dtx402k dtx432k dtx452k owner's manual - se.yamaha.com€¦ · the exclamation point within an...

Owner’s Manual

ELECTRONIC DRUM KIT

DTX402KDTX432KDTX452K

EN

S-1

For Instrument

SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter).DO NOT connect this product to any power supply or adapter otherthan one described in the manual, on the name plate, or specificallyrecommended by Yamaha.
WARNING: Do not place this product in a position where anyonecould walk on, trip over, or roll anything over power or connecting cords ofany kind. The use of an extension cord is not recommended! If you mustuse an extension cord, the minimum wire size for a 25’ cord (or less) is 18AWG. NOTE: The smaller the AWG number, the larger the current han-dling capacity. For longer extension cords, consult a local electrician.

This product should be used only with the components supplied or; acart, rack, or stand that is recommended by Yamaha. If a cart, etc., isused, please observe all safety markings and instructions that accom-pany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct atthe time of printing. However, Yamaha reserves the right to change ormodify any of the specifications without notice or obligation to updateexisting units.

This product, either alone or in combination with an amplifier andheadphones or speaker/s, may be capable of producing sound levelsthat could cause permanent hearing loss. DO NOT operate for longperiods of time at a high volume level or at a level that is uncomfort-able. If you experience any hearing loss or ringing in the ears, youshould consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period beforedamage occurs.

Some Yamaha products may have benches and / or accessory mount-ing fixtures that are either supplied with the product or as optionalaccessories. Some of these items are designed to be dealer assem-bled or installed. Please make sure that benches are stable and anyoptional fixtures (where applicable) are well secured BEFORE using.Benches supplied by Yamaha are designed for seating only. No otheruses are recommended.

NOTICE: Service charges incurred due to a lack of knowledge relating to how afunction or effect works (when the unit is operating as designed) arenot covered by the manufacturer’s warranty, and are therefore theowners responsibility. Please study this manual carefully and consultyour dealer before requesting service.

ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and envi-ronmentally friendly. We sincerely believe that our products and theproduction methods used to produce them, meet these goals. In keep-ing with both the letter and the spirit of the law, we want you to beaware of the following:

Battery Notice: This product MAY contain a small non-rechargeable battery which (ifapplicable) is soldered in place. The average life span of this type ofbattery is approximately five years. When replacement becomes nec-essary, contact a qualified service representative to perform thereplacement.

This product may also use “household” type batteries. Some of thesemay be rechargeable. Make sure that the battery being charged is arechargeable type and that the charger is intended for the batterybeing charged.

When installing batteries, never mix old batteries with new ones, andnever mix different types of batteries. Batteries MUST be installed cor-rectly. Mismatches or incorrect installation may result in overheatingand battery case rupture.

Warning: Do not attempt to disassemble, or incinerate any battery. Keep all bat-teries away from children. Dispose of used batteries promptly and asregulated by the laws in your area. Note: Check with any retailer ofhousehold type batteries in your area for battery disposal information.

Disposal Notice: Should this product become damaged beyond repair, or for some rea-son its useful life is considered to be at an end, please observe alllocal, state, and federal regulations that relate to the disposal of prod-ucts that contain lead, batteries, plastics, etc. If your dealer is unableto assist you, please contact Yamaha directly.

NAME PLATE LOCATION: The name plate is located on the bottom of the product. The modelnumber, serial number, power requirements, etc., are located on thisplate. You should record the model number, serial number, and thedate of purchase in the spaces provided below and retain this manualas a permanent record of your purchase.

Model

Serial No.

Purchase Date

PLEASE KEEP THIS MANUAL92-BP (bottom)

DTX402K DTX432K DTX452K Owner’s Manual

COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of AmericaAddress : 6600 Orangethorpe Ave., Buena Park, Calif. 90620

Telephone : 714-522-9011Type of Equipment : Electronic Drum Kit

Model Name : DTX402K, DTX432K, DTX452K

This device complies with Part 15 of the FCC Rules.Operation is subject to the following two conditions:1) this device may not cause harmful interference, and2) this device must accept any interference received including interference that may cause undesired operation.See user manual instructions if interference to radio reception is suspected.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (FCC DoC)

For AC adaptor and Instrument

FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS
UNIT!This product, when installed as indicated in the instructionscontained in this manual, meets FCC requirements. Modifi-cations not expressly approved by Yamaha may void yourauthority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accesso-ries and/or another product use only high quality shieldedcables. Cable/s supplied with this product MUST be used.Follow all installation instructions. Failure to follow instruc-tions could void your FCC authorization to use this productin the USA.

3. NOTE: This product has been tested and found to complywith the requirements listed in FCC Regulations, Part 15 forClass “B” digital devices. Compliance with these require-ments provides a reasonable level of assurance that youruse of this product in a residential environment will notresult in harmful interference with other electronic devices.This equipment generates/uses radio frequencies and, ifnot installed and used according to the instructions found inthe users manual, may cause interference harmful to theoperation of other electronic devices. Compliance with FCCregulations does not guarantee that interference will not

occur in all installations. If this product is found to be thesource of interference, which can be determined by turningthe unit “OFF” and “ON”, please try to eliminate the problemby using one of the following measures:

Relocate either this product or the device that is beingaffected by the interference.

Utilize power outlets that are on different branch (circuitbreaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient theantenna. If the antenna lead-in is 300 ohm ribbon lead,change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactoryresults, please contact the local retailer authorized to dis-tribute this type of product. If you can not locate the appro-priate retailer, please contact Yamaha Corporation ofAmerica, Electronic Service Division, 6600 OrangethorpeAve, Buena Park, CA90620

The above statements apply ONLY to those products dis-tributed by Yamaha Corporation of America or its subsidiar-ies.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

S-2DTX402K DTX432K DTX452K Owner’s Manual

DTX402K DTX432K DTX452K Owner’s ManualS-3

OBSERVERA!Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den ar ansluten till vägguttaget, även om själva apparaten har stängts av.

ADVARSEL: Netspændingen til dette apparat er IKKE afbrudt, sålænge netledningen sidder i en stikkontakt, som er tændt — også selvom der er slukket på apparatets afbryder.

VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta verkosta.

For AC adaptorThis device complies with Part 15 of the FCC Rules. Operation is subject to the fol-lowing two conditions:(1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

(can_b_02)

CAN ICES-3 (B)/NMB-3(B)

Explanation of Graphical Symbols

The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magni-tude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and mainte-nance (servicing) instructions in the litera-ture accompanying the product.

IMPORTANT SAFETY INSTRUCTIONS1 Read these instructions.2 Keep these instructions.3 Heed all warnings.4 Follow all instructions.5 Do not use this apparatus near water.6 Clean only with dry cloth.7 Do not block any ventilation openings. Install in accor-

dance with the manufacturer’s instructions.8 Do not install near any heat sources such as radiators,

heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9 Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10 Protect the power cord from being walked on or pinched particularly at plugs, convenience recepta-cles, and the point where they exit from the apparatus.

11 Only use attachments/accessories specified by the manufacturer.

12 Use only with the cart, stand, tri-pod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13 Unplug this apparatus during lightning storms or when unused for long periods of time.

14 Refer all servicing to qualified service personnel. Ser-vicing is required when the apparatus has been dam-aged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate nor-mally, or has been dropped.

(UL60065_03)

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

CAUTION

RISK OF ELECTRIC SHOCKDO NOT OPEN

WARNINGTO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

DTX402K DTX432K DTX452K Owner’s Manual 3

ContentsPRECAUTIONS ............................................ 4

Welcome....................................................... 7

About the Manuals ...................................... 7Printed Manual .................................................. 7

Digital Manual (PDF)......................................... 7

SetupFirst Steps.................................................... 8

Package Contents ....................................... 9

Assembly Guide ........................................ 12

Setting Up for Sound ................................ 21Connecting the Power..................................... 21

Connecting Headphones or Speakers ............ 21

Connecting a Music Player ............................. 21

Turning On the Drum Module.......................... 22

Turning Off the Drum Module.......................... 22

Auto Power-Off ................................................ 22

Restoring the Default Settings (Factory Reset)........................................... 22

Panel Controls & Functions ..................... 23Control Panel .................................................. 23

Bottom Panel................................................... 24

Top Panel ........................................................ 24

Basic TechniquesPlaying Techniques................................... 25

Snare Pad ....................................................... 25

Hi-hat Cymbal ................................................. 25

Crash Cymbal ................................................. 25

Performing with a Selected Music Category..................... 26

Selecting a Music Category ............................ 26

Adjusting Kit Sensitivity................................... 26

Performing with a Song................................... 27

Adjusting the Song Volume............................. 27

Adjusting the Volume of Muted Drum Parts .... 28

Importing a MIDI song .................................... 28

Using the Metronome ............................... 29Starting and Stopping the Metronome ............ 29

Adjusting the Metronome Volume ................... 29

Confirming Tempo........................................... 29

Adjusting the Tempo ....................................... 30

Other Settings ................................................. 30

Practicing in Training Mode......................31Before Training ................................................ 31

Detailed Training settings ................................ 31

After Training ................................................... 31

Switching to a different exercise ...................... 31

1. RHYTHM GATE ........................................... 32

2. RHYTHM GATE........................................... 32

3. DYNAMIC GATE.......................................... 33

4. SONG PART GATE ..................................... 34

5. SONG SCORE GATE.................................. 35

6. MEASURE BREAK ..................................... 36

7. CHANGE UP ............................................... 37

8. PART MUTE................................................ 38

9. FAST BLAST ............................................... 39

10. RECORDER.............................................. 40

Advanced TechniquesSetting Parameters using Menu Mode.....41

Basic Menu Mode Procedure .......................... 41

z Metronome Settings.................................... 42

x Kit Settings.................................................. 43

c MIDI Settings .............................................. 45

v Hi-hat Settings ............................................ 46

b Trigger Settings........................................... 48

n Training Settings ......................................... 51

m Other Settings............................................. 53

Integrating Separately Sold Accessories.....................................57

For DTX402K Owners ..................................... 57

For DTX432K & DTX452K Owners ................. 57

Connecting to a Computer........................58Installing the Yamaha Steinberg USB Driver ... 58

MIDI-related Reference ................................... 58

ReferenceTroubleshooting.........................................59

Data List .....................................................62

Specifications ............................................64

Index ...........................................................65

4

PRECAUTIONSPLEASE READ CAREFULLY BEFORE PROCEEDING

Please keep this manual in a safe and handy place for future reference.

WARNING• This AC adaptor is designed for use with only Yamaha electronic

instruments. Do not use for any other purpose.• Indoor use only. Do not use in any wet environments.

CAUTION• When setting up, make sure that the AC outlet is easily accessible. If

some trouble or malfunction occurs, immediately turn off the power switch of the instrument and disconnect the AC adaptor from the outlet. When the AC adaptor is connected to the AC outlet, keep in mind that electricity is flowing at the minimum level, even if the power switch is turned off. When you are not using the instrument for a long time, make sure to unplug the power cord from the wall AC outlet.

WARNINGAlways follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

• Do not place the power cord near heat sources such as heaters or radiators. Also, do not excessively bend or otherwise damage the cord, or place heavy objects on it.

• Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.

• Use the specified adaptor (page 64) only. Using the wrong adaptor can result in damage to the instrument or overheating.

• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.

• Under no circumstances should any of the components of this product be taken apart or customized. Doing so could result in electric shock, fire, injury, or malfunction.

• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.

• When one of the following problems occur, immediately turn off the power switch and disconnect the electric plug from the outlet. Then have the device inspected by Yamaha service personnel.- The power cord or plug becomes frayed or damaged.- It emits unusual smells or smoke.- Some object has been dropped into the instrument.- There is a sudden loss of sound during use of the instrument.

For AC adaptor

For Instrument

Power supply/AC adaptor

Assembly

Water warning

Fire warning

If you notice any abnormality


DMI-5 1/2

CAUTIONAlways follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:

• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.

• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.

• Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.

• Read carefully the attached documentation explaining the assembly process. Failure to assemble the instrument in the proper sequence might result in damage to the instrument or even injury.

• Do not place hands or feet under a foot switch or foot pedal. Doing so could result in injury.

• Do not use the electronic drum kit’s rack to hold acoustic drums. Doing so could cause clamps to break and the drums to fall off, which in turn could lead to injury.

• Mind your fingers when adjusting clamps. Fingers can easily be caught and crushed if care is not taken during this operation.

• Be careful with the tips of supports, arms, screws, and the like. Fingers can easily be injured by sharp tips if these components are not handled carefully.

• Do not sit or stand on the rack. Doing so could cause it to fall over or break, possibly causing injury.

• Be careful with the holders for cymbal and tom pads as they have sharp tips. In order to avoid injury, therefore, you should take special care whenever handling these components.

• Be careful with the anti-slip stoppers on kick pads and foot pedals as they have sharp tips. In order to avoid injury, therefore, you should take special care whenever handling these components.

• Securely tighten fixing nuts and other fasteners. In addition, be sure to immediately tighten any nuts that have come loose. If this precaution is not observed, pads may fall off or the rack may collapse or fall over, possibly causing injury.

• Take care when setting up cables. If anyone were to trip on a cable, the instrument could topple over and cause injury.

• Do not place the instrument in an unstable position where it might accidentally fall over.

• The flooring material (wooden floor, etc.) may be damaged if the instrument is placed directly on the floor. We recommend that you place it on carpet or the like.

• Before moving the instrument, remove all connected cables, to prevent damage to the cables or injury to anyone who might trip over them.

• When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet.

• Use only the stand/rack specified for the instrument. When attaching it, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.

• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum.

• Be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

• Avoid contact with grease. Grease is applied to pedals as a lubricant, which may attach to your clothes when carrying or setting up them.

• Do not insert a finger or hand in any gaps on the instrument.• Never insert or drop paper, metallic, or other objects into the gaps on

the panel. This could cause physical injury to you or others, damage to the instrument or other property, or operational failure.

• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.

• Do not use the instrument/device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.

Always turn the power off when the instrument is not in use.Even when the [ ] (Standby/On) switch is in standby status (all lamps are off), electricity is still flowing to the instrument at the minimum level.When you are not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet.

Power supply/AC adaptor

Assembly

Location

Connections

Handling caution

Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.

DTX402K DTX432K DTX452K Owner’s Manual 5

DMI-5 2/2

6

NOTICETo avoid the possibility of malfunction/damage to the prod-uct, damage to data, or damage to other property, follow the notices below.

Handling and Maintenance• Do not use the instrument in the vicinity of a TV, radio,

stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.When you use the instrument along with an applica-tion on your smart device such as a smartphone or tablet, we recommend that you set “Airplane Mode” to on on that device in order to avoid noise caused by communication.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration, damage to the internal components or unstable operation.

• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel.

Maintenance• When cleaning the drum module, use a soft and dry/

slightly damp cloth. Do not use paint thinners, sol-vents, alcohol, cleaning fluids, or chemical-impreg-nated wiping cloths.

• When cleaning the pads, avoid cleaning products that contain organic solvents, paint thinner, and alcohol as they can cause discoloration and/or warping. Instead, we recommend that you remove dust using a soft dry cloth or wipe clean with a moist, tightly-wrung-out cloth. If a pad is very dirty, wipe the dirt away using a cloth moistened with a neutral detergent solution and tightly wrung out. Following this, wipe away the deter-gent solution using a cloth soaked in water and tightly wrung out.

Information About copyrights

• Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.

• This product incorporates and bundles contents in which Yamaha owns copyrights or with respect to which Yamaha has license to use others’ copyrights. Due to copyright laws and other relevant laws, you are NOT allowed to distribute media in which these con-tents are saved or recorded and remain virtually the same or very similar to those in the product.

* The contents described above include a computer program, Accompaniment Style data, MIDI data, WAVE data, voice recording data, a score, score data, etc.

* You are allowed to distribute medium in which your perfor-mance or music production using these contents is recorded, and the permission of Yamaha Corporation is not required in such cases.

About this manual• The illustrations and LCD screens as shown in this

manual are for instructional purposes only, and may appear somewhat different from those on your instru-ment.

• Apple, iTunes, Mac, Macintosh, iPhone, iPad, iPod touch and Lightning are trademarks of Apple Inc., registered in the U.S. and other countries.

• IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license.

• The company names and product names in this man-ual are the trademarks or registered trademarks of their respective companies.

(bottom_en_01)

The model number, serial number, power requirements, etc., may be found on or near the name plate, which is at the bottom of the unit. You should note this serial number in the space provided below and retain this manual as a perma-nent record of your purchase to aid identification in the event of theft.

Model No.

Serial No.


7
Welcome

Thank you for purchasing this Yamaha product.To get the most out of your DTX402 series Electronic Drum Kit, be sure to read this Owner’s Manual carefully. And after reading through this manual, be sure to store it in a safe place so that you can refer back to it again as needed.

About the ManualsThe following manuals are provided for using the DTX402K, DTX432K, and DTX452K. These manuals are intended for users of the DTX402K, DTX432K, and DTX452K.

Owner’s Manual (this book)

Describes how to assemble your electronic drum kit and get it set up for playing.

Describes the basic techniques used when operating and playing the electronic drum kit.

Describes the setting of parameters and other more advanced modes of use.

Describes troubleshooting techniques and contains other reference materials.

MIDI Reference ManualThis provides MIDI-related reference information.

Drum ScoresThis provides drum scores for preset songs of the drum module.

iPhone/iPad Connection ManualDescribes how to connect smart devices such as an iPhone and iPad.

The digital format manuals listed above can be obtained from the Yamaha Downloads web page. To do so, go to the web page using the following URL, enter your drum kit name in the “Model Name” field, and then click “Search.”

Printed Manual

Digital Manual (PDF)

Yamaha Downloads: https://download.yamaha.com/

After accessing the Support website (and clicking on “Manual Library”), enter the appropriate model name.

Setup

Basic Techniques

Advanced Techniques

Reference

Setup

Setup

First Steps

8
1

2

3

4

Open the box and confirm that all parts are present and correct.

Assemble the parts.• The assembly process is described in detail on pages 9 through

20.

Make the necessary connections.• Connect the pads to the drum module using the cables provided.

See page 20.

• Connect the AC adaptor to the drum module and turn on the module.

See page 21.

Play your electronic drum kit.• Basic techniques used when operating and playing the electronic

drum kit are described in the Basic Techniques section (pages 25 to 40).

• More complex methods are described in the Advanced Tech-niques section (pages 41 to 56).

Setup

Package ContentsAfter opening up the package containing your electronic drum kit, please verify that all of the follow-

9
ing parts are present.

DTX402K

Rack (Large)

Stopper

Rack (Small)

Hi-hat holder Cymbal holders (×2)

No Stopper

Cymbal/hi-hat pads (×2) Crash cymbal pad Drum module

Sensor (bumps)

HH40 Hi-hat controller KU100 Kick unit Nine-channel snake cable

Drum key Cable bands (×2) AC adaptor* May not be included depending on

your area. Check with your Yamaha dealer.

Owner’s Manual (this booklet)

Package Contents

10

Setup


DTX432K

HH65 Hi-hat controller

KP65 Kick pad

FP6110A Foot pedal

Nine-channel snake cable Drum key Cable bands (×2)

Rack (Large)

Stopper

Rack (Small)


No Stopper


Sensor (bumps)

AC adaptor* May not be included

depending on your area. Check with your Yamaha dealer.


Package Contents

11

Setup


DTX452K

Rack (Small) TP70S Snare pad

S wing bolt

HH65 Hi-hat controller

KP65 Kick pad

FP6110A Foot pedal

Nine-channel snake cable Drum key Cable bands (×2)


Sensor (bumps)

AC adaptor* May not be included

depending on your area. Check with your Yamaha dealer.


Rack (Large)

Stopper


No Stopper

Setup

1

Assembly Guide

2
Fully assembled drum kit (DTX452K shown)

CAUTION• Choose a flat, hard surface on which to assemble your electronic drum kit.

• Take care to avoid mixing up parts or assembling them in the wrong direction. In addition, the assembly steps should be completed one at a time in the order described.

• The assistance of at least one other person will be required when assembling the elec-tronic drum kit.

• Once a piece has been assembled, be sure to tighten the corresponding key bolts.

• To disassemble your electronic drum kit, carry out the assembly sequence in reverse.

Step 8

Step 7

Step 6

Step 4

Step 3Step 2

Step 12

Step 9

Step 10

Step 5

Step 9

Step 1

Step 12Step 11

Assembly Guide

13

Setup


Standing up the Large rack

1. Stand up the Large rack with the rear of the tom pads facing towards you as shown in the figure.

2. Loosen the key bolt using the drum key.

3. Pull the shorter leg towards you.

Standing up the Small rack

1. Stand up the Small rack as shown in the figure and support it by hand.

2. Loosen the key bolt.

3. Open the lower pipe approximately 70° as shown in the Top view.

For the DTX452K, the snare pad will be attached to the Small rack in the following step.

Step 1

Rack (Large)

Toms

Step 2

Rack (Small)

70°

Top view

Assembly Guide

14

Setup


Assembling the rack

1. Loosen the key bolt on the rack (Large) and turn the joint around before sliding the Small rack (in the next step).

2. Slide the Small rack fully back into the joint in Step 1.

3. Open the left and right legs as shown in the Top view.

4. Tighten the one and five s key bolts to secure the entire rack.

Attaching the snare pad

1. Take the snare pad and the S wing bolt and lightly tighten the S wing bolt. (Five or six turns is sufficient.)

2. Place the snare pad on the hexagonal rod and slide it fully back. Then tighten the S wing bolt to secure the snare pad in place.

3. Loosen the key bolt and adjust the angle of the snare pad. When finished, retighten the key bolt to secure the snare pad in place.

For the DTX452K, the snare pad will be attached to the Small rack in the following step.

CAUTIONThe rack may topple over and cause injury if the left and right legs are opened too wide.

The pads will be rotated into place in a later step.

Step 3

Rack (Small)

110°

Top view

Rack (Large)

Joint110°

NOTE

Step 4 For DTX452K

S wing bolt

Hexagonal rodSnare pad

Assembly Guide

15

Setup


Rotating the pads into place

Step 5 applies to each of the four pads.

Step 5 applies to each of the three tom pads. For adjusting the snare pad, see .

1. Loosen the key bolt on each of the pads.

2. Rotate the pads to positions where they will be easy to play. (If necessary, refer to the picture of the properly assembled kit on page 12.)

3. Tighten each of the key bolts to secure the pads in place.

Attaching the hi-hat holder

1. Loosen the two key bolts in the back of the snare part.

2. Insert the hi-hat holder into the back of the snare part as shown in the figure.

• When correctly inserted, the tip of the hi-hat holder will protrude slightly from the bottom of the snare part.• When correctly oriented, the hi-hat holder will be horizontal to the snare part as shown in the Top view.

3. Tighten the two key bolts to secure the hi-hat holder.

For DTX402K and DTX432K

For DTX452K

For the snare pad, you can also adjust the angle of the joint which supports the snare pad by loosening the s key bolt.

The hi-hat holder and the other two cymbal holders seem similar, but are actually different.

Only the hi-hat holder has a washer and stopper.

Step 5

Step 4

Snare pad

NOTE

Step 6

Hi-hat holder

Stopper

Top viewWasher

Assembly Guide

16

Setup


Attaching the hi-hat pad

Adjusting the position of the hi-hat stopper

1. Loosen the key bolt on the stopper, which is located at the top of the hi-hat holder.

2. Adjust the position of the stopper until it is straight in the back (as shown in the illustration) from your playing position.

3. Tighten the key bolt to secure the stopper.

Assembling the hi-hat pad1. Remove the wing nut, the washer, and the upper felt pad from

the hi-hat holder. (Do not remove the lower felt pad.)

2. Place the hi-hat pad, which does NOT have a sticker labeled “CRASH,” on the hi-hat holder with the stopper also passing through the hole provided.

3. Replace the felt pad removed in Step 1 above the hi-hat pad.

4. Replace the washer removed in Step 1 above the felt pad.

5. Tighten the wing nut to secure the hi-hat pad in place.

Attaching the drum module

1. Loosen the key bolt on the back left of the rack and turn the joint around before sliding the sliding the drum module (in the next step).

2. Loosen the s key bolt and slide the drum module fully back into the joint in Step 1.

3. Tighten the and s key bolts to secure the drum module in place.

Step 7

Playing position

Stopper

Wing nut

Felt pad

Hi-hat pad

Hi-hat holderStopper

Washer

Felt pad

Step 8

Assembly Guide

17

Setup


Attaching the cymbal holders

1. Loosen the four key bolts at the ends of the tom 1/2 part.

2. Insert the cymbal holders into the ends of the top 1/2 part. Then adjust the angles of the cymbal holders until they are ori-ented as shown in the figure.

• When correctly inserted, the tips of the cymbal holders will protrude slightly from the bottom of the tom part.• When correctly oriented, the cymbal holders will bend in the back from your playing position.

3. Tighten the four key bolts to secure the cymbal holders in place.

Assembling the cymbal pads

1. Remove the wing nut and the upper felt pad from the cymbal holder. (Do not remove the lower felt pad.)

2. Place the cymbal pad on the cymbal holder, with the holder passing through the central hole.

3. Replace the felt pad removed in Step 1 above the cymbal pad.

4. Tighten the wing nut to secure the cymbal pad in place.

The two cymbal holders are identical.

The crash cymbal, which has the sticker labeled “CRASH” on the rear side and has some bumps on the front side, is for the left.

The normal cymbal, which is identical with the hi-hat cymbal, is for the right.

Step 9

Playing position

NOTE

Step 10

Sensor (bumps)

Wing nut

Felt pad

Felt pad

Cymbal holder

Cymbal pad

Assembly Guide

18

Setup


Assembling the kick pad

1. Remove the four wing bolts, spring washers, and flat washers from the kick pad, and arrange each set nearby in the disassembled condition.

2. Assemble the base to the kick pad as shown below, and then from the base side, assemble the wing bolts, spring washers, and flat washers removed in Step 1 in order to secure it in place.

3. Insert the connecting rods into the holes in the holder of the foot pedal as shown below.

4. Slide the beater into the hole until the tip protrudes approximately 15 mm from the rear, and then tighten the beater bolt using the drum key.

5. Turn the foot pedal’s T-bolt counter-clockwise to loosen it.

6. Fit the raised section at the front of the kick pad holder into the foot-pedal’s assembly bracket.

7. Turn the foot pedal’s T-bolt clock wise to secure the parts together.

8. Operate the pedal and confirm whether the beater head strikes the kick pad near the center. If not, adjust the length of the beater or move it left or right as required.

Step 11 For DTX432K and DTX452K

Kick pad Wing bolt

Spring washer

Flat washer

Base

Kick pad

Kick pad

Foot pedal

Holder

Connecting rod

Connecting rod

Drum key Beater

Beater bolt

T-bolt

Assembly bracket Raised section T-bolt

Beater head

Assembly Guide

19

Setup


Positioning the hi-hat controller and kick drum

Arrange the hi-hat controller and the kick drum parts or kick unit as shown in the figure.

Fine-tuning the positions of the pads and the drum module

Sit on your stool (sold separately) and adjust the positions of the pads and the drum module to your liking.

IMPORTANTThe hi-hat controller and the kick unit from the DTX402K are almost identical in appearance. They can be told apart by the sticker on the base section.

CAUTION• Be sure to always retighten any key bolt after you have finished adjusting the corresponding part.

• Before moving on to the next step, ensure that all key bolts have been tightened.

Step 12

DTX402K DTX432K, DTX452K

KickHi-hat controller Hi-hat controllerKick drum parts

Step 13

Assembly Guide

20

Setup


Connecting the pads to the drum module

1. Insert the mini plugs* at one end of the nine-channel snake cable into the correct trigger input jacks (SNARE to KICK/PAD) on the drum module. (*: The smaller set of plugs.)

2. Insert the nine-channel snake cable’s standard plugs* into the jacks in the corresponding pads. (*: The larger set of plugs.)

3. Wrap the cables for the snare pads, the tom pads, and the cymbal/hi-hat pads around the cord clip to prevent them from being pulled out.

4. Using the cable bands, secure the cables to the kit rack at the positions in the figure above.

Congratulations—You have finished assembling your electronic drum kit!

Setup for Left-handed DrummersAssemble the drum kit referring to the illustration.Two of the joints should be placed differently from this setup for right-handed drummers.

The sticker on each of the snake cable’s plugs indicates the name of the corresponding pad.

For the kick pad KP65 in the DTX432K and DTX452K, use the OUT>DTX jack. No sound will be played when the PAD>IN jack is used.

Excessive bending can damage the cables. Ensure, therefore, that they are not bent at an extreme angle when wrapped around the cord clip.

Step 14

RIDE

SNR

HH

KICK HHC

TOM3

TOM2 TOM1CR

KICK HHC

RIDESNRHH

KICKHHCHHCRRIDETOM3TOM2TOM1SNR

TOM2TOM1CR TOM3 KICK HHC

DTX402K

Trigger input jacks on the drum module

Nine-channel snake cable

NOTE

NOTE

NOTICE

Fully assembled drum kit (DTX452K shown)

Right-handed Left-handed

Setup

Setting Up for Sound

21
1. Ensure that your drum module is turned off (i.e., none of the buttons are lit).

2. Insert the AC adaptor’s DC plug into the [ ] connector on the bottom panel of the module.

3. Hook the AC adaptor cord around the cord clip to pre-vent it from being accidentally pulled out.

4. Plug the adaptor’s AC power cord into an AC wall socket or another electrical outlet.

Your drum module does not have built-in speakers. In order to hear it, therefore, you will need to connect headphones or monitor speakers via the [PHONES/OUTPUT] standard stereo-audio jack. You can adjust the output volume using the [VOLUME] buttons on the control panel.

You can connect a portable music player or another similar source of audio to your drum module via the [AUX IN] (auxiliary input) stereo mini-jack. This makes it possible to play along with your favorite tunes.

Connecting the Power

CAUTIONExcessive bending can damage the AC adaptor cord and create a fire hazard. Ensure, therefore, that the power cord is not bent at an extreme angle when wrapped around the clip.

WARNING• Use the specified AC adaptor (page 64) only. Using

the wrong AC adaptor can result in damage to the instrument or overheating.

• When using the AC adaptor with a removable plug, make sure to keep the plug attached to the AC adap-tor. Using the plug alone can cause electric shock or fire.

• Never touch the metallic section when attaching the plug. To avoid electric shock, short circuit or dam-age, also be careful that there is no dust between the AC adaptor and plug.

Cord clip AC adaptor cord

Slide the plug as indicated

Plug

The shape of the plug differs depending on your area.

Connecting Headphones or Speakers

The [PHONES/OUTPUT] jack is a stereo connector. You can con-nect a 1/4" mono-audio jack to it, but in such a case, please be sure to set the output to mono using the Stereo/Mono parameter from Menu Mode (page 55).

CAUTIONTo prevent hearing loss, avoid using headphones at a high volume for extended periods of time.

Connecting a Music Player

• Whenever connecting other devices, ensure that the cables you use have plugs that match the input or output connectors on those devices.

• Before making connections, furthermore, you should also turn the volume on the other devices fully down.

• When all connections have been made, use each device’s vol-ume controller to balance its output with that of the drum mod-ule.

NOTE

NOTICE

1/8" stereo-minito stereo-mini

cable

Portable music player, etc.

Standard 1/4"mono-audio jack

Powered speakers

or Standard 1/4" stereo-audio jack

Headphones

Setting Up for Sound

22

Setup


1. If you have connected your drum module to other audio devices such as powered speakers, ensure that the vol-ume on all other devices is turned down fully.

2. Press the [ ] (Standby/On) button.The drum module will turn on and its buttons will light up.

1. If you have connected your drum module to other audio equipment, ensure that the volume on all other devices is turned down fully.

2. Press the [ ] (Standby/On) button.The drum module will turn off and all button lights will go out.

The Auto Power-Off function automatically turns off the drum module after a certain period of inactivity. This helps to save energy should you forget to turn it off yourself.

Setting the Auto Power-Off FunctionYou can set the amount of time that the Auto Power-Off function will wait before turning off the drum module. For details, see the description of the Auto Power-Off Time parameter from Menu Mode (page 54).

Quickly disabling Auto Power-OffTo quickly disable the Auto Power-Off function, turn on the drum module while holding down the number button [1]. The function will remain off until you set a new Auto Power-Off time.

Straight out of the box, your drum module already contains a wide range of pre-programmed drum kits and songs. These default settings—collectively known as the Factory Reset—can be conveniently restored at any time if you have accidentally overwritten them or wish to delete all of your own settings. To do so, use the Factory Reset function as follows.

1. Press the [ ] (Standby/On) button and verify that the drum module turns off.

2. Turn on the drum module while holding down the VOLUME[+] button and the VOLUME[–] button.

The drum module’s lights will flash and the Factory Reset will be restored.

Turning On the Drum Module

Connect the hi-hat controller before turning on the drum module. Please do not turn the drum module on with the hi-hat controller depressed. The drum module can not identify the type of pedal properly and it causes that the kick may produce much smaller sound than expected.

Turning Off the Drum Module

The drum module automatically stores all current settings before it turns off. For this reason, please do not unplug the AC adaptor until all button lights have gone out.

Auto Power-Off

The drum module automatically stores all current settings before it turns off.

NOTE

NOTICE

NOTE

• In certain modes of operation, the Auto Power-Off function will not turn off the drum module when the set time has elapsed. We recommend, therefore, that you always turn off the drum module manually when you are finished using it.

• If you expect the drum module to be inactive for a certain length of time while connected to other audio equipment, we recom-mend that you turn the volume on the other equipment fully down. Alternatively, you can disable the Auto Power-Off function to ensure that the drum module stays on.

• Settings for the Auto Power-Off function do not represent exact times and there may be some variation.

• By default, the Auto Power-Off time is set to 30 minutes.

Restoring the Default Settings (Factory Reset)

When you restore the Factory Reset as described below, any changes you have made to parameters will be lost. Before pro-ceeding, therefore, you should ensure that they contain no irre-placeable settings.

NOTICE

NOTE

Hold

NOTICE

Hold

Setup

Panel Controls & Functions

23
Drum module

z Mode switch• Press this switch to switch Play Mode and Training

Mode. (pages 26, 31)

• Hold down this switch to select Menu Mode. (page 41)

x [DRUM ON/OFF] button (page 28)Use this button to mute and unmute drum parts from a practice drum pattern.

c [ ] button• Use this button to start and stop songs. (page 27)

• In Training Mode, it is also used to start and stop train-ing sessions. (page 31)

v [ ] (metronome) button (page 29)• Use this button to start and stop the built-in metro-

nome.

• In Training Mode, it is also used to start and stop train-ing sessions.

b [TEMPO] buttons (page 30)Use these buttons to increase or decrease the tempo in steps of one BPM.

*: In Menu Mode, it is also used to increase or decrease set-tings.

n [VOLUME] buttons (page 26)Use these buttons to adjust the overall volume of the drum module. Press the [+] button to increase it and the [–] button to decrease it.

m [ ] (Standby/On) button (page 22)Use this button to turn the drum module on and off.

, Number buttons• Use these buttons to select music categories and train-

ing types. (pages 27, 31)

• They are also used to enter a tempo directly. (page 30)

• In Menu Mode, they are used to select settings. (page 41)

• Also in Menu Mode, they are used to enter setting val-ues directly. (page 41)

Control Panel

z

xcv

bn

m

,

Panel Controls & Functions

24

Setup


. [USB TO HOST] terminal (page 58)Connect a computer or smart device such as an iPhone or iPad to send and receive digital signals (audio and MIDI). Additional parts are required for connecting an iPhone or iPad. For more information, refer to “iPhone/iPad Connection Manual” (PDF).

⁄0 [AUX IN] jack (page 21)The Auxiliary Input stereo mini-jack is used to input audio from an external source. For example, you can use this jack to connect a portable music player or another similar device and play along with your favorite tunes.

⁄1 [PHONES/OUTPUT] jack (page 21)Use this standard stereo-audio jack to connect head-phones, an amplifier, a mixer, or other similar equip-ment.

⁄2 Cord clip (page 21)Wrap the AC adaptor cord around this clip to prevent accidental unplugging during use.

⁄3 [ ] connector (page 21)Use this connector for the AC adaptor that came with your drum module.

⁄4 Trigger input jacks (page 20)Use these jacks to connect the snare, tom, and cymbal pads.

⁄5 [HI-HAT CTL] jack (page 20)The Hi-hat Control jack is used to connect a hi-hat con-troller.

⁄6 [KICK/PAD] jack (page 20)Use this jack to connect a kick pad or pedal. By connect-ing a KP65, you can add another pad using the PAD > IN jack on the KP65 (page 57).

Bottom Panel

. ⁄0 ⁄1 ⁄2 ⁄3

Top Panel

⁄5 ⁄6⁄4

Basic Techniques

Basic Techniques

Playing Techniques

25
If using a TP70S Snare Pad with the DTX452K, you will be able to produce three distinct sounds (i.e., head, open rim, and closed rim) depending on where you strike it, much the same as if you were playing an acoustic snare.

Head shotsHitting the main surface of the pad produces a head shot sound.

Open rim shotsHitting the open-rim zone produces an open rim-shot sound.

Closed rim shots (cross sticking)Hitting the closed-rim zone produces a closed rim-shot sound.

Open/close• You can produce an open hi-hat sound by striking the

hi-hat pad with the hi-hat controller’s pedal not depressed.

• You can produce a closed hi-hat sound by striking the hi-hat pad with the hi-hat controller’s pedal depressed.

• If using an HH65 Hi-hat Controller with the DTX432K and DTX452K, you can operate the pedal to recreate the sound of a closing hi-hat.

Foot closedYou can depress the hi-hat controller’s pedal to create a foot-close sound without having to strike the hi-hat pad.

Hi-hat splashDepressing the hi-hat controller’s pedal and then imme-diately releasing it produces a hi-hat splash sound.

ChokeYou can immediately mute a sound by choking (pinch-ing) the cymbal’s edge with your hand after hitting the cymbal. The Choke function only works when you grasp in the sensor area.

Snare Pad

Closed rim shots (Rim 2)

Head shotsOpen rim shots (Rim 1)

Hi-hat Cymbal

If using an HH40 Hi-hat Controller with the DTX402K, the velocity is fixed regardless of how strongly or softly the hi-hat controller’s pedal is depressed. For adjusting the fixed veloc-ity value, see the description of the Foot Close Velocity parameter from Menu Mode (page 47).

Crash Cymbal

NOTE

Sensor (bumps)

Basic Techniques

2

Performing with a Selected Music CategoryThe drum module comes with ten different music categories. When you select a music category, the

6
corresponding “kit” (referring to a full set of drum-sound assignments for all of the pads) and song will be automatically selected.

1. Press the Mode switch to turn the “PLAY” light on (Play Mode).

2. Select a music category by pressing the corresponding number button [1] to [10].The selected number button will light up and the corre-sponding drum or percussion kit will be automatically selected.

3. Play the pads and see how the kit sounds.

Using the following procedure, you can change the sensitiv-ity of a kit—that is, how the drum sounds change depending on how hard you strike the pads. Sensitivity can be adjusted to ten different levels.

While holding the Mode switch, press either the VOL-UME[+] or VOLUME[–] button.

• Each time you press the VOLUME[+] button, you increase the sensitivity by one level. This means that louder sounds can be more easily produced with softer drumming.

• Each time you press the VOLUME[–] button, you decrease the sensitivity by one level. This means that louder sounds can only be produced by drumming hard.

Selecting a Music Category

For detailed information on the ten preset music categories, see the Data List section (page 62).

21

NOTE

Adjusting Kit Sensitivity

• The selected sensitivity is common to the drum module’s ten kits.

• If you wish to set sensitivities on an individual pad basis, see the descriptions of the Trigger Settings parameters from Menu Mode (page 48).

Hold

More sensitive pads

Lesssensitive pads

More sensitive pads

Less sensitive pads

NOTE

Performing with a Selected Music Category

27

Basic Techniques


1. Press the Mode switch to turn the “PLAY” light on.

2. Select a music category by pressing the corresponding number button [1] to [10].The selected number button will light up and the corre-sponding song will be automatically selected.

3. Press the [ ] button to start the song.

4. Play the pads with the song.

5. To stop the song, press the [ ] button once again.

While holding the [ ] button, press either the VOL-UME[+] or VOLUME[–] button.

• Each time you press the VOLUME[+] button, you increase the song volume by one.

• Each time you press the VOLUME[–] button, you decrease the song volume by one.

Performing with a Song

The score (PDF) is available at the Yamaha website:

https://download.yamaha.com/

After accessing the Support website (and clicking on “Man-ual Library”), enter the appropriate model name.

If you wish to mute the programmed drum parts and hear only the song parts, press the [DRUM ON/OFF] button. To unmute the drum parts, press the [DRUM ON/OFF] button once again.

21

NOTE

NOTE

Adjusting the Song Volume

The set volume is common to the drum module’s ten songs.

Hold

Higher song volume

Lower songvolume

NOTE

Performing with a Selected Music Category

28

Basic Techniques


If you press the [DRUM ON/OFF] button while playing a song, the drum parts from the song will be muted—that is, their volume will be reduced to zero. If, however, you would like the drum parts to be slightly audible in this type of situ-ation, you can adjust the muted volume as described below.

1. Press the [ ] button to start the song.

2. Press the [DRUM ON/OFF] button to mute the drum parts.The button is unlit when the drum part is muted, and is lit when the drum part is played (not muted).

3. While holding the [DRUM ON/OFF] button, press either the VOLUME[+] or VOLUME[–] button.

• -Each time you press the VOLUME[+] button, you increase the volume of the muted drums by one.

• Each time you press the VOLUME[–] button, you decrease the volume of the muted drums by one.

By pressing the [DRUM ON/OFF] button once again, you can unmute the drum parts and restore their normal vol-umes.

Using apps compatible with the drum module, you can eas-ily import a MIDI song on your drum module.For details on compatible smart devices and applications, refer to the web page below.For more information on how to connect, refer to the “iPhone/iPad Connection Manual” (PDF) on the web page below.



Adjusting the Volume of Muted Drum Parts

Hold

Maximum muted volume

Minimummuted volume

Importing a MIDI song

• For deleting the imported MIDI song, see the description of the Delete Song parameter from Menu Mode (page 55).

• To eliminate the risk of interference due to noise by your smart device when used in combination with the drum module, turn on the Airplane Mode and then turn on Wi-Fi.

Be sure to place your smart device on a stable surface to prevent it from falling over and being damaged.

NOTE

NOTICE

Basic Techniques

Using the MetronomePlaying your electronic drum kit along with the built-in metronome is a great way to perfect your

29
rhythm.

• Press the [ ] button to turn on the metronome.

• Press the [ ] button once again to turn it off.

To adjust the volume of the metronome, press and hold the [ ] button, and then press either the VOLUME[+] or VOLUME[–] button.

• Each time you press the VOLUME[+] button, you increase the metronome volume by one.

• Each time you press the VOLUME[–] button, you decrease the metronome volume by one.

Whenever necessary, you can confirm the drum module’s current tempo from the flashing pattern of the number but-ton lights and the voice guidance.The larger the value, the faster the tempo becomes.

Press either the TEMPO[+] or TEMPO[–] button once.

Or

Press and hold the [ ] button.

Each digit of the tempo will be flashed in sequence.

Example:When the tempo is 108 BPM, the number button lights will flash [1][0][8].

Starting and Stopping the Metronome

Adjusting the Metronome Volume

Hold

Higher metro-nome volume

Lower metro-nome volume

Confirming Tempo

If you wish to turn off the voice guidance function, see 7-1. Voice Guidance Volume (page 53).

NOTE

Using the Metronome

30

Basic Techniques


The following three methods are available when you want to change the tempo.

Increasing or decreasing using the TEMPO[+] or TEMPO[–] button

• Each time you press the TEMPO[+] button, you increase the metronome BPM by one.

• Each time you press the TEMPO[–] button, you decrease the metronome BPM by one.

Directly inputting a BPM using the number buttons

1. While holding the [ ] button, enter the BPM using the number buttons.The drum module will speak the input tempo to you (in English).

Example: Setting a tempo of 138 BPMPress the number buttons in the sequence [1][3][8].

2. After entering all necessary digits, remove your fin-ger from the [ ] button.The drum module will speak the new tempo to you (in English).

Tapping the tempo on the pads1. While holding the [ ] button, strike a pad at least

three times at the desired tempo.

2. Remove your finger from the [ ] button.The drum module will speak the new tempo to you (in English).

The following metronome-related settings can be made in Menu Mode. For details, see the description of the Metro-nome Settings parameter group from Menu Mode (page 42).

• Metronome pattern• Metronome length in beats• Metronome sound• Number-button lighting pattern when using the metro-

nome

Adjusting the Tempo

Increasing or decreasing using the TEMPO[+] or TEMPO[–] button

Directly inputting a BPM using the number buttons

Tapping the tempo on the pads

• The drum module supports tempos between 30 and 300 BPM.

• If you select a different song (page 27) after adjusting the tempo, the selected song’s tempo will be used for the metronome.

NOTE

Hold

• Number button [10] is used to enter the value zero. You cannot use it to enter the number ten.

Example: Setting a tempo of 110 BPMPress the number buttons in the sequence [1][1][10].You cannot do this by pressing [1][10].

• There is no need to enter a zero first in order to set a two-digit tempo.

Example: To set a tempo of 72 BPM, simply press the num-ber buttons in the sequence [7][2]. You do not need to press [10][7][2].

• Whenever the drum module is speaking the tempo, you can enter a new tempo directly using the number but-tons but without having to hold down the [ ] button.

Instead of using a pad, you can also tap the tempo by pressing the TEMPO[+] or TEMPO[–] button at least three times.

Other Settings

NOTE

Hold

NOTE

Basic Techniques

Practicing in Training ModeWith ten different types of training available, you can learn how to play drums and master them in an

31
enjoyable way.

Before starting, please select your desired music category.


2. Select a music category by pressing the corresponding number button.

You can make detailed settings for Training, such as the practice timer and the difficulty level in Menu Mode (page 41).

For the following training exercises, the drum module eval-uates your ability on a scale of one to ten and displays the results using the number buttons.

• Rhythm Gate • Song Score Gate• Dynamic Gate • Change Up

Number button [10] represents the highest score, while number button [1] represents the lowest. In addition, the Voice Guidance announces the results of scoring using the five levels shown below. Try your best to get a high score!

To start a different exercise, you need to reenter the training mode.

1. Press the Mode switch to turn the “PLAY” light on (Play Mode).

2. Press the Mode switch again to turn the “TRAINING” light on (Training Mode).

Basic trainingWorking on your rhythm:

Rhythm Gate (2 types) . . . . . . . . . . . . page 32Measure Break . . . . . . . . . . . . . . . . . . page 36Change Up . . . . . . . . . . . . . . . . . . . . . page 37

Playing with dynamics:Dynamic Gate . . . . . . . . . . . . . . . . . . . page 33

Playing as fast as you can:Fast Blast. . . . . . . . . . . . . . . . . . . . . . . page 39

Practicing by parts:Part Mute. . . . . . . . . . . . . . . . . . . . . . . page 38

Recording your play:Recorder . . . . . . . . . . . . . . . . . . . . . . . page 40

Advanced training— Going on to mastery after Basic training! —

Playing along with a song:Song Part Gate . . . . . . . . . . . . . . . . . . page 34Song Score Gate. . . . . . . . . . . . . . . . . page 35

Before Training

Detailed Training settings

21

After Training

Switching to a different exercise

Better scores

Try again Great

Fantastic

Good Excellent

Practicing in Training Mode

32

Basic Techniques


1. RHYTHM GATE2. RHYTHM GATE

1. Press the Mode switch to turn the “TRAINING” light on (Training Mode).

2. Press number button [1] or [2] to select Rhythm Gate. [1] is for a sixteenth-note rhythm exercise and [2] is for a triplet rhythm exercise.

The [ ] button and [ ] button flash, indicating that the exercise is on standby.

3. If you press the [ ] button, the current song will be used for the exercise. If you press the [ ] button, the metronome will be used.

4. Play the pads as rhythmically “tight” as you can along with the song or the metronome.

5. To end the exercise, press the button used to start it in Step 3.Your score will be displayed. (For details, see page 31.)

Working on your rhythm: • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •1. RHYTHM GATE, 2. RHYTHM GATERhythm Gate is an exercise for improving your timing along with a song or the metronome. When you strike with perfect timing, the number buttons [5] and [6] flash together. When you strike too early or too late, no sound is produced. Using Rhythm Gate can greatly help you improve your sense of rhythm!

Struck early Struck late

Perfect Timing (flash together)

Sound produced (half-lit) Timing of current strike (flashes)

When the “TRAINING” light is ON, press the Mode switch to turn on the “PLAY” button, and then press the Mode switch again to turn on the “TRAINING” light.

Please change the beats of the metronome, as needed.

Procedure

NOTE

or

or

NOTE

TIPS• Pressing the number buttons [2] to [9] while the

exercise is on standby or during the exercise allows you to adjust the sensitivity to your timing accuracy in striking the pads and making sound. The nar-rower the range, the higher the difficulty level.

• The direction of the timing indicators for showing “too slow” to “too fast” can be reversed. (Menu Mode “Rhythm Gate indicator flipped”; page 52.)

• The exercise time can be adjusted. (Menu Mode “Timer”; page 51.)

• You can set whether the pads produce sound whenever they are struck or only when they are struck exactly in time. (Menu Mode “Ignore Timing”; page 51.)

Press [2] or [9].

Press [3] or [8].

Press [4] or [7].

Press [5] or [6].

Easy

Difficulty level

Hard

1 2 3 4 5 6 7 8 9 10

1 2 3 4 5 6 7 8 9 10

1 2 3 4 5 6 7 8 9 10

1 2 3 4 5 6 7 8 9 10


33

Basic Techniques


3. DYNAMIC GATE

1. Press the Mode switch to turn the “TRAINING” light on.

2. Press number button [3] to select Dynamic Gate.The [ ] button flashes, indicating that the exercise is on standby.

3. Strike the desired pad for practicing.

4. Press number buttons [1] or [10] to select the level.[1] to [3] is “weak,” [4] to [7] is “normal,” and [8] to [10] is “strong.”The number buttons in the selected level become half lit.

5. Press the [ ] button to start the exercise.

6. Strike the pad you chose in Step 4 with proper dynam-ics.

7. To end the exercise, press the [ ] button.Your score will be displayed. (For details, see page 31.)

Playing with dynamics: • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •3. DYNAMIC GATEDynamic Gate is an exercise for playing pads with proper dynamics. Your aim is to control three levels: Weak, Normal and Strong. When you strike with the wrong dynamics, it will not produce any sound. How accurately you strike with the proper dynamics is evaluated at the end of the exercise. Once you master Dynamic Gate, you will be a skillful drummer at controlling dynamics depending on the situation!

Strength of current strike (flashes)

Weak Normal Strong


Procedure

NOTE

Weak Normal Strong

TIPS• The range of the dynamics can be adjusted. (Menu

Mode “Dynamic Gate Low Limit” and “Dynamic Gate High Limit”; page 52.)



34

Basic Techniques


4. SONG PART GATE


2. Press number button [4] to select Song Part Gate.The [ ] button flashes, indicating that the exercise is on standby.

3. Press the corresponding number button to select the way to practice

.

4. Press the [ ] button to start the exercise.The song will be played.

5. Play the practice drum pattern on the pads.

6. To end the exercise, press the [ ] button.

Your score will be announced by the voice guidance after every time the practice drum pattern is repeated. The total score is not evaluated after ending the exercise.

Playing along with a song: • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •4. SONG PART GATESong Part Gate is an advanced exercise for playing actual drum patterns along with a part of a song. For example, you can practice just the fill-in part in the song, or only the hand parts of the basic drum pattern of the song. Before working on Song Part Gate, it would be better to master the other basic training programs. Then once you master Song Part Gate, you can confidently work on Song Score Gate (page 35) for playing the entire song!



After accessing the Support website (and clicking on “Man-ual Library”), enter the appropriate model name.

NOTE


The available exercises may differ depending on the current music category. For details, refer to the Score (PDF).

Procedure

NOTE

NOTE

Scoring

TIPS• The music category can be changed (by holding

down the corresponding number button).

• The volume of the practice pattern can be adjusted. (While holding down the [ ] button, press the VOLUME[+]/[–] button.)

• You can mute specific parts of the practice drum pattern.

- The mute settings are effective while the [DRUM ON/OFF] button is half-lit.

- While the song is being played, strike the pad corresponding to the part you wish to mute. The selected part will be muted.

- If the pad corresponding to the muted drum part is not struck for certain period of time, it will be automatically unmuted.

- Press the [DRUM ON/OFF] button (so that it is fully lit) to end the mute settings.


• The difficulty of the exercise can be adjusted. (Menu Mode “Difficulty Level”; page 51.)



35

Basic Techniques


5. SONG SCORE GATE


2. Press number button [5] to select Song Score Gate.The [ ] button flashes, indicating that the exercise is on standby.


4. Play the drum pattern on the pads.After you play the entire song, your score will be dis-played. (For details, see page 31.)

5. To stop the exercise, press the [ ] button.When you stop the exercise before the end of the song, the score for your exercise will not be shown.

Playing along with a song: • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •5. SONG SCORE GATESong Score Gate is a final exercise for playing actual drum patterns along with an entire song. Before work-ing on Song Score Gate, we recommend that you first master Song Part Gate (page 34) as much as possi-ble—and get you on your way to be a great drummer!




NOTE


Procedure

NOTE

TIPS• You can change the music category (by pressing a

corresponding number key).

• The volume of the song can be adjusted. (While holding down the [ ] button, press the VOL-UME[+]/[–] button.)

• You can mute specific parts of the practice drum pattern.

- The mute settings are effective while the [DRUM ON/OFF] button is half-lit.

- While the song is being played, strike the pad corresponding to the part you wish to mute. The selected part will be muted.

- If the pad corresponding to the muted drum part is not struck for certain period of time, it will be automatically unmuted.





36

Basic Techniques


6. MEASURE BREAK


2. Press number button [6] to select Measure Break.The [ ] button flashes, indicating that the exercise is on standby.

3. Press the [ ] button to start the exercise.Four measures will be repeatedly played back. (The first to third measures are with the metronome and the fourth measure is without the metronome.) The number button flashes along with playback of the corresponding mea-sure.

4. Play the pads.


How exactly you strike the first beat of the measure after the break will be announced by the voice guidance after every four measures are repeated. The total score is not evaluated after ending the exercise.

Working on your rhythm: • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •6. MEASURE BREAKMeasure Break is an exercise for keeping a steady tempo without the metronome. How accurately you strike the first beat of the measure after the break is evaluated. Once you master Measure Break, you can keep a steady tempo even after breaks or fill ins.

Evaluate the first beat

With Metronome (fully-lit) Without Metronome (half-lit)


Procedure

NOTE

Scoring

TIPS• The total number of measures can be changed to

any number from 2 to 10.While the exercise is on standby or during the exer-cise, hold down the number button until the key is half-lit.For example, to repeat ten measures, hold down the number button [10] until the number button [10] is half-lit.

• The number of measures with the metronome clicks can be changed.While the exercise is on standby or during the exer-cises, press the number button corresponding to the number of measures you would like to set. Keep in mind, however, that the last measure of this exer-cise is always set to be without the metronome.For example, by pressing the number button [6] while the total number of measures is set to 10, measures 1 to 6 are counted with the metronome, and measures 7 to 10 are without the metronome.



37

Basic Techniques


7. CHANGE UP


2. Press number button [7] to select Change Up.The [ ] button flashes, indicating that the exercise is on standby.

3. Press the [ ] button to start the exercise.The practice rhythm and the metronome start to play, and the rhythm changes after every two measures.

4. Play the practice rhythm on the pads.

5. To end the exercise, press the [ ] button.Your score will be displayed. (For details, see page 31.)

Working on your rhythm: • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •7. CHANGE UPChange Up is an exercise for playing seven different rhythms that change every two measures. How well you maintain good timing along with the rhythms is evaluated. Try your best to keep a steady tempo—even when the rhythms change!

33 6Rhythm


Procedure

NOTE

TIPS• The volume of the practice rhythm can be adjusted.

(While holding down the [ ] button, press the VOLUME[+]/[–] button.)

• The practice rhythm can be muted. (Press the [DRUM ON/OFF] button. To unmute, press it again.)

• You can skip among the seven rhythms as you practice by pressing the corresponding number button while the exercise is on standby or during the exercise, as shown in the example below. The number button corresponding to the rhythm to be skipped is half lit.

• By default, each rhythm changes after every two measures. The number of measures can be changed by pressing [10] several times. (Four mea-sures when [10] is half lit, one measure when [10] is fully lit, and two measures (default) when [10] is off.)




33 6


38

Basic Techniques


8. PART MUTE


2. Press number button [8] to select Part Mute.The [ ] button flashes, indicating that the exercise is on standby.

3. To mute drum parts/instrument parts, press the corre-sponding number buttons [1] to [5] or [9] to [10]. The number button of the muted part will be turned off (see illustration above). To unmute, press the number but-ton again. The number button lights up.


5. Play along the song on the pads.


Practicing by parts: • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •8. PART MUTEPart Mute is an exercise which you can mute any or all of the drum parts (such as snare and kick) and the instru-ment parts (non-drum parts) from a song. You can select the drum parts/instrument parts to be muted by pressing the corresponding number buttons. Part Mute can be useful in many ways—for example, for practicing only the snare part of a rhythm, or for tightening up your rhythm section skills by practicing only with a bass guitar sound. Keep in mind that this exercise is not scored.

Hi-hat Kick Cymbal Other song partsBass part Snare Tom

Drum parts

(off) (off)


Procedure

NOTE

TIPSDrum parts can be muted by striking the pads.

- Press the [DRUM ON/OFF] button (so that it is half-lit).

- Strike the pad corresponding to the part from the practice drum pattern you wish to mute. The selected part will be muted and the corresponding number button will be half lit.

- If the pad corresponding to the muted drum part is not struck for certain period of time, it will be auto-matically unmuted and the corresponding number button will light up.


If the part is already muted (the corresponding number but-ton is turned off), the pad remains muted.

NOTE


39

Basic Techniques


9. FAST BLAST


2. Press number button [9] to select Fast Blast.The [ ] button flashes, indicating that the exercise is on standby.

3. Press the [ ] button to start the exercise.The timer will start when you strike the first pad.

4. Strike pads as fast as possible.When the training has ended, your score will be dis-played.

5. To stop the exercise, press the [ ] button.

For example, if your score was 480, the number buttons would flash [4] – [8] – [10].

• Your score will be announced by the voice guidance (in English) as well.

• To check your score once again, press any of the num-ber buttons [1] to [10].

Playing as fast as you can: • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •9. FAST BLASTFast Blast is an exercise for striking pads as fast as possible within a time limit (60 seconds). The half lit number buttons indicates the remaining time. The exercise ends when the number buttons are all turned off. The number of times you have struck will be shown by using the number buttons and also announced by the voice guidance. Try practicing your fast drumming skills as if it were a game!

(half-lit)


Procedure

NOTE

Scoring

TIPSThe time limit can be adjusted. (Menu Mode “Fast Blast Timer”; page 53.)


40

Basic Techniques


10. RECORDER


2. Press number button [10] to select Recorder.The [ ] button flashes, indicating that recording is set to standby.

3. Play the pad, and the recording starts automatically.

4. When you finish your performance, leave all pads with-out striking for certain period of time. The recording will be automatically stopped and the recorded performance will be played back.

5. To end the exercise, press the Mode switch.

Recording your play: • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •10. RECORDERRecorder allows you to easily record your performances. You can use those recordings not only for listening back and checking your progress, but also for playing along with yourself! Keep in mind that this training is not scored.


Procedure

NOTE

TIPS• You can record your performance along with a

song. (Press the [ ] button while recording is set to standby.)

• You can listen to the metronome click while record-ing your performance. (Press the [ ] button while recording is set to standby.)

• You can stop the playback of the recording by pressing any number button. If you press any number button again, the recording will be played back from the beginning.

• The recorded performance is deleted when you exit from the Training Mode.

• The beat setting for recording is “4 beats,” and can-not be changed.

Advanced Techniques

Menu Mode is used to set drum-moduAdvanced Techniques

Setting Parameters using Menu Modele parameters and functions, which are arranged into the follow-

41
ing seven groups.

1. Hold down the Mode switch to turn the “PLAY” and “TRAINING” on (Menu Mode).

2. Press the number button corresponding to the group containing the parameter you wish to set. (Parameter groups are shown in the hierarchical list on the left.) To select “1-2. Beats,” for example, press the number but-tons in the order [1][2].

• When the setting value is less than 10The number button of the current setting will be fully lit and the selectable number buttons will be half-lit.

• When the setting value is more than 10The number buttons flash continuously to indicate the current setting. For example, when the current setting is 40, the number button lights will flash [4][10].

3. Enter the new setting.

• When the setting value is less than 10Select a new setting using the corresponding number button.

• When the setting value is more than 10Press the TEMPO[+]/[–] button to increase and decrease the setting values. If you take no action for a while, the setting is automatically stored.

z Metronome Settings

1-1. Pattern ............................................................ Page 42

1-2. Beats .............................................................. Page 42

1-3. Sound............................................................. Page 42

1-4. Number Button Lighting Pattern .....................

x Kit Settings

2-1. Pad Sound...................................................... Page 43

2-2. Pad Volume.................................................... Page 43

2-3. Pad Tuning ..................................................... Page 44

2-4. Double Bass Drum......................................... Page 44

2-5. Reverb ........................................................... Page 44

c MIDI Settings

3-1. Local Control .................................................. Page 45

3-2. Note Number ................................................. Page 45

v Hi-hat Settings

4-1. Clutch Position................................................ Page 46

4-2. Splash Sensitivity........................................... Page 46

4-3. Foot Close Position........................................ Page 46

4-4. Foot Close Velocity ........................................ Page 47

4-5. Kick Velocity................................................... Page 47

b Trigger Settings

5-1. Pad Velocity Curve ......................................... Page 48

5-2. Crosstalk........................................................ Page 49

5-3. Snare Pad Type ............................................. Page 49

5-4. Pedal Type ..................................................... Page 50

5-5. Gain ............................................................... Page 50

5-6. Minimum Level............................................... Page 50

n Training Settings

6-1. Timer .............................................................. Page 51

6-2. Difficulty Level ................................................ Page 51

6-3. Ignore Timing................................................. Page 51

6-4. Rhythm Gate Indicator Flipped ...................... Page 52

6-5. Dynamic Gate Low Limit ................................ Page 52

6-6. Dynamic Gate High Limit ............................... Page 52

6-7. Fast Blast Timer.............................................. Page 53

m Other Settings

7-1. Voice Guidance Volume.................................. Page 53

7-2. Operation Sound Volume ............................... Page 53

7-3. USB Audio Output Settings ............................ Page 54

7-4. USB Audio Output Gain ................................. Page 54

7-5. Auto Power-Off Time....................................... Page 54

7-6. Stereo/Mono................................................... Page 55

7-7. Initialize Kit...................................................... Page 55

7-8. Delete Song.................................................... Page 55

7-9. Revert to Last Power On ................................ Page 56

7-10. Factory Reset ............................................... Page 56

Basic Menu Mode Procedure

When the setting value is more than 10, you can also use the number buttons to directly set parameters with numerical val-ues. To enter the value 105, for example, press the number buttons in the order [1][10][5]. [10] is used to enter the value zero. You cannot use [10] to enter the number ten.

Selectable Settings

Current Setting

NOTE

Setting Parameters using Menu Mode

42

Advanced Techniques


1-1. Pattern

You can set one of eight patterns for the drum module’s metronome.

1. Hold down the Mode switch to activate Menu Mode.

2. Press number button [1] to select the Metronome Set-tings parameter group.

3. Press number button [1] to select the Pattern parame-ter.

4. Select a new metronome pattern using the correspond-ing number button [1] to [8].

1-2. Beats

You can set the metronome to between 1 and 9 beats in length.



3. Press number button [2] to select the Beats parameter.

4. Select a new metronome length in beats using the corre-sponding number button [1] to [9].

1-3. Sound

You can set the sound played by the metronome to, for example, a standard click sound, a cowbell, a drumsticks sound, or a spoken count.



3. Press number button [3] to select the Sound parameter.

z Metronome Settings

Steps:Hold down the Mode switch [1] [1] Setting

Number button

Setting

[1]

[2]

[3]

[4]

[5] 3-2 Son Clave

[6] 2-3 Son Clave

[7] 3-2 Rumba Clave

[8] 2-3 Rumba Clave

Setting

3 3 3 3


Number button Setting

[1] 1 beat

[2] 2 beats

[3] 3 beats

[4] 4 beats

[5] 5 beats

[6] 6 beats

[7] 7 beats

[8] 8 beats

[9] 9 beats


Setting

Setting


43

Advanced Techniques


4. Select a new metronome sound using the corresponding number button [1] to [7].

1-4. Number Button Lighting Pattern

You can have number buttons [1] to [10] light up when play-ing the metronome in Play Mode. Use the following proce-dure to set the buttons’ lighting pattern.



3. Press number button [4] to select the Number Button Lighting Pattern parameter.

4. Select a new lighting pattern using the corresponding number button [1] to [3].

2-1. Pad Sound

You can change the sounds assigned to the current kit’s pads. This makes it very easy to create your own unique kits.


2. Press number button [2] to select the Kit Settings parameter group.

3. Press number button [1] to select the Pad Sound parameter.

4. Strike a pad to select it.

5. Enter a new drum-sound number using the TEMPO[+]/[–] buttons. For a list of sounds and numbers, see the Voice List (page 62).

2-2. Pad Volume

You can adjust the volume of the kit’s pads.



3. Press number button [2] to select the Pad Volume parameter.


5. Enter a new volume using the TEMPO[+]/[–] buttons.


[1] Metronome click 1

[2] Metronome click 2

[3] Cowbell

[4] Drumsticks

[5] Claves

[6] Spoken count 1

[7] Spoken count 2 (with measure number)



[1] Off (no lighting)

[2] Pattern 1

[3] Pattern 2

Setting

x Kit Settings


Setting

1 to 287


Setting

0 to 127

Setting

Setting


44

Advanced Techniques


2-3. Pad Tuning

You can adjust the panning of the current kit’s pads.



3. Press number button [3] to select the Pad Panning parameter.


5. Enter a new tuning setting using the TEMPO[+]/[–] buttons in 25 cent steps. The “cent” is a unit of measure for musical intervals. 100 cents make up a semitone. A value of 64 corresponds to normal pitch (0 cents).

2-4. Double Bass Drum

You can easily configure the drum module to produce a kick drum sound when you operate the pedal connected to the [HI-HAT CONTROL] trigger input jack. This convenient function provides support for double bass drumming tech-niques.



3. Press number button [4] to select the Double Bass Drum parameter.

4. Set the parameter using number button [1] or [2]. The available settings are as follows.

2-5. Reverb

Reverb effects add a warm ambience to sounds, simulating the complex reflections of actual performance spaces, such as a concert hall or a small club. Use the following proce-dure to select a reverb effect for the current kit.



3. Press number button [5] to select the Reverb parame-ter.

4. Select a reverb effect using the corresponding number button [1] to [10].


Setting

16 (-1200 cents) to 64 (0 cent) to 112 (+1200 cents)


Setting

Setting


[1] Off

[2] On

• While the Double Bass Drum function is enabled, you will be unable to use the hi-hat controller plugged into the [HI-HAT CONTROL] trigger input jack to simulate opening and closing of the hi-hat.

• If using an HH40 Hi-hat Controller, you can adjust the kick veloc-ity. For details, see 4-5. Kick Velocity (page 47).



[1] Off

[2] Hall

[3] Studio

[4] Room 1

[5] Room 2

[6] Stage

[7] Small Stage

[8] Plate

[9] Early Reflection

[10] Gate Reverb

NOTE

Setting


45

Advanced Techniques


3-1. Local Control

The Local Control parameter determines whether or not the drum module’s internal tone generator will produce sounds in response to playing of the pads or of songs. Normally, this parameter is set to “On”, meaning that pads and songs will generate sounds. When “Off” is selected, the tone gen-erator is essentially disconnected from the pads and songs, which will be unable to generate any sound. An “Off” set-ting can prove highly useful when you wish to record your drum performances as MIDI data on a sequencer or using DAW software.


2. Press number button [3] to select the MIDI Settings parameter group.

3. Press number button [1] to select the Local Control parameter.

4. Set the parameter using number button [1] or [2]. The available settings are as follows.

3-2. Note Number

You can set the MIDI note number that is output when each of the pads is played.


2. Press number button [3] to select the MIDI Settings parameter group.

3. Press number button [2] to select the Note Number parameter.


5. Enter a new note number using the TEMPO[+]/[–] but-tons.

c MIDI Settings


Number button

Setting Description

[1] OffThe internal tone generator does not respond to pads and songs.

[2] OnThe internal tone generator responds to pads and songs.

• The drum module’s internal tone generator will continue to respond to received MIDI data when Local Control is turned off.

• The drum module will continue to output drum performances as MIDI data when Local Control is turned off.

Setting

NOTE


Setting

0 to 127

Note number settings are relevant only when you have connected your drum module to a computer. For more details, refer to the MIDI Reference Manual (PDF).

Setting

NOTE


46

Advanced Techniques


4-1. Clutch Position

You can simulate the effect of changing the hi-hat’s clutch position. The smaller the setting, the quicker an open hi-hat sound will decay.


2. Press number button [4] to select the Hi-hat Settings parameter group.

3. Press number button [1] to select the Clutch Position parameter.

4. Enter a new clutch position using the TEMPO[+]/[–] buttons.

4-2. Splash Sensitivity

You can set the degree of sensitivity for detecting hi-hat foot splashes. The higher the value, the easier it will be to pro-duce a foot-splash sound with the hi-hat controller. High values may, however, result in splash sounds being uninten-tionally produced when, for example, you operate the hi-hat controller lightly as you keep time. It is a good idea, there-fore, to set this parameter to “Off” if you do not want to play foot splashes.



3. Press number button [2] to select the Splash Sensitiv-ity parameter.

4. Enter a new splash sensitivity using the TEMPO[+]/[–] buttons.

4-3. Foot Close Position

You can adjust the position at which the hi-hat switches from open to closed when you operate the hi-hat controller. The lower the value, the smaller the virtual opening between the top and bottom hi-hats. Larger values increase the size of the gap between the top and bottom cymbals, and this can prevent foot close or foot splash sounds from being pro-duced when you operate the pedal.



3. Press number button [3] to select the Foot Close Posi-tion parameter.

4. Enter a new foot close position using the TEMPO[+]/[–] buttons.

v Hi-hat Settings


Setting

0 to 64


Setting

Setting

Setting

0 to 127

Set this parameter to [0] in order to turn off foot splashes.


This parameter only has an effect when you are using an HH65 Hi-hat Controller.

Setting

0 to 32

NOTE

Setting


47

Advanced Techniques


4-4. Foot Close Velocity

You can adjust the velocity (or power) of foot-close sounds produced using the hi-hat controller.



3. Press number button [4] to select the Foot Close Velocity parameter.

4. Enter a new velocity using the TEMPO[+]/[–] buttons.

4-5. Kick Velocity

You can adjust the velocity (or power) of kick sounds pro-duced using the hi-hat controller. In order for the Kick Velocity parameter to have an effect, Double Bass Drum must be set to “On” for the current kit (page 44).



3. Press number button [5] to select the Kick Velocity parameter.

4. Enter a new velocity using the TEMPO[+]/[–] buttons.



Setting

1 to 127

Setting



Setting

1 to 127

Setting


48

Advanced Techniques


5-1. Pad Velocity Curve

You can select a velocity curve for individual pads. A veloc-ity curve determines how the velocity (or power) of a sound is affected by how hard you strike the pad.


2. Press number button [5] to select the Trigger Settings parameter group.

3. Press number button [1] to select the Pad Velocity Curve parameter.


5. Enter a new velocity curve setting using the TEMPO[+]/[–] buttons.

b Trigger Settings


Setting

1 to 25

Setting

1

2

3

4

5

6

7

8

9

10

Vel

ocity

Trigger input level

Vel

ocity

Trigger input level

1112

13

14

15

161718

1920

23

24

25

22

21

Vel

ocity

Trigger input level

Vel

ocity

Trigger input level

Vel

ocity

Trigger input level


49

Advanced Techniques


5-2. Crosstalk

The term “crosstalk” refers to the output of spurious trigger signals from a pad other than the one that was stuck as a result of vibration or interference between pads. You can adjust the Crosstalk parameter for individual pads to prevent this phenomenon from occurring.



3. Press number button [2] to select the Crosstalk param-eter.


5. Enter a new setting (%) using the TEMPO[+]/[–] but-tons. Larger values are more effective in preventing crosstalk; however, they can also make it difficult to play pads simultaneously during light drumming.

5-3. Snare Pad Type

You can specify the type of snare pad connected to your drum module.



3. Press number button [3] to select the Snare Pad Type parameter.

4. Select a new snare pad type using the corresponding number button [1] to [6].


Setting

0 to 99

Setting



[1]Automatic identification (only for [2] and [3])

[2] TP70S

[3]Snare pad that comes with DX402K/DTX432K

[4] XP-series pad

[5] TP70S reversed

[6] XP-series pad reversed

• When set to [1], the drum module will automatically identify the type of snare pad that came with your electronic drum kit when it is turned on. If you then press and hold number button [1], the drum module will flash number button [2] or [3] to indicate the result of automatic identification.

• Whenever you change the type of snare connected to the drum module, please update this setting using the corresponding number button [2] to [4]. For example, when you use the XP-series pad, select [4].

• You can use setting [5] or [6] to switch (or reverse) the drum sounds assigned to Rim 1 and Rim 2. This makes it easier for left-handed drummers to configure their electronic drum kit.

Setting

NOTE


50

Advanced Techniques


5-4. Pedal Type

Use the following parameter to specify the types of pedals (i.e., hi-hat controller and kick) connected to your drum module.



3. Press number button [4] to select the Pedal Types parameter.

4. Select a new pedal type combination using the corre-sponding number button [1] to [5].

5-5. Gain

You can set the gain level for trigger signals output from individual pads. The higher the gain setting, the louder the sounds produced by light drumming.



3. Press number button [5] to select the Gain parameter.


5. Enter a new gain level using the TEMPO[+]/[–] but-tons.

5-6. Minimum Level

When the strength with which you strike a pad is no more than this level, the pad will not output a trigger signal in response and no sound will be produced.



3. Press number button [6] to select the Minimum Level parameter.


5. Enter a new setting (%) using the TEMPO[+]/[–] but-tons.


Number button

Setting

Hi-hat controller Kick pedal

[1] Automatic identification (only for [2] and [3])

[2] HH65 KP65

[3] HH40 KU100

[4] HH40 KP65

[5] HH65 KU100

• This parameter can normally be set to [1] (automatic identifica-tion).

• When set to [1], the drum module will automatically identify the type of pedal that came with your electronic drum kit when it is turned on.If you then press and hold number button [1], the drum module will flash number button [2] or [3] to indicate the result of auto-matic identification.

• Connect the hi-hat controller before turning on the drum module. Please do not turn the drum module on with the hi-hat controller depressed. The drum module can not identify the type of pedal properly and it causes that the kick may produce much smaller sound than expected.

• Whenever you change the type of hi-hat controller or kick pedal connected to the drum module, please update this setting using the corresponding number button [2] to [5].

Setting

NOTE


Setting

1 to 127


Setting

0 to 99 (%)

Setting

Setting


51

Advanced Techniques


6-1. Timer

You can set the practice time for the following exercises in Training Mode.

• Rhythm Gate• Dynamic Gate• Song Part Gate• Measure Break• Change Up

The timer begins counting at the start of an exercise, and when the set time is reached, it automatically ends the exer-cise.


2. Press the number button [6] to select the Training Set-tings.

3. Press the number button [1] to select Timer.

4. Select your preferred practice time using the number button [1] to [10].

6-2. Difficulty Level

You can set the level of training difficulty for the following exercises.

• Song Part Gate• Song Score Gate• Change Up



3. Press the number button [2] to select Difficulty Level.

4. Select your preferred difficulty level using the number button [1] to [5]. The higher the level, the more diffi-cult the training.

6-3. Ignore Timing

For the following trainings, you can set whether the pads produce sound whenever they are struck or only when they are struck exactly in time.

• Rhythm Gate• Song Part Gate• Song Score Gate• Change Up



3. Press the number button [3] to select Ignore Timing.

n Training Settings


Number button Settings

[1] Off

[2] 30 seconds

[3] 60 seconds

[4] 90 seconds

[5] 120 seconds

[6] 150 seconds

[7] 180 seconds

[8] 300 seconds

[9] 480 seconds

[10] 600 seconds

Setting


Setting

1 to 5


Setting

Setting


52

Advanced Techniques


4. Select the setting for each drum pad using the number buttons [1] to [5]. When set to producing a sound, the pad will produce a sound whenever they are struck. When set not to producing a sound, only pads played exactly in time will produce a sound.

6-4. Rhythm Gate Indicator Flipped

For Rhythm Gate (page 32), the time indicator using the number buttons can be reversed, according to your prefer-ence. In the normal mode, “fast” is on the left. In the reverse mode, “fast” is on the right.



3. Press the number button [4] to select Rhythm Gate Indicator Flipped.

4. Select the mode using the number button [1] or [2].

6-5. Dynamic Gate Low Limit

For Dynamic Gate (page 33), you can set the low limit (the threshold value between “Weak” and “Normal”).



3. Press the number button [5] to select Dynamic Gate Low Limit.

4. Set the threshold value using the TEMPO[+]/[–] but-tons.

6-6. Dynamic Gate High Limit

For Dynamic Gate (page 33), you can set the high limit (the threshold value between “Normal” and “Strong”).



3. Press the number button [6] to select Dynamic Gate High Limit.

4. Set the threshold value using the TEMPO[+]/[–] but-tons.


[1] Hi-Hat

[2] Snare

[3] Kick

[4] Tom

[5] Cymbal


Number button

Settings Description

[1]Normal mode

[2]Reverse mode

Produce a sound (fully lit)

Not producing a sound (half lit)

Setting

1 2 3 4 5 6 7 8 9 10

Fast Slow

1 2 3 4 5 6 7 8 9 10

Slow Fast


Setting

2 to 99

This setting may be automatically fixed so as not to exceed the setting value of Dynamic Gate High Limit.


Setting

2 to 99

This setting may be automatically fixed so as not to be below the setting value of Dynamic Gate Low Limit.

Setting

NOTE

Setting

NOTE


53

Advanced Techniques


6-7. Fast Blast Timer

You can set the practice timer for Fast Blast (page 39). The timer begins counting at the start of an exercise, and when the set time is reached, it automatically ends the exercise.



3. Press the number button [7] to select Fast Blast Timer.

4. Select your preferred practice time using the number button [1] to [10].

7-1. Voice Guidance Volume


2. Press the number button [7] to select the Other Set-tings.

3. Press the number button [1] to select Voice Guidance Volume.

4. Set your preferred volume using the number button [1] to [10].

7-2. Operation Sound Volume



3. Press the number button [2] to select Operation Sound Volume.

4. Set your preferred volume using the number button [1] to [10].



[1] Off

[2] 10 seconds

[3] 30 seconds

[4] 60 seconds

[5] 90 seconds

[6] 120 seconds

[7] 180 seconds

[8] 300 seconds

[9] 480 seconds

[10] 600 seconds

Setting

m Other Settings


Setting

1 to 10

Setting this parameter to [1] turns off the Voice Guidance.


Setting

1 to 10

Setting this parameter to [1] turns off the Operation Sound.

Setting

NOTE

Setting

NOTE


54

Advanced Techniques


7-3. USB Audio Output Settings

You can set whether the USB audio input is sent to the USB out or not. When set to “Output,” the audio data input from a PC (for example) is mixed with your pad performance and they are sent together to the USB out. When set to “Not out-put,” only your pad performance is sent to the USB out, even if the audio data is input and played from the PC.



3. Press the number button [3] to select USB Audio Out-put Settings.

4. Select the parameter using the number button [1] or [2].

7-4. USB Audio Output Gain

When USB Audio Output Setting is set to “Output,” you can set the output gain level.



3. Press the number button [4] to select USB Audio Out-put Gain.

4. Select the gain level using the number button [1] to [5].

7-5. Auto Power-Off Time

You can set the time until the Auto Power-Off function (page 22) activates or you can disable this function.



3. Press the number button [5] to select Auto Power-Off Time.

4. Set a time or disable this function using the number button [1] to [7].



[1] Not output

[2] Output



[1] -12 dB

[2] -6 dB

[3] 0 dB

[4] +6 dB

[5] +12 dB

Setting

Setting



[1] Auto Power-Off disabled

[2] 5 minutes

[3] 10 minutes

[4] 15 minutes

[5] 30 minutes (default)

[6] 60 minutes

[7] 120 minutes

Setting


55

Advanced Techniques


7-6. Stereo/Mono

You can set the [PHONES/OUTPUT] jack to output either mono or stereo sound. We recommend that you select the Mono setting if connecting a standard mono-audio cable to this jack in order to use your drum module with external speakers, a mixer, or other similar equipment.



3. Press the number button [6] to select Stereo/Mono.

4. Select Stereo/Mono using the number button [1] or [2].

7-7. Initialize KitYou can restore a drum kit’s default settings used for a spe-cific music category.


2. Select a music category you wish to initialize the corre-sponding kit using the number button [1] to [10].



5. Press the number button [7] to select Initialize Kit.

• The number button [1] will light up.

6. Press the number button [1].

• The number button will start to flash.

• If you do not wish to proceed with initialization, press the Mode switch now to exit Menu Mode.


• The kit will be initialized.

7-8. Delete Song

You can delete an imported MIDI song on the drum module.



3. Press the number button [8] to select Delete Song.




• If you do not wish to proceed with deletion, press the Mode switch now to exit Menu Mode.


• The song will be deleted.



[1] Stereo

[2] Mono

When you initialize a kit, all of the changes you have made to it will be lost. Before proceeding, therefore, you should ensure that the kit contains no irreplaceable settings.

Steps:Hold down the Mode switch [7] [7] [1] [1]

Setting

NOTICE


You cannot restore a deleted song. Before proceeding, therefore, you should ensure that the song contains no irreplaceable data.

NOTICE


56

Advanced Techniques


7-9. Revert to Last Power On

You can return all settings of drum kits, songs, and Menu Mode to the settings they had when you last turned on the drum module.



3. Press the number button [9] to select Revert to Last Power On.






• The settings will be initialized.

7-10. Factory Reset

You can return all settings of drum kits, songs, and Menu Mode to their default settings.



3. Press the number button [10] to select Factory Reset.






• The settings will be initialized.

You can also restore the Factory Reset by turning on the drum module with the VOLUME[+] and [–] buttons held down (page 22).


• When you reset settings as described below, any changes you have made to them since last turning on the drum module will be lost. Before proceeding, therefore, you should ensure that they contain no irreplaceable settings.

• After importing or deleting a song and then changing any set-tings, using the “Revert to Last Power On” procedure does not restore the settings they had when you last turn on the drum module. It only restores the state before the import or delete operation.

NOTICE


When you reset settings as described below, any changes you have made to them will be lost. Before proceeding, therefore, you should ensure that they contain no irreplaceable settings.

NOTICE

Advanced Techniques

Integrating Separately Sold AccessoriesAs described below, you can add various accessories* to your electronic drum kit for an even more

57
enjoyable drumming experience. (*: Sold separately)Please note that these optional external pads were up-to-date as of printing of this manual. Details regarding any subsequently released models will be made available via the following web site.

https://www.yamaha.com/dtx/

By upgrading the KU100 Kick Unit and/or the hi-hat con-troller included as part of the DTX402K, you can make your electronic drum kit feel much closer to the real thing.

When you upgrade your KU100 to a KP65, you will need a foot pedal to play the new kick pad.

When using a KP65, you can add pads such as a PCY95AT Cymbal Pad. (For details, refer to “Adding a PCY95AT Cymbal Pad” under “For DTX432K & DTX452K Own-ers.”)

Replacing the KU100 Kick Unit with a KP65 Kick Pad

1. Assemble the KP65 Kick Pad. For details, see Step 11 on page 18.

2. Turn off the drum module.The KP65 Kick Pad must be connected with the drum module turned off.

3. Disconnect the cable from the KU100 and plug it into the [OUT > DTX] jack on the back on the KP65.

4. Turn on the drum module.

5. Set the kick type to “KP65”. For more details, see the description of the Pedal Types parameter from Menu Mode (page 50).

6. Play the KP65 Kick Pad.

Replacing the bundled hi-hat controller with an HH65 Hi-hat Controller

1. Turn off the drum module.The HH65 Hi-hat Controller must be connected with the drum module turned off.

2. Disconnect the cable from the bundled hi-hat controller and plug it into the [OUTPUT] jack on the HH65.


4. Set the hi-hat controller type to “HH65”. For more details, see the description of the Pedal Types parameter from Menu Mode (page 50).

5. Play the HH65 Hi-hat Controller.

Adding a PCY95AT Cymbal Pad1. Turn off the drum module.

The PCY95AT Cymbal Pad must be connected with the drum module turned off.

2. Using the cable that came with the cymbal pad, connect it to the [PAD > IN] jack on the KP65 Kick Pad.


4. Play the newly added cymbal pad.

For DTX402K Owners

For DTX432K & DTX452K Owners

Advanced Techniques

5

Connecting to a ComputerConnecting the drum module to a computer or a smart device such as iPhone/iPad using a USB cable

8
lets you send and receive audio or MIDI data. This section explains how to connect the drum module and the computer.

Precautions when using the [USB TO HOST] terminal

When connecting the computer to the [USB TO HOST] terminal, make sure to observe the following points. Failing to do so risks freezing the computer and corrupting or losing the data.If the computer or the drum module freezes, restart the application software or the computer OS, or turn the power to the drum module off and then on again.

To use audio data with a Windows computer, you need to install the Yamaha Steinberg USB Driver.

1. Download the latest Yamaha Steinberg USB Driver from the following URL.


After accessing the Support website (and clicking on “Firmware/Software”), enter the appropriate model name.

Press the [ (driver name)] button, download and open the file.

2. Install the Yamaha Steinberg USB Driver on your com-puter.For more information, please refer to the Yamaha Stein-berg USB Driver Installation Guide.

Information related to MIDI and creating music with a com-puter, is provided in the MIDI Reference Manual. The MIDI Reference Manual (PDF) is available for download at the following web page.



USB cable is not included.NOTE

[USB TO HOST] terminal (bottom panel)

Computer

USB cableDrum module

USB terminal

• Use an A-B type USB cable. Also, make sure the cable is less than 3 meters long. USB 3.0 cables cannot be used.

• Before connecting a computer to the [USB TO HOST] terminal, disable any power-saving mode of the computer (such as sus-pend, sleep, or standby).

• Before turning the power to the drum module on/off or plugging/unplugging the USB cable to/from the [USB TO HOST] terminal, quit any open application software on the computer.

• Please wait at least six seconds between turning the drum mod-ule on/off and connecting or disconnecting the USB cable.

Installing the Yamaha Steinberg USB Driver

When you use a macOS computer or when you use a Windows computer only to handle MIDI data, installation of the Yamaha Steinberg USB Driver is not required.

NOTICE

NOTE

• Information on system requirements is provided on the above web page.

• For improvement, the Yamaha Steinberg USB Driver may be upgraded without notice. For details and the most up-to-date information, please visit the above website.

MIDI-related Reference

NOTE

Reference

Some problems may be solved by resReference

Troubleshootingtoring the default settings (Factory Reset). If the following

instructions do not work, we recommend the Factory Reset (See page 22).

No sound is produced when a pad is struck, or the volume is lower than expected.

Check connections as follows.• Ensure that the pads are properly connected to the drum module’s trigger input jacks.• Ensure that headphones or speaker are properly connected to the [PHONES/OUTPUT] jack (not the [AUX IN]

jack) on the drum module.• Ensure that the amplifier and/or speakers connected to the drum module are turned on and are not set to the low-

est possible volume.• If you are using a KP65 Kick Pad, try adjusting its Level dial.• Ensure that the cables you are using are in good condition.

•Ensure that an HH40 Hi-hat Controller is properly connected to the [HI-HAT CTL] jack and a KU100 Kick Unit is connected to the [KICK/PAD] jack on the drum module (page 57).

Check the drum module’s settings as follows.• Ensure that the drum module’s volume is not turned fully down. Also when directly inputting the volume with

numerical values by using the number buttons, try pressing the number buttons in rapid succession. (See page 41)

• Adjust the following parameters from Menu Mode.- Pad Volume (See page 43)- Gain (See page 50)- Pad Velocity Curve (See page 48)- Crosstalk (See page 49)- Snare Pad Type (See page 49)- Pedal Type (See page 50)- Local Control (See page 45)

If kick sounds are not produces as expected, try the following.• Low notes may not be produced depending on the particular headphones you are using. If necessary, try different

headphones.

•If you are using a KU100 Kick Unit, connect an HH40 hi-hat controller before turning on the drum module. Please do not turn the drum module on with the HH40 depressed. The drum module cannot identify the type of pedal properly and it causes that the kick may produce much smaller sound than expected.

If you cannot play foot closed hi-hat sounds, try the following.• Ensure that you are operating the hi-hat controller in a firm and full manner.• Ensure that the Double Bass Drum parameter from Menu Mode is set to “Off”. (See page 44)• If you are using an HH65 Hi-hat Controller, set the Foot Close Position parameter from Menu Mode to a small

value. (See page 46)

For DTX402K

For DTX402K

59DTX402K DTX432K DTX452K Owner’s Manual

Troubleshooting

60

Reference

Sounds or volumes are not as expected.

If hi-hat splash sounds are not produced as expected, try the following.• Adjust the Splash Sensitivity parameter from Menu Mode. (See page 46)

If it is difficult to produce closed hi-hat sounds with an HH65 Hi-hat Controller, try the following.• Adjust the Foot Close Position parameter from Menu Mode. (See page 46)

If it is difficult to produce louder and quieter foot-closed hi-hat sounds, try the following.• Ensure that the Pedal Type parameter from Menu Mode is set correctly. (See page 50)

•If you are using an HH40 Hi-hat Controller, the velocity is fixed regardless of how strongly or softly the HH40 is depressed. Adjust the Foot Close Velocity parameter from Menu Mode. (See page 47)

If pads are producing only sounds at very high volumes (i.e., high velocities), try the following.• Adjust the sensitivity of the drum kit. (See page 26)• Adjust the Gain parameter from Menu Mode. High settings will result in loud drum sounds. (See page 50)• Adjust the Pad Velocity Curve parameter from Menu Mode. (See page 48)• Ensure that you are using only the recommended Yamaha pads. (Products from other manufacturers can output

excessively large signals.)

If the volumes of drum sounds produced by the various pads are poorly balanced, proceed as follows.• Adjust the Pad Volume parameter from Menu Mode for each pad. (See page 43)• Ensure that the Stereo/Mono parameter from Menu Mode is set correctly. (See page 55)

If the drum module’s volume is not well balanced with that of the device connected to the [AUX IN] jack (such as a portable music player), proceed as follows.• Ensure that the volume of the connected device is set to a suitable level. (See page 21)

If the volume of your drumming is not well balanced with that of a drum-module song, proceed as follows.• Adjust the song volume. (See page 27)

If you notice double triggering, crosstalk, or skipped sounds (as described below), proceed as fol-lows.

Double triggering—i.e., multiple sounds are produced in response to a single strike:• If the pad or drum trigger in question features a controller for adjusting output or sensitivity, turn it down.• Ensure that the Pad Type parameter from Menu Mode is set correctly. (See page 49)• Ensure that the Gain parameter from Menu Mode is not set too high. (See page 50)

Crosstalk—i.e., a sound is produced by a pad other than the one that was struck:• Adjust the following parameters from Menu Mode.

- Gain (See page 50)- Minimum Level (See page 50)- Crosstalk (See page 49)

Skipped sounds—i.e., a pad does not produce a sound (usually during rolls or fills):• Adjust the Crosstalk parameter from Menu Mode to a suitable level for each affected pad. (See page 49)

For DTX402K


ReferenceTroubleshooting

61
* You can also find troubleshooting tips in the MIDI Reference Manual (PDF). (See page 58)

Other common questions

How do I make the drum module store it settings?• The drum module automatically stores its settings whenever you turn it off using the [ ] (Standby/On) button.

(See page 22)

How do I reset all of the drum module’s parameters to their default settings?• You can restore default settings using the Factory Reset function. (See page 22)

How do I reset all of the drum module’s parameters to the settings they had when I last turned it on?• You can do this using the Revert to Last Power On function. (See page 56)

How do I reset only a desired drum kit to the default setting?• Initialize the kit from Menu Mode. (See page 55)

How do I stop the drum module turning off while I’m using it?• Disable the Auto Power-Off function. (See page 22)

How do I turn off the voice guidance or the operation sound?• Adjust the Voice Guidance Volume parameter (page 53) or the Operation Sound Volume (page 53) to [1].

If choke function does not work, try the following.• Ensure that you are using a crash cymbal pad with sensor. (See page 17)

Reference

6

Data List

2
Music Category List

Voice List

Number Music category Song description Kit description1 POP1 8-beat Pops A versatile kit suitable for Pops.2 POP2 16-beat Pops A kit that simulates gated-reverb drum sounds.3 ROCK1 8-beat Rock A kit with powerful sounds suitable for rock music.

4 ROCK2Rock tune with a swung rhythm

Another kit with different characteristics also suitable for rock music.

5 METALA heavy metal song using two bass drums

A kit with a bass drum assigned to a hi-hat controller. Useful for a double bass setup.

6 FUNK Up-tempo funk A kit with a distinctive hi-pitched snare drum.7 HIPHOP Modern Hip hop A kit with a common setup for Modern Hip hop.8 EDM Electronic dance music A kit with a common setup for electronic dance music.9 JAZZ 4-beat Jazz A kit with small diameter drums. Suitable for jazz.10 LATIN Salsa, a type of Latin music A kit with various Latin percussion sounds.

Kick1 MapleC 222 Big Gate3 Rock4 Vtg50s 225 Vtg70s 246 Metal7 BirchC 228 Jazz9 HipHop 1

10 HipHop 211 HipHop 312 HipHop 413 HipHop 514 HipHop 615 HipHop 716 HipHop 817 HipHop 918 EDM19 T8-120 T8-221 T8-322 T8-423 T9-124 T9-225 T9 Hard26 ElecComp27 Break 128 Break 229 DNB 130 DNB 2

Snare31 MapleCustm32 Big Gate33 Rock34 Vintage50s35 Vintage70s36 Metal37 BirchCustm38 Jazz39 HipHop 140 HipHop 241 EDM42 T843 T944 Analog45 Gate 146 Gate 247 Gate 348 Electro 149 Electro 250 Electro 351 Electro 452 Break53 DNB54 Clap 155 Clap 256 Clap 357 Clap 458 Clap 559 Clap 660 Clap 761 Clap 862 Clap 963 Clap 1064 Clap 1165 Clap 1266 Clap 1367 Clap 1468 Snap 169 Snap 270 Snap 3

Tom71 MapleC H72 MapleC M73 MapleC L74 Big Gate H75 Big Gate M76 Big Gate L77 Rock H78 Rock M79 Rock L80 Vintg50s H81 Vintg50s M82 Vintg50s L83 Vintg70s H84 Vintg70s M85 Vintg70s L86 Metal H87 Metal M88 Metal L89 BirchC H90 BirchC M91 BirchC L92 Jazz H93 Jazz M94 Jazz L95 Gate H96 Gate M97 Gate L98 Electro H99 Electro M

100 Electro L101 T8-1 H102 T8-1 M103 T8-1 L104 T8-2 H105 T8-2 M106 T8-2 L107 T9-1 H108 T9-1 M109 T9-1 L110 Syn H111 Syn M112 Syn L

Cymbal113 DarkRd20-1114 DarkRd20-2115 VtgRd 22116 WarmRd 20117 JazzRd 22118 SzRide 20119 Briliant16120 Briliant18121 Vivid 17122 Bright 18123 Dark 18124 Vintage 16125 Vintage 18126 Jazz 18127 SzCrash 20128 Splash 1129 Splash 2130 China131 Trash132 ElecRide 1133 ElecRide 2134 ElecRide 3135 ElecShaker136 T8 Ride137 T9 Ride138 ElecCym 1139 ElecCym 2140 ElecCym 3141 ElecCym 4142 T8 Crash143 T9 Crash144 SynCrash 1145 SynCrash 2146 HipHopCr 1147 HipHopCr 2148 HipHopCr 3149 HipHopCr 4150 HipHopCr 5151 RevCym 1152 RevCym 2

ReferenceData List

63
Hi-Hat153 Briliant14154 Dark 14155 Vintage 14156 Bright 14157 Jazz 14158 R&B 1159 R&B 2160 Electro 1161 Electro 2162 Electro 3163 Electro 4164 T8165 T9166 HipHop 1167 HipHop 2168 DNB

Percussion169 Cajion Mt170 Cajion Slp171 Cajion Lo172 Cajion Ft173 PndeiroTap174 PndeiroOp175 PndeiroShk176 PndeiroSld177 Claves178 Conga H Sw179 Conga L Sw180 BongoH Sw 181 BongoL Sw182 Cowbell1Sw183 Cowbell 2184 Cowbell 3185 Shaker Op186 Shaker Cl187 Timbales H188 Timbales L189 Vibraslap190 Surdo Sw191 Tambarin 1192 Tambarin 2193 Maracas194 TriangleOp195 TriangleMt196 GuiroShort197 GuiroLong198 Agogo H199 Agogo L200 WoodBlockH201 WoodBlockL202 Caxixi Hit203 Whistle S204 Whistle L205 Djambe Lo206 Djambe Op207 Djambe Slp208 Djambe Mt209 TalkDr Op210 PotDrum Op211 Dundun Op212 Dundun Cl213 Darbuka Op214 Darbuka Sl215 Darbuka Mt216 Sangban Op217 Kenkeni Op218 AfricanBlH219 AfricanBlL220 Tombak Op

221 Daf Open222 Daf Slap223 Daf Mute224 Riq Open225 Riq Slap226 Riq Shake227 Riq Hit228 Sagat Op229 Sagat Cl230 Sagat Sw231 Tabla Na232 Bayan Ge233 Dhol RH Op234 Dhol RH Cl235 Dhol LH Op236 Dhol LH Cl237 KanjiraHit238 KanjiraSlp239 KanjiraShk240 ZangGu241 ZangGu Rim242 BianGu243 BianGu Rim244 BianGuHand245 TangGu246 TangGu Rim247 PaiGu 1248 PaiGu 2249 PaiGu 3250 XiaoBo Opn251 XiaoBo Cls252 DaBo Opn253 DaBo Cls254 XiaoLuo255 ZhongLuo256 FengLuo257 ShangNao 1258 ShangNao 2259 Qing H260 Qing L261 Taiko Don262 Taiko Ka263 KoTaik1Ten264 KoTaik1Tsu265 KoTaik2Ten266 KoTaik2Tsu267 TsuzumiPon268 TsuzumiBnd269 OokawaChon270 Temple Blk271 KontikiKon272 Kontiki Ki

273 Atari Kon274 Atari Chi275 Ainote 1276 Ainote 2277 GranCasaOp278 Castanet279 SleighBel280 WindChime281 HandCym Op282 HandCym Mt283 FingrCymOp284 RibonCrash285 Timpani286 Tamtam287 Latin HH

Reference

6

Specifications

4
Drum module

* The contents of this manual apply to the latest specifications as of the publishing date.To obtain the latest manual, access the Yamaha website then download the manual file.Since specifications, equipment or separately sold accessories may not be the same in every locale, please check with your Yamaha dealer.

Tone generator

Type AWM2

Maximum polyphony 64 notes

VoicesDrum and percussion: 287Keyboard: 128

Drum kits 10 (all of which may be edited and overwritten)

Songs 10

Reverb 9 types

MetronomeTempo 30 to 300 BPM (Tap Tempo and Voice Guidance functions)

Beats 1/4 to 9/4

Other

Jacks and terminals

SNARE (mini stereo audio)TOM1 (mini mono audio)TOM2 (mini mono audio)TOM3 (mini mono audio)RIDE (mini mono audio)CRASH (mini stereo audio)HI-HAT (mini mono audio)HI-HAT CTL (mini stereo audio)KICK/PAD (mini stereo audio)USB TO HOST (type B)AUX IN (mini stereo audio)PHONES/OUTPUT (standard stereo audio)DC IN

Power consumption 5 W

AC adaptor PA-130 (or an equivalent recommended by Yamaha)

Dimensions and weight269 (W) × 147 (D) × 39 (H) mm, 0.5 kg10-9/16"(W) × 5-13/16" (D) × 1-9/16" (H), 1 lb 2 oz

Reference

IndexSymbols G S
[ ] connector.................24[ ] (metronome) button..................23[ ] button ..................................23[ ] (Standby/On) button .................23[AUX IN] jack ...................................24[DRUM ON/OFF] button ..................23[HI-HAT CTL] jack ...........................24[KICK/PAD] jack ..............................24[PHONES/OUTPUT] jack ................24[TEMPO] buttons.............................23[USB TO HOST] terminal ..........24, 58[VOLUME] buttons ..........................23
AAC adaptor ......................9, 10, 11, 21Auto Power-Off................................22

BBeats ...............................................42Bottom Panel...................................24

CCable bands ....................9, 10, 11, 20CHANGE UP ...................................37Choke ..............................................25Click.................................................29Close ...............................................25Closed rim shots..............................25Computer.........................................58Control Panel...................................23Cord clip ..........................................21Crash cymbal pad .................9, 10, 11Cross sticking ..................................25Crosstalk .........................................49Cymbal holders .....................9, 10, 11Cymbal/hi-hat pads ...............9, 10, 11

DDelete Song.....................................55Difficulty Level .................................51Double Bass Drum ..........................44Drum key ...............................9, 10, 11Drum module.........................9, 10, 11DYNAMIC GATE.............................33

FFactory Reset ............................22, 56FAST BLAST...................................39Foot closed......................................25FP6110A ...................................10, 11

Gain ................................................ 50

HHead shots...................................... 25Headphones.................................... 21HH40 Hi-hat controller ...................... 9HH65 Hi-hat controller .. 10, 11, 25, 57Hi-hat holder ......................... 9, 10, 11Hi-hat splash ................................... 25

KKick Unit .......................................... 57Kit .................................................... 26KP65 ................................... 10, 11, 57KU100 Kick unit ................................ 9

MMEASURE BREAK ......................... 36Menu Mode ............................... 23, 41Metronome...................................... 29MIDI Reference............................... 58MIDI Reference Manual .................... 7MIDI Settings .................................. 45Mode switch .................................... 23Music category list .......................... 62Music Player ................................... 21Mute ................................................ 28

NNine-channel snake cable..... 9, 10, 11Number buttons .............................. 23

OOpen ............................................... 25Open rim shots................................ 25

PPART MUTE ................................... 38Pattern ............................................ 42PCY95AT ........................................ 57Play Mode ................................. 23, 26

RRECORDER ................................... 40Revert to Last Power On................. 56RHYTHM GATE.............................. 32Rim.................................................. 25

S wing bolt ...................................... 11Score .............................................. 31Sensitivity........................................ 26Separately Sold Accessories .......... 57Snare Pad....................................... 25Song ............................................... 27SONG PART GATE........................ 34SONG SCORE GATE..................... 35Speakers......................................... 21

TTap tempo....................................... 30Tempo............................................. 29Toms............................................... 13Top Panel ....................................... 24TP70S Snare pad ..................... 11, 25Training Mode........................... 23, 31Trigger input jacks .......................... 24

VVoice guidance ......................... 29, 53Voice list ......................................... 62

YYamaha Steinberg USB Driver ....... 58


66
(weee_eu_en_02)

Information for users on collection and disposal of old equipment:This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should not be mixed with general household waste.For proper treatment, recovery and recycling of old products, please take them to applicable col-lection points, in accordance with your national legislation.

By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling.

For more information about collection and recycling of old products, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items.

For business users in the European Union:If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.

Information on Disposal in other Countries outside the European Union:This symbol is only valid in the European Union. If you wish to discard these items, please con-tact your local authorities or dealer and ask for the correct method of disposal.

6
8 DTX402K DTX432K DTX452K Owner’s Manual
LIMITED WARRANTY ON YAMAHA DRUMS, HARDWARE AND ACCESSORY PRODUCTS

Thank you for selecting a YAMAHA product. YAMAHA products are designed and manufactured to provide a high level of defect-free performance. Yamaha Corporationof America (“YAMAHA”) is proud of the experience and craftsmanship that goes into each and every YAMAHA product. YAMAHA sells its products through a network ofreputable, specially authorized dealers and is pleased to offer you, the Original Owner, the following Limited Warranty, which applies only to products that have been (1)directly purchased from YAMAHA’s authorized dealers in the fifty states of the USA and District of Columbia (the “Warranted Area”) and (2) used exclusively in theWarranted Area. YAMAHA suggests that you read the Limited Warranty thoroughly, and invites you to contact your authorized YAMAHA dealer or YAMAHA CustomerService if you have any questions.

THIS WARRANTY COVERS THE LISTED PRODUCTS AGAINST DEFECTS IN MATERIALS OR WORKMANSHIP.Warranty Term

Duration of Warranty from Date of Type of Product Purchase by or for the Original Owner

Acoustic Drum Shells, Finish, Drum Hardware, Freestanding Hardware, Pedals, Hardware Accessories 5 YearsElectronic Drums Modules, Pads, Accessories, Hardware, Pedals 1 Year

Coverage: YAMAHA will, at its option, repair or replace the product covered by this warranty if it becomes defective, malfunctions or otherwise fails to conform with thiswarranty under normal use and service during the term of this warranty, without charge for labor or materials. Repairs may be performed using new or refurbished partsthat meet or exceed YAMAHA specifications for new parts. If YAMAHA elects to replace the product, the replacement may be a reconditioned unit. You will beresponsible for any installation or removal charges and for any initial shipping charges if the product(s) must be shipped for warranty service. However, YAMAHA willpay the return shipping charges to any destination within the USA if the repairs are covered by the warranty. This warranty does not cover (a) damage, deterioration ormalfunction resulting from accident, negligence, misuse, abuse, improper installation or operation or failure to follow instructions according to the Owner’s Manual forthis product; any shipment of the product (claims must be presented to the carrier); repair or attempted repair by anyone other than YAMAHA or an authorized YAMAHAService Center; (b) any unit which has been altered or on which the serial number has been defaced, modified or removed; (c) normal wear and any periodicmaintenance; (d) deterioration due to perspiration, corrosive atmosphere or other external causes such as extremes in temperature or humidity; (e) damagesattributable to power line surge or related electrical abnormalities, lightning damage or acts of God; or (f) RFI/EMI (Interference/noise) caused by improper grounding orthe improper use of either certified or uncertified equipment, if applicable. Any evidence of alteration, erasing or forgery of proof-of-purchase documents will cause thiswarranty to be void. This warranty covers only the Original Owner and is not transferable.

In Order to Obtain Warranty Service: Warranty service will only be provided for defective products within the Warranted Area. Contact your local authorized YAMAHAdealer who will advise you of the procedures to be followed. If this is not successful, contact YAMAHA at the address, telephone number or website shown below.YAMAHA may request that you send the defective product to a local authorized YAMAHA Servicer or authorize return of the defective product to YAMAHA for repair. Ifyou are uncertain as to whether a dealer has been authorized by YAMAHA, please contact YAMAHA’s Service Department at the number shown below, or checkYamaha’s website at http://usa.yamaha.com. Product(s) shipped for service should be packed securely and must be accompanied by a detailed explanation of theproblem(s) requiring service, together with the original or a machine reproduction of the bill of sale or other dated, proof-of-purchase document describing the product,as evidence of warranty coverage. Should any product submitted for warranty service be found ineligible therefore, an estimate of repair cost will be furnished and therepair will be accomplished only if requested by you and upon receipt of payment or acceptable arrangement for payment.

Limitation of Implied Warranties and Exclusion of Damages: ANY IMPLIED WARRANTIES, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR APARTICULAR PURPOSE SHALL BE LIMITED IN DURATION TO THE APPLICABLE PERIOD OF TIME SET FORTH ABOVE. YAMAHA SHALL NOT BE RESPONSIBLE FORINCIDENTAL OR CONSEQUENTIAL DAMAGES OR FOR DAMAGES BASED UPON INCONVENIENCE, LOSS OF USE, DAMAGE TO ANY OTHER EQUIPMENT OR OTHERITEMS AT THE SITE OF USE OR INTERRUPTION OF PERFORMANCES OR ANY CONSEQUENCES. YAMAHA’S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TOREPAIR OR REPLACEMENT OF THE PRODUCT, AT YAMAHA’S OPTION. SOME STATES DO NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTSOR THE EXCLUSION OR LIMITATION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION OR EXCLUSION MAY NOT APPLY TO YOU. ThisWarranty gives you specific legal rights, and you may also have other rights which vary from state to state. This is the only express warranty applicable to the productspecified herein; Yamaha neither assumes nor authorizes anyone to assume for it any other express warranty.

If you have any questions about service received or if you need assistance in locating an authorized YAMAHA Servicer, please contact:

CUSTOMER SERVICEYamaha Corporation of America

6600 Orangethorpe Avenue, Buena Park, California 90620-1373Telephone: 800-854-1569 • http://usa.yamaha.com

Do not return any product to the above address without a written Return Authorization issued by YAMAHA.

Drums Limited

Warranty

69

DMI panany


ADAmaha Canada Music Ltd.5 Milner Avenue, Toronto, Ontario M1S 3R1, Canadal: +1-416-298-1311

.A.maha Corporation of America 00 Orangethorpe Avenue, Buena Park, CA 90620, U.S.A.l: +1-714-522-9011

XICOmaha de México, S.A. de C.V.. Insurgentes Sur 1647 Piso 9, Col. San José Insurgentes, legación Benito Juárez, México, D.F., C.P. 03900, Méxicol: +52-55-5804-0600

ZILmaha Musical do Brasil Ltda.a Fidêncio Ramos, 302 – Cj 52 e 54 – Torre B – Vila ímpia – CEP 04551-010 – São Paulo/SP, Brazill: +55-11-3704-1377

ENTINAmaha Music Latin America, S.A., Sucursal Argentinaga Cossettini 1553, Piso 4 Norte,adero Este-C1107CEK, enos Aires, Argentinal: +54-11-4119-7000

AMA AND OTHER LATIN ERICAN COUNTRIES/

IBBEAN COUNTRIES maha Music Latin America, S.A.if. Torre Banco General, F7, Urb. Marbella,lle 47 y Aquilino de la Guardia, Panama, .Box 0823-05863, Panama, Rep.de Panama

l: +507-269-5311

UNITED KINGDOM/IRELANDmaha Music Europe GmbH (UK)erbourne Drive, Tilbrook, Milton Keynes, K7 8BL, U.K.l: +44-1908-366700

MANYmaha Music Europe GmbHemensstrasse 22-34, 25462 Rellingen, Germanyl: +49-4101-303-0

ITZERLAND/LIECHTENSTEINmaha Music Europe GmbH, Branchitzerland in Thalwilestrasse 18a, 8800 Thalwil, Switzerlandl: +41-44-3878080

TRIA/CROATIA/CZECH REPUBLIC/NGARY/ROMANIA/SLOVAKIA/SLOVENIAmaha Music Europe GmbH, Branch Austriahleiergasse 20, 1100 Wien, Austrial: +43-1-60203900

ANDmaha Music Europe GmbH .z o.o. Oddział w Polsce Wielicka 52, 02-657 Warszawa, Polandl: +48-22-880-08-88

GARIAnacord Bulgaria LTD.l.Iskarsko Schose 7 Targowski Zentar Ewropa28 Sofia, Bulgarial: +359-2-978-20-25

LTAimpus Music Ltd.lletta Road, Mosta MST9010, Maltal: +356-2133-2093

HERLANDS/BELGIUM/EMBOURG

maha Music Europe, Branch Beneluxarissenhof 5b, 4133 AB Vianen, The Netherlands l: +31-347-358040

NCEmaha Music Europe ue Ambroise Croizat, Zone d'activités de Pariest, 183 Croissy-Beaubourg, Francel: +33-1-6461-4000

ITALYYamaha Music Europe GmbH, Branch ItalyVia Tinelli N.67/69 20855 Gerno di Lesmo (MB), ItalyTel: +39-039-9065-1

SPAIN/PORTUGALYamaha Music Europe GmbH Ibérica, Sucursal en EspañaCtra. de la Coruña km. 17,200, 28231 Las Rozas de Madrid, SpainTel: +34-91-639-88-88

GREECEPhilippos Nakas S.A. The Music House19th klm. Leof. Lavriou 190 02 Peania – Attiki, GreeceTel: +30-210-6686260

SWEDENYamaha Music Europe GmbH Germany filialScandinaviaJA Wettergrensgata 1, 400 43 Göteborg, SwedenTel: +46-31-89-34-00

DENMARKYamaha Music Denmark, Fillial of Yamaha Music Europe GmbH, TysklandGeneratorvej 8C, ST. TH., 2860 Søborg, DenmarkTel: +45-44-92-49-00

FINLANDF-Musiikki OyAntaksentie 4FI-01510 Vantaa, Finland Tel: +358 (0)96185111

NORWAYYamaha Music Europe GmbH Germany -Norwegian BranchGrini Næringspark 1, 1332 Østerås, Norway Tel: +47-6716-7800

ICELANDHljodfaerahusid Ehf.Sidumula 20IS-108 Reykjavik, IcelandTel: +354-525-5050

CYPRUSNakas Music Cyprus Ltd.Nikis Ave 2k 1086 NicosiaTel: + 357-22-511080Major Music Center21 Ali Riza Ave. OrtakoyP.O.Box 475 Lefkoşa, CyprusTel: (392) 227 9213

RUSSIAYamaha Music (Russia) LLC.Room 37, entrance 7, bld. 7, Kievskaya street, Moscow, 121059, RussiaTel: +7-495-626-5005

OTHER EUROPEAN COUNTRIESYamaha Music Europe GmbHSiemensstrasse 22-34, 25462 Rellingen, GermanyTel: +49-4101-303-0

Yamaha Music Gulf FZEJAFZA-16, Office 512, P.O.Box 17328,Jebel Ali FZE, Dubai, UAETel: +971-4-801-1500

TURKEYYamaha Music Europe GmbHMerkezi Almanya Türkiye İstanbul ŞubesiMaslak Meydan Sodak, Spring Giz Plaza Bagimsiz Böl. No:3, Sariyer Istanbul, TurkeyTel: +90-212-999-8010

ISRAELRBX International Co., Ltd.P.O Box 10245, Petach-Tikva, 49002Tel: (972) 3-925-6900

OTHER COUNTRIESYamaha Music Gulf FZEJAFZA-16, Office 512, P.O.Box 17328, Jebel Ali FZE, Dubai, UAETel: +971-4-801-1500

THE PEOPLE’S REPUBLIC OF CHINAYamaha Music & Electronics (China) Co., Ltd.2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu, Shanghai, ChinaTel: +86-400-051-7700

HONG KONGTom Lee Music Co., Ltd.11/F., Silvercord Tower 1, 30 Canton Road,Tsimshatsui, Kowloon, Hong KongTel: +852-2737-7688

INDIAYamaha Music India Private LimitedP-401, JMD Megapolis, Sector-48, Sohna Road,Gurgaon-122018, Haryana, IndiaTel: +91-124-485-3300

INDONESIAPT. Yamaha Musik Indonesia (Distributor) Yamaha Music Center Bldg. Jalan Jend. Gatot Subroto K4, Jakarta 12930, IndonesiaTel: +62-21-520-2577

KOREAYamaha Music Korea Ltd.8F, Dongsung Bldg. 21, Teheran-ro 87-gil, Gangnam-guSeoul, 06169, KoreaTel: +82-2-3467-3300

MALAYSIAYamaha Music (Malaysia) Sdn. Bhd.No.8, Jalan Perbandaran, Kelana Jaya, 47301 Petaling Jaya, Selangor, MalaysiaTel: +60-3-78030900

SINGAPOREYamaha Music (Asia) Private LimitedBlock 202 Hougang Street 21, #02-00,Singapore 530202, SingaporeTel: +65-6740-9200

TAIWANYamaha Music & Electronics Taiwan Co., Ltd.2F., No.1, Yuandong Rd., Banqiao Dist., New Taipei City 22063, Taiwan (R.O.C.)Tel: +886-2-7741-8888

THAILANDSiam Music Yamaha Co., Ltd.3, 4, 15, 16th Fl., Siam Motors Building, 891/1 Rama 1 Road, Wangmai, Pathumwan, Bangkok 10330, ThailandTel: +66-2215-2622

VIETNAMYamaha Music Vietnam Company Limited15th Floor, Nam A Bank Tower, 201-203 Cach Mang ThTam St., Ward 4, Dist.3,Ho Chi Minh City, VietnamTel: +84-28-3818-1122

OTHER ASIAN COUNTRIES http://asia.yamaha.com

AUSTRALIAYamaha Music Australia Pty. Ltd.Level 1, 80 Market Street, South Melbourne, VIC 3205 AustraliaTel: +61-3-9693-5111

NEW ZEALANDMusic Works LTDP.O.BOX 6246 Wellesley, Auckland 4680,New ZealandTel: +64-9-634-0099

COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

http://asia.yamaha.com

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

details of products, please contact your nearest Yamaha representative or the orized distributor listed below.

r plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au ibuteur le plus proche de vous figurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung ubei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo.

23 Head Office/Manufacturer: Yamaha Corporation 10-1, Nakazawa-cho, Naka-ku, Hamamatsu, 430-8650, Ja(For European Countries) Importer: Yamaha Music Europe GmbH Siemensstrasse 22-34, 25462 Rellingen, Germ

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Manual Development Group©2018 Yamaha Corporation

Published 11/2018 POMA*.*-**B0

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Yamaha web sitehttps://www.yamaha.com/

Yamaha Downloadshttps://download.yamaha.com/

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