elegant greece magazine issue 1 sample

CULTURE 文化

FAMILY 家庭

FOOD 食品

BARS 酒吧

SHOPPING 购物

CLUBBING 的泡吧

NEAR ATHENS雅典附近

F O R T R A V E L E R S

WINTER2013

优雅的希腊为旅客

INTERVIEW // 访问ELEGANT GREECE

FASHION // 时尚

WINGS翼

Wings are made to fly And we don’t let nobody bring us down

No matter what you say – it won’t hurt me Don’t matter if I fall from the sky

These wings are made to fly

Peter Kelleher

翅膀飞我们不会让任何人把我们击倒不管你说什么 - 它不会伤害我并不重要，如果我从天上掉下来

这些翅膀飞

彼得·凯莱赫

fotographer Vaggelis Kyrisfashion editor Stelios Stylinoy

FASHION // 时尚

WINGS翼

Wings are made to fly And we don’t let nobody bring us down

No matter what you say – it won’t hurt me Don’t matter if I fall from the sky

These wings are made to fly

Peter Kelleher

翅膀飞我们不会让任何人把我们击倒不管你说什么 - 它不会伤害我并不重要，如果我从天上掉下来

这些翅膀飞

彼得·凯莱赫

fotographer Vaggelis Kyrisfashion editor Stelios Stylinoy

WINGS翼

FASHION // 时尚FASHION // 时尚Raeptur epudae prae omnim lab il enderum nist assunt viderferum iliquiaepera.嵌的吊灯圣亚他那修圣坛是岛上最圣亚他那修圣坛是岛上最,拥有非凡的

WINGS翼

FASHION // 时尚FASHION // 时尚Raeptur epudae prae omnim lab il enderum nist assunt viderferum iliquiaepera.嵌的吊灯圣亚他那修圣坛是岛上最圣亚他那修圣坛是岛上最,拥有非凡的

INTERVIEW // 访问 INTERVIEW // 访问ELEGANT GREECE ELEGANT GREECE

FASHION // 时尚FASHION // 时尚

Raeptur epudae prae omnim lab il enderum nist assunt viderfer-um iliquiaepera.嵌的吊灯圣亚他那修圣坛是岛上最圣亚他那修圣坛是岛上最,拥有非凡的

FASHION // 时尚FASHION // 时尚

Raeptur epudae prae omnim lab il enderum nist assunt viderferum iliquiaepera.嵌的吊灯圣亚他那修圣坛是岛上最圣亚他那修圣坛是岛上最,拥有非凡的

FASHION // 时尚

Raeptur epudae prae omnim lab il enderum nist assunt viderferum iliquiaepera dem fugit, secepuda quassi blat.嵌的吊灯圣亚他那修圣坛是岛上最圣亚他那修圣坛是岛上最,拥有非凡的

Raeptur epudae prae omnim lab il enderum nist assunt viderfer-um iliquiaepera.嵌的吊灯圣亚他那修圣坛是岛上最圣亚他那修圣坛是岛上最,拥有非凡的38

FASHION // 时尚

Raeptur epudae prae omnim lab il enderum nist assunt viderferum iliquiaepera dem fugit, secepuda quassi blat.嵌的吊灯圣亚他那修圣坛是岛上最圣亚他那修圣坛是岛上最,拥有非凡的

Raeptur epudae prae omnim lab il enderum nist assunt viderfer-um iliquiaepera.嵌的吊灯圣亚他那修圣坛是岛上最圣亚他那修圣坛是岛上最,拥有非凡的38

49 Raeptur epudae prae omnim lab il enderum nist assunt viderferum iliquiaepera.嵌的吊灯圣亚他那修圣坛是岛上最圣亚他那修圣坛是岛上最,拥有非凡的48

INTERVIEW // 访问ELEGANT GREECE Raeptur epudae prae

omnim lab il enderum nist assunt viderfer-um iliquiaepera.嵌的吊灯圣亚他那修圣坛是岛上最圣亚他那修圣坛是岛上最,拥有非凡的

INTERVIEW // 访问ELEGANT GREECE Raeptur epudae prae

omnim lab il enderum nist assunt viderfer-um iliquiaepera.嵌的吊灯圣亚他那修圣坛是岛上最圣亚他那修圣坛是岛上最,拥有非凡的

KAITI KOUTSOLIOUTSOUWITH OPTIMISM

以乐观的态度Tis quaspitium, sequatur aut verroris quas ad quis sunt abo. Fugiam rerum quo cone ea doluptam rae

voluptas im quam ut earum quae nobis aceserr oribus dolendunt, ommolorem vitias etur, temqui dest, ut quissunt que dit dem laboria isciis volupta ad ma is a cuptaquia dolor aut ratur, omnia natem lautem ut pra simaio quossim alitio. Nequasim conem explanis ipsam qui, illabo. Ique cullessitio. Nem eum facipitatur?

//斯科派洛斯岛的首都是中心镇-霍拉,是一个在港口海岸上建有圆形露天剧场的传统村庄。在村子里散步,你会看到被彩色装点风景如画的街道、楼梯、狭窄的小巷和拱门。拾阶而上,在城堡之上,你可以俯瞰爱琴海、

中心镇以及港口,无以伦比。你能探寻到圣人瑞基诺斯(Reginos)曾遇难的石桥,他在此斩首而死。

by Dionisis Theodosisfotographies Vaggelis Kyris

KAITI KOUTSOLIOUTSOUWITH OPTIMISM

以乐观的态度Tis quaspitium, sequatur aut verroris quas ad quis sunt abo. Fugiam rerum quo cone ea doluptam rae

voluptas im quam ut earum quae nobis aceserr oribus dolendunt, ommolorem vitias etur, temqui dest, ut quissunt que dit dem laboria isciis volupta ad ma is a cuptaquia dolor aut ratur, omnia natem lautem ut pra simaio quossim alitio. Nequasim conem explanis ipsam qui, illabo. Ique cullessitio. Nem eum facipitatur?

DU QIWENBRIDGE CONTACT

THE CHINESE IN ATHENS弥合与中国在雅典

Tis quaspitium, sequatur aut verroris quas ad quis sunt abo. Fugiam rerum quo cone ea doluptam rae voluptas im quam ut earum quae nobis aceserr oribus dolendunt, ommolorem vitias etur, temqui dest, ut quissunt que dit dem laboria isciis volupta ad ma is a cuptaquia dolor aut ratur, omnia natem lautem ut pra simaio quossim alitio. Nequasim conem explanis ipsam qui, illabo. Ique cullessitio. Nem eum facipitatur?

DU QIWENBRIDGE CONTACT

THE CHINESE IN ATHENS弥合与中国在雅典

INTERVIEW // 访问ELEGANT GREECE ELEGANT GREECE

TRADITION // 传统

EVZONASTHE

ATTITUDEEvzonas 态度

by Dionisis Theodosisfotografies Vaggelis Kyris

TRADITION // 传统

EVZONASTHE

ATTITUDEEvzonas 态度

by Dionisis Theodosisfotografies Vaggelis Kyris

ELEGANT GREECE ELEGANT GREECE

TRADITION // 传统

Raeptur epudae prae omnim lab il enderum nist assunt vider-ferum iliqui-aepera dem fugit, secepuda quassi blat.嵌的吊灯圣亚他那修圣坛是岛上最圣亚他那修圣坛是岛上最,拥有非凡的

TRADITION // 传统

AQUAMET PORECTECTO EUM LANDELIQUOS PARUNTIA CON NEMOLE ACERSPICIT OMNIMET RATEM CON RE ES // 斯科派洛斯岛最美丽的画面是僻斯岛最美丽的画面是僻斯岛最美丽的画面是僻静

ELEGANT GREECE ELEGANT GREECE

TRADITION // 传统

AQUAMET PORECTECTO EUM LANDELIQUOS PARUNTIA CON NEMOLE ACERSPICIT OMNIMET RATEM CON RE ES // 斯科派洛斯岛最美丽的画面是僻斯岛最美丽的画面是僻斯岛最美丽的画面是僻静

TRADITION // 传统

Anyone who reads Old and Middle English literary texts will be familiar with the mid-brown volumes of the EETS, with the symbol of Alfred’s jewel em-bossed on the front cover. Most of the works attributed to King Alfred or to Aelfric, along with some of those by bishop Wulfstan and much anonymous prose and verse from the pre-Conquest period, are to be found within the Society’s three series; all of the surviving medieval drama, most of the Middle English romances, much religious and secular prose and verse including the English works of John Gower, Thomas Hoccleve and most of Caxton’s prints all find their place in the publications. Without EETS edi-tions, study of medieval English texts would hardly be possible.

As its name states, EETS was begun as a ‘club’, and it retains certain features of that even now. It has no physical location, or even office, no paid staff or editors, but books in the Original Series are published in the first place to satisfy subscriptions paid by individuals or institutions. This means that there is need for a regular sequence of new editions, normally one or two per year; achieving that sequence can pose problems for the Editorial Secre-tary, who may have too few or too many texts ready for publication at any one time. Details on a sepa-rate sheet explain how individual (but not institutional) members can choose to take certain back volumes in place of the newly published volumes against their subscriptions. On the same sheet are given details about the very advantageous discount available to individual members on all back numbers. In 1970 a Supplemen-tary Series was begun, a series which only appears occasionally (it currently has 24 volumes within it); some of these are new editions of texts earlier appearing in the main series. Again these volumes are available at publication and later at a substantial discount to members. All these advantages can only be obtained through the

Membership Secretary (the books are sent by post); they are not available through bookshops, and such bookstores as carry EETS books have only a very limited selection of the many published.

Editors, who receive no royal-ties or expenses and who are only very rarely commissioned by the Society, are encouraged to approach the Editorial Secretary with a detailed proposal of the text they wish to suggest to the Society early in their work; interest may be expressed at that point, but before any text is accepted for publication the final typescript must be approved by the Council (a body of some twenty scholars), and then assigned a place in the printing schedule. The Society now has a stylesheet to guide edi-tors in the layout and conventions acceptable within its series. No prescriptive set of editorial princi-ples is laid down, but it is usually expected that the evidence of all relevant medieval copies of the text(s) in question will have been considered, and that the texts edited will be complete whatever their length. Editions are directed at a scholarly readership rather than a popular one; though they normally provide a glossary and notes, no translation is provided.

// 任何谁读古英语和中古英语文学作品，将熟悉的EETS中期棕色卷与阿尔弗雷德的宝石浮雕的封面上的象征。大部分的作品归于国王阿尔弗雷德或Aelfric，以及一些主教伍尔夫斯坦和很多匿名的散文和韵文征服前期间的，是要学会的3系列内发现;所有幸存的中世纪戏剧，中古英语的恋情，多宗教和世俗的散文和诗歌，包括英国的约翰·高尔，托马斯霍克利夫和卡克斯顿的版画作品，所有的出版物中找到自己的位置。无EETS版本，研究中世纪英语文本将几乎是不可能的。正如它的名字状态，EETS开始作为一个“俱乐部”，并保留一定的功能，即使是现在。它有没有物理位置，甚至办公室，没有支

付员工或编辑，但在原始的系列书籍出版摆在首位，以满足个人或机构支付的订阅。这意味着，有需要的新版本中，通常一个或两个，每年定期序列;实现这一顺序可能会造成问题，编辑秘书，谁可能在任一时刻有准备出版过少或过多的文本。在一个单独的工作表的详细解释个别地方对他们的订阅新出版的（但不是机构）的会员可以选择采取一定的返卷。在同一张纸上，是非常合算的折扣都回来了数字个别成员的详细信息。 1970年开始补充系列，一个系列，只是偶尔会出现（目前有24个卷内）;这些都是一些较早出现在主系列的新版本中的文本。同样，这些卷在出版和后来的成员有大幅折让。所有这些优势只能通过会员秘书（书已寄往），他们不是通过书店，等书店进行EETS书籍，只有一个非常有限的选择许多已发表的。编辑，谁没有收到特许权使用费或费用，只有很少由协会委托，鼓励接近编辑司司长利息可以表示在详细的建议的文字，他们希望协会早在他们的工作建议;这一点上，但在此之前的任何文本接受发表最后打字，必须由理事会（20位学者的一些身体）的批准，然后在印刷时间表指定的地方。现在社会有指导的编辑样式表来接受在其系列的布局和公约。没有规范的编辑原则是放下，但它通常是预期的证据将被视为所有相关的中世纪的文本副本（收费）问题，无论其长度将是完整的文本编辑。版本都是冲着一个书香的读者，而不是流行的一种，虽然他们通常提供了一个术语和注释，不提供翻译。

01 Raeptur epudae prae omnim lab il enderum nist assunt 02 viderfer-um iliquiaepera dem fugit, secepu-da quassi blat. 03 Raeptur epudae prae omnim lab il enderum nist assunt 04 viderferum iliquiaepera dem fugit, secepuda quassi blat. 01 嵌的吊灯圣亚他那修圣坛是 02 岛上最圣亚他那 03 修圣坛是岛上最,拥有非凡的 04 修圣坛是岛上最,拥有非凡的

AQUAMET PORECTECTO EUM

LANDELIQUOS PARUNTIA

CON NEMOLE ACERSPICIT

OMNIMET RATEM CON RE ES

//斯科派洛斯岛最美丽的画面是僻斯岛最美丽的画面是僻斯岛最美丽的画面是僻静

TRADITION // 传统

As its name states, EETS was begun as a ‘club’, and it retains certain features of that even now. It has no physical location, or even office, no paid staff or editors, but books in the Original Series are published in the first place to satisfy subscriptions paid by individuals or institutions. This means that there is need for a regular sequence of new editions, normally one or two per year; achieving that sequence can pose problems for the Editorial Secre-tary, who may have too few or too many texts ready for publication at any one time. Details on a sepa-rate sheet explain how individual (but not institutional) members can choose to take certain back volumes in place of the newly published volumes against their subscriptions. On the same sheet are given details about the very advantageous discount available to individual members on all back numbers. In 1970 a Supplemen-tary Series was begun, a series which only appears occasionally (it currently has 24 volumes within it); some of these are new editions of texts earlier appearing in the main series. Again these volumes are available at publication and later at a substantial discount to members. All these advantages can only be obtained through the

Membership Secretary (the books are sent by post); they are not available through bookshops, and such bookstores as carry EETS books have only a very limited selection of the many published.

Editors, who receive no royal-ties or expenses and who are only very rarely commissioned by the Society, are encouraged to approach the Editorial Secretary with a detailed proposal of the text they wish to suggest to the Society early in their work; interest may be expressed at that point, but before any text is accepted for publication the final typescript must be approved by the Council (a body of some twenty scholars), and then assigned a place in the printing schedule. The Society now has a stylesheet to guide edi-tors in the layout and conventions acceptable within its series. No prescriptive set of editorial princi-ples is laid down, but it is usually expected that the evidence of all relevant medieval copies of the text(s) in question will have been considered, and that the texts edited will be complete whatever their length. Editions are directed at a scholarly readership rather than a popular one; though they normally provide a glossary and notes, no translation is provided.

// 任何谁读古英语和中古英语文学作品，将熟悉的EETS中期棕色卷与阿尔弗雷德的宝石浮雕的封面上的象征。大部分的作品归于国王阿尔弗雷德或Aelfric，以及一些主教伍尔夫斯坦和很多匿名的散文和韵文征服前期间的，是要学会的3系列内发现;所有幸存的中世纪戏剧，中古英语的恋情，多宗教和世俗的散文和诗歌，包括英国的约翰·高尔，托马斯霍克利夫和卡克斯顿的版画作品，所有的出版物中找到自己的位置。无EETS版本，研究中世纪英语文本将几乎是不可能的。正如它的名字状态，EETS开始作为一个“俱乐部”，并保留一定的功能，即使是现在。它有没有物理位置，甚至办公室，没有支

付员工或编辑，但在原始的系列书籍出版摆在首位，以满足个人或机构支付的订阅。这意味着，有需要的新版本中，通常一个或两个，每年定期序列;实现这一顺序可能会造成问题，编辑秘书，谁可能在任一时刻有准备出版过少或过多的文本。在一个单独的工作表的详细解释个别地方对他们的订阅新出版的（但不是机构）的会员可以选择采取一定的返卷。在同一张纸上，是非常合算的折扣都回来了数字个别成员的详细信息。 1970年开始补充系列，一个系列，只是偶尔会出现（目前有24个卷内）;这些都是一些较早出现在主系列的新版本中的文本。同样，这些卷在出版和后来的成员有大幅折让。所有这些优势只能通过会员秘书（书已寄往），他们不是通过书店，等书店进行EETS书籍，只有一个非常有限的选择许多已发表的。编辑，谁没有收到特许权使用费或费用，只有很少由协会委托，鼓励接近编辑司司长利息可以表示在详细的建议的文字，他们希望协会早在他们的工作建议;这一点上，但在此之前的任何文本接受发表最后打字，必须由理事会（20位学者的一些身体）的批准，然后在印刷时间表指定的地方。现在社会有指导的编辑样式表来接受在其系列的布局和公约。没有规范的编辑原则是放下，但它通常是预期的证据将被视为所有相关的中世纪的文本副本（收费）问题，无论其长度将是完整的文本编辑。版本都是冲着一个书香的读者，而不是流行的一种，虽然他们通常提供了一个术语和注释，不提供翻译。

01 Raeptur epudae prae omnim lab il enderum nist assunt 02 viderfer-um iliquiaepera dem fugit, secepu-da quassi blat. 03 Raeptur epudae prae omnim lab il enderum nist assunt 04 viderferum iliquiaepera dem fugit, secepuda quassi blat. 01 嵌的吊灯圣亚他那修圣坛是 02 岛上最圣亚他那 03 修圣坛是岛上最,拥有非凡的 04 修圣坛是岛上最,拥有非凡的

AQUAMET PORECTECTO EUM

LANDELIQUOS PARUNTIA

CON NEMOLE ACERSPICIT

OMNIMET RATEM CON RE ES

//斯科派洛斯岛最美丽的画面是僻斯岛最美丽的画面是僻斯岛最美丽的画面是僻静

HIDDEN ATHENS优雅的雅典

CULTURE // 文化

FAMILY // 家庭

FOOD // 食品

SHOPPING // 购物

CLUBBING // 的泡吧

BARS // 酒吧

NEAR ATHENS // 雅典附近

HIDDEN ATHENS优雅的雅典

CULTURE // 文化

FAMILY // 家庭

FOOD // 食品

SHOPPING // 购物

CLUBBING // 的泡吧

BARS // 酒吧

NEAR ATHENS // 雅典附近

RESTAURANT // 餐厅ELEGANT GREECE

Anyone who reads Old and Middle English literary texts will be familiar with the mid-brown volumes of the EETS, with the symbol of Alfred’s jewel em-bossed on the front cover. Most of the works attributed to King Alfred or to Aelfric, along with some of those by bishop Wulfstan and much anonymous prose and verse from the pre-Conquest period, are to be found within the Society’s three series; all of the surviving medieval drama, most of the Middle English romances, much religious and secular prose and verse including the English works of John Gower, Thomas Hoccleve and most of Caxton’s prints all find their place in the publications. Without EETS edi-tions, study of medieval English texts would hardly be possible.// 任何谁读古英语和中古英语文学作品，将熟悉的EETS中期棕色卷与阿尔弗雷德的宝石浮雕的封面上的象征。大部分的作品归于国王阿尔弗雷德或Aelfric，以及一些主教伍尔夫斯坦和很多匿名的散文和韵文征服前期间的，是要学会的3系列内发现;所有幸存的中世纪戏剧，中古英语的恋情，多宗教和世俗的散文和诗歌，包括英国的约翰·高尔，托马斯霍克利夫和卡克斯顿的版画作品，所有的出版物中找到自己的位置。无EETS版本，研究中世纪英语文本将几乎是不可能的。

VAROULKO

NICE N EASYAnyone who reads Old and

Middle English literary texts will be familiar with the mid-brown volumes of the EETS, with the symbol of Alfred’s jewel em-bossed on the front cover. Most of the works attributed to King Alfred or to Aelfric, along with some of those by bishop Wulfstan and much anonymous prose and verse from the pre-Conquest period, are to be found within the Society’s three series; all of the surviving medieval drama, most of the Middle English romances, much religious and secular prose and verse including the English works of John Gower, Thomas Hoccleve and most of Caxton’s prints all find their place in the publications. Without EETS edi-tions, study of medieval English texts would hardly be possible.

// 任何谁读古英语和中古英语文学作品，将熟悉的EETS中期棕色卷与阿尔弗雷德的宝石浮雕的封面上的象征。大部分的作品归于国王阿尔弗雷德或Aelfric，以及一些主教伍尔夫斯坦和很多匿名的散文和韵文征服前期间的，是要学会的3系列内发现;所有幸存的中世纪戏剧，中古英语的恋情，多宗教和世俗的散文和诗歌，包括英国的约翰·高尔，托马斯霍克利夫和卡克斯顿的版画作品，所有的出版物中找到自己的位置。无EETS版本，研究中世纪英语文本将几乎是不可能的。

Anyone who reads Old and Middle English literary texts will be familiar with the mid-brown volumes of the EETS, with the symbol of Alfred’s jewel em-bossed on the front cover. Most of the works attributed to King Alfred or to Aelfric, along with some of those by bishop Wulfstan and much anonymous prose and verse from the pre-Conquest period, are to be found within the Society’s three series; all of the surviving medieval drama, most of the Middle English romances, much religious and secular prose and verse including the English works of John Gower, Thomas Hoccleve and most of Caxton’s prints all find their place in the publications. Without EETS edi-tions, study of medieval English texts would hardly be possible.// 任何谁读古英语和中古英语文学作品，将熟悉的EETS中期棕色卷与阿尔弗雷德的宝石浮雕的封面上的象征。大部分的作品归于国王阿尔弗雷德或Aelfric，以及一些主教伍尔夫斯坦和很多匿名的散文和韵文征服前期间的，是要学会的3系列内发现;所有幸存的中世纪戏剧，中古英语的恋情，多宗教和世俗的散文和诗歌，包括英国的约翰·高尔，托马斯霍克利夫和卡克斯顿的版画作品，所有的出版物中找到自己的位置。无EETS版本，研究中世纪英语文本将几乎是不可能的。

VAROULKO

NICE N EASYAnyone who reads Old and

WINE PRESΕNTATION // 餐厅ELEGANT GREECE

PRODUCT PRESΕNTATION // 餐厅ELEGANT GREECE

KALOGERI

HONEY «μ»

Anyone who reads Old and Middle English literary texts will be famil-iar with the mid-brown volumes of the EETS, with the symbol of Alfred’s jewel embossed on the front cover. Most of the works attributed to King Alfred or to Aelfric, along with some of those by bishop Wulfstan and much anonymous prose and verse from the pre-Conquest period, are to be found within the Society’s three series; all of the surviving medi-eval drama, most of the Middle English romances, much religious and secular.//任何谁读古英语和中古英语文学作品，将熟悉的EETS中期棕色卷与阿尔弗雷德的宝石浮雕的封面上的象征。大部分的作品归于国王阿尔弗雷德或Aelfric，以及一些主教伍尔夫斯坦和很多匿名的散文和韵文征服前期间的，是要学会的3系列内发现;所有幸存的中世纪戏剧，大多数中古英语的恋情，多宗教和世俗。

Anyone who reads Old and Middle English literary texts will be famil-iar with the mid-brown volumes of the EETS, with the symbol of Alfred’s jewel embossed on the front cover. Most of the works attributed to King Alfred or to Aelfric, along with some of those by bishop Wulfstan and much

anonymous prose and verse from the pre-Conquest period, are to be found within the Society’s three series; all of the surviving medi-eval drama, most of the Middle English romances, much religious and secular.//任何谁读古英语和中古英语文学

作品，将熟悉的EETS中期棕色卷与阿尔弗雷德的宝石浮雕的封面上的象征。大部分的作品归于国王阿尔弗雷德或Aelfric，以及一些主教伍尔夫斯坦和很多匿名的散文和韵文征服前期间的，是要学会的3系列内发现;所有幸存的中世纪戏剧，大多数中古英语的恋情，多宗教和世俗。

WINE PRESΕNTATION // 餐厅ELEGANT GREECE

PRODUCT PRESΕNTATION // 餐厅ELEGANT GREECE

KALOGERI

HONEY «μ»

Anyone who reads Old and Middle English literary texts will be famil-iar with the mid-brown volumes of the EETS, with the symbol of Alfred’s jewel embossed on the front cover. Most of the works attributed to King Alfred or to Aelfric, along with some of those by bishop Wulfstan and much anonymous prose and verse from the pre-Conquest period, are to be found within the Society’s three series; all of the surviving medi-eval drama, most of the Middle English romances, much religious and secular.//任何谁读古英语和中古英语文学作品，将熟悉的EETS中期棕色卷与阿尔弗雷德的宝石浮雕的封面上的象征。大部分的作品归于国王阿尔弗雷德或Aelfric，以及一些主教伍尔夫斯坦和很多匿名的散文和韵文征服前期间的，是要学会的3系列内发现;所有幸存的中世纪戏剧，大多数中古英语的恋情，多宗教和世俗。

Anyone who reads Old and Middle English literary texts will be famil-iar with the mid-brown volumes of the EETS, with the symbol of Alfred’s jewel embossed on the front cover. Most of the works attributed to King Alfred or to Aelfric, along with some of those by bishop Wulfstan and much

anonymous prose and verse from the pre-Conquest period, are to be found within the Society’s three series; all of the surviving medi-eval drama, most of the Middle English romances, much religious and secular.//任何谁读古英语和中古英语文学

作品，将熟悉的EETS中期棕色卷与阿尔弗雷德的宝石浮雕的封面上的象征。大部分的作品归于国王阿尔弗雷德或Aelfric，以及一些主教伍尔夫斯坦和很多匿名的散文和韵文征服前期间的，是要学会的3系列内发现;所有幸存的中世纪戏剧，大多数中古英语的恋情，多宗教和世俗。

IDEAS TO INVEST IN GREECE优雅的雅典

INVEST IN GREECE // 餐厅ELEGANT GREECE

MOSAICO BUILDINGAnyone who reads Old and

Middle English literary texts will be familiar with the mid-brown volumes of the EETS, with the symbol of Alfred’s jewel em-bossed on the front cover. Most of the works attributed to King Alfred or to Aelfric, along with some of those by bishop Wulfstan and much anonymous prose and verse from the pre-Conquest period, are to be found within the Society’s three series; all of the surviving medieval drama, most of the Middle English romances, much religious and secular prose and verse including the English works of John Gower, Thomas Hoccleve and most of Caxton’s prints all find their place in the publications. Without EETS edi-tions, study of medieval English texts would hardly be possible.// 任何谁读古英语和中古英语文学作品，将熟悉的EETS中期棕色卷与阿尔弗雷德的宝石浮雕的封面上的象征。大部分的作品归于国王阿尔弗雷德或Aelfric，以及一些主教伍尔夫斯坦和很多匿名的散文和韵文征服前期间的，是要学会的3系列内发现;所有幸存的中世纪戏剧，中古英语的恋情，多宗教和世俗的散文和诗歌，包括英国的约翰·高尔，托马斯霍克利夫和卡克斯顿的版画作品，所有的出版物中找到自己的位置。无EETS版本，研究中世纪英语文本将几乎是不可能的。

VILLA GALAXYAnyone who reads Old and

GALLERY ZOUMBOULAKIS

GREEK DNA // 希腊DNAELEGANT GREECE

1920 - 1994

MELINA MERCOURIGREEK ACTRESS AND POLITICIAN

I hope to see the Marbles back to Athens before I die. But if you come later, I will be reborn. Greece must protagonist culture. The Greece, this is the legacy of this is the property and if we lose we are not NOBODY//我希望能看到大理石返回雅典，在我死之前。但是，如果你回来后，我会重生。希腊必须主角文化。希腊，这是遗留下来的财产，如果我们输了，我们没有人

GREEK DNA // 希腊DNAELEGANT GREECE

1920 - 1994

MELINA MERCOURIGREEK ACTRESS AND POLITICIAN

I hope to see the Marbles back to Athens before I die. But if you come later, I will be reborn. Greece must protagonist culture. The Greece, this is the legacy of this is the property and if we lose we are not NOBODY//我希望能看到大理石返回雅典，在我死之前。但是，如果你回来后，我会重生。希腊必须主角文化。希腊，这是遗留下来的财产，如果我们输了，我们没有人

elegant greece magazine issue 1 sample

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