Edition Axel MengesArchitecture, Art, Design and Film

Fall 2018New and recently published titles

Erdmut Bramke, Werkverzeichnis. Bd. 1:Gemälde 1964–2002, Bd. 2: Arbeiten aufPapier 1961–2002Edited on behalf of the Freunde der StaatsgalerieStuttgart by Ulrike Gauß, Susanne Grötz and Ca-rolin JörgVol. 1: 428 pp. with 556 illus., 220 x 280 mm, hard-cover, GermanVol. 2: 528 pp. with 1483 illus., 220 x 280 mm,hard-cover, GermanISBN 978-3-00-053271-9 (Freunde der Staats-galerie Stuttgart)ISBN 978-3-86905-004-1 (Edition Axel Menges)Euro 154.00, £ 129.00, US $ 169.00The two volumes are not sold separately.

Erdmut Bramke, who was born in 1940 in Kiel anddied in 2002 in Stuttgart, is one of the few 20th-century artists whose work consistently expresseda purely painterly position. She worked only withcolour and structures. The use of acrylic coloursenabled her to create unique colour constellations.Her unusual palate of colours and novel shades ofcolour were a constant surprise. In her stylistic id-iom she emphasised flowing lines, interspersedcolour shadowing with linear structures and experi-mented with images produced by dipping the im-age body in colour and also by using different ma-terials. Her works are represented in many publicand private collections, including the StaatsgalerieStuttgart, the Kunstmuseum Stuttgart, the UlmerMuseum, the Kunstmuseum Bonn, the Bundes-kunsthalle, also in Bonn, and the Kunsthalle Kiel.

Erdmut Bramke studied painting from 1961 to1967 at the academies in Berlin and Stuttgart. Herteachers were Heinz Trökes and K. R. H. Sonder-borg. Repeated study periods in France and Italytook her creative work into constantly new direc-tions. Particularly important for her artistic develop-ment was the time she spent as a stipendiary fel-low at the Villa Massimo in Rome in 1979/80 and at the Cité Internationale des Arts in Paris in 1986.

The present catalogue raisonné of the artist’sfreelance work was commissioned by the Freundeder Staatsgalerie Stuttgart, as prescribed by theterms of the bequest of Erdmut Bramke – her artis-tic design of buildings will follow in a later volume.Volume one is devoted to the paintings. It is intro-duced by essays of six people in her circle who fo-cus on Bramke’s importance for painting in the lat-ter half of the 20th century. Volume two presentsthe sizable œuvre of her works on paper, whichmust be accorded equal weight in the artist’s work.Reprinted in both volumes are contemporary textsfrom catalogues, newspaper articles and talks byReinhard Döhl, Eugen Gomringer, Karin von Maurand others that show how the artist’s work was re-ceived during her lifetime.

Until her retirement, Ulrike Gauß was the head ofthe Graphische Sammlung of the StaatsgalerieStuttgart, Susanne Grötz is a freelance art historianand exhibition curator, Carolin Jörg teaches artisticdesign at the Hochschule Augsburg.

Erich Engelbrecht. Introspektive Bilder /Introspektive Images

Edited by Waltraud Engelbrecht. With an intro-ductory essay by Gottfried Knapp and furthercontributions by Waltraud Engelbrecht, João José de Abreu Vares, Hans-Jürgen Vogt, andRenate Vogt. 156 pp. with 150 illus., 280 x 300mm, hard-cover, German / EnglishISBN 978-3-86905-014-0Euro 59.00, £ 49.90, US $ 69.90Enclosed is a DVD with a film by Helmut Kohn

Erich Engelbrecht (1928–2011) called his pictures»introspective«. He remarks on this: »The intro-spective image inspects the arena of the soul, thefield of operation of archetypes, which constitutesthe fundamental pattern of our behaviour.« Weare indebted to C. G. Jung for providing especial-ly deep insights into the nature of archetypes. Ac-cording to him, they constitute, in their totality, thecollective human unconsciousness, and determineour actions. These archetypes become visible on-ly in symbolic images. For Werner Haftmann theworks of symbolic artists across history are justsuch symbolic embodiments.

The works of Erich Engelbrecht, whether graph-ics, oil pictures, tapestries, wooden-disc or steelfigures, appear planimetric and abstact. In hissteel figures, for instance, the third dimension ex-ists only in the thickness of the steel plates. Thismakes his artworks akin to folk tales. In his bookDas europäische Volksmärchen, Max Lüthi de-scribes the style of the folk tale as »planimetric«and »abstract«, with projecting all happenings onthe level of plot. When the sister cuts her littlefinger off and uses it to open the door to theglass castle to free her imprisoned brothers inthe folk tale The Seven Ravens, no blood flowsand we hear no cry of pain.

Both – the folk tale and the »introspective im-age« – tell a story and use primal images in orderto do it. This mode of action – of creating a coher-ence of meaning through a narrative of archetypalimages such as forest, cavern, and sea that restsupon primal human experience – is described byC. G. Jung as an »archetypal programme«, a pri-mal behaviour pattern that all human beings fol-low, regardless of race, culture, or the applicablepoint in time.

With the introspective image, as with the folktale, the creative process must be intuitive andmeditative, an immersion in the unconscious. ErichEngelbrecht had no plan or idea for an artwork,merely an empty sheet of paper or canvas in frontof him; he made himself receptive, waited, and allowed himself to be guided by the images, aprocess that he experienced very much as an or-deal and even as a threat to his existence. He did,however, have a sense for when his process ofsearching was at an end, albeit without under-standing the meaning of a picture created in thisway. His wife Waltraud Engelbrecht would then tryto »read« these images and to derive a coherenceof meaning from correspondences of form andcolour. Renate Vogt

End of 2018

Klaus Kinold. Architekturphotographien /Photographs of ArchitectureWith an essay by Wolfgang Pehnt. 120 pp. with112 illus., 280 x 300 mm, hard-cover, German /EnglishISBN 978-3-936681-93-2Euro 49.90, £ 39.90, US $ 59.90

The work of Klaus Kinold, born 1939 in Essen, ispart of a tradition of photography, and particular-ly of architectural photography. Architecture wasone of the most important themes even of earlyphotography – not least because it stood still.Initially this was an important characteristic, sinceexposure times were long. Thus began the affini-ty of photography with the documentary. Realityand representation were supposed to corres-pond. Quoting a statement by Roland Barthes,Kinold has referred to the still »mysterious bonusof confidence given to the documentary«. At a time when digital photographic techniques makeall sorts of manipulation possible, the now rarequality of reliability is assigned to this attitude.

It was self-evident for Kinold to explore the pe-riod whose very name included the term objectiv-ity – the New Objectivity (in German: Neue Sach-lichkeit). The work of colleagues such as WernerMantz, Hugo Schmölz, Arthur Köster and aboveall Albert Renger-Patzsch combined useful infor-mation and contemporary artistic expression.Walter Peterhans, photographer at the Bauhaus,called it the »magic of precision«. At the sametime, Kinold did not let himself be confused bythe special effects indulged in by some mod-ernist artists. His photographs indicate the struc-ture of the surfaces of a building, the spatialdepth and the details concealed in its shadowedsections, the proportions in which they presentthemselves to the user.

The accuracy of observation, the precision in detail, the translation of three-dimensional ob-jects into a convincingly construed image areamong the virtues of the architectural photogra-pher Klaus Kinold. What takes precedence in hiswork is not the moment at which a thing sud-denly reveals its essence, a lucky coincidence,but rather the condition that is considered tobe essential, set also by the right photographicstandpoint. For Kinold, who owed a great dealto his teacher Egon Eiermann at the TechnischeHochschule in Karlsruhe, including in his capacityas a photographer, logic, purity and clarity wentwithout saying. Accordingly, predominant in hiswork, we find photographs of buildings by archi-tects whom he could expect to have such quali-ties: classic Modernists like Walter Gropius, Lud-wig Mies van der Rohe, Le Corbusier and con-temporaries like Alvar Aalto, Hans Döllgast, Her-man Hertzberger, Louis I. Kahn, Karljosef Schat-tner, Rudolf Schwarz, Alvaro Siza.

Architectural historian Wolfgang Pehnt, born1931, has often reaped the benefits of insightsgained from Kinold’s photographic art. Pehnt haspublished monographs about German architec-ture since 1900 and about Expressionist architec-ture, but he has also written about numerous in-dividual œuvres. He formerly taught at the Ruhr-universität Bochum.

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Gardens for the Senses. The SpanishGardens of Javier MariáteguiWith texts by Javier Mariátegui Valdés and pho-tographs by Javier Mariátegui Valdés, CasildaMariátegui and Mark Bentley. 188 pp. with 245 illus., 305 x 259 mm, hard-cover, EnglishISBN 978-3-936681-98-7Euro 58.00, £ 42.90, US$ 64.00

It was not by chance nor by a trick of fate thatJavier Mariátegui dedicated himself to garden-ing. He grew up among gardens.

Both his grandmothers were gardening enthu-siasts, one of them, the Marchioness of CasaValdés, wrote the book Spanish Gardens, whichdescribes the history of Spanish gardening fromRoman times to the present day. This book con-tinues to be a reference for all lovers of this par-ticular field of history and art.

This enthusiasm was passed on to him by hisparents. From his earliest years he was makinghis own gardens, by reusing those plants dis-carded by his father.

Mariátegui studied landscape gardening anddesign at the Escuela de Paisajismo y JardinerìaCastillo de Batres in Madrid. Subsequently heworked in England as a gardener. Back in Spain,he established the Jardines de España nursery,which looks after and employs handicapped chil-dren, with whom he first started making gar-dens. For the past thirty years, he has creatednumerous gardens across Spain and in severalother European countries. He has also publishedmany articles on landscape-gardening topics inspecialized magazines and a book on one of hisgardens: El Jardín de los Tapices /The TapestryGarden. Among the present garden architects ofSpain Mariátegui plays an outstanding role. Eventhe Spanish TV has dedicated a monographicprogram to him and his gardens.

It would be difficult to summarize in a fewwords the essence of Mariátegui’s gardens, giv-en the wide variety of styles, their versatility andnumerous differences that perhaps becomes his»signature«. His style is not dogmatic, he lovesorder and disorder, straight lines and curved, thewild chaos of nature as well as strict geometri-cal patterns, varied and single species of plants,colour and absence of colour. Moreover he en-joys bringing elements that clash together untilthey harmonize.

Perhaps as a result of an intimate knowledgeof the magic of water in Andalusian Moorish gar-dens, Mariátegui uses water as an essential ele-ment in many of his gardens. He makes it »work«in all its forms; in pumps, in cascades, in con-stant gentle movement, or rocking in waves, indisperse drops or in silence like a mirror thatadds the magic of its reflection.

European Garden-Book Award

Fritz BarthKonstantin Melnikow und sein Haus64 pp. with 106 illus., 210,5 x 281 mm, hard-cover, German editionISBN 978-3-936681-89-5Euro 36.00, £ 29.00, US $ 46.00Konstantin Melnikov and his House64 pp. with 106 illus., 210,5 x 281 mm, hard-cover, English editionISBN 978-3-936681-90-1Euro 36.00, £ 29.00, US $ 46.00

Konstantin Melnikov (1890–1974) is unquestionab-ly one of the outstanding architects of the 20thcentury – in spite of the fact that he fell silent ear-ly, leaving behind only limited work that was insuf-ficiently publicized, and restricted almost exclu-sively to Moscow, the city of his birth in which hespent nearly his entire life and which did not ap-preciate him. He was raised in humble circum-stances, but enjoyed an excellent education.Beginning in the mid-1920s, after the turmoil thatfollowed the war, revolution and civil war, his ca-reer soared at almost meteoric speed as he tookthe lead in the young Soviet architecture move-ment with completely autonomous, highly artisticbuildings that were free from dogmatism of anykind. Even more rapid than his rise to fame washis downfall: Treated with general hostility, he wasunable to defend himself against the accusationof formalism when Stalin put an end to architec-tural ventures and experiments around the mid-1930s. He was expelled from the architects’ asso-ciation and was banned from practicing as an ar-chitect for the remaining four decades of his life.

In the late 1920s, at the peak of his career, hehad the opportunity to build a house for himselfand his family in Moscow, in which he was thenable to live until the end of his life. This house, amemorable symbiosis of almost peasantlike sim-plicity and extreme radicalness, is one of the mostimpressive, surprising and probably most enig-matic works produced by 20th-century architec-ture. Its simplicity is only outward; in reality this isa highly complex work which links together theelements of architecture explicitly and inextricab-ly, which takes a clear and completely autono-mous stand and which, in a way that little elsehas done, raises the question as to the nature ofgenuinely architectonic thinking. In essayistic formthe book attempts to follow the paths laid out inthe architect’s work from the perspective of an architect.

Fritz Barth studied architecture in Stuttgart andZurich. He runs an architect’s practice in Fellbachnear Stuttgart, teaches at the TU Darmstadt andis the author of a series of books, including a stu-dy on the iconography of 16th-century Italian gar-dens (Die Villa Lante in Bagnaia, 2001), a mono-graph about the Bohemian Baroque master build-er Johann Santini-Aichel (Santini, 2004) and astudy of the fortifications of Francesco di GiorgioMartini (Martial Signifiers. Fortress Complexes byFrancesco di Giorgio Martini, 2011).

Frei Otto / Bodo Rasch – Finding Form.Towards an Architecture of the Mini-mal240 pp. with 540 illus. in b & w and colour, 215 x 240 mm, hard-cover, EnglishISBN 3-930698-66-8Euro 49.00, £ 39.90, US $ 59.00

»Primeval architecture is an architecture of neces-sity. Nothing is there to excess, no matter wheth-er stone, clay, reeds or wood, animal skins orhair are used. It is minimal. It can be very beauti-ful even amidst poverty and is good in the ethicalsense.

Good architecture seems to be more importantthan beautiful architecture. Beautiful architectureis not necessarily good. Only buildings that are at the same time ethically good and aestheticallybeautiful are worth preserving.

We have too many buildings that have becomeuseless and yet we still need new buildings, frompole to pole, in the cold and in the heat.

Man’s present areas of settlement are the newecological system in which technology is indis-pensable, even in hot and cold areas. ...

Our age requires buildings that are lighter,more energy-saving, more mobile and moreadaptable, in brief more natural, without disre-garding the need for safety and security.

This logically leads to the further developmentof light constructions, to the building of tents,shells, awnings and air-supported membranes.It also leads to a new mobility and changeability.A new understanding of nature is forming underone aspect of high performance form (also called›classical form‹), which unites aesthetic and ethi-cal viewpoints.

Tomorrow’s architecture will again be minimalarchitecture, an architecture of the self-educationand self-optimization processes suggested byhuman beings.«

(Frei Otto and Bodo Rasch in their forewordof this book.)

In 1992 the Bavarian branch of the DeutscherWerkbund awarded its first prize to Frei Otto, un-doubtedly the most successful and many-sidedprotagonist of modern light construction, andwith it a request to nominate a meritorious per-son to whom the prize could be passed on, andto design a joint exhibition with that person. FreiOtto chose his pupil Bodo Rasch, who had real-ized Otto’s theories particularly in other cultures.

Otto died on 9 March 2015; he was to be pub-licly announced as the winner of the 2015 PritzkerPrize on 23 March, but his death meant the com-mittee announced his award on 10 March. Ottohimself had been told earlier that he had won the prize by the executive director of the PritzkerPrize, Martha Thorne. He was reported to havesaid: »I have never done anything to gain thisprize. Prize winning is not the goal of my life. I try to help poor people, but what shall I sayhere – I am very happy.«

Second edition

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Hans Dieter Schaal. Scenic Architecture /Szenische ArchitekturWith an introduction by Frank R. Werner. 136 pp.with 140 illus., 280 x 300 mm, hard-cover, Eng-lish/GermanISBN 978-3-936681-97-0Euro 36.00, £ 29.90, US $ 39.90

The pioneering character and continuing successof Schaal’s scenic compositions for stage sets andexhibitions is significantly due to this field allowinghim to take full advantage of his multiple talents.He succeeds equally in the thinking and practicalskills of an architect, a painter, a sculptor, a land-scape designer, an urban visionary, cineast, and aman of literature, and this allows him to discover,through his space-embracing scenographic instal-lations, unique three-dimensional equivalents forhis paper-drawn »thought spaces« and »pathspaces« or »thought buildings« from the 1970s. His renowned compendium entitled Architektoni-sche Situationen, published in 1980 and contain-ing, the essence of his early spatial studies, in factcontains within it the seeds of all his later stageset and exhibition configurations.

The symbiotic relationship between legendary di-rector Ruth Berghaus and spatial visionary Schaalfirst began producing history-making stage sets inthe early 1980s. Working with Berghaus, Schaalcreated elementary spatial compositions pos-sessed of great suggestive power for Les Troyens(1983), Wozzeck (1984), Orpheus (1986), Elektra(1986), Moses und Aron (1987), Tristan und Isolde(1988), Lulu (1988), Fierrabras (1988), Ariane etBarbe-Bleue (1991) and Nachtwache (1993), and al-so working with other directors to do the same forcountless other operas and theatre pieces. In cre-ating his installations and their powerful images,Schaal has never solely been concerned with cre-ating suitable illustrations for scene-related plotaction. Instead, he always adds something more,as it were, in the form of a boldly independent in-terpretation.

The same is true of his concepts for tempo-rary or permanent exhibitions. Before undertaking any of the individual projects on his long list of ex-hibition projects, Schaal has always researchedarchive material, historic background, and reper-cussions, but also the emotional and psychoana-lytical implications of the exhibitions’ theme andthe exhibits concerned, with the meticulousnessof a scientific specialist. In works such as his in-stallations for Berlin – Berlin (1987) or Prometheus(1998), for the Filmmuseum Berlin (2000), and forthe memorials of the former concentration campsMittelbau-Dora (2006), Bergen-Belsen (2007) orEsterwegen (2011), he always presents his ownview of the world, his own view of things.

Frank R. Werner studied painting, architectureand architectural history in Mainz, Hanover andStuttgart. From 1990 to 1994 he was professor ofhistory and theory of architecture at the Staat-liche Akademie der Bildenden Künste Stuttgart,from 1994 until his retirement in 2011 he was di-rector of the Institut für Architekturgeschichteund Architekturtheorie at the Bergische Univer-sität in Wuppertal.

Hans Dieter Schaal. Landscape Architec-ture / LandschaftsarchitekturWith an introduction by Frank R. Werner and photographs by Peter C. Horn. 128 pp. with 104illus., 280 x 300 mm, hard-cover, English/GermanISBN 978-3-86905-003-4Euro 39.90, £ 32.90, US $ 42.90

If there is a plateau that continuously unites HansDieter Schaal’s numerous artistic fields of activity,a kind of fundamental level, then it is surely that oflandscape architecture. Landscape motifs are asconvincingly present in his stage sets as they arein his installations, his exhibition architectures, histexts, and, naturally, also his park and garden de-signs.

Schaal has been on the track of the fascina-tion of landscapes since the 1960s. For him, en-countering the parterre or »carpet patterns« of thebaroque Herrenhäuser Gärten in Hannover was akey experience. This was followed by an intensivestudy of the early landscape gardens of GreatBritain, the park complexes of the Romantics andthe Enlightenment in Weimar, Wörlitz, and Mus-kau, and by studies of the garden art ideas andphilosophical implications that underpinned eachof them. As a twice-over »Artist-in-Residence« atthe Villa Massimo in Rome, Schaal was also ableto absorb the whole cosmos of Italian garden andpark planning, from the Renaissance to the pre-sent day.

In 1978, Schaal published his first book, We-ge und Wegräume (Paths and Passages), todayconsidered a classic. Wege und Wegräume hasbecome required reading and an artistic leitmotiffor generations of landscape designers and ar-chitects. In 1994, a fourth Hans Dieter Schaal keywork appeared entitled Neue Landschaftsarchi-tektur / New Landscape Architecture. It proved tobe among the late 20th century’s most compre-hensive studies of the topic of »landscape« in thewider sense. Above all, it prompts an existentialsubjective excursus into all those spheres thatare inscribed into landscape beyond the profes-sional mainstream. Schaal was subsequently ableto build a large number of spectacular »follies«and installations in gardens and parks.

From 1998 to 2014, he was finally able to actu-ally realise a whole city park, complete with artis-tic installations: the Wielandpark in Biberach. Thecomplex architectonic and artistic layout of thispark embodies, as it were, the distilled essenceof decades of working with the bridle paths atthe boundaries of landscape.

Frank R. Werner studied painting, architectureand architectural history in Mainz, Hanover andStuttgart. From 1990 to 1994 he was professorof history and theory of architecture at the Staat-liche Akademie der Bildenden Künste Stuttgart,from 1994 until his retirement in 2011 he was director of the Institut für Architekturgeschichteund Architekturtheorie at the Bergische Univer-sität in Wuppertal. Peter C. Horn is a trained ar-chitect. After working for several years in his orig-inal profession in South America, he now runs astudio for architectural photography in Stuttgart.

Martha Schwartz Partners. Landscape Art and UrbanismWith texts by Marc Treib, Martha Schwartz, Markus Jatsch and Edith Katz. 356 pp. with424 illus., 229 x 304 mm, hard-cover, EnglishISBN 978-3-86905-011-9Euro 69.00, £ 59.00, US $ 76.00

Martha Schwartz Partners (MSP) is a leading in-ternational design practice whose work focuseson activating and regenerating urban sites andcity centers. Situated at the intersection of pub-lic realm, urban design and site specific art, thepractice has over 35 years of experience design-ing and implementing installations, gardens, civicplazas, parks, institutional landscapes, corporateheadquarters, master plans, and urban regenera-tion projects. MSP works with city leaders, plan-ners and builders at a strategic level so as to ad-vocate for the inclusion of the public landscapeas a means to achieve environmental, econom-ic and social sustainability. With offices in Lon-don, New York and Shanghai, the practice is en-gaged in projects and consultation around theglobe and has to date worked on projects in over20 countries and five continents.

MSP has continually been recognized for itscontribution to the urban landscapes of the worldand to the field of landscape architecture. Thefirm has received many international award reco-gnitions, including the American Society of Land-scape Architects Landmark and Honour Awards,the British Association of Landscape IndustriesAward in the Regeneration Category, the ChicagoAthenaeum Award for Best New Global Design,the Urban Land Institute Award for Excellenceand the Cooper-Hewitt National Design Award.

Martha Schwartz: »When we design, our big-gest objective is to create environments that peo-ple enjoy and come to love. We try to create en-vironments that people take pride in and are hap-py to adopt these places that they live and workin as part of their identity. If this happens, peoplewill strive to take care of it, maintain it and pre-serve it. People’s love of place is fundamental tosustainability. That is not to say we don’t work inthe most ecologically sound way. We work withengineers, water specialists, horticulturists, soilspecialists in order to do our best in capturingand recycling water, using planting that was indi-genous to the area and sourcing our materials lo-cally. But having people feel pride about wherethey live and feel they are living in a beautiful envi-ronment that they wish to protect and preserve isthe big win.«

With a foreword by Marc Treib, professor of architecture emeritus at the University of Califor-nia in Berkeley), and an introduction by MarthaSchwartz, this monograph is the first publicationto document 55 built projects and a selection ofmaster plans by this internationally acclaimedpractice.

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Irme SchaberGerda Taro, Photojournalist. With RobertCapa in the Spanish Civil War256 pp. with 224 illus., 233 x 284,5 mm, hard-cover, EnglishISBN 978-3-86905-013-3Euro 59.00, £ 49.90, US $ 69.90

Paris in the summer of 1937. A giant funeral pro-cession wends its way from the city center east-ward toward the Père-Lachaise Cemetery, ac-companied by the sounds of Chopin’s funeralmarch. The photojournalist Gerda Taro had beenkilled in the Spanish Civil War a few days earlier.Thousands come to pay their last respects to theémigrée from Hitler’s Germany. The poet LouisAragon speaks at the graveside, young girls holdup a large portrait of the deceased. Why did theFrench Communist Party honor a foreigner – onewho was not even a member of the Party – witha »first-class« burial?

Taro is considered one of the path-breaking pioneers of photography. She captured some ofthe most dramatic and widely published imagesof the Spanish Civil War and was the first femalephotographer to shoot images in the midst ofbattle. Her willingness to work close to the fight-ing set new standards for war photography andultimately cost her her life. Taro stands alongsideearly 20th-century war photographers like RobertCapa and David »Chim« Seymour.

Despite this, Gerda Taro has largely fallen in-to oblivion, especially in comparison to her com-panion and lover Robert Capa. Whether genderand religion played a role in this would require aseparate investigation. In any case, in her studyof women resisting fascism, Ingrid Strobl comesto the conclusion that a combination such aswoman-Communist-Jew represented a threefoldstigma, and would almost guarantee Taro’s ex-clusion from official history, both in the East andthe West.

It has been almost twenty years since the firstbiography of Gerda Taro, written by Irme Scha-ber, led to Taro’s rediscovery as a photographer.Since that time, the detection of the »MexicanSuitcase«, containing more than 800 of her pho-tos – amongst them many which were thoughtto be Capa’s –, has made new research on Taro possible.

In this new, fully revised biography, now pub-lished for the first time also in English, Irme Scha-ber presents groundbreaking insights regardingcameras, copyrights and the circumstances sur-rounding Taro’s death. The exact track of Taro’swork also helps to shed light on Capa’s iconicFallen Soldier photo – but without solving its mys-tery.

Irme Schaber studied cultural and art history in Marburg. She lives as a freelance author andcurator near Stuttgart. Documentary and warphotography, exile and cultural history, and pho-tographic art are the focus of her work. She be-came known above all for her research work onGerda Taro.

End of 2018

Opus 16Fundación César Manrique, LanzaroteWith an introduction by Simón Marchán Fiz andphotographs by Pedro Martínez de Albornoz.60 pp. with 52 illus. in b & w and colour, 280 x300 mm, hard-cover, German / English / SpanishISBN 978-3-930698-16-5Euro 36.00, £ 24.00, US $ 44.50

Over the last decade the island of Lanzarotehas become one of the favourite tourism desti-nations in the Canary Islands. However, our inter-est is more one of artistic than of touristic discov-ery, and this would be virtually unthinkable with-out the work of an artist who fell in love with thiswonderful paradise. We refer to César Manrique(1919–1992), who was able to see and reveal tous the unique beauties arising out of the happymarriage of the four elements believed by theGreeks to form the whole of creation: air, earth,fire and water.

In fact, after returning to his island in 1968after a period spent in New York, Manrique de-dicated himself passionately to realizing his uto-pia, to renew Lanzarote out of his own sources.Among Manrique’s best known works on Lan-zarote are the Casa Museo del Campesino, theJameos del Agua, the Mirador del Río, the Cac-tus Garden and his own house in the Taro deTahíche.

Manrique’s house in Taro de Tahíche, whichnowadays houses the César Manrique Founda-tion, can be considered as a »work in progress«as it was built over a period of almost 25 yearsand was still not completed upon the artist’sdeath. Arising out of the five interconnected vol-canic bubbles of the underground storey, it hasbecome a metaphor for the amorous meeting ofman with Mother Earth, the latter being under-stood, to use Bruno Taut’s expression, as »a finehome for living«. The spaces on the upper floorcan be virtually mistaken for the white cubic build-ings dispersed throughout the island. But whenwe cross their thresholds, we have the uniquefeeling that here something was created whichis really new. In fact, Manrique – enemy in equalmeasure of the »pastiche« of regionalism andthe off-key International Style blind to differentia-tion – sifted the vernacular with certain modernfilters such as Frank Lloyd Wright, Mies van derRohe or Le Corbusier, and at the same time hegave it such a specific stamp that the final resultbecame indigenous and unmistakeable.

Simón Marchán Fiz is professor of aesthet-ics in Madrid. Like Marchán Fiz, Pedro Martínezde Albornoz lives in Madrid. The photographsshown in this book are the best photographicinterpretation of one of Manrique’s work up tonow.

Sixth edition

Opus 65Le Corbusier, Unité d’habitation, MarseilleWith texts by Alban Janson and Carsten Krohnand photographs by Anja Grunwald. 80 pp. with80 ill., 280 x 300 mm, hard-cover, German / Eng-lishISBN 978-3-932565-65-6Euro 39.00, £ 36.00, US $ 48.00

If there is one building by Le Corbusier that rep-resents a synthesis of his basic concepts it iscertainly the Unité d’habitation built in Marseille in 1946–52. This built manifesto does not simplyput forward a social model as a utopia, but alsothe unity of architecture and town planning. It isone of the most significant buildings there haseven been, but it also triggered a great deal ofcontroversy. The story of the response to it hasbeen recorded in order to investigate why thisextremely ambitious project in particular shouldhave caused such a conflict between intentionand effect.

The Unité d’habitation in Marseille is now verypopular with the people who live in it as a build-ing. Despite all the criticism, it obviously still of-fers functional advantages that make it easier forindividuals and the community to live together.The enormous sculptural force and the charac-teristic interplay of light and colour shown in thephotographs make the building into a »personali-ty« that can be identified with.

As well as this, the building also offers some-thing special in terms of concrete spatial experi-ence. In the age of a superficial »adventure soci-ety« it claims the intensity of an everyday experi-ence that is both casual and at the same timecomplex, embracing all the senses. This extendsfrom the reception in the imposing foyer to the»theatre« of figures on the roof terrace in thelight of the landscape, from the inverted urbanscenery of the promenade publique to twilightseclusion in the silent residential streets. And itincludes the flats themselves, which open upexpansively to draw in the sea and mountainmood. Le Corbusier used his architectural re-sources atmospherically and scenically to givethe Unité d’habitation a succinct coherence thatalso forms the basis for individual lives withinits rooms and spaces. Precise observation anddescription reveal the mechanisms of these ef-fects.

All three authors are qualified architects. Untilhis retirement Alban Janson was professor of thefundamentals of architecture at the KarlsruherInstitut für Technology, Carsten Krohn lives andworks as an author in Berlin, and Anja Grunwaldis professor of architectural photography and typography at the Hochschule Karlsruhe – Tech-nik und Wirtschaft.

Third, revised edition

www.AxelMenges.de Work monographs / Opus 5

Opus 80Oswald Mathias Ungers, Haus Belvedere-straße 60, Köln-MüngersdorfWith an essay by Wolfgang Pehnt and photo-graphs by Walter Ehmann, Bernd Grimm, DieterLeistner and Stefan Müller. 64 pp. with ca. 70 illus., 280 x 300 mm, hard-cover, German / Eng-lishISBN 978-3-932565-80-9Euro 36.00, £ 29.00, US $ 39.90

»A house is a representation of the idea of theworld, of life, of existence.« For the Cologne ar-chitect Oswald Mathias Ungers (1926–2007),owner of a famous collection of books on archi-tecture, who also repeatedly addressed the theo-retical aspects of building, the construction of hisown house, in 1958/59, was more than a privateadventure. For him it meant a chance to gainspatial experience and explore what was possi-ble. It was a laboratory, »a little universe«, »apiece of world«.

In the course of his life, Ungers built himselfand his family no less than three houses, two inthe Cologne suburb of Müngersdorf, one in theEifel highlands. Even the first house, to which thisrichly illustrated volume is dedicated, caused aninternational sensation; it was considered to bean important example of so-called Brutalism. Itshowed »everything I knew how to do at thetime«, Ungers wrote regarding the building. Hewanted a house that enveloped and sheltered,he wanted metamorphosis and transformation;architecture that was autonomous but at thesame time respected the genius loci. At the time,architects preferred to build their private homesas freestanding bungalows in the countryside.Ungers, on the other hand, settled in a placewhere there were traces of the Roman past andpurchased a plot of land adjacent to an alreadyexisting row of terraced houses.

Three decades later, Ungers expanded thecataract of forms of his first home by adding ageometrically strict cube, intended to house hislibrary. The shock aesthetics of the early work hadevolved into the rigorous abstractness of his latework. This building too – one of a kind, and in in-terplay with its predecessor – became a manifes-to. It corresponded to the idea of a house as asmall town and the town as a large house, anidea that has run through European architecturalhistory since Alberti. In spite of all their differ-ences, the two contrasting formats make com-mon cause. They show »a world full of contradic-tions, illusions and realities that reflects the entirespectrum of the image of architecture, from thefiction to the reality of the function«. Today thehouse and the library are the seat of the UAA, theUngers Archiv für Architekturwissenschaft, andopen to the public.

Wolfgang Pehnt often visited Ungers. The authorof an authoritative book about the architecture ofExpressionism, he profited by Ungers’ collection ofmaterial back in the years when Ungers was still in-terested in Expressionism. Thus he is familiar withthe house in all its details. As portrayed by him, thehistory of the house gives access to the impressiveœuvre of a great German architect.

Opus 81Carlo Scarpa, Museo di Castelvecchio,VeronaWith texts by Alba Di Lieto, Paola Marini and Va-leria Carullo, and photographs by Richard Bryant.52 pp. with 43 illus., 280 x 300 mm, hard-cover,Italian / EnglishISBN 978-3-932565-81-6Euro 36.00, £ 29.90, US $ 39.90

During the 1960s Italy’s museum sector witnesseda fertile period of renewal. A generation of archi-tects, working in partnership with the directors ofmuseums, set about transforming into exhibitionspaces a number of ancient monumental complex-es located in the historic centres of some of themost important Italian cities. Among these was thebrilliant and solitary Venetian architect Carlo Scarpawho revitalised the discipline of museography bysagaciously combining it with restoration. His lucidintervention at Verona’s Museo di Castelvecchio isemblematic of this approach: the medieval castle,the museum of ancient art, and modern architec-ture all harmoniously coexisting in a monument lo-cated at the heart of a city designated a UNESCOWorld Heritage Site.

The far-sighted choice of Scarpa was owed tothe then director of the museum, Licisco Maga-gnato, who tenaciously argued the case for the ap-pointment of an architect specialising in this field towork on the city’s principal museum of ancient art.

In his work on the Castelvecchio, carried out ata significant point in his career, Scarpa attained aremarkable balance between various aesthetic ele-ments that is particularly evident in the sculpturegallery, where the renovations harmonise with thepower of the 14th-century Veronese works exhibit-ed in this section of the museum. One of the moststriking details – extraordinarily rich in historical and symbolic significance – is the location of theequestrian statue of Cangrande I della Scala, anexceptional medieval sculpture of the famous Lordof Verona. For the presentation of this work – asymbol of the city and its museum – the architectconceived a backdrop of great poetry, drawing thevisitor’s attention to its historical stratifications andsimultaneously creating an exemplary essay inmodern architecture.

The book is introduced with a text by Alba DiLieto, the architect of Verona’s art museums, ascholar of Scarpa’s drawings, and the author ofmonographs on his work. She describes the ar-chitect’s renovation and locates it in the context of Italy’s architectural panorama.

The essay is followed by a brief history of thecastle by Paola Marini, who was the director ofVerona’s art museums and monuments for 22years. In 2015 she has taken on a new role as di-rector of the Gallerie dell’Accademia in Venice.

Valeria Carullo, curator of the The Robert ElwallPhotographs Collection in the RIBA British Archi-tectural Library, writes about her experience assist-ing Bryant when he photographed the castle.

Richard Bryant is one of the best-known archi-tectural photographers, working all over the world.He and Hélène Binet are the only photographers tohave been awarded a RIBA Honorary Fellowshipof the Royal Institute of British Architects.

Opus 82Bodensee-Wasserversorgung, SipplingenWith an essay by Andreas Schwarting and pho-tographs by Heinz Kabus. 56 pp. with 70 illus.,280 x 300 mm, hard-cover, German / EnglishISBN 978-3-932565-82-3Euro 36.00, £ 29.90, US $ 39.90

Autumn 1958 marked the launching of the Bo-densee-Wasserversorgung (Lake Constance water supply), an infrastructure project whoselargest part is underground, hidden from view.Even in the first phase of the project, 2160 litresof water per second were taken from Lake Con-stance at a depth of roughly 60 m, treated onSipplinger Berg and transported over hundredsof kilometres of pipeline through the Swabian Alb to the greater Stuttgart area. What is remark-able about this project, however, is not only thetechnological challenge of a combination of thelake-water treatment and the overland waterpipeline, but particularly the special quality of the design of the visible parts of the waterworks,a result of the collaboration of engineers, archi-tects, landscape designers and artists.

Hermann Blomeier, who had settled in Con-stance in 1932 after graduating from the Bau-haus Dessau under Ludwig Mies van der Rohe,was commissioned with implementing the Sipp-lingen pumping station following a competitionand, with functionally and transparently designedbuildings, created a counterpoint to the expres-sive landscape of Lake Constance that was asrestrained as it was confident. The treatmentplants on Sipplinger Berg, built by a team com-prising Blomeier and the architect and academicGünter Wilhelm, from the »Quelltopf« (source pot)and the filter basins to the clean-water reservoir,exactly meet functional requirements and at thesame time impressively illustrate the technicalprocesses. The long distance travelled by thewater is accompanied by seemingly subordinatebuildings designed by architect Wolf Irion, subt-ly integrated in the landscape as a kind of way-side chapels, housing the pipe-rupture safety de-vices and line valves. The high quality of the de-sign is evident not only in the buildings, but alsoin the work of landscape architect Walter Rossowand of visual artists Hans-Dieter Bohnet as wellas Brigitte and Martin Matschinsky-Denninghof.

Andreas Schwarting is professor of architec-tural history and architecture theory at the Hoch-schule Konstanz. His research has focussed par-ticularly on 20th-century architecture, its recep-tion and historiography, and on specific issues ofconservation and maintenance. His publicationsinclude the monograph on Walter Gropius’ Des-sau-Törten estate, and he was instrumental inthe publication of the Stiftung Wüstenrot on thepreservation of contemporary buildings. He wasappointed by the International Council on Mon-uments and Sites (ICOMOS) to monitor the UNESCO world-heritage sites of the Bauhaus in Weimar and Dessau.

6 Opus www.AxelMenges.de

Burcu Dogramaci and Andreas Schätzke (eds.)A Home of One’s Own. Emigrierte Archi-tekten und ihre Häuser / Émigré Architectsand Their Houses. 1920–1960176 pp. with ca. 100 illus., 233 x 284,5 mm, hard-cover, German / EnglishISBN 978-3-86905-008-9Euro 69.00, £ 59.90, US $ 73.90

When architects design a house for themselves,the often tense relationship between clients andbuilders is usually absent. That is why in manysuch buildings the architect-designer’s artisticstance and political position, preferences andantipathies, temperament and character are morepronounced than usual. Moreover the architecto-nic theories, debates and trends of an epoch al-so leave their traces in them in a particular way.We encounter both attachment to tradition andcommitment to the avant-garde, willingness toexperiment and pragmatism, distinctive artistryand views shaped by the fact that a building isalso a product of engineering. And last but notleast, expressed in their houses are the personallife circumstances of the people concerned, orthe messages the houses are meant to conveyabove and beyond their actual purpose: as a»manifesto«, as the »self-portrait« of the architect,but also as an advertising tool or as a sign ofconnection to specific milieux or positions.

Building for oneself has a special connota-tion under the conditions of migration and exile.Among the most prominent examples are the private homes of Rudolph Schindler in West Hol-lywood (1922), Richard Neutra in Los Angeles(1932), Ernst May near Nairobi (1937), Walter Gro-pius in Lincoln, Massachusetts (1938), Bruno Taut in Istanbul (1938), Ernö Goldfinger in Lon-don (1939), Josep Lluís Sert in Locust Valley,New York (1949), Max Cetto in Mexico City (1949)and Marcel Breuer in New Canaan, Connecticut(1948 and 1951).

What expression could voluntary migration orforced change of location find in these buildings?To what extent do the architects’ other buildingsdiffer from such »homes of one’s own« in a for-eign country, to use an expression borrowed andmodified from Virginia Woolf?

The book is a collection of contributions byinternationally renowned authors and examinesnot only the buildings themselves but also otheraspects of the topic that have hitherto receivedlittle attention.

Burcu Dogramaci teaches art history at theLudwig-Maximilians-Universität of Munich. Herresearch focuses on exile and migration, and20th-century and contemporary art and architec-ture. Architectural historian Andreas Schätzke teaches at the Hochschule Wismar. Among hiskey research areas are 20th-century architectureand urban development, and migration and cul-tural transfer in the field of architecture and thevisual arts.

End of 2018

Avi FriedmanInnovative Apartment Buildings. NewDirections in Sustainable Design233 x 284,5 mm, 188 pp. with 300 illus., hard-cover, EnglishISBN 978-3-86905-009-6Euro 69.00, £ 59.90, US $ 79.00

Current design of apartment buildings is facingchallenges of philosophy and form. Past ap-proaches no longer sustain new demands andrequire innovative thinking. The need for a newoutlook is propelled by fundamental changes thattouch upon environmental, economic, culturaland social aspects that led to the writing of thisbook.

The depletion of non-renewable natural re-sources and climate change are a few of the en-vironmental challenges that prompted designersto reconsider conceptual approaches in favour of ones that promote a better suitability betweenbuildings and their environments. Concepts thatminimize the building’s carbon footprint, passivesolar gain, net-zero structures and water harvest-ing system are some of the contemporary strate-gies that architects and builders are integratinginto their thought processes and design.

Increasing costs of material, labour, land andinfrastructure have posed economic challengeswith affordability being paramount among them.The need to do with less brings about conceptsthat include adaptable dwellings, and smaller-sized yet quality-designed housing. Social chal-lenges are also drawing attention. As the »ba-by-boom« generation plans now for retirement,housing an elderly population will take priority.Walkable communities, aging in place, live-workresidences, and multigenerational living are someof the concepts considered.

The book offers information on contemporarydesign concepts and illustrates them with plansand photographs of outstanding international ex-amples.

Avi Friedman received his Bachelor’s degreein architecture and town planning from the IsraelInstitute of Technology, his Master’s degree fromMcGill University, and his Doctorate from the Uni-versity of Montréal. He co-founded the AffordableHomes Program at the McGill School of Architec-ture where he teaches. He also holds an Honor-ary Professor position in Lancaster University inthe U.K. Avi is known for his housing innovationand is the author of 18 books. He is the principalof Avi Friedman Consultants Inc. and the reci-pient of numerous awards including the Life TimeAchievement Award from Sustainable BuildingsCanada and the World Habitat Award. In 2000 hewas selected by Wallpaper magazine as one often people from around the world »most likely tochange the way we live«.

Stefan KoppelkammThe Imaginary Orient. Exotic Buildings of the 18th and 19th Centuries in Europe192 pp. with 280 illus., 242 x 297,5 mm, hard-cover, EnglishISBN 978-3-936681-77-2Euro 68.00, £ 59.90, US $ 78.00

In the 18th century the idea of the landscape gar-den, which had originated in England, spread allover Europe. The geometry of the Baroque parkwas abandoned in favour of a »natural« design.At the same time the garden became the »land ofillusion«: Chinese pagodas, Egyptian tombs andTurkish mosques, along with Gothic stables andGreek and Roman temples, formed a miniatureworld in which distance mingled with the past.

The keen interest in a fairy-tale China, whichwas manifested not only in the gardens but al-so in the chinoiseries of the Rococo, abated inthe 19th century. The increasing expansion of theEuropean colonial powers was reflected in newexotic fashions. While in England it was primarilythe conquest of the Indian subcontinent that cap-tured the imagination, for France the occupationof Algiers triggered an Orient-inspired fashionthat spread from Paris to encompass the entireContinent and found its expression in paintings,novels, operas and buildings. This »Orient«, whichcould not be clearly defined geographically, wascharacterised by Islamic culture: It extendedaround the Mediterranean Sea from Constan-tinople to Granada. There, it was the Alhambrathat fascinated writers and architects.

The Islamic styles seemed especially appropri-ate for »buildings of a secular and cheerful char-acter«. In contrast to ancient Egyptian buildingforms, which, being severe and monumental,were preferably used for cemetery buildings, pris-ons or libraries, they promised earthly sensuouspleasures. The promise of happiness associatedwith an Orient staged by architectural means wasintended to guarantee the commercial success ofcoffeehouses and music halls, amusement parksand steam baths.

But even extravagant summer residences andmiddle-class villas were often built in faux-Orien-tal styles: In Brighton, the Prince Regent George(George IV after 1820) built himself an Indian pal-ace; in Bad Cannstatt near Stuttgart, a »moorish«refuge was erected for Württemberg’s King Wil-helm I; and the French town of Tourcoing wasthe site of the Palais du Congo, a bombastic vil-la in the Indian Moghul style that belonged to awealthy perfume and soap manufacturer.

Stefan Koppelkamm studied at the Gesamt-hochschule in Kassel, and after a longer stay inthe USA he now lives in Berlin and teaches com-munication design at the Kunsthochschule Ber-lin-Weißensee. Since the publication of his bookGewächshäuser und Wintergärten im 19. Jahrhun-dert (Stuttgart, 1981), he has repeatedly engagedwith historic and current aspects of architecture.

www.AxelMenges.de History and theory 7

Ali Malkawi, Marius Nygaard, Anne Beim, and Erik Stenberg (eds.)Sustainability in Scandinavia: Architec-tural Design and Planning192 pp. with 200 illus., 233 x 284,5 mm, hard-cover, EnglishISBN 978-3-86905-012-6Euro 59.00, £ 49.90, US $ 68.00

The challenges of the global climate crisis areheightened in large part by a pervasive uncertain-ty regarding how architects and designers canaddress this challenge most effectively. In a situ-ation where action is needed, but the correctstrategies remain unknown, it is essential for ar-chitects to share their experiences and knowl-edge as broadly as possible. They must seek outperspectives that can help them overcome theseimpasses. When climate change was put at thetop of the international environmental agendamore than a decade ago, Scandinavian countrieswere ready and able to respond quickly and me-thodically. Today, Scandinavia is still on the fore-front of sustainable development, reorienting cul-tural engagement and economic growth to faceclimate change. The experience and knowledgeaccumulated by architects from Denmark, Nor-way and Sweden have the potential to enrich theexchange of ideas that is vital to a shift towardsholistic thinking and sustainable architecturalpractice.

In this book, essential aspects of sustainabilityin architecture and planning are approached frommany diverse perspectives. They exemplify thebreadth and depth of explorations underway. Thecollection of writings is based on six years of vis-its made to the three Scandinavian countries,and sustained engagements with the schools ofarchitecture in the capital cities of Copenhagen,Oslo and Stockholm. The book aims to illuminatelessons being learned by architects in Scandina-via, that are also relevant in a global perspective.

The main drivers of sustainability are highlight-ed through case studies that cover all scalesfrom planning and infrastructure to buildings andcomponents. The cases illustrate central themessuch as energy, lifecycles, industrialization, dura-bility, transformation, and history. More acutelyarchitectural topics such as adaptability, integrat-ed design, and architectural education/traditionfurther permeate the cases. At the same time,the projects exemplify the best practices of sus-tainable architecture in Scandinavia includinghousing, offices, cultural buildings, and urban de-velopment.

Ali Malkawi is professor of architectural tech-nology at the Harvard Graduate School of De-sign and founding director of the Harvard Centerfor Green Buildings and Cities, Marius Nygaardis professor of architecture at the Oslo Schoolof Architecture and Design (AHO), Anne Beimis professor of architecture at the Royal DanishAcademy of Fine Arts Schools of Architecture,Design and Conservation in Copenhagen (KADK),Erik Stenberg is associate professor of architec-ture at the KTH School of Architecture and theBuilt Environment in Stockholm.

Hans-Ulrich von MendeCar Design. Von der Kutsche zur Auto-Mobilität. From the Carriage to Auto-Mobility152 pp. with 440 illus., 233 x 287.5 mm, hard-cover, German / EnglishISBN 978-3-86905-010-2Euro 49.90, £ 42.90, US $ 58.90

If laziness is the mother of all inventions, then thecar is its masterpiece. The earliest means of lo-comotion was walking, followed by riding on hor-ses or camels; finally, with the invention of thewheel, came the ability to use carriages, whichnot only made locomotion far more comfortablebut also brought the transportation of goods to awhole new level. However, it then took millenniafor carriages to go from being propelled by hor-ses or oxen to engines, initially steam-driven,then propelled by internal combustion enginesand early experiments with electric propulsion.

Cars were initially the result of pure craftsman-ship, and as passenger cars were based on theconcept of the carriage. The assembly line hadnot entirely abandoned the carriage look, but al-ready showed a typical automobile profile: equal-sized wheels, engine bonnet, passenger com-partment. The predominant body colour of carsmanufactured between 1910 and 1930 was black,while all makes of car had an almost uniform ap-pearance. As manufacturers moved away frommetal-panelled wooden frames to an all-steel design, they hesitantly ventured to adopt newforms. Improved undercarriages and higher en-gine performance were initially limited by air re-sistance, which above a speed of 60 kilometresper hour is the strongest of all driving resistances.This led to the development of new body shapesthat offer less resistance to the airstream.

Engineers still determined the form of the car,sometimes even achieving formal elegance. Itwas only rarely that members of other profes-sions, such as the architects Le Corbusier orWalter Gropius, were commissioned to designa car. Between the two World Wars North Ameri-ca had the world’s largest fleet of cars; this alsomeant that their design became an increasinglyimportant sales factor. Professsional automobiledesign was established. As they continued to de-velop technically, cars in the 1950s moved furtherand further away from the physically logical formof a moving body. One of the last – and mostoutstanding – examples of a form with optimumresistance to the airstream is the Citroën ID/DSof 1955. Others, indeed almost all, opted forthe pure symbolism of speed and power, whosemost important ingredients were tail fins andchrome. Today, with a global annual productionof close to 100 million passenger cars, automo-tive style has come to be represented by a widerange of almost every imaginable form.

Architect Hans-Ulrich von Mende has workedwith partners in an independent practice since1990. For 50 years his writings and drawings on automotive design have appeared in books,trade journals (mot, autobild) and the daily press(Frankfurter Allgemeine Zeitung, Süddeutsche Zei-tung).

Marios C. PhocasTechnology-Driven Design Approaches to Utopia180 pp. with 153 illus., 230 x 170 mm, hard-cover,EnglishISBN 978-3-86905-002-7Euro 39.00, £ 29.90, US $ 42.90

Together with his colleagues and students at theUniversity of Cyprus, Phocas challenges tradi-tional definitions of utopia by presenting us withanalytical research and clearly delineated visionsof some architectural futures, which defy easydescription.

Some may view the architecture-diploma projects in this book skeptically as fantastical oreven as frightening visions of some technologi-cally driven future, but they are anything but fan-tasy. They should be appreciated as a continu-ing creative search for the defining of what is the meaning in our 21st-century world of »utopia«and the role of architectural technology in ex-pressing it. This search takes us beyond the tra-ditional notions of utopia, which have historicallybeen illustrated as overtly romantic, whimsicalimages along with a plethora of mechanistic for-mal architectural or architectonic proposals forutopian cities or communities. Some of theseutopian visions, which were realized as isolatedacts during the first half of the 20th century, in associo-economically and culturally diverse placessuch as the United Kingdom, suburban NorthAmerica or the Indian sub-continent proved tobe, once inhabited, less than utopian.

In studying the student proposals, one couldargue that these architectural visions are derivedfrom an evolution of human technology and anunderstanding of growth and adaptability in na-ture. For instance, some of the projects proposenew »building blocks« which can be likened tothe ancient technology of making bricks and thequarrying and shaping of stone which led to thedevelopment of masonry construction and an en-tire new architecture. Other proposals can belikened to the self-generating growth and renew-al process of plant life. Like in nature, we see inthe students’ work proposals for structural sys-tems that grow vertically out of constructed ornatural landscapes in a symbiotic relationshipwith the forces of gravity, wind and sun, whilemining these primal forces to enable human habi-tation. Others appear as in natural growth, as expandable adaptable infrastructure systems.

Marios C. Phocas is currently associate pro-fessor at the Department of Architecture of theUniversity of Cyprus. From 2006 until 2013 heserved as interim head of the Department ofArchitecture and was responsible among othersfor the development and implementation of theprograms of undergraduate and graduate studiesin architecture at the University of Cyprus. From2011 until 2015 he served as member of the Ad-visory Committee of the European Network ofHeads of Schools of Architecture. Since 2007 he serves as a national representative in the Euro-pean Committee on Education and Training in theField of Architecture.

8 History and Theory www.AxelMenges.de

Wolfgang Rang (ed.)StadtLicht / CityLightWith texts by Michael Batz, Niels Gutschow, HaoLuoxi, Roger Narboni, Werner Oechslin, WolfgangRang and others. 290 x 260 mm, 312 pp. with ca.400 illus., hard-cover, German / EnglishISBN 978-3-86905-001-0Euro 78.00, £ 68.00, US $ 86.00

The ongoing paradigm change in regard to theuse of energy, its efficient usage and the con-sumption of resources is giving rise to new lightsystems and lighting appliances. This develop-ment might also lead to the use of light as abuilding material in its own right, comparable totraditional building materials, making it possibleto create light space productions – somethingthat did not seem feasible up to now due to thehigh cost of energy and of light systems.

The goal of this book is to develop temporarylight spaces that re-interpret the existing urbanenvironment on a seasonal basis or over a cycleof several years. As a result, the city will literallyappear in a new light. Strollers in the city streetswill experience their familiar environment in a newway. Illuminated planes interlacing with planesmade by linear fields of light beams will createimmaterial material space experiences: still lifesof light within which one can move about andlight choreographies that move barely noticeably,creating still lifes in motion.

Current research aims at exploring, imaginingand inventing stand-alone spatial structures oflight, adding on to and transforming existingspaces, creating a new spatial awareness thatmay enable people to experience urban space ina different way. Similar to the process of architec-tural design, where haptic built volumes createinterspaces, the light spaces that are currentlybeing designed make these interspaces visibleand allow urban dwellers to experience unex-pected spatial constellations.

In addition to the presentation of light-planning examples in Paris, Shanghai, Helsinki, Mekkaand Frankfurt am Main the book includes a num-ber of essays relating to the subject, amongthem: »Light architecture« (Werner Oechslin), »The Potemkin city« (Adolf Loos), »Glass archi-tecture and letters about glass houses« (PaulScheerbart), »Alpine architecture« (Bruno Taut),»The unvisible cities« (Italo Calvino), »Architecturemust burn« (Coop Himmelb(l)au), »In search oflight« (Wolfgang Rang), »City light. About the so-cial power of light« (Helmut Bien), »Light or theloss of darkness« (Manuel Cuadra), »Visible andunvisible light« (Andreas Danler), »Light conceptsfor Frankfurt am Main« (Michael Hootz), »Lightplanning for cities in China« (Hao Luoxi), »Citylight. An instrument of urban planning« (RogerNarboni), »Light for the public space« (SusanneSeitinger), »Sustainable urban lighting« (Mark Bur-ton-Page), »Borders, places, light« (Niels Gut-schow), »Earth and spirit« (Wolfgang Rang).

Volker FischerEssen vermessen. Speisen zwischen Kult und Kultur112 pp. with 112 illus., 233 x 284,5 mm, hard-cover, GermanISBN 978-3-86905-000-3Euro 39.90, £ 36.00, US $ 45.00

The theme of this book is nutrition: the manu-facture and availability of foodstuffs, and theirpreparation and presentation in the context of a society’s social and cultural development.

Nutrition and physical wellbeing are closelylinked. Human beings and animals alike need toeat in order to survive. In our rich industrial na-tions, where the availability of food is taken forgranted, attitudes towards food tend toward ex-tremes: asceticism on the one hand, and over-indulgence and excess on the other. Over thecenturies, methods of food consumption andfood preparation have become refined in tandemwith the ever more differentiated organisation ofhuman coexistence between these two poles.Regional and social differences in taste-relatedculture have arisen, each representative of thelifestyle of their time.

Today, cooking and the arranging of food mayhave an almost artistic form, with high expecta-tions for the quality of the product and its prepa-ration. The fact is, however, that we live in a soci-ety in which almost all products are industriallyproduced. We have no power to influence theproduction process, and the lists of ingredientson the packaging that provide information on the composition of individual foods are puzzling,and make us doubt whether the product is real-ly what it pretends to be.

In a wide-ranging tour d’horizon, this book in-vestigates the complex contemporary semanticfields of foods, their production and preparation,their presentation in a commercial context, andtheir marketing in the media. The author alsotakes a critical look at the new enthusiasm forDIY food production, baking, and even livestockslaughter, and examines the »star system« waycooking is presented in the media.

The resulting book is a cultural history of foodand of eating from a cultural history, sociology,psychology, economy, and media perspective, asthey exist within the contemporary discourse onnutrition – with its extremes of hype and hubris.

Volker Fischer was deputy director of the Deut-sches Architekturmuseum in Frankfurt am Mainfor over ten years. From 1994 to 2012 he has builtup a new design department at the Museum forApplied Arts in Frankfurt. At the same time, hetaught on the history of architecture and design at the Hochschule für Gestaltung in Offenbach.Fischer is already represented in Edition AxelMenges by books on Stefan Heiliger, RichardMeier, Stefan Wewerka, the Commerzbank inFrankfurt am Main by Norman Foster, Hall 3 ofMesse Frankfurt by Nicholas Grimshaw, on »beau-ty design« as well as on the design activities ofLufthansa and Apple.

Jacqueline Widmar StewartParcs et jardins de Paris et ses environs192 p. avec 200 illus., 242 x 297,5 mm, relié,françaisISBN 978-3-86905-007-2Euro 49.90, £ 46.00, US $ 56.00

Depuis plus de 350 ans les Parisiens ont conçumais aussi préservé de phénoménaux espacesen plein air, ouverts au public. Dans son livreJacqueline Widmar Stewart suit le tissage de la tapisserie des parcs de Paris et ses environs.L’Identification de l’époque à laquelle il a étéconstruit peut donner à chaque parc des qualitésmultidimensionnelles et permet aux lecteurs dedécouvrir ces grands espaces verts tout commeles Parisiens.

De nombreuses couches d’éléments et dethèmes tissent les parcs français. Aussi loin quel’on remonte dans l’héritage ancien, les vestigesde l’histoire de Paris apparaissent dans tous lesparcs, quelque soit leur taille. La répartition équi-librée des espaces verts dans la ville reflète uneépoque majeure du 19ème siècle; les parcs con-temporains maintiennent ces traditions.

Un certain nombre de parcs et jardins françaisdu 17ème siècle ont appartenu initialement auxdomaines royaux, mais maintenant accueillent lepublic. En aparté il convient de noter que le pre-mier parc de Paris, le Jardin des Tuileries, a ou-vert ses portes au public en 1667.

Soigneusement conçus et méticuleusementadaptés aux besoins de l’époque, certains parcsont camouflé le délabrement urbain inesthétiqueavec splendeur; d’autres ont converti des sitesindustriels à un usage récréatif, tout en mainte-nant des liens culturels avec le passé. Beaucoupde merveilles invitent tous ceux qui pénètrentdans les sphères magiques de Paris: une prome-nade paysagère de plusieurs kilomètres au-des-sus de rues animées; un jardin moderne suspen-du au-dessus d’une gare de train; un parc sur larive d’un canal avec ses grandes curiosités archi-tecturales rouges; une allée au milieu d’une île dela Seine; un marais récemment construit qui abri-te déjà des canetons colverts; des nuages deparfum émanant des roses de la collection origi-nale de Joséphine Bonaparte.

Depuis ses études secondaires dans l’Indiana,la langue et la littérature françaises ont fascinéJacqueline Widmar Stewart, qui a étudié auxUniversités du Colorado et du Michigan et qui aobtenu son doctorat en droit à l’Université deStanford à Palo Alto. Son premier livre, The Gla-ciers’ Treasure Trove: A Field Guide to the LakeMichigan Riviera, se penche sur les histoires géo-logiques et philanthropiques de cinq parcs ausud du lac, près de Chicago. Son deuxième livre,Finding Slovenia: A Guide to Old Europe’s NewCountry, met en valeur les merveilles de la terrenatale de ses grands-parents. En 2011 EditionAxel Menges a publié Parks and Gardens inGreater Paris, maintenant aussi disponibleen français. Champagne Regained, publié par Edition Axel Menges en 2013, racontel’histoire de la boisson et du commerce duChampagne, depuis la période médiévale.

www.AxelMenges.de History and Theory / Miscellaneous 9

Work monographs

Albrecht Ade. Painted with Light. PhotagesWith an essay by Gottfried Knapp. 96 pp. with60 illus. in colour, 242 x 284,5 mm, hard-cover,German / EnglishISBN 978-3-932565-50-2Euro 49.00, £ 36.00, US $ 59.90

Andrew AyersJean-Yves Barrier – Architect and Urbanist200 pp. with 245 illus., 242 x 297,5 mm, hard-cover, French / EnglishISBN 978-3-932565-24-3Euro 78.00, £ 59.00, US $ 109.00

Gunnar Birkerts – Metaphoric ModernistWith an introductory essay by Sven Birkertsand architectural comments by Martin Schwartz.320 pp. with 412 illus., 242 x 297,5 mm, hard-cover, EnglishISBN 978-3-936681-26-0Euro 86.00, £ 69.00, US $ 109.00

Yashwant Pitkar (ed.)Spaces Inspired by Nature – Shirish Beri244 pp. with 452 illus., 260 of which in colour,265 x 280 mm, hard-cover, EnglishISBN 978-3-936681-82-6Euro 59.90, £ 49.90, US $ 79.00Sales territories: all countries, except India

Wolfgang PehntPaul Böhm – Bauten und Projekte160 pp. with ca. 300 illus. 242 x 297,5 mm, hard cover, German / EnglishISBN 978-3-936681-85-7Euro 69.00, £ 59.90, US $ 79.00

Erdmut Bramke, Werkverzeichnis. Bd. 1:Gemälde 1964–2002, Bd. 2: Arbeiten aufPapier 1961–2002Edited on behalf of the Freunde der Staatsgale-rie Stuttgart by Ulrike Gauß, Susanne Grötz andCarolin JörgVol. 1: 428 pp. with 556 illus., 220 x 280 mm, hard-cover, GermanVol. 2: 528 pp. with 1483 illus., 220 x 280 mm,hard-cover, GermanISBN 978-3-00-053271-9 (Freunde der Staats-galerie Stuttgart)ISBN 978-3-86905-004-1 (Edition Axel Menges)Euro 154.00, £ 129.00, US $ 169.00The two volumes are not sold separately.

John McKeanGiancarlo De Carlo – Layered Places208 pp. with 230 illus., 242 x 297,5 mm, hard-cover, EnglishISBN 978-3-932565-12-0Euro 78.00, £ 49.00, US $ 78.00

Erich Engelbrecht. Introspektive Bilder /Introspective ImagesEdited by Waltraud Engelbrecht. With an intro-ductory essay by Gottfried Knapp and furthercontributions by Waltraud Engelbrecht, JoãoJosé de Abreu Vares, Hans-Jürgen Vogt, andRenate Vogt. 156 pp. with 150 illus., 280 x 300mm, hard-cover, German / EnglishISBN 978-3-86905-014-0Euro 59.00, £ 49.90, US $ 69.90Enclosed is a DVD with a film by Helmut Kohn

Katia Accossato and Nicola Probst (eds.) Ivano Gianola – Buildings and Projects /Edifici e ProgettiWith an essay by Frank R. Werner and annota-tions to the projects by Katia Accossato. 312 pp.with 350 illus., 242 x 297,5 mm, hard-cover, Eng-lish / ItalianISBN 978-3-930698-97-4Euro 86.00, £ 59.90, US $ 118.00

Reinhard Gieselmann – In Search ofStyle / Auf der Suche nach StilWith an introduction by Gerhard Kabierske. 224pp. with 300 illus., 242 x 297,5 mm, hard-cover,German / EnglishISBN 978-3-932565-55-7Euro 78.00, £ 49.00, US $ 89.00

Zaha Hadid, Judith Turner: A DialogueWith an essay by Joseph Giovannini and texts by Zaha Hadid and Judith Turner. 68 pp. with 83 illus., 280 x 300 mm, hard-cover, EnglishISBN 978-3-936681-91-8Euro 36.00, £ 29.90, US $ 39.90

Hascher Jehle, Kunstmuseum StuttgartWith an introduction by Kaye Geipel and pho-tographs by Roland Halbe. 92 pp. with 60 illus., 280 x 300 mm, hard-cover, German / EnglishISBN 978-3-936681-06-2Euro 39.90, £ 32.00, US $ 59.00

Hilmer & Sattler – Bauten und Projekte /Buildings and ProjectsWith an introduction by Stanislaus von Moos.244 pp. with 338 illus., 242 x 297,5 mm, hard-cover, German / EnglishISBN 978-3-930698-77-6Euro 78.00, £ 52.00, US $ 89.00

Hilmer & Sattler und Albrecht – Bautenund Projekte / Buildings and ProjectsWith an introduction by Klaus Jan Philipp. 232pp. with 280 illus., 185 in colour, 242 x 297,5 mm,hard-cover, German / EnglishISBN 978-3-932565-39-7Euro 78.00, £ 49.00, US $ 78.00

Johannes Peter Hölzinger. Bauten undProjekte 1950–2010 / Buildings and Pro-jects 1950–2010With texts by Gerd de Bruyn, Peter CacholaSchmal, Andreas Denk, Yorck Förster, Johan-nes Peter Hölzinger and Gerd Weiß. 416 pp.with ca. 750 illus., 242 x 297,5 mm, hard-cover,German / EnglishISBN 978-3-936681-61-1Euro 79.00, £ 69.00, US $ 98.00

Peter Blundell JonesPeter Hübner – Building as a social pro-cess / Bauen als ein sozialer Prozeß360 pp. with 1180 illus., 280 x 300 mm, hard-cover, English / GermanISBN 978-3-932565-02-1Euro 78.00, £ 49.00, US $ 89.00

Klaus Kinold. Architekturphotographien /Photographs of ArchitectureWith an essay by Wolfgang Pehnt. 120 pp. with112 illus., 280 x 300 mm, hard-cover, German /EnglishISBN 978-3-936681-93-2Euro 49.90, £ 39.90, US $ 59.90Numbered and signed special edition with an original photo by Klaus Kinold: 450.00 Euro

Rob Krier, Cité Judiciaire, LuxembourgWith contributions by Ann Holyoke Lehmann andDankwart Guratzsch. 1136 pp. with 1020 illus.,120 x 170,9 mm, hard-cover, German / EnglishISBN 978-3-936681-37-6Euro 79.00, £ 69.00, US $ 109.90

Rob Krier, Figures. A Pictorial Journal.1954–1971672 pp. with 620 illus., 120 x 170,9 mm, hardcover, German / EnglishISBN 978-3-936681-64-269.00 Euro, 59.00 £, 89.00 US$

Rob Krier, Figures. A Pictorial Journal.1972–1975448 pp. with 435 illus., 120 x 170,9 mm, hardcover, German / EnglishISBN 978-3-936681-65-959.00 Euro, 49.00 £, 76.00 US$

Rob Krier, Figures. A Pictorial Journal.2000–2002With contributions by Ann Holyoke Lehmannand Vesna Andonovic. 768 pp. with 665 illus.,120 x 170,9 mm, hard-cover, German / EnglishISBN 978-3-936681-38-3Euro 69.00, £ 59.00, US $ 98.00

Rob Krier, Figures. A Project in St. Peters-burg. 2010–2012704 pp. with 590 illus., 120 x 170,9 mm, hard-cover, German / English / RussianISBN 978-3-936681-66-669.00 Euro, 59.00 £, 89.00 US$, 98.00

Yorck Förster, Ingeborg Flagge (eds.)Peter Kulka – Minimalismus und Sinnlich-keit / Minimalism and SensualityWith texts by Yorck Förster, Wolfgang Pehnt,Werner Strodthoff and Jürgen Tietz. 272 pp. with292 illus., 242 x 297,5 mm, hard-cover, German /EnglishISBN 978-3-932565-48-9Euro 78.00, £ 49.00, US $ 89.00

The Work of Tadaaki KuwayamaWith an essay by Michio Hayashi. 136 pp. with110 illus., 242 x 297,5 mm, hard-cover, EnglishISBN 978-3-936681-80-2Euro 59.00, £ 49.00, US $ 78.00

Joachim Kleinmanns and Christiane Weber (eds.)Fritz Leonhardt 1909–1999. Die Kunst desKonstruierens / The Art of Engineering216 pp. with 250 illus., 242 x 297,5 mm, hard-cover, German / EnglishISBN 978-3-936681-28-4Euro 79.00, £ 69.00, US $ 109.00

János Gerle (ed.)Architecture as Philosophy – The Workof Imre MakoveczWith a preface by Peter Blundell Jones. 252 pp.with 488 illus., 240 x 300 mm, hard-cover, EnglishISBN 978-3-932565-56-4Euro 78.00, £ 49.00, US $ 89.00

Gardens for the Senses. The SpanishGardens of Javier MariáteguiWith texts by Javier Mariátegui Valdés and pho-tographs by Javier Mariátegui Valdés, CasildaMariátegui and Mark Bentley. 188 pp. with 245 illus., 305 x 259 mm, hard-cover, EnglishISBN 978-3-936681-98-7Euro 58.00, £ 42.90, US$ 64.00European Garden Book Award

Fritz BarthKonstantin Melnikow und sein Haus64 pp. with 106 illus., 210,5 x 281 mm, hard-cover, German editionISBN 978-3-936681-89-5Euro 36.00, £ 29.00, US $ 46.00Konstantin Melnikov and his House64 pp. with 106 illus., 210,5 x 281 mm, hard-cover, English editionISBN 978-3-936681-90-1Euro 36.00, £ 29.00, US $ 46.00

Rafael Moneo. International Portfolio,1985–2012With an essay by Juan Antonio Cortés, a conver-sation between Rafael Moneo, Ignacio Borrego,Néstor Montenegro and Lina Toro, project de-scriptions by Rafael Moneo and photographs byDuccio Malagamba. 284 pp. with ca. 400 illus.in b & w, 220 x 260 mm, had-cover, English ISBN 978-3-936681-56-7Euro 69.00, £ 59.90, US $ 89.00

Michael Nether. On StageWith an introduction by Jörg Palitzsch. 72 pp.with 71 illus. in b & w, 280 x 300 mm, hard-cover,German / EnglishISBN 978-3-936681-70-3Euro 36.00, £ 29.90, US $ 49.00

Frei Otto / Bodo Rasch – Finding Form.Towards an Architecture of the Mini-mal240 pp. with 540 illus. in b & w and colour, 215 x 240 mm, hard-cover, EnglishISBN 3-930698-66-8Euro 49.00, £ 39.90, US $ 59.00Second, Revised editiom

10

William Owen HarrodBruno Paul – The Life and Work of aPragmatic Modernist128 pp. with 205 illus., 233 x 284,5 mm, hard-cover, EnglishISBN 978-3-932565-47-2Euro 59.00, £ 39.00, US $ 69.00

Minaz AnsariSanjay Patil – Nesting in Nature280 pp. with 310 illus., 265 x 280 mm, hard-cover, EnglishISBN 978-3-86905-006-5Euro 49.90, £ 39.90, US $ 54.00Sales territories: all countries, except India

Hillert Ibbeken (ed.)Ludwig Persius – Das architektonischeWerk heute / The architectural worktodayWith texts by Eva Börsch-Supan, Stefan Gehlen,Hillert Ibbeken, Andreas Meinecke and HeinzSchönemann, and photographs by Hillert Ibbeken.204 pp. with 180 illus. in duotone, 280 x 300 mm,hard-cover, German / EnglishISBN 978-3-932565-46-5Euro 69.00, £ 48.00, US $ 79.00

Stefan Polónyi. Tragende Linien – Tragen-de Flächen / Bearing Lines – Bearing Sur-faces156 pp. with 200 illus., 242 x 297,5 mm, hard-cover, German / EnglishISBN 978-3-936681-58-159.00 Euro, £ 49.00, US $ 79.00

Wolfgang Rang. Licht Raum / Light SpaceWith texts by Max Bächer, Christian Bartenbach,Antonio de Campos, Manuel Cuadra, TadashiEndo, Niels Gutschow, Jürgen Hasse, AldousHuxley, Wolfgang Rang, Hans-Peter Schwarz,Jun’ichiro Tanizaki and Samuel Widmer. 285 x260 mm, 276 pp. with ca. 400 illus., hard-cover,German / EnglishISBN 978-3-936681-76-5Euro 78.00, £ 68.00, US $ 98.00

Paulhans PetersFranz Riepl – Architekt / Architect232 pp. with 414 illus., 242 x 297,5 mm, hard-cover, German / EnglishISBN 978-3-936681-00-0Euro 78.00, £ 49.00, US $ 89.00

Anne-Catrin SchultzCarlo Scarpa – Layers152 pp. with 344 illus., 233 x 284.5 mm, hard-cover, EnglishISBN 978-3-930698-14-1Euro 59.00, £ 39.90, US $ 69.00Third, revised edition

Hans Dieter Schaal – Global MuseumWith texts by Hans Dieter Schaal. 192 pp. with175 illus., 242 x 297,5 mm, hard-cover, German /EnglishISBN 978-3-936681-14-7Euro 78.00, £ 49.90, US $ 89.00

Hans Dieter Schaal – In-Between. Exhi-bition Architecture / Ausstellungsarchi-tekturWith contributions by Gottfried Korff, Hans DieterSchaal and Frank R. Werner. 160 pp. with 230illus. in b & w, 242 x 297,5 mm, hard-cover, Eng-lish / GermanISBN 978-3-930698-71-4Euro 78.00, £ 52.00, US $ 89.00

Hans Dieter Schaal. Landscape Architec-ture / LandschaftsarchitekturWith an introduction by Frank R. Werner and photographs by Peter C. Horn. 128 pp. with 104illus., 280 x 300 mm, hard-cover, English/GermanISBN 978-3-86905-003-4Euro 39.90, £ 32.90, US $ 42.90

Hans Dieter Schaal. Scenic Architecture /Szenische ArchitekturWith an introduction by Frank R. Werner. 136 pp.with 140 illus., 280 x 300 mm, hard-cover, English/GermanISBN 978-3-936681-97-0Euro 36.00, £ 29.90, US $ 39.90

Hans Dieter Schaal – Stage Architec-ture / BühnenarchitekturWith an introduction by Gottfried Knapp andan interview by Frank R. Werner, 224 pp. with182 illus., 242 x 297,5 mm, hard-cover, English /GermanISBN 978-3-930698-86-8Euro 78.00, £ 49.00, US $ 78.00

Hans Dieter Schaal. Work in ProgressWith texts by Claus-Wilhelm Hoffmann, HansDieter Schaal and Frank R. Werner. 608 pp.with ca. 500 illus., 242 x 297,5 mm, hard-cover,German / EnglishISBN 978-3-936681-49-9Euro 86.00, £ 79.00, US $ 119.00

Hillert Ibbeken / Elke Blauert (eds.)Karl Friedrich Schinkel – Das architek-tonische Werk heute / The architecturalwork todayWith texts by Martina Abri, Elke Blauert, EvaBörsch-Supan, Helmut Börsch-Supan, BerndEvers, Hillert Ibbeken and Heinz Schönemann,and photographs by Hillert Ibbeken. 384 pp. with 330 illus. in duotone, 280 x 300 mm, hard-cover, German / EnglishISBN 978-3-932565-25-0Euro 98.00, £ 68.00, US $ 98.00Second, revised edition

Klaus Jan PhilippKarl Friedrich Schinkel: Späte Projekte /Late ProjectsVolume 1: 116 pp. with 45 illus. in b & w, 237 x300 mm, hard-coverVolume 2: 128 pp. with 30 illus. in colour, 237 x300 mm, hard-coverGerman / EnglishISBN 978-3-930698-11-0Euro 198.00, £ 132.00, US $ 240.00

Klaus Jan PhilippKarl Friedrich Schinkel: Späte Projekte/Late ProjectsSpecial edition236 pp. with 75 illus., 30 of which in colour, 237 x 300 mm, hard-cover, German / EnglishISBN 978-3-936681-78-9Euro 69.00, £ 59.90, US $ 78.00

Mario Alexander ZadowKarl Friedrich Schinkel – Ein Sohn derSpätaufklärung216 pp. with 125 illus., 233 x 284,5 mm, hard-cover, GermanISBN 978-3-932565-23-6Euro 29.80, £ 19.90, US $ 39.00

Mario Alexander ZadowKarl Friedrich Schinkel – Leben und Werk256 pp. with 96 illus., 22 in colour, 210 x 250 mm,hard-cover, GermanISBN 978-3-932565-29-8Euro 68.00, £ 46.00, US $ 68.00

Mario Alexander ZadowSchinkels Blick nach Indien / Schinkel’sLook towards India64 pp. with 30 illus., 210 x 247,5 mm, hard-cover,German / EnglishISBN 978-3-936681-71-0Euro 29.90, £ 26.90, US $ 39.90

Schinkel, Persius, Stüler – Bauten inBerlin und Potsdam / Buildings in Berlinand PotsdamWith photographs by Hillert Ibbeken and an essay by Barry Bergdoll, 144 pp. with 120 illus.,280 x 300 mm, hard-cover, German / EnglishISBN 978-3-936681-72-7Euro 49.90, £ 39.90, US $ 68.00

Martha Schwartz Partners. Landscape Art and UrbanismWith texts by Marc Treib, Martha Schwartz,Markus Jatsch and Edith Katz. 356 pp. with 424 illus., 304 x 229 mm, hard-cover, EnglishISBN 978-3-86905-011-9Euro 69.00, £ 59.00, US $ 76.00

Immo BoykenOtto Ernst Schweizer – Bauten undProjekte304 pp. with 700 illus. in b & w, 230 x 265 mm,hard-cover, GermanISBN 978-3-930698-01-1Euro 68.00, £ 46.00, US $ 87.00

Ursula GrammelPaul Stohrer, 1909–1975. Architekt inder Zeit des Wirtschaftswunders360 pp. with 590 illus., 242 x 297,5 mm, hard-cover, GermanISBN 978-3-936681-52-9Euro 69.00, £ 59.90, US $ 98.00

Hillert Ibbeken (ed.)Friedrich August Stüler – Das architek-tonische Werk heute / The architecturalwork todayWith texts by Barry Bergdoll, Eva Börsch-Supan,Anke Fritzsch, Hillert Ibbeken, Katja Schoene and Heinz Schönemann, and photographs by Hillert Ibbeken. 348 pp. with 306 illus., 280 x300 mm, hard-cover, German / EnglishISBN 978-3-936681-10-9Euro 98.00, £ 68.00, US $ 118.00

Irme SchaberGerda Taro, Photojournalist. With RobertCapa in the Spanish Civil War256 pp. with 224 illus., 233 x 284,5 mm, hard-cover, EnglishISBN 978-3-86905-013-3Euro 59.00, £ 49.90, US $ 69.90

Heinz Tesar – Zeichnungen / DrawingsWith an essay by Matthias Boeckl. 188 pp. with193 illus. in b & w and colour. 242 x 297,5 mm,hard-cover, German / EnglishISBN 978-3-932565-31-1Euro 68.00, £ 46.00, US $ 68.00

Heinz Tesar – Ten Recent BuildingsWith a text by Friedrich Achleitner. 128 pp. with200 illus., 242 x 280 mm, hard-cover, EnglishISBN 978-3-936681-21-5Euro 49.00, £ 36.90, US $ 68.00

Renate HehrMargarethe von Trotta – Filmmaking asLiberation128 pp. with 168 illus. in b & w, 233 x 284,5 mm,hard-cover, EnglishISBN 978-3-930698-92-9Euro 52.00, £ 36.00, US $ 58.00

Architectural guides

Andrew AyersThe Architecture of Paris416 pp. with 312 illus. in b & w, 161.5 x 222 mm,soft-cover, EnglishISBN 978-3-930698-96-7Euro 39.00, £ 28.00, US $ 39.00

Stefan Grundmann (ed.)The Architecture of Rome384 pp. with 430 illus. in b & w, 161.5 x 222 mm,soft-cover, EnglishISBN 978-3-936681-16-1Euro 36.00, £ 24.00, US $ 42.00

Architekturführer Rom384 pp. with 430 illus. in b & w, 161.5 x 222 mm,soft-cover, GermanISBN 978-3-930698-59-2Euro 36.00, £ 24.00, US $ 42.00

11

Bill MacMahon (ed.)The Architecture of East AustraliaWith photographs by Eric Sierins. 256 pp. with455 illus. 161.5 x 222 mm, soft-cover, EnglishISBN 978-3-930698-90-5Euro 36.00, £ 24.00, US $ 42.00

Rolf RaveModern Architecture in Berlin280 pp. with 930 illus. in black and white, 160 x 210 mm, soft-cover, EnglishISBN 978-3-936681-29-1Euro 36.00, £ 32.00, US $ 49.90Second, revised edition

Hiroshi WatanabeThe Architecture of Tokyo272 pp. with 333 illus. in b & w, 161.5 x 222 mm,soft-cover, EnglishISBN 978-3-930698-93-6Euro 36.00, £ 24.00, US $ 42.00

Opus

Opus 8Lluís Domènech i Montaner, Palau de laMúsica Catalana, BarcelonaWith an introduction by Manfred Sack and pho-tographs by Hisao Suzuki. 64 pp. with 51 illus.in b & w and colour, 280 x 300 mm, hard-cover,German / EnglishISBN 978-3-930698-08-0Euro 36.00, £ 24.00, US $ 44.50

Opus 9Richard Meier, Stadthaus UlmWith an introduction by Manfred Sack and pho-tographs by Klaus Kinold. 64 pp. with 74 illus.in b & w, duotone and colour, 280 x 300 mm,hard-cover, German / EnglishISBN 978-3-930698-09-7Euro 36.00, £ 24.00, US $ 42.00

Opus 12Karl Friedrich Schinkel, Charlottenhof,Potsdam-SanssouciWith an introduction by Heinz Schönemannand photographs by Reinhard Görner. 68 pp.with 72 illus., 280 x 300 mm, hard-cover, Ger-man / EnglishISBN 978-3-930698-12-7Euro 36.00, £ 29.00, US $ 49.00

Opus 16Fundación César Manrique, LanzaroteWith an introduction by Simón Marchán Fiz andphotographs by Pedro Martínez de Albornoz.60 pp. with 52 illus., 280 x 300 mm, hard-cover,German / English / SpanishISBN 978-3-930698-16-5Euro 36.00, £ 24.00, US $ 44.50Sixth, revised edition

Opus 18John Fowler/Benjamin Baker, ForthBridgeWith essays by Iain Boyd Whyte and Angus J.Macdonald, and photographs by Colin Baxter.60 pp. with 50 illus., 280 x 300 mm, hard-cover,EnglishISBN 978-3-930698-18-9Euro 36.00, £ 29.00, US $ 49.00Second, revised edition

Opus 19Ernst Gisel, Rathaus FellbachWith an introduction by Christian Marquart andphotographs by Thomas Dix. 60 pp. with 60 illus.,280 x 300 mm, hard-cover, German / EnglishISBN 978-3-930698-19-6Euro 36.00, £ 29.00, US $ 49.00Second, revised edition

Opus 21Norman Foster, Commerzbank, Frankfurtam MainWith an introduction by Volker Fischer and pho-tographs by Ralph Richter. 72 pp. with 76 illus.,280 x 300 mm, hard-cover, German / EnglishISBN 978-3-930698-21-9Euro 39.90, £ 27.00, US $ 48.00

Opus 22Carlo Scarpa, Museo Canoviano, Pos-sagnoWith an introduction by Stefan Buzas andJudith Carmel-Arthur, and photographs byRichard Bryant. 60 pp. with 50 illus., 280 x300 mm, hard-cover, EnglishISBN 978-3-930698-22-6Euro 36.00, £ 24.00, US $ 42.00Third, revised edition

Opus 33NeuschwansteinWith an introduction by Gottfried Knapp andphotographs by Achim Bunz. 60 pp. with 47illus., 280 x 300 mm, hard-cover, German / EnglishISBN 978-3-930698-33-2Euro 36.00, £ 24.00, US $ 42.50

Opus 36Rafael Moneo, The Audrey Jones BeckBuilding, Museum of Fine Arts, HoustonWith a tetx by Martha Thorne and photographsby Joe C. Aker and Gary Zvonkovic. 60 pp. with58 illus., 280 x 300 mm, hard-cover, EnglishISBN 978-3-930698-36-3Euro 36.00, £ 24.00, US $ 42.00

Opus 39Arup, Hong Kong StationWith a text by Greg Pearce, Stuart Mercer, Gra-ham Powell and Rodney Tan, and photographsby Christian Richters. 60 pp. with 61 illus., 280 x300 mm, hard-cover, EnglishISBN 978-3-930698-39-4Euro 36.00, £ 28.00, US $ 42.00

Opus 40Berger + Parkkinen, Die Botschaften derNordischen Länder, BerlinWith an introduction by K.-D. Weiss and photo-graphs by Christian Richters. 60 pp. with 65 illus.,280 x 300 mm, hard-cover, German / EnglishISBN 978-3-930698-40-0Euro 36.00, £ 24.90, US $ 39.90

Opus 42Heinz Tesar, »Christus Hoffnung der Welt«,Donau City, WienWith an introduction by Immo Boyken and pho-tographs by Christian Richters. 56 pp. with 78illus., 280 x 300 mm, hard-cover, German / EnglishISBN 978-3-930698-42-4Euro 36.00, £ 28.00, US $ 42.00

Opus 44Alfredo Arribas, Seat-Pavillon, WolfsburgWith an introduction by Ralf Lange, and pho-tographs by Frank Hülsbömer and Hisao Suzu-ki. 52 pp. with 58 illus., 280 x 300 mm, hard-cover, English / SpanishISBN 978-3-930698-44-8Euro 36.00, £ 28.00, US $ 42.00

Opus 45Stüler / Strack / Merz, Alte National-galerie, BerlinWith an introduction by Klaus Jan Philipp andphotographs by Christian Gahl. 60 pp. with 64illus., 280 x 300 mm, hard-cover, German / EnglishISBN 978-3-930698-45-5Euro 36.00, £ 24.00, US $ 36.00

Opus 47Bolles + Wilson, Nieuwe Luxor Theater,RotterdamWith texts by Lars Lerup, Mirko Zardini and Pe-ter Wilson, and photographs by Christian Rich-ters. 120 pp. with 179 illus., 280 x 300 mm, hard-cover, EnglishISBN 978-3-930698-47-9Euro 52.00, £ 34.00, US $ 52.00

Opus 51Bolles + Wilson, NORD/LB, MagdeburgWith an introduction by Frank R. Werner andphotographs by Christian Richters. 60 pp. with74 illus., 280 x 300 mm, hard-cover, German /EnglishISBN 978-3-930698-51-6Euro 36.00, £ 24.00, US $ 36.00

Opus 52Brunnert und Partner, Flughafen Leipzig /HalleWith an introduction by Martina Düttmann andphotographs by Christian Richters. 72 pp. with70 illus., 280 x 300 mm, hard-cover, German /EnglishISBN 978-3-930698-52-3Euro 39.90, £ 28.00, US $ 39.00

Opus 53Johannes Peter Hölzinger, Haus in BadNauheimWith an introduction by Gerd de Bruyn and pho-tographs by Dieter Leistner. 60 pp. with 85 illus.,280 x 300 mm, hard-cover, German / EnglishISBN 978-3-930698-53-0Euro 36.00, £ 24.00, US $ 39.90

Opus 54Egon Eiermann, German Embassy,WashingtonWith an introduction by Immo Boyken, andphotographs by J. Alexander and Jerry Hecht.60 pp. with 69 illus, 280 x 300 mm, hard-cover,German / EnglishISBN 978-3-930698-54-7Euro 36.00, £ 24.00, US $ 39.90

Opus 54Peter Kulka, Bosch-Haus Heidehof, StuttgartWith an introduction by Wolfgang Pehnt andphotographs by Peter Walser. 60 pp. with 76illus., 280 x 300 mm, hard-cover, German / EnglishISBN 978-3-930698-55-4Euro 36.00, £ 24.00, US $ 39.90

Opus 56Am Bavariapark, MünchenWith an introduction by Michael Goj and Chris-toph Tempel, and photographs by Franziska vonGagern. 60 pp. with 59 illus., 280 x 300 mm,hard-cover, German / EnglishISBN 978-3-930698-56-1Euro 36.00, £ 24.00, US $ 39.90

Opus 58Espace de l’Art Concret, Mouans-SartouxWith an introduction by Axel Sowa, and photo-graphs by Jean Brasille, Serge Demailly, AndréMorin, MRW Mediterranée. 60 pp. with 65 illus.,280 x 300 mm, hard-cover, French / EnglishISBN 978-3-932565-58-8Euro 36.00, £ 24.00, US $ 39.90

Opus 59Otto Ernst Schweizer, Milchhof, NürnbergWith an introduction by Immo Boyken and pho-tographs by Kurt Grimm. 60 pp. with 61 illus.,280 x 300 mm, hard-cover, German / EnglishISBN 978-3-932565-59-5Euro 36.00, £ 24.90, US $ 39.90

Opus 60Steidle + Partner, Alfred-Wegener-Institut,BremerhavenWith an introduction by Gert Kähler and pho-tographs by Christian Richters. 60 pp. with 50illus., 30 of which in colour, 280 x 300 mm,hard-cover, German / EnglishISBN 978-3-932565-60-1Euro 36.00, £ 24.90, US $ 39.90

Opus 61Sonwik, FlensburgWith an introduction by Manfred Sack and pho-tographs by Rolf Reiner Maria Borchard. 60 pp.with 70 illus., 280 x 300 mm, hard-cover, Ger-man / EnglishISBN 978-3-932565-61-8Euro 36.00, £ 24.90, US $ 39.90

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Opus 62Egon Eiermann / Sep Ruf, German Pavil-ions, Brussels 1958With an introduction by Immo Boyken, and pho-tographs by Heinrich Heidersberger and Eber-hard Troeger. 60 pp. with 70 illus.,280 x 300 mm,hard-cover, German / EnglishISBN 978-3-932565-62-5Euro 36.00, £ 24.90, US $ 39.90

Opus 63Ernst von Ihne / Heinz Tesar, Bode-Museum, BerlinWith an introduction by Gottfried Knapp andphotographs by Christian Richters. 72 pp. with55 illus., 280 x 300 mm, hard-cover, German /EnglishISBN 978-3-932565-63-2Euro 39.00, £ 26.00, US $ 49.00

Opus 64Skidmore, Owings & Merrill, InternationalTerminal, San Francisco International Air-portWith an introduction by Anne-Catrin Schultzand photographs by Tim Hursley. 60 pp. with58 illus., 280 x 300 mm, hard-cover, EnglishISBN 978-3-932565-64-9Euro 36.00, £ 24.90, US $ 49.00

Opus 65Le Corbusier, Unité d’habitation, MarseilleWith texts by Alban Janson and Carsten Krohnand photographs by Anja Grunwald. 84 pp. with80 ill., 280 x 300 mm, hard-cover, German / Eng-lischISBN 978-3-932565-65-6Euro 39.00, £ 36.00, US $ 48.00 Third, revised edition

Opus 66Coop Himmelb(l)au, BMW Welt, MünchenWith an introduction by Frank R. Werner andphotographs by Christian Richters. 56 pp. with52 illus., 280 x 300 mm, hard-cover, German /EnglishISBN 978-3-932565-66-3Euro 36.00, £ 29.00, US $ 49.00

Opus 67Bruno Paul, Haus Friedwart, WetzlarWith an introduction by Alfred Ziffer, and pho-tographs by Deimel + Wittmar and Gerd Scharf-scheer. 56 pp. with 50 illus., 280 x 300 mm,hard-cover, German / EnglishISBN 978-3-932565-67-0Euro 36.00, £ 24.90, US $ 49.00

Opus 68Robert-Bosch-Krankenhaus, StuttgartWith an introduction by Manfred Sack and pho-tographs by Peter Walser. 120 pp. with 116 illus.,280 x 300 mm, hard-cover, German / EnglishISBN 978-3-932565-68-7Euro 49.00, £ 39.00, US $ 69.00

Opus 69Rathaus BremenWith an introduction by Georg Skalecki and photo-graphs by Christian Richters. 72 pp. with 58 illus.,280 x 300 mm, hard-cover, German /EnglishISBN 978-3-932565-69-4Euro 39.00, £ 29.90, US $ 59.00

Opus 70Gunnar Birkerts, National Library ofLatvia, RigaWith an essay by Janis Dripe and photographsby Indrikis Sturmanis. 60 pp. with ca. 70 illus.,280 x 300 mm, hard-cover, EnglishISBN 978-3-932565-70-0Euro 36.00, £ 29.00, US $ 49.00

Opus 71Ada Karmi-Melamede and Ram Karmi,Supreme Court of Israel, JerusalemWith an introduction by Anne-Catrin Schultz andphotographs by Richard Bryant. 60 pp. with66 illus., 280 x 300 mm, hard-cover, EnglishISBN 978-3-932565-71-7Euro 36.00, £ 29.00, US $ 49.00

Opus 72Sep Ruf, Kanzlerbungalow, BonnWith texts by Andreas Schätzke and JoaquínMedina Warmburg, and photographs by PaulSwiridoff. 48 pp. with 50 illus., 280 x 300 mm,hard-cover, German / EnglishISBN 978-3-932565-72-4Euro 36.00, £ 29.00, US $ 49.00

Opus 73Otto Ernst Schweizer, KollegiengebäudeII, Universität FreiburgWith an essay by Immo Boyken and photographsby Bruno Krupp. 60 pp. with 100 illus., 280 x 300mm, hard cover., German / EnglishISBN 978-3-932565-73-1Euro 36.00, £ 29.00, US $ 49.00

Opus 74Dietrich Dietrich Tafel, Max-Planck-Insti-tut für Wissenschaftsgeschichte, BerlinWith an introduction by Andreas Schätzke andphotographs by Reinhard Görner. 60 pp. with50 illus., 280 x 300 mm, hard-cover, German /EnglishISBN 978-3-932565-74-8Euro 36.00, £ 24.90, US $ 49.00

Opus 75Otto Ernst Schweizer, Stadium in ViennaWith an introduction by Immo Boyken und pho-tographs by Martin Gerlach. 60 pp. with 50 illus.,280 x 300 mm, hard-cover, German / EnglishISBN 978-3-932565-75-5Euro 36.00, £ 24.90, US $ 49.00

Opus 76Fritz Barth, Cannstatter Straße 84,FellbachWith texts by Thomas Hettche, Amber Sayahand Gerhart Schröder, and photographs by FritzBarth. 72 pp. with 58 ills., 280 x 300 mm, hard-cover, German / EnglishISBN 978-3-932565-76-2Euro 36.00, £ 24.90, US $ 46.00

Opus 77Ferdinand Kramer / SSP SchürmannSpan-nel, BiK-Forschungszentrum, Frankfurtam MainWith an essay by Fabian Wurm and photo-graphs by Jörg Hempel. 60 pp. with 60 illus.,280 x 300 mm, hard-cover., German / EnglishISBN 978-3-932565-77-9Euro 36.00, £ 29.00, US $ 49.00

Opus 78Ivano Gianola, LAC Lugano Arte e Cultura,LuganoWith an essay by Frank R. Werner and photogra-phs by Christian Richters. 72 pp. with ca. 70 il-lus., 280 x 300 mm, hard-cover, German / EnglishISBN 978-3-932565-78-6Euro 39.90, £ 32.00, US $ 49.90

Opus 79Coop Himmelb(l)au, Musée des Conflu-ences, LyonWith an essay by Frank R. Werner and photo-graphs by Christian Richters. 60 pp. with ca. 70 illus., 280 x 300 mm, hard-cover, French /EnglishISBN 978-3-932565-79-3Euro 36.00, £ 29.90, US $ 39.90

Opus 80Oswald Mathias Ungers, Haus Belvedere-straße 60, Köln-MüngersdorfWith an essay by Wolfgang Pehnt and photo-graphs by Walter Ehmann, Bernd Grimm, DieterLeistner, and Stefan Müller. 64 pp. with ca. 70 illus., 280 x 300 mm, hard-cover, German /EnglishISBN 978-3-932565-80-9Euro 36.00, £ 29.00, US $ 39.90

Opus 81Carlo Scarpa, Museo di Castelvecchio,VeronaWith texts by Alba Di Lieto, Paola Marini and Va-leria Carullo, and photographs by Richard Bryant.52 pp. with 43 illus., 280 x 300 mm, hard-cover,Italian / EnglishISBN 978-3-932565-81-6Euro 36.00, £ 29.90, US $ 39.90

Opus 82Bodensee-Wasserversorgung, SipplingenWith an essay by Andreas Schwarting and pho-tographs by Heinz Kabus. 56 pp. with 70 illus.,280 x 300 mm, hard-cover, German / EnglishISBN 978-3-932565-82-3Euro 36.00, £ 29.90, US $ 39.90

Opus 83Schulz und Schulz, Propsteikirche St. Trinitatis LeipzigWith an essay by Wolfgang Jean Stock andphotographs by Stefan Müller. 52 pp. with 50 illus., 280 x 300 mm, hard-cover, German /EnglishISBN 978-3-932565-83-0Euro 36.00, £ 29.00, US $ 39.90

History and theory

Horst BarowRoads and Bridges of the Roman EmpireEdited and translated from German by FriedrichRagette. 168 pp. with 345 illus., 233 x 284,5 mm,hard-cover,EnglishISBN 978-3-936681-53-6Euro 59.00, £ 49.90, US $ 79.00

Fritz BarthDie Villa Lante in Bagnaia512 pp. with 180 illus., 210 x 280 mm, hard-cover, GermanISBN 978-3-932565-05-2Euro 108.00, £ 69.00, US $ 108.00

Fritz BarthZeichen des Wehrhaften. Festungsbautenvon Francesco di Giorgio Martini / MartialSignifiers. Fortress Complexes by Fran-cesco di Giorgio MartiniWith an essay by Olaf Metzel, and photographsby Fritz and Friedrich Barth. 120 pp. with 80 il-lus., 210 x 280 mm, hard-cover, German / EnglishISBN 978-3-936681-42-0Euro 49.00, £ 42.90, US $ 69.00

Anne Beim and Ulrik Stylsvig Madsen (ed.) Towards an Ecology of Tectonics. TheNeed for Rethinking Construction in Architecture 208 pp. with ca. 300 illus., 210 x 270 mm, hard-cover, EnglishISBN 978-3-936681-86-4Euro 69.00, £ 59.00, US $ 89.00

Rolf Reiner Maria Borchard / Yali YuGardens in Suzhou / Gärten in Suzhou152 pp. with 137 illus., 92 in colour, 280x300 mm,hard-cover, English / GermanISBN 978-3-932565-36-6Euro 68.00, £ 46.00, US $ 89.00

Burcu Dogramaci and Andreas Schätzke (eds.)A Home of One’s Own. Emigrierte Archi-tekten und ihre Häuser / Émigré Architectsand Their Houses. 1920–1960176 pp. with ca. 100 illus., 233 x 284,5 mm, hard-cover, German / EnglishISBN 978-3-86905-008-9Euro 69.00, £ 59.90, US $ 73.90

Günther FeuersteinAndrogynos – Das Mann-Weibliche inKunst und Architektur / The Male-Femalein Art and Architecture240 pp. with 318 illus. in b & w, 233 x 284,5 mm,hard-cover, German / EnglishISBN 978-3-930698-74-5Euro 68.00, £ 46.00, US $ 79.00Günther Feuerstein

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Biomorphic Architecture. Menschen-und Tiergestalten in der Architektur /Human and Animal Forms in Architecture188 pp. with 205 illus. in b & w, 233 x 284,5 mm,hard-cover, German / EnglishISBN 978-3-930698-87-5Euro 68.00, £ 46.00, US $ 68.00

Günther FeuersteinOpen Space. Transparency – Freedom –Dematerialisation256 pp. with ca. 500 illus., 233 x 284,5 mm,hard-cover, EnglishISBN 978-3-936681-55-059.00 Euro, £ 49.90, US $ 79.00

Günther FeuersteinUrban Fiction – Strolling through IdealCities from Antiquity to the Present Day416 pp. with 535 illus., 233 x 284,5 mm, hard-cover, EnglishISBN 978-3-930698-26-498.00 Euro, £ 69.00, US $ 138.00

Volker FischerDer i-Kosmos. Macht, Mythos und Magieeiner Marke / The i-Cosmos. Might, Mythand Magic of a Brand144 pp. with 200 illus., 242 x 297,5 mm, hard-cover, German / EnglishISBN 978-3-936681-48-2Euro 49.00, £ 42.90, US $ 68.00

Volker FischerDie Schwingen des Kranichs – 50 JahreLufthansa-Design / The Wings of the Crane – 50 Years of Lufthansa Design224 pp. with 380 illus. in b&w and colour, 242 x297,5 mm, hard-cover, German / EnglishISBN 978-3-932565-53-3Euro 39.90, £ 29.00, US $ 49.90

Volker FischerOrnament & Versprechen – Postmoderneund Memphis im Rückblick64 pp. with 116 illus. in colour, 210 x 297 mm,soft-cover, GermanISBN 978-3-932565-45-8Euro 19.80, £ 13.90, US $ 19.80

Avi FriedmanInnovative Apartment Buildings. NewDirections in Sustainable Design233 x 284,5 mm, 188 pp. with 300 illus., hard-cover, EnglishISBN 978-3-86905-009-6Euro 69.00, £ 59.90, US $ 79.00

Anette Gangler, Heinz Gaube, Attilio PetruccioliBukhara – The Eastern Dome of Islam224 pp. with 256 illus., 233 x 284,5 mm, hard-cover, EnglishISBN 978-3-932565-27-4Euro 78.00, £ 49.00, US $ 78.00

Stefan GrundmannModerne, Postmoderne – und nun Barock?136 pp. with 136 illus. in b & w, 233 x 284,5 mm,hard-cover, GermanISBN 978-3-930698-63-9Euro 48.00, £ 32.00, US $ 58.00

Qinghua Guo and Yuyu ChangChinese Vernacular. The Weiwu at Dafuzhen112 pp. with ca. 344 illus., 233 x 284,5 mm,hard-cover, EnglishISBN 978-3-936681-94-9Euro 59.00, £ 42.90, US $ 69.00

Renate HehrNew Hollywood – Der neue amerikanischeFilm nach 1968 / The new American Filmafter 1968112 pp. with 140 illus. in b & w, 233 x 284,5 mm,hard-cover, German / EnglishISBN 978-3-930698-94-3Euro 48.00, £ 32.00, US $ 48.00

Sigrid HoferReformarchitektur 1900–1918 – DeutscheBaukünstler auf der Suche nach demnationalen Stil176 pp. with 270 illus. in b & w, 233 x 284,5 mm,hard-cover, GermanISBN 978-3-936681-01-7Euro 69.00, £ 48.00, US $ 79.00

Wolfgang Jacobsen, Werner SudendorfMetropolis – Ein filmisches Laboratoriumder modernen Architektur / A CinematicLaboratory for Modern Architecture240 pp. with 191 illus. in b & w, 233 x 284,5 mm,hard-cover, German / EnglishISBN 978-3-930698-85-1Euro 68.00, £ 46.00, US $ 79.00

Markus JatschEntgrenzter Raum – Unbestimmtheitin der visuellen RaumwahrnehmungDebordered Space – Indeterminacywithin the Visual Perception of Space128 pp. with 120 illus., 233 x 284,5 mm, hard-cover, German / EnglishISBN 978-3-932565-43-4Euro 49.00, £ 36.00, US $ 59.90Walter Kieß

Urbanismus im Industriezeitalter. Von derklassizistischen Stadt zur Garden City492 pp. with 480 illus., 230 x 300 mm, hard-cover, Germanformerly Ernst & Sohn (3-433-02058-8)ISBN 978-3-932565-20-5Euro 86.00, £ 58.00, US $ 86.00

Karin KirschThe Weissenhofsiedlung. ExperimentalHousing Built for the Deutscher Werk-bund, Stuttgart, 1927224 pp. with 460 illus., 230 x 290 mm, hard-cover, EnglishISBN 978-3-936681-60-4Euro 79.00, £ 69.00, US $ 98.00

Stefan KoppelkammThe Imaginary Orient. Exotic Buildingsof the 18th and 19th Centuries in Europe192 pp. with 280 illus., 242 x 297,5 mm, hard-cover., EnglishISBN 978-3-936681-77-2Euro 68.00, £ 59.90, US $ 78.00

Rob KrierArchitectural Composition344 pp. with 500 illus., 24 of which in colour,240 x 250 mm, hard-cover, EnglishISBN 978-3-936681-39-0Euro 69.00, £ 59.00, US $ 98.00

Ali Malkawi, Marius Nygaard, Anne Beim, and Erik Stenberg (eds.)Sustainability in Scandinavia: Architec-tural Design and Planning192 pp. with 200 illus., 233 x 284,5 mm, hard-cover, EnglishISBN 978-3-86905-012-6Euro 59.00, £ 49.90, US $ 68.00

Hans-Ulrich von MendeCar Design. Von der Kutsche zur Auto-Mobilität. From the Carriage to Auto-Mobility152 pp. with 440 illus., 233 x 287,5 mm, hard-cover, German / EnglishISBN 978-3-86905-010-2Euro 49.90, £ 42.90, US $ 58.90

Felix MoellerThe Film Minister – Goebbels and theCinema in the »Third Reich«216 pp. with 65 illus. in b & w, 233 x 284,5 mm,hard-cover, EnglishISBN 978-3-932565-10-6Euro 52.00, £ 36.00, US $ 52.00

Frei OttoOccupying and Connecting112 pp. with 343 illus. in b & w, 161,5 x 222 mm,soft-cover, EnglishISBN 978-3-932565-11-3Euro 24.00, £ 18.90, US $ 36.00

Marios C. PhocasTechnology-Driven Design Approaches to Utopia180 pp. with 153 illus., 230 x 170 mm, hard-cover,EnglishISBN 978-3-86905-002-7Euro 39.00, £ 29.90, US $ 42.90

Jan PieperPienza – Il progetto di una visione uma-nistica del mondo632 pp. with 1600 illus., 245 x 309 mm, hard-cover, ItalianISBN 978-3-930698-07-3Euro 168.00, £ 118.00, US $ 216.00Bernd PolsterBRAUN – Fifty Years of Design and Inno-vation504 pp. with 560 illus., 163 x 187 mm, hard-cover, EnglishISBN 978-3-936681-35-2Euro 49.90, £ 43.00, US $ 69.90

Nili PortugaliThe Act of Creation and the Spirit ofa Place – A Holistic-PhenomenologicalApproach to Architecture248 pp. with 555 illus., 450 of which in colour,217 x 278 mm, hard-cover, EnglishISBN 978-3-936681-05-5Euro 59.00, £ 39.90, US $ 69.00

Preußische Gärten / Prussian GardensPhotographs by Hillert Ibbeken, historical over-view by Katja Schoene, 300 pp. with 262 illus.,280 x 300 mm, hard-cover, German / EnglishISBN 978-3-936681-68-0Euro 49.90, £ 39.90, US $ 68.00

Friedrich RagetteTraditional Domestic Architectureof the Arab Region296 pp. with 670 illus., 242 x 297,5 mm, hard-cover, EnglishISBN 978-3-932565-30-4Euro 78.00, £ 49.00, US $ 98.00

Wolfgang Rang (ed.)StadtLicht / CityLightWith texts by Michael Batz, Niels Gutschow, HaoLuoxi, Roger Narboni, Werner Oechslin, WolfgangRang and others. 290 x 260 mm, 312 pp. with ca. 400 illus., hard-cover, German / EnglishISBN 978-3-86905-001-0Euro 78.00, £ 59.00, US $ 86.00

Hans Dieter SchaalLearning from Hollywood – Architekturund Film / Architecture and FilmWith a foreword by Wolfgang Jacobsen. 128 pp.with 130 illus. in b & w, 233 x 284,5 mm, hard-cover, German / EnglishISBN 978-3-936681-34-5Euro 39.90, £ 36.00, US $ 49.90

Hans Dieter SchaalMemorials. Betrachtungen über Denk-Male in unserer Zeit208 pp. with 123 illus., 233 x 284,5 mm, hard-cover, GermanISBN 978-3-936681-87-1Euro 69.00, £ 56.00, US $ 89.00

Hans Dieter SchaalRuinen. Reflexionen über Gewalt, Chaosund VergänglichkeitRuins. Reflexions about Violence, Chaosand Transience272 pp. with 125 illus., 242 x 297,5 mm, hard-cover, German / EnglishISBN 978-3-936681-46-8Euro 79.00, £ 69.00, US $ 109.00

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Andreas SchätzkeDeutsche Architekten in Großbritannien.Planen und Bauen im Exil 1933–1945 /German Architects in Great Britain. Plan-ning and Building in Exile 1933–1945In collaboration with Meike Schultz. 240 pp. with 142 illus., 233 x 284,5 mm, hard-cover, German / EnglishISBN 978-3-936681-75-8Euro 59.00, £ 49.00, US $ 79.00

Schlösser der Weserrenaissance / Castlesof the Weser RenaissanceWith texts by Uwe Albrecht, Michael Bischoff,Heiner Borggrefe, Thomas Fusenig, G. UlrichGroßmann, Hillert Ibbeken, Julian Jachmann,Katja Schoene and Rolf Schönlau, and photo-graphs by Hillert Ibbeken. 304 pp. with 265 illus.,280 x 300 mm, hard-cover, German / EnglishISBN 978-3-936681-23-9Euro 98.00, £ 69.00, US $ 138.00

Anne-Catrin SchultzTime, Space and Material. The Mechanicsof Layering in Architecture80 pp. with 160 ill., 233 x 297.5 mm, hard-cover,EnglishISBN 978-3-936681-88-8Euro 49.80, £ 39.80, US $ 64.00

René SpitzDie Hochschule für Gestaltung Ulm.Ein Blick hinter den Vordergrund464 pp. with 446 illus. in duotone, 242 x297,5 mm, hard-cover, GermanISBN 978-3-932565-16-8Euro 78.00, £ 49.00, US $ 78.00

Structuralism Reloaded. Rule-BasedDesign in Architecture and UrbanismEdited by Tomás Valena with Tom Avermaeteand Georg Vrachliotis. 392 pp. with 480 illus.,233 x 284,5 mm, hard-cover, EnglishISBN 978-3-936681-47-5Euro 86.00, £ 78.00, US $ 119.00

Christian W. Thomsen, Angela Krewani (eds.)Hollywood – Recent Developments208 pp. with 181 illus., 233 x 284,5 mm, hard-cover, EnglishISBN 978-3-932565-44-1Euro 69.00, £ 48.00, US $ 79.00

Carl WegeDas »Neue Europa« 1933–1945112 pp. with 10 Illus., 210 x 247,5 mm, hard-cover, GermanISBN 978-3-936681-95-6Euro 39.00, £ 29.90, US $ 46.00The »New Europe« 1933–1945112 pp. with 10 Illus., 210 x 247,5 mm, hard-cover, EnglisgISBN 978-3-936681-96-3Euro 39.00, £ 29.90, US $ 46.00

Miscellaneous

Arcaid Images. Architectural PhotographyAwards 2012–2015With texts by Lynne Bryant, Amy Croft and PaulFinch. 96 pp. with 70 illus., 280 x 300 mm, hard-cover, EnglishISBN 978-3-936681-99-4Euro 46.00, £ 35.90, US$ 49.00

Klaus Daniels and Ralph HammannEnergy Design for Tomorrow / EnergyDesign für morgen368 pp. with 675 illus. in colour and black andwhite, 230 x 297 mm, hard-cover, English / Ger-manISBN 978-3-936681-25-3Euro 86.00, £ 69.00, US $ 109.00

Klaus EnglertNew Museums in Spain260 pp. with 200 illus., 242 x 297,5 mm, hard-cover, EnglishISBN 978-3-936681-17-8Euro 69.00, £ 58.00, US $ 89.00

Volker FischerBeauty Design. Kosmetik als Wille undVorstellung / Cosmetics as Will and Rep-resentation144 pp. with 30 illus., 210 x 247,5 mm, hard-cover, German / EnglishISBN 978-3-936681-79-6Euro 49.90, £ 39.90, US $ 59.90

Volker FischerEssen vermessen. Speisen zwischen Kult und Kultur112 pp. with 112 illus., 233 x 284,5 mm, hard-cover, GermanISBN 978-3-86905-000-3Euro 39.90, £ 36.00, US $ 45.00

Volker FischerGrünwärts. Die neue Lust an urbanerNatur / Greenwards. The new delight in urban nature56 pp. with 77 illus., 233 x 284,5 mm, hard-cover,German /EnglishISBN 978-3-936681-92-5Euro 36.00, £ 28.90, US $ 39.90

Grimms MärchenWith illustrations by Dorothee Menzel. 80 pp.with 60 illus. in colour, 242 x 284,5 mm, hard-cover, GermanISBN 978-3-932565-38-0Euro 29.90, £ 22.00, US $ 29.00

Gypsy ArchitectureWith texts by Renata Calzi and Patrizio Corno,and photographs by Carlo Gianferro. 160 pp. with182 illus., 242 x 297,5 mm, hard-cover, EnglishISBN 978-3-936681-12-3Euro 59.00, £ 39.90, US $ 72.00

Dirk U. Hindrichs, Klaus Daniels (eds.)Plusminus 20°/40° Latitude – SustainableBuilding Design in Tropical and Subtropi-cal RegionsWith contributions by Sonja Berthold, KlausDaniels, Norbert Fisch, Ralph E. Hammann, Win-fried Heusler, Haruyoshi Kibe, Ajay Shah andMagdy Yacoub. 448 pp. with 1100 illus., 230 x297 mm, hard-cover, EnglishISBN 978-3-930698-83-7Euro 86.00, £ 58.00, US $ 109.00

Hillert IbbekenDas andere Italien / The other Italy168 pp. with 118 illus., 280 x 300 mm, hard-cover, German / EnglishISBN 978-3-936681-43-7Euro 69.00, £ 59.90, US $ 96.00

Hillert Ibbeken (ed.)Fossil Design: Zeichen versteinertenLebens / Signs of Petrified LifeWith texts by Hillert Ibbeken, Helmut Keupp,Rudolf zur Lippe and Katja Schoene, and pho-tographs by Hillert Ibbeken. 204 pp. with 176illus. in colour, 280 x 300 mm, hard-cover, Ger-man /EnglishISBN 978-3-936681-24-6Euro 69.00, £ 49.00, US $ 98.00

Konrad KirschDer zweite Blick / The Second Look.Hitchcock: The Birds; Edwards: The Party;Scott: Blade Runner; Ruzowitzky: Anato-my, Scott: Gladiator160 pp. with ca. 250 illus., 210 x 247,5 mm, hardcover, German / EnglishISBN 978-3-936681-54-3Euro 49.00, £ 44.90, US $ 68.00

Jakob Knudsen, Lorenz von SeidleinHealthy Homes in Tropical Zones. Im-proving Rural Housing in Asia and AfricaWith contributions by Bart Knols, Rasmus Bruun,Konstantin Ikonomidis and Emanuele Naboni.304 pp. with ca. 473 illus., 304 x 234 mm, hard-cover, EnglishISBN 978-3-936681-81-9Euro 79.00, £ 69.00, US $ 98.00

Stefan KoppelkammOrtszeit / Local TimeWith a text by Ludger Derenthal. 224 pp. with100 illus. in duotone, 230 x 320 mm, soft-cover,German / EnglishISBN 978-3-936681-32-1Euro 29.90, £ 26.90, US $ 39.90Third, revised edition

Eduard MörikeDie Historie von der schönen Lau / TheStory of the Beautiful LauTranslated into English by Stan Foulkes, ca. 40pp. with 20 illus. in colour by Dorothee Menzel,242 x 287,5 mm, hard-cover, German / English ISBN 978-3-936681-83-3Euro 19.80, £ 16.80, US $ 25.80

Yashwant PitkarThe Romance of Red Stone. An Appre-ciation of Ornament on Islamic Archi-tecture in IndiaWith texts by Mustansir Dalvi. 256 pp. with306 illus., 280 x 280 mm, hard-cover, EnglishISBN 978-81-900809-4-1Euro 59.00, £ 49.90, US $ 79.00

Tomas RiehleRheinbrücken / Rhine BridgesWith an essay by Gottfried Knapp. 264 pp. with235 illus. in duotone, 380 x 250 mm, hard-cover,German / EnglishISBN 978-3-936681-74-1Euro 86.00, £ 79.00, US $ 109.00

Hans Dieter SchaalStadttagebücher640 pp. with 350 illus., 210 x 247,5 mm, hard-cover, GermanISBN 978-3-936681-31-4Euro 79.00, £ 69.00, US $ 98.00

Ursula Schwitalla (ed.)Built or Unbuilt – Architekten zeigen ihreLieblingsprojekte / Architects presenttheir favourite projects240 pp. with 378 illus., 242 x 297,5 mm, hard-cover, German / EnglishISBN 978-3-932565-08-3Euro 59.00, £ 39.90, US $ 79.00

TokyoWith an introduction by Juval Portugali and pho-tographs by Wolf-Dieter Gericke. 60 pp. with50 illus., 280 x 300 mm, hard-cover, EnglishISBN 978-3-936681-27-72Euro 36.00, £ 29.00, US $ 49.00

Judith Turner: Seeing Ambiguity. Photo-graphs of ArchitectureWith a foreword by Robert Elwall and an intro-duction by Joseph Rosa. 108 pp. with 90 illus.in b & w, 280 x 300 mm, hard-cover, EnglishISBN 978-3-936681-50-5Euro 48.00, £ 42.90, US $ 68.00

Friedrich Christoph WagnerBasics of Design. Ein Gestaltungshandbuchfür Architekten und Designer / A DesignHandbook for Architects and Designers400 pp. with 1660 illus., 233 x 284,5 mm, hard-cover, German / EnglishISBN 978-3-936681-84-0Euro 69.00, £ 59.90, US $ 78.00

Jacqueline Widmar StewartParks and Gardens in Greater Paris192 pp. with 200 illus., 242 x 297,5 mm, hard-cover, EnglishISBN 978-3-936681-51-2Euro 69.00, £ 59.90, US $ 78.00

Jacqueline Widmar StewartParcs et jardins de Paris et ses environs192 pp. with 200 illus., 242 x 297,5 mm, hard-cover, FrenchISBN 978-3-86905-007-2Euro 49.90, £ 46.00, US $ 56.00

15

Edition Axel Menges GmbHEsslinger Straße 2470736 Stuttgart-FellbachGermanytel. +49-711-574759tel. +49-176-49419371 (mobile Menges)tel. +49-176-49419372 (mobile Duwe)fax +49-711-574784AxelMenges@aol.comwww.AxelMenges.de

DirectorsAxel MengesDorothea Duwe

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Representative for Greece, Italy, Spain, Por-tugal, France, the Netherlands, Belgium,and LuxembourgFlavio MarcelloVia Belzoni, 1235121 PaduaItalytel. +39-049-8360671fax +39-049-8774051marcello@marcellosas.it

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Representative for Pakistan, Bangladesh,Myanmar, Thailand, Cambodia, Laos, Vietnam,Malaysia, Singapore, Indonesia and GuamSheila Summers26 Monkhams DriveWoodford GreenEssex IG8 0LQUnited Kingdomtel. +44-20-74054244fax +44-20-74054199formtone@dircon.co.uk

Representative for Japan and KoreaYasmy International Marketing3-301 Park Ageo1-48 Kashiwaza 3-chomeAgeo 362-0075Japantel. +81-48-7702003fax +81-48-7702533yasy@yasmy.com

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Representative for Australia and New ZealandAndrew EastonAlpa Books Pty LtdPOB 189, Birdwood, SA 5234 Australiatel. +61-430-422321andrew.easton@alpabooks.com.au

We present in this catalogue only a selection of our books. You will find all our books, most of them with sample pages, on our website:www.AxelMenges.de

For books available as e-books see:http://www.ciando.com/suche.cfm/

Edition Axel MengesAxelMenges@aol.comwww.AxelMenges.de

Order Form/ Bestellblatt 2017-2, 1

...... Albrecht Ade. Photages Euro 049.00 978-3-932565-50-2

...... Arcaid Images 2012–2015 Euro 046.00 978-3-936681-99-4

...... Ayers, The Architecture of Paris Euro 039.00 978-3-930698-96-7

...... Barow, Roads and Bridges of the Roman ... Euro 059.001 978-3-936681-53-6

...... Jean-Yves Barrier Euro 078.00 978-3-932565-24-3

...... Barth, Die Villa Lante in Bagnaia Euro 108.001 978-3-932565-05-2

...... Barth, Francesco di Giorgio’s Fortresses Euro 059.001 978-3-936681-42-0

...... Shirish Beri Euro 059.90 978-3-936681-82-6

...... Beim, Towards an Ecology of Tectonics Euro 069.001 978-3-936681-86-4

...... Gunnar Birkerts Euro 086.00 978-3-936681-26-0

...... Bischoff/Ibbeken, Weserrenaissance Euro 098.00 978-3-936681-23-9

...... Paul Böhm Euro 069.00 978-3-936681-85-7

...... Erdmut Bramke Euro 154.00 978-3-86905-004-1

...... Borchard/Yu, Gardens in Suzhou Euro 068.00 978-3-932565-36-6

...... Daniels/Hamann, Energy Design Euro 086.001 978-3-936681-25-3

...... Giancarlo De Carlo Euro 078.00 978-3-932565-12-0

...... Docramaci/Schätzke, A Home of One’s Own Euro 069.00 978-3-86905-008-9

...... Dream Architecture Euro 079.90 978-3-936681-45-1

...... Englert, New Museums in Spain Euro 069.00 978-3-936681-17-8

...... Feuerstein, Androgynos Euro 068.001 978-3-930698-74-5

...... Feuerstein, Biomorphic Architecture Euro 068.001 978-3-930698-87-5

...... Feuerstein, Open Space Euro 059.001 978-3-936681-55-0

...... Feuerstein, Urban Fiction Euro 098.001 978-3-930698-26-4

...... Fischer, Beauty Design Euro 049.90 978-3-936681-79-6

...... Fischer, Essen vermessen Euro 039.90 978-3-86905-000-3

...... Fischer, Grünwärts/Greenwards Euro 036.00 978-3-936681-92-5

...... Fischer, The i-Cosmos Euro 049.00 978-3-936681-48-2

...... Fischer, Lufthansa-Design Euro 039.90 978-3-932565-53-3

...... Fischer/Schulenburg, Sit in China Euro 039.90 978-3-936681-36-9

...... Fossil Design Euro 069.00 978-3-936681-24-6

...... Four Museums Euro 049.90 978-3-930698-68-4

...... John Frassanito & Associates Euro 052.00 978-3-930698-10-3

...... Friedman, Innovative Apartment Buildings Euro 069.00 978-3-86905-009-6

...... Gangler/Gaube/Petruccioli, Bukhara Euro 078.001 978-3-932565-27-4

...... Ivano Gianola Euro 086.00 978-3-930698-97-4

...... Reinhard Gieselmann Euro 078.00 978-3-932565-55-7

...... Gypsy Architecture Euro 059.00 978-3-936681-12-3

...... Grundmann, The Architecture of Rome Euro 036.00 978-3-936681-16-1

...... Grundmann, Architekturführer Rom Euro 036.00 978-3-930698-59-2

...... Guo, Chinese Vernacular Euro 059.001 978-3-936681-94-9

...... Zaha Hadid, Judith Turner: A Dialogue Euro 036.00 978-3-936681-91-8

...... Hascher Jehle. Kunstmuseum Stuttgart Euro 039.90 978-3-936681-06-2

...... Hehr, New Hollywood Euro 048.001 978-3-930698-94-3

...... Hilmer & Sattler Euro 078.00 978-3-930698-77-6

...... Hilmer & Sattler und Albrecht Euro 078.00 978-3-932565-39-7

...... Hindrichs/Daniels, Building Design in Tropical ... Euro 086.001 978-3-930698-83-7

...... Johannes Peter Hölzinger Euro 079.00 978-3-936681-61-1

...... Hofer, Reformarchitektur Euro 069.001 978-3-936681-01-7

...... Peter Hübner Euro 078.001 978-3-932565-02-1

...... Peter Hübner. Gesamtschule Gelsenkirchen Euro 049.00 978-3-932565-52-6

...... Ibbeken, Das andere Italien /The other Italy Euro 069.00 978-3-936681-43-7

...... Jacobsen/Sudendorf, Metropolis Euro 068.001 978-3-930698-85-1

...... Jatsch, Debordered Space Euro 049.001 978-3-932565-43-4

...... Kieß, Urbanismus im Industriezeitalter Euro 086.001 978-3-932565-20-5

...... Klaus Kinold Euro 049.90 978-3-936681-93-2

...... Kirsch, The Second Look Euro 049.001 978-3-936681-54-3

...... Kirsch, The Weissenhofsiedlung Euro 079.001 978-3-936681-60-4

...... Knudsen, v. Seidlein, Healthy Homes Euro 079.001 978-3-936681-81-9

...... Koppelkamm, The Imaginary Orient Euro 068.001 978-3-936681-77-2

...... Koppelkamm, Ortszeit Euro 029.90 978-3-936681-32-1

...... Kramm & Strigl Euro 078.00 978-3-932565-03-8

...... Rob Krier, Architectural Composition Euro 069.001 978-3-936681-39-0

...... Rob Krier, Cité Judiciaire, Luxembourg Euro 079.00 978-3-936681-37-6

...... Rob Krier, Figures 1954–1971 Euro 069.00 978-3-936681-64-2

...... Rob Krier, Figures 1972–1975 Euro 059.00 978-3-936681-65-9

...... Rob Krier, Figures 2000–2002 Euro 069.00 978-3-936681-38-3

...... Rob Krier, Petersburg Euro 069.00 978-3-936681-66-6

...... Peter Kulka Euro 078.00 978-3-932565-48-9

...... The Work of Tadaaki Kuwayama Euto 059.00 978-3-936681-80-2

Customer/Kunde :

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Terms of payment/Zahlungsbedingungen:

Terms of delivery/Lieferweg :1 reduced discount / reduzierter Rabatt

...... Fritz Leonhardt Euro 079.00 978-3-936681-28-4

...... MacMahon, The Architecture of East Australia Euro 036.00 978-3-930698-90-5

...... Imre Makovecz Euro 078.00 978-3-932565-56-4

...... The Spanish Gardens by Javier Mariátegui Euro 058.00 978-3-936681-98-7

...... Melnikov und sein Haus Euro 036.00 978-3-936681-89-5

...... Melnikov and his House Euro 036.00 978-3-936681-90-1

...... von Mende, Car Design Euro 049.90 978-3-86905-010-2

...... Moeller, The Film Minister Euro 052.001 978-3-932565-10-6

...... Mörike, Die Historie von der schönen Lau Euro 019.80 978-3-936681-83-3

...... Rafael Moneo. International Portfolio Euro 069.00 978-3-936681-56-7

...... Michael Nether. On Stage Euro 036.00 978-3-936681-70-3

...... Frei Otto, Gestalt finden Euro 058.001 978-3-930698-65-3

...... Frei Otto, Finding Form Euro 058.001 978-3-930698-66-0

...... Otto, Occupying and Connecting Euro 024.001 978-3-932565-11-3

...... Sanjay Patil Euro 049.90 978-3-86905-006-5

...... Bruno Paul Euro 059.001 978-3-932565-47-2

...... Ludwig Persius Euro 069.001 978-3-932565-46-5

...... Pieper, Pienza, Italian edition Euro 168.001 978-3-930698-07-3

...... Pitkar, The Romance of Red Stone Euro 059.00 978-81-900809-4-1

...... Phocas, Technology-Driven Design Euro 039.00 978-3-86905-002-7

...... Stefan Polónyi Euro 059.00 978-3-936681-58-1

...... Polster, BRAUN – Fifty Years of Design Euro 049.90 978-3-936681-35-2

...... Portugali, The Act of Creation and ... Euro 059.00 978-3-936681-05-5

...... Prussian Gardens /Preußische Gärten Euro 049.90 978-3-936681-68-0

...... Ragette, Architecture of the Arab Region Euro 078.001 978-3-932565-30-4

...... Gunter Rambow Euro 059.001 978-3-936681-19-2

...... Wolfgang Rang. Licht Raum/Light Space Euro 078.00 978-3-936681-76-5

...... Rang, StadtLicht / CityLight Euro 078.00 978-3-86905-001-0

...... Rave, Modern Architecture in Berlin Euro 036.00 978-3-936681-29-1

...... Riehle, Rheinbrücken /Rhine Bridges Euro 086.00 978-3-936681-74-1

...... Franz Riepl Euro 078.00 978-3-936681-00-0

...... Schaal. Exhibition Architecture Euro 078.00 978-3-930698-71-4

...... Schaal. Global Museum Euro 078.00 978-3-936681-14-7

...... Schaal. Landscape Architecture Euro 039.90 978-3-86905-003-4

...... Schaal, Learning from Hollywood Euro 039.90 978-3-936681-34-5

...... Schaal, Memorials Euro 069.00 978-3-936681-87-1

...... Schaal, Ruins Euro 079.00 978-3-936681-46-8

...... Schaal, Scenic Architecture Euro 036.00 978-3-936681-97-0

...... Schaal, Stadttagebücher Euro 079.00 978-3-936681-31-4

...... Schaal. Stage Architecture Euro 078.00 978-3-930698-86-8

...... Schaal. Work in Progress Euro 086.00 978-3-936681-49-9

...... Schätzke, German Architects in Britain Euro 059.001 978-3-936681-75-8

...... Schinkel. Aspekte seines Werks Euro 058.001 978-3-930698-81-3

...... Schinkel. Das architektonische Werk heute Euro 098.001 978-3-932565-25-0

...... Schinkel. Ein Sohn der Spätaufklärung Euro 029.801 978-3-932565-23-6

...... Schinkel. Leben und Werk Euro 068.001 978-3-932565-29-8

...... Schinkel. Späte Projekte Euro 198.001 978-3-930698-11-0

...... Schinkel. Späte Projekte (special edition) Euro 069.001 978-3-936681-78-9

...... Schinkel, Persius, Stüler Euro 049.901 978-3-936681-72-7

...... Schinkels Blick nach Indien Euro 029.901 978-3-936681-71-0

...... Schultz, Scarpa – Layers Euro 059.00 978-3-930698-14-1

...... Schultz, Time, Space and Material Euro 049.80 978-3-936681-88-8

...... Schwitalla, Built or Unbuilt Euro 059.00 978-3-932565-08-3

...... Spitz, Hochschule für Gestaltung Ulm Euro 078.001 978-3-932565-16-8

...... Friedrich August Stüler Euro 098.001 978-3-936681-10-9

...... Heinz Tesar. Architecture of Layers Euro 068.00 978-3-936681-21-5

Distributors/AuslieferungenBrockhaus Commission, Kreidlerstraße 9, D-70806 Kornwestheim, Germany, tel. +49-7154-1327-24, fax +49-7154-1327-13, menges@brocom.deGazelle Book Services, White Cross Mills, Hightown, Lancaster LA1 4XS, UK, tel. +44-1524-68765, fax +44-1524-63232, sales@gazellebooks.co.ukNational Book Network, 15200 NBN Way, Blue Ridge Summit, PA 17214, USA, tel. +1-800-4626420, fax +1-800-3384550, custserv@nbnbooks.com

Edition Axel MengesAxelMenges@aol.comwww.AxelMenges.de

Order Form/ Bestellblatt 2017-1, 2

Customer/Kunde :

Registration number/Verkehrsnummer:

Representative/Vertreter :

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Terms of delivery/Lieferweg :1 reduced discount / reduzierter Rabatt

...... Heinz Tesar. Zeichnungen/Drawings Euro 068.00 978-3-932565-31-1

...... Pierre Thiébaut, Old Buildings ... New Use Euro 069.00 978-3-936681-08-6

...... Thomsen/Krewani, Hollywood Euro 069.001 978-3-932565-44-1

...... Tokyo Euro 036.00 978-3-936681-27-7

...... Margarethe von Trotta Euro 052.001 978-3-930698-92-9

...... Klaus R. Uhlig Euro 059.00 978-3-936681-40-6

...... Valena, Structuralism Reloaded Euro 086.001 978-3-936681-47-5

...... Wagner, Basic Design Euro 069.001 978-3-936681-84-0

...... Watanabe, The Architecture of Tokyo Euro 036.00 978-3-930698-93-6

...... Wege, »Das Neue Europa« Euro 039.001 978-3-936681-95-6

...... Wege, »The New Europe« Euro 039.001 978-3-936681-96-3

...... Widmar Stewart, Champagne Regained Euro 059.00 978-3-936681-62-8

...... Widmar Stewart, Parks and Gardens in Paris Euro 069.00 978-3-936681-51-2

...... Widmar Stewart, Parcs et Jardins de Paris Euro 049.90 978-3-86905-007-2

...... Opus 8: Palau de la Música Catalana Euro 036.00 978-3-930698-08-0

...... Opus 9: Meier, Stadthaus Ulm Euro 036.00 978-3-930698-09-7

...... Opus 12: Schinkel, Charlottenhof Euro 036.00 978-3-930698-12-7

...... Opus 16: Fundación César Manrique Euro 036.00 978-3-930698-16-5

...... Opus 18: Fowler /Baker, Forth Bridge Euro 036.00 978-3-930698-18-9

...... Opus 19: Gisel, Rathaus Fellbach Euro 036.00 978-3-930698-19-6

...... Opus 21: Foster, Commerzbank Euro 039.90 978-3-930698-21-9

...... Opus 22: Carlo Scarpa, Museo Canoviano Euro 036.00 978-3-930698-22-6

...... Opus 32: Gehry, Guggenheim Bilbao Museoa Euro 029.90 978-3-930698-32-5

...... Opus 33: Neuschwanstein Euro 036.00 978-3-930698-33-2

...... Opus 36: Moneo, MFA, Houston Euro 036.00 978-3-930698-36-3

...... Opus 39: Arup, Hong Kong Station Euro 036.00 978-3-930698-39-4

...... Opus 40: Berger ..., Nordic Embassies, Berlin Euro 036.00 978-3-930698-40-0

...... Opus 41: Grimshaw, Halle 3, Frankfurt am Main Euro 036.00 978-3-930698-41-7

...... Opus 42: Tesar, Christus Hoffnung der Welt Euro 036.00 978-3-930698-42-4

...... Opus 44: Arribas, Seat-Pavillon Euro 036.00 978-3-930698-44-8

...... Opus 45: Stüler/Strack/Merz, Alte Nationalgalerie Euro 036.00 978-3-930698-45-5

...... Opus 47: Bolles+Wilson, Nieuwe Luxor Theater Euro 052.00 978-3-930698-47-9

...... Opus 51: Bolles+Wilson, Nord/LB Euro 036.00 978-3-930698-51-6

...... Opus 52: Brunnert, Leipzig/Halle Airport Euro 039.90 978-3-930698-52-3

...... Opus 53: Hölzinger, Haus in Bad Nauheim Euro 036.00 978-3-930698-53-0

...... Opus 54: Eiermann, Botschaft in Washington Euro 036.00 978-3-930698-54-7

...... Opus 55: Kulka, Bosch-Haus Heidehof Euro 036.00 978-3-930698-55-4

...... Opus 56: Am Bavariapark, Munich Euro 036.00 978-3-930698-56-1

...... Opus 57: Gerber, Messe Karlsruhe Euro 036.00 978-3-932565-57-1

...... Opus 58: Gigon/Guyer, Mouans-Sartoux Euro 036.00 978-3-932565-58-8

...... Opus 59: Schweizer, Milchhof, Nürnberg Euro 036.00 978-3-932565-59-5

...... Opus 60: Steidle+Partner, Alfred-Wegener-Institut Euro 036.00 978-3-932565-60-1

...... Opus 61: Sonwik, Flensburg Euro 036.00 978-3-932565-61-8

...... Opus 62: Eiermann/Ruf, German Pavilions, 1958 Euro 036.00 978-3-932565-62-5

...... Opus 63: Ihne/Tesar, Bode-Museum, Berlin Euro 039.00 978-3-932565-63-2

...... Opus 64: SOM, San Francisco International Euro 036.00 978-3-932565-64-9

...... Opus 65: Le Corbusier, Unité, Marseille Euro 039.00 978-3-932565-65-6

...... Opus 66: Coop Himmelb(lau, BMW Welt Euro 036.00 978-3-932565-66-3

...... Opus 67: Bruno Paul, Haus Friedwart, Wetzlar Euro 036.00 978-3-932565-67-0

...... Opus 68: Robert-Bosch-Krankenhaus Euro 049.00 978-3-932565-68-7

...... Opus 69: Rathaus Bremen Euro 039.00 978-3-932565-69-4

...... Opus 70: Birkerts, National Library of Latvia Euro 036.00 978-3-932565-70-0

...... Opus 71: Karmi, Supreme Court of Israel Euro 036.00 978-3-932565-71-7

...... Opus 72: Ruf, Kanzlerbungalow Euro 036.00 978-3-932565-72-4

...... Opus 73: Schweizer, Kollegiengebäude II Euro 036.00 978-3-932565-73-1

...... Opus 74: Dietrich Dietrich Tafel, MPIWG, Berlin Euro 036.00 978-3-932565-74-8

...... Opus 75: Schweizer, Stadium in Vienna Euro 036.00 978-3-932565-75-5

...... Opus 76: Cannstatter Straße 84, Fellbach Euro 036.00 978-3-932565-76-2

...... Opus 77: Kramer/SSP, BiK-F, Frankfurt a. Main Euro 036.00 978-3-932565-77-9

...... Opus 78: Gianola, LAC, Lugano Euro 039.90 978-3-932565-78-6

...... Opus 79: Coop Himmelb(l)au, Musée des ... Euro 036.00 978-3-932565-79-3

...... Opus 80: Ungers, Haus Belvederestraße, Köln Euro 036.00 978-3-932565-80-9

...... Opus 81: Scarpa, Museo di Castelvecchio Euro 036.00 978-3-932565-81-6

...... Opus 82: Bodensee-Wasserversorgung Euro 036.00 978-3-932565-82-3

...... Opus 83: Schulz und Schulz, St. Trinitatis Euro 036.00 978-3-932565-83-0

Distributors/AuslieferungenBrockhaus Commission, Kreidlerstraße 9, D-70806 Kornwestheim, Germany, tel. +49-7154-1327-24, fax +49-7154-1327-13, menges@brocom.deGazelle Book Services, White Cross Mills, Hightown, Lancaster LA1 4XS, UK, tel. +44-1524-68765, fax +44-1524-63232, sales@gazellebooks.co.ukNational Book Network, 15200 NBN Way, Blue Ridge Summit, PA 17214, USA, tel. +1-800-4626420, fax +1-800-3384550, custserv@nbnbooks.com