Saving the copy and paste generationAlberto Tudόn

Training AgendaTraining Expectations:

The Public Domain and Orphan Works Why all works can’t be digitized.

Content on the WebWhy everything on the web isn’t public domain.

The Teach ActThe impact copyright laws have had on distance education

Getting PermissionWhere you would go to get the permission you need.

SourcesSources used to develop this presentation

Fair useThe licenses that are available to the public

• How is an orphan work determined?

The Public Domain and Orphan Works Why all works can’t be digitized.

• A reasonable search for the author is done and none is found.

The Public Domain and Orphan Works Why all works can’t be digitized.

The Public Domain and Orphan Works Why all works can’t be digitized.

The owner of the

work may return and enforce his or her right making the violators legally liable.

The Public Domain and Orphan Works Cont.

• What libraries are doing about orphan works

Why all works can’t be digitized.

Searching for authorsMake a calculatedrisk

Post with restriction

Content on the Web

Copyright notice no longer required

All works are protected whether digital or not

Assume everything is a published printed work

Using materials from the Internet

Content on the Web Cont.

When an author posts something on the web without stating specifically what a reader may do with the material.

Implied license

Content on the Web Cont.

Very specific as to the use of the posted document

Allows material to be part of the flow of creativity.

Express License

Content on the Web Cont.

Individuals can be sued

Universities are liable for student infringement

Liability for posting infringing work

Fair UseThe licenses that are available and sources

Subscription licenses

Transaction licenses

Creative Commonslicenses

LibrariesCopyright Clearance

CenterAuthor

Fair Use Cont.

• The use of any material without the written consent of the owner carries a large financial penalty

$150,000.00

The licenses that are available to the public

The TEACH Act

TEACH Act of 2002 When making clips of

movies found on DVDs it must be made to an analog recording device only.

Ensure that any digital clip is kept in a digital format with technological protection.

The impact copyright laws have had on distance education

Getting Permission

Academic Image Cooperative

American Society of Media Photographers

Artists Rights Society Aurora Picture

Network International Media Image Resource

Alliance Visual Arts and Gallery

Association

Sources for collections of images

Getting Permission Cont.

Most colleges and universities do pay a fee to use music but only for a very limited use.

They are not allowed to play music in a dramatic setting like a play or dance without obtaining permission first.

Some misconceptions about using music in education

Together we can ensure that our students complete the necessary work without placing themselves in a legal predicament..

We can do it.Together

Sources

• Georgia, H., (2011, Sept. 4 ). Copyright Crash Course. Retrieved from http://copyright.lib.utexas.edu/pdandorphan.html.• Georgia, H., (2011, Sept. 4 ). Obtaining Rights to Produce a Play or Musical or use live music in performance Retrieved from http://copyright.lib.utexas.edu/perform.html.• Georgia, H., (2011, Sept. 4 ). Fair Use of Copyrighted Materials. Retrieved from http://copyright.lib.utexas.edu/copypol2.html.• Georgia, H., (2011, Sept. 4 ). The TEACH Act. Retrieved from http://copyright.lib.utexas.edu/teachact.html.• Georgia, H., (2011, Sept. 4 ). Getting Permission. Retrieved from http://copyright.lib.utexas.edu/permissn.html.

Sources used to develop this presentation