duke university olli book marketing week 1: genres & creativity
DESCRIPTION
First week in Book Marketing at Duke OLLI's 10-week course. This session focuses on identifying genres, readership, and fostering creativity.TRANSCRIPT
BOOKMARKETING
© 2014, Tara Lynne Groth
About Me
Originally from Long Island, lived in Rhode Island, now Pittsboro
Freelancing for 5 years May 2014 (4 years full-time), TW & AW
PR director 4 years in NY, Marketing Manager 2 years in NC
VP of Marketing, Atlanta Writers Club 2 years
Memberships: Freelancers Union, ASJA. Former: AWC, NCPS, Authors Guild.
Academia: Career Writing, Advertising/Marketing Communications; B.A. Cinema & Cultural Studies at SUNY Stony Brook
Non-writing: New moto rider, kayaking, QT
WEEK 1: GENRES & CREATIVITY
Traditional and Contemporary
Identifying Your Genre
Cross-genre manuscripts are attractive!
Traditional Genres
Non-fiction Biographies Memoir Travel guides Informational Essay/critical analysis
Fiction Science Fiction/Fantasy Magical Realism Mystery Young Adult Children Romance Historical Christian or faith-based Western
Poetry Narrative Lyrical Prose Epic
Traditional Genres
Non-fiction Biographies Memoir Travel guides Informational Essay/critical analysis
Fiction Science Fiction/Fantasy Magical Realism Mystery Young Adult Children Romance Historical Christian or faith-based Western
Poetry Narrative Lyrical Prose Epic
Contemporary Genres
Non-fiction Creative non-fiction Divorce Memoir Grief Memoir Alcoholic Memoir Travel Memoir
Fiction Urban Fantasy Commercial Fiction Women’s Fiction New Adult (smut) LGBT (YA) Graphic Novels Paranormal Romance Steampunk (cyberpunk+)
Poetry Postmodernism
AUDIENCE
Know Your Readers
Reader Demographics
Top demographic with the most propensity to purchase?
African-American women with a college education are the largest
group of readers in the United States.
-Pew, January 2014
Author’s Responsibilities
Evolution from traditional book signings to events
Out of book stores
Signing e-books with Authorgraph
Engaging readers in new ways, like LibraryThing
Blog tours – duplicate content penalties, SEO signals
Funding Hybrid – No advances, no salaried workers, quick turnaround (4-6 weeks) Self Traditional
By 2020, half of the eBooks we buy will be self-published. (Mark Coker, founder of Smashwords)
Reader Demographics
Romance?
84% women30-54 years old
Typically in the South
Mystery?
68% women, 48% 55+38% live in the South
77% have no children at home
Sci-Fi?
74% more men than women
RWA, 2014Sisters in Crime, 2011Marketing Charts, 2011
Literature?
23% of readers
Chick Lit?
Readers 18-24 read triple
Non-Fiction?
Men 46-64, All 65+79% of male readers
CREATIVITY
Identifying and Fostering
Creativity
Avoid clichés
Original use of metaphors and similes
Saying something in a new and interesting way
Example:
Underwater Dogs by Seth Casteel
Increasing Creativity
Constantly observe
Writing routine/exercises
Understanding ‘write what you know’
Sensory experiences are essential Touch Sounds Taste Images Aromas
Increasing Creativity: Images
Setting (may be another character)
How characters react to their environment
Universal elements
Dramatic tension
Foreshadowing
3 from 1
Increasing Creativity: Aromas
“Homework”
Read: Writing Down the Bones, “Writing is a Communal Act” (p.86)
Write: An imitation piece.
If interested, more demographic information: http://www.pewinternet.org/2013/12/30/demographics-of-key-social-networking-platforms/ http://www.pewresearch.org/fact-tank/2014/01/21/overall-book-readership-stable-but-e-
books-becoming-more-popular/ http://www.entrepreneur.com/article/236444
NEXT WEEK: YOUR WRITING CAREERMarkets and Writing Career Evolution