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E X T R E M E S 1 — http://rhoadley.net/presentations/w5_extremes.pdf

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  • E X T R E M E S

    1 — http://rhoadley.net/presentations/w5_extremes.pdf

  • JOHANN SEBASTIAN BACH (1685-1750)

    > Brandenburg Concerto No. 5, first movement, cembalo cadenza - https://www.youtube.com/watch?v=ZK6-x9sdEYo - from about 6:30 - extreme virtuosity

    2 — http://rhoadley.net/presentations/w5_extremes.pdf

  • ERIK SATIE (1866-1925)

    > Vexations 1893 - https://www.youtube.com/watch?v=6lDFSuh3qPI - extreme repetition

    3 — http://rhoadley.net/presentations/w5_extremes.pdf

  • ANTON WEBERN (1883-1945)

    > Three Little Pieces for 'Cello (https://www.youtube.com/watch?v=0C3SeVoMII) - _extreme duration (short)__

    4 — http://rhoadley.net/presentations/w5_extremes.pdf

  • JOHN CAGE (1912-1992)

    > 4'33" (extreme dynamics?!)

    > Organ²/ASLSP (As SLow aS Possible) - (extreme length)

    > https://www.youtube.com/watch?v=FaABvYVfiuA

    5 — http://rhoadley.net/presentations/w5_extremes.pdf

    http://www.sinfinimusic.com/uk/reviews/recordings/paul-morley-reviews/john-cage-organhttp://www.sinfinimusic.com/uk/reviews/recordings/paul-morley-reviews/john-cage-organhttp://www.sinfinimusic.com/uk/reviews/recordings/paul-morley-reviews/john-cage-organ

  • JOHN CAGE (1912-1992)

    > Organ²/ASLSP Note Change, October 5th 2013 https://www.youtube.com/watch?v=bSoH4valAs_

    6 — http://rhoadley.net/presentations/w5_extremes.pdf

  • MORTON FELDMAN (1926-1987)

    > Coptic Light (1986) https://www.youtube.com/watch?v=PgS37X4P2hM extreme restraint

    7 — http://rhoadley.net/presentations/w5_extremes.pdf

  • JIMI HENDRIX (1942-1970)

    > Star-spangled Banner 1969 https://www.youtube.com/watch?v=MKvnQYFhGCc extreme interpretation (a)

    8 — http://rhoadley.net/presentations/w5_extremes.pdf

  • MARK KOZELEK (1967–)

    > Bad Boy Boogie www.youtube.com/watch?v=7eWoDuFeleA extreme interpretation (b)

    9 — http://rhoadley.net/presentations/w5_extremes.pdf

  • AC/DC (YOUNG, YOUNG & SCOTT)

    > Bad Boy Boogie (original) Live at Glasgow 78 www.youtube.com/watch?v=Ps4wdwJ4kQg

    10 — http://rhoadley.net/presentations/w5_extremes.pdf

  • IANNIS XENAKIS (1922-2001)

    > La Legende d'Eer (1977-78) https://www.youtube.com/watch?v=Nh7tVwcknb4 extreme expression (a)

    11 — http://rhoadley.net/presentations/w5_extremes.pdf

  • LOU REED (1942-2013)

    > Metal Machine Music, Part 1 (1975) https://www.youtube.com/watch?v=XIMSbKU2oZM extreme expression (b)

    About the album

    12 — http://rhoadley.net/presentations/w5_extremes.pdf

    https://www.youtube.com/watch?v=XIMSbKU2oZMhttps://en.wikipedia.org/wiki/Metal_Machine_Music

  • ZEITKRATZER

    > Metal Machine Music, Part 1 (live) https://www.youtube.com/watch?v=q3hbBGpGF5o extreme transcription

    13 — http://rhoadley.net/presentations/w5_extremes.pdf

  • GYÖRGY LIGETI (1923-2006)

    > Requiem (1965) https://www.youtube.com/watch?v=wIZG1IcpR-4 extreme polyphony - e.g. 4:37 and 10:20

    14 — http://rhoadley.net/presentations/w5_extremes.pdf

  • 15 — http://rhoadley.net/presentations/w5_extremes.pdf

  • GYÖRGY LIGETI (1923-2006)

    > Études for Piano (Book 1), No. 4 https://www.youtube.com/watch?v=zWJa3tfQQ5I extreme dynamic markings - pppppppp - 2:56

    16 — http://rhoadley.net/presentations/w5_extremes.pdf

  • GYÖRGY LIGETI (1923-2006)

    > Études for Piano (Book 2), No. 13 https://www.youtube.com/watch?v=Q6LmG9myHxA extreme dynamic markings - ffffffff - 5:15)

    17 — http://rhoadley.net/presentations/w5_extremes.pdf

  • GYÖRGY LIGETI (1923-2006)

    > Second String Quartet (1968) https://www.youtube.com/watch?v=YxQmIth0Q extreme contrast

    Watch on YouTube

    18 — http://rhoadley.net/presentations/w5_extremes.pdf

    https://www.youtube.com/watch?v=Yx_Q_mIth0Q

  • GYÖRGY LIGETI (1923-2006)

    > Continuum (1968) https://www.youtube.com/watch?v=iPgwF3G5i4k extreme playing

    19 — http://rhoadley.net/presentations/w5_extremes.pdf

  • GYÖRGY LIGETI (1923-2006)

    > Atmospheres https://www.youtube.com/watch?v=JWlwCRlVh7M extreme sustain and clustering

    20 — http://rhoadley.net/presentations/w5_extremes.pdf

  • GYÖRGY LIGETI (1923-2006)

    > La Grand Macabre (1974-77) https://www.youtube.com/watch?v=W72pJ7CnWI_ extreme everything

    21 — http://rhoadley.net/presentations/w5_extremes.pdf

  • GYÖRGY LIGETI (1923-2006)

    > Volumina (1961-66) https://www.youtube.com/watch?v=wbLcI9-Js0U extreme instrumental usage

    22 — http://rhoadley.net/presentations/w5_extremes.pdf

  • CHARLIE PARKER (1920-1955)

    > Anthropology (1945) https://www.youtube.com/watch?v=K3L5lB8hwcM more extreme virtuosity

    23 — http://rhoadley.net/presentations/w5_extremes.pdf

  • ARVO PÄRT (B 1935)

    > Arvo Pärt Spiegel im Spiegel (1978) https://www.youtube.com/watch?v=e9DXFrIQ2c_ extreme simplicity

    24 — http://rhoadley.net/presentations/w5_extremes.pdf

  • ARVO PÄRT (B 1935)

    > Arvo Pärt In Memoriam Benjamin Britten (1977) https://www.youtube.com/watch?v=82-xbhfNR2g

    25 — http://rhoadley.net/presentations/w5_extremes.pdf

  • ARVO PÄRT (B 1935)

    > Arvo Pärt/Robert Wilson: The Lost Paradise> http://www.bbc.co.uk/iplayer/episode/b06f13wf/arvo-

    partrobert-wilson-the-lost-paradise> http://bobnational.net/record/316160s

    26 — http://rhoadley.net/presentations/w5_extremes.pdf

    http://www.bbc.co.uk/iplayer/episode/b06f13wf/arvo-partrobert-wilson-the-lost-paradisehttp://www.bbc.co.uk/iplayer/episode/b06f13wf/arvo-partrobert-wilson-the-lost-paradisehttp://bobnational.net/record/316160

  • JOHN TAVENER (1944-2013)

    > The Protecting Veil (1988) https://www.youtube.com/watch?v=xT0MF4XNjkA extreme similarity

    27 — http://rhoadley.net/presentations/w5_extremes.pdf

  • MAX RICHTER (B 1966)

    > Sleep (extreme length)

    http://bobnational.net/record/317401

    28 — http://rhoadley.net/presentations/w5_extremes.pdf

    http://bobnational.net/record/317401

  • PHILIP GLASS (B 1937)

    > Koyaanisqatsi extreme monotony

    29 — http://rhoadley.net/presentations/w5_extremes.pdf

  • BRIAN ENO (B 1948)

    > Music for Airports (1978) https://www.youtube.com/watch?v=d81G9W8pEno extreme monotomy

    https://www.youtube.com/watch?v=d81G9W8pEno

    30 — http://rhoadley.net/presentations/w5_extremes.pdf

    https://www.youtube.com/watch?v=d81G9W8pEno

  • MACHINED01

    > "METAL MACHINE Music For Airports (track 1)" https://www.youtube.com/watch?v=17AiDQ2b0ww extreme mashup

    Watch on YouTube

    31 — http://rhoadley.net/presentations/w5_extremes.pdf

    https://www.youtube.com/watch?v=17AiDQ2b0ww

  • JEM FINER (B 1955)

    > Longplayer (2000) https://www.youtube.com/watch?v=FKuAAB7Dsi8 extreme length> http://longplayer.org

    32 — http://rhoadley.net/presentations/w5_extremes.pdf

  • SLOW CODING/SLOW MUSIC/SLOW COOKING...

    > http://ludions.com/texts/2007a/> http://www.bbc.co.uk/programmes/p02q34z8

    > BBC Arts Taking It Slow (2015)

    33 — http://rhoadley.net/presentations/w5_extremes.pdf

    http://ludions.com/texts/2007a/http://www.bbc.co.uk/programmes/p02q34z8http://www.bbc.co.uk/programmes/articles/hJfCrvLnkhyqnZbf78VnLf/taking-it-slow-a-quick-guide-to-a-television-revolution

  • BLACK MIDI

    > https://www.youtube.com/watch?v=Jfta3YqVHec - extremes

    34 — http://rhoadley.net/presentations/w5_extremes.pdf

  • THE RULES

    > Consider the various uses of extremes that you might use> Create a short composition that makes use of these

    > Write a short programme note outlining your rationale in this exercise> Perform and record as much of the work as you can

    > You may consider writing a much longer composition (if you're interested in exploring extreme duration), but do take account of performance practicalities. You may prepare a 'short' version for the workshop, but should fully consider how you might perform

    the whole thing as well.> If you choose to use notated material or to write for existing acoustic instruments

    (e.g. a flute) (you don't have to for this project) you are expected to provide performances or recordings of live instrumentalists.

    35 — http://rhoadley.net/presentations/w5_extremes.pdf


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