an
"obsession with civility and for regulate everything
and whereas civility is only meaningful when it is
freely assumed, that citizenship is learned is not
imposed. Civility is learned from living together"
(Feixa) .
So in this aim, and referring to the legacy of the
Situationists who claim an unitary urbanism for the
purpose of the development of a social space and
the construction of cities to meet the fun, adven-
ture, and the revelation of the creative life, we need
to to provide open space. An open space where
the use is not regulated, where people can be
themselves, citizens or not, civics or not, because
the concept of space anticipated deviant behavior
and above all, trusted people who created the city
and community life and which is able to regulate
themselves.
Is the return to common sense that, in order to ex-
ist and grow, needs space and time.
No RU-LES forfree
practice