edwardian interiors · 2018. 9. 1. · velvet gauze linen cotton leather lace wallpaper fresh...

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Materials bamboo wicker mahogany polished wooden flooring 'Damask' and 'Chintz' textile upholstery floor & wall tiling Fabrics silk velvet gauze linen cotton leather lace Wallpaper fresh florals candy stripes 'Damask' pattern Lincrusta (embossed wallpaper) Features oriental rugs ‘the wing chair’ smaller fireplaces hanging lace curtains mirror/artpiece above fireplace non-heavy draping & layering Edwardian Interiors (1901-1910) Mood/Style transitioning to a more informal phase fresh & light feminine living rooms slightly darker Colour schemes - pastels contrasted with darker tones olive green mustard sage green pale blue primrose violet lilac Lighting (electricity was developed) table lamps wall lights

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  • Materials bamboowicker mahogany polished wooden flooring 'Damask' and 'Chintz' textile upholsteryfloor & wall tiling

    Fabrics silkvelvetgauzelinencottonleather lace

    Wallpaperfresh floralscandy stripes 'Damask' patternLincrusta (embossed wallpaper)

    Features oriental rugs ‘the wing chair’smaller fireplaces hanging lace curtains mirror/artpiece above fireplacenon-heavy draping & layering

    E d w a r d i a n I n t e r i o r s ( 1 90 1 - 1 9 1 0 )

    Mood/Style transitioning to a more informal phasefresh & lightfeminineliving rooms slightly darker

    Colour schemes - pastels contrasted with darker tonesolive greenmustardsage greenpale blueprimrose violetlilac

    Lighting (electricity was developed) table lamps wall lights

  • Co l o r P r o b l e m s : A P R AC T I C A L M A N U A L FOR T H E L A Y S T U D E N T O F CO LOR B y Em i l y N o y e s V a n d e r p o e l , p u b l i s h e d i n 1 90 3 .

    Emily Noyes Vanderpoel (1842-1939) was an artist, collector, scholar and historian working at the dawn of the 20th century. Color Problems: A Practical Manual for the Lay Student of Color was her first and most prominent work, outlining a comprehensive study on color theory at the time. In support of the text, there are 116 colour illustrations. I am drawn to her gridded Color Analysis works, which are an abstraction of observed domestic/common objects from the time. Each of the following 'Color Plates' will inform the colour palettes for each of the rooms in the house museum. The colours are contextually linked to the early 20th century era - a point in time that the site and house museum is dealing with through the various scenographic layers. Using the following Colour Plates as inspiration, I will use the same Color Analysis process to create colour and material schemes for each individual room of the house museum.

  • Co l o r P r o b l e m s : A P R AC T I C A L M A N U A L FOR T H E L A Y S T U D E N T O F CO LOR B y Em i l y N o y e s V a n d e r p o e l , p u b l i s h e d i n 1 90 3 .

  • Referenceshttp://www.victorian-era.org/edwardian-era-interiors.htmlhttp://www.bbc.co.uk/homes/design/period_edwardian.shtmlhttp://ia802509.us.archive.org/0/items/colorproblemspra00vand/colorproblemspra00vand.pdfhttps://www.sacredbonesrecords.com/collections/frontpage/products/emily-noyes-vanderpoel-color-problems