elements of visual arts
TRANSCRIPT
![Page 1: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/1.jpg)
MARIA ESTELLA V SANCHEZ
Any person object scene event
described or represented in a work of art
Art that has subject is representational
Art that does not have subject is non-
representational
Realism ndash things depicted as what
naturally appears in nature
Fernando Amorsolo
Abstraction ndash is a process of simplifying
andor reorganizing objects and elements
according to the demands of artistic
expression
Hernando Ocampo
Distortion ndash is done to mean
twisting stretching or deforming that
natural shape of the object It is to
dramatize the shape of the figure to create
an emotional effect
The Descent from the Cross by Rogier van der Weyden (c1435ndash38)
bullNaturalism ndashis a style and theory of
representation based on the accurate
depiction of detail
Subject ndash object depicted by the artist
Content ndash reveals the artistrsquos attitude
toward his subject
Parisian Life by Juan Luna 1892 Oil on Canvas 22 x 31 in (57 x
79 cm)
Refers to the materialClassification
Visual or space art ndash mediums can be seen
Two-dimensional art
Three-dimensional art
Auditory art ndash mediums can be heard and expressed in
time
Combined art ndash mediums both seen and heard and exist
in both time and space
Painting
Drawing
Printmaking
Photography
Sculpture
Architecture
Landscaping
Community planning
Industrial design
Craftsbull Ceramics
bull Furniture-making
Music bull The first time I loved forever
Literaturebull The road not taken by Robert Frost
bull Sonnet 116
Dancebull Hip hop Dance
Dramabull Macbeth
Operabull Les Miserables
Moviesbull Film Analysis
Artistrsquos knowledge of medium and his skill
in making what he wants to make
bull Ex Poetrsquos technique in putting words together to
express an emotion or narrate a story
Poersquos Annabel Lee
Fresco ndash wet plaster cannot be changed
bull School of Athens by Raphael
Tempera ndash wooden panels combination of
gypsumchalk gelatin or glue
Last Supper by Leonardo da Vinci
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 2: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/2.jpg)
Any person object scene event
described or represented in a work of art
Art that has subject is representational
Art that does not have subject is non-
representational
Realism ndash things depicted as what
naturally appears in nature
Fernando Amorsolo
Abstraction ndash is a process of simplifying
andor reorganizing objects and elements
according to the demands of artistic
expression
Hernando Ocampo
Distortion ndash is done to mean
twisting stretching or deforming that
natural shape of the object It is to
dramatize the shape of the figure to create
an emotional effect
The Descent from the Cross by Rogier van der Weyden (c1435ndash38)
bullNaturalism ndashis a style and theory of
representation based on the accurate
depiction of detail
Subject ndash object depicted by the artist
Content ndash reveals the artistrsquos attitude
toward his subject
Parisian Life by Juan Luna 1892 Oil on Canvas 22 x 31 in (57 x
79 cm)
Refers to the materialClassification
Visual or space art ndash mediums can be seen
Two-dimensional art
Three-dimensional art
Auditory art ndash mediums can be heard and expressed in
time
Combined art ndash mediums both seen and heard and exist
in both time and space
Painting
Drawing
Printmaking
Photography
Sculpture
Architecture
Landscaping
Community planning
Industrial design
Craftsbull Ceramics
bull Furniture-making
Music bull The first time I loved forever
Literaturebull The road not taken by Robert Frost
bull Sonnet 116
Dancebull Hip hop Dance
Dramabull Macbeth
Operabull Les Miserables
Moviesbull Film Analysis
Artistrsquos knowledge of medium and his skill
in making what he wants to make
bull Ex Poetrsquos technique in putting words together to
express an emotion or narrate a story
Poersquos Annabel Lee
Fresco ndash wet plaster cannot be changed
bull School of Athens by Raphael
Tempera ndash wooden panels combination of
gypsumchalk gelatin or glue
Last Supper by Leonardo da Vinci
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 3: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/3.jpg)
Realism ndash things depicted as what
naturally appears in nature
Fernando Amorsolo
Abstraction ndash is a process of simplifying
andor reorganizing objects and elements
according to the demands of artistic
expression
Hernando Ocampo
Distortion ndash is done to mean
twisting stretching or deforming that
natural shape of the object It is to
dramatize the shape of the figure to create
an emotional effect
The Descent from the Cross by Rogier van der Weyden (c1435ndash38)
bullNaturalism ndashis a style and theory of
representation based on the accurate
depiction of detail
Subject ndash object depicted by the artist
Content ndash reveals the artistrsquos attitude
toward his subject
Parisian Life by Juan Luna 1892 Oil on Canvas 22 x 31 in (57 x
79 cm)
Refers to the materialClassification
Visual or space art ndash mediums can be seen
Two-dimensional art
Three-dimensional art
Auditory art ndash mediums can be heard and expressed in
time
Combined art ndash mediums both seen and heard and exist
in both time and space
Painting
Drawing
Printmaking
Photography
Sculpture
Architecture
Landscaping
Community planning
Industrial design
Craftsbull Ceramics
bull Furniture-making
Music bull The first time I loved forever
Literaturebull The road not taken by Robert Frost
bull Sonnet 116
Dancebull Hip hop Dance
Dramabull Macbeth
Operabull Les Miserables
Moviesbull Film Analysis
Artistrsquos knowledge of medium and his skill
in making what he wants to make
bull Ex Poetrsquos technique in putting words together to
express an emotion or narrate a story
Poersquos Annabel Lee
Fresco ndash wet plaster cannot be changed
bull School of Athens by Raphael
Tempera ndash wooden panels combination of
gypsumchalk gelatin or glue
Last Supper by Leonardo da Vinci
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 4: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/4.jpg)
Abstraction ndash is a process of simplifying
andor reorganizing objects and elements
according to the demands of artistic
expression
Hernando Ocampo
Distortion ndash is done to mean
twisting stretching or deforming that
natural shape of the object It is to
dramatize the shape of the figure to create
an emotional effect
The Descent from the Cross by Rogier van der Weyden (c1435ndash38)
bullNaturalism ndashis a style and theory of
representation based on the accurate
depiction of detail
Subject ndash object depicted by the artist
Content ndash reveals the artistrsquos attitude
toward his subject
Parisian Life by Juan Luna 1892 Oil on Canvas 22 x 31 in (57 x
79 cm)
Refers to the materialClassification
Visual or space art ndash mediums can be seen
Two-dimensional art
Three-dimensional art
Auditory art ndash mediums can be heard and expressed in
time
Combined art ndash mediums both seen and heard and exist
in both time and space
Painting
Drawing
Printmaking
Photography
Sculpture
Architecture
Landscaping
Community planning
Industrial design
Craftsbull Ceramics
bull Furniture-making
Music bull The first time I loved forever
Literaturebull The road not taken by Robert Frost
bull Sonnet 116
Dancebull Hip hop Dance
Dramabull Macbeth
Operabull Les Miserables
Moviesbull Film Analysis
Artistrsquos knowledge of medium and his skill
in making what he wants to make
bull Ex Poetrsquos technique in putting words together to
express an emotion or narrate a story
Poersquos Annabel Lee
Fresco ndash wet plaster cannot be changed
bull School of Athens by Raphael
Tempera ndash wooden panels combination of
gypsumchalk gelatin or glue
Last Supper by Leonardo da Vinci
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 5: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/5.jpg)
Distortion ndash is done to mean
twisting stretching or deforming that
natural shape of the object It is to
dramatize the shape of the figure to create
an emotional effect
The Descent from the Cross by Rogier van der Weyden (c1435ndash38)
bullNaturalism ndashis a style and theory of
representation based on the accurate
depiction of detail
Subject ndash object depicted by the artist
Content ndash reveals the artistrsquos attitude
toward his subject
Parisian Life by Juan Luna 1892 Oil on Canvas 22 x 31 in (57 x
79 cm)
Refers to the materialClassification
Visual or space art ndash mediums can be seen
Two-dimensional art
Three-dimensional art
Auditory art ndash mediums can be heard and expressed in
time
Combined art ndash mediums both seen and heard and exist
in both time and space
Painting
Drawing
Printmaking
Photography
Sculpture
Architecture
Landscaping
Community planning
Industrial design
Craftsbull Ceramics
bull Furniture-making
Music bull The first time I loved forever
Literaturebull The road not taken by Robert Frost
bull Sonnet 116
Dancebull Hip hop Dance
Dramabull Macbeth
Operabull Les Miserables
Moviesbull Film Analysis
Artistrsquos knowledge of medium and his skill
in making what he wants to make
bull Ex Poetrsquos technique in putting words together to
express an emotion or narrate a story
Poersquos Annabel Lee
Fresco ndash wet plaster cannot be changed
bull School of Athens by Raphael
Tempera ndash wooden panels combination of
gypsumchalk gelatin or glue
Last Supper by Leonardo da Vinci
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 6: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/6.jpg)
bullNaturalism ndashis a style and theory of
representation based on the accurate
depiction of detail
Subject ndash object depicted by the artist
Content ndash reveals the artistrsquos attitude
toward his subject
Parisian Life by Juan Luna 1892 Oil on Canvas 22 x 31 in (57 x
79 cm)
Refers to the materialClassification
Visual or space art ndash mediums can be seen
Two-dimensional art
Three-dimensional art
Auditory art ndash mediums can be heard and expressed in
time
Combined art ndash mediums both seen and heard and exist
in both time and space
Painting
Drawing
Printmaking
Photography
Sculpture
Architecture
Landscaping
Community planning
Industrial design
Craftsbull Ceramics
bull Furniture-making
Music bull The first time I loved forever
Literaturebull The road not taken by Robert Frost
bull Sonnet 116
Dancebull Hip hop Dance
Dramabull Macbeth
Operabull Les Miserables
Moviesbull Film Analysis
Artistrsquos knowledge of medium and his skill
in making what he wants to make
bull Ex Poetrsquos technique in putting words together to
express an emotion or narrate a story
Poersquos Annabel Lee
Fresco ndash wet plaster cannot be changed
bull School of Athens by Raphael
Tempera ndash wooden panels combination of
gypsumchalk gelatin or glue
Last Supper by Leonardo da Vinci
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 7: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/7.jpg)
Subject ndash object depicted by the artist
Content ndash reveals the artistrsquos attitude
toward his subject
Parisian Life by Juan Luna 1892 Oil on Canvas 22 x 31 in (57 x
79 cm)
Refers to the materialClassification
Visual or space art ndash mediums can be seen
Two-dimensional art
Three-dimensional art
Auditory art ndash mediums can be heard and expressed in
time
Combined art ndash mediums both seen and heard and exist
in both time and space
Painting
Drawing
Printmaking
Photography
Sculpture
Architecture
Landscaping
Community planning
Industrial design
Craftsbull Ceramics
bull Furniture-making
Music bull The first time I loved forever
Literaturebull The road not taken by Robert Frost
bull Sonnet 116
Dancebull Hip hop Dance
Dramabull Macbeth
Operabull Les Miserables
Moviesbull Film Analysis
Artistrsquos knowledge of medium and his skill
in making what he wants to make
bull Ex Poetrsquos technique in putting words together to
express an emotion or narrate a story
Poersquos Annabel Lee
Fresco ndash wet plaster cannot be changed
bull School of Athens by Raphael
Tempera ndash wooden panels combination of
gypsumchalk gelatin or glue
Last Supper by Leonardo da Vinci
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 8: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/8.jpg)
Refers to the materialClassification
Visual or space art ndash mediums can be seen
Two-dimensional art
Three-dimensional art
Auditory art ndash mediums can be heard and expressed in
time
Combined art ndash mediums both seen and heard and exist
in both time and space
Painting
Drawing
Printmaking
Photography
Sculpture
Architecture
Landscaping
Community planning
Industrial design
Craftsbull Ceramics
bull Furniture-making
Music bull The first time I loved forever
Literaturebull The road not taken by Robert Frost
bull Sonnet 116
Dancebull Hip hop Dance
Dramabull Macbeth
Operabull Les Miserables
Moviesbull Film Analysis
Artistrsquos knowledge of medium and his skill
in making what he wants to make
bull Ex Poetrsquos technique in putting words together to
express an emotion or narrate a story
Poersquos Annabel Lee
Fresco ndash wet plaster cannot be changed
bull School of Athens by Raphael
Tempera ndash wooden panels combination of
gypsumchalk gelatin or glue
Last Supper by Leonardo da Vinci
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 9: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/9.jpg)
Painting
Drawing
Printmaking
Photography
Sculpture
Architecture
Landscaping
Community planning
Industrial design
Craftsbull Ceramics
bull Furniture-making
Music bull The first time I loved forever
Literaturebull The road not taken by Robert Frost
bull Sonnet 116
Dancebull Hip hop Dance
Dramabull Macbeth
Operabull Les Miserables
Moviesbull Film Analysis
Artistrsquos knowledge of medium and his skill
in making what he wants to make
bull Ex Poetrsquos technique in putting words together to
express an emotion or narrate a story
Poersquos Annabel Lee
Fresco ndash wet plaster cannot be changed
bull School of Athens by Raphael
Tempera ndash wooden panels combination of
gypsumchalk gelatin or glue
Last Supper by Leonardo da Vinci
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 10: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/10.jpg)
Sculpture
Architecture
Landscaping
Community planning
Industrial design
Craftsbull Ceramics
bull Furniture-making
Music bull The first time I loved forever
Literaturebull The road not taken by Robert Frost
bull Sonnet 116
Dancebull Hip hop Dance
Dramabull Macbeth
Operabull Les Miserables
Moviesbull Film Analysis
Artistrsquos knowledge of medium and his skill
in making what he wants to make
bull Ex Poetrsquos technique in putting words together to
express an emotion or narrate a story
Poersquos Annabel Lee
Fresco ndash wet plaster cannot be changed
bull School of Athens by Raphael
Tempera ndash wooden panels combination of
gypsumchalk gelatin or glue
Last Supper by Leonardo da Vinci
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 11: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/11.jpg)
Music bull The first time I loved forever
Literaturebull The road not taken by Robert Frost
bull Sonnet 116
Dancebull Hip hop Dance
Dramabull Macbeth
Operabull Les Miserables
Moviesbull Film Analysis
Artistrsquos knowledge of medium and his skill
in making what he wants to make
bull Ex Poetrsquos technique in putting words together to
express an emotion or narrate a story
Poersquos Annabel Lee
Fresco ndash wet plaster cannot be changed
bull School of Athens by Raphael
Tempera ndash wooden panels combination of
gypsumchalk gelatin or glue
Last Supper by Leonardo da Vinci
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 12: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/12.jpg)
Dancebull Hip hop Dance
Dramabull Macbeth
Operabull Les Miserables
Moviesbull Film Analysis
Artistrsquos knowledge of medium and his skill
in making what he wants to make
bull Ex Poetrsquos technique in putting words together to
express an emotion or narrate a story
Poersquos Annabel Lee
Fresco ndash wet plaster cannot be changed
bull School of Athens by Raphael
Tempera ndash wooden panels combination of
gypsumchalk gelatin or glue
Last Supper by Leonardo da Vinci
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 13: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/13.jpg)
Artistrsquos knowledge of medium and his skill
in making what he wants to make
bull Ex Poetrsquos technique in putting words together to
express an emotion or narrate a story
Poersquos Annabel Lee
Fresco ndash wet plaster cannot be changed
bull School of Athens by Raphael
Tempera ndash wooden panels combination of
gypsumchalk gelatin or glue
Last Supper by Leonardo da Vinci
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 14: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/14.jpg)
Fresco ndash wet plaster cannot be changed
bull School of Athens by Raphael
Tempera ndash wooden panels combination of
gypsumchalk gelatin or glue
Last Supper by Leonardo da Vinci
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 15: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/15.jpg)
Tempera ndash wooden panels combination of
gypsumchalk gelatin or glue
Last Supper by Leonardo da Vinci
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 16: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/16.jpg)
bull Oil ndash ready mixed in tubes dries slowly
Mona Lisa
by Leonardo da Vinci
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 17: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/17.jpg)
bull Water Color ndash 19th Cent artist work rapidly and
cannot change anything
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 18: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/18.jpg)
Horror Vacui ndash painters fill up all available spaces
with shapes and colors
Muslim Wedding (left)
by Carlos Francisco 1958
Mangingisda (right)
by Carlos Francisco
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 19: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/19.jpg)
Stone
Wood
Metal
Marble
Bronze
Glass
Junk
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 20: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/20.jpg)
Stone
Brick
Concrete
Steel
Glass
Wood
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 21: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/21.jpg)
Shape of a work of art
Horizontal line ndash serenity and perfect
stability
Vertical line ndash poised and stable
Diagonal line ndash implies action movement
Curved line ndash grace and movement
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 22: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/22.jpg)
Series of wave length
Beam of light contains different colors why
we see objects as having colors
Primary colors
Secondary colors
Tertiary colors
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 23: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/23.jpg)
The way two objects feel to the touch
Smooth
Rough
Grooved
Ridged
Furry
Silky
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 24: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/24.jpg)
Solidity and thickness
Chiaroscuro ndash technique which concentrates on the effect of blending light and shade on objects to create an illusion of space and atmosphere
Tenebrism ndash is a style of painting which exaggerates the effect of chiaroscuro
Use of larger amount of dark areas beside smaller areas of light for emphasis
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 25: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/25.jpg)
Linear Perspective ndash objects become
smaller as they recede into the distance
Aerial Perspective ndash objects become
fainter in the distance due to the effects of
the atmosphere
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 26: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/26.jpg)
Over-all design of a work of art
Triangular
Circular
Square
Rectangular
Oblong
Closed ndash contained within the frame
Open - action extends out of the frame
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 27: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/27.jpg)
Mosaic - -creates pictures on flat surface
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 28: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/28.jpg)
Stained Glass ndash enlivened tomblike a
interiors and introduced a bright and warm
atmosphere- means of religious instructions
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 29: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/29.jpg)
Tapestry ndash decorated hangings to drab
interiors and served to warm the room
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 30: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/30.jpg)
Free-Standing Sculpture ndash statuary
High-Relief Sculpture ndash flat background
Bas-Relief Sculpture ndash slightly raised
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 31: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/31.jpg)
Retablo
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 32: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/32.jpg)
Carving ndash subtractive process
removing unwanted portions
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 33: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/33.jpg)
Modeling ndash additive process building
using wax or clay
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 34: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/34.jpg)
Casting ndash complex process covers the
original model with a mold
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 35: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/35.jpg)
Fabrication ndash additive process method
of joining or fastening as
nailing stapling soldering and welding
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 36: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/36.jpg)
Post-and lintel ndash two vertical posts and
horizontal beam
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 37: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/37.jpg)
Arch ndash wedge-shaped blocks arranged in
semi-circle
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 38: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/38.jpg)
Truss ndash triangular forms assembles into
rigid framework and functioning like beam
or lintel bridges gymnasium halls
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 39: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/39.jpg)
Skeleton ndash reinforced concrete and steel
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 40: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/40.jpg)
Cantilever ndash beam or slab extending
horizontally into space beyond its
supporting post
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 41: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/41.jpg)
Adajar C C amp Corbita D P (2011) Art in a capsule Introduction to painting sculpture architecture and film Malabon City Mutya Publishing House Inc
Ariola M M (2008) Introduction to art appreciation A textbook in humanities QC CampE Publishing Inc
Mason A (2007) A history of western art From prehistory to the 2oth century J T Spike (Ed) New York Abrams Books for young Readers
Sanchez C A et al (2002) Introduction to humanities (revised ed) Manila REX Book Store
![Page 42: Elements of visual arts](https://reader033.vdocument.in/reader033/viewer/2022042511/559dd0d01a28abb2738b4638/html5/thumbnails/42.jpg)