elements of designsuutechdesign.weebly.com/uploads/2/6/0/3/26033294/... · elements of design line...
TRANSCRIPT
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Elements of Design Line Shape/Form Color Texture/Pattern Light
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Light Necessity of Illumination (Natural or Artificial is necessary for vision)
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Chiaroscuro “Chiaro” meaning Light, “Scuro” meaning dark.
Is characterized by strong contrasts between light and dark, usually bold contrasts affecting a whole composition to produce dramatic effect.
This often what is referred to as “Mood”.
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Chiaroscuro Utilizing Value Form is Revealed
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What is the “mood” of this painting?
Philosopher in Meditation, Rembrandt
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Controllable Qualities of Light
DIRECTION
INTENSITY
COLOR
DISTRIBUTION
MOVEMENT
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Direction The direction (or angle) of light determines the length and location of the shadows cast
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Direction: The angle of the light source.
Caravaggio, The calling of Saint Mathew
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Direction: The angle of the light source.
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Intensity/Brightness The actual amount, or level of brightness, of light that strikes the location or subject. Intensity can range from total darkness to painfully brilliant white light
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INTENSITY: The brightness of the light source.
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INTENSITY: The brightness of the light source.
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Intensity
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INTENSITY SUBJECTIVE IMPRESSION.
How bright does the stage seem? This is relative.
ADAPTATION. As the intensity changes the viewer’s eye adapts
VISUAL FATIGUE. Too much/little light for too long is tiring.
VISUAL PERCEPTION. The amount of light needed to see an object.
MOOD. Bright light makes an audience more alert.
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Color The color of light reflected by the subject and environment.
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COLOR VISUAL PERCEPTION.
THE EYE SEES MORE CLEARLY IN THE YELLOW TO GREEN SPECTRUM.
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COLOR
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COLOR
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COLOR
Largely responsible for communicating “mood”
Warm for Comedy, Cool for Tragedy
Is only Perceived by the objects it is lighting.
The objects own color, and texture will effect this.
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Distribution Diffusion or Clarity
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DISTRIBUTION: FOCAL QUALITY OF LIGHT; It’s form
and direction.
Ranges from soft, shadow-less diffusion
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DISTRIBUTION:
…To a stark, strong, shaft of light.
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Movement Any change in intensity, color, direction, distribution, or texture of light http://www.youtube.com/wat
ch?v=urvBdY7v4a4
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Movem
ent
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Movement
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Movement: How light changes over time.
This describes the changeability of the first 4 properties. Direction: Right - left, Below - Above Intensity: Bright - Dim Color: The setting sun changes form lavender to amber. Distribution: The headlights created a stark shaft of light throwing long shadows across the room.
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Controllable Qualities of Light
DIRECTION
INTENSITY
COLOR
DISTRIBUTION
MOVEMENT
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Controllable Properties of
Light DIRECTION
INTENSITY
COLOR
DISTRIBUTION
MOVEMENT
Philosopher in Meditation, Rembrandt
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FUNCTIONS OF STAGE
LIGHTING
SELECTIVE VISIBILITY
REVELATION OF FORM
COMPOSITION
MOOD
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SELECTIVE VISIBILITY
Using Light to control the
composition on stage and direct
the audience where to look.
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SELECTIVE VISIBILITY
Must achieve visibility first.
Every member of the audience must be able to see CLEARLY and CORRECTLY the things they are intended to see.
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SELECTIVE VISIBILITY
An actor who
can not be seen
can not be
heard!
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SELECTIVE VISIBILITY
The eye is
attracted to the
brightest object
on stage.
Determined by:
Amount of light
Reflection of
the object
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Revelation of Form
Using Light and Shadow to reveal
an object in 3 dimensions.
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Revelation of Form
Modeling
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Revelation of Form
Modeling
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Composition
Painting the stage with light.
Using Color, Intensity, and
Distribution to create
compositions of color, light, and
shade over the setting and
around the actors.
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Composition Realize the visual aims of the SD.
Never sacrifice visibility for an attractive “picture”.
Compositions are not static, but must follow the play like an underscore.
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Mood
The powerful effect upon
our state of mind and
emotions
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Mood
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Mood
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SELECTIVE
VISIBILITY
REVELATION OF
FORM
COMPOSITION
MOOD
DIRECTION
INTENSITY
COLOR
DISTRIBUTION
MOVEMENT